New Mexico Philharmonic Program Book • 2022/23 Season • Volume 11 • No. 3

22/23 VOLUME 11 / NO. 3

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THE NEW MEXICO PHILHARMONIC FOUNDATION HAS ACHIEVED AROUND $2 MILLION IN ASSETS.

Please be part of our success and join our family of donors.

New Mexico Philharmonic Foundation Inc. PO Box 16422 Albuquerque, NM 87191

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We invite you to engage more deeply with the orchestra and its musicians. This program comes with wonderful benefits that give you a chance to develop a personal relationship with one of our stellar musicians. Please call to find out the benefits and cost of sponsorship.

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DWAYNE & MARJORIE LONGENBAUGH Laura Chang Principal viola Laura Steiner violin

WISE GIVING There are many ways to support the New Mexico Philharmonic and the New Mexico Philharmonic Foundation. We thank our members, donors, volunteers, sponsors, and advertisers for their loyalty and enthusiasm and their help in ensuring the future of symphonic music in New Mexico for years to come.

LOOKING TO MAKE SMART DONATIONS? Based on presentations by professional financial advisors, here are some strategies for giving wisely, following recent changes in the tax law. The advisors identified five strategies that make great sense. Here they are in brief: GIVE CASH: Whether you itemize deductions or not, it still works well.

GIVE APPRECIATED ASSETS: This helps you avoid capital gains taxes, will give you a potentially more significant deduction if you itemize, and can reduce concentrated positions in a single company.

BUNCH GIVING: Give double your normal amount every other year to maximize deductions.

QUALIFIED CHARITABLE DISTRIBUTION/REQUIRED MINIMUM DISTRIBUTION: If you are required to take an IRA distribution, don’t need the cash, and don’t want the increased taxes, have the distribution sent directly to a qualified charity.

HIGH-INCOME YEARS: If you are going to have high-income years (for any number of reasons), accelerate your deductions, avoid capital gains, and spread out gifts through a Donor-Advised Fund.

BE PROACTIVE: Consult your own financial advisor to help you implement any of these. Please consider applying one or more of these strategies for your extra giving to the NMPhil.

PLAN A WISE GIVING STRATEGY

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WELCOME LETTER FROM THE

MUSIC DIRECTOR Our season is now in full swing, and we kicked it off wonderfully with the Tchaikovsky Festival and great soloists such as Olga Kern, Sylvia Thereza, the winners of the Olga Kern International Piano Competition, and Richard Scofano. I hope you were able to attend all or most of these concerts and that you, just like me, had a memorable experience with your NMPhil.

As we enter the holiday season, I would like to wish all of you Happy Holidays, and I look forward to seeing you in the concert hall as we close out 2022. It is always such a pleasure to lead the orchestra for you, and every musician feels the same joy playing for you. Have a great evening!

NMPHIL .

TABLE OF CONTENTS PROGRAMS

November 18, 2022 Program November 19, 2022 Program December 3, 2022 Program December 9, 2022 Program December 10, 2022 Program December 11, 2022 Program December 17, 2022 Program December 18, 2022 Program Program Notes

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ARTISTS

Roberto Minczuk Music Director In 2017, GRAMMY® Award-winning conductor Roberto Minczuk was appointed Music Director of the New Mexico Philharmonic and of the Theatro Municipal Orchestra of São Paulo. He is also Music Director Laureate of the Calgary Philharmonic Orchestra (Canada) and Conductor Emeritus of the Orquestra Sinfônica Brasileira (Rio de Janeiro). In Calgary, he recently completed a 10-year tenure as Music Director, becoming the longest-running Music Director in the orchestra’s history. ●

read full bio on page 12

Roberto Minczuk Bradley Ellingboe Coro Lux Jason Altieri Manzano Day School Chorus / Jamie Jones Vlad Vizireanu Steven Smith

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YOUR NMPHIL

Sponsor a Musician New Mexico Philharmonic Foundation Strategies for Wise Giving Letter from the Music Director Havana Nights Gala Orchestra, Staff Board of Directors, Advisory Board Donor Circles NMPhil Foundation Donors & Trustees Steinway Society Legacy Society Thank You Sponsors Upcoming Concerts

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Interested in placing an ad in the NMPhil program book? Contact Christine Rancier: (505) 323-4343 / crancier@nmphil.org CONNECT WITH US

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P R O U D T O B E S U P P O R T I N G T H E M E X I C O P H I L H A R M O N I C

S C A L O I T A L I A N R E S T A U R A N T 3 5 0 0 C E N T R A L A V E S E A L B U Q U E R Q U E N M 8 7 1 0 6 S C A L O A B Q . C O M

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CONCERT PROGRAM .

COFFEE CONCERT

Only Bruckner!

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Friday, November 18, 2022, 10:45 a.m.

Immanuel Presbyterian Church

Roberto Minczuk Music Director

Symphony No. 3 in d minor, “Wagner Symphony,” WAB 103 (1889) I. Mäßig bewegt II. Adagio (etwas bewegt), quasi Andante III. Scherzo. Ziemlich schnell IV. Finale. Allegro

The New Mexico Philharmonic

Anton Bruckner (1824–1896)

MAKING A DIFFERENCE

This performance is made possible by: Meredith Foundation

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CONCERT PROGRAM .

ROCK & POPS

Music from Blockbusters

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Saturday, November 19, 2022, 8 p.m.

Popejoy Hall

Steven Smith conductor

Hooray for Hollywood

Richard A. Whiting arr. John Williams

Symphony No. 2, “Romantic,” Op. 30 I. Adagio Music from Gladiator

Howard Hanson

MAKING A DIFFERENCE

This performance is made possible in part by: Sandia Laboratory Federal Credit Union

Hans Zimmer arr. John Wasson

End Title from Predator

Alan Silvestri ed. Victor Pesavento

Forrest Gump Suite

Alan Silvestri arr. Calvin Custer

Aladdin Suite for Orchestra

Alan Menken arr. Daniel Oliva I N T E R M I S S I O N

The Magnificent Seven

Elmer Bernstein ed. Patrick Russ

“Married Life” from Up

Michael Giacchino arr. Emma Gibbins

Music from Apollo 13

Theme from Mission Impossible

Selections from Pirates of the Caribbean: The Curse of the Black Pearl Fog Bound The Medallion Calls To the Pirates’ Cave The Black Pearl One Last Shot He’s a Pirate

Star Wars Suite for Orchestra Main Title The New Mexico Philharmonic

James Horner arr. John Moss Lalo Shifrin arr. Calvin Custer Klaus Badelt arr. Ted Ricketts

John Williams

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CONCERT PROGRAM .

WINTER FESTIVAL

Hallelujah!

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Saturday, December 3, 2022, 3 p.m.

Immanuel Presbyterian Church

Roberto Minczuk Music Director

“Hallelujah Chorus” from Messiah

George Frideric Handel

“Noël” from Symphonic Sketches

George Whitefield Chadwick

“March of the Toys” from Babes in Toyland

“Intro, March, and Shepherd’s Dance” from Amahl and the Night Visitors

Victor Herbert

Gian Carlo Menotti

“Sleigh Ride”

Leroy Anderson

“Troika” from Lt. Kije

Sergei Prokofiev

I N T E R M I S S I O N

Selections from The Nutcracker Overture Dance of the Sugar Plum Fairy Waltz of the Flowers

“Parade of the Wooden Soldiers”

“Evening Prayer/Dream Pantomime from Hansel and Gretel

Carol Sing-Along

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Pyotr Ilych Tchaikovsky

Leon Jessel arr. Morton Gould

Engelbert Humperdinck

Jeff Tyzik

MAKING A DIFFERENCE

This performance is made possible by: Albuquerque Community Foundation

CONCERT PROGRAM .

SPECIAL

Messiah

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Friday, December 9, 2022, 7:30 p.m.

Saturday, December 10, 2022, 7:30 p.m.

Sunday, December 11, 2022, 3 p.m.

Alto Rebecca Brunette • Angelynn Gomez • Camille Kelly Sharlotte Kramer • Sarah Rulfs

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Immanuel Presbyterian Church

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Bradley Ellingboe conductor Coro Lux Chamber Chorus Soprano Gabrielle Dietrich • Shelly Ley Sarah Lopez • Jen Prakash Elizabeth Wenrich

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Tenor Mark Adrian Cameron Byrley • Bryan Butler Casey Haynes Garrett Keith

Bass Martin Doviak Richard Macklin David Milford Joe Mitchell • Peter Stoll

V. Sue Cleveland High School Auditorium

• Soloist

Messiah

George Frideric Handel (1685–1759)

PART I

PART II

Sinfonia, Instrumental Comfort ye my people, Tenor Every valley shall be exalted, Tenor And the glory of the Lord, Chorus Behold, a virgin shall conceive, MezzoSoprano O thou that tellest good tidings, MezzoSoprano and Chorus For unto us a Child is born, Chorus Pastoral Symphony (Pifa), Instrumental There were shepherds abiding in the field, Soprano And lo, the angel of the Lord came upon them, Soprano And the angel said unto them, Soprano And suddenly there was with the angel, Soprano Glory to God, Chorus Rejoice greatly, O daughter of Zion, Soprano Then shall the eyes of the blind be opened, Mezzo-Soprano He shall feed His flock like a shepherd, Mezzo-Soprano and Soprano His yoke is easy, Chorus

Behold the Lamb of God, Chorus He was despised, Mezzo-Soprano Surely He hath borne our griefs, Chorus And with His stripes we are healed, Chorus All we like sheep have gone astray, Chorus All they that see Him, Bass He trusted in God, Chorus Thy rebuke has broken His heart, Tenor Behold and see, Tenor He was cut off out of the land of the living, Soprano But Thou didst not leave His soul in Hell, Soprano The Lord gave the word, Chorus Their sound is gone out into all lands, Chorus Why do the nations so furiously rage? Bass He that dwelleth in Heaven, Tenor Thou shalt break them, Tenor Hallelujah, Chorus

I N T E R M I S S I O N

The New Mexico Philharmonic

MAKING A DIFFERENCE

These performances are made possible in part by: Allene & Walter Kleweno, in honor of their 60th wedding anniversary

PART III

I know that my Redeemer liveth, MezzoSoprano Since by man came death, Chorus Behold, I tell you a mystery, Bass The trumpet shall sound, Bass Worthy is the Lamb that was slain – Amen, Chorus

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CONCERT PROGRAM .

SPECIAL

Holiday Pops!

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Saturday, December 17, 2022, 6:00 p.m.

Immanuel Presbyterian Church

Jason Altieri conductor Manzano Day School Chorus / Jamie Jones director

“It’s the Most Wonderful Time of the Year”

arr. Bob Cerulli

The Bells of Christmas

arr. Bob Krogstad

“Somewhere in My Memory”

John Williams / arr. Mark Hayes

“Everywhere Christmas Tonight”

J. Paul Williams / Joseph Martin

“Carol of the Bells”

arr. Richard Hayman

“The Christmas Song”

Mel Tormé / arr. Bob Lowden

“Dance of the Tumblers”

Nikolai Rimsky-Korsakov

“The Wexford Carol”

arr. Dan Goeller

Polonaise from Christmas Eve Suite

Nikolai Rimsky-Korsakov

Trepak from The Nutcracker

Pyotr Ilych Tchaikovsky

“Santa Tap”

T. Kaye

I N T E R M I S S I O N

Christmas Fantasy “You’re a Mean One, Mr. Grinch”

arr. Dan Goeller Albert Hague / arr. Wes Funderburk

Fantasia on Greensleeves

Ralph Vaughan Williams

“The Musical Sleigh Ride”

Leopold Mozart

“Sleigh Ride”

Frederick Delius

“Sleigh Ride”

Leroy Anderson

“Appalachian Carol”

arr. Dan Goeller

“Twelve Days of Christmas” Christmas Pop Sing-Along

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arr. Matt Catingub arr. Lee Norris

MAKING A DIFFERENCE

This performance is made possible by: Albuquerque Community Foundation

CONCERT PROGRAM .

WINTER FESTIVAL

Carol of the Bells

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Sunday, December 18, 2022, 3 p.m.

Immanuel Presbyterian Church

Vlad Vizireanu conductor

Overture to Die Fledermaus

Johann Strauss II

Polonaise from Christmas Eve Suite

Nikolai Rimsky-Korsakov

Prelude to Khovanshchina

MAKING A DIFFERENCE

This performance is made possible by: Meredith Foundation

Modest Mussorgsky

Music from Frozen

Krysten Anderson-Lopez arr. Bob Krogstad

Suite from The Polar Express

Alan Silvestri arr. Jerry Brubaker

I N T E R M I S S I O N

Nutcracker Suite Overture Arabian Dance Peanut Brittle Brigade Russian Dance Sugar Rum Cherry Pas de deux

“Sleigh Ride”

Christmas Carol Sing-Along

The New Mexico Philharmonic

Pyotr Ilyich Tchaikovsky / Duke Ellington

Leroy Anderson

John Finnegan

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ARTISTS .

Roberto Minczuk Music Director In 2017, GRAMMY® Award-winning conductor Roberto Minczuk was appointed Music Director of the New Mexico Philharmonic and of the Theatro Municipal Orchestra of São Paulo. He is also Music Director Laureate of the Calgary Philharmonic Orchestra (Canada) and Conductor Emeritus of the Orquestra Sinfônica Brasileira (Rio de Janeiro). In Calgary, he recently completed a 10-year tenure as Music Director, becoming the longest-running Music Director in the orchestra’s history.

Highlights of Minczuk’s recent seasons include the complete Mahler Symphony Cycle with the Calgary Philharmonic Orchestra; Bach’s St. John Passion, Bruckner’s Symphony No. 7, Beethoven’s Fidelio, Berlioz’s The Damnation of Faust, Mozart’s The Magic Flute, Verdi’s La traviata, Bernstein’s Mass, and Strauss’s Der Rosenkavalier with the Theatro Municipal Orchestra of São Paulo; debuts with the Cincinnati Opera (Mozart’s Don Giovanni), the Tokyo Metropolitan Symphony Orchestra, and Daejeon Philharmonic in South Korea; and return engagements with the Orchestra National de Lille and the New York City Ballet. In the 2016/2017 season, he made return visits to the Israel Symphony Orchestra, as well as the Teatro Colón Philharmonic and Orchestra Estable of Buenos Aires.

A protégé and close colleague of the late Kurt Masur, Minczuk debuted with the New York Philharmonic in 1998, and by 2002 was Associate Conductor, having

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worked closely with both Kurt Masur and Lorin Maazel. He has since conducted more than 100 orchestras worldwide, including the New York, Los Angeles, Israel, London, Tokyo, Oslo, and Helsinki Philharmonic Orchestras; the London, San Francisco, Dallas, and Atlanta Symphony Orchestras; and the National Radio (France), Philadelphia, and Cleveland Orchestras, among many others. In March 2006, he led the London Philharmonic Orchestra’s U.S. tour, winning accolades for his leadership of the orchestra in New York, Los Angeles, and San Francisco.

Until 2010, Minczuk held the post of Music Director and Artistic Director of the Opera and Orchestra of the Theatro Municipal Rio de Janeiro, and, until 2005, he served as Principal Guest Conductor of the São Paulo State Symphony Orchestra, where he previously held the position of Co-Artistic Director. Other previous posts include Artistic Director and Principal Conductor of the Ribeirão Preto Symphony, Principal Conductor of the Brasília University Symphony, and a six-year tenure as Artistic Director of the Campos do Jordão International Winter Festival.

Minczuk’s recording of the complete Bachianas Brasileiras of Hector VillaLobos with the São Paulo State Symphony Orchestra (BIS label) won the Gramophone Award of Excellence in 2012 for best recording of this repertoire. His other recordings include Danzas Brasileiras, which features rare works by Brazilian composers of the 20th century, and the Complete Symphonic Works of Antonio Carlos Jobim, which won a Latin GRAMMY in 2004 and was nominated for an American GRAMMY in 2006.

His three recordings with the Calgary Philharmonic Orchestra include Rhapsody in Blue: The Best of George Gershwin and Beethoven Symphonies 1, 3, 5, and 8. Other recordings include works

by Ravel, Piazzolla, Martin, and Tomasi with the London Philharmonic (released

by Naxos), and four recordings with the Academic Orchestra of the Campos do Jordão International Winter Festival, including works by Dvořák, Mussorgsky, and Tchaikovsky. Other projects include a 2010 DVD recording with the Chamber

Orchestra of Philadelphia, featuring the premiere of Hope: An Oratorio, composed by Jonathan Leshnoff; a 2011 recording with the Odense Symphony of Poul Ruders’s Symphony No. 4, which was featured as a Gramophone Choice in March 2012; and a recording of Tchaikovsky’s Italian Capriccio with the BBC National Orchestra of Wales, which accompanied the June 2010 edition of BBC Music Magazine. The Academic Orchestra of the Campos do Jordão Festival was the Carlos Gomes prizewinner for its recording from the 2005 Festival, which also garnered the TIM Award for best classical album.

Roberto Minczuk has received numerous awards, including a 2004 Emmy for the program New York City Ballet—Lincoln Center Celebrates Balanchine 100; a 2001 Martin E. Segal Award that recognizes Lincoln Center’s most promising young artists; and several honors in his native country of Brazil, including two best conductor awards from the São Paulo Association of Art Critics and the coveted title of Cultural Personality of the Year. In 2009, he was awarded the Medal Pedro Ernesto, the highest commendation of the City of Rio de Janeiro, and in 2010, he received the Order of the Ipiranga State Government of São Paulo. In 2017, Minczuk received the Medal of Commander of Arts and Culture from the Brazilian government.

A child prodigy, Minczuk was a professional musician by the age of 13. He was admitted into the prestigious Juilliard School at 14 and by the age of 16, he had joined the Orchestra Municipal de São Paulo as solo horn. During his Juilliard years, he appeared as soloist with the New York Youth Symphony at Carnegie Hall and the New York Philharmonic Young People’s Concerts series. Upon his graduation in 1987, he became a member of the Leipzig Gewandhaus Orchestra at the invitation of Kurt Masur. Returning to Brazil in 1989, he studied conducting with Eleazar de Carvalho and John Neschling.

He won several awards as a young horn player, including the Mill Santista Youth Award in 1991 and I Eldorado Music. ●

ARTISTS .

VocalEssence, the Saint Olaf Choir, the Harvard Glee Club, Conspirare, and the choirs of the University of Michigan and Luther College, among many others.

Beginning in the summer of 2020, he will be Composer-in-Residence for Albany Pro Musica.

He lives in Albuquerque, New Mexico, with his wife Karen. They are the parents of three children and have four grandchildren.

Ellingboe is Director of Choirs at the United Church of Santa Fe and founder and Artistic Director of Albuquerque’s Coro Lux (“Chorus of Light”). ● Bradley Ellingboe conductor Bradley Ellingboe has led a wide-ranging career in the world of singing, including accomplishments as a choral conductor, soloist, composer, scholar, and teacher.

As a choral conductor, he has led festival choruses in 35 states and 14 countries.

As a bass-baritone soloist, he has sung under such conductors as Robert Shaw, Helmuth Rilling, and Sir David Willcocks.

Ellingboe has more than 160 pieces of music in print, including his Requiem for chorus and orchestra, which has been performed more than 300 times in this country and Europe. For his scholarly work in making the songs of Edvard Grieg more accessible to the English-speaking public, he was knighted by the King of Norway in 1994. As a teacher, the University of New Mexico Alumni Association named him Faculty of the Year in 2008.

Bradley Ellingboe retired in 2015 after serving on the faculty of the University of New Mexico for 30 years, where he was Director of Choral Activities, Professor of Music, and Regents Lecturer. He is a graduate of Saint Olaf College and the Eastman School of Music and has done further study at the Aspen Music Festival, the Bach Aria Festival, the University of Oslo, and the Vatican.

Ellingboe has won annual awards for his choral compositions from ASCAP— the American Society of Composers, Arrangers, and Publishers—since 2000.

His choral music is widely sung and has been performed and recorded by such groups as the Santa Fe Desert Chorale,

Coro Lux Chamber Chorus Coro Lux (“Chorus of Light”) is an auditioned community chorus based in Albuquerque, founded in the fall of 2015.

Under Artistic Director Bradley Ellingboe, the chorus has grown into one of the top choruses in New Mexico. Coro Lux consists of the larger Oratorio Society and the smaller Chamber Chorus. The Oratorio Society, with 60 members, presents major choral works, usually with orchestra and often in conjunction with the New Mexico Philharmonic. The Chamber Chorus is an ensemble of 16 members that presents a variety of smaller works in various locations around Albuquerque. Each ensemble presents about three concert programs each season.

Coro Lux has participated in music events far from Albuquerque, including a Carnegie Hall concert in 2016 and the Great American Choral Series festival in Florence, Italy, in the summer of

2018. In 2017, Coro Lux became the Ensemble-in-Residence at St. Paul Lutheran Church in Albuquerque. ●

Jason Altieri conductor Jason Altieri is the current associate conductor for the Reno Philharmonic and music director of the Atlanta Pops Orchestra in Atlanta, Georgia.

Prior to his work in Reno and Atlanta, he spent time on the road as music director of the New Sigmund Romberg Orchestra and the Hollywood Film Orchestra. Having led the New Sigmund Romberg Orchestra on seven national tours, Altieri has the distinction of having conducted in every state but three and in most of the major performing venues in the United States.

With the Hollywood Film Orchestra, he led several tours in mainland China and Japan where performance venues included The People’s Hall in Beijing, China, and Suntory Hall in Tokyo, Japan.

Numerous guest conducting engagements include regular collaborations with the Duluth Superior Symphony in Minnesota, the Santa Fe Symphony, and the New Mexico Philharmonic. In July of 2012, he was the orchestra conductor for the annual International Double Reed Society Conference. During this conference, he collaborated on 16 separate works with internationally renowned soloists from all over the world.

In addition to his orchestral work, Altieri is also an accomplished conductor of opera. Currently, he is working on his seventh collaboration as music director continued on 14

The New Mexico Philharmonic

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ARTISTS . continued from 13

of the Nevada Chamber Opera Theatre.

Previous opera engagements include three North American tours with London’s Royal Carl Rosa Opera Company and an associate music directorship with the Ohio Light Opera Company in the summer of 2006. His work in Ohio saw him conducting six productions and more than 40 performances during their 29th season.

In addition, Altieri has released two recordings with the OLO on Albany Records.

In 2002, he worked as an assistant to the late Valery Vatchev of the National Bulgarian Opera. This rare experience led to guest conducting engagements of Verdi’s La traviata, Il trovatore, and Rigoletto in the Czech Republic.

While Altieri enjoys a busy career working with professional performing organizations, he is also a fierce advocate for young musicians and music education. This is evidenced by his position as director of orchestras at the University of Nevada, Reno, and the directorship of the Reno Philharmonic Youth Symphony. Under his leadership, the Reno Philharmonic Youth Symphony has become an increasingly visible component in Reno’s cultural life, and has embarked on performance tours that have included guest appearances at Carnegie and Disney halls. As a result of his tireless work with young musicians, Altieri was invited to conduct at Nevada’s Small School All-State Festival in April 2017.

His educational outreach has extended nationally as well as through numerous clinics with young ensembles all over the country in addition to faculty appointments at the Interlochen Center for the Arts and the Sewanee Summer Music Center.

A native of Atlanta, Georgia, Altieri grew up in a musical family with both parents being former members of the Atlanta Symphony Orchestra. He received a Bachelor’s degree in music education from the University of Georgia. He then went on to pursue advanced degrees in conducting from Michigan State University, where he received additional mentorship from Neeme Järvi of the Detroit Symphony Orchestra and Gustav Meier of the Peabody Conservatory. Altieri currently resides in Reno, Nevada. ●

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Manzano Day School Chorus Jamie Jones director The Manzano Day School Chorus is a non-auditioned group comprised of the entire fourth and fifth grades of the school.

Chorus rehearsals are built into the six-day rotation as part of the music curriculum.

In addition to chorus, students also have general music classes, focused on singing, playing, moving, creating, and reading music. Music has long been valued as an integral part of education at this historic school, which is now in its eighty-fifth year.

The chorus performs in multiple concerts throughout the year and a full musical play each spring. The chorus was privileged to sing for many Holiday Pops concerts with the New Mexico Philharmonic. As service projects, they have sung for hospitals and senior centers.

Jamie Jones is in her ninth year of teaching at Manzano Day School. Jamie has a diverse performing arts education career, having been a band director, choral instructor, theater teacher, private oboe teacher, and general music educator. With training in Kodály, Orff-Schulwerk, and Gordon pedagogy methods, Jamie strives to stimulate young children’s proficiency in music literacy. An Eastman School of Music graduate, Jamie has performed in the Eastman Wind Ensemble and the Eastman Philharmonia Orchestra, as well as in the Eastman Women’s Chorus.

Throughout the many years as both a performing artist and an educator of all ages, she has prided herself on helping children embrace music through play-

based curriculum, movement, drama, and creativity. Jamie is a proud military wife and mother of two budding musicians.

Manzano Day School is an independent prekindergarten through fifth grade elementary school near Old Town in Albuquerque. Manzano moved to its present location in 1942, having previously held classes in the historic Huning Castle starting in 1938. Our La Glorieta, an adobe hacienda, was originally the home of early Spanish settler Don Diego Trujillo.

Generations of families have cherished the history and warm atmosphere of Manzano Day School. Students learn core curriculum in innovative ways in small classes. In addition, all students receive instruction in music, visual arts, physical education, Spanish, and technology. ●

Vlad Vizireanu conductor Described as a conductor with “ample gestures, clarity, precision, and genuine passion,” Vlad Vizireanu continues to make an impressive and dynamic mark on the music world as an international conductor and educator. A regular presence on the competition circuit, Vizireanu came to international attention when he won Second Prize in the 2013 Cadaqués Conducting Competition in a televised concert at Auditori Hall, Barcelona. He then made his debut with the London Symphony Orchestra at Barbican Hall as a finalist in the 2016 Donatella Flick Competition. He was invited to the 2018 Malko Competition with the Danish National Symphony

ARTISTS .

Orchestra and was also invited among 14 conductors (out of 400 applicants worldwide) to participate in the renowned Mahler Conducting Competition with the Bamberg Symphony.

As the recent winner of both the Only Stage and Hans von Bülow Conducting Competitions in 2021, upcoming debuts include the Orchestra di Milano La Verdi, Orpheus Academy Orchestra (Oregon Music Festival), Orchestra della Magna Grecia, Varna State Opera, Budapest Symphony Orchestra MÁV, Brașov Philharmonic, and Orchestra da Camera Fiorentina. Other orchestras he has conducted include the TonhalleOrchester, Lucerne Festival Strings, New World Symphony, and the Manhattan School of Music Symphony. He has also served as cover conductor for the Los Angeles Philharmonic, San Diego Symphony, Naples Philharmonic, and Sarasota Orchestra. Recent and upcoming engagements include the Wiener Kammerorchester, Orchestre National de Lille, Romanian Radio National and Chamber Orchestras, Moldova Iași Philharmonic, Sibiu State Philharmonic, Ploiești Philharmonic, and Targu Mureș Philharmonic. He has been invited to conduct at the Gstaad Festival, Castleton Festival, and Chautauqua Music Festival.

In fall 2013, he was invited to debut at the renowned Enescu Festival in Bucharest where he conducted a sideby-side concert with members of the Pittsburgh Symphony and the Royal Camerata. He conducted the Royal Camerata again in the 2015 edition of the Enescu Festival with soloist Rebekka Hartmann. He has since been reinvited to the 2019 and 2021 editions with the Orchestre National de Lille and Wiener Kammerorchester.

His primary conducting teachers were David Effron, Arthur Fagen, Timothy Russell, and William Reber.

He holds degrees in conducting from Indiana University Jacobs School of Music (Master of Music) and Arizona State University (Doctor of Musical Arts) and studied musicology and piano performance at the University of California Los Angeles (Bachelor of

Science). Additionally, he studied with David Zinman at the 2016 TonhalleOrchester Masterclass, with Kurt Masur at the 2015 Manhattan School of Music Conducting Seminar, and was selected for two consecutive years as one of seven conductors from around the world to study with Bernard Haitink at the 2013 and 2014 Lucerne Easter Festivals. Vizireanu was one of the last students of Lorin Maazel under full fellowship at the 2014 Castleton Festival.

He also received the prestigious 2013 Chautauqua Conducting Fellowship in New York, where he assisted Timothy Muffitt. Among his other mentors are Michael Tilson Thomas (2014, New World Symphony Masterclass), Neeme Järvi (2016, Gstaad Music Festival), Franz Welster-Möst (2010, IU Cleveland Orchestra Residency Masterclass), and the late James DePriest (2011, ASU Conducting Masterclass).

An ardent advocate of new music, Vizireanu is the Founder and Executive Director of Impulse New Music Festival (INMF), which brings together young composers and instrumentalists to study and perform new compositions.

Besides INMF’s numerous world premieres, Vizireanu has showcased new compositions with the Castleton Festival Orchestra, Cadaqués Symphony, and Hebrides New Music Ensemble.

Some new works he has recently recorded include Light Show by Max Grafe, Scherzo for Orchestra by Joshua Groffman, and Evelyne Davis’s Concerto for Two Percussionists. He recently commissioned several new compositions by renowned Los Angeles composer Michael Glenn Williams and conducted the world premieres with the Arizona Pro Arte Ensemble and Sibiu Philharmonic.

Vizireanu made his operatic debut in 2013 with Arizona State University Opera and Die Fledermaus. He served as assistant conductor to Lorin Maazel and Timothy Muffitt with productions of Dialogues des Carmélites, Madama Butterfly, and Don Giovanni.

Vizireanu was recently appointed Principal Guest Conductor of the Ploiești Philharmonic. He served as Music Director

of the Knox Galesburg Symphony in Illinois and the North Shore Symphony in New York. He previously served as Assistant Conductor for the Thousand Oaks Philharmonic and Conductor for New West Symphony’s Harmony Project, which is aimed at inspiring young children to develop a lifelong love of music through education and exciting musical experiences. He also served as Artistic Director of Enescu and the Americas, an organization that fosters cultural exchange between Romania and the United States through the music of Romania’s greatest composer, George Enescu. ●

Steven Smith conductor Steven Smith served as Music Director of Virginia’s Richmond Symphony from 2010, launching his tenure with a gala concert featuring violinist Gil Shaham, to 2019, with a finale of Carmen in concert starring Denyce Graves. During that time, the Richmond Symphony performed a significantly wider repertoire representative of our global community, embracing music by living composers, with particular focus on cultural and gender diversity and commissioning new works. During his tenure, the RSO weathered and recovered from the recession, had its budget climb more than 30 percent, posted steadily increasing ticket sales (with the 2017/18 and 2018/19 seasons setting records of more than $1 million in sales), and accomplished the first expansion of the core orchestra in more than 20 years.

In addition, Smith has conceived and continued on 16

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presented new concert series such as “Casual Fridays,” hourlong explorations (combining discussion with complete performances) of core repertoire with the full orchestra, and “Rush Hour,” a chamber orchestra series held in the barrel room at the popular Hardywood Park Craft Brewery. An active speaker, he delivered the keynote address for the Southern Newspaper Publishers Association and has appeared twice on the acclaimed speaker series “Eyes on Richmond.”

August 2019 brought the release of the Richmond Symphony’s first commercial recording, on the highly respected Reference Recordings label. The recording pairs the world premiere of Mason Bates’s Children of Adam (commissioned by the Richmond Symphony for its 60th anniversary) and Vaughan Williams’s Dona Nobis Pacem. Both works utilize poetry of Walt Whitman (among others) and also feature the Richmond Symphony Chorus.

In 2013, Steven Smith completed a 14-year tenure as Music Director of The Santa Fe Symphony & Chorus, a period during which the orchestra achieved numerous goals: recognized artistic growth, financial stability, and enthusiastic community support. He also serves as Music Director of the GRAMMY® Awardwinning Cleveland Chamber Symphony, an ensemble devoted to the performance of contemporary music. Each spring, CCS presents the annual NEOSonicFest, a festival of new music and dance performances of which he serves as Artistic Director. From 2016–19, he also served as an Affiliate Faculty member at Virginia Commonwealth University.

From 1997 to 2003, Steven Smith served as the Assistant Conductor of the Cleveland Orchestra, conducting subscription concerts, summer concerts at the Blossom Music Festival, and holiday programs. Particularly interested in the role of orchestras in arts education, he assisted in the planning and conducting of the Cleveland Orchestra’s educational and family concerts and hosted the orchestra’s annual broadcast videoconference, which won an Emmy Award in 2001. For five seasons, he also served as Music Director of the Cleveland

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Orchestra Youth Orchestra. During his tenure, they were invited by Carnegie Hall to perform in that institution’s famed Isaac Stern Auditorium, an appearance that took place in March 2000. During 2002 to 2005, he also served on the faculty of the Oberlin Conservatory, leading both orchestral and operatic performances.

Steven Smith is also an active ASCAP award-winning composer. He was named 2008 Ohio Composer of the Year and with that honor received a commission for a new string quartet that premiered in November 2008. His newest orchestral works are Chromo-Synchrony, premiered by the Cleveland Chamber Symphony in March 2015, and Kataklysmos, premiered

by The Santa Fe Symphony in May 2010.

The Cleveland Orchestra has performed his La Chasse at the Blossom Festival under the direction of Jahja Ling, and his One to One A Round for educational concerts at Severance Hall. His work Tane Mahuta was commissioned to celebrate the 20th anniversary of the Cleveland Orchestra Youth Orchestra and was premiered in April 2006. He has received commissions from the Cleveland Orchestra, Grand Rapids Symphony, Eugene Youth Symphony, as well as solo artists, and has had performances of his works by the Chautauqua Symphony, Colorado Springs Symphony, Eugene Symphony, Grand Rapids Symphony, Kansas City Symphony, Richmond Symphony, Cleveland Orchestra Youth Orchestra, Eugene Youth Symphony, and Colorado Springs Youth Symphony.

A native of Toledo, Ohio, Steven Smith earned Master’s degrees from the Eastman School of Music and the Cleveland Institute of Music. Mr. Smith is the recipient of the CIM Alumni Association 1999 Alumni Achievement Award. ●

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PROGRAM NOTES .

Program Notes CHARLES GREENWELL

George Frideric Handel Born February 23, 1685, in Halle, Germany Died April 14, 1759, in London, England

Messiah (1741) Scored for 2 oboes, 2 bassoons, 2 trumpets, timpani, continuo, strings, SATB soloists, and chorus. Approximately 120 minutes.

The oratorio, one of the great Baroque vocal forms, came from the religious playwith-music of the Counter-Reformation and took its name from the Italian word for a place of worship. The first oratorios were actually sacred operas, and were produced as such. Then, around the middle of the 17th century, the oratorio gradually did away with theatrical trappings and developed its own personality as a large-scale work for solo voices, chorus, and orchestra, usually— but not always—based on a biblical story.

These new productions were usually performed in a church or hall without scenery, costumes, or acting, and what action there was developed with the use of a narrator and a series of recitatives, arias, duets, trios, and choruses, with the role of the chorus being quite prominent.

Typical of this form are the oratorios of Handel, probably the finest composer of this popular vocal form. Handel came from the middle class and went on to make his career in England, where the middle class first achieved its strength. As he turned from standard opera to oratorio, he became part of an enormous social change, and in so doing, became one of the founders of a new culture and a creator of our modern mass public. He had very keen instincts and was able to understand the needs of his adopted country, and he produced oratorios that were steeped in the settings of the Old Testament, making them perfectly suited to the tastes of England’s middle class. He achieved this in part by making the chorus—in other words, the people—the center of the drama. Like Bach and other great Baroque masters, Handel’s rhythms were strong and unswerving, and he favored the direct

“Messiah […] was allowed by the greatest Judges to be the finest Composition of Musick that was ever heard ...”

—Dublin Journal language of diatonic harmony as opposed to Bach’s more ingenious idiom, which at times became highly chromatic. Handel’s melodies unfold in great majestic arches and reveal a depth of feeling that sets him apart from most of his contemporaries.

Having grown up in the theatrical world, he was able to make use of tone color for a variety of moods and dramatic expression.

Handel first came to England when he was 25, and already celebrated throughout Europe as an outstanding composer of Italian-style opera. His main reason for going to England was to repeat his successes as an opera composer, and he was able to achieve this—for a time. After 25 years of triumphs in this realm, two forces did him in: the inevitable changes in public taste and the rivalries and jealousies that have always been a part of theatrical life. As a result, his final season of opera in London in 1741 was such a disaster that he began to think seriously about returning to Germany. Fate intervened, however, when Charles Jennens, his English literary collaborator, seriously worried about losing this supremely gifted composer, gave Handel the libretto of a new oratorio called simply Messiah. Jennens hoped it would inspire the man to new heights, and specifically designed the work to be presented during Holy Week, when theaters would be closed, thus assuring a full house for some kind of benefit performance. Jennens was correct: Handel thought the new libretto was inspired and could be used as part of a new venture that had come his way. He had recently been invited to Dublin to give a series of oratorio concerts and realized immediately that Messiah, performed as a benefit concert for charity, would be the perfect way to conclude the season.

Handel began work on the new score in late August 1741, and in a phenomenal burst of virtually nonstop energy, finished the entire score, orchestration and all, in the amazing space of just 24 days!

He set out for Ireland in early November and arrived in Dublin on November 18.

The trip across the water proved to be a revitalizing experience, and in spite of the hard work that the new oratorio season would require, it was almost like a holiday, away from the financial, artistic, and personal problems that he had been dealing with in London. In addition, when he came to Dublin, he was greeted with the kind of adulation that had greeted his arrival in London some 30 years previously, and once again he was idolized, fussed over, feted wherever he went, and in general, treated like some kind of royalty. The music-loving people of Ireland had in Dublin several musical societies that were unusual in that they were all organized for charitable purposes. This was largely due to the terrible social conditions in the country, compared with the poor people of London and the inmates of its prisons and hospitals who were relatively well off. The citizens of Dublin, appalled by the miserable conditions in their prisons and hospitals, wanted to do everything they could to alleviate this wretched state of affairs, and so they raised money for humanitarian purposes by sponsoring public concerts. There was then a new Music Hall in the city that was built on order from the Charitable Music Society and their guiding light, a wealthy and influential music publisher named William Neale. He was also the secretary of Dublin’s Charities Commission, and he not only had a commanding position in continued on 18

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all that was to follow, but in all likelihood had a hand in the invitation that brought Handel to Dublin and resulted in the production of Messiah.

On March 27, 1742, the Dublin Journal printed an announcement for a new benefit concert, stating that it would take place at the Music Hall on April 12, at which time would be performed “…

Mr. Handel’s new Grand Oratorio, called Messiah, in which the Gentlemen of the Choirs of both Cathedrals will assist, with some concertos on the Organ by Mr. Handel.” As it turned out, the concert did not take place until April 13, but there was a public rehearsal on April 9, about which the Journal had written: “Yesterday Mr. Handel’s new Grand Sacred Oratorio called Messiah was rehearsed … and was performed so well that it gave universal satisfaction to all present; and was allowed by the greatest Judges to be the finest Composition of Musick that was ever heard ...” In that article and again on the day of the performance there were requests to the audience that ladies come without hoops in their dresses and that gentlemen come without their swords, so that the greatest number of people could be squeezed into the hall. At the formal premiere, this resulted in an audience of 700 pressed into a space designed to hold 600, but nobody seems to have been upset in the slightest. The premiere was an unqualified triumph, and the press notices outdid themselves in praising the work and its performance, with particular praise being given to the fact that everyone performed gratis, thereby helping to raise over 400 pounds for the advertised charities. Because of its great success, Handel was asked to repeat the work at his last Dublin concert, and so began the career of one of the most popular, beloved, and frequently performed works in the whole history of music.

Messiah was given its first performance in London in March of 1743, but it was not at all the great success it had been in Dublin. It is possible that Handel anticipated certain objections to the work, as he advertised it as “a New Sacred Oratorio” without mentioning its title, but he was certainly unprepared for the

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“My Lord, I should be sorry if I only entertained them. I wished to make them better.”

—George Frideric Handel hostility it received in some quarters.

There were many who were greatly upset that the Scriptures formed the basis for what was presented as secular entertainment and were very vocal in objecting to its having been presented in a theatre with several famous singers as soloists. Even librettist Jennens, after hearing the work for the first time, said that he was dissatisfied with what he called “some weak parts” in the score.

As a result of this, Messiah was rarely performed in London in the mid–1740s, while at the same time it was being performed regularly in Dublin. In 1749, things made a dramatic turnaround, and once again the prime force was a connection with charity. Handel had always been known as a kind and generous man, and at the time he had become interested in the recently created Foundling Hospital for young orphans and children in dire need. In May of 1749, he proposed a concert for the hospital’s benefit, and ultimately was appointed a governor of the establishment. On May 27, the concert was given in the newly built chapel, and it was a great success.

The hospital received a considerable sum of money from the concert, and that sum was further increased by a very generous gift from the King. The following year, Handel put together a new season of oratorio, and Messiah played a prominent role. It was given at the Foundling Hospital on May 1, 1750, and the chapel was so packed with eager listeners that the work had to be repeated on May 15. These were successes on the scale of the Dublin premiere, and marked the beginning of the oratorio’s great popularity in London and elsewhere.

In the years to come, Handel made it a tradition to include Messiah in his oratorio seasons during Lent, and also performed

it every year at the Foundling Hospital.

(Incidentally, although the Foundation still exists and thrives in London, the chapel in which Handel played, and to which he left a score and parts to Messiah in his will in order that the performances might continue, was declared unsafe and demolished in 1926. It was the last remaining building in London in which he had promoted concerts.) He continued to conduct performances of Messiah right up until his death, and in fact in March of 1759 gave three performances at Covent Garden. The annual Foundling Hospital performance was scheduled for May 3, but before the rehearsals could begin Handel was taken seriously ill. After a week of steady deterioration, he finally succumbed on April 14, 1759—the day after Good Friday. He had asked to be given a private burial in Westminster Abbey, but because he was so famous and beloved a figure, he was accorded a very public ceremony on the occasion of his internment on April 20. Of all the memorial statues in the Abbey, his is one of the most striking and memorable: In his right hand is a sheet of music containing the opening bars of the great aria from Messiah, “I know that my Redeemer liveth.” After the first London performance, Handel said to a friend, “My Lord, I should be sorry if I only entertained them. I wished to make them better.” He clearly intended the oratorio to mean something special to his audiences because it meant something special to him. At a Messiah performance in 1759 on the occasion of his 74th birthday, Handel responded to the very enthusiastic applause by saying, “Not from me—but from Heaven—comes all.” ●

NMPHIL .

New Mexico Philharmonic

BOARD OF DIRECTORS Maureen Baca

The Musicians FIRST VIOLIN Carmelo de los Santos •

Karen McKinnon Concertmaster Chair

Sarah Tasker •••

Assistant Concertmaster

Ana María Quintero Muñoz Joan Wang + Juliana Huestis Steve Ognacevic Barbara Rivers Nicolle Maniaci Barbara Scalf Morris SECOND VIOLIN Carol Swift ••• Julanie Lee Gabriela Fogo + Heidi Deifel ++ Liana Austin Lidija Peno-Kelly Sheila McLay Brad Richards Eric Sewell + VIOLA Laura Chang • Kimberly Fredenburgh ••• Allegra Askew Christine Rancier Laura Steiner Virginia Lawrence Joan Hinterbichler Lisa DiCarlo CELLO Amy Huzjak • Jonathan Flaksman ••• Carla Lehmeier-Tatum Ian Mayne-Brody Dana Winograd David Schepps Lisa Collins Elizabeth Purvis

BASS Jean-Luc Matton •+ Zachary Bush ++ Mark Tatum •• Katherine Olszowka Terry Pruitt Sam Brown Frank Murry

TRUMPET John Marchiando • Brynn Marchiando Sam Oatts ••

FLUTE Valerie Potter • Jiyoun Hur ••

BASS TROMBONE David Tall

OBOE Kevin Vigneau • Amanda Talley ENGLISH HORN Melissa Pena ••+ Lauren Keating ••++ CLARINET Marianne Shifrin •+ Ivan Valbuena ++ Lori Lovato ••• Timothy Skinner

TROMBONE Aaron Zalkind • Byron Herrington

TUBA Richard White • TIMPANI Micah Harrow • PERCUSSION Jeff Cornelius • Kenneth Dean Emily Cornelius HARP Matthew Tutsky •+

E-FLAT CLARINET Lori Lovato

Chair

Al Stotts

Vice President

David Peterson Secretary

Kory Hoggan Treasurer

Joel Baca Ruth Bitsui David Campbell Thomas Domme Fritz Eberle Jeffrey Romero Edward Rose, MD Terrence Sloan Rachael Speegle Marian Tanau Tatiana Vetrinskaya Michael Wallace ADVISORY BOARD Thomas C. Bird Lee Blaugrund Clarke Cagle Roland Gerencer, MD Heinz Schmitt William Wiley

BASS CLARINET Timothy Skinner + Cory Tamez ++ BASSOON Stefanie Przybylska • Denise Turner HORN Peter Erb • Allison Tutton Katelyn Lewis •• Maria Long ••••

Principal • Assistant Principal •• Associate Principal ••• Assistant •••• Leave + One-year position ++

STAFF Marian Tanau

Leif Atchley

Luis DeVargas

Roberto Minczuk

Dasa Silhova

Mary Montaño

Christine Rancier

Eric Sewell

Joan Olkowski

Matt Hart

Crystal Reiter

Lori Newman

President & CEO Music Director

Vice President of Business Vice President of Operations

The New Mexico Philharmonic

Production Manager Personnel Manager Principal Librarian Director of Community Relations & Office Manager

Front of House Manager Grants Manager

Design & Marketing Editor

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DONOR CIRCLES .

Donor Circles Thank You for Joining a Circle BENEFACTOR CIRCLE

Donation of $50,000 + Albuquerque Community Foundation Anonymous Lee Blaugrund Marian Ausherman Chavez Trust City of Albuquerque The Karen McKinnon Fund The McKinnon Family Foundation The Meredith Foundation

BEETHOVEN CIRCLE

Donation of $25,000–$49,999 The Computing Center Inc., Maureen & Stephen Baca Bob & Greta Dean Eugenia & Charles Eberle New Mexico Philharmonic Foundation

MOZART CIRCLE

Donation of $10,000–$24,999 Albuquerque Community Foundation, NDB & CEB Fund Meg Aldridge Anonymous Bernalillo County Commission George & Sibilla Boerigter Deborah Borders Art Gardenswartz & Sonya Priestly David Gay Keith Gilbert Mary Herring Holmans USA, LLC, Anthony D. Trujillo Dal & Pat Jensen Walter & Allene Kleweno Dwayne & Marjorie Longenbaugh Trust of Margaret E. Macy The Honorable & Mrs. James A. Parker Cynthia Phillips & Thomas Martin Real Time Solutions, Inc. Rio Rancho Kiwanis Foundation Sandia Foundation, Hugh & Helen Woodward Fund Terrence Sloan Sophia's Foundation for Autism United Way Community Fund Estate of Charles E. Wood Dr. Dean Yannias

BRAHMS CIRCLE

Donation of $5000–$9999 Albuquerque Community Foundation, The Ties Fund Carl & Linda Alongi Anonymous James Botros & Jeremy Wirths Paula & William Bradley Bob & Fran Fosnaugh Friends of Music Inc. Hancock Family Foundation Jonathan & Ellin Hewes Robert & Elisa Hufnagel Chris & Karen Jones Christine Kilroy Harry & Betsey Linneman ListenUp Edel & Thomas Mayer Foundation

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Menicucci Insurance Agency Karl & Marion Mueller New Mexico Arts George & Mary Novotny Scott Obenshain Bob & Bonnie Paine Sandia Laboratory Federal Credit Union Richard Vandongen The Verdes Foundation Kathleen & David Waymire Diane Chalmers Wiley & William Wiley Lance Woodworth John Wronosky & Lynn Asbury Janet Youngberg

CHOPIN CIRCLE

Donation of $3500–$4999 Anonymous Anonymous Mary Baca Nancy M. Berg The Cates Team/RBC Wealth Management Club Culturale Italiano Richard & Margaret Cronin French Funerals & Cremations Charles & Judith Gibbon Gerald Gold A. Elizabeth Gordon Bill & Carolyn Hallett Michael & Roberta Lavin Ed & Nancy Naimark David & Audrey Northrop Charles Olguin Edward Rose Melissa & Al Stotts Marian & Jennifer Tanau

GRACE THOMPSON CIRCLE Donation of $1933–$3499 Anonymous Joel & Sandra Baca Thomas Bird & Brooke Tully Ann Boland, in memory of Dr. W. Robert Boland Ronald Bronitsky, MD, in honor of Anastasiya Naplekova, Hedwig Bronitsky, & Robert Alexander Clarke & Mary Cagle Century Bank D’Addario Foundation Thomas & Martha Domme Fritz Eberle & Lynn Johnson David & Ellen Evans Firestone Family Foundation First United Methodist Church, Kaemper Music Series Frank & Christine Fredenburgh Roland Gerencer, MD Jean & Bob Gough Helen Grevey Madeleine Grigg-Damberger & Stan Damberger Stephen & Aida Ramos Heath Donna Hill Rosalyn Hurley Sue Johnson & Jim Zabilski Bonnie & Hank Kelly Bruce A. Larson, in memory of The Rev. Samuel L. Hall Jon McCorkell & Dianne Cress Bob & Susan McGuire

2022/23 Season / Volume 11 / No. 3

Jan Mitchell Moss-Adams LLP Music Guild of New Mexico & Jackie McGehee Young Artists' Competition for Piano & Strings Ruth & Charles Needham Tom & Lili O'Malley, in memory of Karen McKinnon Gary & Carol Overturf Jerald & Cindi Parker Dick & Marythelma Ransom Deborah Ridley & Richard S. Nenoff Robertson & Sons Violin Shop Jacquelyn Robins Jay Rodman & Wendy Wilkins Ellen Ann Ryan Albert Seargeant Vernon & Susannah Smith Dorothy Stermer & Stacy Sacco Betty & Luke Vortman Endowment

BACH CIRCLE

Donation of $1000–$1932 Leah Albers & Thomas Roberts Albuquerque Community Foundation, Peggy Cavett-Walden & Professor Jerrold Walden Fund for Art & Music Grant Teresa Apple & Richard Zabell Jonathan & Deborah Armerding Benevity Fund Lawrence & Deborah Blank Robert Bower & Kathryn Fry Drs. Kathleen L. Butler & M. Steven Shackley Butterfield's Jewelers Edwin Case Edwin Case, in memory of Deborah Case Daniel & Brigid Conklin, in memory of Dr. C.B. Conklin John Crawford & Carolyn Quinn Robert & Mary Custer Leonard & Patricia Duda James & Teresa Edens Susan Evatt, in memory of R. Nim Evatt Richard & Virginia Feddersen David Foster Helen Fuller Ralph Garza George F. Gibbs Scott Goodman Peter Gould Stephen Hamm Roger & Katherine Hammond Harris Hartz, in memory of Dr. Larry Lubar Hal Hudson, in memory of Carolyn Hudson Stephanie & David Kauffman Steve & Elisa Kephart, in honor of Richard White & the Low Brass Judith Levey Marcia Lubar, in memory of Larry Lubar Myra & Richard Lynch Linda S. Marshall Kathy & John Matter Ranne B. Miller & Margo J. McCormick Miller Stratvert, P.A. Robert Milne & Ann DeHart, in memory of Clare Dreyer

Mark Moll David & Alice Monet National Christian Foundation Southwest New Mexico School of Music, Tatiana Vetrinskaya James O'Neill & Ellen Bayard Joyce & Pierce Ostrander Stuart & Janice Paster Mary Raje Dr. Barry & Roberta Ramo Sandra P. & AFLt/Col (r.) Clifford E. Richardson III Joan Robins & Denise Wheeler The Rodey Law Firm Ruth Ronan Dr. Harvey Ruskin Howard & Marian Schreyer Bruce & Sandra Seligman Barbara Servis Richard & Janet Shagam Janet & Michael Sjulin David & Heather Spader David E. Stinchcomb, in memory of Ann Stinchcomb Jane & Doug Swift Fund for Art & Education Tamara Tomasson Margaret Vining Michael Wallace Eugene & Barbara Wasylenki Peter & Judy Basen Weinreb Robert & Trudie White Bill & Janislee Wiese David & Evy Worledge

CONCERTMASTER CIRCLE

Donation of $500–$999 Joe Alcorn & Sylvia Wittels Dennis Alexander Anonymous Anonymous Richard & Linda Avery Michael & Leanore Baca Daniel Balik Jan Bandrofchak & Cleveland Sharp Hugh & Margaret Bell, in memory of Joan Allen Richard & Maria Berry Michael Blackledge, in memory of our colleague Robert O. Woods, from the Last Thursday Book Club of Albuquerque Monica Boehmer, in memory of Leonie Boehmer Rod & Genelia Boenig Mike Boice Walt & Celia Bolic Bosque School Community Builders Immersive Marie Brown-Wagner Michael & Cheryl Bustamante, in memory of Cheryl B. Hall David & Shelly Campbell Camille Carstens James Connell Cathy Conrad Stephanie & Bert Coxe Michael Dexter Thomas Dyble Martha Egan Jane & Michael Flax

DONOR CIRCLES .

Diane Fleming, in memory of Robert Fleming Denise Fligner & Terry Edwards Howard & Debra Friedman Dennis & Opal Lee Gill Drs. Robert & Maria Goldstein Yvonne Gorbett Marcia Gordon Berto & Barbara Gorham Lauro Guaderrama Kathleen Hammar Harris Jewelers Martha S. Hoyt Robin Jackson Photography Steve Kemp Robert & Toni Kingsley Marlin Kipp Herbert & Shelley Koffler Noel & Meredith Kopald Christina Kreuz Stephanie & Kenneth Kuzio Drew Lamprich Mildred Langston Donald & Margaret Lenk Thomas & Donna Lockner Dr. Ronald & Ellen Loehman Tyler M. Mason C. Everett & Jackie McGehee Christine & Russell Mink Cary & Eve Morrow Michael & Judy Muldawer Mark Napolin Lynne Newton Richard & Susan Perry John Provine Barbara Rivers Patricia Rodgers & Harry Stumpf, in memory of Blossom Kite Anjella Schick Frederick & Susan Sherman, in memory of Judith Lackner Ronald Shettlesworth Rae Siporin Suzanne Slankard William E. Snead Sarah Stevens-Miles Charles Stillwell Phyllis Taylor & Bruce Thomson Marie Weingardt Carl G. & Janet V. Weis Diana Zavitz, in memory of Pat & Ray Harwick

PRINCIPALS CIRCLE

Donation of $125–$499 Marsha Adams Gerald Alldredge Amazon Smile Anderson Organizing Systems John & Polly Arango Leonard & Stephanie Armstrong Janice J. Arrott David Baca Sally Bachofer Douglas Bailey Olive Baker-Brown Nicole Banks Harold & Patricia Baskin William Bechtold Edie Beck Michael Bencoe Gay & Stan Betzer

Elaine Bleiweis & Karen Hudson, in memory of Blossom Kite Kelly Block James & Ann Bresson Douglas Brosveen Terry Brownell & Alpha Russell The Bruckner Society of America, INC Nancy Brunson Marcia Bumkens Caliber's Safe Store Carol Callaway Dante & Judith Cantrill Robert E. & Shirley Case Roscoe & Barbara Champion Gregory & Karen Chase Olinda Chavez Lance & Kathy Chilton Sharon Christensen Beth Clark Paul & Linda Cochran Jane & Kenneth Cole Donna Collins Lloyd Colson III Henry & Ettajane Conant Marcia Congdon Susan Conway Jasha Cultreri Stephen & Stefani Czuchlewski Paul & Kathleen Deblassie Ronald & Faye Detry Raymond & Anne Doberneck Carl & Joanne Donsbach Gale Doyel Reverend Suzanne & Bill Ebel Gary Echert Michael & Laurel Edenburn Jeffrey Edgar The Eichel Family Charitable Fund Richard & Mildred Elrick Jay Ven Eman Jackie Ericksen David & Frankie Ewing Peggy Favour Helen Feinberg Lori Finley Heidi Fleischmann & James Scott William & Cheryl Foote Joseph Freedman & Susan Timmons Maureen Fry Mary Day Gauer Thomas & Linda Grace Paul & Marcia Greenbaum Justin M. & Blanche G. Griffin Stanley & Sara Griffith Mina Jane Grothey Patricia B. Guggino Kirk & Jan Gulledge Robert & Elene Gusch Ruth Haas Herman Haase Lee & Thais Haines Ron & Nancy Halbgewachs Leila Hall, in memory of Samuel Hall Debbie Hammack Bennett A. Hammer Joan Harris Darren Hayden Bruce & Ann Hendrickson Patricia Henning & Anthony Lazzaro Pamelia Hilty (Snow Blossom Gift Fund) Laura Hoberg Toppin & Robert Hodge

Ulton & Jean Hodgin Diane Holdridge Kiernan Holliday Bernhard E. Holzapfel Nancy Kay Horton Janet Humann Betty Humphrey Bryan Lance & Debrah Hurt Christopher & Venessa Johnson Nancy Joste Robert & Mary Julyan Carol Kaemper John & Mechthild Kahrs Norty & Summers Kalishman Thomas & Greta Keleher Ann King Gerald Kiuttu & Candace Brower Phil Krehbiel Jennifer C. Kruger Woody & Nandini Kuehn Karen Kupper Nick & Susan Landers Jae-Won & Juliane Lee Susan Lentz Robert Lindeman & Judith Brown Lindeman John Linder & Margaret Chaffey William & Norma Lock Gebhard Long Daniel Lopez & Linda Vigil Lopez Suzanne Lubar & Marcos Gonzales, in memory of Larry B. Lubar Joan M. Lucas Ruth Luckasson & Dr. Larry Davis, in memory of Dr. Alfred Watts Robert Lynn & Janet Braziel Robert & Linda Malseed The Man's Hat Shop Jim & Helen Marquez Jeffrey Marr Carolyn Martinez Sallie McCarthy Roger & Kathleen McClellan Linda McNiel Jerry & Azantha Middleton Bruce & Jill Miller Martha Ann Miller & Henry Pocock Jim Mills & Peggy Sanchez Mills Louis & Deborah Moench Robert & Phyllis Moore Jim & Penny Morris Ted & Mary Morse Lynne Mostoller & Kathryn McKnight, in honor of Richard White Mr. Tux Betsy Nichols Rebecca Okun John & MacKenzie Ordorica Patrick Ortiz, in memory of Karen McKinnon Del Packwood & Barbara Reeback Michelle Pent Elizabeth Perkett Phil & Maggie Peterson Lang Ha Pham & Hy Tran Judi Pitch Placitas Artists Series PNM Resources James Porcher Dan & Billie Pyzel Jane Rael Jerry & Christine Rancier Ray Reeder

Robert Reinke Tim Renk Lee Reynis & David Stryker Erika Rimson & David Bernstein Peggy Rodriguez John & Faye Rogers Catalin Roman Glenn & Amy Rosenbaum Carole Ross Sofya Rubinchik John Salas Carey Salaz Santa Fe Opera Sarafian's Oriental Rugs Christine Sauer John & Karen Schlue Laura Scholfield Kendra Scott Marc Scudamore & Brigitte Schimek Meryl & Ron Segel, in honor of Joan Zucker's retirement Daniel & Barbara Shapiro R.J. & Katherine Simonson George & Vivian Skadron Carol Smith Steven & Keri Sobolik Karen Soutar Sport Systems John & Patricia Stover David & Jane Tallant Natalia Tikhovidova Craig Timm & James Wilterding Laurence Titman Jacqueline Tommelein True Rest Float Spa Leonard & Mary Joan Truesdell Kimberly Tuozzoli Arthur Vall-Spinosa & Sandra Louise Nunn Vara Winery & Distillery Charles & Barbara Verble John Vittal & Deborah Ham Wolfgang & Carol Wawersik Lawrence Wells Margaret Wente Jeffrey West Tad & Kay West Marybeth White Kris Williams Dot Wortman Paula Wynnyckyj Andrea Yannone Peng Yu, in honor of Steve & Maureen Baca Tony Zancanella

FRIENDS OF THE PHILHARMONIC

Donation of $25–$124 David & Elizabeth Adams Wanda Adlesperger Natalie Adolphi & Andrew McDowell Dr. Fran A'Hern-Smith Jeffrey Allen Mel & Hilaria Alper Jo Anne Altrichter & Robin Tawney Freda Anderson Jerry & Jo Marie Anderson Anonymous Julie Atkinson Jackie Baca & Ken Genco Thomas J. & Helen K. Baca

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DONOR CIRCLES . continued from 21 Harper Baird Adam Banks Therese Barts Elizabeth Bayne Susan Beard Judy Bearden-Love Kirk & Debra Benton Mark & Beth Berger Barry Berkson Suzanne Bernhardt Marianne Berwick Karen Bielinski-Richardson Nancy & Cliff Blaugrund, in memory of The Honorable James A. Parker Nancy Blaugrund, in honor of Judy Lackner Thomas & Suzanne Blazier William Blumenthal David & Sheila Bogost Henry Botts J.M. Bowers & B.J. Fisher Samuel Brandt Carolyn Brown James & Jan Browning In memory of The Honorable James A. Parker Hank & Miriam Burhans Elizabeth Burki Robert & Marylyn Burridge Douglas & Ann Calderwood Luana Carey, in honor of Carolyn Quinn & John Crawford CarMax James Carroll Joseph Cella Laura Chang Cheesecake Factory Wayne & Elaine Chew Wayne & Elaine Chew Barry Clark James & Pauline Clements James & Joan Cole Randall & Valerie Cole Amy Couch John & Katherine Cunningham Mark A. Curtis Marjorie Cypress & Philip Jameson The Daily Grind Hubert Davis Merrick & Leigh Ann Dean Kurt & Yvonne Deshayes Stephen R. Donaldson James & Julie Drennan Barbara Druxman, in memory of Dr. Larry Lubar Michael & Jana Druxman Jeff & Karen Duray Sondra L. Eastham, in memory of Dr. Herb Freidman Sondra L. Eastham, in memory of Judith Lackner John Eckert Helene Eckrich Bradley Ellingboe Robert & Dolores Engstrom Jane Farris, in honor of Brent & Maria Stevens John Adam Farris Howard Fegan Ella J. Fenoglio Irene Fertik David Fillmore Mary Filosi Sally Fish

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Joy Fishel-Eaton James Fisk Rabbi Arthur Flicker Blake & Liz Forbes Walter & Beverly Forman David Foushee Greg & Jeanne Frye-Mason Eric & Cristi Furman Jonathan & Julia Gallegos Yolanda Garcia Walter Gerstle Ronald Goldsmith The Golf Mart Lois Gonzales Stephen Ray Goode Great Harvest Bakery Alfred & Patricia Green Ann Green Ginger Grossetete Kevin & Teresa Grunewald Birgitta Gustafson, in honor of Richard White J. Michele Guttmann Fletcher & Laura Hahn Kerry L. Harmon William & Janet Harrington Noah Harris Matt Hart John & Diane Hawley Jo Ellen Head Drew Henry Cynthia Heredia Marvin & Anne Hill, in memory of J.L. Tischhauser Nancy Hill Ursula Hill Heidi Hilland The Bruckner Society of America, Inc. Fred Hindel Kory & Roseann Hoggan, CPA Steven Homer Thomas & Mary Ann Horan Stanley & Helen Hordes Stephanie Hurlburt Ralph & Gay Nell Huybrechts James & Kristin Jackson Jenica Jacobi Jerry & Diane Janicke Gwenellen Janov Michael & Sandra Jerome Robert & Nanette Jurgensen Joyce Kaser Julia Kavet Janet & Michael Keller, in memory of Blossom Kite Margaret Keller Nancy Kelley Fern Kelly Bill Kent J. Dianne Keyson M.J. Kircher Barbara Kite, in memory of Blossom Kite Ralph & Heather Kiuttu Barbara Kleinfeld, in memory of Judith Lackner Barbara Kleinfeld, in memory of Karen McKinnon John & Gretchen Kryda Mark Kunzman Kathryn Lackner Molly Lannon LeRoy Lehr & Veronica Reed

2022/23 Season / Volume 11 / No. 3

Marc Limmany Carl & Sheila Litsinger Virginia Loman Mariana Lopez Laurence & Patricia Loucks Mary Loughran, in memory of The Honorable James A. Parker Sam Lucero & Ron Lahti Bob & Maureen Luna, in memory of Robert O. Woods Morgan MacFadden Frank Maher James & Marilyn Mallinson Ronald & Monica Manginell Nicolle Maniaci & John Witiuk Frederic & Joan March Elizabeth Marra Salvatore T. Martino John & Alice Massey Tom & Constance Jean-Luc Matton Charles McCormack Brian McDonald David & Jane McGuire Judith W. Mead Joyce Mendel, in memory of Robert O. Woods Kathleen Miller Natalie Miller Robert F. Miller John Mims Phillip Mitchell, in memory of Beatriz Mitchell Dr. William Moffatt Letitia Morris Shirley Morrison Baker H. Morrow & Joann Strathman Karen Mosier & Phillip Freeman Peter Mostachetti Brian Mulrey Andrea Mungle Nambé Napoli Coffee Albert & Shanna Narath Bruce & Ruth Nelson Geri Newton Maude Nielsen Candace & Frank Norris Ruth Okeefe Ooh! Aah! Jewelry Joseph Opuszenski William Owen Eric Parker Mark & Diane Parshall Howard Paul Honorine Payne PayPal Giving Fund Brian Pendley PF Chang's Barbara Pierce Ed Pierce, in memory of Judith Lackner Helen Priest Daniel Puccetti Therese Quinn David & Tracey Raymo Kerry Renshaw Kay Richards George & Sheila Richmond Margaret Roberts Gerald & Gloria Robinson Gwenn Robinson, MD & Dwight Burney III, MD

Jeff & Marin Robinson Judith Roderick Christopher Rosol Dick & Mary Ruddy Aubree Russell Robert Sabatini & Angela Bucher John Sale & Deborah Dobransky Evelyn E. & Gerhard L. Salinger Katherine Saltzstein Warren Saur Savoy Bar & Grill Peggy Schey David & Marian Schifani Sheila Schiferl Seasons 52 Seasons Rotisserie & Grill Laurel Sharp & David Smukler Arthur & Colleen Sheinberg Dasa Silhova Beverly Simmons John Simpson Norbert F. Siska Matthew & Diane Sloves Joseph Smith Kirk Smith Catherine Smith-Hartwig Smith's Community Rewards Cynthia Sontag Allen & Jean Ann Spalt Linda Srote, in memory of Karen McKinnon Philip & Lois Ann Stanton Lauren Starosta Theodore & Imogen Stein Frances Steinbach Luis & Patricia Stelzner Brent & Maria Stevens Elizabeth C. Stevens Stone Age Climbing Gym Bryan Stoneburner Arthur Stuart Jonathan Sutin Gary & Rosalie Swanson Jeffrey & Georgeann Taylor Julie Tierney Dave Tighe Dr. Steven Tolber & Louise CampbellTolber Valerie Tomberlin John Tondl Marian Towne John & Karen Trever Jorge Tristani Linda Trowbridge Robert Walston Caren Waters Elaine Watson Dale A. Webster Kevin & Laurel Welch Charles & Linda White Leslie White Roland & Wendy Wiele Robert & Amy Wilkins Kathryn Wissell Margaret Wolak & Angelo Tomedi Judith Woods Kenneth Wright Kari Young Kenneth & Barbara Zaslow Charles & Nancy Zimmerman Michael & Anne Zwolinski 10/12/2022

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DONOR CIRCLES .

New Mexico Philharmonic Foundation DONORS & TRUSTEES The McKinnon Family Foundation Lee Blaugrund Charles, Trustee, & Eugenia Eberle Barbara Rivers, Trustee Robert & Frances Fosnaugh Thomas Martin, Trustee, & Cynthia Phillips Stephen, Trustee, & Maureen Baca Estate of Marian Ausherman Chavez Dr. Dean Yannias William E. Cates Mary Baca (aka Betty) Christine Kilroy Keith Gilbert Ann & Robert Boland Thomas & Edel Mayer Robert Milne David Northrop John & Karen Schlue Susan Spaven Tyler M. Mason Jerald Parker Richard VanDongen Roland Gerencer Jonathan Hewes George Thomas Richard Zabell & Teresa Apple Scott Obenshain Sydney (Al) & Melissa Stotts Marian & Jennifer Tanau Charles & Judith Gibbon Alice J. Wolfsberg Scott & Carol Schaffer Joel & Sandra Baca Dorothy M. Barbo Henry & Jennifer Bohnhoff Clarke & Mary Cagle Kenneth Conwell II Bob & Greta Dean Howard & Debra Friedman Robert & Jean Gough Justin Griffin Mike & Blanche Griffin Mary Herring Elisa Kephart Alan Lebeck Sonnet & Ian McKinnon James O’Neill W. Pierce & Joyce Ostrander Clifford Richardson III Jacquelyn Robins Jay Rodman & Wendy Wilkins John Rogers Heinz & Barbara Schmitt Michael & Janet Sjulin Peter & Judy Weinreb Jim Zabilski & Sue Johnson Marlin E. Kipp Thomas & Greta Keleher Susanne Brown Michael Dexter Thomas M. Domme Martha Egan David Espey John Homko

The New Mexico Philharmonic

Frances Koenig Letitia Morris Michael & Judy Muldawer Ken & Diane Reese Jeff Romero Nancy Scheer Neda Turner Michael Wallace Thomas & Ann Wood Anonymous Maria Stevens John & Julie Kallenbach Kay F. Richards Stan & Gay Betzer Kenneth & Jane Cole Leonard Duda Mary E. Lebeck Robert & Judy Lindeman Martha A. Miller Betsy Nichols Lee Reynis Warren & Rosemary Saur John & Patricia Stover Leonard & Stephanie Armstrong Robert Bower & Kathryn Fry Christopher Calder & Betsey Swan Judith & Thomas Christopher Fran DiMarco Dr. Lauro G. Guaderrama Lawrence & Anne Jones Karen Lanin Geri Newton Edward Rose Christine Sauer James Sharp & Janice Bandrofchak Rae Lee Siporin Bruce Thompson & Phyllis Taylor Lawrence & Katherine Anderson Douglas & Dianne Bailey Edie Beck Jeffrey Bridges A.J. Carson Thomas & Elizabeth Dodson Harry & June Ettinger Helen Feinberg Carl Glenn Guist Fletcher & Laura Hahn Robert & Linda Malseed Robert & Rebecca Parker Elizabeth Perkett Shelley Roberts Thomas Roberts & Leah Albers Gruia-Catalin Roman Donald & Carol Tallman Peter & Mary Tannen Rosario Fiallos James & Ann Breeson Carl & Jeannette Keim Andrea Kilbury Linda McNiel Albert & Shanna Narath David & Cynthia Nartonis Ray Reeder Charles & Ruth Snell Henry & Ettajane Conant Nancy Hill Daniel T. O’Shea Charles & Linda White Dal Jensen Charlotte McLeod David Peterson 505 Southwest Auto

Ninon Adams David Baca Mark & Beth Berger Charleen Bishop John Bowers & B.J. Fisher Eric R. Brock & Mae S. Yee Camille Carstens Joseph Cella Robert Chamberlin Dennis Chavez Development Corp.

Olinda Chavez Helene Chenier Hugh & Kathleen Church James Cole Barbara L. Daniels Drina Denham Jerry & Susan Dickinson Vicky Estrada-Bustillo Alfred & Patricia Green Peter Gregory Karen Halderson Samuel & Laila Hall Herman Haase Jo Ellen Head Kiernan Holliday Michael & Sandra Jerome Robert H. & Mary D. Julyan Julia Kavet Henry Kelly Robert & Toni Kingsley Walter & Allene Kleweno, in memory of Pegg Macy Gerald Knorovsky L.D. & Karen Linford Betty Max Logan Douglas Madison Elizabeth Davis Marra Salvatore Martino Donald McQuarie Dr. William Moffatt James B. & Mary Ann Moreno Cary & Evelyn Morrow Karen Mosier David & Marilyn Novat Richard & Dolly O’Leary Maureen Oakes Eric P. Parker Michael Pierson & Jane Ferris Karla Puariea Russell & Elizabeth Raskob George & Sheila Richmond Margaret E. Roberts Matthew Roberts Judith Roderick Marian Schreyer Drs. M. Steven Shackley & Kathleen L. Butler Joseph Shepherd & Julie Dunleavy Lillian Snyder Julianne Stangel Ronald T. Taylor Marta Terlecki Betty Tichich Marvin & Patricia Tillery Robert Tillotson Jorge Tristani (President, Denis Chavez Development) Harold & Darlene Van Winkle Lana Wagner Dale Webster Kevin & Laurel Welch Liza White

Marc & Valerie Woodward Diana Zavitz Michael & Jeanine Zenge Linda R. Zipp. MD Jeffrey G. Allen Marilyn Bowman Stephen & Merilyn Fish Lorraine B. Gordon Hareendra & Sanjani Kulasinghe David C. McGuire Jr. William & Cynthia Warren John Vittal Margaret Lieberman Judith Anderson Marcia Congdon Genevieve Davidge Winnie Devore Karen Duray Jackie Ericksen John & Nancy Garth Allison Gentile Andrea Granger Fred & Joan Hart Edgarton (E.R.) Haskin Jr. Theresa Homisak Stephanie Kauffman Basil Korin Frederic & Joan March Cristina Pereyra Luana Ramsey J. Sapon & Allison Gentile Michael & Lisa Scherlacher John & Sherry Schwitz Beverly Simmons Alexandra Steen Kathleen Stratmoen Dean Tooley Kenneth Wright Kenneth & Barbara Zaslow Andrew & Lisa Zawadzki Peter & Ann Ziegler Mary J. Zimmerman Alvin Zuckert Dante & Judie Cantrill Lori Johnson Douglas Cheney Martha Corley Barbara Killian Gary Mazaroff Theodore & Sue Bradigan-Trujillo Christopher Behl Mary Compton Henry Daise Arthur Flicker Andrew McDowell & Natalie Adolphi Claude Morelli Noel Pugach Bonnie Renfro Elizabeth Stevens Arthur Alpert Stanley & Helen Hordes Edward & Carol Ann Dzienis 10/12/2022

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nmphil.org

23

THANK YOU .

Steinway Society

Steinway Society

Piano Fund

Members

Steinway Society members make dedicated donations for current and future purchases and maintenance of our Steinway & Sons Grand Piano Model D. Since the New Mexico Philharmonic’s birth in 2011, we have had to rely on rented pianos. They have been inconsistent and at the end of the 2018/19 season, it was clear that the NMPhil needed a new, reliable piano to feature great pianists. We were finally able to fulfill this dream when we received a very generous low-interest loan to purchase the piano. Thanks to donations from Steinway Society members, the NMPhil is making great strides toward paying off this loan. Please consider joining the Steinway Society at the donor level that is best for you and be part of your New Mexico Philharmonic by helping us to produce excellence through our music.

HOROWITZ LEVEL

Donation of $20,000–$50,000 Cliff & Nancy Blaugrund Lee Blaugrund Charles & Eugenia Eberle Roland Gerencer, MD

WHITE KEYS LEVEL

Donation of $6000–$19,999 Dal & Pat Jensen Diane & William Wiley Dr. Dean Yannias

BLACK KEYS LEVEL HOROWITZ LEVEL

$20,000–$50,000

• • • • • • •

Special short video presented before one concert at Popejoy Hall Two annual private dinners with artist(s) of choice Donor Lounge access One annual private dinner with Roberto Minczuk, Olga Kern, or other pianists Special mention in the Program Book Steinway Society section Special annual reception for all Steinway Society donors Engraved Steinway piano key with the name of the donor to be displayed in the lobby at NMPhil concerts featuring piano soloists • Name engraved somewhere inside the piano with date, etc.

WHITE KEYS LEVEL

$6000–$19,999

• • • • •

Donor Lounge access One annual private dinner with Roberto Minczuk, Olga Kern, or other pianists Special mention in the Program Book Steinway Society section Special annual reception for all Steinway Society donors Engraved Steinway piano key with the name of the donor to be displayed in the lobby at NMPhil concerts featuring piano soloists • Name engraved somewhere inside the piano with date, etc.

BLACK KEYS LEVEL

$2000–$5999

• Invitation to three Donor Lounge receptions during concerts • One private dinner every other year with Roberto Minczuk, Olga Kern, or other pianists • Special mention in the Program Book Steinway Society section • Special annual reception for all Steinway Society donors • Engraved Steinway piano key with the name of the donor to be displayed in the lobby at NMPhil concerts featuring piano soloists • Name engraved somewhere inside the piano with date, etc.

PEDAL LEVEL

$500–$1999

• Invitation to one Donor Lounge reception during a concert • Special mention in the Program Book Steinway Society section • Special annual reception for all Steinway Society donors PIANO FRIENDS LEVEL

• Special mention in the Program Book Steinway Society section • Special annual reception for all Steinway Society donors

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2022/23 Season / Volume 11 / No. 3

$50–$499

Donation of $2000–$5999 Meg Aldridge Carl & Linda Alongi Joel & Sandra Baca Stephen & Maureen Baca William & Paula Bradley Clark & Mary Cagle Phillip & Christine Custer Art Gardenswartz & Sonya Priestly Robert & Jean Gough Helen Grevey Bill & Carolyn Hallett Stephen & Aida Heath Michael & Roberta Lavin Dwayne & Marj Longenbaugh Jan Elizabeth Mitchell Jacquelyn Robins Jay Rodman & Wendy Wilkins Albert Seargeant III, in memory of Ann Seargeant Terry Sloan

PEDAL LEVEL

Donation of $500–$1999 Ronald Bronitsky Michael & Cheryl Bustamante, in memory of Cheryl B. Hall Richard & Peg Cronin Mr. & Mrs. Robert Duff Custer Leonard & Patricia Duda David Foster Peter Gould Jonathan & Ellin Hewes Robert & Toni Kingsley Dr. Herb & Shelley Koffler Tyler M. Mason Thomas & Edel Mayer Jon McCorkell & Dianne Cress Bob & Susan McGuire David & Audrey Northrop James P. O’Neill & Ellen Bayard Gary & Carol Overturf Ruth Ronan Ed Rose Marian & Howard Schreyer Bruce & Sandra Seligman Frederick & Susan Sherman David & Heather Spader Al & Melissa Stotts

THANK YOU .

PIANO FRIENDS LEVEL

Donation of $50–$499 Wanda Adlesperger Fran A’Hern-Smith Joe Alcorn & Sylvia Wittels Dennis Alexander Anonymous Judy Bearden-Love Karen Bielinski-Richardson David & Sheila Bogost Robert Bower & Kathryn Fry Dante & Judie Cantrill Camille Carstens Olinda Chavez Beth L. Clark Henry & Ettajane Conant John & Katie Cunningham Marjorie Cypress & Philip Jameson Thomas & Martha Domme Martin J. Doviak Robert B. Engstrom Jackie Ericksen Elle J. Fenoglio David Fillmore Blake & Liz Forbes George & Karen Gibbs Ginger Grossetete Elene & Robert Gusch Kerry L. Harmon Jo Ellen Head Heidi Hilland Glenn & Susan Hinchcliffe Bryan “Lance” & Debrah Hurt Nancy Joste Julia Kavet M.J. Kircher Ralph & Heather Kiuttu Larry W. Langford Susan Lentz Claire Lissance Morgan MacFadden James & Marilyn Mallinson Nicholle Maniaci & John Witiuk Tom & Constance Matteson Martha Ann Miller & Henry Pocock Robert & Phyllis Moore Cary & Evelyn Morrow Edward & Nancy Naimark Geri Newton Bob & Bonnie Paine James Porcher Dan & Billie Pyzel Mary Raje Ray A. Reeder Judith Roderick Dick & Mary Ruddy John Sale & Deborah Dobransky Katherine Saltzstein Peggy Schey Laurel Sharp & David Smukler Catherine Smith-Hartwig Cynthia Sontag Frances Steinbach Linda Trowbridge Kevin & Laurel Welch Jeffrey West Charles & Linda White Roland & Wendy Wiele Diane Zavitz, in memory of Pat & Ray Harwick Linda R. Zipp, MD 10/12/2022

Legacy Society Giving for the future Your continued support makes this possible. The Legacy Society represents people who have provided long-lasting support to the New Mexico Philharmonic through wills, retirement plans, estates, and life income plans. If you included the NMPhil in your planned giving and your name is not listed, please contact (505) 323-4343 to let us know to include you.

Jo Anne Altrichter & Robin Tawney Maureen & Stephen Baca Evelyn Patricia Barbier Nancy Berg Sally A. Berg Thomas C. Bird & Brooke E. Tully Edison & Ruth Bitsui Eugenia & Charles Eberle Bob & Jean Gough Peter Gregory Ruth B. Haas Howard A. Jenkins Joyce Kaser Walter & Allene Kleweno Louise Laval Julianne Louise Lockwood Dr. & Mrs. Larry Lubar Joann & Scott MacKenzie

Margaret Macy Thomas J. Mahler Shirley Morrison Cynthia Phillips & Thomas Martin Eugene Rinchik Barbara Rivers Terrance Sloan Jeanne & Sid Steinberg William Sullivan Dean Tooley Betty Vortman Maryann Wasiolek William A. Wiley Charles E. Wood Dot & Don Wortman 10/12/2022

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Thank You for Your Generous Support Volunteers, Expertise, Services, & Equipment The New Mexico Philharmonic would like to thank the following people for their support and in-kind donations of volunteer time, expertise, services, product, and equipment.

CITY & COUNTY APPRECIATION Mayor Tim Keller & the City of Albuquerque Trudy Jones & the Albuquerque City Council The Bernalillo County Board of Commissioners Dr. Shelle Sanchez & the Albuquerque Cultural Services Department Hakim Bellamy & the Albuquerque Cultural Services Department Amanda Colburn & the Bernalillo County Special Projects

BUSINESS & ORGANIZATION APPRECIATION Immanuel Presbyterian Church The New Mexico Philharmonic Foundation The Albuquerque Community Foundation

INDIVIDUAL APPRECIATION Lee Blaugrund & Tanager Properties Management Ian McKinnon & The McKinnon Family Foundation Alexis Corbin Billy Brown Anne Eisfeller Drew Henry

Chris Kershner Jim Key Jackie McGehee Barbara Rivers Brad Richards Emily Steinbach Brent Stevens

VOLUNTEERS HOSTING VISITING MUSICIANS Don & Cheryl Barker Ronald Bronitsky & Jim Porcher Tim Brown Isabel Bucher & Graham Bartlett Mike & Blanche Griffith Suzanne & Dan Kelly

Ron & Mary Moya Steve & Michele Sandager 10/12/2022

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● The New Mexico Philharmonic

nmphil.org

25

THANK YOU .

Sponsors & Grants Sound Applause

The concerts of the New Mexico Philharmonic are supported in part by the City of Albuquerque Department of Cultural Services, the Bernalillo County, and the Albuquerque Community Foundation.

Albuquerque Community Foundation albuquerquefoundation.org

Hotel Andaluz hotelandaluz.com

Bernalillo County bernco.gov

Century Bank mycenturybank.com

City of Albuquerque cabq.gov

Computing Center Inc. cciofabq.com

D’Addario Foundation daddariofoundation.org

French Funerals & Cremations frenchfunerals.com

Gardenswartz Realty

Holmans USA holmans.com

Hunt Family Foundation huntfamilyfoundation.com

John Moore Associates johnmoore.com

Keleher & McLeod keleher-law.com

Menicucci Insurance Agency mianm.com

Meredith Foundation

Moss Adams mossadams.com

Music Guild of New Mexico musicguildofnewmexico.org

New Mexico Arts nmarts.org

New Mexico Gas Company nmgco.com

RBC Wealth Management rbcwealthmanagement.com

Sandia Foundation sandiafoundation.org

Sandia Laboratory Federal Credit Union slfcu.org

GARDENSWARTZ REALTY

United Way of Central New Mexico uwcnm.org

26

Urban Enhancement Trust Fund cabq.gov/uetf

2022/23 Season / Volume 11 / No. 3

The Verdes Foundation verdesfoundation.org

Olga Kern International Piano Competition olgakerncompetition.org

Scalo Italian Restaurant scaloabq.com

SUPPORT YOUR NMPHIL Interested in becoming a sponsor of the NMPhil?

Call today! (505) 323-4343.

UPCOMING CONCERTS

SCHEHERAZADE: A HAYDN & MOZART IONIȚĂ PLAYS DVOŘÁK MUSICAL MASTERPIECE FEBRUARY 26, 2023 CELLO CONCERTO JANUARY 14, 2023

BRASS & WINDS VIRTUOSITY

MARCH 18, 2023

A MORNING OF THE MAJESTIC ORGAN APRIL 14, 2023 MUSIC FOR STRINGS

JANUARY 22, 2023

MARCH 10, 2023

THE GREATEST: BEETHOVEN’S 9TH

A NIGHT WITH OTTMAR LIEBERT

THE MUSIC OF GENESIS & PHIL COLLINS

FEBRUARY 11, 2023

MARCH 11, 2023

APRIL 15, 2023

MAHLER: THE TITAN APRIL 22, 2023

EXUBERANT BEETHOVEN! APRIL 30, 2023

2022/23 SEASON

nmphil.org

CONCERT PROGRAM .

2022 GLA 250 SUV

Night Moves.

Proud Sponsor of New Mexico Philharmonic Alameda & Pan American (505) 821-4000 • mercedesabq.com 28

2022/23 Season / Volume 11 / No. 3