Fine Art@Hale 2020 Catalogue

Page 1

2020

FINE ART hale


online

7 AUGUST - 6 SEPTEMBER 2020 Fine Art@Hale’s mission is to encourage an engagement with the visual arts at Hale School, which fosters new ways of seeing, creativity, critical thinking and community connection. Since 1994, Fine Art@Hale has staged an annual exhibition of fine art for both Hale School and the wider community to enjoy. Proceeds from the exhibition are directed towards a program of art prizes and awards, and visual arts activities and purchases across campus. For more information, visit our website www.fineartathale.org. We hope you enjoy FA@H 2020!

Cover artwork ‘The Big Idea’, 2020, acrylic aerosol on canvas by Jackson Harvey Image © Courtesy of Artist


Fine Art@Hale 2020 Online Exhibition Catalogue Friday 7 August - Sunday 6 September

www.fineartathale.org


Fine Art@Hale 2020 The Fine Art@Hale Committee is excited to present an online catalogue and sale of works from our invited artists for Fine Art@Hale 2020. In light of social restrictions around Covid-19, the difficult decision was made to cancel the exhibition, held annually in Memorial Hall since 1994. While social restrictions have eased in Western Australia, the many student based events that also required re-scheduling across the school meant that Memorial Hall was no longer available for the exhibition. The visual arts sector has been particularly impacted by the economic effects around the large scale cancellation of arts events this year, so taking the exhibition online has provided an opportunity for Fine Art@Hale to support the many artists who committed to exhibit with us this year. We trust our supportive patrons will enjoy the selection of art from this talented group of emerging and established Western Australian artists on this new platform.

www.fineartathale.org @FineArtatHale @fineart_at_hale

PLEASE NOTE: When viewing the works in this catalogue, images supplied are NOT to scale with the original work and are NOT to scale with other images in the brochure. All measurements of work are written in centimeters (including frame if noted) and follow the format Height x Width x Depth.


ACKNOWLEDGEMENTS The committee’s sincere thanks to the following for their contribution to the Fine Art@Hale 2020 Exhibition Jackson Harvey Old Haleian, 2020 LegoMaster and talented Artist! Our sincere thanks to Jackson for providing images for our 2020 marketing and for the many chats, emails, videos, stills and time that Jackson has generously shared with both Fine Art@Hale and the wider student body, through associated arts events on campus. Image7 Our sincere thanks to Andrew Sculthorpe (Hale family) and the staff from Image7 (José Caceres) for their technical skills and support which have enabled the exhibition to move online this year. Hale School Staff Headmaster, Dean Dell’Oro and Deputy Headmaster, David Bean David Timmins, Suzanne Abercrombie, Katie Endersby, Glenda Morrison and Administration Staff Brenton Hantke Brad Holliday, Brennan Chan and IT Staff Simone Cumming, Alison Howcroft, Angelyne Wolfe, Jenny Manners and Ben Harris from Community Relations Murray Jelleff, Lindsay Marai, Paul Viney and all staff in Facilities Management Lisa Hakkinen, Haydn Jackson and all teaching and support staff in the school’s Visual Arts Departments Dan Vernon, Chris Miles, Paula Santos and all Hale Boarding Staff


HOW TO PURCHASE ART WORKS ONLINE 1.

Once you have selected the artwork you wish to purchase, visit the exhibition page of the Fine Art@Hale website. www.fineartathale.org

2.

ARTWORK PURCHASE - Search the exhibition to locate your selected piece. - Click - The online sale price includes GST and delivery. - Follow the prompts to complete your online purchase. - Payment is accepted using Visa and Mastercard ONLY. - A Sales Receipt will be sent to your nominated email address.

3.

ARTWORK DELIVERY - Artists have logistic and financial responsibility for the timely and safe delivery of artwork to the purchaser. - Artists will arrange delivery of purchased artwork via Australia Post, or a reputable freight company to the address nominated by the purchaser on the online sales form. - Purchasers must agree to have their contact details (name, email, postal address) shared with the artist to arrange artwork delivery.

4.

VIEWING ARTWORK If prospective purchasers are unsure about a purchase and would like to view in person prior to purchase, we invite you to contact FA@H to arrange a viewing. Please email the Curatorial Team at hale.art@live.com. Please bear in mind that connecting a purchaser with an artwork will not be possible in all cases, with many of our invited artists residing beyond the Perth metropolitan area.

5.

Please contact hale.art@live.com for all other enquiries.

We hope you enjoy Fine Art@Hale 2020!


ALEKSANDROW & SIPES

7

GIBSON, Kay 21

AMARAL, Tatiana 7

GIDDY, James 21

ANDREWS, Tammy 8

GORDON, Philippa 22

ASH, Greg 8

GREEN, David 22

BAKER, Olly 9

HANSEN, Nidia 23

BARKER, Peter 9

HARVEY, Jackson 23

BARNEY, Gordon (Warmun)

28

HILL, Peter 24

BARR, Greg 10

HOPKINS, Sam 24

BENFORD, Sheila 10

HOY, Susan 25

BRENNAN, Ben 11

JACKSON, Reegan 25

BRISTOW, Richard 11

JAMES, Greg 26

BUCKINGHAM, Karina

12

KAY, Ian 26

BURKITT, Ric 12

KENT, Andy 31

BURTON, Kingsley J

13

KNIGHT, Michael 31

CARRINGTON, Sade (Warmun) 28

KORTE, Alix 32

CARROLL, Tommy (Warmun)

28

KRUGER, Hayley 32

CLAIRE, Tania (Jewellery)

51

LAING, Mia 33

COWPER, Shelley 13

Le CERF, Carly

33

DARBY, Brendan 14

LEEMING, Sue 34

DAVIES, Dorothy 14

LOVELADY, Christian

DAVIES, Jenny 15

LOWE, Felicia 35

DEAN, Estelle 15

McALPINE, Matthew

35

DEE, Liam 16

McCLELLAND, Christopher

36

DELL, Gail 16

MALONE, Victoria 36

DICKINSON, Roger 17

MAPLE, Kim 37

EDMONDS, Sally 17

MEANEY, Lesley 37

ELLIOTT, Neil 18

MERRITT, Jennie (Jewellery)

FERNANDEZ, Teresa

18

MERRITT, Kellee 38

FERRARIO, Silvana

19

MONTGOMERIE, Genevieve

34

52

38

FLOYD, Kate 19

NORTH, Peta 39

FOSSIER-MILLS, Laurie

O’CONNELL, Michael

20

GAYE, Jennifer 20

39

O’MEEHAN, Holly 40 5


PADGET, Leesa 40 PARKER, Lesley 41 PERICLES, Leon 41 PETERSON, Annette

42

PHILLIPS, Anita 42 POH, Cynthia (Jewellery)

53

PURDIE, Madelene (Warmun)

29

PURDIE, Shirley (Warmun)

29

QUILTY, Andy 43 RAMSAY, Kathy (Warmun)

29

RAMSAY, Tracey (Warmun)

30

REYNOLDS, Peter 43 ROSSI, Alessandra 44 RYAN, Anne 44 SCHELL, Fleur 45 SORENSEN, Anne 45 SPRIGG, Jordan 46 TAKAHASHI, Yuko 46 TAYLOR, Alastair 47 TAYLOR, Andrew R 47 TEMPESTT, Sioux 48 THOMAS, Mary (Warmun)

30

THORNTON-SMITH, Sarah

48

TREMAIN, Andrew 49 UNO, Keiko (Jewellery)

54

WHITHAM, Lesley 49 WILLIS, Jude 50 WILSON, Norm 50

Please note: All images used in this brochure are © copyright and courtesy of the artist. Exhibiting Old Haleians 6


ALEKSANDROW & SIPES Dan Aleksandrow and Jessie Sipes’ work focuses on the exploration of the natural world, and all its facets, through sculpture. Recent work takes inspiration from their worldly adventures, and continues to explore the expression of the natural form through geometric reduction.

Blossom, 2020

Small Bowl, 1/3, 2020

Bronze 10 x 5 x 10cm

Pewter 3 x 5 x 5cm

Arch, 2020

Small Bowl, 2/3, 2020

Bronze 20 x 20 x 10cm

Pewter 3 x 5 x 5cm

Lyncis Night, 2020

Small Bowl, 3/3, 2020

Bronze 10 x 20 x 20cm

Pewter 3 x 5 x 5cm

$75

$400

$350

$75

$650

$75

AMARAL, Tatiana Tatiana Innecchi Amaral was born in Brazil and grew up in Sao Paulo, where she obtained a degree in Fine Arts. Growing up in a concrete jungle led to Tatiana’s deep appreciation of the natural environment. Compelled to close examination of the intricate patterns, shapes, textures and colours in her surrounding environment and in keeping with her nature-inspired creations, Tatiana currently works with cotton waste sourced from the fashion industry. Using salvaged and reconstructed materials, her work represents the rebirth found in nature’s continuous cycles and symbolizes the patterns, shapes and colours found in her new Australian environment.

Ocean, 2019 Mixed media on cotton paper Framed, artwork measures 78 x 57.5cm

$945

Frame detail

Gold Vein, 2019 Mixed media on cotton paper Framed, artwork measures 57 x 57.5cm

$920

Frame detail

Layers, 2020 Acrylic on cotton paper Framed, artwork measures 57 x 80cm

$995

Frame detail

7


ANDREWS, Tammy Born in Lake Grace, Tammy Andrews now lives and works in Esperance. Predominantly painting in her signature medium of oil, her work can be charming, captivating and magical. The quality of the sensual confident brushwork broods over time, developing into her renowned distinctive style. Tammy is a Curtin University graduate and has studied in Australia as well as internationally.

Australian Red Gold, 2019 Oil on canvas Framed by artist to purchaser’s choice, 90 x 120cm

$5500

Colour Echoes Off Everything We Wanted, 2019 Oil on canvas Framed by artist to purchaser’s choice, 90 x 120cm

$5500

Mill Town Sentiment, 2019 Oil on canvas Framed, 45 x 73cm

$2800

ASH, Greg Born and educated in Perth, Greg Ash has teaching qualifications from Edith Cowan University. Studying fabrics and textiles, printmaking and silk-screening, Greg ultimately discovered glass. After lead lighting his own house in the 1980’s, Greg quickly moved onto learning fusing and slumping techniques, kiln casting, bevelling and strip work, studying with many well-known Australian glass artists. Now one of the state representatives for Ausglass, Greg produces a range of jewellery, architectural glass and sculpture in the glass medium.

Klaus Panel, 2020

Fern Bowl, 2020

Glass 40 x 40 x 5cm

Glass 13 x 13 x 8cm

Princess and the Spirits, 2020

Karijini Bowl, 2020

Glass 25 x 25 x 5cm

Glass 12.5 x 12.5 x 5cm

Green Rose Bowl, 2014

Lilac Bowl, 2020

Glass 48 x 48 x 8cm

Glass 13 x 13 x 7cm

$750

$160

$2000

$80

$80

$80 8


BAKER, Olly Painting since 2018, Olly Baker is a Perth based artist who takes his inspiration from nature to produce vibrant and colourful paintings. Working dynamically, and by using many layers of acrylic paint, Olly is able to create great depth and lighting whilst maintaining his own authentic style. He is currently the featured ‘Upcoming Artist’ in the Greg James sculpture gallery in Fremantle Western Australia. Family Tree, 2020 Acrylic on canvas Unframed, 36 x 36 x 5cm

$980

Sashimi, 2020 Acrylic on canvas Unframed, 51 x 76 x 4cm

$1400

Road to nowhere, 2020 Acrylic on canvas Framed, 50 x 65 x 5cm

$1280

BARKER, Peter Entering Peter Barker’s world of art is an invitation into a Pandora’s box of experiences, memory, imagination and real life. Peter blends atmospheric effects to express his thoughts which encompass narrative, history and humanism, and creates a kind of shorthand of how he views the world he inhabits. Spanning the genres of landscape, still life and portraiture, Peter’s paintings take you on a deeper experience, a porthole into a different reality. Peter was formally trained in Florence, Italy and he currently resides and works in Fremantle, Western Australia. Which Way Home, 2019 Oil on canvas Unframed, 82 x 90cm

$2400

To The World’s End, 2019 Oil on canvas Unframed, 82 x 90cm

$2400

The Creek, 2019 Oil on canvas Framed, 61 x 76cm

$1600

9


BARR, Greg A proud Ballardong Noongar man born in York, Greg Barr is a naturally gifted visual artist who works predominantly in the medium of acrylic. Greg enjoys creating large-scale layered works, and in addition to using brushes and palette knives, Greg uses a range of innovative techniques such as pouring, spraying, sponging and masking to apply and manipulate mediums on his canvases. Greg also employs the Aboriginal dot painting style. Greg currently practices at his studio in the Bather’s Beach Art Precinct in Fremantle, and is working towards a small artist show at the Heathcote Gallery in late 2020. Charles, 2020 Acrylic on canvas Framed, 83 x 83cm

$575

David, 2020 Acrylic on canvas Framed, 83 x 83cm

$575

Hilton, 2020 Acrylic on canvas Framed, 83 x 83cm

$575

BENFORD, Sheila Sheila Benford has been painting and exhibiting for more than fifty years. She is forever inspired by the Australian countryside, the beautiful canola fields and Karijini National Park, all of which are a strong presence in her artwork. Sheila considers herself an impressionist artist whose love of colour is evident in her works.

Sea Wonders, 2020 Acrylic Unframed, 76 x 90cm

$1500

Distant Glow, 2019 Acrylic Framed, 84 x 95cm

$1800

Flowers Blue, 2020 Acrylic Unframed, 100 x 120cm

$2700

10


BRENNAN, Ben Ben Brennan is an enthusiastic and prolific Perth artist. In his landscape work, Ben captures the colour, shape and energy of the Western Australian outback with an abstract eye, resulting in unique, distinctive and bold works.

Dawn Explorer, 2019 Acrylic Unframed, 76 x 91cm

$1275

9 Minutes From Meckering, 2020 Acrylic Unframed, 60 x 80cm

$864

The Hills Over Yarra Yarra Lakes, 2019 Acrylic Unframed, 76 x 91cm

$1275

BRISTOW, Richard Richard Bristow is a mostly self-taught watercolourist who studied under Robert Wade, Alvaro Castignet and Birgit O’Connor. Richard is a member of the Watercolour Society of Western Australia, has had four of his paintings published in ‘Best of Worldwide Landscape Artists’ in the United States, and has won more than sixty awards in Australia.

Kununurra Boab, 2020 Watercolour Framed, 80 x 99cm

$950

Afternoon Shadows, 2020 Watercolour Framed, 46 x 46cm

$350

Moonlight Shadows, 2020 Watercolour Framed, 46 x 46cm

$350

11


BUCKINGHAM, Karina Karina Buckingham followed her passion to attain a Fine Art Degree in 2013, which led to her curating Fine Art@Hale from 2016-17. Since turning professional two years ago, Karina was a selected finalist in the 2019 Perth Royal Show Salon and has held two major exhibitions. Karina specialises in bespoke landscape commissions and also tutors creative amateurs in oil painting techniques. Karina’s recent landscapes sensitively exploit the oil paint’s materiality to enhance the feeling of calm and contentment evoked from a familiar place.

Garden of Eden, 2020 Oil on canvas Unframed, 120 x 60 x 5cm

$1650

Beholden, 2020 Oil on canvas Unframed, 45 x 90 x 5cm

$975

Vibrant Morning, 2020 Oil on canvas Unframed, 60 x 60 x 5cm

$900

BURKITT, Ric Ric Burkitt’s recent abstract works explore composition through the process of production and destruction. Canvases and wood panels are painted, sanded, scraped, scratched and repainted, destroyed and reborn, buried and unearthed. Light and shade, form and space, edges of things; the paintings withdraw and re-emerge, and the history of the work is there in the layering, not abandoned, but embraced. Each painting is a quest for simplicity, clarity and calmness, retrieved from a kind of creative muddle and disorder. Such is the attraction and constant challenge of the abstract.

Borderline, 2020 Acrylic on canvas Unframed, 122 x 122 x 4.5cm

$1800

12


BURTON, Kingsley J Following a happy accident in an art class of his youth, Kingsley J Burton spent time exploring photography and developing his craft in the photographic arts. Beyond university, Kingsley discovered the role of digital photography in this complex art form, and now expresses his passion for the medium using a combination of techniques learnt from both traditional film and digital platforms, with the aim to create imagery that captivates and intrigues around the subject matter of colour and form.

New York 20130919014, 2020 Photographic print on aluminium, 1/8 Framed, 150 x 78 x 5cm

$4788

New York 20130919006, 2020 Photographic print on aluminium, 1/8 Framed, 150 x 99 x 5cm

$4788

New York 20130918058, 2020 Photographic print on aluminium, 1/8 Framed, 150 x 99 x 5cm

$4788

COWPER, Shelley Shelley Cowper graduated from Robert Gordon University, Aberdeen in 2001 with a Bachelor of Fine Arts (Hons). Her work combines print, drawing and mixed media in which mark-making, layering and texture are prioritised. A lecturer in Visual Art at North Metro TAFE, Shelley’s current work explores the boat as both a vessel of containment and a portal to other worlds and places.

‘Pathways’, 2019 Mixed media Framed, 100 x 75cm

$850

Portholes, AP, 2020 Collograph Framed, D27.5cm

$250

Portholes (Flightpaths), 1/7

2/7, 2020

3/7, 2020

2020, Etching/relief Etching/relief Etching/relief Framed, D27.5cm Framed, D27.5cm Framed, D27.5cm

$230 $230 $230 13


DARBY, Brendon Brendon Darby is a multi-award winner and an Archibald Prize finalist who has held more than forty solo exhibitions across Australia and around the world. Brendon’s multi-media presentation, ‘Listening to Paintings - Australia’ premiered at the Museum of Natural History in New York in 2007.

Diffusion, 2015 Oil on canvas Unframed, 122 x 152cm

$13,800

Mind Map, 2018 Mixed media on linen Framed, 137 x 102cm

$11,000

DAVIES, Dorothy Dorothy Davies was born in Perth and currently lives in the South West of Western Australia. She trained in graphic design at Curtin University and has lived and worked around the world. Dorothy has long had an interest in still life painting as a metaphor for life. Her paintings capture both time and beauty; flowers and fruit depict the notion of beauty at its peak, with the knowledge that this is transient. Dorothy paints in oils, the traditional medium for still life artists and has won awards for her design work and painting. Celadon Inflorescence, 2019 Oil on canvas Unframed, 60 x 120cm

$2950

Japanese Vase, 1/5, 2019 Canvas print Unframed, 35 x 35cm

$300

Chrysanthemum Vase, 1/5, 2019

2/5, 2019

Canvas print Canvas print Unframed, 35 x 35cm Unframed, 35 x 35cm

$300 $300

14


DAVIES, Jenny Floreat artist Jenny Davies is particularly drawn to portraiture and figurative work. Jenny has painted in oils for many years, having studied locally and at Mitchell School of Arts, Charles Sturt University, Bathurst, New South Wales. She has been exhibiting and selling her artworks for several years and has won numerous awards for her quirky and bold paintings.

“We’re Watching You”, 2020 Oil on canvas Unframed, 30.5 x 61 x 4cm

$450

Hump Day, 2020 Oil on linen Unframed, 76 x 51 x 3cm

$750

McClean Park, 2020 Oil on canvas Unframed, 61 x 90 x 3.5cm

$750

DEAN, Estelle Estelle Dean completed her Bachelor of Arts (Art, Honours) in 2005. She resides in Perth, and has participated in art residencies in Malaysia, India and Japan. While her primary medium is glass and the Pate De Verre method, this by no means limits her to this format and medium. Her art practice draws inspiration from various cultural influences or activity and change as well as nature. Estelle continues to teach and explore many aspects of glass art and exhibits both nationally and internationally.

Cookie, 2019

Cookie 3, 2019

Glass and wood 6 x 9 x 9cm

Glass and wood 6 x 18 x 9cm

Cookie 2, 2019

Cookie 4, 2020

Glass and wood 6 x 12 x 9cm

Glass and wood 6 x 24 x 9cm

$80

$160

$230

$310

15


DEE, Liam Liam Dee is a Perth surrealist who enjoys blending the styles of traditional painting with the bombastic energy of pop culture. Liam’s vision is to create worlds where the construct of the natural environment is mainly supported by the organic manifestation of the man made, where the line is blurred between what is considered to be natural or synthetic. Taking influence from prominent street artists such as Jeff Soto and Shaun Tan, Liam’s art creates a mix of realism with a blend of psychedelic form, texture and colour to create a sense of organic life constructed from the inorganic.

Steam Boat, 2019 Acrylic Framed, 120 x 90cm

$3200

DELL, Gail Gail Dell grew up in a family of well-established artists. Mentored by her parents from an early age, she developed a deep passion for art and painting. After studying business and marketing, Gail returned to art at a later stage. Painting in a loose expressive way, she allows the tangible experience of the vast and diverse Australian landscape to weave its subtle presence into her work.

Beloved country, 2019 Oil and acrylic on canvas Unframed, 120 x 150 x 3.5cm

$6250

The best is yet to come, 2020 Oil and acrylic on canvas Framed in raw oak, 93 x 78 x 6cm

$2850

Bell-fruited mallee, 2020 Oil and acrylic on canvas Framed in raw oak, 77 x 77 x 6cm

$2350

16


DICKINSON, Roger Roger Dickinson’s art draws upon multi-disciplinary technical skills gleaned from a lifelong passion for art, photography and related fields. Recent series explore change, culture, environmental concerns, music, homages, fantasy and mythology. At the 2017 Mandjar Art Awards, Roger won the Alcoa of Australia Corporate Award (acquisitive) and he was also the winner of the 2018 Best Emerging Artist Award at Fine Art@Hale.

The Shape I’m In (self-portrait), 2020 Digital print on aluminium, 1/10 Framed, 80 x 80 x 3.5cm

2/10 64 x 64 x 3.5cm

3/10 54 x 54 x 3.5cm

$2310 $1660 $1290

Constellations for the New Millennium #2 (after Miró), 2020 Digital print on aluminium, 1/10 Framed, 80 x 80 x 3.5cm

2/10 64 x 64 x 3.5cm

3/10 30 x 30 x 3.5cm

2/10 85 x 71 x 3.5cm

3/10 64 x 54 x 3.5cm

$2310 $1660 $850

Dreams of a Boy Racer, 2020 Digital print on aluminium, 1/10 Framed, 95 x 80 x 3.5cm

$2550 $1990 $1490 EDMONDS, Sally

Sally Edmonds’ work reflects her passion for birds. Using pastel and coloured pencil she leans towards realism but deliberately veers away from the traditional style of portraying wildlife, preferring to use a bolder style with visible marks, large size, negative space, dramatic light and exaggerated colour. Sally has won multiple awards for her work and was awarded the People’s Choice Award at the 2017 and 2018 Fine Art@Hale Exhibitions. River Dancer, 2020 Acrylic Framed, 125 x 125 x 5cm

$3500

Time For A Rest, 2020 Pastel Framed, 56 x 87.5 x 5cm

$2500

Blue Boy, 2020 Pastel Framed, 72 x 55 x 5cm

$1500

17


ELLIOTT, Neil Neil Elliott is a multi-award-winning Perth hills based painter and sculptor. His work is usually mixed media and created with a sense of humour. Neil draws inspiration from history, engineering, his dreams and the many interesting objects in his studio. In 2017, Neil was awarded a statewide touring exhibition of his sculptures with Art on the Move, and he was also the winner of the 2018 Fine Art@Hale Best Artwork Award with his sculpture Robot 63.

Top hat and tails, 2019

CRANKED, 2019

Acrylic on board Unframed, 120 x 80 x 2.5cm

Found object sculpture 27 x 29 x 77cm

The number 2 fish wagon, 2016

Balloonatic, 2020

Acrylic on board Unframed, 100 x 100 x 2.5cm

Found object sculpture 70 x 30 x 7cm

$1800

$1400

$1950

$1700

Water wings, 2013 Acrylic on board Unframed, 120 x 120 x 2.5cm

$1800

FERNANDEZ, Teresa Teresa Fernandez began painting as a way to find balance in the highly structured world of corporate engineering in which she spent a great deal of her working life. Now a full time artist, Teresa finds inspiration and subject matter in everyday life and the things that surround her, often instilling a sense of quirkiness and fun into her work. Curiosity and experimentation are significant motivators resulting in art that is not placed within the boundaries of a single style. Teresa’s work varies between still life and abstract; she is more interested in discovery than settling into one form of expression.

Soapbox Skills, 2020 Acrylic on canvas Framed, 64 x 64cm

$900

Delonix Regia Flower, 2020 Acrylic on board Framed, 56 x 56cm

$700

Road to Cottesloe 2, 2020 Acrylic on board Framed, 93 x 63cm

$950

18


FERRARIO, Silvana Silvana Ferrario is an award-winning glass artist. Her inspiration comes from her experiences, memories and surroundings. She is intrigued by the geometry present in both man-made and naturally occurring structures, and its opposition to the fluidity of the natural elements. Silvana particularly likes to use the viscosity of the glass when it is hot to give movement to her work, even with a structured subject.

At a Stretch 1, 2020

By the Seashore 20, 2020

Glass 18 x 21 x 18cm

Glass 2 x 52 x 16cm

At a Stretch 2, 2020

By the Seashore 21, 2020

Glass 31 x 20 x 17cm

Glass 50 x 17 x 9cm

Bark 4, 2020

Colours of WA 22, 2018

Glass and wood 45 x 28 x 18cm

Glass 2 x 55 x 17cm

$340

$650

$300

$250

$320

$320

FLOYD, Kate Kate Floyd is a Floreat artist whose contemporary botanical work draws inspiration from the colour and shapes of Australian flora. Â Her work is a varied and layered combination of acrylics, pastel, pencil and oil paint. Â Kate is represented in private collections and her work is shown in exhibitions in local and South West galleries.

Coastal Banksia, 2020 Oil on canvas Unframed, 75 x 75cm

$1200

Queens, 2019 Oil on canvas Unframed, 75 x 75cm

$1100

Banksia Blues, 2020 Oil on board Unframed, 40 x 40cm

$550

19


FOSSIER-MILLS, Laurie A fascination with glass has evolved into an exciting personal journey of discovery for Laurie FossierMills. Exploring new concepts and techniques, experimentation with forms and the incorporation of colour and texture realise Laurie’s purpose of creating work that calls out to be touched and contemplated. These artworks are to be enjoyed as both functional and visual pieces of art.

Murrine Excitement Lime, 2019

Sea Anemone with Black Wraps

Blown glass 17 x 12cm

2019, Blown glass 26 x 13.5cm

Murrine Excitement Taxi, 2019

Twisted Cane Platter, 2019

Blown glass 17.5 x 12cm

Kiln formed glass 2 x 15 x 26.5cm

Murrine Trails Bowl, 2019

Iridescent Gold Murrine Platter

Kiln formed glass 5 x 36 x 36cm

2019, Kiln formed glass 2 x 11 x 44cm

$265

$265

$245

$225

$225

$245

GAYE, Jennifer Western Australian born textile artist Jennifer Gaye draws inspiration through conversation and observation of nature’s depth of character. From the ocean to the sky, reflecting relationships between the natural and urban world, Jennifer allows her textile art to speak of her true passions through the many processes that create an effortless image of peace and cycles of life.

CONCEALED in gold series Wisdom, 2020 Mixed media on canvas Framed, 60 x 40 x 5cm

$525

CONCEALED in gold series Truth, 2020 Mixed media on canvas Framed, 60 x 40 x 5cm

$525

CONCEALED in gold series Love, 2020 Mixed media on canvas Framed, 60 x 40 x 5cm

$525

20


GIBSON, Kay With a passionate interest in ecology, Margaret River artist Kay Gibson sensitively portrays the many plants and animals that inhabit Western Australia. Employing a variety of techniques including printmaking, painting and fumage, her work continues to evolve. Kay has received numerous awards and regularly exhibits in solo and group shows.

Cosy Cockies, 2020 Soft ground etching and acrylic on board Framed, 47 x 47 x 4cm

$1350

Moving In, 2020 Soft ground etching and acrylic on board Framed, 53 x 65 x 4cm

$2500

Masked Owl, 2020 Goauche and fumage on embossed paper Framed, 77 x 76 x 2cm

$2600

GIDDY, James South African-born James Giddy completed a Bachelor of Arts (Fine Art) at Curtin University and has expanded his practice to include painting murals throughout rural Western Australia and New South Wales, as well as in South Africa and Indonesia. Through the medium of painting, Giddy is able to push and pull emphasis, abstracting and glorifying spaces, encouraging the viewer to reconsider a subject and look beyond a single point of focus. Giddy’s use of ambiguous landscapes and grounds allows the viewer to bring his or her own contextual references and associations to the work, often providing a platform to reconsider thoughts on the everyday. Soft Disruption, 2020 Oil on canvas Unframed, 39 x 29 x 2cm

$480

Another Person’s Dream, 2020 Oil on canvas Unframed, 45.5 x 47 x 2cm

$520

Wedgetail, 2019 Watercolour on Arches paper Unframed, 29.5 x 21cm

$220

21


GORDON, Philippa Philippa Gordon, ceramist and educator has been exhibiting for the past twenty three years. Japanese aesthetics and philosophy resonate profoundly as Tokyo was home in her early twenties. This megacity experience rich in culture, where art and nature pervade life for all, left a lasting impression. Philipppa’s work alludes to the natural process of weathering, an indicator of the passing of time. Her simple contemplative forms incorporate impressed, inlayed or printed patterns - including Japanese motifs - forming a multi-layered surface. Ancient ceramic glazes and techniques are represented in a contemporary context. ‘Dot’ Bowl Large, 2019 Impressed Stoneware 39.5 x 8cm

$620

‘Sakura’ (Cherry Blossom) Bowl

‘Dot’ Bowl, 2019 Impressed Stoneware 34 x 7cm

$490

‘Sakura’ (Cherry Blossom) Platter

2019, Impressed Stoneware 40 x 5.5cm

2019, Mishima (Inlay) Stoneware 34.5 x 2.3cm

$580

$455

‘Botan’ (Peony) Bowl, 2019

‘Sakura’ (Cherry Blossom) Curved Platter, 2019

Impressed Stoneware 40 x 5.5cm

$580

Impressed Stoneware 32.5 x 3.2cm

$385

GREEN, David David Green’s preoccupation is with both natural and urban landscapes. His beautifully worked surfaces are also just as much about paint marks, particularly in chromatic greys, which render his works understated, mysterious, ineffable, sublime, and as timeless as the “landscapes, endless horizons and the subtle shifts of light at the start and end of the day,” which inspire his work.

Forgotten Days I, 2020 Oil on canvas Unframed, 60 x 60cm

$900

Forgotten Days II, 2020 Oil on canvas Unframed, 60 x 60cm

$900

Forgotten Days III, 2020 Oil on canvas Unframed, 60 x 60cm

$900

22


HANSEN, Nidia Nidia Hansen is a Colombian-born contemporary Australian artist who explores the intersections between biomimicry, nature, materiality and cultural backgrounds. Her multidisciplinary practice comprises of paintings, drawings, installations, works on paper and tridimensional artworks. Attracted by the versatility and materiality of traditional and modern-day art materials, her media includes acrylics, inks, charcoals, natural dyes, pigments, wood, sand and fabric, as well as discarded or found materials. Time Lapse, 2019 Acrylic, ink and charcoal Standard floating framing included - natural wood, white or black, 92 x 92cm

$1800

Random Fields, 2019 Acrylic, ink and charcoal Standard floating framing included - natural wood, white or black, 92 x 92cm

$1800

Correlation, 2019 Acrylic, ink and charcoal Standard floating framing included - natural wood, white or black, 102 x 102cm

$1900

HARVEY, Jackson Jackson Harvey is an artist based in Fremantle, Western Australia. With spray cans his medium of choice, Jackson has built a name as a versatile mural artist. Not limited to walls, his practice explores new ideas on canvas, attempting to push boundaries within the notoriously unforgiving medium of aerosol. His work is characterized by seemingly chaotic, yet carefully selected colour palette, expressing soft flowing curves contrasted with bold, pixellated geometry. A former Hale student (2007), he completed a Bachelor of Environmental Design (Architecture) at the University of Western Australia before embarking on a career as a visual artist. The Big Idea, 2020 Aerosol enamel on canvas Unframed, 122 x 91 x 3cm

$2150

Intuition, 2020 Aerosol enamel on canvas Unframed, 122 x 91 x 3cm

$2150

Clarity, 2020 Aerosol enamel on canvas Unframed, 122 x 91 x 3cm

$2150

23


HILL, Peter Peter Hill was born in Manjimup and has worked and lived nearby in Northcliffe for the past twenty years. Country and our connection to it has been at the core of his artworks throughout his career. Â Peter employs a variety of approaches in his artistic exploration ranging from two and three dimensional gallery artworks, site specific outdoor works and as a songwriter/musician. Â He has exhibited in Perth and Melbourne, in numerous solo and group shows and is represented in many public collections such as the Art Gallery of Western Australia collection. isolation diary, 1/9, 2020

isolation diary, 6/9, 2020

Acrylic on marri timber, framed, 21.5 x 30cm

Acrylic on marri timber, framed, 21.5 x 30cm

isolation diary, 2/9, 2020

isolation diary, 7/9, 2020

Acrylic on marri timber, framed, 21.5 x 30cm

Acrylic on marri timber, framed, 21.5 x 30cm

isolation diary, 3/9, 2020

isolation diary, 8/9, 2020

$400

$400

Acrylic on marri timber, framed, 21.5 x 30cm

$400

$400

$400

Acrylic on marri timber, framed, 21.5 x 30cm

$400

isolation diary, 4/9, 2020

isolation diary, 9/9, 2020

Acrylic on marri timber, framed, 21.5 x 30cm

Acrylic on marri timber, framed, 21.5 x 30cm

$400

isolation diary, 5/9, 2020 Acrylic on marri timber, framed, 21.5 x 30cm

$400

$400

Assemblage of 9 pieces

Please contact hale.art@live.com if you would like to purchase the full assemblage for $3000

HOPKINS, Sam Sam Hopkins is a young emerging Western Australian artist with a background in landscaping design, construction, interior design and woodworking. Finding inspiration from human behavior, nature, world travel and experimenting with materials and tools in new ways, Sam takes commonplace materials and teases out shapes and narratives, peeling back layers to reveal hidden meanings and perspectives. Sam has commissioned pieces for private and corporate clients all over Australia.

Waiting for Hope, 2020

Kinesics #4, 2020

Aluminium 160 x 80 x 80cm

Corten steel & quenched mild steel 13 x 26 x 7cm

The Path of Least Resistance

Fluid, 2020

2020, Tasmanian oak 80 x 28 x 28cm

Reclaimed jarrah 46 x 21 x 27cm

Embered Habitation, 2019

Liminal, 2020

Jarrah 71 x 31 x 18cm

Corten steel & concrete base 90 x 70 x 23cm

$13,000

$1400

$2400

$750

$3200

$1800 24


HOY, Susan Susan Hoy finds inspiration in the colour, dramatic shapes and light of the natural environment and the continual flow and movement of the ocean and wind. Her work plays with line, pattern and repetition. Her current practice focuses on paper sculpture incorporating ‘found’ objects with occasional additions of stitching as well as stylised landscapes from the sea to suburbia which materialize with the soft and gentle colours of gouache paint on Arches watercolour paper.

The Wheatfield, 2020 Gouache on Arches watercolour paper Framed, 80 x 98 x 2cm

$895

Seafarer With Ribbon Seaweed, 2020 Paper pulp, seaweed, Hebel stone 13 x 30 x 18cm

$65

JACKSON, Reegan Reegan Jackson is a multidisciplinary artist who currently resides and practices in the hills of Perth. Recent explorations in his practice have seen him turn to more traditional mediums of charcoal, pigment, ink and clay, pulling back to the roots of where creative minds would have first attempted to engage the world through art as a form of expression and communication. Mainly working in methods of sculpture, mark making and photography, he attempts to go beyond traditional processes through material experimentation and technologically altered engagements. Performing systems of process looking, he assembles poetic visual puzzles that make us reconsider our place within the world.

Pseudonymous Territory (#1), 2020 Mixed media Framed, 34.5 x 34.5 x 6.5cm

$550

Pseudonymous Territory (#2), 2020 Mixed media Framed, 34.5 x 34.5 x 6.5cm

$550

Pseudonymous Territory (#3), 2020 Mixed media Framed, 34.5 x 34.5 x 6.5cm

$550

25


JAMES, Greg Western Australian sculptor Greg James graduated from Claremont Technical College in 1974 with a Diploma in Fine Art (Sculpture). After completion, he embarked on a two-year work and study tour of Europe before returning to Claremont School of Art as the Sculpture Technician in 1977. Greg’s first solo exhibition was in 1978, and he worked from his home until 1987 when he established his first Fremantle studio. As well as Greg’s work with smaller collectible sculptures, he has numerous well known public sculptures throughout Fremantle and Perth. Greg continues to undertake commissions for private and public artworks.

Indian Runner Duck 2, 2/8, 2020 Bronze 61 x 18 x 23cm

$3300

Indian Runner Duck 9, 1/8, 2020 Bronze 62 x 22.5 x 29cm

$3300

KAY, Ian One-time forest ranger, journalist, manufacturer and restorer, Ian Kay has a special knack for repurposing materials. Visual art has always been a creative outlet and three-dimensional creation is his focus. Ian’s accumulated timber and metal treasures are reimagined to become the basis of his sculptural forms.

Top Gun, 2019 Nail gun and other found objects 60 x 120 x 50cm

$750

Black Betty, 2019 Found objects 45 x 80 x 35cm

$850

Two Pot Screamer, 2020 Found objects 40 x 85 x 35cm

$750

26


The Warmun Art Centre has a reputation as one of the most renowned and respected centres for Aboriginal art in Australia. At the time of its establishment in 1998, Deputy Headmaster David Bean was planning the first Kimberley Cross Cultural Tour for a group of Year 11 Hale School students to visit the Warmun Community. Subsequent tours and the commencement of an Indigenous Scholarship Program at Hale School have seen a mutually beneficial relationship develop between Hale School and the Warmun Community. With several boys from the remote community having graduated from Hale School, it seems a natural fit that Fine Art@Hale should continue to build on the relationship established by the school. Chosen in collaboration with staff at the Warmun Art Centre, we are once again delighted to be able to exhibit a selection of work by Warmun artists. Paintings from Warmun are characterised by their textured surfaces built from various, locally sourced, coloured ochres. The works are a tangible link to the East Kimberley region and the cultural knowledge of these artists. The Fine Art@Hale Committee gratefully acknowledges the generous support of the staff and artists of the Warmun Art Centre who have partnered with us again this year to make this part of the exhibition possible.

We trust that all patrons enjoy the addition of these works to the 2020 Fine Art @ Hale Exhibition. 27


BARNEY, Gordon Gordon Barney was born and grew up on Alice Downs Station. His father taught him stockwork and he became known as a skilled horsebreaker and buckjumper. When Gordon worked as a stockman, he would often carry with him a saddle bag for his ochre collection. At the end of his mustering stint, he would have a bagful of ochres that he sourced from riding through his country. Whilst working on Mabel Downs Station, Gordon met Shirley Purdie who later became his wife. Shirley is a well known senior Warmun artist who encouraged Gordon to paint his country. He started painting in 1998 when Warmun Art Centre commenced operation, often painting various hill lines located in his traditional country. Gordon’s sense of concentration and focus on country are often reflected in these landscapes. Gordon is well known in Warmun Community as a strong law and culture man and as an important ceremonial dancer.

Birnoo Country, 2019 Ochre on canvas Unframed, 50 x 60cm

$1014

Birnoo Country, 2020 Ochre, charcoal and PVA fixative on canvas Unframed, 90 x 90cm

$2410

CARRINGTON, Sade Sade Carrington Buddbarria (bush name Dalimbal) was born at Balanygerre (Texas Downs Cattle Station) near Warmun in 1957. Sade started painting at the age of thirteen, using traditional ochre. The stories she paints are from her family’s country, Texas Downs Station, as well as her greatgrandmother’s country, Purnululu (the Bungle Bungles). Sade has travelled extensively throughout Australia and overseas and brings to her work her experience and awareness of the contemporary international art world, combined with her intimate knowledge of Gija culture, country, history and language. Purnululu at Night, 2020 Ochre and charcoal on linen Unframed, 140 x 100cm

$1870

CARROLL, Tommy Tommy Carroll was born on Doon Doon Station, 100 kilometres north of Warmun Community. His bush name is Balabany. Tommy commenced painting in late 1999, and says that painting makes him think about his country and the Ngarrangkarni (Dreaming) stories and about the places he used to visit as a child and when he was working as a stockman at Doon Doon, Bow River and Lissadell Stations. Tommy Carroll’s works are often dark and brooding using heavy concentrations of black charcoal and red natural ochres. Snake Dreaming, 2020 Ochre, charcoal, galyuwin on canvas Unframed, 60 x 100cm

$2568

28


PURDIE, Madelene Madelene Purdie was born in Wyndham. She attended Ngalangangpum primary school in Warmun before completing her secondary education in Broome. Madelene takes her traditional country as the subject of her paintings including her mother, Shirley Purdie’s country. She also paints Ngarrangkarni stories from her grandmother and grandfather’s country in Norton Bore, Violet Valley and Argyle. She continues to paint the Ngarrangkarni stories told to her by her older family members. Purdie is also an accomplished carver and makes bird sculptures from boab nuts and jarlalu wood.

Warrambany of Warmun, 2020 Ochre and PVA on linen Unframed, 90 x 90cm

$980

PURDIE, Shirley Shirley Purdie has been painting for more than twenty years and is an artist of increasing significance and seniority. Her cultural knowledge and artistic skill complement each other to produce a practice that holds great strength. Shirley is also a prominent leader in Warmun community and an incisive cross-cultural communicator. Inspired by more senior Warmun artists including her late mother, the great Madigan Thomas, as well as Rover Thomas and Queenie McKenzie, Shirley began to paint her country in the early 1990s. Shirley’s uncle, artist Jack Britten, said to her, ‘Why don’t you try yourself for painting, you might be all right.’

Untitled, 2020 Ochre on canvas Unframed, 45 x 60cm

$1190

RAMSAY, Kathy Kathy Ramsay is one of Warmun Art Centre’s most prolific emerging artists carrying on the legacy of her artistic family. The daughter of artists Rammey and Mona Ramsay, and the granddaughter of the late Timmy Timms, Kathy only started painting in 2013, yet she has already been included in numerous group exhibitions and is held in private collections across Australia and internationally. In 2015 Kathy was selected for Revealed, a biennial art event celebrating emerging Aboriginal artists in Western Australia.

Jack’s Yard, 2020 Natural ochre and pigment on canvas Unframed, 80 x 80cm

$1925

Bow River Country of My Ancestors - Pelican Hole, 2020 Ochre, acrylic paint and PVA fixative on canvas Unframed, 60 x 45cm

$760

29


RAMSAY, Tracey Tracey Ramsay was born in Wyndham in 1972, but grew up in her ancestral Juwulinji Community known as Bow River. Tracey Ramsay is an emerging artist from a family of great artists – her parents Rammey and Mona Ramsey, and her sister Kathy Ramsay, are all well known artists. She began painting in her forties after spending a lot of her time caring for Rammey and observing his painting of his ancestral Gija country known as Warlawoon. Tracey is an immaculate beginner, exercising care and caution in her application of ochre, acrylic and other natural pigments on canvas. She captures more detail than her counterparts in her studies of the landscape, and also produces some curious compositions. She paints the subject of the Country she lives in, and the dreamings passed down to her from her parents and family, such as areas of Juwulinji, the Black Hill and the Blow-fly dreaming.

Gorge Yard, 2020 Ochre, acrylic paint and PVA fixative on canvas Unframed, 120 x 90cm

$1462

Warbalwoony, 2020 Ochre, acrylic paint and PVA fixative on canvas Unframed, 180 x 240cm

$5220

THOMAS, Mary Mary Thomas was born and grew up on Alice Downs Station in the East Kimberley. The mother of nine children and now living in Warmun Community, Mary is an important Gija law and culture keeper who has worked tirelessly for the women and children of her community. She speaks a number of dialects and is a dedicated linguist, interpreting for meetings, court procedures and publications. Mary’s artworks are neat and precise landscape works, complete with in-depth Ngarranggarni (Gija Dreaming) stories. A traditional healer, Mary holds much knowledge about the therapeutic qualities of many plants found in Gija country and is an expert in their preparation for use in traditional therapies. Mary paints the Ngarranggarni (Dreamings) of her country on Alice Downs Station. Through her paintings, she passes on these stories as well as relating events from the more recent past since white contact.

Yarrunga Ngarranggarni, 2020 Ochre, PVA and acrylic on linen Framed, 90 x 90cm

$1210

30


KENT, Andy Andy Kent is a Fremantle based artist. Mostly self taught, his choice of subject is predominantly the urban landscape and the coast. Living in Fremantle provides him with a constant source of ideas and inspiration. Through his art Andy focuses on the less traditional subject matter and creates an interesting and engaging composition, often of something that is either overlooked or inherently mundane. By doing so he strives to portray that everything has its own sense of beauty. Andy is an award winning artist who has exhibited in group and solo exhibitions and has work in collections throughout the country.

Partial Seclusion, 2020 Oil on board Framed, 23 x 28 x 3cm

$380

Over the Ridge, 2020 Oil on board Framed, 28 x 23 x 3cm

$380

KNIGHT, Michael Michael Knight has been a professional artist for twenty years, with solo exhibitions in Melbourne, Sydney, Perth and Fremantle. He was a scholarship winner at the Julian Ashton Art School in Sydney and continues to use drawing and composition as fundamental tools in his creative practice. Michael’s passion for drawing and composition, and an unusually bold sense of colour, produce evocative works with long-lasting appeal.

Lake Deborah, 2020 Oil on linen panel Unframed,15.5 x 24.7cm

$400

Chidley Point, Mosman Park, 2020 Oil on linen Unframed, 40.8 x 50.2cm

$1400

Riverscape, Bicton, 2020 Oil on linen Unframed, 40.7 x 50.8cm

$1400

31


KORTE, Alix As a graphic designer, illustrator and book designer, Alix Korte never lost her love of line work, colour and composition. Now with a full time career as an oil painter, Alix draws from this background to capture the mood using oil paint in thin washes with some heavy impasto work over the top, representing a sense of movement in her work with her favourite subjects of animals and water.

Red Gum, 2020 Oil on canvas Unframed, 76 x 76 x 2.8cm

$1800

Sea of Gold, 2020 Oil on canvas Unframed, 91.5 x 91.5 x 4cm

$2500

Forest’s Edge, 2020 Oil on canvas Unframed, 100 x 100 x 2.8cm

$2900

KRUGER, Hayley Hayley Kruger believes painting the botanical world has, like perfume, an allure that draws her in and satisfies on a deep work level. The challenges of painting, from capturing light on form and deepening her relationship with colour, ensure she is never far from her easel.

Scarlet Banksia, 2020 Acrylic on canvas Unframed, 30 x 23 x 4cm

$250

Nature’s Gift, 2020 Acrylic on canvas Unframed, 51 x 41 x 4cm

$500

32


LAING, Mia The main goal of Mia Laing’s paintings has been to capture the sun drenched beauty of the Western Australian lifestyle. Specializing in oil paintings across many different genres, from traditional through to the whimsical, Mia exhibits across Western Australia and New South Wales. Mia’s work has recently been launched on a series of greeting cards available Australia wide and internationally.

Speaking Words of Wisdom, 2020 Oil on canvas Unframed, 91 x 91cm

$1900

Pink Gin, 2020 Oil on canvas Unframed, 76 x 76cm

$1700

Old Tales Retold, 2020 Oil on canvas Unframed, 76 x 100cm

$1900

Le CERF, Carly Carly Le Cerf lives in Mount Barker, Western Australia where she has a deep connection to the land. Her works respond to the rhythms of the agricultural seasons through an intuitive process, involving layering and carving with beeswax and paint, developing seductively tactile works.

Rugged Terrain, 2020 Encaustic, oil on board Framed 60 x 60 x 11cm

$1540

‘Off Road Venture’, 2020 Encaustic, oil on board Framed 60 x 60 x 11cm

$1540

33


LEEMING, Sue Sue Leeming attended the University of Auckland, Elam School of Fine Art and majored in printmaking, graduating with a Fine Arts Degree and a Post-Graduate Diploma in Fine Art in 1995. Her current practice is primarily based around painting and drawing and extends ideas of abstraction, landscape, identity and spirituality. She experiments with the physicality of paint and process, allowing the imagery to spring from process.

Anticipation, 2019 Oil and ink on canvas Unframed, 80 x 80cm

$1600

Peculiarities, 2019 Oil and ink on canvas Unframed, 80 x 80cm

$1600

Alignment, 2019 Oil and ink on canvas Unframed, 100 x 100cm

$2000

LOVELADY, Christian Based in Perth and Hobart, Christian Lovelady has worked as a lighting designer and programmer for the past six years. Branching out into light sculptures, often to learn the limits of an entirely new type of digital sculpture, his work is certainly a first for the Fine Art@Hale exhibition. Playing with the idea of fun themes and movements and how they can embellish and compliment the sculpture itself, his work captures the imagination of children and adults alike.Â

Icecream, 2017

Angel Wings, 2018

LED Neon 230 x 110 x 1.8cm

LED Neon 170 x 130 x 1.8cm

Nova, 2018

Things I Find in Trees, 2020

LED Neon 70 x 100 x 1.8cm

LED Neon Various sizes

$4550

$2410

$3100

$7800

34


LOWE, Felicia Multi-award winning acrylic and pastel figurative artist Felicia Lowe has been professionally painting for nearly twenty years. Colour, light and movement within the local environment enthral Felicia. Her intention is to capture slightly whimsical but always pleasing moments in time while challenging her materials, mediums and processes.

Bokeh No. 5, 2020 Acrylic on canvas Unframed, 31 x 31 x 4cm

$400

Still life in teal, 2020 Acrylic on canvas Unframed, 46 x 36 x 2.5cm

$625

Enlighten, 2019 Acrylic on canvas Framed, 124 x 63 x 6cm

$2250

McALPINE, Matthew Matthew McAlpine is an interdisciplinary artist who lives and works in Wadjuk Nyoongar boodja (Perth, Western Australia). His practice aims to explore the complexities and problems of celebrating colonial history and legacies.

Department of Land Theft VI, 2019 Acrylic, fluorescent pigment, sand and binder on canvas Unframed, 51 x 51 x 4cm

$550

Department of Land Theft I, 2018 Acrylic, screenprint and oil pastel on watercolour paper Unframed, 56 x 78cm

$550

The colonial trophy (deflating James Stirling’s Presentation Cup), 2018 Cast acrylic and papier-mâché 55 x 40 x 13cm

Image © Courtesy of Matthew Stanton $500 35


McCLELLAND, Christopher Originally from Melbourne, where he studied art at the Victorian College of the Arts and the University of Melbourne, Christopher McClelland moved to Perth twenty years ago to teach art at Hale School. Christopher has won several awards and is represented in collections both in Australia and overseas. Over the past 10 years, he has been exploring and adapting traditional techniques of painting, developed through post-graduate studies he completed in Florence. Light, colour and atmosphere are important aspects of his work, as well as explorations of identity and culture.

Indian Ocean Series #3, 2020 Oil on canvas Framed, 102 x 152 x 4cm

$3400

Indian Ocean Series #4, 2020 Oil on canvas Framed, 102 x 152 x 4cm

$3400

Autumn Leaves Over the Indian Ocean #2, 2019 Oil on canvas Framed, 92 x 122 x 4cm

$2800

MALONE, Victoria Victoria Malone’s career in ceramics is ever-evolving. For more than thirty years she has been exploring form and developing beautiful glazes to complement her work. Her explorations in crystalline glazes have been an adventure with many highs and lows. Victoria continues to be delighted to see the results of her work come to life. Outback Crystalline Vase

Outback Crystalline Bowl

2019, Ceramic 30cm

2019, Ceramic 9 x 27cm

Outback Crystalline Vase

Outback Crystalline Bowl

2019, Ceramic 20cm

2019, Ceramic 14 x 31cm

$65

$60

$70

$98

Outback Crystalline Vase

Outback Crystalline Platter

2019, Ceramic 15cm

2019, Ceramic 36cm

$50

$120 36


MAPLE, Kim Exhibiting since 1986, Kim Maple has held more than thirty six solo gallery exhibitions and many group shows. Kim continues to be passionate about her painting practice and exploring possibilities. Her work is featured in private collections in Australia and overseas.

Right Now, 2020 Oil on canvas Unframed, 51 x 51cm

$1100

Green Velvet, 2020 Oil on canvas Unframed, 51 x 51cm

$1100

Green Corner, 2020 Oil on canvas Unframed, 51 x 51cm

$1100

MEANEY, Lesley Artist, teacher, curator and writer, Lesley Meaney migrated to Australia in 1969, as a young art teacher. Lesley’s approach to capturing the Australian landscape is diverse, dynamic, vibrant and distinctively original. She continually chases fresh concepts and states that her past works are merely prologue – like a line in a poem, or cadence in music. This established multi-award winning senior artist’s paintings are highly collectable.

Kangaroos on Threadbare Migrant’s Rug, 2019 Acrylic on canvas Unframed, 91 x 114cm

$5500

The Peeling Triptych, 2019 Acrylic on boards 120 x 58cm

$2200

Sturt Peas in the Pilbara #2, 2014 Acrylic on board 34 x 122cm

$4400

37


MERRITT, Kellee Kellee Merritt is a qualified and experienced graphic designer, illustrator and art teacher. Her desire to create the illusion of surfaces as varied as chrome, rust, water, fur and feathers and a love of detail, result in her painting a wide variety of subjects. Her passion is exploring the possibilities of watercolour and extending her artistic capabilities. Kellee resides in the state’s South West and has been exhibiting and selling her work for several years, winning numerous awards.

Glint, 2020 Watercolour Unframed, 30 x 40cm

$600

Splash, 2020 Watercolour Unframed, 30 x 30cm

$350

A Hint of Autumn, 2020 Watercolour Unframed, 30 x 30cm

$350

MONTGOMERIE, Genevieve Genevieve Montgomerie is probably best known for her intricate acrylic studies, capturing the quality of outdoor life shared by Australians indulging in the pleasures of coastal living. Her Western Australian works, in particular, are spontaneous and simple in subject yet recall for the observers a familiar perspective they cherish as particularly ‘western beauty’. Once described as ‘technically traditional with a refreshing twist on the realist’ Montgomerie’s work is strong and vibrant with a determined expression of her national pride.

Not A Soul - The Basin, Autumn 2020 Acrylic on canvas Unframed, 100 x 120 x 3cm

$3900

A Glorious Curtsy, 2020 Acrylic on canvas Unframed, 130 x 65 x 3cm

$2800

38


NORTH, Peta The photographic work of Peta North comes from looking out at the landscape, to where sky meets earth, to where ocean meets horizon, capturing the beauty of nature as light, clouds, altitude and angles transform the natural and made landscape into incredible shapes. Her work combines her love of both flying and photography. Dangling with the plane door off, zeroing in on what at ground level cannot be seen, Peta paints a broad brush with her camera, sweeping through the sky, capturing the colours, shapes and majestic vista of our country from above.

They’re Off, 2020 Photographic print on canvas, 15/25 Framed, 100 x 150cm

$2295

Summer Shadows, 2020 Photographic print on canvas, 8/25 Unframed, 60 x 60cm

$995

Industrial Bronco, 2020 Photographic print on canvas, 4/15 Unframed, 120 x 79cm

$1295

O’CONNELL, Michael Michael O’Connell is both an artist and teacher. Although predominantly a painter, Michael recently has joyfully explored the possibilities that media other than paint can bring to his personal practice. Michael’s connection to Hale is strong having taught in the art department for many years.

Life on the Edge, Diptych, 2019/20 Oil on canvas on board with resin Framed, 140 x 70cm

$3900

I Know It’s Famous Because It’s Been On Television, 2019/20 Oil stick on paper on board with resin Framed, 102 x 102cm

$2500

Is That It? Yawn. 2019/20 Oil on canvas with collage Framed, 153 x 101cm

$4500

39


O’MEEHAN, Holly Holly O’Meehan works with two distinctive, apparently unrelated mediums - crochet and ceramic. A dexterous handler of both, O’Meehan brings these two materials into harmony. The objects she creates are yarn-and-clay hybrids - hard, fired clay is pierced and shaped to allow the weaving-in of natural fibres, which in turn drape, hang, suspend or wrap the ceramic. Working in her Fremantle studio, O’Meehan appropriates natural forms like teeth, quills, spines and thorns, nestling them among gentler, softer textures and voluptuously rounded surfaces.

Spoiled Soil 29/30, 2019

In Defence I, 2020

Ceramic and textile 18.5 x 23 x 22cm

Ceramic 26 x 12 x 13cm

Spoiled Soil 7/30, 2019

In Defence II, 2020

Ceramic and textile 18 x 19.5 x 20cm

Ceramic 15 x 14 x 14cm

$480

$340

$320

$280

Spoiled Soil 27/30, 2019 Ceramic and textile 16 x 20 x 22.5cm

$320

PADGET, Leesa Leesa Padget is a Perth hills based artist working in mixed media. Her practice regularly involves the use of found objects to produce an eclectic range of paintings and small sculpture. At the heart of her practice is storytelling, not just from her own narrative, but providing space in the works to prompt an exploration of the viewers’ own experiences.

Emblem, 2020 Mixed media 25 x 25 x 35cm

$850

17 Years, 2020 Mixed media 35 x 20 x 20cm

$300

40


PARKER, Lesley Perth artist Lesley Parker’s interest in textiles began when she was a student at WAIT and Curtin. Her love of pattern is often an inspiration and starting point, as well as a common feature of her art, while her textiles often incorporate fabric printing and dyeing techniques with collage. Lesley uses stitching to create patterns, textures and for drawing and mark making and is interested in the different textures of fabric such as silk and muslin, the history of recycled fabric, layering, as well as the slow and contemplative nature of hand stitching and the patterns and rhythms that emerge as the idea develops. Underwater, 2019 Hand printing and stitching on linen Framed, 50 x 37.5cm

$1750

Stitched Garden, 2019 Hand dyed and stitched muslin on cotton Mounted, 14 x 14cm (each)

$400

Outback Landscape (Diptych), 2020 Hand dyed and stitched muslin on felt Mounted, 14 x 14cm (each)

$400 PERICLES, Leon

With more than 140 solo exhibitions, Leon Pericles holds his place as an important Australian painter and printmaker. His creativity and imagination, combined with impressive technical skills, have resulted in work which engages and challenges the viewer to experience his unique, sometimes narrative, often whimsical and frequently absurd view of society and landscape. Time Lord’s Picnic, 2019 MIxed media Framed, 20 x 50cm

$2950

From Humble Beginnings, 2008 Etching, hand-coloured, collage 129/150 Framed, 60 x 27cm

130/150 60 x 27cm

131/150 60 x 27cm

30/150 12 x 46cm

31/150 12 x 46cm

$1800 $1800 $1800

A Quantity of Duration, 2009 Etching, hand-coloured, collage, 29/150 Framed, 12 x 46cm

$1200 $1200 $1200 41


PETERSON, Annette Annette Peterson was born in Stavanger, Norway. She is an oil painter who has both studio and plein air approaches to her practice. She utilises photography and painting techniques to facilitate both realistic and impressionistic style landscape paintings.

In Retrospect, 2019 Oil on canvas Framed, 95 x 125cm

$2500

PHILLIPS, Anita Anita Phillips is a Western Australian artist. Primarily a landscape artist, Anita works in oils and mixed media. In 2019, Anita travelled to the United Kingdom to undertake a series of artist residencies on the Isle of Skye and the Shetland Islands. Combined with a desire to explore her Scottish family heritage, she was drawn to capture these remote, wild and beautiful landscapes.

Glencoe, 2020 Oil on canvas Unframed, 30 x 30 x 4cm

$460

Skye Drifting, 2019 Oil on canvas Unframed, 35 x 75 x 4cm

$960

Hebridean Skies, 2019 Oil on canvas Unframed, 35 x 75 x 4cm

$960

42


QUILTY, Andy Andy Quilty is a multi-disciplinary artist exploring notions of status, belonging and sense of place within the colloquial banality of suburban Australia. Quilty is a Lecturer in Fine Art at The University of Western Australia and Program Patron for the Military Art Program Australia, a non-profit assisting Military Veterans through art therapy. Quilty’s current projects include an ongoing collaboration with a prisoner serving a life sentence in a Western Australian jail, and investigations into the aesthetic and conceptual possibilities of automotive skids. The Baldives #6, 2018 Oil on aluminium composite panel Framed, 122 x 122cm

$3900

The Baldives #12, 2018 Oil on aluminium composite panel Framed, 122 x 122cm

$3900

The Baldives #13, 2018 Oil on aluminium composite panel Framed, 122 x 122cm

$3900

REYNOLDS, Peter Peter Reynolds has been glass-making for more than twenty five years. He enjoys the technical challenges of working with hot glass, using ancient techniques and constant movement to create innovative forms.

Round rock, 2019

Permafrost, 2020

Glass 24 x 20 x 2cm

Glass 15 x 15 x 10cm

Beyond, 2020

Permanence, 2020

Glass 15 x 15 x 7cm

Glass 80 x 30 x 30cm

Trinity, 2020

From above and below, 2020

Glass 15 x 15 x 7cm

Glass 20 x 20 x 12cm

$2200

$1100

$880

$770

$1350

$2200 43


ROSSI, Alessandra Alessandra Rossi is a multimedia artist working in painting, printing, sculpture and installation. Her work has often explored the relationship between what is visible and what is invisible. She successfully conjures an ambiguous environment, one where presence is virtual, where people exist in the memory of place. Alessandra’s paintings are intended as fragments of a larger dialogue, aspects of a more complex existence, and through them she seeks to articulate the intangible, somewhere between fantasy and reality.

Untitled (here), 2019 Ink and acrylic on canvas Unframed, 102 x 102 x 3.5cm

$2500

The Inbetweener, 2020 Acrylic and wax on canvas Unframed, 102 x 102 x 3.5cm

$2500

The Fall, 2020 Ink oil and wax on canvas Unframed, 92 x 120cm

$2800

RYAN, Anne Anne Ryan has spent many years as an art consultant and teacher specialising in ceramics at Claremont School of Art. Anne’s ceramic forms are influenced by nature and the built environment and often dictate the form and shape of the piece. Paper and raku clays are combined, with the works being fired once at a very high temperature. Tentacled Form, 2020

Living Coral, 2020

$75

$150

Undulated Form, 2020

Bleached Coral, 2020

$90

$130

Moving Feelers, 2020

Pillar Coral, 2020

$85

$75

Coral Shape With Polyps, 2020

Assemblage of 7 pieces

Ceramic 18 x 17 x 16cm

Ceramic 18 x 20 x 22cm

Ceramic 19 x 19 x 18cm

Ceramic 36 x 14 x 20cm

$180

Ceramic 36 x 16 x 16cm

Ceramic 33 x 18 x 18cm

Ceramic 26 x 14 x 14cm

Please contact hale.art@live.com if you would like to purchase the full assemblage for $650

44


SCHELL, Fleur Fleur Schell is an internationally recognised sculptor and a professional ceramic artist. The themes Fleur references and the characters she creates, are triggered by her immediate surroundings and an engagement in the lives of her two children. With a Diploma in Ceramic Art and Design from the Western Australian School of Art and Design, a degree in Visual Arts from Curtin University and First Class Honours in ceramics from the University of Tasmania, Fleur is in demand as a presenter internationally.

‘LOVE’, 2020

‘LOVE’, 2020

Plate, Porcelain 3 x 22 x 18cm

Porcelain and wire wall tile 20 x 26 x 5cm

‘You’re Weird, I Like It’, 2020

‘2nite’, 2020

Lidded jar with spoon, Porcelain 14 x 10 x 12cm

Porcelain and wire wall tile 22 x 19 x 5cm

‘Love you birdie’, 2020

‘RUOK’, 2020

Bowl, Porcelain 14 x 20 x 22cm

Porcelain and wire wall tile 24 x 29 x 5cm

$190

$220

$280

$380

$380

$380

SORENSEN, Anne Anne Sorensen has been a professional glass artist for close to thirty years. Her work reflects her day-to-day life, her love of the land and her environment. Anne exhibits in select exhibitions nationally and produces commissioned pieces for Australian and international clients.

Bird and Oranges, 2020

Striped Bowl, 2020

Glass 45 x 18 x 8cm

Glass 28 x 15 x 15cm

Blue Bowl, 2018

Grass Trees, 2020

Glass 4 x 23 x 30cm

Glass 26 x 16 x 6cm

Leaf Bowl, 2020

Art Nouveau Platter, 2018

Glass 15 x 14 x 14cm

Glass 2 x 12 x 42cm

$490

$350

$220

$220

$270

$220 45


SPRIGG, Jordan Based in country Western Australia, Jordan Sprigg uses recycled metals found from retired machinery, scrap heaps and clearance sales. The objects he produces range from dragonflies, owls and seahorses to larger scale sharks, eagles and even horses. The scrap iron sculptures are purposely left in their rusted state to highlight the age of the metal and the history of each piece. From springs, gears, bearings and nuts to bolts, shovels, pliers and saws, the list is endless as to what the artist makes use of in his work. Understanding and appreciation of these timeworn parts of a past life allows space for creation of a new life in their current composition.

The Great Barracuda, 2016 Recycled metal 55 x 120 x 30cm

$6000

TAKAHASHI, Yuko Yuko Takahashi is a self-taught artist, born and raised in Japan. Her art is influenced by the beauty of Japan, childhood memories and the unique nature of Australia. Yuko’s work has featured in various exhibitions, including Sculpture by the Sea 2015 and 2020. Her sculptures are held in public and private collections including Janet Holmes à Court Gallery Western Australia. She has been the recipient of several local art awards.

Zen, 1/8, 2020 Bronze and recycled jarrah 18 x 9 x 9cm

$800

Hope-filled Journey, 1/8, 2020 Bronze 16 x 11 x 13cm

$2000

46


TAYLOR, Alastair Describing himself as a once-pommie painter and illustrator, Alastair Taylor moved to the Perth hills in 2006. Moved by the light and the landscape, he paints mainly in acrylic on canvas or board. Alastair also ventures into sculptural objects which he makes out of found, upcycled or discarded materials - many of them working clocks.

combi, 2019 Acrylic on board Unframed, 57 x 40 x 4cm

$550

trail, 2019 Acrylic on canvas Unframed, 36 x 28 x 4cm

$280

steps, 2019 Acrylic on board Unframed, 57 x 60 x 5cm

$780

TAYLOR, Andrew R Andrew R Taylor is a Western Australian sculptor and visual storyteller. His work brings to life a tender world of whimsical characters through a series of striking drawings and situational sculptures. His simple characters playfully inhabit a slightly skewed world. Driven by emotional interplay, his works capture intimate glimpses, providing the viewer an opportunity to discover and imagine through reflection of their own life experience. Andrew’s sculptures are generally constructed as resin chalk carvings and most recently handmade cellulose clay over steel armatures.

Pete had wings, 2019

Pause #1, 2020

Carved chalk resin and steel 24 x 18 x 17cm

Cellulose clay and steel 56 x 38 x 23cm

Cocktails at Kate’s, 2019

Pause #3, 2020

Carved chalk resin and steel 25 x 14 x 8cm

Cellulose clay and steel 56 x 37 x 19cm

Dad’s Home, 2019

Pause #5, 2020

Carved chalk resin and steel 24 x 18 x 17cm

Cellulose clay and steel 41 x 46 x 14cm

$950

$950

$950

$1200

$1200

$1200 47


TEMPESTT, Sioux In addition to Sioux Tempestt’s studio-based works, her practice employs a multi-disciplinary approach, generating mural, public, sculptural and digital art which meaningfully contributes to its context. Sioux intuitively fuses colour and form to investigate the integration of abstract expressionism within different realms. She seeks to conceptually express dynamism and movement through painterly interpretations with the marks of paint and other medium recording the kinetic energy of paint as it is transferred from body to surface. Sioux’s interest in urban art is evidenced by the incorporation of aerosol in her work.

Balancing Act, 2020 Acrylic, aerosol, graphite and oil stick on canvas Unframed, 120 x 76 x 4cm

$850

It All Just Is, 2020 Acrylic, aerosol, graphite and oil stick on canvas Unframed, 120 x 76 x 4cm

$850

Everywhere All At Once, 2020 Acrylic, aerosol, graphite on canvas Unframed, 106 x 106 x 4cm

$950

THORNTON-SMITH, Sarah Imbued with curiosity about the way colour influences our lives, Sarah Thornton-Smith’s visual practice attempts to capture a little of what nature enthrals us with in memory, sensation and emotion. Using gradated manipulation of gouache on paper, with sequenced cuts and folds, where light and shadow allude to visual and optical play, Sarah’s work echoes the intimacy of the process involved allowing emerging patterns to highlight a moment of connection.

Shift, 2019 Gouache on paper Framed, 61 x 61 x 4cm

$1400

Walkabout, 2018 Gouache on paper Framed, 43 x 72 x 4cm

$1380

48


TREMAIN, Andrew Andrew Tremain is a ceramic artist who was born in England, emigrating to Australia in 2005. Andrew now lives in Western Australia where he makes crystalline glazed ceramics from fine white porcelain clay. The inspiration for his forms comes when he is throwing the clay on the wheel, focusing on creating curved forms that enhance the crystals that form in his glazes. His crystalline glazes have a high glass like shine that capture the light and make the crystal formations pop out from the surface. Andrew’s pieces create a horizon of heights, shapes and colour variations that are a pleasure to live with. Effervescence, 2020

Cherry Soda, 2020

Crystalline glazed porcelain 24 x 19 x 19cm

Crystalline glazed porcelain 20 x 15 x 15cm

Tangerine Dream, 2020

Dark Matter, 2020

Crystalline glazed porcelain 19.5 x 16 x 16cm

Crystalline glazed porcelain 29.5 x 15 x 15cm

Cherrypop, 2020

Freezing Point, 2020

Crystalline glazed porcelain 28 x 17 x 17cm

Crystalline glazed porcelain 27 x 14 x 14cm

$550

$450

$500

$500

$500

$500

WHITHAM, Lesley Lesley Whitham’s ceramic sculptures reflect her own life experiences. The hand built rounded human forms are robust, whilst often suggesting personal contemplation. Lesley was born in Glasgow, Scotland and graduated from Duncan of Jordanstone College of Art, Dundee. Migrating to Australia in 1991, she raised her family in the beachside suburb of Quinns Rocks, where she works from her studio in the garden. Plant Your Garden, 2020

The Move, 2019

Ceramic 43 x 32 x 30cm

Ceramic 36 x 26 x 15cm

Grow Your Garden, 2020

Hold These Close 2019

Ceramic 45 x 25 x 20cm

Ceramic 26 x 47 x 28cm

Drifting, 2020

The Collector, 2019

Ceramic 23 x 23 x 18cm

Ceramic 33 x 33 x 20cm

$2200

$2200

$980

$2400

$2400

$1900 49


WILLIS, Jude Jude Willis is a Western Australian artist who paints landscapes which reference the ever changing relationship between observation and invention, memory, beauty and patterns in nature. The multilayered, poetic painting style infused with tangles of lines, strokes and marks reflects her response to the history and soul of a place. What results is a multi-sensory record of what it feels like to be in a place at a particular moment in time.

In the light of reflection, 2020 Mixed media Framed, 92 x 73 x 4cm

$1080

Shine the light on me, 2020 Mixed media Framed, 92 x 73 x 4cm

$1080

As golden days break wondering, 2019 Mixed media Framed, 57 x 47 x 2cm

$400

WILSON, Norm Norm Wilson draws on his experience as a photographic art director, skilfully exploiting the interplay of light and shade to give his compositions an exaggerated sense of texture and depth. Using both oils and acrylics to express his fascination with landscape and still life, Norm’s paintings have dominant objects, defined shapes, sharp angles, yet soften in a semi-impressionist fashion. His paintings are executed with patience and precision, reflecting an artist who is clear in his focus and comfortable with his craft. Early Morning South Freo, 2020 Acrylic on canvas Unframed, 76 x 102 x 4cm

$2800

South Terrace, South Freo, 2020 Acrylic on canvas Unframed, 51 x 76 x 4cm

$1200

Point Marchant, Bunker Bay, 2020 Acrylic on canvas Unframed, 76 x 92 x 4cm

$2200

50


CLAIRE, Tania Australian designer Tania Claire handcrafts her unique jewellery pieces with special attention to detail. Creative statement pieces use her own handcrafted glass beads. Her passion started from a young age and her inspiration stems from her everyday life of being a mother of two and an awardwinning paramedic. Tania’s work has been showcased at several Australian and European fashion shows.

Bondi Pearl Bracelet, 2020 Freshwater pearls, sterling silver, gold plated $280 Rosa Pearl Earrings, 2020 Baroque pearls, sterling silver, gold plated $210 Lynette Black Pearl Hoops, 2019 Black freshwater pearls, sterling silver, 14K gold plated hoops 3 x 3 x 7cm $189 Lynette White Pearl Hoops, 2019 White freshwater pearls, sterling silver, 14K gold plated hoops 3 x 3 x 7cm $189 Lynette Pearl Hoops Multi, 2020 Multi-toned freshwater pearls, sterling silver, 14K gold plated hoops 3.8 x 3.8cm $189 Delia Lariat, 2019 Green agate stones, keshi pearls, 14k gold 79cm $299 Linnie Pearl Earrings, 2020 Freshwater pearls, 14k gold hoops $159 Bondi Black Pearl Bracelet, 2020 Freshwater pearls, sterling silver, gold plated $280

51


MERRITT, Jennie Jennie Merritt is a flamework glass artist primarily making jewellery but also sculptural pieces. She started to make jewellery in 2004 and progressed to flame working glass at the end of 2009. Teaching herself from books and the internet, she uses traditional flameworking techniques to create unconventional works. She has a signature style of sculpting the glass directly onto wires which she then uses in her pieces alongside other mixed media. On the Fringe, 2020 Glass, stainless steel wire and chain 68 x 14cm $249 Droplets Collar - Teal, 2020 Glass and stainless steel wire 25 x 13cm $129 Droplets Collar - Arctic, 2020 Glass and stainless steel wire, 25 x 13cm $129 Droplets Collar - Mono, 2020 Glass and stainless steel wire 25 x 13cm $129 Droplets Pendant - Teal, 2020 Glass, stainless steel wire, chain 49 x 3cm $79 Droplets Pendant - Arctic, 2020 Glass, stainless steel wire, chain 49 x 3cm $79 Droplets Pendant - Mono, 2020 Glass, stainless steel wire, chain 49 x 3cm $79 Droplets Earrings - Teal, 2020 Glass, stainless steel wire and earwires 9 x 3cm $59 Droplets Earrings - Arctic, 2020 Glass, stainless steel wire and earwires 9 x 3cm $59 Droplets Earrings - Mono, 2020 Glass, stainless steel wire and earwires 9 x 3cm $59 52


POH, Cynthia Cynthia Poh has been designing, creating, teaching and selling jewellery since 2003. Trained in San Francisco, California, she is well versed in different jewellery making techniques and specialises in bead weaving. Her style is a juxtaposition of traditional and avant-garde, balancing simplicity with a touch of sophistication. Pearly Necklace, 2020 Swarovski pearls, seed beads 41cm $325 Emerald Baroque Stud Earrings, 2020 Swarovski crystals, seed beads, stainless steel findings 2.5 x 1.4cm $70 Emerald Pearl Earrings, 2020 Swarovski crystals, freshwater pearls, sterling silver findings 3.5cm $110 Sodalite Tassel Necklace, 2020 Sodalite, lapis lazuli, metal and glass seed beads 84cm $210 Lapis Lazuli Hoop Earrings, 2020 Lapis lazuli, seed beads, stainless steel findings 3cm $78 Winter Pods Necklace, 2020 Merino wool, agate, silk thread 72cm $165 Mystic Black Tassel Earrings, 2020 Swarovski crystals, seed beads, silk tassel, sterling silver findings 4.5cm $62 Magnesite Opera Necklace, 2020 Magnesite, Swarovski pearls, artisan bead, silk tassel 79cm $185 Lapis Lazuli Teardrop Stud Earrings, 2020 Lapis lazuli, seed beads, sterling silver findings 1.6 x 1.3cm $70 Sponge Coral Herringbone Earrings, 2020 Sponge coral, silk tassel, sterling silver findings 7 x 1.5cm $70 53


UNO, Keiko Keiko Uno is renowned for her luxury ocean motif jewellery that captivates both the eye and the imagination. Her work is inspired by the sea which, as an avid diver living on the shores of the Indian Ocean, forms an integral part of her life. Keiko’s jewellery designs are a poetic development of ideas that inspire a deep passion for life, love and beauty. North Star, 2019 Silver with white rhodium finish, pearl, cubic zirconia Drop earrings 3 x 1.9 x 0.5cm $240 North Star, 2019 Silver with white rhodium finish, pearl, cubic zirconia Stud earrings 1.9 x 1.9 x 0.5cm $240 North Star, 2019 Silver with yellow gold finish, pearl, cubic zirconia Drop earrings 3 x 1.9 x 0.5cm $240 North Star, 2019 Silver with yellow gold finish, pearl, cubic zirconia Stud earrings 1.9 x 1.9 x 0.5cm $240 Fragments, 2020 Silver with rose gold accents, keshi pearl, topaz 3.5 x 1.5 x 0.6cm $450 Fragments, 2020 Silver with rose gold finish, keshi pearl, topaz 3.5 x 1.5 x 0.6cm $450 Fragments, 2020 Silver with yellow gold finish, keshi pearl, topaz 3.5 x 1.5 x 0.6cm $450 Fragments, 2020 Silver with rose gold finish, rose quartz, rhodolite, topaz 4.5 x 1.5 x 0.5cm $575 Fragments, 2020 Silver with yellow gold finish, aventurine, chrome diopside, topaz, 6.5 x 2 x 0.8cm $695 Fragments, 2020 Silver with yellow gold finish, prehnite 3.5 x 1.3 x 0.6cm $360 54



Fine Art@Hale COMMITTEE 2020 Chair Andrine Terry Curatorial Team Lee Kinsella Helen Cooper Dee Jaeger Cynthia Poh Marie Bray Kristine O’Sullivan Heidi Thavaseelan Zora Vinci


Alex Allen, recipient of 2019 FineArt@Hale Scholarship with one of his works.

From a young age I have always loved art, from drawing in school books to painting in art class. For me, art at Hale has provided me the opportunity to harness and direct this love into legitimate creation of technical art. Whenever I saw art on my timetable my eyes would light-up, as it gave me the opportunity to escape the ‘Hale life’ for just 45 minutes. I love the Friday afternoon Art Club to see and admire all the committed art students work on their own artworks. The teachers in the department are awesome, and every year they are invested in my work to improve my style and compositions as an artist. Art at Hale has helped me develop my understanding of art, and I feel honoured to be the recipient of the FineArt@Hale Scholarship for 2019. Alex Allen Recipient of the 2019 FineArt@Hale Scholarship



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