Modern & Contemporary Online by New Orleans Auction Galleries

NOAG new orleans auction galleries

Modern & Contemporary Art ONLINE AUCTION

October 29, 2019

5 p.m. CT

Lot 118 Front Cover: Lot 231 Back Cover: Lot 232

CONDITION REQUESTS Condition reports are posted daily as requested on our website and on our partner bidding sites, LiveAuctioneersand Invaluable. If you would like to request extra photos or a detailed report be emailed to you directly, you can contact us at info@neworleansauction.com, or click “INQUIRY” on the lot detail page, fill out the necessary fieldsand click “SEND INQUIRY”. We will respond to requests on a first come, first served basis.

BIDDING Visit www.neworleansauction.com to create an account. Make sure that you are logged in and your registrationhas been approved. From the homepage, click “View Catalogue” to browse the current sale. You can also browse or search the catalogue from the “Auctions” tab under “Auction Schedule” or “Catalogue Search”. Scroll through the catalogue. When you see an item that you would like to bid on, click “BID & TRACK”.

ABSENTEE BIDDING If you would like to submit an absentee bid, click “BID & TRACK” on the desired lot. Fill in the amount in the “EnterYour Bid” field. Please note that any special symbols or characters will not be accepted. Click “I agree to the Terms & Conditions. Place my bid” to submit your bid. You will receive a confirmation email once we process your bid(s). Click “Back” to continue bidding. Note that telephone bidding is not available for this sale.

BID LIVE ONLINE Live online bidding is available via LiveAuctioneers and Invaluable.

new orleans auction galleries 504-566-1849 | info@neworleansauction.com www.neworleansauction.com 333 Saint Joseph Street, New Orleans, Louisiana 70130 LA Auction License AB-363 | 25% Buyer’s Premium

1 Charles Mary Kubricht (American/Texas, b. 1946) “The Floating World #5” oil pastel on paper unsigned, verso with “Harris Gallery, Houston, TX” label. Matted, glazed and framed. sight 16-1/4” x 11”, framed 24” x 18” Provenance: Harris Gallery, Houston, Texas; Private collection, Houston, Texas. $700-$1,000

3 Mary Soniat (American/Louisiana, Contemporary) “Ages I”, 2011 “Ages II”, 2011 diptych of mixed medias on gallery-wrapped canvas one signed lower left and the other lower right, each signed, titled and dated en verso 48” x 24” $1,200-$1,800

2 The Art Guys (Michael Galbreth, American/ Texas. b. 1956 and Jack Massing, American/ Texas, b. 1959, Formed in 1983) “B B Gun Game”, 1994 wood, glass, photograph and BB’s, verso with “Art Guys Art: official approval” stamp and a gallery label with artist, title and date. h. 9-1/2”, w. 10-3/4”, d. 3-1/2” Provenance: Private collection, Houston, Texas. Notes: The first exhibition of these works was at the Barry Whistler Gallery in Dallas, Texas. The exhibition was titled “The Game Show”. $800-$1,200

4 Maurice Roche (French, 1924-1997) and Nissan Engel (Israeli, b. 1931) Cristal, Paris: Robert et Lydie Dutrou, 1989, volume V of the “Terres Nouvelles” series, six etchings in color, each pencilsigned by Engel, this volume numbered 89 of an edition of 105, signed on colophon page. 10-1/2” x 8-1/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500 5 Continental School (20th Century) “Ducks”, 1994

gouache and gold leaf on paper dated and illegibly signed lower right. Matted, glazed and framed. sight 17-1/4” x 33-5/8”, framed 24-1/2” x 40-1/2” Provenance: Bruce McCashin Collection. $700-$1,000 6 Jeffrey Lewis (American/Alabama, 20th Century) “Trees - Study”, 1999 encaustic on linen affixed to board incised signature lower right, signed, dated and titled en verso. Frame-mounted. 9” x 7-1/2”, framed 10-1/4” x 9-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

7 Malcolm T. Liepke (American, b. 1954) “The Vanity”, 1991 lithograph in colors pencil-signed lower right, numbered “241/275” lower left, with letter from publisher Atelier Ettinger, Inc. en verso backing. Matted, glazed and framed. sight 24-1/2” x 17”, framed 36” x 28” $200-$400

8 Michael Schulze (German, b. 1952) Suite of nine etchings from the “Skizzen in Zink” series, with a custom carved wooden box. 28” x 22” Provenance: Private collection, Houston, Texas. $800-$1,200 8

9 Maurice Roche (French, 1924-1997) and Nissan Engel (Israeli, b. 1931) Cristal, Paris: Robert et Lydie Dutrou, 1989, volume V of the “Terres Nouvelles” series, six etchings in color, each pencilsigned by Engel, this volume numbered 83 of an edition of 105, signed on colophon page. 10-1/2” x 8-1/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

10 Hans Grohs (German, 1892-1981) “Norwegian”, 1967 ink and watercolor on paper signed, dated and localized lower left, a Hans Grohs blindstamp lower right. Matted, glazed and framed. sight 7” x 9-7/8”, framed 15-1/2” x 18-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400 11 Louise Guidry (American/Louisiana, b. 1930)

“Orange with Gold” acrylic on gallery-wrapped canvas signed lower right. 12” x 12” $300-$500 12 Clarence Millet (American/Louisiana, 1897-1959) “Pirate’s Alley” and “Brulatour Court” 2 watercolor enhanced wood blocks on paper each pencil-signed and titled lower margin and initialed “CM” in the plates. Glazed, matted and framed alike. sight 6-3/4” x 5-3/4”, framed 12-1/4” x 10-1/2” Provenance: The Estate of Albert A. Prats, Jr., New Orleans, Louisiana. $400-$700

12 one of two 12 two of two

13 Marcel Duval (French, 1890-1985) “Vue de Paris” watercolor and gouache on paper signed lower left. Glazed and framed. 5-5/8” x 8-3/4”, framed 10” x 13-5/8” $200-$400

14 Tavik Frantisck Simon (Czech, 1877-1942) “Embankment on the Seine” “Parisian Street Scene” pair of etchings in color each pencil-signed lower right, latter inscribed “epreuve d’artist” lower left. Each matted, glazed and framed. sight 12-3/4” x 15-7/8”, framed 21-5/8” x 24-1/4” and sight 12-1/4” x 15”, framed 16-1/4” x 20-1/2”, respectively

14 one of two

$500-$800

14 two of two

15 Justin Garcia (American/Texas, Contemporary) “Untitled Abstraction” oil and mixed media on canvas signed lower right. Unframed. 28” x 54” $600-$900

16 John L. Moore (American, b. 1939) “Untitled: Abstract with Circles”, 1993 acrylic and watercolor signed and dated lower right. Matted and glazed in a float-mount frame. 29-3/4” x 21-3/4”, framed 34-1/4” x 25-7/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

17 Janeth Murray McKendrick (American, Contemporary) “Nightscape” mixed media on canvas and wood panel Unsigned Unframed. 52-3/4” x 50-3/4” Provenance: Arthur Roger Gallery, New Orleans, Louisiana. $700-$1,000

18 Paulette Tokar Whiteman (American/Louisiana, b. 1950) “My Show Mt.”, 1991 acrylic collage on paper signed and dated lower right and titled lower left, a “Sylvia Schmidt Gallery, Julia St., New Orleans, Louisiana” label with artist, title and date en verso. Matted, glazed and framed. sight 22” x 21-1/2”, framed 33” x 32-1/2” Provenance: Sylvia Schmidt Gallery, New Orleans, Louisiana. $700-$1,000

19 Paulette Tokar Whiteman (American/Louisiana, b. 1950) “Again”, 1991 acrylic collage on paper signed and dated lower right and titled lower left, a “Sylvia Schmidt Gallery, Julia St., New Orleans, Louisiana” label with artist, title and date en verso. Matted, glazed and framed. sight 22” x 20”, framed 33-1/2” x 31” Provenance: Sylvia Schmidt Gallery, New Orleans, Louisiana. $700-$1,000

20 Paulette Tokar Whiteman (American/Louisiana, b. 1950) “Grass is Greener”, 1991 acrylic collage on paper signed and dated lower right and titled lower left, a “Sylvia Schmidt Gallery, Julia St., New Orleans, Louisiana” label with artist, title and date en verso. Matted, glazed and framed. sight 22” x 22”, framed 33-1/4” x 32-3/4” Provenance: Sylvia Schmidt Gallery, New Orleans, Louisiana. $700-$1,000

21 Rene Gruau (Italian, 1909-2004) “Elegante” lithograph in colors pencil-signed lower right, numbered “280/300” and with artist’s blind stamp lower left. Matted, glazed and framed. sheet 22” x 21”, framed 36” x 35” $700-$1,000

22 Roger Brown (American, 1941-1997) “Little Nimbus”, 1979 color lithograph on ivory wove paper pencil-signed, titled, dated and marked “A.P.” lower margin. Glazed and framed. sheet 14” x 14-1/2”, framed 19-1/2” x 20” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $600-$900

23 Emery Clark (American/Louisiana, b. 1950) “Beach Scene”, 1982 ink and watercolor on paper signed and dated lower right. Glazed and framed. 35-1/2” x 47-1/2”, framed 37-1/2” x 50” Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. $700-$1,000

24 Valery Kosorukov (Russian/American, Louisiana, b. 1937) “Misty, China”, 1996 oil on masonite signed lower right, signed, dated and with handwritten label with artist and title en verso. Framed. 9” x 12”, framed 12” x 15”

$400-$700

25 one of two

25 two of two

25 Ellen Carey (American, b. 1952) “Self Portrait”, 1987 pair of photolithographs from Polaroid prints each signed and dated lower right and numbered “14/35” lower left. Float-mounted, glazed and framed. 31” x 23-1/2”, framed 34” x 25-1/2” Provenance: Private collection, Houston, Texas. $600-$900

26 Victor Vasarely (French/Hungarian, 1906-1997) “Cube” silkscreened acrylic cube sculpture signed and numbered “17/300” on integral base. h. 8-1/2”, w. 5-3/8”, d. 5-3/8” $800-$1,200 26

27 Yaacov Agam (Israeli, b. 1928) “Untitled - Black and White” Agamograph signed mid-right. Matted, glazed and framed. sight 13-1/8” x 13-1/8”, framed 29-1/2” x 29-1/2” $600-$900

28 Jim Dine (American, b. 1935) 27

“Untitled - Scissors”, 1973 lithograph on paper from the “Ten Winter Tools” series, pencil-signed lower left, dated lower right, numbered “P/P 6/10” lower center, published by Petersburg Press, New York. Float-matted, glazed and framed. sheet 28” x 21-1/2”, framed 31-1/2” x 25-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $700-$1,000

29 Vernon Fisher (American/Texas, b. 1943) “Rules for Bending Circles”, 1993 lithograph in colors signed and dated lower right, numbered “13/30” lower left. Float-mounted, glazed and framed. 35-1/2” x 40-1/2”, framed 38-1/2” x 43-1/4” $300-$500 28

30 Ke Francis (American/Florida/Tennessee, b. 1945) “Night Raft” etching signed, titled and marked “A.P.” lower margin. Matted, glazed and framed. sight 7-1/2” x 10-3/8”, framed 16-3/4” x 20-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

31 Ke Francis (American/Tennessee, b. 1945) “Rafter and Fishbone” woodcut on paper pencil-signed, titled and marked “A.P.” lower margin. Matted, glazed and framed. sight 7-1/2” x 8-1/2”, framed 17” x 24” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$300

32 Dieter Roth (Swiss, 1930-1998) “1 Bericht mit Kommentar”, 1991 serigraph on paper pencil-signed and dated lower right and titled lower left, ed. 191/535. Matted, glazed and framed. sight 15-1/2” x 19-1/4”, framed 23” x 29” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

34 Richter 858: Eight Abstract Paintings

33 Two Copies of Fresh Cream: Contemporary Art in Culture

Gerhard Richter and text David Breskin, editor, San Francisco: The Shifting Foundation/SF MOMA, 2002, with a Bill Frisell CD on inside front cover and eight loose prints in folder inside back cover, in a brushed metal open-front slipcase, with original box. 12-3/4” x 17-1/4”

various authors, New York: Phaidon Press, 2000, each in its original clear plastic pillow. each 6-1/2” x 12” Collection of Mark M. Johnson, Montgomery, Alabama.

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

$100-$200

$100-$200 35 Group of Three Printed Materials on Contemporary Artists including: Robert Motherwell and Arthur A. Cohen, Robert Motherwell’s Prints, 1961-1974, California: Jack Glenn Gallery, 1975; Frank Stella (American, b. 1936), “Swan Engravings III”, 1982, lithographed miniature of an etching, in a cream folder with explanatory text, signed and dated 1995, published by Tyler Graphics, Ltd; and Francesco Clemente (Italian, b. 1952), lithographed portfolio, eight leaves, two quires, stitched, 16 prints, in a pencil-signed and numbered “17/25” folder. 12” x 10”, print 9-1/2” x 7-5/8” and each print 11-3/4” x 7-1/8”, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

36 Jasper Johns (American, b. 1930) “Untitled”, 1977 hand-printed screenprint on parchment paper unsigned, from an edition of 3000, published by Brooke Alexander, Inc., New York. Matted, glazed and framed. sheet 10” x 10”, framed 19-1/4” x 19-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. Notes: The print was selected for the cover of the Jasper Johns/Screenprints catalogue. $700-$1,000

37 Nissan Engel (Israeli/New York, 1931-2016) “Musical Composition I” “Musical Composition II” pair of mixed media collages on paper each signed lower right. Unframed. each sheet 22-1/2” x 15-1/2”

37 one of two

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

37 two of two

38 six of twenty-five

38 Felix Martin Furtwangler (German, b. 1954)

39 Max Papart (French, 1911-1994)

“Untitled Portfolio”

“Facing West” and “Renaissance”

25 woodblocks in color each pencil-signed and numbered “2/5” lower center, one inscribed in pencil lower center and with personal note en verso. Unframed. 24 sheets 19-3/4” x 12-3/4”; one sheet 17-3/4” x 12-3/4”

two colored aquatints each pencil-signed and numbered, the first “H.C. II/V”; the second “H.C. 9/10”. Each matted, glazed and framed; the first float-mounted. sights 22-1/2” x 29” and 28-1/2” x 25-1/2”, respectively; framed 32-1/4” x 39-1/2” and 40-1/2” x 36”, respectively

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

$600-$900

$300-$500

39 two of two 39 one of two

40 1990 “New Orleans Jazz & Heritage Festival” Poster designed by Louise Mouton, signed in plate, and pencilsigned and numbered “2270/2500” lower margin. Matted, glazed and framed. sight 32” x 19-1/2”, framed 39-3/4” x 27-1/2” $400-$700 41 1991 “New Orleans Jazz & Heritage Festival” Poster designed by Patti Harris Googe, pencil-signed and numbered “2244/3000” lower center. Matted, glazed and framed. sight 35-1/4” x 19-1/4”, framed 43” x 37” $400-$700 42 1988 “New Orleans Jazz & Heritage Festival” Poster designed by Kevin Combs, signed in plate, and signed and numbered “600/2500” lower margin, published by Pro Creation. Matted, glazed and framed. sight 31-1/2” x 19-1/2”, framed 40” x 28-1/2” $400-$700 40

43 1985 “New Orleans Jazz & Heritage Festival” Poster designed by Tore Wallin, signed in plate, and signed and numbered “1165/2500” lower margin, published by Pro Creation. Matted, glazed and framed. sight 35” x 15-1/2”, framed 43-1/2” x 24” $400-$700 44 2004 “35th Anniversary New Orleans Jazz & Heritage Festival” Poster, Featuring Harry Connick, Jr. designed by Paul Rogers, pencil-signed and numbered “772/1000” lower margin. Matted, glazed and framed. sight 33-3/4” x 19”, framed 40-1/2” x 25-1/2” $400-$700 45 1993 “New Orleans Jazz & Heritage Festival” Memorial Poster, Featuring Professor Longhair designed by Tony O. Champagne, signed in plate, and signed and numbered “1166/3000” lower margin. Matted, glazed and framed. sight 32” x 21”, framed 39-3/4” x 28-1/4” $400-$700

46 Rick Beck (American, b. 1960) “Screw - Orange”, 2000 cast glass from the Tools series, incised signature and dated at top. h. 3-1/2”, w. 5-1/8”, d. 3-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $700-$1,000

47 Rick Beck (American, b. 1960) “Screw - Clear”, 1999 cast glass from the Tools series, incised signature and dated at top. h. 3-1/2”, w. 5-1/2”, d. 3-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $700-$1,000 48 Rick Beck (American, b. 1960)

“Screw - Red”, 2000 cast glass from the Tools series, incised signature and dated at top. h. 3-1/8”, w. 5”, d. 3-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $700-$1,000

49 Robert Rivers (American/Florida, Contemporary), Blue Eyed Goddess Book mixed media on paper, binding by Larry Cooper of Gardyloo Handmade Books, titled and signed on fourth page, in a red clamshell presentation box; together with an untitled and unsigned bound book, mixed media on paper. 15” x 10-7/8” and 18” x 12”, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$700

50 five of ten

50 Felix Martin Furtwangler (German, b. 1954) “Formen Zwiespalt”, 1979 ten woodcuts on paper each pencil-signed lower center. Unframed. each sheet 8-1/2” x 12” $100-$200

51 Manuel Carrillo (Mexican, 1906-1989)

51 one of two

“Boy with Basket” “Elderly Woman with Shawl” pair of silver gelatin prints each signed in ink lower right, former pencilnumbered “268” en verso, latter with Carrillo stamp and numbered “1164” in two places. Matted and unframed. each 13-5/8” x 10-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $1,000-$1,500

51 two of two

52 Derek Boshier (British/American, b. 1937) “Cemetery Stones” photographic black and white print mounted on board unsigned. Framed. 24” x 30”, framed 25” x 31” Provenance: Private collection, Houston, Texas. $800-$1,200

53 Libbie J. Masterson (American/Texas, b. 1969)

“Big Bend, Arizona Mountain”, 2009 black and white photograph signed and dated lower right, titled and numbered “4/10” lower left. Matted, glazed and framed. 5” x 12”, framed 11” x 18” Provenance: Private collection, Houston, Texas. $500-$800

54 Keith Carter (American, b. 1948) “Untitled - Boy with Snake” gelatin silver print pencil-signed lower right, a “McMurtrey Gallery/ Houston” card en verso. Matted, glazed and framed. sight 15-3/4” x 15-5/8”, framed 24” x 24” $500-$800

55 Richard Payne (American/Texas, 1935-2018) “Guerrero Viejo”, 1997 gelatin silver print pencil-signed on mat board and pencil-signed, titled and dated en verso of photograph, a “McMurtrey Gallery, Houston, Texas” and artist label with title and date en verso. Matted, glazed and framed. 11” x 13”, framed 19-3/4” x 21-1/2” $500-$800 The writer Elena Poniatowska and architectural photographer David Payne collaborated on the book Guerrero Viejo, which documented the lost Mexican city. In the early 1950s, the American and Mexican governments collaborated in damming the Rio Grande with the anticipation of benefiting both countries. A consequence of the damming was the gradual submersion of the colonial city of Guerrero beneath the water of the man-made reservoir. The citizens were displaced and forced to abandon their homeland and sense of community. Payne’s photographs document the current state of the few remaining historic structures.

56 57

56 Stephen Scott Young (American, b. 1957)

57 Tom Marioni (American, b. 1937)

“Vermont Junction”

“3rd Street”, 1995

etching on paper pencil-signed lower right, marked “4 - Second State” lower left. Unframed. sheet 12” x 13-3/4”

photogravure with color aquatint on paper pencil-signed, dated and numbered “27/45” lower margin. Glazed and framed. 16” x 20”, framed 20” x 24”

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

$400-$700

$300-$500

58 Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997) “Mythic Print (black)”, 1985 serigraph on paper pencil-signed, titled, dated and numbered “P.P. 2/2” lower margin. Matted, glazed and framed. sight 43” x 31-1/4”, framed 54-1/4” x 41” Provenance: Arthur Roger Gallery, New Orleans, Louisiana. $800-$1,200

59 Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997) “Mythic Print (taupe)”, 1985 serigraph on paper pencil-signed, titled, dated and numbered “94/100” lower margin. Matted, glazed and framed. sight 43” x 31-1/4”, framed 54-1/2” x 41” Provenance: Arthur Roger Gallery, New Orleans, Louisiana. $800-$1,200

60 Anne Youkeles (Austrian/Ohio, b. 1920) “Great News” 3-D serigraph on cut paper pencil-signed, titled and numbered “30/100” lower margin, Matted, glazed and framed. sight 29-1/2” x 29-1/2”, framed 42-1/2” x 42-1/2” $600-$900

61 Anne Youkeles (Austrian/Ohio, b. 1920) “Cascade II” 3-D serigraph on folded sheets of paper pencil-signed and titled lower margin. Matted, glazed and framed. sight 20-1/2” x 20-1/2”, framed 28-1/4” x 28-1/4” $600-$900

62 Bruce Davenport (American/Louisiana, b. 1972) “Parade”, 2013 marker on paper signed lower left, signed and marked “8th Series 13” lower right. Unframed. sheet 37-3/4” x 25” $300-$500

63 Katherine and William Bernstein (American, 20th Century) Eight Face Goblets blown glass each with incised signature at bottom, each dated variously from 1994 to 2007. heights from 7-1/4” to 8-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

64 Russell Biles (American/North Carolina, b. 1959) “Hear No Evil, See No Evil, Speak No Evil” three painted and glazed porcelain figures each signed in interior. each h. 1-1/2”, w. 5/8”, d. 5/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

65 Grisha Bruskin (Russian/New York, b. 1945) “Study 4”, 1990 gouache and ink on paper signed lower right, a “Marlborough Gallery, New York” label with artist, title and date en verso. Framed. 8-1/4” x 10-3/4”, framed 16” x 18-1/2” Provenance: Marlborough Gallery, New York; Estate of Dr. Leona Bersadsky and Dr. Dorothy Bratsas, New Orleans, Louisiana. $1,000-$1,500

66 Cappy Thompson (American/Washington, b. 1952) “Muse Over Montgomery”, 2006 five woodblocks in color edition of ten, including #s 6-10, commissioned by the Montgomery Museum of Fine Arts, each pencil-signed and dated lower right, titled lower center and numbered lower left. Unframed. each sheet 12” x 16” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200 66 one of five

67 Charlie “Tin Man” Lucas (American/Alabama, b. 1951) “Miss Rosa” oil on panel signed “Tin Man” and titled en verso. Framed. 23” x 16”, framed 28-1/4” x 21” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

68 Bernice Sims (American/Alabama, 1926-2014) “Picking Strawberries” oil on canvas signed lower right, “Marcia Weber/Art Objects, Inc., Montgomery, Alabama” labels en verso. Framed. 16” x 20”, framed 17-1/4” x 21-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400 67

69 Helena Adamoff (Russian/French, b. 1906) “Arrives des Jeunes Maitres” oil on canvas signed lower right, a “Findlay Galleries, Inc., Chicago” label en verso. Frame with artist and title plaque. 18” x 24”, framed 23-3/4” x 29-1/2” $200-$400

70 Rev. Anderson Johnson (American, 1915-1998) “Portrait of a Woman in Green”, 1995 acrylic on artist board signed and dated lower right. Unframed. 12” x 9” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

71 Charlie “Tin Man” Lucas (American/Alabama, b. 1951) “Tin Man” iron and found object sculpture h. 44”, w. 15”, d. 11-3/4” $500-$800

72 Charlie “Tin Man” Lucas (American/Alabama, b. 1951) “Alligator” metal and found object sculpture h. 14-1/2”, w. 75”, d. 9” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $800-$1,200

73 Richard A. Johnson (American/Louisiana, b. 1942) “Mr. Akumal” acrylic and mixed media on paper pencil-initialed “R.A.J.” mid-right and titled upper left, artist label with title en verso. Framed. sight 39-1/2” x 29-1/2”, framed 41-1/2” x 31-1/4” $1,000-$1,500

74 Robert Gordy (American/Louisiana, 1933-1986) “Seven Figure Oval (Raspberry)”, 1980 74

silkscreen on paper signed and numbered “14/40” lower center, a “Galerie Simonne Stern, Royal St., New Orleans” label with artist, title and date en verso. Glazed and framed. sight 22” x 29-3/4”, framed 22-1/2” x 30-1/4” $1,000-$1,500

75 Edith Maskey (American/Texas, 20th/21st Century) “Flower Market, Mexico” watercolor on paper signed lower right. Matted, glazed and framed. sight 22” x 29-1/2”, framed 33” x 41” Provenance: Private collection, Houston, Texas. $700-$1,000 75

76 Edith Maskey (American/Texas, 20th/21st Century) “Flower Market, Mexico” watercolor on paper signed lower left. Matted, glazed and framed. sight 22” x 29-1/2”, framed 33” x 41” Provenance: Private collection, Houston, Texas. $700-$1,000

77 John Maskey (American/Texas, b. 1937) “Courtyard” watercolor on paper signed lower left. Matted, glazed and framed. sight 22” x 29-1/2”, framed 33” x 41”

78 one of two

Provenance: Private collection, Houston, Texas. $700-$1,000 78 Theo Tobiasse (Israeli/French, 1927-2012) “Un Peuple d’ Assis dans L’Usure des Pierres” “On the Shores of the Circus”, 1975 two color lithographs each titled in print, and pencil-signed and numbered lower margin 108/200 and 190/200, respectively. The first glazed in a float-mount frame; the second matted, glazed and framed. 21-1/4” x 29” and sight 20-1/2” x 26”, framed 32-1/4” x 38” $600-$900

78 two of two

79 Nissan Engel (Israeli/New York, 1931-2016) “Untitled” group of six textured prints unsigned. Unframed. two 11-1/4” x 7-3/4”, four 18-1/2” x 14-3/4” two each 11-1/4” x 7-3/4”, 18-1/2” x 14-3/4”, and 19-5/8” x 12-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400 80 Yaacov Agam (Israeli, b. 1928) “Vertical Orchestration Blue” lithograph in colors pencil-signed lower right, numbered “45/54” lower left, published by Circle Fine Art Corporation. Matted, glazed and framed. sight 26” x 7”, framed 34-1/2” x 16-1/2” $400-$700

81 Yaacov Agam (Israeli, b. 1928) “Untitled” Agamograph signed lower right. Matted, glazed and framed. 12-7/8” x 14-3/4”, framed 31-1/8” x 33-1/8” $600-$900

82 Tom Wesselmann (American, 1931-2004) “Shiny Nude” offset lithograph Matted, glazed and framed. sight 6-1/4” x 5-7/8”, framed 16” x 16” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

83 Mary Beyt (American, b. 1959) “Untitled - Light Blue”, 1995 acrylic on canvas signed, titled and dated en verso, “Paul Morris Gallery/New York” and “Gerald Peters Gallery/ Dallas” labels on stretcher. Framed. 30” x 30”, framed 32” x 32” $500-$800

84 Luke Fontana (American/Louisiana, Contemporary) “Gospel Singer Minnie Bell”, 2017 acrylic on gallery-wrapped canvas signed lower left, signed, dated and titled en verso. Unframed. 20” x 14” $500-$800 85 Louise Guidry (American/Louisiana, b. 1930)

“Living the Dream” acrylic on gallery-wrapped canvas signed and titled en verso. 48” x 12” $1,000-$1,500 86 Illy Collection Louise Bourgeois Espresso Set consisting of four cups, four saucers, and a tin of (expired) coffee. In the original packaging. Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

87 Jim Hodges (American, b. 1957) “If there had been a pool it would have reflected us”, 1998 two printed wool blankets from the Peter Norton Family Christmas Project, each in their original shipping container. each 52” x 72” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

88 Brian Eno (British, b. 1948) and Pae White (American, b. 1963) “Oblique Strategies”, 1996, from the Peter Norton Family Christmas Project series, set of printed cards inspired by Eno’s 1975 series of phrases, each card with a single phrase in each of the six most commonly spoken languages, all housed in a Corian white box known as “Bill’s Bad Bone”, in the original shipping container. each card 3” x 4-1/8”; box 5” x 6” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

89 Vik Muniz (Brazilian, b. 1961) “Medusa Marinara”, 1999 printed ceramic plate by Bernardaud, Limoges, France, numbered “64”, from the Peter Norton Family Christmas Project, in its original shipping container. plate dia. 12-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

90 Three Gifts from the Peter Norton Family Christmas Collection

including 1993, Luciano Perna (Italian/California, b. 1958), “Souvenir Book”, edition of 5,000, 2-5/8” x 2”, in a cardboard folder and the original shipping envelope, overall 8-3/8” x 5-1/4”; 1994, Lorna Simpson (American, b. 1960) “III”, three wishbones, one each of rubber, bronze and ceramic, edition of 5,000, each 4” x 2-1/4”, in a custom wooden box, 13-1/2” x 5-1/4”, in the original shipping box; and 1995, Yasumasa Morimura (Japanese, b. 1951), “Ambiguous Beauty”, printed fan, edition of 5,000, open h. 11-1/2” x 19”, in a wooden box 2-1/2” x 13”, in the original shipping box. Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

91 Karel Appel (Dutch, 1921-2006) “Untitled, Figure”, 1976 color lithograph pencil-signed and dated lower margin. Matted, glazed and framed. sight 25-3/4” x 16”, framed 37” x 27” $300-$500

92 Cappy Thompson (American/Washington, b. 1952) “Stars Falling on Alabama” reverse glass painting Framed. sight 11-1/4” x 16-1/2”, framed 15-1/8” x 20-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

93 one of two

93 American School (20th Century) “Three Angels Diptych” two acrylics on canvas one illegibly signed lower right, both illegibly signed, titled and dated en verso backing paper. Framed. 29-5/8” x 29-5/8”, framed 31” x 31” $600-$900

93 two of two

94 Victor Vasarely (French/Hungarian, 1906-1997) “Untitled with Sphere and Cube” color silkscreen pencil-signed and numbered lower margin. Matted, glazed and framed. sight 37-1/2” x 21-1/2”, framed 47-3/4” x 31-1/4” $700-$1,000

95 Red Grooms (American, b. 1937) “Moonstruck”, 1994 glazed porcelain with applied porcelain elements, rhinestones and plastic cord edition of 2,500, print signed front and back, numbered in gold ink “1151” and titled at back, produced by VOICE (Venice Oakwood/Inner City Enterprise), Los Angeles, California, in its original slipcased presentation box. dia. 10-3/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

96 Michael Ledet (American/Louisiana, b. 1941) “Untitled: Abstraction”, 1969 acrylic on canvas signed and dated lower left. Framed. 22” x 27”, framed 23” x 28”

$800-$1,200

97 Mickey Myers (American, Contemporary) “Rainbow Crayon, illustrated”, 1979 lithograph in colors signed and dated lower right, numbered “74/110” lower left. Float-mounted, glazed and framed. 11-3/4” x 11-3/4”, framed 14-1/4” x 14-1/4” $300-$500

98 Woodie Long (American/Alabama, 1942-2009)

“Flowers” “Untitled I” “Untitled II” “Five Women in Yellow Dresses” four items, including an acrylic on artist board, two crayons on paper, and a glazed plate each signed “Woodie”, plate with date “05/01” and copyright-marked. Crayons on paper matted, glazed and framed. sizes from 6” x 8-1/4” to 12” x 10-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

$200-$400

99 Ke Francis (American/Tennessee, b. 1945) Jugline: A Fish Tale and a Portfolio of Prints, Tupelo, Mississippi: Hoopsnake Press, 1992, binding by Larry Cooper of Gardyloo Handmade Books, Memphis, Tennessee, edition of 20, this numbered “128” and signed on colophon page, in a black fabric clamshell case; together with Soulshark, Oviedo, Florida: Hoopsnake Press, 2009, with woodcuts, edition of 25, this numbered “23” and signed on colophon page, each woodcut signed and numbered. former book 15-3/8” x 11-1/2” and case 14-3/8” x 12-3/8”; latter 15-1/2” x 12” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400 99

101 100

100 Ke Francis (American/Tennessee, b. 1945)

101 Ke Francis (American/Tennessee, b. 1945)

two books, including Soulshark, Oviedo, Florida: Hoopsnake Press, 2009, with woodcuts, edition of 25, this numbered “24” and signed on colophon page, each woodcut signed and numbered, pencil inscription opposite title page; together with Hunting the Crested Snipe, Orlando, Florida: Hoopsnake Press for Flying Horse Editions, 1996, with etchings by Robert Rivers (American, Contemporary), binding by Larry Cooper, edition of 30, this numbered “23” and pencil-signed on colophon page. former 15-1/2” x 12”; latter 18” x 12-1/4”

Penumbra, Tupelo, Mississippi: Hoopsnake Press, 1994, book with woodblocks in color, together with a CD of the artist reading the story, binding designed by Larry Cooper of Gardyloo Handmade Books, Memphis, Tennessee, edition of 250, this numbered 30, signed on colophon page, in a cloth slipcase. book 13-1/2” x 9-3/4”; case 14-3/4” x 10-3/4”

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

$400-$700

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

$400-$700

102 Robert Levers (American/Texas, 1930-1991) “Soldiers Punchinellos Basking in the Sun”, 1980 watercolor, pen and ink on paper signed and dated lower right, verso with “Watson/de Nagy & Company, Houston, Texas” gallery label. Glazed and framed. sight 17-1/2” x 23”, framed 23” x 29” Provenance: Private collection, Houston, Texas. $800-$1,200

102

103 Louise Guidry (American/Louisiana, b. 1930) “Study for One Day in May” acrylic on gallery-wrapped canvas signed lower right. 12” x 12” $300-$500

104 Verre-de-Soie Art Glass Vase and Bowl Attributed to Steuben early 20th century, vase having an iridescent blue rim, bowl having a polished pontil, both unsigned. h. 12”, dia. 7-1/2” and h. 3”, dia.5-1/2” respectively 103

$400-$700

105 Erwan Kerdreux (French, 20th Century) “Saint Sulpice” graphite and watercolor on paper signed and localized lower right. Matted, glazed and framed. sight 15-3/8” x 10-3/4”, framed 20-1/2” x 15-3/4” $200-$400

106 Edith Maskey (American/Texas, 20th/21st Century) “Courtyard with a Fountain” watercolor on paper signed lower right. Matted, glazed and framed. sight 22” x 29-1/2”, framed 33” x 41” Provenance: Private collection, Houston, Texas.

105

$700-$1,000

104

106

107

108

107 Melissa Miller (American/Texas, b. 1951) “Chameleon Series”, 1993 gouache on paper monogrammed lower right, signed and dated en verso. Unframed. sheet 9-1/2” x 8-3/4” Provenance: Private collection, Houston, Texas. $300-$500

108 American Art Glass Sculpture 20th century, composed of thin sheets of green glass. h. 9”, w. 19-1/4”, d. 7-1/2”

109 one of two

$600-$900

109 Arthur Silverman (American/New Orleans, b. 1923) “Geo Cloud #6” and “Untitled” two painted aluminum reliefs latter signed lower left and with “Galerie Simone Stern, New Orleans, LA” labels with artist and title en verso. Framed. 22-1/2” x 38” and 24-3/4” x 21-1/2”, framed 23” x 38-1/2” and 25-1/4” x 22-1/4” $500-$800

109 two of two

110 William Wegman (American, b. 1943) “Alphabet - Blue”, 1993 silkscreen on custom colored wallpaper published by A/D Editions, New York, numbered “30/1500”. 13-1/2” x 360” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

110

111 William Wegman (American, b. 1943) “Alphabet - Green”, 1993 silkscreen on custom colored wallpaper published by A/D Editions, New York, numbered “44/1500”. 13-1/2” x 360” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500 112 Jan Gilbert (American/Louisiana, Contemporary) 111

“Untitled” pleated paper collage h. 31”, w. 77”, d. 5” $500-$800

112

113 Jan Gilbert (American/Louisiana, Contemporary) “Untitled” pleated paper collage signed lower right. h. 52-1/2”, w. 69”, d. 8-1/4” $500-$800 114 Gregory Zeorlin (American/Texas, Contemporary) “Untitled”, 1995 mixed media on clay signed and dated en verso. 14-1/2” x 17-7/8” $400-$700

114

113

115 John L. Moore (American, b. 1939) “Untitled”, 1988 acrylic and collage on paper signed and dated lower right. Float-mounted and unframed. sheet 11” x 14” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $150-$300 116 Charlie “Tin Man” Lucas (American/Alabama, b. 1951) “Rag Head Woman” 115

metal and found objects 14” x 8-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400 117 Charlie “Tin Man” Lucas (American/Alabama, b. 1951) “Face” found object sculpture h. 13”, w. 8-1/2”, d. 5” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

116

117

118

118 Charlie “Tin Man” Lucas (American/Alabama, b. 1951) “Profile” wire and found objects unsigned. 8” x 10”

119

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400 119 Nissan Engel (Israeli/New York, 1931-2016) “Composition in Blue” mixed media collage signed lower left. Float-mounted, glazed and framed. 17-1/4” x 14-1/4”, framed 27” x 23-5/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200 120 Nissan Engel (Israeli/New York, 1931-2016) “Musical Composition” mixed media collage signed lower left. Float-mounted, glazed and framed. 17-1/4” x 14-1/4”, framed 27” x 23-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

120

$100-$200

121

121 Claes Oldenburg (American, b. 1929)

122 Eighteen Books, Pamphlets and Catalogues on Edward Ruscha (American, b. 1937)

“New York City Pretzel”, 1994

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

five silkscreens on corrugated cardboard stamped with title, date and artist’s initials en verso; together with five pamphlets on the artist, including the exhibition catalogue for the 1969 retrospective at the Museum of Modern Art, New York, New York. each pretzel approx. 6-3/4” x 7-1/8”

Notes: List available upon request. $200-$400

Provenance: Printed Matter, Inc., New York, New York; Collection of Mark M. Johnson, Montgomery, Alabama. $700-$1,000

122

123 Jonathan Lewis (British, b. 1970)

123

“See Candy”, 2000 group of 47 Iris prints edition of 25, each pencil-signed, numbered “6/25” and titled (after a specific brand of candy) en verso, presented in a black box. prints 4” x 6”, case 4-3/4” x 6-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500 124 Philip Pearlstein (American, b. 1924) “Seated Nude with Kimono” etching with aquatint pencil-signed, titled and numbered “13/125” lower margin. Matted, glazed and framed. sight 10-3/4” x 8-1/4”, framed 18” x 15” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

124

$500-$800 125 William Scott Leach (American/Tennessee, 1939-2018) “Farm at Burning Bush”, 1992 oil on wood panel faintly signed and dated lower left, “Mary Anna Thomison & Associates, Lookout Mountain, TN” labels with artist and title en verso. Framed. 9” x 12”, framed 13” x 16” 9” x 12”, framed 13” x 16” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700 125

126 Brent Kee Young (American, Contemporary) “Straight & Narrow” glass vase incised signature and titled at bottom. h. 10-3/4”, dia. 5-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

126

127 George Campbell “Cam” Langley (American/Alabama, 1948-2013)

128 George Campbell “Cam” Langley (American/Alabama, 1948-2013)

“Floral Arrangement Cahaba Lilies”, 2003

“Floral Arrangement Plum”, 2006

blown glass signed and dated at bottom of vase, consisting of five green stems, two blooms, and a vase. tallest h. 17”, largest dia. 6”

blown glass signed and dated at bottom of vase, consisting of two green stems, three blooms, and a vase. largest stem h. 20”, largest bloom dia. 6”

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

$600-$900

127

128

129

129 Louise Guidry (American/Louisiana, b. 1930) “Second Time Around” “Blue” pair of acrylic and mixed medias on gallery-wrapped canvas each signed lower right. each 12” x 12” $400-$700

130 Juan Sanchez-Juarez (Mexican, b. 1946) “Untitled” oil on canvas signed lower right, a “Circle Fine Art” label en verso. In a thin, unfinished gallery frame. 31-1/2” x 19-5/8”, framed 32-5/8” x 21” Provenance: Circle Fine Art, New York, New York; private collection, New Orleans, Louisiana. $1,000-$1,500

130

131 George Rodrigue (American/Louisiana, 1944-2013) “Our Love Blooms” lithograph in colors signed lower left, inscribed “artist proof” lower right. Matted, glazed and framed. sight 20” x 26-1/2”, framed 29-5/8” x 36-1/8” $1,500-$2,500

131

132 George Rodrigue (American/Louisiana, 1944-2013) “Happy Birthday Theresa” marker and acrylic on canvas board signed lower right. Unframed. 14” x 18” $800-$1,200 132

133 George Rodrigue (American/Louisiana, 1944-2013) “Pink Dog “ lithograph in colors signed in print lower left Matted, glazed and framed. 21-1/2” x 21-1/2”, framed 36” x 36” $1,000-$1,500

133

134 George Rodrigue (American/Louisiana, 1944-2013) “Where are You Sequoia”, 1999 silkscreen on paper signed lower left and numbered “P.P. 5/5” lower right. Unframed. 16” x 21” Literature: George Rodrigue Prints: A Catalogue Raisonee 1970-2007, New York: Abrams, p. 154. $1,200-$1,800

134

135 George Rodrigue (American/Louisiana, 1944-2013) “God Bless America” lithograph in colors pencil-signed lower right, numbered “6/1000” lower left. Matted, glazed and framed. sight 26” x 24”, framed 36-3/4” x 34-3/4” $1,500-$2,500

135

136 Mr. B’s Bistro, New Orleans, Fundraiser Apron 1996, signed and with a drawing by George Rodrigue (American/Louisiana, 19442013) along lower edge. Unframed. 25” x 19-1/2” $800-$1,200

136

137

137 Group of Art-Related Miscellany and Ephemera

138 Ke Francis (American/Tennessee, b. 1945) Dixie Compass

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

Tupelo, Mississippi: Hoopsnake Press, 1994, octagonal letterpress book with woodcuts and five photographic prints, this numbered 2 of a limited edition of 50, binding designed by Larry Cooper and done by Gardyloo Handmade Books, Orlando, Florida, signed on colophon page. 19-3/4â&#x20AC;? x 19-3/4â&#x20AC;?

Notes: List available upon request. $100-$200

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $800-$1,200

138

138 detail

139 Michael Hannon (American, b. 1939) and William T. Wiley (American, b. 1937) Pilgrim’s Process, Hoopsnake Press, n.d., under the direction of Ke Francis and Larry Cooper, unbound folded sheets, edition of twenty, this numbered “5” and signed on colophon page, in a green fabric clamshell case. sheets 14-1/2” x 14-3/4”, case 15-3/8” x 15-3/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

139

140 Les Lawrence (American/Texas, b. 1940) “New Vision - Mona Lisa” silkscreen and mixed media on clay from the sculptural Teapot series, impressed signature along front edge. h. 8-3/8”, w. 11”, d. 4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

140

141 Kiki Smith (American, b. 1954) “Cat Head”, 1999 “Small Vessel” two unglazed porcelain sculptures former stamped in glazed interior “KS/1999/AD” and numbered “86/150”. former h. 2-7/8”, w. 3”, d. 3-1/4”, latter h. 4”, w. 3-5/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $700-$1,000 141

143 142

142 Stephen Scott Young (American, b. 1957) “Stance II” etching on rice paper pencil-signed lower right, numbered “207” lower left and inscribed “2nd of 2 of the 7th State” along lower center. Unframed. sheet 12-3/4” x 9-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

144 Stephen Scott Young (American, b. 1957) “Angel - Detail” three etchings on paper first inscribed “2nd stage” lower left and marked “2-3” lower center, second pencil-signed lower left, numbered “2-4” lower center, inscribed “2nd state” lower right, third pencil-signed lower right, marked “2-5” lower center, inscribed “1st state/1st proof” at left. Unframed. 7-5/8” x 9-7/8”, 7-1/2” x 10-3/4” and 9” x 10”, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

143 Stephen Scott Young (American, b. 1957) “Ballerina”, 2006 two etchings on paper one ink-signed lower right, marked “3-1st stage” lower left, and inscribed “3rd proof 1st stage Vorgath Ivory paper” along lower right margin, the other ink-initialed lower right, numbered “1-2” lower left, inscribed “1st proof 2nd state” and dated along lower edge. Unframed. 13” x 10-1/8” and 14-1/8” x 11-1/2”, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $600-$900

144

568

145 After Claude Le Clerc (French, b. 1930) “La Noblesse”, 1987 painted composition (likely Durastone) sculpture produced by Austin Productions, cast signature, dated, manufacturer and copyright marked at back of figure. h. 27”, w. 9” $200-$400

145

146 Glenna Goodacre (American, b. 1939) “Antiquity Sketch”, 1995 patinated bronze cast signature, dated, copyright-marked, and numbered “16/75” at back. h. 6”, w. 4”, d. 4-3/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

146

147 John McCrady (American/Louisiana, 1911-1968) “Carnival in New Orleans”, 1947 lithograph on paper pencil-signed and titled lower margin and initialed “JMC” in plate lower right. Matted, glazed and framed. sight 9-1/2” x 12-1/2”, framed 16” x 19” Notes: John and his wife, Mary Basso McCrady, are depicted in the lower center right of the print in costume as they enjoy the Mardi Gras party making its way through the French Quarter. $800-$1,200

147

148 Charles Henry Reinike (American/Louisiana, 1906-1983) “Cabin in the Bayou”, 1954 watercolor signed and dated lower right. Matted, glazed and framed. sight 19-3/4” x 28-1/2”, framed 29-1/2” x 38” $600-$900

148

149 Ellsworth Woodward (American/New Orleans, 1861-1939) “European Cottage”, 1893 watercolor initialed “E.W.” and dated “April 19, ‘93” lower right. Matted, glazed and framed. sight 10-1/4” x 13-1/2”, framed 20” x 23” $300-$500

149

150 Jose-Maria Cundin (Spanish/Louisiana, b. 1938) “Church”, 1961 oil on wood panel signed and dated lower left and illegibly titled lower right. Framed. 9-1/2” x 12”, framed 16-3/4” x 18-1/2” $700-$1,000

150

151 Louise de Gignilliet Rogers (American/Connecticut, 20th Century) “Shore Leave” graphite on paper signed lower right. Matted and unframed. sheet 8” x 12” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200 151

152

152 Hans Grohs (German, 1892-1981) “Five German and Norwegian Landscapes” two sepia ink, one sepia and graphite, and two sepia and charcoal on paper each signed, a few dated and localized, the smaller sepia and two sepia and charcoal drawings have embossed blind stamps with the artist’s name. The last four matted, all five unframed.

sheet size 7-3/8” x 10” to 9-3/4” x 12-1/4”; mat 13” x 15-7/8” to 20-1/8” x 16-1/8” Provenance: The two sepia and charcoal landscape drawings, the Frauken Grohs Collinson Collection, Birmingham, Alabama; Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400 153 Hans Grohs (German, 1892-1981) “Sturmfleet I”, 1962 “Sturmfleet II”, 1962 pair of ink, gouache and watercolors on paper each signed, dated and inscribed lower right, latter with Hans Grohs estate stamps en verso. Matted and unframed. each 10” x 12-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200 153

154

154 Nissan Engel (Israeli/New York, 1931-2016) “Sol Mineur” “Feu d’Artifice” pair of mixed media collages on paper former signed lower left, latter signed lower right. Matted and unframed. each sheet 17-1/2” x 14-1/4” and 17” x 15”, respectively Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

155 Nissan Engel (Israeli/New York, 1931-2016) “Composition in Umber and Purple” mixed media collage signed lower left. Glazed in a float-mount frame. 17-1/4” x 14”, framed 23-5/8” x 20-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

155

156 Frank Fleming (American/Alabama, 1940-2018) “Figs” two clay pieces each with incised signature along back. each h. 3-1/2”, w. 2-1/4”, d. 2-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

156

157 Frank Fleming (American/Alabama, 1940-2018) “Okra” “Two Okra” two clay pieces each with incised signature along edge. former h. 1-1/2”, w. 5-1/4”, d. 1-1/4”; latter h. 1-1/8”, w. 6”, d. 2-3/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

157

$100-$200

158 Frank Fleming (American/Alabama, 1940-2018) “Plate with Okra and Figs” clay sculpture each element with incised signature, all but one fig attached. h. 4-1/4”, dia. 11” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500 158

159 Tony Bass (American/French, b. 1943) “Fat Lady #3” terra cotta sculpture on a wood plinth base. h. 15”, w. 7”, d. 7” Provenance: Private collection, Houston, Texas. $300-$500

159

160 Lila Katzen (American, 1932-1998) “FAN” curved steel sculpture incised signature and titled at bottom. h. 7-1/4”, w. 8”, d. 2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

160

161 Stephen Scott Young (American, b. 1957) “Barricade” etching on paper pencil-signed lower right, titled lower center and numbered “Proof 3” lower left. Unframed. sheet 10-1/4” x 11-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $600-$900

161

163 Stephen Scott Young (American, b. 1957) “Ballerina I”, 2006 “Ballerina II” pair of etchings on paper former initialed lower right, marked “2-2” and with expository inscription “2nd proof/2nd state/26 May 06/with plate tone for blacks”, latter marked “proof 2 state 3” with notation “line in left leg”. Both unframed. former sheet 10-1/4” x 10-1/2” and latter sheet 14” x 11” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $600-$900

162

162 Stephen Scott Young (American, b. 1957) “Angel, Exuma”, 1996 etching on paper pencil-signed lower right, titled lower center, dated and marked “AP” lower left. Unframed. sheet 11-3/8” x 10-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $600-$900

163

164 Paul Ninas (American/New Orleans, 1903-1964) “The Shore”, 1954 watercolor and mixed media on paper signed and dated lower right. Framed. sheet 15-1/2” x 20-1/2”, framed 22” x 26-1/2” $800-$1,200

164

165 Keiji Shinohara (Japanese/Connecticut, 20th Century) “Romanza”, 2002 three woodcuts in color edition of 15, including #s 3, 4 and 6, commissioned by the Montgomery Museum of Fine Arts, each pencil-signed lower right, titled lower center, and dated and numbered lower left. Unframed. 8” x 12” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200 165 one of three

166 Carol Summers (American/New York, 1925-2016) “Bhanavkund” color woodcut pencil-signed upper right, titled and numbered “30/75” upper left, verso with “Joan E. Kaplan, Fine Contemporary Art, New York” label. Float-mounted and framed. 23-1/2” x 24”, framed 30-1/2” x 30-1/4” Provenance: The corporate collection of Freeport-McMoRan Inc., New Orleans, Louisiana. $300-$500

166

167 Charlie “Tin Man” Lucas (American/Alabama, b. 1951) “Having a Baby” oil on cutout found metal incised initials “C.L.” lower left and titled en verso. Framed. 29” x 38”, framed 33-3/4” x 42-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $700-$1,000

167

168 Howard Finster (American/Georgia, 1916-2001) “Abraham from a Penny” painted wood sculpture signed lower left of profile. h. 9-7/8”, w. 6-7/8”, d. 3-3/4” $400-$700

168

169 Howard Finster (American/Georgia, 1916-2001) “The Angel of the Lord” painted wood sculpture with glitter signed at back. h. 10-7/8”, w. 10-5/8”, d. 4” $400-$700

169

170

170 Three Zulu Social Aid & Pleasure Club Posters

171 Luke Fontana (American/Louisiana, Contemporary)

“Mardi Gras, New Orleans”, 1994, designed by Benford, signed in plate, and pencil-signed and numbered “588/1800” lower margin; “Mardi Gras, New Orleans”, 1990, designed by Bob Coleman, signed in plate, and pencil-signed and numbered “162/1500” lower margin, framed with two Zulu doubloons; and “The Mayor, New Orleans”, 1993, designed by Jesse Jeter, signed in plate, and pencil signed and numbered “1181/2250” lower margin, published by Rampart Street Graphics, framed with one Zulu doubloon. Each matted, glazed and framed. sights 21” x 31”, 29-1/4” x 22” and 28-1/4” x 20-1/4”, framed 30” x 40”, 42” x 34” and 36” x 28”

“Mahalia Jackson’s Funeral”, 2019 acrylic on gallery-wrapped canvas signed lower left, signed and dated en verso. Unframed. 24” x 36” $600-$900

$400-$700

171

172 Virgil Perry (American/Alabama, 1930-2019) “Untitled”, 1996 three carved and painted wood sculptures each with incised signature, dated and numbered (14, 16 and 39 of an edition of 96). tallest h. 10-1/2”, each w. 2-1/2”, largest d. 5-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $150-$300

172

173 Wesley Anderegg (American, Contemporary) “Empty-Headed Vessel”, 2001 painted porcelain interior glazed, signed and dated at bottom. h. 6-5/8”, w. 3”, d. 2-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

173

174

174 Seven Pieces of American Art Pottery

175 Jerry Brown (American/Alabama, Contemporary)

one illegibly signed at bottom. from h. 2-1/4”, dia. 3-1/8” to h. 2-3/8”, dia. 7-1/4”

“Janus Jug”, 1994

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

painted pottery h. 11”, dia. 9”

$150-$300

$200-$400

175

176 Thomas Crawford Cowman (American/Louisiana, 1937-2005) “Guanyin” porcelain, glass and found object sculpture in wooden box h. 12-7/8”, w. 15-1/2”, d. 2-3/4” $300-$500

176

177 Thomas Crawford Cowman (American/Louisiana, 1937-2005) “Bus - Dieu Veux” painted papier-mache sculpture h. 12-1/2”, w. 15”, d. 4” $100-$200

177

179 178

178 Juan Sanchez-Juarez (Mexican, b. 1946)

180 Dale Lewis (American/Alabama, Contemporary)

“Rain Forest #70”, 2003

“Untitled”

collage, acrylic, airbrush and silkscreen signed lower left. Float-mounted, glazed and framed. sheet 30” x 22”, framed 37-3/4” x 29-1/2”

carved wood incised signature at bottom. h. 13-1/2”, w. 5”, d. 4-1/2”

Provenance: Gift of the artist; Private collection, New Orleans, Louisiana.

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

$1,000-$1,500

179 Nissan Engel (Israeli/New York, 1931-2016) “Chess Set” etching in color on paper pencil-signed and “E.A.” lower margin. Matted, glazed and framed. sheet 25-1/2” x 19-1/2”, framed 33” x 27” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

180

182 181

181 Justin Garcia (American/Texas, Contemporary)

182 Alison Sass (American, Contemporary)

“Desert Sunset”, 2009

“Heart and Sole”, 1993

oil on board signed lower right, signed, titled and dated en verso. Framed. 30” x 30”, framed 35-3/4” x 35-3/4”

etching with aquatint signed and dated in pencil lower right, pencil-titled lower center, numbered “9/20” lower left. Float-mounted, glazed and framed. sheet 22” x 14”, framed 25” x 17”

$600-$900 Provenance: Private collection, Houston, Texas. $200-$400

183 Peregrine Honig (American, b. 1976) “Spotted Elephant”, 2000 watercolor and ink on paper signed and dated lower right. Matted, glazed and framed. 11” x 10”, framed 20-1/4” x 19-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

183

184 Joseph Henry Lonas (American/Virginia, 1925-2011) “Untitled: Abstraction”, 1988 acrylic on paper signed and dated lower left. Matted, glazed and framed. 4” x 6”, framed 9-1/4” x 11-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

184

185 Susan Hightower Loeb (American/New Orleans, Late 20th Century) “Still Life: Apron, Brown Paper and Notebook Paper”, 1992 watercolor on paper signed and dated lower right, artist label en verso. Matted, glazed and framed. sight 21” x 29”, framed 26-1/4” x 34-1/4” $500-$800

185

186

186 James Reaben (American, 1956-1989) “Thanka”, 1988 phosphorous, gouache and acrylic on canvas lamp shade verso with “Moody Gallery, Houston, TX” label. Float-mounted, glazed and framed. 11-1/4” x 32”, framed 20-1/2” x 41” Provenance: Moody Gallery, Houston, Texas; Private collection, Houston, Texas. $700-$1,000

187 Hasmig Vartanian (Israeli/Louisiana, b. 1946) “Structure Within”, 1999 oil collage on paper signed lower right, a “Galerie Simonne Stern, New Orleans” label with artist, title and date en verso. Matted, glazed and framed. 30-1/2” x 25-1/2”, framed 42” x 38-1/2” $500-$800

187

188 Frank Fleming (American/Alabama, 1940-2018) “Hybrid - Rabbit, Snake” patinated bronze cast signature along proper left side. h. 7-3/4”, w. 6”, d. 3-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

189 Frank Fleming (American/Alabama, 1940-2018) “Hybrid - Dog, Bird, Snake” 188

patinated bronze cast signature at proper left side. h. 5-1/2”, w. 7-1/4”, d. 3-7/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

189

190 John Barnes (American/Louisiana, b. 1971) “Inequity Loft Towers”, 2009 painted wood sculpture h. 27-3/4”, w. 12”, d. 7-3/4” $400-$700 This sculpture was featured on the cover of the June 2009 edition of Art Voices Magazine.

190

193

191 Valery Kosorukov (Russian/American, Louisiana, b. 1937) 191

“Rainy Morning at Montmartre, Paris, France” oil on masonite signed lower left, signed and with handwritten label with artist and title en verso. Framed. 12” x 9”, framed 17” x 14” $400-$700 192 Valery Kosorukov (Russian/American, Louisiana, b. 1937) “After Rain”, 1994 oil on canvas signed and dated lower right, signed, titled and dated en verso. Framed. 30” x 24”, framed 39” x 32-3/4” $500-$800 193 Sol LeWitt (American, 1928-2007) “Color and Black 12 x 12/2”, 1991 color spit bite aquatint on paper pencil-signed and numbered “3/10” lower left, published by Crown Point Press, San Francisco, and printed by Lawrence J. Hamlin, printer’s blind stamp lower right. Float-mounted, glazed and framed. sheet 12-1/2” x 12”, framed 20” x 19-1/4”

192

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $800-$1,200

194 Douglas Ricks (American, Idaho, 1954-2003) “Blackfoot in the Woods”, 1982 gouache on paper signed and dated lower right, verso with “Connally & Altermann Art Gallery” and “Altermann Art Gallery” labels. Glazed and framed. 20” x 30”, framed 25-1/2” x 36” Provenance: Connally & Altermann Art Gallery, Houston, Texas; Altermann Art Gallery; Hancock Whitney Bank Collection; Acquired through American Bank, Houston, Texas. $600-$900 194

195 Robert Wesley Amick (American, 1879-1969) “Indian Portage” watercolor on paper signed lower right. Glazed and presented in a frame affixed with artist plaque. sight 21-1/2” x 27-1/2”, framed 35-1/2” x 41-1/2” $800-$1,200

195

196

196 Lee Jamison (American/Texas, b. 1957)

197 Barbara Wolcott (American, 20th Century)

“N.W. Slopes”, 1989

“Perplexity’s Path”, 1994

oil on masonite signed and dated mid-left, titled en verso. Framed. 47-1/2” x 71-1/2”, framed 58” x 80”

monoprint pencil-signed and dated lower right, titled and numbered “1/1” lower left. Matted, glazed and framed. sight 18-1/2” x 22-1/4”, framed 26” x 30”

Provenance: Hancock Whitney Bank Collection; Acquired through American Bank, Houston, Texas.

$300-$500

$800-$1,200

197

198 Felix Martin Furtwangler (German, b. 1954) “Untitled” color woodcut on paper pencil-signed and numbered “15/20” lower margin. Matted, glazed and framed. sight 7-1/2” x 19”, framed 16” x 27” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700 198

199 Jon Carsman (American, 1944-1987) “Storm Waiting”, 1977 watercolor on paper signed and dated lower right, signed, titled and dated en verso. Matted, glazed and framed. 22” x 29”, framed 29-1/2” x 37-1/4” $800-$1,200

199

200 Lee Jamison (American/Texas, b. 1957) “A Rainy Day”, 1989 oil on masonite signed and dated lower center, titled en verso. Framed. 40” x 60”, framed 48” x 67-3/4” Provenance: Hancock Whitney Bank Collection; Acquired through American Bank, Houston, Texas. $600-$900

200

201 Fred Frauenfelder (Dutch, b. 1945) “Landscape with Chickens by a Pond, Windmill in the Distance” oil on wood panel signed lower left. Framed. 11-5/8” x 15-5/8”, framed 19-1/4” x 23-1/4” $500-$800

201

202

202 Lee Jamison (American/Texas, b. 1957)

203 Salvador Dali (Spanish, 1904-1989)

“Morning Stroll”, 1989

Two Cantos from the Divine Comedy Series, ~1960-1965

oil on masonite signed and dated lower right, titled en verso. Framed. 40” x 60”, framed 48” x 67-3/4”

color woodblocks the first, canto 25, “St. James of Hope” and canto 20, “Avarice and Prodigality”, each signed in plate. Matted, glazed and framed alike. each sight 11-1/2” x 9-1/4”, framed 24-1/2” x 22”

Provenance: Hancock Whitney Bank Collection; Acquired through American Bank, Houston, Texas.

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

$600-$900 $500-$800

203

204

204 Nissan Engel (Israeli/New York, 1931-2016) “The Four Seasons” four prints on paper each pencil-signed lower right, titled lower center and numbered “106/150” lower left. Float-mounted, glazed and framed. two sheets 19-5/8” x 14-3/4” and framed 27” x 22-1/4”, two sheets 14-3/4” x 19-3/4” and framed 22-1/4” x 27” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

205 Italian ViBi Torino Glazed Ceramic Vase between 1952-1972 (years of company’s operation), inscribed “ViBi Torino/Italy/H. 761” at bottom. h. 11-1/2”, w. 12”, d. 12” $600-$900

205

206 Charlie “Tin Man” Lucas (American/Alabama, b. 1951) “Re” found objects relief unsigned. Glazed and framed. 20” x 14”, framed 31” x 24” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $600-$900

206

207

207 American School (20th Century) “Untitled I” “Untitled II” two woodblocks Float-mounted, glazed and framed alike. each framed 19-3/4” x 13-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

208 Sandy Chism (American/Louisiana, 1957-2013) “Chrysanthemum” oil on canvas signed and inscribed en verso. Unframed. 12” x 12” $400-$700 208

209 210

209 Pat Steir (American, b. 1940)

211 David Shapiro (American, 1944-2014)

“Time Line - In Time”

“Suki II”, 1979

drypoint in colors on paper pencil-signed, titled and ed. 81/102 lower margin. Matted, glazed and framed. 18-1/2” x 18-1/2”, framed 28-1/2” x 29”

color lithograph on rag paper pencil-signed and dated lower center and titled lower right, numbered “13/35”. Framed. sheet 25” x 20-1/2”, framed 33” x 28-1/2”

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

Provenance: The corporate collection of Freeport-McMoRan Inc., New Orleans, Louisiana.

$600-$900 $200-$400

210 Ginny Ruffner (American/Washington, b. 1952) “Untitled - Heart Tornado” graphite, ink and watercolor on paper signed lower right. Matted, glazed and framed. 13-1/4” x 9-5/8”, framed 23” x 19-1/8” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

211

212 Wook-Kyung Choi (Korean, 1940-1985) “Untitled” ink and wash on paper Unframed. 6” x 7” $600-$900

212

213 Ford Crull (American, b. 1954) “The Three Faces”, 1984 oil, graphite and wax on paper signed and dated lower right. Glazed and framed. 22” x 30”, 29-1/2” x 37-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

213

216

214 Stephen Scott Young (American, b. 1957) “Torso”, 2007

214

etching pencil-signed, dated and marked “A.P.” lower center, and further signed and inscribed to the Johnsons (see provenance). Matted and glazed in a float-mount frame. 8-5/8” x 6-1/4”, framed 17-3/4” x 14-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $1,000-$1,500

215 After Pablo Picasso (Spanish/French, 1881-1973) Three Engravings, including “Self-Portrait with Model”, “Pan Playing for Nymphs” and “Myriad of Personnages” the first indistinctly numbered in plate upper left; the third dated in plate “1 mai 1966” top center. Each matted, glazed and framed alike. 5-1/2” to 6” x 7-3/4” to 8-1/4”, framed 11-1/4” x 14-1/4” $200-$400

216 JoAnn Greenberg (American/Louisiana, 1928-2013) “Reclining Nude” painted and glazed clay signed and marked “1763” at bottom. h. 5-1/2”, dia. 7” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

215

217 Chester Beach (American, 1881-1956) “Breath of the Pines” patinated bronze first quarter 20th century, cast signature along back edge of self-base, a “Gorham Co. Founders” inscription and marked “QFMK” along side edge of base, now on a square green marble base, a Conner-Rosenkranz gallery label at bottom of marble. overall h. 7-1/2”, w. 2”, d. 2” Provenance: Conner-Rosenkranz, New York, New York; Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

217

218 Thomas Corbin (American, b. 1954) “Untitled - Nude”, 1990 patinated bronze cast signature, dated, copyright-marked and numbered “6/18” at back, on a shaped marble base. overall h. 26”, w. 10-1/2”, d. 5-1/4” $400-$700

218

219 Robert Gordy (American/Louisiana, 1933-1986) Pair of “Standing Male Nudes”, 1958 pastels and charcoal on paper each initialed “R.G.” and dated lower left. Matted, glazed and framed alike. sight 23-3/4” x 18”, framed 32” x 25-1/2” $600-$900

219

220 Steven Martin (American/Louisiana, b. 1956) “Untitled - Figure” steel wire sculpture h. 64”, w. 18”, d. 4” $400-$700

220

221 Tom Bennett (American, b. 1928) “Sun Dancer”, 1983 polished bronze cast signature, dated and numbered “79/150” along back of proper right foot, on a black marble base. overall h. 24-1/2”, w. 16”, d. 8” $600-$900

221

222 Tom Bennett (American, b. 1928) “Dancin 82”, 1992 bronze incised signature, dated and numbered “225/250” at bottom of foot, together with a letter of authentication signed by the artist. h. 15-1/4”, w. 6”, d. 5” $400-$700

222

223 Jan Gilbert (American/Louisiana, Contemporary) “Untitled”, 1991 photography and mixed media collage signed and dated lower right. Flout-mounted in a light shadowbox. 57-1/2” x 51-1/4” $500-$800

223

224 Stephen Scott Young (American, b. 1957) “Untitled” etching on paper unsigned. Unframed. sheet 14” x 10-3/8”

224

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

225 Stephen Scott Young (American, b. 1957) “Ballerina” etching on paper ink-signed lower right, marked “2-2” lower left and inscribed “2nd Proof 2nd State/Kochi White Japan” along bottom. Unframed. sheet 9-3/8” x 6-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

225

226

226 Simon Moselsio (American, 1890-1964) “Bust of a Woman” patinated bronze second quarter 20th century, cast signature along back, on an ovoid mottled olive green marble base, a “Conner Rosenkranz” label at bottom. overall h. 5-1/2”, w. 3-1/4”, d. 2-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $300-$500

227 Phillip Sage (American/Louisiana, 20th Century) “Morning Hitchup”, 1974, “Camellia Grill”, 1977, “Claiborne Ice Company”, 1976 and “Marketplace”, 1973 four etchings on paper each pencil-signed, titled, dated and numbered in lower margin. Each matted, glazed and framed. sights 19” x 24-1/2”, 13” x 17”, 13” x 15” and 16” x 18-1/2”, framed 29” x 35”, 22” x 26”, 21-1/2” x 24” and 24-1/2” x 27-1/2” $800-$1,200

227

228

228 Elizabeth Chandler (American, b. 1941)

229 American School (Contemporary)

“Maya: Blue and Gray”, 1994

“Abstract Untitled”

mixed media on canvas now backed with a wood panel support, signed and dated lower right, “Gremillion/Houston, Texas” gallery label with title en verso. Framed. 36” x 72”, framed 38” x 74”

mixed media on paper illegibly signed lower right. Float-mounted, glazed and framed. sheet 24-1/4” x 35”, framed 39-1/2” x 49” $300-$500

Provenance: Gremillion & Co. Fine Art, Inc./Houston, Texas; Private collection. $1,000-$1,500

229

232

230

230 Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997)

231 Lee N. Smith III (American, b. 1950)

“Layered Landscape”, 1973

“Secret Grave”

color lithograph pencil-signed, dated, titled and numbered “61/100” lower right. Glazed and framed. sight 44” x 29-3/4”, framed 46-3/4” x 32-1/2”

serigraph signed and dated “9/93” lower right, titled lower left, numbered “30/50” lower center. Float-mounted, glazed and framed. 20” x 22”, framed 23-1/2” x 25”

$400-$700

Provenance: Private collection, Houston, Texas. $800-$1,200

232 Tom Paar (American, 1921-1991) “Pieta”, 1989 woodblock print on paper pencil-signed, titled and dated in images. Glazed and framed. 35” x 24-1/2”, framed 39” x 28” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400 231

233 Norman F. Goodwin (American/Virginia, act. Late 20th/Early 21st Century) “Adam’s Passion”, 1990 oil on canvas signed lower right, and titled and dated en verso. Framed. 34” x 24”, framed 34-3/4” x 24-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

234 Fred Webster (American/Alabama , 1911-1998) “Peter Denying Christ” “Honest Abe” “Angel Blowing Trumpet” three carved and painted wood sculptures each signed at bottom. h. 10-3/4”, w. 13”, d. 4-5/8”; h. 10-5/8”, w. 2-5/8”, d. 1-7/8”; h. 9”, w. 6-5/8”, d. 5”, respectively 233

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $400-$700

234

235 Felix Martin Furtwangler (German, b. 1954) “Untitled: Man” acrylic on paper signed lower right. Matted, glazed and framed. 8-3/4” x 6”, framed 19-1/4” x 15-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

235

236 Cristina Santander (Argentinian, b. 1942) “Burdeon”, 1996 color etching and collage titled and numbered “14/25” mid-left, signed and dated lower right. Float-mounted, glazed and framed. 42” x 45”, framed 46” x 51” Provenance: Private collection, Houston, Texas. $800-$1,200

236

237

237 After David Smith (American, 1906-1965) “Hi Candida” painted and welded steel unsigned, a copy after the 1961 sculpture now conserved at the Harn Museum of Art, Gainesville, Florida. h. 67”, w. 52”, d. 15” Provenance: Private collection, Houston, Texas. $700-$1,000

238

238 Peter Lyell Robinson (Australian/British, b. 1962) “Olympia”, 1989 patinated bronze incised signature, numbered “1/9”, and dated along proper right thigh, now on a specially-made tiered wooden base. overall h. 26”, w. 48”, d. 15” Provenance: Successions of Lois Chalona Hawkins and H. Lloyd Hawkins, Jr., New Orleans, Louisiana. Notes: Peter Robinson’s sculptures are expressionistic explorations of the female form. Employing the uncompromising materials of bronze and stone, he reduces his figures to their essential, most easily recognizable elements. The resulting works reveal a sense of strength and gravitas. Robinson has accepted commissions from such illustrious institutions as the British Museum, London and is s a member of the prestigious Royal Society of British Sculptors, having been elected to that august association in 1988. $2,000-$4,000

239 Agueda Dicancro (Uruguayan, 1938-2019) “Untitled” ceramic and painted wood sculpture signed along proper right side, on an integral black metal presentation stand. h. 8-1/4”, w. 16”, d. 6-1/2” Provenance: Private collection, Houston, Texas. 239

$300-$500

240 Miguel Berrocal (Spanish, 1933-2006) “Portrait de Michele” nickel-plated metal puzzle sculpture cast signature along front edge, on an integral black base; together with a book detailing how elements are fit together, all in the original box. sculpture with base h. 3-3/4”, w. 2-3/4”, d. 2-1/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $500-$800

240

100

241 Akari Light Sculpture by Isamu Noguchi (Japanese/ American, 1904-1988) washi paper and bamboo with metal frame, model UF1-O, signed and with “Japan” stamp along lower edge of shade. extended h. 20”, w. 11” $150-$300

241

242 Jasper Johns (American, b. 1930) Technics and Creativity II, New York: Museum of Modern Art, 1970, set including “TARGET 1970”, a mixed media print with watercolor tablets signed by Johns and a booklet of prints with an essay by Riva Castleman, produced in conjunction with the “Technics and Creativity: Gemini GEL” exhibition, all contained within a plastic carry-box. 10-5/8” x 9” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

242

101

243 Frank Gallo (American, 1933-2019) “A Strange Girl in My Bath”, 1976 lithograph with embossing pencil-signed and marked “A.P.” lower margin, “Merrill Chase Gallery, Chicago” labels en verso with artist, title and date. Matted, glazed and framed. sight 33” x 23-1/2”, framed 39-3/4” x 29” sight 33” x 23-1/2”, framed 39-3/4” x 29-3/4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $200-$400

243

244 Mitchell Gaudet (American/Louisiana, b. 1962) “Madonna and Child” cast glass unsigned. h. 12”, w. 6”, d. 4” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. 244

$300-$500

245 Rick and Valerie Beck (American, 20th Century) “Green Vase with White Flowers”, 1995 glass incised signature and dated along lower edge. h. 12-1/2”, dia. 8” Provenance: Gravers Lane Gallery, Philadelphia, Pennsylvania; Collection of Mark M. Johnson, Montgomery, Alabama. $600-$900

245

102

246 American Art Glass Strawberry Vase 20th century, with stopper, unsigned. h. 7-1/8”, w. 7-1/2”, d. 7-1/2” Provenance: Collection of Mark M. Johnson, Montgomery, Alabama. $100-$200

246

247 Two Pieces of American Art Glass and Pottery including a blue, red and green glazed pottery vase, incised signature “Copeland” at bottom, and an oval orange glass plate. h. 8-1/2”, dia. 6-3/4” and 10-1/8” x 15-3/8”, respectively

248 John Chiles (American/Vermont, b. 1962) “Green Vase with Blue Vine Stopper” glass incised signature at bottom. h. 15-1/2”, dia. 4-1/2”

Provenance: Collection of Mark M. Johnson, Montgomery, Alabama.

$100-$200

$200-$400

247

248

103

Conditions of Sale: ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction (a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction. (b). Under these Conditions of Sale, the following capitalized terms are defined as follows: • An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG; • The “Auctioneer” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot; • A “Bidder” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); • A “Buyer” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction; • “Buyer’s Premium” is defined in Section 4 below; • “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction; • The “Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction; • The “Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges; • A “Lot” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below; • The “Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot; • The “Seller” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot; • The “Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer. (d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction (a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER. (i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.” (ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose. (iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale. (iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. (v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership. (vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a). (b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion. Rev. 01/04/17

(c). Catalogue and other descriptions. (i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. (ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot. (iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price. (iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material. (d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that: (i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot; (ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot; (iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and (v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction (a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements: (i) A Bidder must complete and sign the attached registration form and provide identification to NOAG; (ii) NOAG may require the production of bank or other financial references or any other additional information; (iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment (iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and (v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below). (b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion. (c). Absentee bids / Telephone bids. (i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”). (ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

Rev. 01/04/17

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid. (iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith. (d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above. (e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller. (f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot. (g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction (a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG: (i) the Hammer Price; and (ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction - note that there is no discount for LiveAuctioneers and Invaluable bidders) up to and including a Hammer Price of $200,000 and 10% of the amount by which the Lot’s Hammer Price exceeds $200,000; and (iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form. (b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer. (c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card. (d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction. (e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation. Rev. 01/04/17

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction. (g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law): (i) to charge outstanding amounts to the Buyer’s credit card; (ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law); (iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; (iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer; (v) to cancel the sale; (vi) to resell the property publicly or privately on such terms as we shall think fit; (vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer; (viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer; (ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs; (x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids; (xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount. (h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved. (i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

Rev. 01/04/17

New Orleans Auction Galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________ Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________ Address: ____________________________________________________________________________________ City: _____________________________________________

State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________ E-mail Address: _________________________________________________________________________________ Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot #

Bid Amount (not including buyer’s premium) OR Telephone Number to Call:

$ $ $ $ $ $ $ $ $ VISA / MasterCard #: ____________________________________________ Expiration Date: _____________ CVV #: _______________ I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires], the buyer’s premium shall be discounted 3% of this 25%. Note that there is no discount for LiveAuctioneers and Invaluable bidders. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ___________________________________________________________________ Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Susan D. Sarofim CEO

Tessa Steinkamp Director of Auctions

Ashton Thomas President

Jelena Restovic James Director of Fine Art

Ireys Bowman General Consignments

Greg S. Kowles General Consignments

Kim Lemon Fine Jewelry Specialist

Michele Carolla Fine Art Specialist

Nicole Casi, PhD Fine Art Specialist

Rebecca Moss Asian Arts Specialist

Thomas Halverson American Furniture Specialist

Burke Designer

Taylor Eichenwald Marketing & Public Relations

Charles C. Cage Silver Specialist & Office Manager

Colleen Ryan Director of Human Resources

AUCTIONEERS

CONSULTANTS

Tessa Steinkamp, #1265 Ashton Thomas, #1833 Taylor Eichenwald, #1922 Michael DeGeorge, #1774

Ellen McKenzie English & Continental Furniture Ira Savoie Independent Certified Gemologist Appraiser Claudia Kheel Fine Art

ADMINISTRATION Christa Ougel Denise Haik Office Administration Graphic Designer Gary Michael Gittelson Bettina Bausa Graphic Designer Photographer Grace Connors Manager of Online Auctions

OPERATIONS Cedric Roberts | Sean Ranson Bennie Amos | Eddie Daigrepont Emmitt Kendrick, Jr. Gerald Hampton | Juanita Bazile Sol Carter | Thomas Johnson Theadrow Mark