Estates Auction: December 7-8, 2024

December 7-8, 2024

DELIGHTS Seasonal

Seasonal DELIGHTS

CREATIVE DIRECTOR

Amelia Schussler

PHOTOGRAPHER

Jacqueline Marque

PRODUCER / John-Robert Horville

DIRECTOR OF PHOTOGRAPHY / Sam Aguirre-Kelly

PHOTO RETOUCHING / Kyle Iskra

LIGHTING TECHNICIAN / Brett Felty

GRIP / Thad Mitchell

OPERATIONS / Sean Ranson, Cedric Roberts, Emmitt Kendrick, Jr.

CREATIVE ASSISTANT / Erica Westenberger

SHOT ON LOCATION AT:

Exhibition ESTATES AUCTION

Closed November 28 & 29 for the Thanksgiving Holiday NOVEMBER 25-DECEMBER 6

Evening Reception

Thursday, December 5 5:00 p.m. - 7:30 p.m.

Please note that times are approximate. Monday - Friday 9:00 a.m. - 5:00 p.m Saturday, November 30 11:00 a.m. - 2:00 p.m.

Bidding is available in-person, by telephone, absentee and live online at NewOrleansAuction.com, LiveAuctioneers.com and Invaluable.com.

Welcome to

A DECEMBER from the President

"It is a fair, even-handed, noble adjustment of things, that while there is infection in disease and sorrow, there is nothing in the world so irresistibly contagious as laughter and good humor."

– Charles Dickens

s the holidays approach, I am reminded of one of my favorite seasonal stories, A Christmas Carol by Charles Dickens, and the importance of the lessons it shares.

Old Fezziwig, under whom Ebenezer Scrooge apprenticed as a young man, was known for his joyful spirit and generosity. Fezziwig’s belief in the power of compassion over greed serves as a stark contrast to Scrooge’s miserly ways.

Each year, Fezziwig would host a lavish Christmas Eve celebration filled with dancing, music and laughter, embodying the warmth of the holiday season. When the Ghost of Christmas Past descends on Scrooge, he whisks him away to one of Fezziwig’s fêtes. “The lights from the fire glistened against the glass, while [Fezziwig’s] rich laughter seemed to make the air itself more golden,” Dickens writes.

As Scrooge observes his younger self reveling in merriment, he is reminded of the intoxicating power of kindness and joy. Ebenezer remarks that, “the happiness he gives, is quite as great as if it cost a fortune." Filled with regret, Scrooge undergoes a profound transformation and begins to spread love and joy to those around him.

In the spirit of the season, I want to take a moment to sincerely thank you for your business. All of us at NOAG love what we do and are delighted to share it with you. The people we get to meet through our work – collectors and consignors alike – are who bring life to the pieces we offer and joy to the work we do.

Whether you are treating yourself to something special, or searching for a one - of - a - kind gift for someone you love, our December 7 - 8 Estates Auction offers something for everyone.

Need some help? Explore our holiday gift guides in the pages that follow.

The two-day sale features Part II of the Kevin Stone and Mark Diamond Collection, including fine furniture, dinnerware, silver, lighting and decorative arts. Kevin and Mark’s collection reflects their eye for the exquisite and their commitment to quality.

The sale also includes an extensive and colorful collection of Mason’s ironstone from a Houston estate that was sourced by prominent interior design firm Denning & Fourcade from Valerie Howard, one of the world’s most recognizable dealers of Mason’s ironstone.

Our two-week exhibition begins Monday, Nov. 25, and continues through Friday, December 6. The auction begins at 10 a.m. each day, Saturday, December 7, and Sunday, December 8.

We look forward to celebrating the magic of the season with you just as Fezziwig would have! I invite you to join us for an evening reception and holiday celebration on Thursday, December 5, from 5 to 7:30 p.m. Enjoy seasonal libations in the company of beautiful objects and lively conversation. We hope to see you there as we toast to a fabulous year and to many more to come!

Happy holidays!

Taylor Eichenwald President

An Eye for the Exquisite: collections

WORLD

FThe of

KEVIN STONE & MARK DIAMOND, PART II

Featuring the Collection of Kevin Stone Antiques

or nearly three decades, Kevin Stone Antiques was a Magazine Street staple, offering an inimitable level of quality and distinction in antiques, fine art, decorative objects and interior decorating services.

At the heart of the shop’s reputation for excellence were Kevin Stone and his partner, Mark Diamond. Stone and Diamond set Kevin Stone Antiques apart by being fully present in their business. From sourcing from estates in Europe to meticulously inspecting each piece, they were involved every step of the way. This personal attention to detail would further cement Kevin Stone Antiques as the go-to shop for discerning clients in search of truly exceptional antiques.

Over their 25 years together, Stone and Diamond have built a formidable career and a vibrant life centered on their shared passion for historic preservation, decorating and antiques.

In 2021, the couple decided to take on the restoration of the historic Banker’s House (ca. 1836) in Natchez, Miss. Over the course of a year, Stone and Diamond poured their hearts and souls into transforming the Banker’s House into the masterpiece it once was, an undertaking that would become one of their most significant and personal projects.

Written by / Valeria L. Palmertree Photography / Christa Ougel

Everything in this home is from the heart. We bought these pieces because we loved them. We picked them for their quality or their rarity or because they spoke to us in some way. Nothing about this collection is ordinary.”

– Kevin Stone

Stone and Diamond’s collection is a stunning reflection of their shared love for antiques, their inimitable style and the full life they have built together. The handselected items, the majority of which they acquired over decades of traveling through Europe, showcase the very best in collecting and mirror the exemplary eye that made Kevin Stone Antiques a beloved one-ofa-kind shop.

New Orleans Auction Galleries is honored to collaborate with Stone and Diamond in presenting part two of their extensive collection, which showcases a broad range of continental decorative arts across several categories, including bronze, porcelain and silver.

Scan code to read more about the world of Kevin Stone and Mark Diamond

gift guide TABLE The is SET

No matter how you celebrate, these hand-selected tabletop essentials will surely add some cheer to your fête this holiday season.

salud, santé, cin cin!

Lot 14

Fine Pair of Rock Crystal and Dore Bronze Candelabra

Lot 259 American Sterling Silver Waiter

Lot 607

Set of Ten St. Louis "Bubbles" Wine Glasses

Lot 198

Five Whiting "Louis XV" Sterling Silver Nesting Dishes

Lot 134

Two Bohemian Overlay Glass Vases

"Winter is the time for comfort, for good food and warmth, for the touch of a friendly hand and for a talk beside the fire; it is time for home."

– Edith Sitwell

Lot 7

French Belle Epoque Bronze and Crystal Cave a Liqueur

Lot 539

Maison Odiot Belle Epoque Silver Tea Set

Lot 102

Extensive Collection of Royal Crown Derby "Traditional Imari"

Lot 538

Christofle "Marly" Silverplate Flatware Set

Lot 443

Twelve Silverplate Standing Napkin Rings (Dinner Napkin, Kim Sebert)

gift guide Nice LIST THE

This curated selection of jewelry, fine art and objets d’art is as distinct (and delightful) as everyone on your list.

Lot 339

Diamond, Emerald and Sapphire Ring

Lot 363 Emerald, Ruby and Diamond Bracelet

Lot 416

Faberge-Style Bronze and Moss Agate Bowl

Lot 418

Faberge-Style Silver Gilt and Nephrite Paper Knife

Lot 116

Two Porcelain Pugs in the Meissen Taste

Lot 16

Pair of Polish Silver Shabbat Candlesticks

Lot 345

M. Buccellati Diamond Leaf Necklace

Lot 359 Emerald and Diamond Necklace

Lot 434

Federico Buccellati Sterling Silver Clad Spider Conch Shell

Lot 470

George Bauer Dunbar (American/Louisiana 1927-2024) "Heart"

Lot 95

Group of Six British Portrait Miniatures (1 of 6 shown)

Lot 322

Art Deco Diamond and Onyx Brooch

IRONSTONE explorations A Collector's Treasure Trove: MASON'S

A classic and beautiful objet d’art, antique ironstone (also known as English porcelain, stone china, new stone or semiporcelain) has continued to gain popularity among collectors and decorators.

Developed in England in the early 19th century by North Staffordshire potters as a more affordable, massproduced substitute for porcelain, ironstone is first credited to William Turner (ca. 1800). It was Charles James Mason, however, who would officially patent the ironstone formulation in 1813, kicking off his first pottery manufacturing venture. While there is no iron in ironstone, its distinct and highly durable formulation allowed for the production of large ornamental objects, including mantelpieces and vestibule vases.

Notably, it was Mason who began applying transfer-printed designs to ironstone as a means to reproduce Chinese porcelain, with designs ranging from densely saturated patterns to small, delicate motifs. Today, the decorative quality and elegance of Mason’s ironstone provide a treasure trove for avid collectors on both sides of the Atlantic.

When Mason’s patent expired in 1827, a variety of other makers began producing their own ironstone varieties, including several American potters in the late 1870s. Mason’s ironstone, however, has remained the gold standard thanks largely in part to its distinct decorative design.

Written by / Valeria L. Palmertree

Splendid, extensive and unique stock of Porcelain… comprising richly gilt table (dinner) and dessert services. A variety of earthenware table sets, gadroon and plain edges, in light and full patterns of the newest make, rivalling China in delicacy of colour and elegance of patterns…”

–Ironstone advertisement in The London Morning Herald | April 1, 1828

Notably, a variety of marks distinguish authentic Mason’s ironstone wares, demonstrating they were designed and registered by the manufacturer. Twenty-two such distinct marks have been cataloged for Mason’s ironstone produced between 1813 and after 1950.

New Orleans Auction Galleries is delighted to offer a selection of Mason’s ironstone, including pieces personally selected for a prominent Houston estate by Denning & Fourcade, Inc., the illustrious interior design firm founded by Robert Denning and Vincent Fourcade in 1960.

Among these are several Mason’s ironstone lamps featuring custom shades by Denning & Fourcade, a large vase in Mason’s desirable “Flying Bird” pattern, and a pair of potpourri urns in the rare “Double Landscape” pattern, among other exceptional items – all sourced by Denning & Fourcade from Valerie Howard, one of the world’s most recognizable dealers of Mason’s ironstone.

The decorators Robert Denning, left, and Vincent Fourcade, in 1988.

Oscar de la Renta's Manhattan Apartment designed by Denning and Fourcade, 1980s.

SATURDAY, DECEMBER 7

Exceptional Louis XVI Giltwood Mirror

18th century, French, the pierced crest decorated with a bold brazier issuing “smoke”, framed with sprays of oak leaves and acorns, draped with carved swags of bellflowers, hanging on each side, the surround ornamented with rocaille carving framed in strapwork, the bottom edge with pierced swags of ribbon, set with an antique mirror plate, likely original. h. 66”, w. 33”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

19th century, decorated on the obverse with a fire pot flanked by shields and fasces in oval panels and on the reverse with gilt-tooled militaria trophies, set with leaf-molded handles decorated with molded sunflowers, terminating in anthemia. h. 13”, w. 6”, d. 4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair of Handsome French Paris Porcelain Urns

3

Pair of Louis XVI Giltwood Fauteuils

18th century, with oval backs and a central carved swag, raised on stop-fluted legs, covered in period Aubusson tapestry. h. 38-1/2”, w. 26”, d. 20”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

4

Large Porcelain Navette-Form Box

ca. 1900, probably Limoges, hand-painted en grisaille with landscapes on a claret ground, decorated with gilt anthemia and scrollwork, with a molded gilt-bronze bezel and clasp. h. 6”, w. 14-1/2”, d. 8-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

5

Large Italian Giltwood and Marble-Top Center Table

18th century, the rectangular white marble top over pierced and carved aprons with interlocking sinusoidal waves and rosettes, raised on turned and stop-fluted legs.

h. 33”, w. 60”, d. 32”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

6

Good Pair of Austrian Neoclassical-Style Silver Urns

20th century, Vienna, by Rudolf Oswald (1863-1943), each of elongated ovoid form with gadrooned calyx and acanthus-and-dart banded shoulder, with waisted collar and high-domed foot decorated en suite, with opposing tall, arched scroll handles with laurel and mascaron mounts.

h. 17-1/4”, w. 8-1/2”, dia. 5-3/4”; 84.43 total t. oz.

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

French Belle Epoque Bronze and Crystal Cave a Liqueur

fourth quarter 19th century, the bronze case with a frame decorated with scrollwork and cabochons, on anthemionform feet, the facade lifting to access the gilt-bronze and glass lift-out holder, with four needle-engraved decanters and sixteen liqueur glasses. h. 12”, w. 14-1/2”, d. 11”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

8

French Bronze Dore and Onyx Tray

third quarter 19th century, the mottled onyx tray with gallery sides pierced in the Gothic taste with leaf-molded and scrolled handles, the skirts decorated with mounts of sprays of laurel branches, raised on paw feet. h. 5-1/2”, w. 15-1/2”, d. 9”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

9

French Belle Epoque Gilt-Brass Boudoir Mirror

ca. 1900, in the Louis XIV taste, the arched crest with a pair of putti supporting a cabochon, the surround molded with fluting and flowers and set with crossetted corners, the lower edge with molded acanthus leaves, set with a beveled mirror plate and with an easel back support. h. 17-1/2”, w. 17-1/2”, d. 18”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

10

Pair of Chinese Export Porcelain Ginger Jars

late 18th/early 19th century, in the famille rose palette, decorated with mandarin figures and dragons, alternating with pots of peonies and kites, with gilt-trimmed borders of peonies and fish.

h. 25”, dia. 12”

$4,000-$7,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

11

mid-19th century, the twelve-light Louis Phillipe chandelier with a corona of brass plaques decorated with winged angel heads and hung with spear-point prisms, supporting the main body on pressed gilt-brass chains, the leafmolded primary ring mounted with scrolled brass candle arms.

h. 34”, dia. 23”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

French Gilt-Brass and Opaline Glass Chandelier

12

Pair of Restauration Bronze and Alabaster Candlesticks

19th century, the Corinthian capitals above alabaster standards on gilt-bronze fittings, the domed bases molded with dolphins, baskets of flowers and scrollwork. h. 12”, dia. 5-1/4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

13

Pair

of French Gilt-Bronze and Marble Urns

19th century, in the Louis XV taste, the urns with leaf-molded bronze necks and handles set onto white marble bodies with laurel leaf and berry trim at the bases, supported on white marble cove-molded bases decorated with gilt-bronze beading.

h. 11-1/4”, w. 5-1/4”, d. 3-1/2”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Fine Pair of Rock Crystal and Dore Bronze Candelabra

19th century, possibly Russian, each with a faceted rock crystal finial set into a bronze bezel atop a faceted rock crystal spear, hung with two tiers of strands of rock crystal drops, flanked by a pair of leaf-molded candle branches set with anthemionmolded candle sockets, and hung with rock crystal swags, mounted on engine-turned column-form bases. h. 24-1/2”, w. 10-1/2”, d. 4”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Grand Duchess Alexandra Nikolaevna Silver Wine Coaster

St. Petersburg, 1843, by Carl Johann Tegelsten (1798-1852), circular with broad everted rim, serpentine-lobed with rococo scroll edge, with turned wooden base with central silver boss monogrammed (in Cyrillic) “AN” surmounted by a Russian Imperial Crown, engraved on the edge “N. 44 56 1/2”. h. 2”, dia. 7”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Grand Duchess Alexandra Nikolaevna (1825-1844) was the youngest daughter of Tsar Nicholas I. Upon her betrothal to Prince Frederick William of Hesse (1820ñ1884), the only son of Prince William of Hesse and Princess Louise Charlotte of Denmark, in 1843, the Tsar commissioned an extravagant silver service for his daughter’s dowry from Finnish-born master Carl Johann Tegelsten. The couple were married at the Winter Palace in St. Petersburg on January 28, 1844. Unfortunately, “Adini” (as she was affectionately known) had contracted tuberculosis shortly before, and died in August of the same year during premature childbirth at the tragically young age of 19. The bulk of the service is today in the Schloss Fasanerie in Eichenzell, Germany, founded in 1951 by Philipp Landgrave of Hesse (1896ñ1980) to conserve the collection of the House of Hesse. Some pieces, however, have appeared at auction; see, for instance, a tureen-on-stand from the service at Christie’s London, November 29, 2010, lot 297; and a bottle cooler, Christie’s London, November 30, 2015, lot 386.

16

Pair of Polish Silver Shabbat Candlesticks

first quarter 20th century, Warsaw, by Israel Szekman (ca. 1860-1923) for Mordka H. Spiro, .875 silver, each with a slightly tapering knopped standard with cannon-form nozzle with fixed bobeche, above a domed base raised on three feet, decorated throughout with trailing grapevines. h. 12-1/4”, dia. 4-1/4”, weighted

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

17

Russian Gilt-Bronze and Malachite Basket

fourth quarter 19th century, the rococo-style basket with pierced sides, decorated with cabochon “jewels”, the pierced base set with malachite, on a stippled, scroll-molded foot. h. 1-3/4”, w. 11”, d. 8-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

18

Russian Silver Gilt Pendant Icon of St. Vladimir, Prince of Kiev

first quarter 20th century, Moscow, by Dmitri Andreevich Gorbunov, .875 silver gilt, the figure of St. Vladimir painted on mother-of-pearl with legend in Cyrillic above, presented in a rectangular silver gilt guilloche frame with pendant bail. h. 3”, w. 2-1/4”

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

19

Russian Jasper and Gilt-Metal Jewel Casket

20th century, clad with red, brown and white mottled stones, set with a hinged, cove-molded cover, with engine-turned gilt-metal trim, set with a “jeweled” star-form lock and key. h. 6”, w. 10-1/4”, d. 7-1/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond; Jan Skala, New York, New York, 1977.

20

Pair of French Bronze Dore et Patine and Marble Urn Lamps

19th century, the urns decorated with dore figures of putti, the socle supports with engine turning, on red griotte marble bases decorated with bronze lozenges, the urn interiors mounted with electric lights.

h. 14”, dia. 7”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

21

French Bronze Dore “Three Graces” Centerpiece

19th century, possibly Pierre-Philippe Thomire (French, 17511846), with a pierced gallery rim and pierced sides decorated with acanthus leaves over a border of butterflies, alternating with anthemia, supported by three graces and ribbon-bound swags of flowers, on a circular base.

h. 12-1/4”, dia. 7-3/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

22

Pair of Paris Porcelain Urns

first quarter 19th century, the campana-form urns decorated on the obverse with charming scenes of children blowing bubbles and playing with a puppy, and on the reverse with well-executed “Italian” landscapes of architecture and men fishing on a riverbank, the scenes framed with gilt-tooled “fishscale” panels, with masque-molded handles and black bases.

h. 11-3/4”, dia. 8”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

23

Pair of Handsome Paris Porcelain Urns

first quarter 19th century, the campana-form urns decorated with polychrome panels of fables, set with handles terminating in matte-gilt masques. h. 15-1/2”, dia. 11”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

24

Exceptional Signed Rihouet Paris Porcelain Corbeille

ca. 1818-1844, the bateau-form basket with piercing accented with matte-gilt anthemia alternating with acanthus leaves, the base with matte-gilt “mounts” of lion’s heads framed with anthemia, honeysuckle and medallions, raised on paw feet, signed in rouge-de-fer script, “Rihouet, Rue de la Paix, Paris”. h. 8-1/2”, w. 16-1/2”, d. 8-1/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

25

Pair of French Restauration Bronze and Marble Covered Urns

second quarter 19th century, the leaf-molded, patinated bronze urns with gilt-bronze acorn knops, supported on white marble bases hung with chains, fitted with engine-turned gilt-bronze trim.

h. 8-3/4”, dia. 3-1/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

26

French Signed Metal Casket in the Neo-Grec Taste

third quarter 19th century, the cover with a figure of the Muse Erato with her lyre, ivy vines and aesthetic sunflowers, the body with bas-relief neoclassical figures, the base with a profile of a neoclassical male face, raised on paw feet, signed by Tahan de L’empereur, the official supplier to Emperor Napoleon III until 1878.

h. 9”, w. 11-3/4”, d. 7-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

27

French Neoclassical Gilt-Bronze and Marble Figural Table Clock

19th century, the French cylinder escapement movement mounted in a chariot driven by Cupid, pulled by a lion, on an oval Siena marble base with pierced gilt-bronze mounts, on engineturned bun feet.

h. 8-1/4”, w. 8-1/4”, d. 4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

28

Pair of French Belle Epoque Bronze Figural Candlestick Holders

fourth quarter 19th century, the patinated bronze cherubim supporting gimballed, scroll-molded lanterns, with removable flower-molded inserts, on rocaille- and scroll-molded circular bases. h. 12-1/4”, dia. 2-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

29

Louis XVI Parcel-Gilt Supraporte

18th century, French, carved with ribbon-bound garden trophies framed with grapes on a pale green ground, with a carved giltwood beaded surround. h. 24-1/4”, w. 28-1/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair of French Restauration Patinated Bronze and Marble Tazzas

second quarter 19th century, the kylix-form tazzas with leaf-molded rims and reeded bodies, mounted with handles, on conical lotusleaf-molded bases, mounted on two-part Siena marble plinths, divided with lotus-molded bronze trim. h. 9-3/4”, w. 7-1/4”, d. 6”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

31

Pair of French Bronze and Marble Candelabra

second quarter 19th century, the leaf-molded arms set with leafmolded candle sockets, the center sockets with removable flame finial inserts, the standards with bronze Egyptian capitals and Siena marble inserts, on scroll-molded bases, resting on Siena marble double-step bases with bronze lotus leaf trim. h. 28-1/2”, dia. 11-3/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

19th century, the crest decorated with a central urn and trailing flowers on a painted ground, the sides with leafcarved finials, trailing flowers and leaves, the surround with medallion-decorated corner blocks and ribbon-wrapped reeds, the base with carved drops flanking a laurel wreath and trailing leaves. h. 43-1/4”, w. 24-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

32

French Parcel-Gilt and Painted Mirror

Louis XV Polychrome and Marble-Top Occasional Table

18th century with later paint, the dished and canted rectangular top above a conforming frieze fitted with a single end drawer, raised on cabriole legs ending in hoof feet. h. 26”, w. 23-1/2”, d. 16”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

34

Early Pair of French Tole Peinte Verrieres

ca. 1800, with gilt-decorated scalloped edges and painted landscapes incorporating classical ruins, people at their daily pursuits, cows wading in a stream, and goat herds. h. 4-1/4”, w. 13-1/4”, d. 7-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

35

French Empire Gilt-Bronze-Mounted Wooden Jardiniere

second quarter 19th century, the oval jardiniere mounted with swan-form handles and side mounts of sprays of roses tied with bowknots, on bronze bun feet. h. 4-1/4”, w. 17”, d. 9-3/4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Rare French Empire Tole and Brass Bouillotte Lamp

19th century, the green tole shade decorated with arabesque scrollwork framing griffins and vases of flowers, the base with a candlestick-form standard, set with scrolled branches with turned candle sockets, on a turned base.

h. 28”, dia. 13-1/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

37 Italian Painted Lacca Povera Miniature Chest

18th century, in the rococo taste, with parcel-gilt trim, the top with serpentine molded edges and the sides with applied panels, decorated with paper cut-out characters in 18th-century costume, birds and fruit on a yellow ground, lacquered.

h. 12-1/2”, w. 15-3/4”, d. 10”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

38

Venetian Chandelier

20th century, the corona decorated with loops of glass beads, decorated with prisms, hung with chains lined with glass beads and supporting the primary ring, set with glass-bead-lined scrolled candle arms terminating in brass sockets and floriform drip pans, alternating with Venetian blown glass flowers, the lower section decorated with latticed panels of glass beads and hung with raindrop prisms.

h. 44-1/4”, dia. 36-1/4”

$1,200-$1,800

Large Pair of Chinese Export Porcelain Pheasants

ca. 1900, in the famille rose palette, the birds decorated with molded and polychrome-painted feathers, their heads with pierced beaks, the pierced bases decorated with peonies. h. 15-1/2”, w. 4-1/4”, d. 7”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

40

Specimen Marble and Gilt-Bronze Table Lamp

second quarter 20th century, in the Beaux-Arts taste, the urn-form lamp composed of various stones, mounted with gilt-bronze satyr-head handles, the base with bronze fittings, fitted with a lampshade. h. 26”, dia. 15”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

41

Two Pairs of Chinese Export Elephant Joss Stick Holders

the larger porcelain pair, 20th century, in the Jiaqing taste, on ebonized wooden bases, h. 8-1/4”, w. 6”, d. 4-1/2”, and the smaller pair, second half 19th century, with rose medallion decoration on the sockets and saddle blankets, with gilt-decorated orange heads and feet, h. 5-1/4”, w. 5-1/2”, d. 3-3/4”.

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

42

Unusual Creme-Peinte, Parcel-Gilt and Marble-Top Console Table

19th century, in the neoclassical style, the inset rectangular white marble top with projecting ends and center, above a conforming frieze fitted with a central carving of cavorting putti carrying garlands, flanked to either side by carved Egyptian figures and lion-masque roundels, the ends with applied alligators, raised on ribbed, tapered square legs ending in ball feet. h. 31-1/2”, w. 57”, d. 18”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

43

of Italian Parcel-Giltwood and MarbleTop Pedestals

second quarter 19th century, the low pedestals with white marble tops and leafmolded edges, the bodies with panels of scroll carving on a pale blue ground and the corners with carved laurel leaves, raised on paw feet. h. 21”, w. 16-1/2”, d. 16-1/2”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair

detail

Pair of Italian Gilt-Metal Sconces

20th century, the lyre-form pierced backplates decorated with laurel leaves, set with two scrolled candle arms terminating in beaded candle sockets, the sides framed with scrolling tendrils of laurel leaves.

h. 15”, w. 22-1/4”, d. 4-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Italian Creme-Peinte, Parcel-Gilt and Marble-Top Console Table

18th century, Roman, the rectangular marble top banded and with a rounded marble edging, above a conforming frieze centered by a floral-crowned masque and flanked by patera and foliate-carved panels, raised on tapered square legs with bellflower carving and ending in peg feet.

h. 37-1/2”, w. 55”, d. 22-1/2”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

46

Italian Creamware Centerpiece in the Neoclassical Taste

ca. 1900, composed of four quarter-round planters molded with swags of leaves, supported by bowknots and raised on ball feet, and four shell-form sweetmeat dishes supported by putti kneeling on dolphins, raised on square bases molded with shields, on ball feet, with an unidentified impressed shield-form mark with a horse and rider.

h. 8”, dia. 18”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

47

Pair of French Majolica Spoon Warmers

19th century, in the form of male and female harpies with bodies of cockerels, on molded bases, the sides hung with banners.

h. 8-1/2”, w. 5-1/2”, d. 2-1/2”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

18th century, the six-light chandelier with a top portion decorated with sprays of glass beading and cobalt prisms framed in tiny glass beads, the body strung with strands of prisms, the main ring set wth six candle arms with candle sockets and prism rings, the bottom with a cobalt bell-form glass finial framed with prisms. h. 42”, dia. 28”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

48

Northern Italian Crystal and Metal Chandelier

49

18th century, each with an arched crest with a central carved oval medallion, padded back and loose seat cushion, raised on tapered square legs, upholstered in Cowtan & Tout blue striped cut velvet. h. 37-1/2”, w. 27”, d. 23”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

50

18th century, each with an arched crest and a central carved oval medallion, padded back and loose seat cushion, raised on tapered square legs, upholstered in Cowtan & Tout blue striped cut velvet. h. 37-1/2”, w. 27”, d. 23”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair of Italian Creme-Peinte and Parcel-Gilt Fauteuils

Pair of Italian Creme-Peinte and Parcel-Gilt Fauteuils

51

Pair of Handsome Italian Carved, Painted and ParcelGilt Wooden Sconces

19th century, the quiver-form backplates carved with leaves, the lower edge with cone-form finials, supporting scrolled arms decorated with giltwood leaf carving, mounted with wooden candle holders concealing small prickets on trumpet-form, leaf-carved drip pans. h. 26-1/4”, w. 15-1/2”, d. 7”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

52

Italian Parcel-Giltwood, Metal and Glass Chandelier

19th century, the eight-light chandelier with a corona composed of glass-bead-lined metal scrollwork, hung with swags of drops and mounted on the tripartite parcel-gilt, painted and carved rococo standard, set with two tiers of candle arms, matching the corona, set with tole candle cups and Baccarat-style molded drip pans, the bottom carved with a Corinthian capital and hung with drops. h. 36”, dia. 31-1/2”

$1,500-$2,500

53

Pair of French Neoclassical Bronze Tazzas

19th century, the bowls with leaf-molded gilt rims and lotus-molded borders, on fluted and lotus-molded bases, raised on plinths decorated with ribbon-bound laurel wreaths, above ogee-molded lotus trim. h. 11”, dia. 6-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

54

Italian Neoclassical Giltwood Mirror

19th century, the pierced crest with a bowknot supporting an oval panel decorated with a rose, framed with laurel leaves on fluted blocks, the surround with a beaded liner securing the beveled mirror plate, the lower edge decorated with rings holding carved swags of laurel leaves, the center with roses. h. 43-3/4”, w. 26-1/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

55

Pair of Italian Polychrome and Marble-Top Side Cabinets

ca. 1900, of demilune form, each with a conforming marble top over a case with floral-painted reserves and a central curved door, raised on tapered square legs. h. 34”, w. 24”, d. 12”

$1,500-$2,500

Provenance: The Walter and Phyllis Shorenstein Collection, Christie’s, New York, December 2013; Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Rare Austrian Carved Giltwood Grand Sonnerie Mantel Clock

ca. 1800, with a lotus-carved giltwood urn finial set with wiremounted giltwood flowers, the dial trimmed with carved beading, supported by a pierced giltwood urn decorated with a ram’s head, mounted on a conforming giltwood base supporting neoclassical goddesses framing the clock, the ogee-carved base decorated with carved lotus leaves. h. 23-1/2”, w. 18-3/4”, d. 9-3/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

57

Pair of Italian Giltwood and Faux Marbre Garnitures

19th century, modeled as giltwood urns with pineapplecarved knops and leaf-carved handles, with guillochecarved trim and acanthus leaves, on acanthus-carved bases, the bottom plinths with taupe, white and gray faux marbre paint. h. 19-3/4”, w. 8-1/2”, d. 4-1/2”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

58

Genovese Silver-Giltwood and Metal Chandelier

18th century and later, Italian, the six-light chandelier with a silver-gilt leaf-carved vasiform standard, set with two tiers of swags of drops with green accents, and six tole scrolled candle arms terminating in candle cups and drip pans, with swags of prisms throughout. h. 48”, dia. 38”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

59

Pair of Italian Polychrome and Parcel-Gilt Side Cabinets

18th century, each with a faux marbre top with carved, molded edges over a single drawer and pair of in-curved wire mesh doors below, raised on turned and fluted legs. h. 36”, w. 37-1/2”, d. 16-1/2”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

60

Pair of French Patinated Metal and Marble Garniture Urns

19th century, set with anthemia-molded handles, the grape-molded necks above the bodies, decorated in bas-relief with classical figures supported on reeding, on molded, mottled tan and gray marble bases. h. 14-3/4”, w. 6-3/4”, d. 5-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

61

Louis XVI-Style Kingwood, Rosewood and Marble-Top Occasional Table

late 19th century, the inset rectangular marble top above a single tambour cupboard, raised on tapered square legs, the whole with inlaid geometric accents. h. 29-1/2”, w. 17”, d. 12”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

62

Pair of Handsome Bohemian Overlay Glass Vases

19th century, possibly from the Harrach Company, with Greek meander overlay cut trim at the neck and base, the central overlay panels enameled with gladiators and classical maidens holding wreaths and ewers, the bases with ground pontils. h. 15-3/4”, dia. 3-1/2”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Italian Patinated Bronze Bust of Julius Caesar

19th century, the youthful Caesar on a turned socle, the rear inscribed by the foundry, “G. Nisini, Roma”. h. 15-1/4”, w. 7-1/4”, d. 5-1/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

64

Pair of French Restauration Bronze Dore et Patine Garniture Urns

19th century, the campana-form urns with egg-and-dartmolded rims and engine-turned dore trim above molded acanthus leaves and reeded handles, set into ram’s-head terminals, the fluted bases on plinths decorated with giltbronze wreaths and leaf-molded ogee trim. h. 13-1/4”, w. 4-3/4”, d. 4-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

65

Chinese Export Lacquer Gaming Set

19th century, the hinged box exterior forming a game board when open, the black spaces and borders painted with flowers and insects, the sides with Chinese landscapes, the box opening to reveal a backgammon board decorated with flowers and moths, with a collection of carved Chinese gaming pieces. closed h. 3-1/2”, w. 19-1/4”, d. 9-3/4”, open h. 1-3/4”, w. 19-1/4”, d. 19-1/4”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

66

Mother-of-Pearl Jewel Case

mid-19th century, the rectangular case veneered in checked mother-of-pearl, on ball feet and with a tufted blue silk interior. h. 2-1/2”, w. 5”, d. 3”

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

67

Large Pair of Cambodian Silver Betel Boxes

20th century, by Bun Than, Phnom Penh, .900 silver, each of melon form, with alternating imbricate and foliate scroll lobes, with coiled wire calyces and thick coiled stems. h. 6”, l. 10-1/2”, w. 7-3/4”; 72.32 total t. oz.

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

68

Large, Impressive Southeast Asian Silverplate Elephant Betel Box

20th century, probably Cambodian, the trumpeting beast fully caparisoned with repousse seeri and pherwaj, the former set with red paste jewels, the howdah attached with a pair of ropetwist wires detaching to permit the laterally-divided body to open.

h. 20-1/2”, l. 20-3/4”, w. 10-3/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

69

English Mother-of-Pearl Tea Caddy

mid-19th century, the caddy veneered in checked motherof-pearl with abalone accents, on ball feet, the interior with matching covers and remnants of foil lining. h. 5”, w. 7-3/4”, d. 5”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Georgian Japanned Tall Case Clock

18th century, with a pagoda-form hood, the case decorated with traditional Asian scenes and gilt highlights, with a time and strike movement and calendar dial, signed “Hen Harrison, High Wicomb”. h. 91-1/2”, w. 20”, d. 9-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

71

Pair of Impressive Scale English Mason’s Ironstone Alcove Vases

ca. 1825-1840, in the Chinese taste, the covers with dragon-molded knops, the faceted sides decorated with scattered mandarin figures and flowers on a mauve ground with scroll-decorated borders, with Mason’s brown underglaze printed mark. h. 31-1/2”, dia. 10-3/4”

$2,000-$3,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Handsome Pair of Anglo-Irish Cut Crystal Vases

19th century, the top with cut fluting, over the body with strawberry and diamond point cutting. h. 12-3/4”, dia. 5”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

73

Pair of Anglo-Irish Cut Glass Sweetmeat Dishes

ca. 1900, the covered dishes decorated in the diamond point pattern, with faceted standards and stepped bases. h. 11-1/2”, dia. 6”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

74

Pair of Rare English “Nankin” Pattern Pearlware Chestnut Baskets

first quarter 19th century, with transfer-printed edges, the bottom with unidentified transfer-print floriform marks, a tag from the “Dean and Mary Rockwell Collection” and numbered “602”. h. 2-1/4”, w. 7”, d. 6”

$900-$1,200

Provenance: The Dean and Mary Rockwell Collection, No. 602; Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

75

Chinese Export Porcelain “Nanking” Soup Tureen

first quarter 19th century, the oval tureen with a floriform knop and intertwined handles, decorated with classic landscapes and lancet borders. h. 9-1/4”, w. 11-1/4”, d. 8”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

76

Chinese Export Porcelain Platter

18th century, Qianlong Dynasty (1736-1795), the blue and white platter decorated with pagodas, willow and pine trees, and a figure of a bridge, the border decorated with a Greek-key-style fret decoration and scrolled panels. w. 11-1/2”, l. 14-1/4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

77

Miniature Chinese Lacquered Cabinet

19th century, the lushly decorated cabinet with gilt mandarin figures and panels of flowers on a stippled ground, with an ogee crest, a pair of oval raised panel doors and bracket feet, the interior fitted with five gilt-accented drawers with motherof-pearl pulls.

h. 15-1/2”, w. 13-1/4”, d. 8”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

78

Chinese Carved Amethyst Potpourri Vase

decorated with carved dragons with rings in their mouths, the domed cover with pierced, scrolled carving, the base with carved scrollwork.

h. 11-3/4”, w. 7-3/4”, d. 5-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

79

Pair of English Glass, Bronze and Stone Rhyton-Form Vases

19th century, the pillar-molded blown amethyst glass vases set into gilt-bronze ram’s heads, mounted to Ashford Derbyshire pietra dura bases with specimen stone in geometric designs. h. 9”, w. 6”, d. 4-1/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

80

Collection of English Porcelain Attributed to Coalport

first quarter 19th century, decorated in the Imari palette with panels of birds and peonies, the green borders with orange lotus flowers, and round central panels decorated with pagodas, the service including a pair of square dishes, w. 8-3/4”, d. 8-3/4”, a pair of shell dishes, w. 8”, d. 7-3/4”, a pair of oblong dishes, w. 11”, d. 7-1/4”, and six dessert plates, dia. 8-1/2”.

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

81

Three-Piece Collection of English Porcelain

19th century, in the Imari palette, including a handsome lobed centerpiece, attributed to Worcester, Barr Flight & Barr, richly decorated with peonies, willow trees and fanciful flowermolded fences in cobalt and orange with accents of pink and green, the gilt handles with reverse-printed flowers and scrollwork, h. 3-1/4”, w. 14”, d. 9-3/4”, and a pair of “Davenport 3645” comports in the Imari taste, with printed red “Davenport Longport, Staffordshire” marks, h. 2-1/4”, dia. 9”.

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

82

Pair of Barr Flight and Barr Worcester Platters

ca. 1804-1813, in the “Imari Fence” pattern, decorated with orange and cobalt, with a Chinese fence in the foreground, with an impressed crown over a “BFB” mark, and a hand-incised “12”.

w. 9-1/4”, l. 12”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

83 Turkish Carpet

6’ 1” x 9’ 8”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

84

William IV Tortoiseshell Tea Caddy

second quarter 19th century, English, with a molded facade and a shield-form mount on the cover, on bun feet, the interior with a pair of matching covers and remnants of foil lining. h. 5”, w. 9”, d. 4-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

85

William IV Tortoiseshell Tea Caddy

second quarter 19th century, English, the molded caddy on bun feet, the two-compartment interior with matching covers and remnants of foil lining.

h. 5-1/2”, w. 6-3/4”, d. 4”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

86

WiIliam IV Tortoiseshell Tea Caddy

second quarter 19th century, English, veneered in boldly figured tortoiseshell, with a molded cover and a pulvinated body on bun feet, the single-compartment interior with an antique partial inventory on the interior of the cover. h. 5-1/2”, w. 7”, d. 4”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

87

Rare Verre Eglomise-Mounted Tortoiseshell Tea Caddy

second quarter 19th century, English, the cover with a reversepainted glass panel of St. Paul’s Cathedral, London, over molded sides and on turned feet, the two-compartment interior fitted with tortoiseshell covers and remnants of foil lining.

h. 3-3/4”, w. 5-3/4”, d. 3-1/2”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

88

Queen Anne Red-Lacquered Secretary

18th century, the double molded and domed crest above a single door, the lower section fitted with a slant front opening to a variety of drawers and cubbyholes, over three short drawers and two graduated long drawers, the sides paneled, raised on bun feet, the whole accented with polychrome and gilt figural landscape scenes in the chinoiserie manner. h. 90”, w. 27”, d. 25”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

A letter dated 1918 is affixed to the inside of the upper case, which refers to this secretary.

89

Collection of Five Glass Inkwells

first quarter 20th century, English and Continental, including a large Art Deco inkwell with a cut glass cover and silverplate fittings, h. 8”, w. 6”, d. 6”, a silverplate and blown glass inkwell with a scroll-molded cover marked “EPNS” and a pulvinated body with green pillar-molded corners, h. 3-3/4”, w. 2-1/2”, d. 2-1/2”, a lozenge-form glass inkwell with a brass cover, h. 4-1/2”, w. 7-1/4”, d. 4-1/2”, a sterling silver and crystal inkwell with a cap hallmarked by G. H. James, London, 1889/90, h. 6-3/4”, w. 4”, d. 4”, and a silverplate and cut glass inkwell decorated with medallions of famous people, marked by Elkington & Co., Birmingham, UK.

$800-$1,200

Provenance: Private collection, Houston, Texas.

90

Pair of English Regency Bronze, Marble and Alabaster Candle Holders

first quarter 19th century, the leaf-molded candle sockets mounted on patinated bronze sphinxes, supported on bronze-mounted alabaster blocks, set into leaf-molded bronze trim on black and white mottled marble bases. h. 8-3/4”, w. 4”, d. 2-1/2”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

91

Pair of Tole Chestnut Urns

19th century, the japanned urns decorated with gilt pagodas, bridges, bamboo and pine trees on a black ground, the tapered covers with ball-form knops, set with lion’s-head ring pulls. h. 12-1/2”, w. 6”, d. 4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

92

Collection of Worcester "Dragons in Compartments" Tableware

ca. 1804-1813, from the Barr Flight and Barr period, decorated with dragons on an orange and gilt ground, with Greek-key fret borders, with impressed “BFB” and crown mark and full mauve printed oval mark with Coventry Street address and royal warrant, the service including eight dessert plates, dia. 8”, and a scalloped dish, w. 7-3/4”, l. 11”.

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

93

Japanese Meiji Period Papier-Mache Tray

ca. 1868-1912, the decoupage tray decorated with geishas strolling around a tea house, a bridge and Japanese lanterns, under pine trees. w. 18-1/2”, l. 24-1/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

6’ x 8’

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

95

Group of Six British Portrait Miniatures

19th century, all unsigned. All glazed and framed. from 2-7/8” x 2-1/4” to 4-1/4” x 2-1/2”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

96

Regency Red Morocco and Brass Workbox

19th century, the cove-molded cover decorated with reeding and a central brass medallion and brass acorn corner mounts, the ogee sides with lion’s-head ring pulls and the front with a scrollmolded escutcheon, raised on paw feet, the lid interior with the original silk printed depiction of ladies receiving a tea box in Asia, lined with gilt-stamped red Morocco. h. 7”, w. 12”, d. 10-1/4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

97

Chinese Export Porcelain Armorial Soup Tureen

fourth quarter 18th century, the tureen with an orange knop and boar’s-head handles, the cover and body decorated with armorials and orange peonies, with a chain border on the cover and a lancet border around the base.

h. 9”, w. 12”, d. 7-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

98

Chinese Export Armorial Platter

ca. 1745, decorated with famille rose sprays of flowers and a gold chain border, the center with the arms of Fecher impaling Beale.

w. 11”, l. 14-1/2”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

99

Chinese Export Armorial Platter

fourth quarter 19th century, in the famille rose palette, decorated with the arms of Wilkins, with a dragon in the center and a mauve banner with the motto “SIN ARDU HUN”, the border with gilt bamboo, peonies and grapes. w. 9-1/2”, l. 12-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Semi-Antique Kirman Carpet

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

100

11’ x 18’

100

101

Large William IV Mahogany Hunt Table

mid-19th century, the rectangular top with turretted corners and a molded edge, above a shield-centered frieze fitted with two drawers, raised on monumental cabriole legs headed by a foliate shield carving and ending in ball-and-claw feet with open talons. h. 36-1/2”, w. 80-1/2”, d. 26”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

102

Extensive Collection of Royal Crown Derby “Traditional Imari”

ca. 1890-2014, the service including forty dinner plates, dia. 10-1/4”, twelve soup plates, dia. 8-1/2”, twelve salad plates, dia. 8-1/2”, three dessert plates, dia. 7-1/4”, twentythree bread and butter plates, dia. 6-1/4”, twelve flat cups and twelve saucers, h. 2-1/2”, dia. 5-3/4”, sixteen faceted cups and sixteen saucers, h. 2-1/4”, dia. 5-1/2”, six demitasse cups and six saucers, h. 2-1/4”, dia. 4-1/2”, a round bowl, h. 3-3/4”, dia. 9-1/2”, a gravy boat and underplate, h. 4”, w. 8-1/4”, d. 5”, an oval vegetable dish, h. 2”, w. 10”, d. 8”, a soup tureen, h. 9”, dia. 11-1/2”, an underplate dia. 14-1/4”, a pair of round chop plates, dia. 14”, an oval platter, w. 11-3/4”, l. 14-3/4”, an oval covered vegetable tureen, h. 5”, w. 12-1/4”, d. 7-1/2”, a comport, h. 2”, dia. 8-3/4”, and a scalloped sandwich tray, dia. 17”.

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

103

Pair of Late George III Sterling Silver Wine Coasters

hallmarked London, 1805-1806, probably Thomas Holland II or Thomas Hayter, each of squat cylindrical form embossed with vignettes of Venus and her attendants, with milled leaf-anddart rim and turned wooden base, monogrammed on the basal edge “CVRJ”. h. 1-3/4”, dia. 5-1/2”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

104

Pair of Victorian Silverplate Egyptian Revival Wine Coolers

third quarter 19th century, each of campana form, the body of each with a wide embossed Greek-key band and opposing pharaonic masque-mounted reeded handles, on a short pedestal foot and rope-twist banding throughout, complete with the original collar and liner. h. 9-3/4”, dia. 8-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

105

Pair of George IV Old Sheffield Plate Wine Coolers

19th century, each of campana form, with fluted calyx, the collar decorated with applied oak branch banding, with openwork branch handles and rocaille-banded rim, raised on a domed pedestal foot en suite, complete with detachable collar and liner, engraved, on the body, with the crest and motto of van Oven.

h. 10-3/4”, dia. 9”, w. 10-1/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

106

Collection of Ridgway Porcelain Tableware

first quarter 19th century, decorated with orange water lilies on cobalt lily pads, beneath orange and green willow trees, trimmed with gilt-accented grape molding, pattern no. 2/298, the service including a centerpiece, h. 4-3/4”, w. 12-3/4”, d. 8-1/4”, a pair of sauce tureens on integral stands, h. 6-1/4”, w. 8”, d. 4-3/4”, and a pair of rectangular pierced baskets and stands, h. 4-1/4”, w. 9”, d. 6-3/4”.

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

107

Pair

of Regency Bronze and Glass Centerpiece Bowls

19th century, in the manner of George Bullock (English, 17771818), the gilt-trimmed blown ruby glass bowls with ground pontils, set into lotus-molded gilt-bronze bezels, supported by patinated bronze lion-headed monopodia on leaf-molded giltbronze tripartite bases. h. 11”, dia. 13-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

108

Pair of Handsome Regency Bronze Dore et Patine and Marble Candlesticks

19th century, English, the candle sockets molded with tendrils of laurel leaves, on standards decorated with chain-hung arabesque scrollwork, mounted with medallions, atop bronze patine spaniels reclining on white marble bases decorated with winged masque ornaments, raised on turned brass feet. h. 10-1/2”, w. 4-1/2”, d. 3-1/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

109

Set of Eight Derby Porcelain Dinner Plates

ca. 1806-1825, English, the borders with terracotta and gilt scrollwork, accented with green leaves, the center with an armorial device of a terracotta eagle on a baton, the bottom with a red-painted crown and crossed batons mark. dia. 10”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

110

Pair of Rare Coalport Porcelain Armorial Plates

ca. 1820, English, hand-painted with the full achievement of Evans, Baron Carbery, with Coalport’s notched rim, the border with oval gilt sprigs and bellflowers in lozenge-form panels on an orange marbleized ground. dia. 9-1/2”

$1,200-$1,800

Provenance: Collection of Roderick Jellicoe, London, England; Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

111

George III Satinwood-Veneered Tea Caddy

ca. 1800, English, now decorated with well-executed polychrome French landscapes, inscribed with subject matter. h. 3-3/4”, w. 5”, d. 3-3/4”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

112

William IV Tortoiseshell Tea Caddy

second quarter 19th century, English, veneered in segmented and figured tortoiseshell, the cover with a center knob, on bun feet, the interior with a pair of matching tortoiseshell covers. h. 6-1/4”, w. 5-3/4”, d. 3-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

113

George III Tortoiseshell Tea Caddy

ca. 1800, English, the rectangular tortoiseshell-veneered caddy with cut corners, the cover with a silver mount engraved with initials, the two-compartment interior with matching covers and remnants of foil lining. h. 4-1/4”, w. 7-1/4”, d. 3-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Continental School (19th Century)

“Hunting Dogs”

pair of oils on beveled wood panel unsigned. Framed alike.

each 2-1/2” x 3-7/8”, framed 5-1/2” x 7”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

115

Large German Porcelain Figure of a Bolognese Terrier

19th century, after a model by Johann Joachim Kandler (German, 1706-1775), the seated, curly haired, brown and white spotted dog in the Meissen taste. h. 14-3/4”, w. 7-3/4”, d. 21-1/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

116

Two Porcelain Pugs in the Meissen Taste

19th century, the larger pug seated and the smaller one standing, with “bells” on their collars, each with numbers on the bottom.

h. 8-1/4”, w. 9-1/4”, d. 4” and h. 4-3/4”, w. 5”, d. 5”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

117

Painted Wood and Gesso Spaniel

ca. 1800, probably a crèche figure, painted dark brown, with glass eyes, standing with its mouth open and tail up.

h. 12”, w. 11-1/2”, d. 4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

118

German Porcelain and Bronze King Charles Cavalier Spaniel

19th century, German, after a Meissen model, the dog seated on a gilt-bronze tasseled cushion, wearing a collar with a bell around its neck, an unidentified blue crossed swords mark on the base of the tail.

h. 7-1/4”, w. 7-3/4”, d. 5”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

119

Royal Vienna Porcelain Spaniel

ca. 1827-1864, Austrian, the carefully detailed brown and white spaniel with an open mouth, with an impressed Bindenschild (beehive) on the bottom.

h. 7-3/4”, w. 7-1/4”, d. 5”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

120

Bronze Chandelier in the Dutch Baroque Taste

ca. 1900, the turned standard with floriform ornaments on scrolled supports, forming the corona, set with two tiers of scrolled candle branches terminating in turned drip pans and matching candle sockets.

h. 42-1/4”, dia. 38”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

121

Italian Majolica Tulip Vase

ca. 1700, Liguria, the graduated globular vase set with nozzles and decorated with cranes, a cherub, a wolf, a palazzo and flowers, marked on the base.

h. 10”, dia. 4-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

120

122

Continental Faience Tulipiere

18th century, possibly French, the inverted pear-form tulipiere trimmed with molded scrollwork and flowers, the base with a painted shell edge design. h. 9-1/4”, w. 8”, d. 3”

$800-$1,200

123

Five-Piece Delft Tin-Glazed Small Garniture Set

19th century, comprising three covered urn-form vases with flame-form knops and a pair of beaker-form vases, all decorated with iron red and yellow flowers framed with cobalt raised scrollwork panels.

h. 5-3/4” to 8-3/4”, dia. 3” to 3-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

124

Unusual Tin-Glazed Pottery Tulip Vase

18th century, decorated with gilt-accented blue tulips, peonies and scattered flowers, butterflies and birds on a pale green ground, the nozzles with red rims. h. 7-1/2”, w. 8-3/4”, d. 2-3/4”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

125

Delft Tulipiere in the Rococo Style

19th century, the heart-shaped vase decorated with a blue-painted bust framed in scrollwork, the base decorated to match. h. 10”, w. 9-1/2”, d. 3-3/4”

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

126

Five-Piece Delft Garniture Set

ca. 1900, decorated with genre scenes framed in raised scrollwork on a flower-decorated ground, the set including three inverted pearform covered urns with bird-molded knops, h. 17”, w. 7”, d. 6”, and two matching flaring, faceted vases, h. 11-3/4”, w. 6-1/2”, d. 5-1/2”, with spurious marks.

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

127

Dutch Delft Covered Ginger Jar

19th century, decorated with harbor scenes and windmills framed in scrollwork, on a lattice ground decorated with flowers and rocaille work, with a “DeRoos” factory mark. h. 19”, dia. 8”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

128

Pair of Italian Baroque Carved and ParcelGilt Wooden Cherubs

18th century, each modeled wearing a gilt-decorated wreath, its body realistically painted, accented with giltwood wings and drapery.

h. 28”, w. 18-1/2”, d. 10-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

129

Unusual French Boullework Box

third quarter 19th century, the cover with engraved scrollwork and polychrome flowers on a tortoiseshell ground, the sides with engraved brass panels with piercing on a tortoiseshell ground, raised on bronze winged paw feet.

h. 4-1/4”, w. 8-1/2”, d. 6”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

130 Belgian School (18th Century)

“St. Eligius and the Demon-Possessed Horse” oil on shaped canvas unsigned. In a conforming frame. framed 37” x 24-1/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

131

Pair of French Cut Glass and Gilt-Metal Jardinieres

ca. 1900, the amethyst glass inserts with cut edges and polished bases, the pierced gilt-metal frames with anthemion-decorated borders, set with wreaths and muses of sculpture, painting, music and astronomy, on engine-turned bun feet.

h. 5”, w. 7-1/2”, d. 3-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

132

Italian Baroque Painted and Parcel-Gilt Mirror

18th century and later, the maroon-colored surround with a scroll-carved crest decorated with a cabochon, the sides with like decoration, the corners with giltwood shells framed with scrollwork, set with an antique mirror plate. h. 27”, w. 23-1/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

133

Carved Wooden Figure of Our Lady of Guadalupe

19th century, with glass eyes and draped in a white gown with a blue sash, carried by angels in the clouds, bound for heaven. h. 26”, w. 11-1/4”, d. 8-1/2”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

134

Two Bohemian Overlay Glass Vases

third quarter 19th century, the cranberry example with white plating decorated with arabesque gilt scrollwork, cut to cranberry in Gothic patterns, and the green example with white plating decorated with gilt stippling, cut to green in Gothic patterns.

h. 14”, dia. 4-1/2” to 5”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

135

Pair of Spanish Colonial Painted Wood Retablos

ca. 1900, the paintings of female saints set into painted and parcel-gilt shield-form frames, one with a blue ground and the other with a terracotta ground, with carved drapery on each side, accented with mirror-inset giltwood scallops. h. 29-1/4”, w. 23”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

136

Pair of Italian Faux Lapis Lazuli and Silver Giltwood Torchere Stands

19th century, in the Baroque taste, the leafcarved tops supported on tapered, leaf-carved standards, ornamented with pierced, leafcarved scrolls, the tripartite bases with laurelcarved edges, raised on paw feet. h. 50”, dia. 15-3/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

137

19th century, set with leaf-molded tole drip pans, the sides with lotus-carved handles, the vasiform urns with carved bodies on tapered bases, raised on square plinths, fitted with lampshades. h. 29-1/2”, dia. 17”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair of Italian Silver-Gilt Wooden Candelabra Lamps

138

Pair of Italian Creme-Peinte, Parcel-Gilt and Marble-Top Console Tables

18th century, each with a thick, rectangular marble top over a specimen marble frieze trimmed with carved and gilded moldings, raised on block and turned, fluted circular legs. h. 36”, w. 43-1/2”, d. 26”

$6,000-$8,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

139

Neoclassical Carved and Parcel-Gilt Wooden Flaming Urn Garniture

19th century, the giltwood flame finial over a white-painted urn decorated with carved giltwood lotus leaves, above a gilt-trimmed base. h. 26-3/4”, w. 11”, d. 6”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

140

Pair of Bohemian Cut Overlay Glass Vases

19th century, in the Gothic Revival taste, the whiteplated cut-to-clear vases decorated with Gothic panels of gilt scrollwork, on ring-cut bases, the bottoms with ground pontils. h. 13-3/4”, dia. 4-3/4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

141

Pair of Bohemian Ruby Glass Trumpet Vases

third quarter 19th century, the faceted vases with scalloped top edges, the panels decorated with gilt and white-enameled scrollwork. h. 12-1/4”, dia. 5-3/4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

142

Italian Baroque Giltwood Lantern

ca. 1700, the domed and pedimented top carved with winged angel’s heads, the tapered body with paw-footed cherubs on each corner, the glass panels framed with scrollwork, and the lower portion carved with masques, set with a lower cone-form finial. h. 29”, w. 15”, d. 15”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

143

Pair of Venetian Baroque Silver-Gilt Wooden Brackets

19th century, the pierced crests decorated with carved leaves, the shield-form pulvinated backplates lines with scrollwork and painted with armorial devices, the serpentine shelves on tapered supports with bas-relief rocaille carving, on a stippled ground. h. 37”, w. 22”, d. 9”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

144

Fine Italian Giltwood and Specimen Marble-Top Center Table

19th century, the circular inset top with concentric geometric marble specimens set within a carved and gilded rim, supported by a turned standard with three outcurved legs.

h. 29-1/2”, dia. 28-1/2”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

145

Monumental Italian Baroque Giltwood Panel

18th century, composed of delicately carved and pierced scrollwork, the center cabochon-form panel originally covered in cloth.

h. 28-1/2”, w. 82-3/4”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

146

Manner of Jacob de Wit (Dutch, 1695-1754)

“Frolicking Putti”

charcoal with white gouache on paper inscribed “J de Wit” lower left. Float-mounted, matted, glazed and framed. sheet 7-5/8” x 12-3/4”, framed 14-3/4” x 19-3/8”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

147

Andrea Appiani (Italian, 1754-1817)

“Putto with Torch”

charcoal on laid paper signed lower right. Mounted, matted, glazed and framed. sheet 6-3/4” x 6-7/8”, framed 11-1/4” x 11-1/4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

148

Jean-Baptiste Huet (French, 1745-1811)

“Les Amoureux”

ink on laid paper unsigned, a “M. Thenadey/Philippe M. La Querriere, Antiquaire” label en verso. Matted, glazed and framed. sheet 12-1/2” x 14-3/4”, framed 18-3/4” x 21”

$600-$900

Provenance: M. Thenadey et Philippe M. La Querriere, Antiquaire, France; Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

149 Continental School (18th Century)

“Orpheus Flanked by Euterpe and Calliope, with LaurelWreath Bearing Putti”

charcoal on laid paper unsigned.

Matted, glazed and framed. sight 7-1/4" x 9-7/8", framed 14" x 16"

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

150

Manner of Louis Jean Francoise Lagrenee (French, 1725-1805)

“The Oarsman” “The Climber”

two sanguine drawings on paper 19th century, one inscribed “Lagrenee” lower right and “C/FLG” upper right.

Matted, glazed and framed alike. each sight 20” x 15-1/4”, framed 30” x 23-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

151

Group of Four Italian Drawings of Roman Goddesses

19th century, each ink on paper, unsigned, three of Minerva and one of Diana. All mounted, matted, glazed and framed. each sheet 6-7/8” x 4-1/4”, framed 14-1/4” x 11-1/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

152

Exceptional Venetian Lacquered Chinoiserie Bureau Cabinet

18th century, the cornice with a molded edge, above two doors, each inset with a domed, mirrored panel, the lower section fitted with a drop front featuring a gilt and polychrome whimsical Asian chariot scene, fitted with drawers and cubbyholes, over three serpentine front long drawers, raised on canted block feet, the whole richly accented with gilt and gesso chinoiserie figural landscape scenes. h. 100”, w. 47-1/2”, d. 22-1/2”

$6,000-$9,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

detail

detail

153

Tortoiseshell, Ebonized Wood and Silvered Bronze Corpus Christi Crucifix

ca. 1800, the cross mounted with a silvered bronze body of Christ, a brass “INRI" banner, and a silvered brass skull and crossbones, the crucifix on a matching bombe base, raised on turned and ebonized feet. h. 36-1/2”, w. 12-1/4”, d. 7-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

154

Pair of Italian Walnut and Marble Figural Candlesticks

19th century, decorated with carved wooden angels on leafcarved bases, supporting torches with painted candle sockets, on octagonal molded bases set with panels of red griotte marble.

h. 15”, w. 6-3/4”, d. 3-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

155

Italian Carved Wooden Figure of St. Michael

ca. 1700, with a painted head and body, in a silver gilt tunic painted with red and green flowers, on a cove-molded silver gilt base.

h. 31”, w. 14”, d. 6”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

156

Venetian Carved, Gilt and Silvered Wood Grotto Stool

19th century, Italian, the swivel stool modeled as a scallop shell on a dolphin-carved base, mounted on a circular base trimmed with ebonizing. h. 23-3/4”, w. 16-1/2”, d. 19”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

157

Pair of Neoclassical Parcel-Giltwood Lanterns

18th century, Northern Italy, the pentagonal lanterns supported on leaf-carved tapering standards, the top dividers carved with pierced giltwood brackets, the main body decorated with carved leaves and the bottom with a carved pineapple pendant finial, the interior set with a tole candle pricket and fluted drip pan. h. 41”, dia. 15-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

158

Pair of Italian Baroque Solomonic Architectural Columns

17th/18th century, the pierced Corinthian capitals over rope-twist standards decorated with carved giltwood grapes, vines and leaves on a white ground, each with a carved putto on the lower portion. h. 50-1/4”, dia. 6-3/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 157

Impressive Italian Rococo Giltwood and Ebonized Console Table

18th century, the shaped top supported by a central seated putto surrounded by large foliate scrolls and mounted to a conforming platform base.

h. 38-1/2”, w. 53”, d. 15”

$3,000-$5,000

Provenance: The Estate of L. Al Rosenbaum, Christie’s, New York, 2010; Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

160

Pair of Austro-Hungarian Tole Armorial Plaques

fourth quarter 19th century, painted with the arms of Richard Benedikt Emil Freiherr Dacziczky von Hesslowa (1864-1934) and Georg Christian, Fuerst von Lobkowicz (1835ñ1908), the bearer’s name on a banner below. 19-1/4” x 18-3/4” and 19” x 20-1/4”, respectively

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

161

Pair of Austro-Hungarian Tole Armorial Plaques

fourth quarter 19th century, painted with the arms of August Leopold Graf Kinsky von Wchinitz und Tettau (1817-1891) and Arthur Heinrich Maria Girtler von Kleeborn (1856-1889), the bearer’s name on a banner below.

19” x 18-1/2” and 18-3/4” x 18-1/4”, respectively

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

162

Pair of Austro-Hungarian Tole Armorial Plaques

fourth quarter 19th century, painted with the arms of Ferdinand Philipp Graf Consolati zu Heiligenbrunn und Pauhof (1833-1876) and Adalbert, Freiherr von Widmann (1804-1888), the bearer’s name on a banner below.

19-1/4” x 19” and 19-1/4” x 20-1/2”, respectively

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

163

Pair of Italian Giltwood Sconces in the Baroque Taste

19th century, the brightly gilded sconces with backplates decorated with scroll-carved and large shells supporting the scrolled candle cups, carved with leaves and scrollwork, terminating in flat candle holders. h. 22-1/2”, w. 6-1/2”, d. 16-1/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

164

Black Forest Carved Lindenwood Jewel Casket

fourth quarter 19th century, Swiss, the oval box with a hinged cover with rabbits nibbling foliage, the sides with pierced latticework, the interior with an old pink silk lining. h. 5”, w. 9”, d. 5”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

165

Pair of French Aubusson Tapestry Pillows

19th century and later, the 19th-century tapestry decorated with flowers and fruit, with ball fringe and velvet backing. w. 17”, l. 27”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The

Collection of Kevin Stone & Mark Diamond. 163

166

Karl Christian Philipp Reichel (Russian, 1788-1850)

“Portrait of Duke Boris Nikolaevich Yusupov”, 1817 “Portrait of Duchess Sofya Shcherbatova”, 1816

two oils on copper each signed lower right, each signed, dated and localized “Moscow” en verso.

Framed alike.

5-1/2” x 4-1/4”, framed 14-7/8” x 12-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

167

Pair of Italian Polychrome and Marble-Top Cabinets

ca. 1800, each with a conforming shaped marble top over a single long drawer and a pair of framed and paneled doors, accented with painted moldings and faux marbre panels. h. 35-1/2”, w. 40”, d. 21”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

169

French School (19th Century)

17th century, the padded rectangular back with downswept sides and arms above the cushioned seat, raised on turned legs joined by a like box stretcher and ending in block-and-ball feet, all upholstered in Clarence House "Talcy" bargello silk velvet with four matching pillows trimmed with a thick fringe. h. 40”, w. 83”, d. 30”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

“Char du Soleil, ou d’Apollon” “Char de Mercure” “Char de Jupiter”

three gouaches on paper unsigned, titled along lower edge. Matted, glazed and framed alike. each sight 8-1/2” x 11”, framed 13-1/2” x 16-1/4”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

168

Louis XIV Fruitwood Sofa

170

Pair of Italian Grand Tour Carved Wooden Figures

19th century, modeled as Bacchanalian youths draped and holding bunches of grapes, posed contrapposto, on circular bases. h. 26-1/2” to 27”, w. 12-1/4” to 14”, d. 8” to 9-1/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

171

Pair of Italian Small Giltwood Mirrors

18th century, the cartouche-form mirrors decorated with scrollwork and inset panels with stippled interiors, the mirror plates lined with beading. h. 12-3/4”, w. 9-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

172 Carved Giltwood Supraporte

19th century, in the neoclassical taste, the vasiform center carved with pierced, scrolling acanthus leaves terminating in Greek wave-form scrolls, the interior with carved medallions. h. 10-1/2”, w. 60”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

173

Large Pair of Italian Neoclassical Painted and ParcelGiltwood Sconces

19th century, the urn-form backplates set with scrolled leaf-carved handles, and scrolled candle arms terminating in leaf-carved candle holders, decorated with scrolls set with medallions, the lower portion with carved laurel leaves on a painted ground.

h. 18”, w. 28-1/4”, d. 15-1/4”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 174

ca. 1800, in the neoclassical taste, with a parcelgilt, leaf-carved standard, the body set with metal candle branches ornamented with leaves and hung with giltwood tassels, set with leaf-carved, parcelgilt candle holders, the bottom with a lozenge-form giltwood pendant finial.

h. 30-3/4”, dia. 33-3/4”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin

Italian Parcel-Giltwood and Metal Chandelier

Stone & Mark Diamond.

175

Contemporary Custom Sofa Upholstered in Clarence House Velvet

the sofa with two loose back cushions, two loose seat cushions and a simple skirt with kick pleats, all upholstered in Clarence House “Montague” striped velvet, self-piped throughout. h. 32”, w. 84”, d. 41”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 176

Contemporary Custom Sofa Upholstered in Clarence House Velvet

the sofa with two loose back cushions, two loose seat cushions and a simple skirt with kick pleats, all upholstered in Clarence House “Montague” striped velvet, self-piped throughout. h. 32”, w. 84”, d. 41”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

177

Italian Fruitwood Stool

18th century, the padded, square top above a conforming foliate scrolling frieze, raised on cabriole legs joined by an acanthine-carved X-form stretcher and ending in scrolled toes, upholstered in Scalamandre “Tigre” velvet.

h. 20”, w. 19”, d. 19”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

178

Pair of Large Faience Lions

ca. 1800, probably Luneville, France, the lions with gray, detailed faces and yellow manes, on green sponged “grassy” bases.

h. 14-1/2”, w. 17-1/4”, d. 8”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

179

Italian Polychrome and Parcel-Gilt Bookcase

18th century and later, in the rococo taste, the front with applied moldings and carved fruit clusters, with a central arched opening fitted with three shelves.

h. 94”, w. 62”, d. 11”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

180

Pair of Italian Small Giltwood Mirrors

ca. 1800, the lobed mirrors decorated with scrollwork forming coved panels, inset with tapering bellflowers, the edges accented with pierced leaves. h. 11-1/4”, w. 10-1/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

181

Pair of French Meissen-Style Parrot Figures

19th century, by Edme Samson, after a model by Johann Joachim Kandler (German, 1706-1775), enameled in various colors, their heads canted in different directions, on stumpform bases decorated with sculpted cherries and molded, painted flowers, with underglaze cobalt Samson marks on the lower back.

h. 16-1/4”, w. 6-1/4” to 6-1/2”, d. 8-1/2” to 10-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

182

Pair of Italian Carved Giltwood Wall Brackets

19th century, the serpentine, chip-carved shelves supported by cranes eating grapes, on pierced giltwood and rocaille-carved grounds. h. 15-1/2”, w. 13-1/4”, d. 9”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

183

Italian Painted Lacca Povera Fall-Front Secretary Desk

18th century, the top, sides and front with scenic panels against a coral-red-painted ground, the lid opening to a fitted interior, raised on slender cabriole legs.

h. 38-1/2”, w. 38”, d. 21-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

184

Pair of French Patinated Bronze Figures of Cattle

19th century, the figures of a cow and a bull in the Isidore Bonheur taste, realistically modeled and mounted on red griotte marble bases.

h. 3-1/2”, w. 5”, d. 2-1/4”

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

185

Pair of Italian Baroque Carved and Painted Wooden Busts

ca. 1700, possibly depicting St. John the Baptist, the busts held aloft by putti standing on rocky outcroppings, with traces of silver gilt.

h. 26-1/4”, w. 12-1/2”, d. 5”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

183 detail

186

Charles X Giltwood and Marble-Top Center Table

19th century, the circular marble top above a conforming foliate-carved frieze, joined to a lower concave tripartite stretcher by three shaped supports headed by satyr masques and ending in hoof feet.

h. 28”, dia. 39”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

187

Pair of Handsome Edwardian Bronze Sconces

first quarter 20th century, the sleeve-form bronze backplates set with bronze patine arms and hands, supporting torch-form bronze standards molded with lotus leaves holding downturned lotus-molded sockets and shade holders with frosted glass torch-form shades.

h. 10-3/4”, w. 12”, d. 8”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

188

Impressive Pair of Italian Solomonic Pilasters

17th century, the Baroque wooden pilasters with gilded Corinthian capitals over painted rope-twist columns, decorated with carved grapes, vines and leaves, on later backplates.

h. 106”, w. 15-1/2”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

189

Impressive Pair of Italian Solomonic Pilasters

17th century, the Baroque wooden pilasters with gilded Corinthian capitals over painted rope-twist columns, decorated with carved grapes, vines and leaves, on later backplates.

h. 106”, w. 15-1/2”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

188

189

190

Manner of Gasparo Lopez (Italian, 1650-1732)

“Still Lives of Flowers, Fruits and Urns”

pair of oils on canvas Unsigned. Framed alike.

each 29-1/2” x 47-1/2”, framed 37-1/2” x 55-1/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

191

Pair of Italian Majolica Vases

19th century, decorated in the Northern Italian taste with blue and yellow mythological scenes of gods and goddesses frolicking in water, the lobed vases mounted with angel-form handles. h. 13-1/4”, w. 11-3/4”, d. 5-1/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 190

192

Fine

Pair of Louis XV-Style Giltwood Fauteuils

19th century, each with highly detailed, carved frames, generous proportions and drop-in seats and back panels, upholstered in Clarence House red and gold silk damask. h. 41-1/2”, w. 31”, d. 25”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

193

Handsome Napoleon III Giltwood and Tapestry Firescreen

third quarter 19th century, in the rococo taste, the molded surround with a crest carved with roses and accented with scroll and rocaille work, the tapestry obverse with a panel of garden trophies and flowers framed with carved giltwood fringed drapery and tassels, the carved stretcher edged with scrollwork and carved with flower heads, on scrollcarved feet. h. 46”, w. 34-1/2”, d. 16-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

194

Pair of French Bronze Chenets in the Louis XVI Style

third quarter 19th century, the main bodies with fire pots terminating in flame finials, draped with patinated bronze laurel swags, on square bases with bronze patine medallions, raised on paw feet, the connecting bases with ribbon-bound bronze patine swags, the log stops decorated to match, impressed “VB” on the rear. h. 12-3/4”, w. 12”, d. 4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

195

Carved Giltwood Cherub

19th century, his head carved with ringlets, dressed in carved drapery, supporting a carved swag of giltwood flowers, and standing on a giltwood rocky outcropping. h. 26-1/2”, w. 20-1/4”, d. 14-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

196

Three

Gilded Age Sterling Silver Gilt and Glass Vases

fourth quarter 19th century, by Black, Starr & Frost, New York, New York, each with an inverted pear-shaped glass body cut with fern decoration and mounted in a leaf-and-dart silvergilt shoulder and foot, with waisted collar and opposing arched dolphin’s-head handles. h. 6”, w. 5-1/2”, dia. 3”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

197

Collection of Rare Locre Armorial Tableware

first quarter 19th century, Paris, the arms of the Sanders/ Saunders family on the gilt ground, with carefully rendered roses on the borders, the backs with blue underglaze crossed arrows marks, the set comprised of seven dessert plates, dia. 9”, a pair of shell dishes, w. 9”, l. 9-1/2”, a pair of octagonal dishes, h. 2-1/2”, dia. 8-1/4”, and an unmarked sauce tureen, h. 6-1/4”, w. 10-1/2”, d. 6-1/4”.

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

198

Five Whiting “Louis XV” Sterling Silver Nesting Dishes

the pattern designed in 1891 by Charles Osborne, Providence, Rhode Island, each with a scroll rim and openwork side, the largest monogrammed “MBL”, one of the next largest monogrammed “ESA”. l. 6-1/2”, 8-1/2”, 10-1/4” (2) and l. 12”; 31.75 total t. oz.

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

199

Pair of Paris Porcelain Bulb Pots/Potpourri Vases

19th century, likely Jacob Petit, the covers with center bulb openings and piercings, the faceted bodies decorated on the obverse with couples in Arcadian landscapes and on the reverse with floral panels, on black grounds trimmed with raised gilt, with masque handles and raised on winged paw feet. h. 8-1/2”, dia. 7”

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

200

Austrian Giltwood and Crystal Chandelier

early 19th century, the eight-light chandelier suspended on sheet brass chains from a domed canopy, the body decorated with boldly carved flowers, berries and leaves, supporting a central tiered giltwood finial hung with drops and set with scrolled metal candle branches decorated with giltwood bellflowers terminating in turned candle sockets and drip pans, and hung with swags of drops, the lower portion with a carved giltwood finial ornamented with swags of drops. h. 37”, dia. 31-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

201

Pair of Rose Medallion Porcelain Lamps

19th century, the rose medallion baluster vases decorated with mandarin figures, peonies and butterflies, with gilt foo dog handles, on fluted bronze shell-molded bases, fitted with lampshades. h. 35”, dia. 16-3/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

202

Pair of German Silver Compotes

first quarter 20th century, Hanau, retailed by Buchholz & Zelt, New York, .800 silver, each with an oval openwork basket embossed with flowers, rococo scrolls and putti, raised on an addorsed swan standard above a domed foot en suite.

h. 6”, l. 5-1/4”, w. 3-7/8”; 17.48 total t. oz.

$500-$800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 201

203

Pair of German Silver and Cut Glass Condiment Stands

second quarter 20th century, by J. D. Schleissner & Sohne, Hanau, each with diamond-cut oval bowl raised on an .800 silver addorsed and twined dolphin standard above an oval gadrooned base with shell-crested lion’s paw feet. h. 5-3/4”, l. 5”, w. 3-1/4

$500-$800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

204

Austrian Bronze-Mounted Tortoiseshell Casket

19th century, the cover with four bronze-framed miniature paintings under glass and a central bronzeframed porcelain plaque, all decorated with couples in 18th-century costume, the four sides with matching porcelain plaques, the bombe-form body with corners decorated with bronze acanthus leaves terminating in masque-molded feet and winged bronze lion’s heads, with a masque-molded and scrolled escutcheon. h. 10-3/4”, w. 13”, d. 13”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

205

Regence Giltwood Parclose Mirror

18th century, French, the pierced, mirror-backed crest with a rocaille-stippled shell, flanked by trailing flowers and scrollwork accented with crossed torches and quivers, on an arched top gadrooned surround, the base with scrolled giltwood leaves, ornamenting the skirt, flanked by rocaille-carved corner ornaments.

h. 79-1/2”, w. 43-3/4”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

206

Set of Four E. F. Caldwell Giltwood Sconces

ca. 1895-1946, New York, New York, in the neoclassical taste, the backplates with egg-and-dart carving, set with scrolled candle arms mounted with carved leopard’s heads, under the reeded, scalloped drip pans and turned candle sockets, signed on the rear crossbars.

h. 8-3/4”, w. 11”, d. 8-3/4”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

207

Pair of French Bronze-Mounted Cut Glass Urns

20th century, possibly Baccarat, the strawberrycut glass urns with engine-turned bronze rings, and bronze Bacchanalian masque handles and grapevine trim, the ogee bronze bases with molded acanthus leaves.

h. 11-1/4”, w. 6-3/4”, d. 6”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

208

Chinese Export Bronze-Mounted Porcelain Punch Bowl

18th century and later, the mazarine blue punch bowl with gilt scrollwork decorating the interior, the French Louis XV-style scrolled, leaf-molded handles and pierced bronze base mounts from the Belle Epoque period.

h. 8”, w. 15”, d. 12”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

209

French Belle Epoque Marble and Bronze Urn

19th century, in the rococo taste, now mounted as a lamp, the breche violette marble urn of inverted pear form, decorated with gilt-bronze scrollwork and raised on paw feet, on a tripartite marble base, fitted with a shade.

h. 30-3/4”, dia. 18-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

207

208

210

French Edme Samson Porcelain Allegorical Figure

19th century, the figure of “America” depicted as a Native American princess in a feathered headdress and skirt, sitting on drapery decorated with puce flowers, accompanied by a putto riding a turtle, on a gilt-trimmed, leaf-molded base, with an underglaze blue “Samson” mark. h. 15”, w. 8”, d. 7”

$2,000-$3,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

211

French Edme Samson Porcelain Allegorical Figure

19th century, the figure of “Africa” depicted as a Nubian princess wearing beads, sitting astride a lion, a serpent at her feet, one foot raised on an elephant’s head, on a gilt-trimmed, leaf-molded base with an underglaze blue “Samson” mark. h. 15-1/4”, w. 8-1/4”, d. 7”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

212

Pair of Unusual French Paris Porcelain Bulb Vases

second quarter 19th century, the oval vases with gilt reeded central bulb holders over raised gilt necks with claret grounds, the main bodies with polychrome decorations of shepherds and shepherdesses in landscapes, flanked by trumpet-form bulb holders, on scroll- and shell-molded bases.

h. 13-1/2”, w. 10-1/4”, d. 4-1/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

213

French Neo-Grec Gilt-Bronze Chandelier

third quarter 19th century, the eighteen-light chandelier with a corona molded with classical profiles and leaves, atop the vasiform standard mounted with masques and handles, set with two tiers of scrolled and pierced candle arms, molded with leaves and medallions, terminating in leaf-molded drip pans and matching candle sockets. h. 30-1/2”, dia. 30-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

214

Pair of Stenciled and Ebonized Console Tables

early 19th century, Italian, the demilune-form tables with faux marbre tops, over a tall frieze with stenciled classical motifs, supported by tapered square columns headed by winged caryatid busts, the backs fitted with beveled plate-glass mirrors.

h. 35-1/2”, w. 45”, d. 21”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

215

Pair of Impressive Giltwood and Ebonized Neoclassical

early 19th century, Italian, the giltwood lotus-carved crest crowning an ebonized tablet, decorated with an oval penwork table of a masque framed in arabesque scrollwork, supported by a pair of ebonized pilasters, punctuated with giltwood panels, decorated with cherubs, shells and anthemia, with egg-and-dart capitals and bases.

h. 74-1/4”, w. 47-1/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Mirrors

215

214

216

Pair of French Gilt-Bronze Figural Candelabra

19th century, the engine-turned candle cups on leaf-molded branches, supported by molded wreaths, held aloft by figures of “Winged Victory” perched on column-form, engine-turned bases, raised on square plinths. h. 16-3/4”, dia. 6”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

217

Bronze and Crystal Chandelier in the Empire Taste

ca. 1900, the six-light chandelier top with a corona of bronze scrollwork, hung with swags of crystal drops, the body hung with strands of prisms to the molded bronze frame, decorated with medallions, the lower portion with three descending tiers of prisms and a lower faceted spherical drop. h. 63”, dia. 27-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

218

Pair of French Bronze Dore et Patine Neoclassical Atheniennes

ca. 1900, each with a kylix-form top with engine-turned decoration, resting on a tripartite base composed of three patinated bronze columns with engine-turned capitals and bases, centered by a “flaming” brazier. h. 18-1/2”, dia. 12-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

219

Pair of French Empire-Style Tole Cachepots/Bottle Coolers

19th century, the obverses decorated with panels of classical ruins and the reverses with gilt trophies and penwork detail, on a red ground, the interiors painted green. h. 6-1/2”, dia. 6-3/4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

220

Directoire Red Tole Three-Piece Clock Set

ca. 1800, French, the casket-form clock decorated with gilt muses of music, the base with anthemia decorated “mounts”, the sides with lozenge-framed caducei, on giltdecorated paw feet, mounted with a silk-string suspension movement, h. 14-1/2”, w. 10-1/2”, d. 5-1/2”, and the flaring vases decorated to match, h. 10-1/2”, w. 6-1/4”, d. 6-1/4”.

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

221 Rare French Tole Double Argand Student Lamp

first quarter 19th century, the center tank and end wick burner holds decorated with grisaille neoclassical figures and broken columns, trimmed with gilt laurel tendrils, with original pierced tole shades, now electrified. h. 21-1/4”, w. 13-3/4”, d. 5”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

222

Belle Epoque Gilt-Bronze Chandelier

19th century, in the rococo taste, the eighteen-light chandelier with a pierced rocaille-molded corona, the rope-twist standard with scroll-molded mounts and bouquets of flowers, the body set with leaf-molded and scrolled candle arms terminating in leaf-molded drip pans and inverted bell-form candle sockets molded with scrollwork.

h. 36”, dia. 29-1/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

223

19th century, the lobed urns with domed covers set with foo dog knops, decorated in orange and cobalt with vases of peonies and prunus, and phoenix birds on branches, against panels of scrollwork with an orange ground and framed in cobalt.

h. 32-1/2”, dia. 11”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection

Monumental Pair of Japanese Imari Porcelain Covered Urns

of Kevin Stone & Mark Diamond.

224

Napoleon III Bronze-Mounted Tortoiseshell Jewel Casket

third quarter 19th century, in the Rococo revival taste, the covemolded cover trimmed in bronze, the bombe-form body with scroll- and rocaille-mounted corners terminating in scrolled feet, with a leaf-molded bronze escutcheon and a skirt with flower-molded mounts. h. 7”, w. 10-3/4”, d. 7”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

225

Pair of French Tole and Gilt Lead Pots

18th century, the oval pots with covers set with tole bouquets, the bodies with gilt lead scrolled trim, and decorated with trophies of bird cages, flowers, gardening hats and sheet music, trimmed with swags of flowers.

h. 9-3/4”, w. 7-1/2”, d. 6-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

226

Chinese Imari Porcelain Ormolu-Mounted Jar and Cover

second half 19th century, the cylindrical-form jar tapering to a narrow foot, raised on a four-legged ormolu base, supporting scrolling foliateform handles flanking a domed cover with rooster-form finial, the exterior of the jar decorated in the typical Imari palette. h. 11”, w. 9”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

227

Pair of French Restauration Bronze Figures of Cherubim

second quarter 19th century, the bronze patine cherubs holding bouquets in one hand, perched on leaf-molded spherules, mounted on tapered standards molded with scrollwork and flowers, on square bases. h. 15-1/2”, w. 4”, d. 4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

228

Napoleon III Bronze-Mounted Boulle Jewel Casket

third quarter 19th century, in the Louis XV style, the tortoiseshell-veneered casket decorated with engraved brass marquetry depicting birds, moths, flowers and squirrels, trimmed with bronze scroll and rocaille corner mounts, the facade with a satyr-masque mount, raised on scrolled feet, the interior retaining an old velvet lining.

h. 13”, w. 21”, d. 14”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

229

Pair of Rare Napoleon III Bronze Dore and Mahogany Brackets

19th century, the semi-circular shelves mounted with gilt-bronze scroll- and leaf-molded trim, the molded backplates with large gilt-bronze mounts decorated with scrolled panels of latticework, lushly trimmed with rocaille work wings and heads of figures, the lower edge with a leaf-molded drop accented with a flower head.

h. 11”, w. 11”, d. 8-1/4”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

230

French Gilt-Bronze and Crystal Chandelier

19th century, possibly Baccarat, the eight-light chandelier with a vasiform swirl-fluted standard, with guilloche trim and set with two tiers of sprays of crystal swags and drops above six leaf-molded and scrolled candle branches, terminating in fluted bronze candle sockets and molded crystal prism rings, the base with a tulip-form glass pendant finial. h. 31”, dia. 24”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

231

Pair of French Gilt- and Patinated Bronze Vases

19th century, the tops trimmed with floral wreaths, set with patinated winged caryatid handles resting on ram’s heads, the necks with mounts of torches and crossed laurel branches and the bodies with floral swags supporting cherubs, on leaf-molded bases. h. 11-1/2”, dia. 4-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

232

Louis XVI Parcel-Giltwood Barometer

18th century, French, the crest decorated with a wreath of flowers crowned by a ribbon-bound bough of laurel leaves, framed with carved fringed swagging, the cove-molded, ebonized surround decorated with giltwood beading, the dial signed “Robert Opticien, Passage St. Pierre. No. 4, a Versailles”. h. 32”, w. 19-3/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

233

Pair of French Restauration Bronze Dore Candelabra

second quarter 19th century, now mounted as lamps, the engine-turned candle sockets on matching drip pans, supported by leaf-molded candle arms issuing from a column-form reeded standard with flower-molded capitals, and acanthus-molded bases, on drum-form engine-turned plinths, fitted with shades. h. 36”, dia. 18-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

234

Rare Directoire Tole Brass Mounted "Fountain"

ca. 1800, the domed top decorated with reeding, above a fluted and gilt border over a tapered base decorated with gilt laurel leaves, set with tole Greek-key-form handles on the sides and a brass double eagle-headed spigot near the base, on a pedestal foot, the flat back with a support bar for wall hanging. h. 36”, w. 31”, d. 10-1/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

235

French Marquetry-Inlaid Mahogany Jardiniere

19th century, in the form of a daybed with scrolled sleigh ends, the base inlaid with a medallion framed with sprays of laurel leaves and accented with line inlay, the ends set with brass lion’s-head ring pulls, with a metal liner. h. 15-1/4”, w. 27-1/2”, d. 9-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

236

Pair of French Empire-Style Tole Table Lamps

ca. 1900, the column-form standards painted with black genre scenes on a yellow ground, on square bronze-trimmed bases decorated with landscapes, over anthemion-decorated plinths. h. 26-1/2”, w. 11-3/4”, d. 7-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

237

Pair of Papier-Mache French Bulldog Nodders

ca. 1900, possibly Roullet et Decamps, the felted papier-mache bulldogs with badger hair ruffs at their necks. h. 13-1/2”, w. 16”, d. 8”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

238

Pair of Amusing French Dog Plaques

fourth quarter 19th century, after Prosper Lecourtier (French, 1851-1925), one plaque with a patinated metal retriever in a riding helmet and the other plaque with a hound in a Napoleonic bicorn hat, and a collar with a dog tag marked with his name, “St. Hubert”, the collar marked “Lecoutier”, each plaque marked “Serley & Cartier”, as well as an indistinct marking, mounted on original oak shield-form backplates. h. 10-1/4”, w. 7”, d. 5”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

239

Set of Twelve Royal Crown Derby Dinner Plates

20th century, in the green “Chelsea Bird” pattern, decorated with green pheasants in landscapes, each signed on the back. dia. 10-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

240

Pair of Sarreguemines Majolica Shell-Form Vases

19th century, the shells with blue-glazed interiors, molded with aquatic plants and supported by intertwined dolphins on circular bases, one vase marked “Majolica, Sarreguemines, 949, E” and the other stamped “Majolica 876”. h. 14-1/2” and 14-3/4”, dia. 5-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

241

Pair

of Chinese Export Porcelain Ducks

ca. 1900, with molded celadon porcelain bodies, on molded brown bases impressed “China” on the bottom. h. 9”, w. 3”, d. 5-1/2”

$500-$800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

242

Pair of Chinese Export Gilt Porcelain Ducks

20th century, the seated ducks with details of the eyes and feathers picked out in black detail, unmarked. h. 6-1/2”, w. 6-1/2”, d. 3” and h. 8”, w. 6-1/2”, d. 3-3/4”

$600-$800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

243

Pair of French Brass and Bronze Jardinieres

20th century, the Empire-style jardinieres with hemispherical baskets and brass wirework sides, mounted on bronze dolphin-form feet, set with both original tole liners and later copper liners. h. 5”, w. 14-3/4”, d. 6-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

244

Pair of Chinese Export Porcelain Pheasants

ca. 1900, in the famille rose palette, the birds with molded and polychrome-painted feathers, their heads with pierced beaks, the pierced bases decorated with peonies. h. 10”, w. 3-1/2”, d. 4”

$300-$500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

245

Pair of Chinese Export Porcelain Pheasants

ca. 1900, in the famille rose palette, the birds with molded and polychrome-painted feathers, their heads with pierced beaks, the pierced bases decorated with peonies. h. 9-1/2”, w. 3-1/2”, d. 3-1/2”

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

246

French Gilt-Lacquered Brass Argand Chandelier

second quarter 19th century, the Louis Philippe chandelier with a crenellated corona with beaded trim, the standard decorated with leaf-molded vasiform mounts, a spherical portion mounted with chinoiserie masques supporting molded chains leading to the molded arms, with shade holders and original circular wick holders, the arms with scrolled, leaf-molded mounts, the conical base molded with scrollwork. h. 43-1/2”, dia. 28”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

247

Pair of French Bronze Dore et Patine Candelabra

19th century, the center candle sockets with removable flame finials, the leaf-molded and scrolled candle arms set with medallions and lotus-molded candle cups with matching drip pans, supported on column-form reeded standards, the base with dore acanthus-leaf mounts. h. 30-1/2”, dia. 12-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

248

Exceptional French Bronze Cassolette/Potpourri Urn

19th century, the pierced cover with a melon-form knop, reversing to display a torch-molded candle socket, the campana-form urn molded with acanthus leaves and set with lotus-molded handles, the rectangular plinth with mounts of baskets of flowers and pierced medallions. h. 15-3/4”, dia. 5”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

249

German School (First Quarter 19th Century)

“Portrait of a Gentleman, Possibly Israel (David Levi) Aberle (1752-1830) of Mannheim”

oil on board unsigned. Framed.

24” x 15-3/4”, framed 30” x 21-1/4”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Israel Davie Levi was born in Mannheim, Germany in 1751 into a prominent Jewish family. Upon his marriage to Marianne Aberle, he adopted his wife’s surname and seemingly converted to Christianity. Aberle was a wellrespected furniture, fine art, and objet d’arts dealer whose shop was both popular and lucrative. One of his most significant clients was Duke Karl II of Zweibrucken, whose estate was the famous Karlsberg Castle, which exists today only as ruins.

When plans for an art academy in Mannheim were being proposed, Aberle was named an honorary member of the Decorative Arts Department by the influential Court Historiographer Karl Theodor von Traitteur; Traitteur considered Aberle one of the city’s most respected dealers.

After his death, Aberle’s sons continued the business for decades.

References: Tenner, Helmut, Mannheimer Kunstsammler Und Kunsthandler, Heidelberg: Verlag des Buch und Kunstantiquariats, 1966.

250 Chinese Export Porcelain Garniture Urn

20th century, decorated with oval landscape panels on a tobacco leaf ground, with molded swags of orange bellflowers, and leaf-molded handles, on a brown scrolled base. h. 16-3/4”, w. 8-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

249

251

French Neoclassical Pocket Watch Holder

first quarter 19th century, the gilt-bronze lyre-form watch holder supported by a pair of swans on a lozenge-mounted plinth, raised on an oval base decorated with swags of flowers. h. 10-1/4”, w. 4-1/2”, d. 3-3/4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

252

Large Giltwood Pocket Watch Stand in the Empire Taste

first quarter 19th century, the lyre-form holder with an aperture for the watch at the top, supported by rope-twist, leaf-carved sides on eagle-carved supports, with a center masque-carved medallion, on an oval base. h. 20-1/4”, w. 13”, d. 7-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

253

French Neoclassical Falcon Pocket Watch Stand

second quarter 19th century, the patinated bronze falcon watch holder on a Siena marble base. h. 7-3/4”, w. 4”, d. 3”

$600-$900

254

New Orleans Coin Silver Water Pitcher

ca. 1850, by Anthony Rasch (1780-1858), the pear-shaped body decorated with repousse grapevines and clusters, with applied grapevine banding, with tall collar, integral spout, grape cluster-crested handle and domed foot en suite.

h. 12-3/4”, l. 8-1/4”, dia. 5-3/4”; 24.28 t. oz.

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

255

New York Coin Silver Water Pitcher

1861-1864, by John Lawson Westervelt (1826-1905), Newburgh, New York, retailed by Wendell & Feltman, Albany, New York, the pear-shaped body decorated with repousse flowers centering a rococo scroll-framed cartouche, with integral spout, acanthus-crested handle and domed foot ring. h. 11”, l. 9-1/4”, dia. 6”; 30.38 t. oz.

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 254

256

Gorham Coin Silver Pitcher

dated 1863, Providence, Rhode Island, the ovoid body decorated with repousse arrowhead leaves mantling a scrolling oval cartouche, the cylindrical collar with integral spout, with acanthus-crested S-scroll handle and pedestal foot, engraved, on the cartouche, “Crawford E. Lindsey / May 27th . 1863”.

h. 13”, l. 9”, dia. 6”; 26.53 t. oz.

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Crawford Easterbrooks Lindsey (1838-1907) was the treasurer of the Fall River, Massachusetts Cotton Mill and served as mayor of Fall River in 1878 and 1879. On May 27, 1863 - clearly the occasion for which this handsome pitcher was presented - he married Mary Elizabeth Chace (1844-1918).

257

Three Whiting Sterling Silver Center Bowls

first quarter 20th century, Providence, Rhode Island, model 1543, each of lobed hexagonal form and with variant repousse decoration of flowers and foliage, one monogrammed “GAS”.

h. 3-1/4”, dia. 8-1/2”; 40.09 total t. oz.

$1,000-$1,500

258

Six American Sterling Silver Floral Art Nouveau Dishes

first quarter 20th century, including:

a small circular Whiting example with irises, monogrammed “M”, dia. 5-3/4”;

a small circular Alvin example with acanthus, monogrammed “MR”, dia. 5-3/4”; a small oblong Alvin example with hibiscus, monogrammed “MPF”, l. 7-1/4”;

an oblong Webster example with poppies, no monograms, l. 9”;

a circular Whiting example with violets, monogrammed “F”, dia. 8-3/4”; and a circular F.W. Smith example with acanthus and ivy, monogrammed “MLO”, dia. 10-3/4”.

29.35 total t. oz.

$700-$1,000

259

American Sterling Silver Waiter

first quarter 20th century, by Bigelow, Kennard & Co., Boston, Massachusetts, in the Baltimore taste, square with repousse floral rim and diapered plateau centering an engraved laurel cartouche monogrammed “AEE”, raised on four claw-and-ball feet.

w. 8-1/4”, d. 8-1/4”; 13.27 t. oz.

$400-$700

260

Dominick & Haff Sterling Silver Flower Bowl

1920, New York, New York, retailed by J.W. Mealy & Son Co., Baltimore, Maryland, of rounded hexagonal form, the everted rim richly embossed with poppies, chrysanthemums, violets, and other flowers, monogrammed “ATT”. h. 3-1/2”, dia. 12”; 17.60 t. oz.

$400-$700

first quarter 20th century, Providence, Rhode Island, including: a coffeepot, h. 8”, l. 9-1/4”; a teapot, h. 6”, l. 9-1/4”; an open sugar bowl, h. 3-3/8”, w. 7-3/8”; a tea caddy, h. 5”, w. 4-1/2”; a cream jug, h. 3-1/4”, l. 5-1/2”; and a pastry stand, h. 4-1/4”, dia. 9-1/4”; the tea set of serpentine rectangular section with crested handles and acanthus finials, monogrammed “NLB”, the stand circular with pedestal foot, monogrammed “LMG”, all richly decorated with repousse apple blossoms and daisies. 59.17 total t. oz.

$1,800-$2,500

Whiting Sterling Silver “Apple Blossom” Tea Set

262

ca. 1900, New York, New York, including: a pear-shaped vase, h. 6-1/2”, dia. 5-1/2”; a christening mug with inscription “Henry R. Jahn / Nov. 1st ‘89”, h. 3-1/4”, l. 4”; and a spool case, monogrammed “EVJ”, h. 2-1/4”, dia. 1-5/8; all richly embossed with flowers.

19.08 total t. oz.

$600-$900

263

first quarter 20th century, Providence, Rhode Island, each of oblong lobed form, the everted rim richly embossed with daisies, poppies and chrysanthemums, one monogrammed “JNN”, the other “BAB”. l. 12-1/4”, w. 8-3/4”; 24.60 total t. oz.

$600-$900

Three Pieces of George W. Shiebler Floral Sterling Silver

Two Whiting Sterling Silver Bowls

264

Worthington (Thomas) Whittredge (American, 1820-1910)

“Boys Fishing in a Pasture Stream”, 1868 oil on canvas

signed and dated lower right, inventory number “15” label from Albany Institute of History and Art Exhibition and handwritten label inscribed “G084” en verso, a “Goupil/Broadway” canvas stamp. Framed.

19-1/2” x 30-1/2”, framed 27-1/2” x 38-3/4”

$100,000-$150,000

Provenance: Hirschl & Adler Galleries, New York, New York; Private collection, Thibodeaux, Louisiana.

Exhibition: Munson-Williams-Proctor Institute, Utica, New York; Albany Institute of History and Art, Albany, New York; Cincinnati Art Museum, Cincinnati, Ohio, 1969-1970, Worthington Whittredge Retrospective, no. 15; Hirschl & Adler, New York, New York, 1972-1973, Faces and Places: Changing Images of 19th Century America

Literature: Hirschl & Adler, New York, New York, 1972-1973, Exhibition Catalogue, Faces and Places: Changing Images of 19th Century America, no. 95, illus.; Howat, John K., et al, American Paradise-The World of the Hudson River School (New York: Metropolitan Museum of Art, 1987); Jenson, Anthony F., Worthington Whittredge - Cambridge Monographs of American Art (Cambridge: Cambridge University Press, New York, 1989), pp 105-108, illus. #77 p 107.

It was impossible for me to shut out from my eyes the works of the great landscape painters which I had so recently seen in Europe, while I knew well enough that if I was to succeed I must produce something new and which might claim to be inspired by my home surroundings. Sure, however, that if I turned to nature I should find a friend.

I hid myself for months in the recesses of the Catskills. But how different was the scene before me from anything I had been looking at for many years! The forest was a mass of decaying logs and tangled brushwood, no peasants to pick up every vestige of fallen sticks to burn in their miserable huts, no well-ordered forests, nothing but the primitive woods with their solemn silence reigning everywhere.

–Worthington Whittredge

A painter of the second generation of the Hudson River School, Whittredge's journey to his ultimate position as a leading American landscape artist of the 19th century was one of dogged determination. He was born in a log cabin by the little Miami River in Ohio in 1820 to a poor farming family that originally hailed from Massachusetts; he was the youngest child by far and the only one born after the family relocated to the midwest. He had virtually no formal education, instead working as a trapper to supplement his family's meager income. At 17, he moved to Cincinnati to learn a trade, apprenticing with his brother-in-law as a house and sign painter. Discovering he had an aptitude for this type of artistic work, Whittredge began to paint portraits, traveling across the country seeking commissions. He was ultimately dissatisfied with the results and, realizing he was more of a colorist than a draughtsman, he turned to landscape painting, training by copying popular prints of the day. By 1864, he had his first landscape painting accepted for exhibition by the National Academy of Design in New York. The then president of the Academy, Asher B. Durand (one of the first generation of Hudson River School artists), recognized the young artist’s talent and sent a personal letter of encouragement to Whittredge.

Cincinnati during these years was a thriving cultural and artistic hub of the United States, and Whittredge had no difficulty in finding patrons and supporters amongst its citizens, most significantly the wealthy and influential Nicholas Longworth. Longworth, along with several other patrons, arranged for numerous commissions for Whittredge to enable him to travel to Europe.

In 1849, Whittredge began what would ultimately be a decade long tour of Europe, spending time in London, Paris, Belgium, Rome and Dusseldorf. While in Dusseldorf, he studied with Emanuel Leutze and Andreas Achenbach of the Kunstakademie Dusseldorf (Dusseldorf Academy of Art), though he was never formally enrolled as a student of the academy. The German-born and Philadelphia-raised Leutze often used the young man as a sitter for his paintings - most notably for George Washington in his epic Washington Crossing the Delaware. It was during this time that Whittredge befriended fellow young artist Albert Bierstadt. This period would prove crucial to his development as a landscape artist.

Upon his return to the United Stated in 1859, he settled in New York City, renting space at the Tenth Street Studio along with such prominent artists as William Haseltine, Winslow Homer, William Merritt Chase, and his old friend from Germany, Albert Bierstadt. Amidst this vibrant creative and supportive community, Whittredge created the landscapes for which he would soon become so lauded. While in France, Whittredge had visited with the Barbizon School artists but was not initially taken with their works; "I liked the spirit of the young men, but I did not think much of their pictures. I think better of them now." Ironically, he was later to incorporate aspects of the Barbizon approach into his paintings, creating works which separated him stylistically from the older artists of the Hudson River School. Deftly combining the techniques he had acquired during his study in Europe - including plein aire painting - with the distinct American geography, the resulting landscapes were more personal and intimate than the grand panoramas of so many of the earlier Hudson River School painters. These works met with immediate critical acclaim and were popular with collectors.

The painting offered here is representative of Whittredge's work just as he was becoming associated with the Hudson River School. It is a small-scale depiction of an unidentified yet recognizably north-eastern American location. The interplay of shadow and light is exceptionally rendered; the center of the composition glows with golden sun-light while the flanking foliage is dappled with areas of bronzy-orange where the rays are attempting to penetrate the barricade of leaves. Interestingly, the central figures of the two boys are to the left of center, in a more shaded area; they are clearly not the true subject of the painting, as the atmospheric landscape dominates.

The recipient of numerous honors and awards, Whittredge was elected an associate of the National Academy of Design in 1860, being named a full Academician in 1862. He would serve as president of the revered institution from 1874-1875. His works are in the permanent collections of such institutions as the Louvre Museum, Metropolitan Museum of Art and the Smithsonian American Art Museum.

References: Bauer, John I., ed., Brooklyn Museum Journal , “The Autobiography of Worthington Whittredge” (New York: Brooklyn Museum of Art, 1942.), pp 7-66; The Aldine, 1879, Vol. 9, No. 12, pp 372-374, 377.

265

American Federal Cherry D-End Dining Table

19th century, in two parts, each with a broad drop leaf, feather-grained aprons and raised on tapered square legs.

h. 28-1/2”, dia. 45”, ext. l. 85”

$1,200-$1,800

Provenance: Private collection, Natchez, Mississippi.

266

Neoclassical Giltwood Convex Mirror

first quarter 19th century, possibly American or English, the cove-molded mirror with a reeded edge, set with gilt spherules and trimmed with carved leaves, the antique mirror plate with a reeded and ebonized liner. dia. 18-1/4”

$1,400-$1,800

Provenance: Private collection, Natchez, Mississippi.

267 John Hutchison (Scottish, 1833-1910)

“Bust of a Woman”, 1894

marble on a coved square plinth, signed, dated, and inscribed “RSA” (Royal Scottish Academy) and localized “Edinburgh” along proper left side.

h. 26”, w. 14-1/2”, d. 8-1/2”

$900-$1,200

268

Clarence Millet

(American/Louisiana, 1897-1959)

“Louisiana Homestead” oil on board signed lower right. Framed.

20” x 24”, framed 24-1/2” x 28-1/2”

$4,000-$7,000

As a teenager, Clarence Millet moved to New Orleans where he apprenticed at an engraving company. Encouraged by the visiting artists Louis Oscar Griffith and Robert Grafton, Millet enrolled at Tulane University and then furthered his studies at the Art Students League in New York City. Returning to the city, Millet became an integral part of the French Quarter Renaissance which was comprised of writers, artists, photographers and musicians who found the bohemian lifestyle and affordable rents of the then run down area appealing.

Although well known for his paintings of the French Quarter, Clarence Millet often painted images of life in rural Louisiana that were reminiscent of his youth in the small community of Hahnville.

269

Clarence Millet

(American/Louisiana, 1897-1959)

“St. Anthony’s Garden and Orleans Street, French Quarter” oil on canvas signed lower right, and remnants of exhibition labels en verso.

In a period frame.

30” x 24”, framed 36” x 30”

$10,000-$15,000

Provenance: Acquired at Gresham Gallery, 718 Toulouse Street, New Orleans; descended in a New Orleans family.

In the 1930s and 1940s, New Orleans was marketed as “America’s Most Interesting City” to attract tourists and locals to the French Quarter. Clarence Milletís painting St. Anthony’s Garden and Orleans Street, French Quarter captures the coexistence of both the residential life and tourism in the French Quarter. Locals gather on the plantfilled cast iron balconies while the horse-drawn carriage provided the tourists with a glimpse of life in the 19th century.

Charles Gresham opened his Gresham Gallery next door to the New Orleans Art League located at 630 Toulouse Street in the old Governor Claiborne house. The building was divided into studios and included an art library, scenic courtyard, and gallery. The goal of the Art League was to provide a professional atmosphere where members could work, teach and exchange ideas and constructive criticism. Clarence Millet along with Morris Henry Hobbs, Knute Heldner, Weeks Hall and Gideon T. Stanton were active members. The Gresham Gallery represented many of the Art League artists.

270 Clarence Millet (American/Louisiana, 1897-1959)

“The River: Cloud Shadows on the Mississippi River” oil on canvas unsigned, assorted exhibition labels with artist and titles en verso including from “1959 Art Association of New Orleans Annual Exhibition” and “Springville High School Art Ass’n, Inc.”. In a period frame.

26” x 38”, framed 33-1/2” x 45-1/2”

$6,000-$9,000

Provenance: Acquired at Gresham Gallery, 718 Toulouse Street, New Orleans; Descended in the New Orleans family.

Exhibited: Springville High School Art Association, Inc.; Art Association of New Orleans Annual Exhibition, 1959.

The Springville High School Art Gallery, located in a small Mormon community in Utah, attracted national renowned artists and tens of thousands of visitors to their annual National Spring Salon exhibitions. Founded in 1903, with donations of their artwork by two prominent Utah artists, Cyrus Dallin and John Hafen, the gallery expanded in 1937 with the construction of a new museum building to house their collection and exhibitions. At the dedication, David O. McKay, a leader in the Church of Latter-Day Saints, declared the building “a sanctuary of beauty and a temple of meditation.”

The gallery was later renamed the Springville High School Art Association.

In 1929, the MacBeth Gallery in New York City and Robert C. Vose Gallery in Boston participated in the National Spring Salon by sending works by Robert Henri, Childe Hassam, and Ernest Lawson. Louisiana artist Clarence Millet exhibited at the Springville High School Art Association. In 1940, his painting The Village Church was selected and purchased by Springville Junior High School Eighth Grade Class. Millet’s painting The River: Cloud Shadows on the Mississippi River was included in the annual National Spring Salon exhibition.

271

Rare American Federal Painted Tall Chest

early 19th century, New England, the case with floral-painted reserves on the sides, six drawers and top, each with painted linework simulating string inlay, raised on Hepplewhite-form splayed feet and scalloped valance, found en suite with lot 272. h. 52-1/2”, w. 38-1/2”, d. 17”

$1,800-$2,500

272

Rare American Federal Painted Chest of Drawers

early 19th century, New England, the case with floral-painted reserves on the sides, four drawers and top, each with painted linework simulating string inlay, the top three drawers painted to resemble three rows of side-by-side drawers, raised on Hepplewhite-form splayed feet and scalloped valance, found en suite with lot 271. h. 36”, w. 40-1/2”, d. 17-1/2”

$1,800-$2,500

273

Ethan Allen Greenwood (American, 1779-1856)

“Portrait of Mrs. Prescott”, 1807 oil on canvas signed and dated lower right. Framed.

sight 21” x 16-1/2”, framed 25-1/4” x 20-1/2”

$800-$1,200

Provenance: Cottone Auctions and Appraisals, September 17, 2011, lot 322.

275

Suite of Eight Directoire-Style Mahogany and ParcelGilt Chairs

attributed to Theodore Alexander, the backs with a stepped crest rail over a central plume- and swag-carved splat, the seats covered in dark brown leather, raised on tapered square legs.

h. 38-1/2”, w. 22”, d. 20”

$1,500-$2,500

Collection of Cut Glass and Molded Celery Vases

19th/20th century, including a pair of American “loop” pattern vases, a pair of American flint glass vases, a Pittsburgh pillarmolded vase, two Victorian blown, cut and frosted glass vases, a molded vase engraved “celery” with a swan, three molded pattern glass vases, and a signed William Yeoward celery vase. h. 8-1/4” to 10”, dia. 4” to 5-1/2”

$700-$1,000

Provenance: Private collection, Houston, Texas.

276

Continental Walnut Tripod Table

19th century, the circular top with inlaid geometric bands and raised on a turned baluster-form standard to three splayed legs.

h. 27”, dia. 23-1/2”

$700-$1,000

Provenance: Private collection, Natchez, Mississippi.

277

Ellsworth Woodward (American/Louisiana, 1861-1939)

“Spring: Daffodils and Agapanthus”, 1885

oil on canvas

signed and dated lower right, a “Winsor and Newton” canvas stamp en verso. Framed.

20” x 16”, framed 23” x 19”

$1,000-$1,500

In 1885, Ellsworth Woodward moved to New Orleans and joined his brother William Woodward on the nascent art faculty at recently established Tulane University. A talented artist, Woodward studied at the Massachusetts Normal Art School, Rhode Island School of Design, and furthered his art education in Munch. When the Sophie H. Newcomb Memorial College for Women was established at Tulane University in 1886, Woodward became a professor of art and later the long- term and influential director of the art school.

Both Woodward brothers encouraged their students to draw inspiration from the local flora and fauna of the south for their paintings, prints, and pottery. In the painting of Spring: Daffodils and Agapanthus, Woodward filled his canvas with a view of the cascading flowers. Woodward would revisit this format in the painting Backyard in Covington with banana trees and branches heavy with oranges, now part of the Laura Nelson Simon Collection at The Historic New Orleans Collection.

276

276 detail

278

Early American Pine Corner Cabinet

early 19th century, in two parts, the upper case with a pair of eight-pane glazed doors, the base with a pair of framed and paneled doors, raised on bracket feet. h. 87”, w. 48”, d. 29” (to corner)

$1,200-$1,800

Provenance: Private collection, Natchez, Mississippi.

279

Painted Pine Bride’s Box

19th century, the oval box painted with flowers on a blue ground, the cover with a lithograph scene of a group drinking wine, the surround with a German inscription. h. 6-3/4”, w. 18-1/4”, d. 11-1/2”

$600-$900

Provenance: Private collection, Houston, Texas.

280

Two Burl Wood Objects

late 18th/early 19th century, probably New England, including a mortar with a spoon, mortar h. 3-1/4”, w. 6-3/4”, d. 6-3/4”, spoon l. 5-1/2”, and a dipper with a handle, h. 2-3/4”, w. 7-1/2”, l. 10-1/2”.

$900-$1,200

Provenance: Private collection of Jack Warner, Tuscaloosa, Alabama.

281

Large Burl Wood Bowl

ca. 1800, probably New England, the oblong hand turned bowl carved with handles. h. 7”, w. 18-1/2”, d. 14-1/2”

$1,500-$2,500

Provenance: Private collection of Jack Warner, Tuscaloosa, Alabama.

Literature: Image of burl bowl illustrated in Tom Armstrong, An American Odyssey, The Warner Collection of Fine and Decorative Arts,, (New York: Monacelli Press, 2002), p. 186.

282

John Reed Campbell (American, 1925-2000)

“Misty Marshland”, 1987 oil on canvas signed, dated and copyright marked lower right, signed and titled en verso. Framed.

24” x 36”, framed 32-3/4” x 44-1/2”

$1,000-$1,500

283

Early American Cherrywood Corner Cabinet

early 19th century, Pennsylvania, in two parts, the upper case with a single nine-pane glazed door, the base with a pair of side-by-side drawers over a split-panel framed door, raised on bracket feet.

h. 80”, w. 46”, d. 29” (to corner)

$1,000-$1,500

Provenance: Pook & Pook Auction, Downingtown, Pennsylvania; Private collection, Natchez, Mississippi.

284

Continental Polychrome Immigrant Chest

19th century, the lid with breadboard ends opening to an interior with one side fitted with a till, the front with three painted panels, raised on short, tapered square legs.

h. 20”, w. 45-1/2”, d. 21-1/2”

$700-$1,000

Provenance: Private collection, Natchez, Mississippi.

285

Turkish Lori Pambak Kazak Carpet

5’ 10” x 9’ 3”

$1,000-$1,500

286

Pair of Chippendale-Style Leather Wing Chairs

each with a double padded back and loose seat cushion, raised on carved legs ending in ball-and-claw feet, covered in blue leather, labeled “Made by Classic Leather, Inc., Hickory, N.C.”. h. 40”, w. 33”, d. 33”

$1,000-$1,500

287

Signed Boston Classical Brass Andirons

ca. 1820, with ribbed ball finials and slipper feet, and brass log stops, signed “J. Davis Boston” on the billet bar covers, h. 16-3/4”, w. 22-1/4”, d. 12”; together with a similar pair of tongs and poker, l. 35”.

$1,000-$1,500

288

Signed New York Federal Brass Andirons

ca. 1800, the ball finials on cabriole legs with ball feet, signed “R. Wittingham N. York”, h. 22”, w. 10”, d. 21”; together with an assembled shovel and tongs in a similar pattern, l. 36-3/4”.

$1,000-$1,800

289

Signed Boston Neoclassical Brass Andirons

ca. 1800-1820, decorated with mid-rib ball finials and slipper feet, with brass log stops, signed “Molineux Boston” on the billet bar covers, 18”, w. 12-1/2”, d. 26-3/4”; together with a near matching Boston shovel and tongs, l. 34-1/4”.

$1,000-$1,500

290

Early American Cherrywood Armoire

19th century, Lancaster County, Pennsylvania, the pair of framed split-panel doors over a single long drawer, plank sides and raised on bracket feet, inscribed on the back, “Rev. L. F. Kampmann, Lititz, PA, care of M. Huebner”. h. 84”, w. 52”, d. 19”

$1,000-$1,500

Provenance: Rev. L.F. Kampmann, Lilitz, PA; Private collection, Natchez, Mississippi.

291

American School (19th Century)

“Portraits of Husband and Wife” two oils on canvas affixed to board unsigned. Framed alike.

13” x 10”, framed 15” x 12”

$900-$1,200

Provenance: Private collection, Natchez, Mississippi.

292

Early American Painted Salmon Pine Corner Cabinet

18th century and later, mid Atlantic, in one piece, the upper case fitted with a pair of arched fan-light glazed doors, over a pair of framed and paneled doors, raised on bracket feet. h. 99-1/2”, w. 47”, d. 29” (to corner)

$1,500-$2,500

Provenance: Private collection, Natchez, Mississippi.

293 Painted Immigrant Chest

19th century, the dome-top trunk with forged ironwork corner straps, lock plate, hinges and bail handles, decorated with blue paint, the front inscribed and dated “1868”. h. 18-1/2”, w. 37”, d. 18-1/2”

$700-$1,000

Provenance: Private collection, Natchez, Mississippi.

294

Group of Gorham “Versailles” Sterling Silver Flatware

the pattern designed in 1888 by Florentin Antoine Heller (1839-1904), Providence, Rhode Island, including six dinner forks, l. 7-1/2”, a macaroni server, l. 8-1/4”, a fish serving set, l. 9” and 11-1/4”, and a soup ladle, l. 12-3/4”, all but the forks monogrammed “W”. (10 pieces total) 32.29 total t. oz.

$1,200-$1,800

Provenance: Private collection, Houston, Texas.

295

Dominick & Haff Sterling Silver Pitcher

1882, New York, New York, retailed by Shreve, Crump & Low, Boston, with thick baluster body, the crested handle with repousse apple blossoms, monogrammed “ALB”. h. 8-3/4”, l. 7-3/4”, dia. 5-3/4”; 29.13 t. oz.

$500-$800

Provenance: Skinner, Boston, October 13, 2018, lot 74.

296

Tiffany & Co. Sterling Silver “Clover” Fruit Bowl

the pattern introduced in 1898, New York, New York, with realistically detailed applied openwork “clover” rim, monogrammed “JHK”. h. 3-1/2”, dia. 12-1/2”, 25.26 t. oz

$700-$1,000

297

American Sterling Silver and Antler Tyg

first quarter 20th century, by Meriden Britannia Co., Meriden, Connecticut, the ovoid body raised on a pedestal foot reeded at the rims, with three strap-mounted two-prong antler handles, the lower point attached by a ring. h. 11”, cup dia. 6-7/8”, w. 12”; 44.04 t. oz. (including antler)

$1,000-$1,500

Provenance: Private collection, Houston, Texas. 294 295

298

Tiffany & Co. Sterling Silver Presentation Pitcher

the pattern introduced in 1875, this example dated 1902, with ovoid body and waisted collar with integral spout, with acanthus-crested and -mounted scroll handle and pedestal foot, monogrammed “ED” and inscribed on the underside “For Miss Ethel / with best wishes for happiness from the help of the household of her mother / Alice Martin Davies August 9th 1902”.

h. 12”, l. 9-1/4”, dia. 5-3/4”; 31.66 t. oz.

$1,000-$1,500

299

Whiting “Louis XV” Sterling Silver Flatware Set

the pattern designed in 1891 by Charles Osborne (1847-1920), Providence, Rhode Island, including a dozen twelve-piece place settings (eight pieces lacking), with an additional dozen teaspoons, four place pieces and ten serving pieces, variously monogrammed, presented in a zippered plastic case with polyvinyl place setting sleeves, and a Hagerty fitted and zippered silver cloth drawer insert, 19” x 11-3/4”. (162 pieces total)

171.20 total t. oz. (weighable silver)

$4,000-$7,000

Provenance: Private collection, Houston, Texas.

detail

300

Two Sets of Sterling Silver Goblets

mid-20th century, New York, including: six by Revere Silver Co., h. 6-3/8”, dia. 3-1/4”; and five by Hunt Silver Co., h. 6-5/8”, dia. 3-1/8”; each with inverted bell body and pedestal foot, no monograms.

31.89 total t. oz.

$1,000-$1,500

301

Two Baltimore Sterling Silver Bowls

first quarter 20th century, Heer-Schofield Co., Baltimore, Maryland, including: a circular flower bowl with molded rim and foot ring, monogrammed “RHC”, h. 3-3/4”, dia. 8-1/4”; and a small “Revere” bowl, no monogram, h. 2-3/4”, dia. 4-3/8”. 19.56 total t. oz.

$500-$800

302

Eight Sterling Silver Sherbet Dishes

second quarter 20th century, A.G. Schultz & Co., Baltimore, Maryland, each with ogee bowl and waisted pedestal foot, monogrammed “MC”. h. 3-3/4”, dia. 3-1/2”; 27.79 total t. oz.

$600-$900

303

Eight Sterling Silver Tumblers

mid-20th century, Hunt Silver Co., New York & Chicago, each of slightly tapering cylindrical form with everted rim. h. 5”, dia. 3”; 32.52 total t. oz.

$800-$1,200

304

Black, Starr & Frost Sterling Silver Tea Set

first quarter 20th century, New York, New York, in the Colonial Revival taste, including: a kettle-on-stand, h. 10-3/4” (14-1/4” with handle), l. 10”; a coffeepot, h. 9-1/2”, l. 10-1/2”; a teapot, h.7-1/4”, l. 11-3/4”; a covered sugar bowl, h. 6-1/4”, w. 8-1/2”; a cream jug, h. 6-1/4”, l. 6”; and a waste bowl, h. 4-1/2”, w. 6-1/4”; each piece of turtleback section with upswept ends and vasiform finials, monogrammed “FAK”. 103.39 total t. oz.

$2,500-$5,000

305

Diminutive American Colonial Revival Walnut Queen Anne Bonnet-Top Highboy

late 19th century, the upper case with a broken-arch-molded bonnet terminating in carved rosettes and three spiral-carved finials, above a central fan-carved drawer, flanked by a smaller drawer to each side and four graduated long drawers, the base with a long drawer over a central fan-carved drawer and smaller drawer to each side, the apron with a pair of drop acorn finials, raised on slender Queen Anne-form legs ending in pad feet.

h. 77”, w. 28”, d. 19”

$1,000-$1,500

306

early 19th century, the top with a string-inlaid leading edge above four conforming graduated long drawers with stringinlaid borders, raised on a scalloped front apron and splayed legs.

h. 36”, w. 43”, d. 22”

$1,200-$1,800

Provenance: Private collection, Natchez, Mississippi. 305

American Federal Mahogany Bowfront Chest

307

Early American Walnut Tall Chest

18th century, the top with a cove-molded overhang above three side-by-side drawers and five graduated long drawers, raised on an ogee-bracket-foot base, the front corners of the case chamfered.

h. 65-1/2”, w. 42”, d. 22-1/2”

$1,200-$1,800

Provenance: Private collection, Natchez, Mississippi.

308

2’

$800-$1,200

309

2’

$800-$1,200

Agra Serapi Runner

9” x 29’ 5”

Agra Serapi Runner

5” x 26’

310

Agra Serapi Carpet

8’ 9” x 11’ 10”

$1,500-$2,500

311

Early American Chippendale Walnut and Cherry Highboy

18th century, in two parts, the upper case with a pair of sideby-side drawers above four graduated long drawers, the base with a single long drawer over a carved valance flanked by a smaller drawer on each side, raised on cabriole legs ending in ball-and-claw feet.

h. 69-1/2”, w. 42”, d. 23”

$1,200-$1,800

Provenance: Private collection, Natchez, Mississippi.

2SESSION SUNDAY, DECEMBER 8

Convertible Amethyst, Hematite and Pearl Jewelry Suite

14k white/yellow gold, the suite including two handknotted necklaces composed of 15.50 mm round amethyst beads, finished with a yellow gold clasp, l. 16” and 18-3/4”, a large convertible brooch/pendant mounted with two oval cabochon-cut amethysts weighing approximately 27.00 carats and 70.00 carats each and two oval-shaped hematite cabochons measuring approximately 12.50 mm x 18.00 mm each, accented by freshwater baroque pearls and a large 17.00 mm dangling baroque pearl, size 2-1/4” x 4”, and a matching pair of earrings, each set with cabochon-cut amethysts weighing approximately 15.00 carats and 20.00 carats each, dangling oval hematite cabochons measuring approximately 24.50 mm x 17.50 mm and 25.00 mm x 22.50 mm, each with an 8.00 mm round baroque freshwater dangling pearl, l. 2-1/4”.

total weight 363.9 grams

$1,800-$2,500

313

Large Amethyst Ring

14k yellow gold, the large oval ring mounted with a cabochoncut amethyst weighing approximately 91.00 carats.

size 6, total weight 58.0 grams

$1,400-$1,800

314

de Grisogono Amethyst and Diamond Ring

18k white gold, the large domed ring mounted with sections of calibre-cut amethysts separated by round brilliant-cut diamonds weighing approximately 1.12 carats in total, stamped “de GRISOGONO B7097 750”.

size 6-3/4, total weight 34.0 grams

$6,000-$9,000

315

Ametrine and Diamond Ring

14k yellow gold, the ring mounted with an elongated cushioncut ametrine weighing approximately 17.94 carats, accented by round brilliant-cut diamonds weighing approximately 0.30 carats in total.

size 7, total weight 8.4 grams

$1,500-$2,500

18k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 2.25 carats in total and square-cut rubies weighing approximately 1.60 carats in total, stamped “Boucheron OR 750 P58912”.

l. 14-1/2”, total weight 72.0 grams

$7,000-$10,000

316

Boucheron Diamond and Ruby Necklace

316

317

Ruby and Diamond Gold Cross with Chain

the 22k yellow gold cross mounted with round-cut rubies weighing approximately 0.30 carats in total and a round brilliant-cut diamond weighing approximately 0.30 carats, l. 2-1/8”, suspended from a 14k yellow gold serpentine chain, l. 20”.

total weight 13.4 grams

$800-$1,200

Provenance: Private collection, Mobile, Alabama.

318

Pair of Antique American Bangle Bracelets

fourth quarter 19th century, 10k rose and yellow gold, the double-hinged “crossover” rose gold bracelets set with two adjacent, crossing yellow “nugget” textured rows decorated with applied rose gold foliate-engraved polygons.

inside circumference 5-1/2”, total weight 20.1 grams

$1,000-$1,500

319

French Articulated Ruby Flower Ring

18k yellow gold, the articulated “blooming” flower ring mounted in the center with a cabochon-cut ruby weighing approximately 0.07 carats and articulated petals opening and accented with faux diamonds, stamped with French marks.

size 6-3/4, total weight 18.5 grams

$2,500-$4,000

320

French Articulated Ruby Thistle Brooch

18k yellow gold, the articulated “blooming” thistle mounted in the center and stem with cabochon-cut rubies weighing approximately 2.04 carats in total, with French marks.

size 1-1/2” x 2-1/4”, total weight 23.0 grams

$3,000-$5,000

321

Diamond Pendant Necklace

platinum, the fixed pendant converted from a brooch and mounted with marquise-cut and round brilliant-cut diamonds weighing approximately 3.56 carats in total, accented by faux sapphires, l. 2-1/2”, suspended from a platinum chain composed of bar links alternating with seed pearls, l. 16”.

total weight 17.7 grams

$6,000-$9,000

322

Art Deco Diamond and Onyx Brooch

platinum, the brooch mounted with a central European-cut diamond weighing approximately 0.75 carats, accented by single-cut diamonds weighing approximately 2.16 carats in total and calibre-cut onyx.

size 2-3/8” x 3/4”, total weight 12.2 grams

$2,000-$4,000

323

Diamond and Sapphire Ring

platinum, the ring mounted with a central emerald-cut diamond weighing approximately 0.50 carats, flanked on either side by a tapered baguette-cut diamond and round brilliant-cut diamonds weighing approximately 1.40 carats in total, accented with square-cut sapphires weighing approximately 0.40 carats in total.

size 7, total weight 6.3 grams

$6,000-$9,000

324

Sapphire and Diamond Band

18k white gold, the band mounted with square-cut sapphires weighing approximately 1.30 carats in total and round brilliantcut diamonds weighing approximately 0.30 carats in total.

size 7, total weight 4.3 grams

$1,800-$2,500

325

Diamond and Sapphire Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 3.50 carats in total and round-cut sapphires weighing approximately 3.40 carats in total.

l. 7”, total weight 11.0 grams

$2,500-$4,000

326

Pair of Diamond and Sapphire Hoop Earrings

14k yellow gold, the oval inside/outside hoop earrings mounted with round brilliant-cut diamonds weighing approximately 0.72 carats in total and round-cut sapphires weighing approximately 0.64 carats in total.

l. 1”, total weight 6.5 grams

$1,800-$2,500

327

Diamond “Dog Tag” Pendant Necklace

14k yellow gold, the fixed pendant mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total, suspended from a yellow gold chain.

l. 16” to 18”, total weight 5.3 grams

$1,400-$1,800

328

Diamond Cuff Braclet

14k yellow gold, the spring-tension bracelet mounted with round brilliant-cut diamonds weighing approximately 1.50 carats in total.

inside circumference 6-1/2”, total weight 22.7 grams

$3,500-$5,000

329

Diamond “Dog Tag” Ring

14k yellow gold, the ring mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total.

size 6-1/4, total weight 5.3 grams

$1,200-$1,800

330

Emerald and Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with an oval-cut emerald weighing approximately 1.00 carat, accented by round brilliant-cut diamonds weighing approximately 0.15 carats in total.

inside circumference 6-1/2”, total weight 5.8 grams

$1,200-$1,800

331

Diamond Bangle Bracelet

14k yellow gold, the hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 0.60 carats in total.

inside circumference 6-1/2”, total weight 10.6 grams

$2,000-$4,000

332

Emerald and Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round-cut emeralds weighing approximately 0.50 carats in total and round brilliant-cut diamonds weighing approximately 1.00 carat in total.

inside circumference 6-3/4”, total weight 8.0 grams

$1,800-$2,500

333

Emerald and Diamond Ring

18k white gold, the ring mounted with a cabochon-cut emerald weighing approximately 4.77 carats, accented by round brilliant-cut diamonds weighing approximately 0.60 carats in total.

size 7, total weight 6.0 grams

$3,000-$5,000

334

Emerald and Diamond Bracelet

14k yellow gold/sterling silver, the bracelet mounted with a cushion-cut emerald weighing approximately 3.60 carats, accented by round-cut diamonds weighing approximately 3.00 carats in total.

l. 7-1/8”, total weight 16.8 grams

$3,000-$5,000

335

Pair of Emerald and Diamond Earrings

14k white gold, the earrings mounted with pear-cut emeralds weighing approximately 2.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.10 carats in total.

l. 1-3/8”, total weight 6.9 grams

$2,500-$4,000

336

Art Deco Diamond Ring

platinum, the ring mounted with a central European-cut diamond weighing approximately 1.90 carats, accented by smaller European-cut diamonds weighing approximately 0.14 carats in total and faux emeralds.

size 10, total weight 4.6 grams

$3,000-$5,000

337

Emerald and Diamond Bow Brooch

platinum, the brooch mounted with single-cut diamonds weighing approximately 1.48 carats in total and square-cut emeralds weighing approximately 0.60 carats in total.

l. 2-1/4”, total weight 7.4 grams

$2,500-$4,000

338

Art Deco Three-Stone Diamond Ring

18k white gold, the ring mounted with European-cut diamonds weighing approximately 0.40 carats in total, accented with faux emeralds, in a filigree mounting.

size 7, total weight 2.9 grams

$1,200-$1,800

Beautiful Diamond, Emerald and Sapphire Ring

platinum, the ring mounted with a central cushion-shaped mine-cut diamond weighing approximately 0.70 carats, accented by round brilliant-cut diamonds weighing approximately 0.60 carats in total and calibre-cut emeralds and sapphires weighing approximately 0.70 carats in total.

size 6-3/4, total weight 6.9 grams

$4,500-$7,000 340

Diamond and Emerald Bracelet

platinum, the bracelet mounted with a center row of round brilliant-cut diamonds weighing approximately 4.60 carats in total, flanked on either side by a row of square-cut emeralds weighing approximately 5.52 carats in total.

w. 3/16”, l. 7”, total weight 31.6 grams

$8,000-$12,000

341

Beautiful Diamond and Sapphire Ring

platinum, the ring mounted with a central oval-cut diamond weighing approximately 1.50 carats, surrounded by a halo of pear-cut diamonds weighing approximately 0.50 carats in total, alternating with calibre-cut sapphires weighing approximately 0.24 carats in total, the ring shank accented with round brilliant-cut diamonds weighing approximately 0.10 carats in total.

size 7-3/4, total weight 5.7 grams

$8,000-$12,000

342

Pair of Diamond Stud Earrings

14k white gold, the earrings mounted with oval-cut diamonds weighing approximately 3.05 carats in total.

total weight 1.9 grams

$10,000-$15,000

343

Diamond Eternity Band

14k white gold, the band mounted with oval-cut diamonds weighing approximately 4.60 carats in total.

size 7, total weight 3.0 grams

$5,000-$8,000

344

Sapphire and Diamond Ring

18k white gold, the ring mounted with an oval-cut sapphire weighing approximately 0.90 carats, accented by baguettecut and round brilliant-cut diamonds weighing approximately 0.50 carats in total.

size 7, total weight 3.4 grams

$1,800-$2,500

345

Beautiful M. Buccellati Diamond Leaf Necklace

18k yellow gold, the necklace composed of leaves accented with round brilliant-cut diamonds weighing approximately 2.25 carats in total, marked “M. BUCCELLATI 750”.

w. 5/8”, l. 18”, total weight 109.8 grams

$25,000-$40,000

346

Pair of M. Buccellati Diamond Earrings

18k yellow/white gold, the half hoop earrings with retractable posts and mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total, stamped “750 M. BUCCELLATI”.

l. 3/4”, total weight 13.7 grams

$3,000-$5,000

14k yellow gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 5.00 carats in total.

l. 16”, total weight 13.0 grams

$3,500-$5,000

Diamond Necklace

348

Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.30 carats in total.

inside circumference 6-1/2”, total weight 7.8 grams

$1,800-$2,500

349

Pair of Diamond Hoop Earrings

14k yellow gold, the inside/outside earrings mounted with round brilliant-cut diamonds weighing approximately 3.00 carats in total.

l. 1-1/4”, total weight 8.8 grams

$3,000-$5,000

350

Diamond Tennis Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.50 carats in total.

l. 7”, total weight 4.5 grams

$1,400-$1,800

351

Diamond Snake Ring

14k yellow gold, the ring mounted with pear-cut and baguette-cut diamonds weighing approximately 0.60 carats in total.

size 6-1/4, total weight 2.3 grams

$1,200-$1,800

352

Diamond Snake Bangle Bracelet

14k yellow gold, the spring-tension bracelet mounted with round brilliant-cut diamonds weighing approximately 0.60 carats in total.

inside circumference 7”, total weight 10.6 grams

$2,000-$4,000

Diamond Bracelet

18k yellow gold, the bracelet composed of polished bambooshaped links alternating with round brilliant-cut diamonds weighing approximately 1.20 carats in total.

l. 8”, total weight 5.4 grams

$1,800-$2,500

354

Pair of Diamond Dangle Earrings

14k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.65 carats in total.

l. 1-5/8”, total weight 2.4 grams

$1,200-$1,800

355

Diamond Bangle Bracelet

14k yellow gold, the hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total.

inside circumference 6-1/4”, total weight 11.9 grams

$2,000-$4,000

356

Two Diamond Stackable Rings

14k yellow gold, the rings mounted with round brilliant-cut diamonds weighing approximately 0.80 carats in total.

size 6, total weight 3.7 grams

$1,400-$1,800

357

Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total.

inside circumference 6-1/2”, total weight 7.6 grams

$1,800-$2,500

358

Pair of Diamond Half-Hoop Earrings

18k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total.

l. 7/8”, total weight 5.4 grams

$2,000-$4,000

359

Emerald and Diamond Necklace

18k yellow gold, the necklace mounted with square-cut emeralds weighing approximately 11.50 carats in total, accented by round brilliant-cut diamonds weighing approximately 5.30 carats in total.

l. 16”, total weight 28.9 grams

$6,000-$9,000

360

Emerald and Diamond Ring

14k yellow gold, the ring mounted with a square-cut emerald weighing approximately 1.85 carats, accented by round brilliant-cut diamonds weighing approximately 0.60 carats in total.

size 7, total weight 4.0 grams

$1,400-$1,800

361

Pair of Art Moderne Gem-Set Ear Clips

18k yellow gold, the ear clips mounted with carved emerald “leaves”, accented with round brilliant-cut diamonds weighing approximately 0.40 carats in total and round-cut sapphires weighing approximately 0.26 carats in total.

l. 1-1/4”, total weight 15.8 grams

$1,200-$1,800

362

Emerald and Diamond ring

14k white gold, the ring mounted with an oval-cut emerald weighing approximately 1.60 carats, accented by round brilliant-cut diamonds weighing approximately 0.70 carats in total.

size 6, total weight 3.3 grams

$1,500-$2,500

363

Emerald, Ruby and Diamond Bracelet

14k yellow gold/sterling silver, the bracelet mounted with an oval-cut emerald weighing approximately 3.30 carats, accented by square-cut rubies weighing approximately 2.00 carats in total and round-cut diamonds weighing approximately 5.40 carats in total.

l. 7”, total weight 23.7 grams

$3,000-$5,000

364

Ruby and Diamond Ring

18k white gold, the ring mounted with an oval-cut ruby weighing approximately 0.75 carats, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 1.00 carat in total.

size 7, total weight 4.1 grams

$2,000-$4,000

365

Ruby and Diamond Bracelet

18k white gold, the bracelet mounted with round-cut rubies weighing approximately 4.80 carats in total, accented by baguette-cut diamonds weighing approximately 1.32 carats in total.

l. 7”, total weight 15.8 grams

$3,000-$5,000

366

Pair of Ruby and Diamond Earrings

18k white gold, the earrings mounted with oval-cut rubies weighing approximately 2.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.54 carats in total.

l. 1”, total weight 5.0 grams

$1,800-$2,500

367

Ruby and Diamond Ring

18k white gold, the ring mounted with an emerald-cut ruby weighing approximately 0.55 carats, accented by round brilliant-cut diamonds weighing approximately 0.45 carats in total.

size 7, total weight 2.9 grams

$1,800-$2,500

368

14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 11.40 carats in total.

l. 7”, total weight 15.4 grams

$10,000-$15,000

369

14k white gold, the “stretch” bracelet mounted with round brilliant-cut diamonds weighing approximately 7.00 carats in total.

inside circumference 6-1/2” to 7”, total weight 29.2 grams

$6,000-$9,000

370

18k white gold, the bracelet mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 2.50 carats in total.

inside circumference 6-1/2”, total weight 7.9 grams

$3,500-$5,000

Diamond Tennis Bracelet

Expandable Diamond Bangle Bracelet

Diamond Bangle Bracelet

14k white gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 6.50 carats in total.

l. 17”, total weight 19.1 grams

$6,000-$9,000

372

platinum, the domed ring mounted with a central round brilliant-cut diamond weighing approximately 0.90 carats, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 2.30 carats in total.

size 8, total weight 16.6 grams

$7,000-$10,000

371 Diamond Necklace

Bold Diamond Ring

373

Diamond Leaf Brooch

18k white gold, the brooch in the form of a leaf and mounted with round brilliant-cut diamonds weighing approximately 4.38 carats in total.

size 2-1/4” x 2”, total weight 20.5 grams

$6,000-$9,000

374

Pair of Diamond Stud Earrings

14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 4.02 carats in total.

total weight 2.0 grams

$14,000-$18,000

375

Diamond Pendant Necklace

14k white gold, the fixed pendant invisible-set with baguettecut diamonds weighing approximately 0.50 carats in total.

l. 16” to 18”, total weight 1.9 grams

$1,400-$1,800

376

Pair of Diamond Earrings

14k white gold, the earrings invisible-set with baguette-cut diamonds weighing approximately 1.00 carat in total.

l. 5/16”, total weight 1.40 grams

$2,500-$4,000

377

Diamond Tennis Necklace

14k white gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 26.10 carats in total.

l. 16”, total weight 27.9 grams

$30,000-$50,000

378

Diamond Bangle Bracelet

14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total.

inside circumference 6-1/2”, total weight 5.6 grams

$1,400-$1,800

379

Pair of Diamond Hoop Earrings

14k white gold, the oval inside/outside earrings mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total.

l. 1-1/2”, total weight 5.8 grams

$1,400-$1,800

18k yellow gold, the quartz watch mounted with a gold ingot surround by single-cut diamonds weighing approximately 0.50 carats in total, with a black leather Corum band, together with the inner flap case and outer box and papers.

l. 6” to 7”, total weight 24.6 grams

$1,200-$1,800

381

Gold Necklace and Bracelet Suite

14k yellow gold, the necklace and bracelet composed of polished gold paper-clip links.

necklace l. 30”, bracelet l. 7-1/4”, total weight 20.3 grams

$2,000-$4,000

Corum Diamond Ingot Watch

382 Diamond Cross with Chain

14k yellow gold, the cross mounted with a round brilliant-cut diamond weighing approximately 0.25 carats, l. 2”, suspended from an 18” gold chain.

total weight 10.6 grams

$700-$1,000

Provenance: Private collection, Mobile, Alabama.

383 Tiffany & Co. Dress Watch

14k yellow gold, the quartz watch with an 11.00mm face, the back stamped “TIFFANY & CO. 14K 585, SWISS WATER RESISTANT” and the clasp stamped “TIFFANY & CO. 585” with a star and “459 VI”.

l. 6”, total weight 24.4 grams

$1,500-$2,500

382

384

14k yellow gold, the oval hoop inside/outside earrings mounted with round brilliant-cut diamonds weighing approximately 6.50 carats in total.

l. 1-1/8”, total weight 11.1 grams

$6,000-$9,000

385

Diamond Bracelet

14k yellow gold, the flexible three-row bracelet mounted with round brilliant-cut diamonds weighing approximately 7.80 carats in total.

l. 7”, total weight 17.2 grams

$6,000-$9,000

Pair of Diamond Hoop Earrings

386

Pair of Diamond Double Hoop Earrings

18k rose gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total.

l. 1-1/8”, total weight 7.9 grams

$1,800-$2,500

387 Emerald-Cut Diamond Tennis Braclet

18k yellow gold, the east-west-mounted bracelet set with emerald-cut diamonds weighing approximately 6.10 carats in total.

l. 7”, total weight 10.7 grams

$7,000-$10,000

388 Diamond Eternity Band

18k yellow gold, the east-west band mounted with emeraldcut diamonds weighing approximately 1.60 carats in total.

size 6, total weight 2.5 grams

$3,000-$5,000

389 Mother-of-Pearl Clover Bracelet

14k yellow gold, the bracelet mounted with graduated mother-of-pearl clovers in the Van Cleef & Arpels style.

l. 7”, total weight 7.2 grams

$1,000-$1,500

390 Pair of Mother-of-Pearl Clover Earrings

14k yellow gold, the earrings in the Van Cleef & Arpels style. dia. 5/8”, total weight 3.1 grams

$1,000-$1,500

391

Long Cultured Pearl and Diamond Necklace

18k yellow gold, the necklace composed of graduated white cultured pearls with a good luster, measuring approximately 11.90mm to 13.80mm, finished with a gold clasp mounted with round brilliant-cut diamonds weighing approximately 0.06 carats in total.

l. 31”, total weight 164.0 grams

$1,800-$2,500

392 Opal and Diamond Bracelet

14k yellow gold/sterling silver, the bracelet mounted with opal cabochons weighing approximately 6.80 carats in total, accented by round-cut diamonds weighing approximately 1.80 carats in total.

l. 7-1/8”, total weight 20.7 grams

$1,800-$2,500

393

Pair of Mabe Pearl and Diamond Earrings

14k yellow gold, the earrings mounted with white mabe pearls measuring approximately 13.00mm in width, accented by round brilliant-cut diamonds weighing approximately 1.00 carat in total.

dia. 3/4”, total weight 11.1 grams

$1,400-$1,800

394

Pearl and Diamond Pendant on Chain

18k yellow gold, the pendant mounted with a white cultured pearl measuring approximately 15.00mm in diameter, accented with round brilliant-cut diamonds weighing approximately 0.10 carats in total, l. 7/8”, suspended from an 18k yellow gold chain, l. 18”.

total weight 7.4 grams

$1,200-$1,800

395

Cultured Pearl Necklace and Earring Suite

18k yellow gold, the necklace composed of graduated white cultured pearls measuring approximately 11.40mm to 13.90mm, finished with a gold clasp, l. 17”, and a pair of white cultured pearl stud earrings measuring approximately 14.90mm in diameter.

total weight 92.5 grams

$1,800-$2,500

396

Pearl and Diamond Ring

18k white gold, the ring mounted with a white cultured pearl with a good luster, measuring approximately 12.00mm in diameter, set on a ring mounted with round brilliant-cut diamonds weighing approximately 1.46 carats in total.

size 6-1/2, total weight 12.4 grams

$1,800-$2,500

397

Tiffany & Co. Schlumberger Cufflink/Stud Set

18k yellow gold, the set in the form of a knot, with the original box and stamped “TIFFANY 18K SCHLUMBERGER”.

dia. 3/8” to 1/2”, total weight 27.3 grams

$3,500-$5,000

398

Rolex Oyster Quartz Day/Date Wristwatch

18k yellow gold, ca. 1980, the watch with a 36.00mm case, with a diamond dial and bezel and a genuine Rolex service crystal, reference #19018, with a Rolex bracelet with a deployant clasp.

inside circumference 7”, total weight 142.4 grams

$6,000-$9,000

399

Larter & Sons Rock Crystal and Diamond White Tie Set

14k white gold, the set including two cufflinks, four vest buttons and three shirt studs, each mounted with a single-cut diamond weighing approximately 0.20 carats in total.

size 5/16” to 9/16”, total weight 20.5 grams

$2,500-$4,000

400

Tiffany & Co. Schlumberger Enamel Cufflinks

18k yellow gold, the red-enameled cufflinks with the original box, stamped “SCHLUMBERGER 750 TIFFANY & CO.”.

l. 5/8”, total weight 14.3 grams

$1,800-$2,500

402

Audemars Freres, Geneve, Minute Repeater Simple Chronograph Pocket Watch

14k rose gold, the pocket watch measuring 55.50mm in diameter, the dial marked “Audemars Freres Brassus.Geneve”, with a simple chronograph hunting case, case number 178,346, monogrammed “EN”.

h. 3-1/8”, w. 2-1/4”, total weight 119.9 grams

$2,000-$4,000

401

Rolex Gold Presidential Wristwatch

18k yellow gold, ca. 1972, the 36.00mm case, dial and bracelet with a bark finish, reference #1803, with an original Swiss bracelet with a deployant clasp.

inside circumference 8”, total weight 123.8 grams

$5,000-$8,000

403

Patek Philippe Pocket Watch

14k yellow gold, ca. 1936, the watch with a 46.56mm case, with a signed dial, case and movement, the silver dial with raised gold Arabic numerals, serial #8070,366.

w. 1-7/8”, l. 2-3/8”, total weight grams

$2,500-$4,000

404

Underwood (London) Three-Unit Classic Watch Winder with Storage

the black leather case with three removable roto boxes, together with a single travel case and AC power cord.

h. 8-1/4”, w. 12-1/2”, d. 6”

$1,400-$1,800

405

David Webb Emerald and Enamel Leopard Cufflinks

18k yellow gold, the cufflinks mounted with cabochon-cut emeralds, accenting the eyes, weighing approximately 0.12 carats in total, stamped WEBB 18K”.

l. 3/4”, total weight 22.0 grams

$3,000-$5,000

406

David Webb Enamel Cufflink and Stud Set

18k yellow gold, the set composed of cranberry and gold striped enamel, stamped “WEBB 18K”.

dia. 3/8” to 5/8”, total weight 31.0 grams

$3,000-$5,000

407

David Webb Lapis Lazuli Cufflink/Stud Set

18k yellow gold, the set mounted with lapis lazuli carved in the form of a stepped pyramid, in the original inner and outer boxes and stamped “DAVID WEBB 18K”.

l. 3/8” to 3/4”, total weight 40.9 grams

$1,800-$2,500

14k

l. 22”, total weight 6.50 grams

$600-$900

Gentleman’s Gold Chain

yellow gold, the figaro-link necklace composed of polished gold links.

Pair of Whimsical Articulated Tiger Eye Quartz Ladybug Cufflinks

18k yellow gold, the body of the ladybug composed of tiger’s eye quartz and the head composed of rutilated quartz, and accented on the body with enamel black spots, with

size 3/4” x 5/8”, total weight 14.3 grams

$1,500-$2,500 410

Pearl and Sapphire Stud Set

10k yellow gold, the set mounted with white button pearls measuring approximately 9.50mm, set with cabochon-cut sapphires weighing approximately 0.40 carats in total.

total weight 8.6 grams

$1,200-$1,800

411

Ruby Lion Cufflinks and Tie Tack

14k yellow gold, the set in the form of lion’s heads, the eyes accented with round-cut rubies weighing approximately 0.12 carats in total.

l. 1/2”, total weight 22.0 grams

$1,800-$2,500

412

Pair of Van Cleef & Arpels Ruby Cufflinks

18k yellow gold, the cufflinks mounted with cabochon-cut rubies weighing approximately 0.60 carats in total, stamped “VCA MADE IN FRANCE N.Y. 26764”.

l. 3/4”, total weight 24.9 grams

$3,500-$5,000

413 Sapphire and Ruby Cufflinks

18k white gold, the cufflinks mounted with central oval cabochon-cut sapphires weighing approximately 2.00 carats in total, surrounded by tapered baguette-cut rubies weighing approximately 1.40 carats in total, accented on the bar ends with round cabochon-cut sapphires weighing approximately 0.28 carats in total.

w. 1/2”, l. 5/8”, total weight 13.1 grams

$3,000-$5,000

414

Louis Vuitton, Paris, “Abbesses” Monogram Crossbody Bag

2004, with brass hardware and cowhide leather trim, the adjustable shoulder strap labeled within the weave, the exterior back with a long slip pocket below a leather grab strap, the front with a large flap over two slip pockets and a brass knob closure underneath, the brown canvas-lined interior with two open pockets and an opposing leathertrimmed zippered pocket stamped “Louis Vuitton/Paris/ made in Spain”, includes a dustbag and box. h. 11-3/4”, w. 14-1/2”, d. 4-1/4”

$700-$1,000

415 Fur Throw

possibly coyote, backed with cream microfiber “velvet”, labeled “Fun with Furs/Chicago”. l. 70”, with tails: 100”, w. 48”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

416

Faberge-Style Bronze and Moss Agate Bowl

the gilt-bronze body in the form of a crouching wyvern, its tail scrolling to form the handle, the bowl carved of a single piece of moss agate, presented on a Chinese-style scrolling wooden stand, accompanied by a fitted wooden case. h. 1-3/4”, l. 3”, dia. 2”, stand l. 3-1/2”, case 3” x 3-7/8” x 4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

417

Faberge-Style Silver and Enamel Cigarette Case

the rounded rectangular case with textured “tree bark” finish, with applied medallion of the Imperial eagle on a turquoise guilloche enamel ground within an Imperially-crowned frame. l. 3”, w. 2-1/4”; 2.93 t. oz.

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

418

Faberge-Style Silver Gilt and Nephrite Paper Knife

the finial a pale blue guilloche enamel plaque with applied Imperial eagle opposing the Imperial crown, within an “eyeglass” frame to a laurel-twined thyrsus mount fitted with a flat nephrite blade. l. 7-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

419

Faberge-Style Silver and Marble Standing Salt

in the form of a large acanthus bud raised on a foliate stalk, the interior gilt, presented on a waisted plinth of carved rouge royal marble with beaded silver base. h. 5”, dia. 2-3/4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

420

Faberge-Style Agate Compote

the oval bowl with gauffered rim carved from a single piece of agate, raised on a silver-gilt pedestal foot domed with pale green guilloche enamel and applied scrolls and mascarons. h. 3”, l. 5”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

421

Faberge-Style Silver Gilt and Nephrite Paper Knife

the finial with an 1839 Alexander I one ruble coin mounted in a silver-gilt “eyeglass” frame to a banded and acanthus scroll mount fitted with a flat nephrite blade. l. 8”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

422

Faberge-Style Silver and Enamel Box

the rectangular box decorated with applied gilt neoclassical motifs on a line-incised ground, the hinged lid set with green oval and white circular guilloche enamel plaques centering the Romanoff double eagle, with cabochon moonstones and garnets.

h. 1-3/4”, w. 4-1/4”, d. 3-1/2”; 14.05 t. oz.

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

423

Faberge-Style Magnifying Glass

the silver gilt handle decorated with turquoise guilloche and opaque white champleve enamel, with Imperial eagle finial and laurel-banded frame.

l. 8”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

424

Faberge-Style Silver Gilt Figure of a Tit

the gilt bird perched on a stylized nest above a canted pedestal, presented on a rouge royal marble plinth decorated with applied paterae.

h. 5”, dia. 3-1/8”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Note: The tit is one of the few birds in Russian folklore whose arrival was not an omen but celebrated, believing to herald friends, good news or a feast.

425

Faberge-Style Silver and Marble Bell Push

in the form of a recumbent silver bear with white agate bell push in its back, presented on a rouge royal marble plinth base and raised on four scroll feet, presented in a fitted wooden box. push h. 2-1/4”, l. 3-1/4”, w. 1-1/2”; box 3-1/2” x 5” x 3-1/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

426

Faberge-Style Silver-Gilt, Enamel and Jade Paper Knife

modern, the silver gilt handle decorated with blue guilloche enamel and applied arrow and laurel-wreath trophees with garnet cabochons, the finial in the form of a dimensional Imperial Romanoff eagle, the blade carved from a single piece of nephrite, presented in a fitted wooden box lined in buff satin and velvet.

l. 9-3/4”, case h. 1-1/2”, l. 11”, w. 2”

$600-$900

427

Silver-Mounted Moss Agate Bottle Coaster

modern, in the Russian taste, the translucent agate base mounted in a silver frame with beaded rim and three toupie feet.

dia. 4-1/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

428

Art Deco Tortoiseshell and Shagreen Cigarette Case

second quarter 20th century, the shagreen-covered case decorated with tortoiseshell lozenges, the interior lined with kingwood. h. 2”, w. 5-1/2”, d. 4-1/4”

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

429

French Rose Quartz and Gilt-Brass Jewel Casket

ca. 1900, the rectangular box with cut corners, fitted with an engine-turned gilt-brass bezel. h. 3-1/4”, w. 9”, d. 5-1/2”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

430

Two American Elias Artmetal Gilt-Metal Frames

the larger example molded with leaves and flowers, h. 12”, w. 10”, and the smaller example in the Chippendale taste, h. 12”, w. 9-1/4”, both with easel backs.

$400-$700

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

431

Collection of Silver Picture Frames

20th century, including:

a Continental .830 silver example, oval with ribboned crest, 4-1/2” x 4-5/8”; an unmarked example, rectangular with bead-and-bobbin edge, 6-1/2” x 4-1/4”;

a Continental .800 silver example, rectangular with chased acanthus scroll frame, 7-3/4” x 6”;

a South American .900 example, rounded rectangular with floral repousse frame, 8-1/2” x 6-1/2”; and a Continental sterling example, footed rectangular with elaborate crest and oval aperture, 12-1/4” x 6-1/2”.

$800-$1,200

432

George V Parcel-Gilt Sterling Silver Box

hallmarked London, 1928-1929, by D. & J. Wellby, Ltd., the rectangular box decorated with gilt guilloche and reeded panels, with robust applied floral scroll banding, the hinged lid centering an applied gilt crest of an arm in armour embowed holding a broken spear and opening to reveal a divided gilt interior.

h. 2-1/4”, w. 5-7/8”, d. 4-1/4”; 22.86 total t. oz.

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

433

Edwardian Sterling Silver and Tortoiseshell Page Turner

the marks rubbed but probably London, 1898-1899, the silver handle embossed with spiraled acanthus scrolls, fitted with a flat tortoiseshell blade.

l. 17”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

434

Federico Buccellati Sterling Silver Clad Spider Conch Shell

fourth quarter 20th century, by Del Vallino of Milan for Federico Buccellati of Rome, the natural Lambis truncata clad in electrodeposited silver.

l. 12-1/4”, w. 7-1/2”

$700-$1,000

435

Collection of Coffee Table Books on Fashion and Accessories

including an autographed copy of Judith Leiber: The Artful Handbag, books on Tiffany, Oscar de la Renta, Givenchy, Scaasi and others. (8 books total)

$200-$400

Provenance: Private collection, Houston, Texas.

List of titles available on request

437

Collection of Coffee Table Books on Impressionist to Modern Art

including books on Degas, Matisse, Lautrec, Picasso, Miro, Rothko and others. (15 books total)

$300-$500

Provenance: Private collection, Houston, Texas.

List of titles available on request

438

Collection of Books on New Orleans and Louisiana Architecture

including volumes I-VIII of New Orleans Architecture, Daspit’s Louisiana Architecture(two volumes), and books on St. Charles Avenue, the French Quarter, Gallier Hall and others. (22 books total)

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

List of titles available on request

Collection of Coffee Table Books on Interior Designers

including books on McMillen, Albert Hadley, Tony Duquette, Colefax & Fowler, Miles Redd and others. (11 books total)

$300-$500

Provenance: Private collection, Houston, Texas.

List of titles available on request

439

Set of Fourteen Waterford “Lismore” Double Old-Fashioned Glasses

20th century, composed of cut crystal, each piece signed. h. 4-1/4”, dia. 3-1/4”

$400-$700

Provenance: Private collection, Houston, Texas.

440

Set of Fourteen S. Kirk & Son Sterling Silver Julep Cups

second half 20th century, Baltimore, Maryland, of traditional tapering cylindrical form with molded rim and foot, no monograms.

h. 3-3/4”, dia. 3-1/8”; 55.25 total t. oz.

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

439 detail

441

J. E. Caldwell & Co. Sterling Silver Platter

dated 1909, Philadelphia, Pennsylvania, of canted rectangular form with reeded edge, the long sides engraved with laurel cartouches monogrammed “MS” in one and dated “1909” in the other.

l. 18-1/4”, w. 13”; 41.28 t. oz.

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

442

Four Tiffany & Co. Sterling Silver Tumblers

second and third quarters 20th century, of rounded tapering cylindrical form with gently everted rim, variously monogrammed and two dated 1925 and 1927. h. 3-3/4”, dia. 3-1/4”; 21.53 total t. oz.

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

444

Twelve Silverplate Standing Napkin Rings

443

Twelve Silverplate Standing Napkin Rings

early 20th century and later, in the form of the ring handle from an entree dish or meat dome, including nine vintage examples and three reproductions by Bergdorf Goodman. l. 1-1/4” to 4”

$500-$800

Provenance: Private collection, Houston, Texas.

early 20th century and later, in the form of the ring handle from an entree dish or meat dome, including nine vintage examples and three reproductions by Bergdorf Goodman. l. 2-1/2” to 4-1/2”

$500-$800

Provenance: Private collection, Houston, Texas.

445

Six Silver-Plated Brass Partridge Table Garnitures

contemporary, with stylized details, in three sizes: two each l. 5”, l. 3-1/2”, and l. 2-3/4”

$400-$700

446

Pair of Silverplate Pheasant Table Garnitures

contemporary, with stylized details. h. 5”, l. 11-1/2” and 12-1/2”

$300-$500

447

Pair of Theodore B. Starr Sterling Silver Candlesticks

first quarter 20th century, in the neoclassical taste, each in the form of a Corinthian column on a waisted and ogee-domed square base, decorated with anthemion and acanthus, with conforming detachable bobeche. h. 10-1/4”, w. 5-1/8”

$700-$1,000

448

Omani Sterling Silver Presentation Dallah

contemporary, of traditional form, decorated with flat-chased and repousse scroll and diaper banding, presented in a fitted green presentation case with card from the Defense Ministry of Oman, the emblem of the same embossed on the box lid.

h. 9-3/4”, l. 10”, dia. 4-1/2”; 29.32 t. oz.; box 6” x 11-3/4” x 11-3/4”

$600-$900

Provenance: The Collection of Honorable John B. Craig, U.S. Ambassador to Oman, 1998-2001.

446

447

The Barbizon Plaza Hotel, prominently situated at the corner of Central Park South and Sixth Avenue in Manhattan, was the first residential hotel in the nation that simultaneously served as a center for music and the arts. Opening in 1930, the 38-story building included 1,400 rooms (with private baths), three concert halls, numerous artist studios, exhibition halls, meeting rooms and a library. The architect and designer of the structure was Lawrence Emmons, who worked with the architectural firm of Lloyd Morgan and Murgatroyd & Ogden. In keeping with the purpose of the hotel, the decorative panels that ornamented the façade referenced the arts. After the structure was purchased by Donald Trump in the 1980s, it underwent significant restoration, and the art deco elements were stripped. Jim Elkins of Lost City Arts, the prominent New York gallerist who specialized in important architectural salvage, saved the panels from destruction. The panels offered here Painter and Musician adorned the 20th and 21st floors respectively.

450

ca. 1929, cast aluminum with steel surrounds and supports, created under the auspices of the New York architectural firm Murgatroyd & Ogden, inscribed “21st FL. L.” en verso. 67-1/2” x 36-1/2”

$6,000-$9,000

Provenance: Barbizon-Plaza Hotel, New York, New York; Jim Elkind of Lost City Arts, New York, New York; Private collection; Andrew Jones Auctions, Los Angeles, California, June 21, 2023, lot 715; Private collection.

449

Lawrence Emmons Designed Art Deco Barbizon-Plaza Hotel Panel of an Artist

ca. 1929, cast aluminum with steel surrounds and supports, created under the auspices of the New York architectural firm Murgatroyd & Ogden, originally on the 20th floor. 68-3/4” x 36-1/2”

$6,000-$9,000

Provenance: Barbizon-Plaza Hotel, New York, New York; Jim Elkind of Lost City Arts, New York, New York; Private collection; Andrew Jones Auctions, Los Angeles, California, June 21, 2023, lot 715; Private collection.

Lawrence Emmons Designed Art Deco Barbizon-Plaza Hotel Panel of a Musician

449

451

Ralph Lauren “Intaglio” Dinnerware

decorated with pale gray borders and “RL” initials in the center, the collection including eight dinner plates, dia. 10-3/4”, and eight salad plates, dia. 8-3/4”, each signed on the back.

$800-$1,200

452

Georg Jensen “Acorn” Sterling Silver Flatware

the pattern designed in 1915 by Johan Rohde (1866-1935), Copenhagen, Denmark, including a dozen seven-piece place settings (two pieces lacking) with an additional dozen teaspoons, four place pieces and two serving pieces. (100 pieces total)

116.45 total t. oz. (weighable silver)

$5,000-$8,000

Provenance: Private collection, Houston, Texas.

Detailed list of pieces available on request.

453

International “Royal Danish” Sterling Silver Flatware

the pattern designed in 1939 by Alfred Grover Kintz (1885-1963), Meriden, Connecticut, including a dozen ten-piece place settings (three pieces lacking) with an additional ten place pieces and eleven serving pieces. (138 pieces total)

169.64 total t. oz. (weighable silver)

$4,000-$7,000

Provenance: Private collection, Houston, Texas.

Detailed list of pieces available on request.

452

454

Gordon Parks (American, 1912-2006)

“American Gothic, Washington, D.C. (Ellen Watson)”, 2021

archival pigment print

from the 1942 negative, printed by the Art Guild Press, Santa Fe, New Mexico, signed in print lower right, printer’s embossed mark lower right, signed Robert Erlichman, dated “8/18/2021” and with image serial number “297934” en verso. Unframed but in foldover portfolio. sheet 22” x 17”

$3,000-$5,000

I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs. I knew at that point I had to have a camera.

–Gordon Parks

One of Gordon Parks’ most well-known and lauded images, American Gothic was a direct result of the rampant racism of 1940s Washington, D.C. In 1942, the young photographer was awarded a Rosenwald Fellowship which afforded him the opportunity to apprentice at the Farm Security Administration (FSA) photography program. Relocating from Chicago to D.C., Parks experienced an appalling degree of racism that astonished even him. Discovering no one even willing to talk with him, much less allowing him to take photographs, the young man resolved to look within the local African American community. He began a conversation with one of the office’s cleaning ladies, Ella Watson, who eventually agreed to allow him access to herself and her neighborhood. Over the course of weeks, Parks followed Watson to her home, church, and work, documenting various aspects of African American life in the region. The culmination was a powerful series, a strong indictment of the position and plight of the African American in 1940s society. By posing Watson against an American flag, mop in one hand and broom in the other, looking directly into the camera, Parks simultaneously references and reinterprets the iconic Grant Woods painting of the same name.

Reference: gordonparksfoundation.org

455

Andy Levin (American/New Orleans, b. 1950)

“Uncle Lionel’s Birthday Suit”, 2007

Museo silver print titled, dated, signed, and numbered “46/100” on the matte. Matted and framed. sight 12” x 8-3/4”, framed 24-1/2” x 20-1/4”

$800-$1,200

FRANK FLEMING

(ALABAMA, 1940-2018)

Alabama artist Frank Fleming’s imaginary, playful and often humorous ceramics and cast bronzes reflected both his childhood of living on a farm surrounded by animals and his inspiration found in the 1970s funk art movement in California which challenged traditional artistic forms and conventions

Born in Bear Creek, Fleming was the fifth of seven children to illiterate tenant farmers who raised corn and cotton. As a child, he was teased by his school mates due to his severe stuttering. To escape their taunts, he found companionship with animals and said he felt more comfortable with animals than people as a child. After graduating from high school, Fleming was awarded a scholarship to Florence State College by Alabama Easter Seals with the intention that he could receive intensive speech therapy.

Initially attracted to biology, Fleming began taking elective art classes that would change his focus and foster his interest in becoming an artist. While pursuing graduate degrees in art at the University of Alabama, he became aware of California ceramic artists Peter Voulkos and David Gilhooly. As leaders and mentors of the California funk art movement, Voulkos encouraged a more experimental approach to ceramics by embracing an abstract style and nonfunctional aspect to ceramics while Gilhooly pushed boundaries with his humorous and provocative pieces.

For his ceramic pieces, Fleming preferred working with porcelain, particularly Tennessee porcelain. His ceramic pieces are hand built, with each piece evolving during the creative process. At first, he used traditional colorful glazes, but he developed a preference for using clear glazes over white porcelain. Eventually, he found the unglazed pieces to have more interesting and accessible texture and as illustrated in the hand decorated and incised Cherish Your Friends piece.

Fleming began to explore the process of casting bronzes. He combined the traditional lost wax process of bronze sculpture with his innovative subjects and approach. The bronzes proved to be more durable and accessible for public spaces and commissions.

Fleming’s works often center around blending human and animal forms into anthropomorphized animals. His sense of humor and whimsy permeate his work as illustrated in the bronze Bird-Man which combines a human face on a body supported by one legged large web claw. His enduring relationship with animals and nature are reflected in the cast bronze of Nesting Bird. The bird peacefully sits upon a nest that ironically placed only on three raised sticks. The iconic large scale Rabbit-Turtle-Frog cast bronzes combines some of Flemings’s favorite animals in an imaginative and precarious arrangement. A bronze sculpture from this series is on display in Birmingham Botanical Gardens.

Born and raised in the south, Fleming preferred to live and create in his native Alabama. Alabama would prove to celebrate his creative spirit and commissioned his bronze sculptures for the Birmingham-Shuttlesworth International Airport, Stephens Center, Till Fountain at Montgomery Museum of Art, Birmingham Gardens, and Aldridge Gardens.

The sculptural fountain The Storyteller was conceived as a memorial to Malcolm McRae, a Birmingham art dealer and anthropologist specializing in pre-Columbian art, who died tragically young. McRae had turned his home in the Five Points South neighborhood into the Signature House Gallery. McRae's grieving mother, Jane McRae, and his friends initially envisioned a garden to memorialize her son, which would morph into a fountain with commissioned sculptures by Alabama artist, Frank Fleming.

Initially, Fleming planned to create a “peaceful kingdom” with the central figure of a lion surrounded by animals in the formation of a five-pointed star listening attentively to the storyteller. As the work progressed, Fleming made the decision to have the central figure become an anthropomorphized figure of a ram-man, which symbolized McRae.

As part of the commission, Fleming created several versions of the central figure for the selection committee. This porcelain maquette of Storyteller featured a nude anthropomorphized figure of ram-man seated on a tree stump with his head and hands raised to the sky. The maquette was reviewed by the committee but eventually rejected. The selected version of the ram-man is fully clothed with a book and staff in his hands looking towards his audience of animals.

Flemings' Storyteller sculptural installation was beset with controversary with some believing it contained satanic or pagan messages. At one point the city's public works department inexplicably painted the sculptures a bright blue; they were eventually repainted. The Five Point South neighbors affectionately refer to the ram-man figure as “Bob” and see him as a kindred spirit.

456

Frank Fleming (Alabama, 1940-2018)

“The Storyteller” porcelain h. 70”, w. 14”, d. 15”

$6,000-$9,000

Provenance: Private collection, Birmingham, Alabama.

457

Frank Fleming (American, 1940-2018)

“Bird”

patinated bronze self-portrait of artist as face, signed at bottom of foot. h. 5”, w. 3-1/2”, d. 2-1/4”

$1,000-$1,500

458

Frank Fleming (American/Alabama, 1940-2018)

“Nesting Bird”

patinated bronze cast signature along side of one branch. h. 17-1/2”, w. 10-1/4”, d. 9-1/4”

$2,500-$4,000

Provenance: Private collection, Birmingham, Alabama.

459

Frank Fleming (American/Alabama, 1940-2018)

“Cherish Your Friends”

four carved porcelain rattle eggs each with incised signature, one numbered “11/21”. each l. 3”, dia. 3-1/8”

$800-$1,200

460 Frank Fleming (American/Alabama, 1940-2018)

“Rabbit-Turtle-Frog”

patinated and weathered bronze incised signature along rabbit foot, in two parts. h. 62”

$20,000-$40,000

$1,200-$1,800

$2,000-$4,000

461

Peshawar Birds of Paradise Runner

2’ 6” x 15’ 5”

462

Peshawar Birds of Paradise Carpet

8’ 3” x 10’

462 461

463

Baker Caramel Leather Sofa

with scrolled back and double-scrolled arms and three loose seat cushions, the leather self-piped throughout, raised on dark wooden toupie feet, labeled “Baker”. h. 35”, w. 88-1/2”, d. 36-1/2”

$1,200-$1,800

464

Nicola Victor Ziroli (Italian/Illinois, 1908-1970)

“The Homestead”, 1949 oil on canvas board signed and dated en verso. Framed.

26” x 32-1/2”, framed 33-1/2” x 39-1/2”

$1,500-$2,500

464

465

Nicola Victor Ziroli (Italian/Illinois, 1908-1970)

“Chicago Street Scene”

oil on canvas faintly signed en verso. Unframed. 20” x 24”

$1,500-$2,500

466

Paul Turner Sargent (American, 1880-1946)

“Untitled Summer Landscape”, 1942

oil on canvas signed and dated lower left. Glazed and framed.

sight 9-1/2” x 13-1/4”, framed 17” x 21”

$800-$1,200

467

Fine Pair of Jules and Andre Leleu Art Deco Side Tables

ca. 1930, France, each with an open giltwood structure raised on a sculpted satinwood base and fitted with a beveled strietextured glass top. h. 23-1/4”, w. 26-3/4”, d. 15-3/4”

$3,000-$5,000

Provenance: Bernd Goeckler Antiques, New York, New York; Private collection, New York, New York.

468

Muriel Branegan Bacon (American, 1909-2002)

“Untitled”

watercolor on paper signed lower right. Matted, glazed and framed. sight 19-1/2” x 13-1/4”, framed 25” x 19”

$1,000-$1,500

467

468

469

George Bauer Dunbar (American/Louisiana, 1927-2024)

“Untitled”

gold leaf over red clay together with a presentation stand. 12” x 14”

$5,000-$8,000

470

George Bauer Dunbar (American/Louisiana, 1927-2024)

“Heart”

gold leaf over red clay signed lower center. In an integral frame. 14-1/2” x 12-1/2”

$2,000-$4,000

469

471

David Harouni (American, b. 1962)

“Triptych”, ca. 2000

three oils on gallery-wrapped canvas signed lower right on third panel. each panel 60” x 36”

$20,000-$40,000

Provenance: Commissioned from artist ca. 2000; Private collection, New Orleans, Louisiana.

472

Dramatic Tiger Maple and Silver-Leaf Armoire

attributed to Christopher Maier (New Orleans, 19552004), in the neo-Biedermeier taste, with a large ogee-form molded cornice above a pair of framed and paneled doors, each with silver-leaf wings applied to their fronts, raised on a straight plinth base. h. 83”, w. 50”, d. 30-1/2”

$2,000-$4,000

471

$800-$1,200

474

Pair of Michael Vanderbyl for Baker “Archetype” Club Chairs

the barrel-back club chairs with stained hardwood frames of generous proportions, the backs tufted and the seats with reversible cushions, labeled “Baker Furniture”. h. 30”, w. 36”, d. 31”

$1,200-$1,800

473

Peshawar Birds of Paradise Runner

2’ 9” x 10’

473

475

Four-Piece Biedermeier-Style Bird’s-Eye Maple Dry Bar Suite

comprised of a mirrored and lighted back bar with an inlaid peaked pediment above an open cabinet with plate-glass shelves and inlaid pilasters, the base with two drawers over a pair of sliding doors, h. 90”, w. 60”, d. 14-1/2”, a marble-top front bar with like ornamentation, brass rail and brass footrest, h. 43-1/2”, w. 65”, d. 24”, and a pair of matching barstools, h. 30”, dia. 17”.

$2,000-$4,000

Provenance: Private collection, Houston, Texas.

476

George Valentine Dureau (American/Louisiana, 1930-2014)

“Non-Crucifixion”, 1977

charcoal on rag paper signed lower center. Matted, glazed and framed. sight 35” x 28”, framed 45-1/2” x 37”

$1,500-$2,500

Provenance: Collection of the artist; Private collection, New Orleans, Louisiana.

477

Gordon Parks (American, 1912-2006)

“Awakening”, 1999

iris print on watercolor paper transparency and print from 1999 Unframed. sheet 31” x 21-1/2”

$1,000-$1,500

Provenance: Purchased from the artist.

The nude offered here reveals Gordon Parks’ continuous exploration of perspective, lighting, and form, with the photograph serving as a sophisticated experiment of composition and technique. Originally a part of a large group of images - 15 nudes and 35 abstracts - intended for a traveling museum exhibition entitled Images from the Soul. A large coffee table book was also in the works before Parks’ untimely and sudden death halted the project.

477

476

478

Don Eddy (American, b. 1944)

“Motus Orbicularis”, 1997

acrylic on wood panel nine panels within an integral framework, with a “Nancy Hoffman Gallery, New York” label en verso. overall 52-1/2” x 62-1/2”

$15,000-$25,000

Provenance: Nancy Hoffman Gallery, New York, New York; Private collection.

Since 1990, a distinguishing feature of Don Eddy’s work has been his experimental use of format to explore the nature of representational art. Drawing inspiration from Medieval altarpieces, Eddy combines multiple canvases to create diptychs, triptychs, and polyptychs. Each canvas is overtaken by imagery that ranges from the micro to the macro, including scenes of nature, light, and humanity, which evoke juxtaposing themes of change and timelessness. As a master of representational art, Eddy employs a meticulous creative process involving three layers of underpaint: the first layer consists of tiny circles painted in phthalocyanine green to establish the values, while the second and third layers are painted with burnt sienna and dioxazine purple paints to distinguish the warm and cool tones. This meditative process produces hyper realistic depictions, imbuing the work with a spiritual quality that invites the viewer to contemplate the depth of the presented images.

Motus Orbicularis is a monumental polyptych comprised of nine interconnected panels. At its center is a landscape, bordered by various scenes of human connection, animals, fire, and architectural details. As the conversation between the interwoven images intensifies, it emphasizes the dynamism of experience and the relationship between human society and nature. This openended reflection encourages the viewer to engage with the piece and consider their personal narratives in relation to the harmony and balance of all living things.

478

479

William Anzalone (American, b. 1935)

“Autumn Trees”

oil on canvas board signed lower right. Framed.

41” x 50”, framed 46” x 55”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

480 Anthony Martin (American, 1941-2019)

“The Farmhouse”

oil on canvas board signed lower left, a “DuBose Gallery, Texas” label en verso. Framed.

20” x 26”, framed 26-1/2” x 33”

$1,000-$1,500

Provenance: DuBose Gallery, Houston, Texas; Private collection, Houston, Texas.

479 480

481

Noel Rockmore (American/Louisiana, 1928-1995)

“Untitled: Figure with Bird”, 1961 oil on masonite signed, dated, and localized “New Orleans” lower left. Matted and framed. sight 23-1/2” x 11-3/4”, framed 29” x 17-1/4”

Exhibited: Possibly Pirate’s Alley Art Show, Spring Fiesta, April 1961.

$1,000-$1,500

My paintings deal very strongly with both realism and fantasy in a completely successful way, in my opinion.

–Noel Rockmore, 1961

By the time Noel Rockmore started to make visits to New Orleans in the 1960s, he had already received critical acclaim as an artist and was represented by Harry Salpeter Gallery in New York City. In an act of characteristic rebellion, he moved to New Orleans to live in “creative obscurity” and changed his last name from Davis to his mother's maiden name of Rockmore.

482

Howard Finster (American, 1916-2001)

“Leopard”, 1984

carved and painted wood signed, dated, and inscribed in several places recto and verso. 9” x 18”

$800-$1,200

A revivalist Baptist preacher, Howard Finster’s spirituality and faith are integral to his artistic work. He began to receive visions as a young child after the death of his sister, was “born again” at the age of 13 and started preaching at local churches shortly after. In 1976, Finster was inspired to concentrate on creating his painted word sculptures while fixing a bicycle: “One day I was workin’ on a patch job on a bicycle, and I was rubbin’ some white paint on that patch with this finger here, and I looked at the round tip o’ my finger, and there was a human face on it... then a warm feelin’ come over my body, and a voice spoke to me and said, ‘Paint sacred art.’”

Finster employed brightly painted, flat carved wood shapes and almost always incorporated biblical verses, prayers, or personal spiritual incantations to create deeply personal explorations of his beliefs and faith. He wished for the sculptures to be perceived as three-dimensional sermons. Angels, animals and cultural icons populate his art and through whatever means available, Finster’s ultimate intention was to spread the word of the Lord.

481

482

483

Don Wright (American, 1938-2007)

“The Park Fountain”, 1975 oil on canvas signed and dated lower left. Framed.

48” x 77-1/2”, framed 50” x 79-1/2”

$1,500-$2,500

484

Noel Rockmore (American/Louisiana, 1928-1995)

“The Park (Stages of Life)”

oil on masonite unsigned. Framed.

sight 11-1/2” x 17-1/2”, framed 14-1/2” x 20”

$1,200-$1,800

Provenance: Sold in these rooms on September 29, 2007, lot 1288.

By the time Noel Rockmore started to make visits to New Orleans in the 1960s, he had already received critical acclaim as an artist and was represented by Harry Salpeter Gallery in New York City. In an act of characteristic rebellion, he moved to New Orleans to live in “creative obscurity” and changed his last name from Davis to his mother's maiden name of Rockmore.

In the painting The Park (Stages of Life), Noel Rockmore pondered the past, present and future stages of life. The present was embodied by the young woman painted in full color. Painted sketchily in white, Rockmore included a group of children at play on a swing set symbolizing the woman’s youth, while the older woman walking alongside represents her as a mature woman.

483

484

485

Diego Larguia

(Argentinian/New Orleans, Contemporary)

“Corner of Perrier and Chestnut Streets”, 2006

oil on canvas

signed and dated lower left, titled and pencil-signed illegibly en verso.

Framed.

sight 16” x 19-3/4”, framed 18” x 22”

$1,000-$1,500

Provenance: D.O.C.S. Gallery, New Orleans, Louisiana; Private collection, New Orleans, Louisiana.

Exhibited: D.O.C.S. Gallery, “New Orleans Landscapes: New Works by Diego Larguia,” April - May 2007.

My objective is to capture that specific point in time and place, just as it presented itself to me, communicating my perspective.

–Diego Larguia

An established artist and celebrated educator, Diego Larguia is a New Orleans based artist from Buenos Aires, Argentina. After moving to the United States in 1991, Larguia studied with Don Anderson and Phil Sandusky, and refined his skills with drawing and painting. Taking inspiration from artists such as Sargent and Monet, his painterly landscapes are all painted en plein air, titling works after the locations in which they were painted. The compositions are filled with light, often underscored by Larguia’s remarkable draftsmanship, and imbued with expressive color and texture. A fixture of the New Orleans art scene for over twenty-five years, his work has been exhibited widely throughout the region including the New Orleans Museum of Art and the Walter Anderson Museum of Art in Mississippi, as well as numerous private and corporate collections.

486

Lula Ameen (American/Louisiana, 1921-1992)

“The Graveyard”, 1989 watercolor on paper signed, dated and copyright-marked lower right. Matted, glazed and framed.

sight 24-1/2” x 32-1/2”, framed 32” x 40-1/2”

$1,000-$1,500

Provenance: Collection of the artist; Private collection, New Orleans, Louisiana.

487

Milford Zornes (American/California, 1908-2008)

“Village Scene”, 1983 watercolor on paper signed and dated lower right. Matted, glazed and framed.

sight 21-1/2” x 29-1/2”, framed 29-3/4” x 37-1/2”

$800-$1,200

488

Paul Ferrante Wrought Iron and Glass-Top Console Table

1980s, with an Etruscan patinated iron base, reminiscent of Giacometti. h. 31-1/4”, w. 83”, d. 28”

$1,000-$1,500

489

Richard Sexton (American, b. 1954)

“1111 Bourbon Street Courtyard”, 2005

color pigment print printed in 2006, signed and initialed lower right. Matted, glazed and framed. 30-1/2” x 22-1/2”, framed 40” x 32”

$700-$1,000

490

James Michalopoulos (American/Louisiana, b. 1951)

“Endura Galvez”, 1994

oil on canvas signed lower left, signed, dated and titled en verso. In a thin gallery frame.

24” x 48”, framed 25” x 49”

$7,000-$10,000

491

Louise Guidry (American/Louisiana, b. 1930)

“Reflecting Back”

acrylic on masonite signed lower left. Unframed. 36” x 36”

$1,000-$1,500

492

Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997)

“Synthesis #47”, 1982 mixed media on canvas signed and dated lower left, a “Gimpel & Weitzenhoffer, New York” label en verso. Framed.

47-1/2” x 48”, framed 50-1/2” x 50-1/2”

$20,000-$40,000

Provenance: Gimpel & Weitzenhoffer Gallery, New York, New York; private collection.

By the 1980s, Ida Kohlmeyer was a regionally and nationally renowned contemporary artist. The Gimpel & Weitzenhoffer Gallery of New York City featured Kohlmeyer in three solo shows in 1984, 1986 and 1990. The painting Synthesis #47 dated 1982, was likely included in the first of Gimpel & Weitzenhoffer Gallery exhibitions, which featured several paintings from her "Synthesis" series.

492

493

Albert Hirschfeld (American, 1903-2003)

“Isadora Duncan”

lithograph in colors pencil-signed lower right and numbered “48/200” lower left.

Float-mounted, glazed and framed. sheet 29” x 22-1/2”, framed 42-1/2” x 35”

$1,000-$1,500

494

Jerry Garcia (American, 1942-1995)

“Drummers”, 1991

offset lithograph in color signed lower right, numbered “82/500”, titled and pencilsigned in the lower margin.

Verso affixed with an envelope containing a Certificate of Authenticity and other materials. Matted, glazed and framed. sight 14-1/2” x 11”, framed 20-1/4” x 17”

$2,000-$4,000

493

495

Pair of Hermes-Style Gilt-Lacquered Iron Side/Coffee Tables

after a mid-century design for Hermes by Giovanni Banci, Italy, with tubular legs and “horse-bit”-style stretchers, inset with frosted green glass tops centered by a clear glass circle. h. 21-1/2”, w. 28-1/4”, d. 28-1/4”

$1,000-$1,500

$1,000-$1,500

496 Modern Carpet

9’ x 11’ 8”

497

Semi-Antique Persian Tabriz Carpet

$1,000-$1,500

498

Semi-Antique Persian Tabriz Carpet

$1,000-$1,500

9’ 4” x 12’ 1”

8’ 10” x 12’ 7”

497

499

Suite of Four Ilana Goor Brutalist Leather and Wrought Iron Bar Stools

1970s, Israel, with padded and laced black leather seats and backs, on brown-lacquered wrought iron frames. h. 37”, w. 17-1/2”, d. 23”

$1,000-$1,500

500 Juan Gris (Spanish/French, 1887-1927)

“Nature Morte”, 1922

pochoir in colors on wove paper Kahnweiler 34, signed in pencil lower right, published by L’Esprit Nouveau, Paris. Unframed. sheet 9-1/2” x 12”, image 6-1/2” x 9-7/8”

$2,000-$4,000

501

Carved and Painted Corpus Christi probably 17th century, possibly French, the carefully carved face with inlaid glass eyes, the body dressed in a loincloth, presented in a contemporary acrylic case. body h. 8-1/4”, w. 2-1/2”, d. 1-3/4”, case h. 10-1/2”, w. 5-1/2”, d. 3”

$700-$1,000

Provenance: Private collection, New York, New York.

502

Chinese Pottery Tomb Figure

attributed to the Han Dynasty (206 BC-220 AD), the standing male figure with a painted face and robe details, presented on a contemporary metal and acrylic stand. h. 19”, w. 5-3/4”, d. 5-3/4”

$700-$1,000

503

Anna Mary Richards Brewster (American, 1870-1952)

“Pyrenees”

oil on canvas

verso with “Mark Borghi Fine Art, New York, New York” gallery label, stamped with the “Estate of Anna Richards Brewster” en verso stretcher. Framed.

8-7/8” x 13”, framed 15” x 19”

$1,000-$1,500

Provenance: Estate of Anna Mary Richards Brewster; Mark Borghi Fine Art, New York, New York; Private collection, Austin, Texas.

504 Suite of Eight Regency-Style Pale Celadon Dining Chairs

20th century, comprising two armchairs and six side chairs, each with a curved crest above a pearlized champagne leather seat, raised on sabre legs, all with gilt banded accents. h. 32”, w. 21”, d. 18”

$1,500-$2,500

Provenance: Sourced by Robert Sonnier, New Orleans, Louisiana; Private collection, New York, New York.

Her style is quite individual, not too detailed and yet not too sketchy, naturalistic, yet far from photographic in any degree. She has a deep understanding in respect to the construction of figures and a high consideration for composition, which is particularly manifest when she discusses with her brushes a large group... Her canvases have great pictorial and decorative value and what artists know as technique has with her attained a point of actual brilliance.

C.H. Bonte, The Philadelphia Enquirer, 1928

Employing a palette of rich, bright colors, bold brushstrokes, and with the unexpected inclusion of gray tones and black pigment, Martha Walter emphasized shapes and the interplay of light and shadow rather than relying on the purely figurative. Her beach scenes were especially popular, and the work offered here is an exceptional example of her complex, yet immediately recognizable, compositions with the huddled figures in the foreground beneath their vibrantly hued tents, the gray-tinged clouds roiling in the sky above. Walter was acclaimed throughout her career for her plein air compositions.

Walter's academic art training incorporated the best that America and France had to offer. She studied under William Merritt Chase at the Pennsylvania Academy of Fine Arts, where she won numerous awards including the prestigious Toppan prize and was the first recipient of the Cresson award (quite an accomplishment for a woman at the time), which was a twoyear travel scholarship which afforded her the opportunity to travel to Europe. She spent some time in France where she attended the Academie Julien and was inspired by the great plein air painter Eugen Boudin (1824-1898).

Upon her return to the United States, Walter settled in the art colony of Gloucester, Massachusetts. She exhibited widely throughout her life, including the National Academy of Design, the Corcoran Gallery Biennials, Paris Salon, and the Salon d'Automne.

505

505 Martha Walter (American, 1875-1976)

“Late Afternoon at Biarritz” oil on board

signed lower left, signed and titled en verso, a “Greenwich Gallery of American Art” inventory label en verso. Framed.

20-1/2” x 25-1/4”, framed 30-3/8” x 35”

$40,000-$70,000

Provenance: Greenwich Gallery of American Art, Greenwich, Connecticut; Guarisco Gallery, Washington, D.C.; Property of a gentleman collector, New Orleans, Louisiana.

506

Wilfrid De Glehn, R.A. (British/American, 1870-1951)

“Sargent Sketching in a Gondola”, 1905

watercolor on paper signed and dated lower right. Matted, glazed and framed. sight 15-1/4” x 17-1/2”, framed 26” x 28-1/2”

$2,000-$4,000

Provenance: Property of a gentleman collector, New Orleans, Louisiana.

506

507

Rare Italian Bardiglio Marble Tazza

19th century, of Beaux-Arts inspiration, the fluted bowl on a tapered and fluted standard, on a stepped base. h. 18-1/4”, dia. 18-3/4”

$8,000-$12,000

Provenance: A Villa, Palm Beach, Florida; interior designed by Juan Pablo Molyneux.

Literature: Thurman, Judith, “Juan Pablo Molyneux Outfits a Refined Palm Beach Villa”, Architectural Digest, July 2008, illustrated.

A very similar example sold at Christie's, sale 1887, October 19, 2007, lot 3.

507

508

Collection of Thirteen French Creamware Transfer-Printed Plates

first quarter 19th century, each with a profile of a dignitary, with grapevine borders, eight of the collection signed by “Stone, Coquerel, LeGros”, five unmarked. dia. 8-1/4”

$900-$1,200

Provenance: Private collection, Natchez, Mississippi.

in the rococo taste, the crests with boldly carved baskets of flowers, the frames ornamented with carved shells, the asymmetrical sides lined with carved leaves, scrollwork and rocaille work and interspersed flower heads. h. 64-1/2”, w. 27-1/2”

$1,000-$1,500

509

Pair of Italian Carved Mahogany, Gesso and Gray-Pickled Mirrors

508

510

Directoire Walnut Commode

late 18th century, the top with cookie corners over a case fitted with three long drawers and flanked by fluted corner columns, raised on integral turned legs. h. 34-1/2”, w. 44-1/2”, d. 21-1/2”

$1,000-$1,500

Provenance: Private collection, Natchez, Mississippi.

511

After Fritz Klimsch (German, 1870-1960)

“Die Hockende”

patinated bronze cast signature, dated “1934” and numbered “2/3” along back of self-base, a “Cire Perdue Hebrard” foundry mark along proper right side of self-base. h. 15-1/2”, w. 7-1/2”, d. 8”

$3,000-$5,000

512

Italian Rococo Parcel-Gilt Walnut and Marble-Top Console Table

18th century, the rectangular verde-gris marble top over a frame with pierced and carved aprons with shell and floral motifs, raised on cabriole legs.

h. 32”, w. 47”, d. 24”

$1,500-$2,500

513

Pair of Italian Giltwood Wall Brackets

20th century, possibly Florentine, the serpentine shelves with molded edges, the pierced backplates with carved rocaille and scrollwork decoration.

h. 16-1/2”, w. 19”, d. 9-3/4”

$1,000-$1,500

514

Pair of Napoleon III Kingwood Parlor Cabinets

19th century, each with a narrow, rectangular top above a conforming case fitted with an ogee-molded frieze over a single glazed cupboard door, raised on a shaped plinth base, the whole with inlaid floral accents.

h. 42”, w. 31-1/2”, d. 12-1/2”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

515

Pair of Rococo-Style Giltwood and Creme-Peinte Footstools

19th century, each with a padded and tufted velvet rectangular top above a floral-carved apron, raised on foliate scrolled feet. h. 9”, w. 15”, d. 13”

$1,000-$1,500

Provenance: Private collection, Houston, Texas

516

Pair of Italian Giltwood and Tole Girandole Mirrors

19th century, in the Baroque taste, the shield-form mirrors with flower heads and rocaille work on the mirror-inset crests, with matching side trim, the primary mirror plates lined with rocaille and scrollwork, the bases with gilt tole three-light scrolled candle arms decorated with applied leaves. h. 42-3/4”, w. 20-1/2”, d. 8-1/4”

$1,200-$1,800

514

515

516

517

James Jacques Joseph Tissot (French/British, 1836-1902)

“La Tamise”, 1876 (Tissot 14, Beraldi 13, Wentworth 20)

etching and drypoint on laid paper pencil-signed lower right, artist’s stamp lower left, after the painting exhibited at the Royal Academy, London in 1876.

Matted, glazed and framed. platemark 9-1/4” x 14-1/4”, sheet 13-5/8” x 20”, framed 25-1/2” x 29-3/4”

$3,000-$5,000

Provenance: Christopher-Clark Gallery, San Francisco, California; Property of a gentleman collector, New Orleans, Louisiana.

518

James Jacques Joseph Tissot (French/British, 1836-1902)

“Entre le deux mon Coeur Balance”, 1877 (Tissot 26, Beraldi 23)

etching and drypoint on laid paper signed and dated in plate lower right. Matted, glazed and framed. platemark 9-3/4” x 14”, sheet 14-3/4î x 22”, framed 26” x 30”

$2,000-$4,000

Provenance: Christopher-Clark Gallery, San Francisco, California; Property of a gentleman collector, New Orleans, Louisiana.

517

519

519

James Jacques Joseph Tissot (French/British, 1836-1902)

“Le Hamac”, 1880 (Tissot 41, Beraldi 37, Wentworth 46)

etching and drypoint on laid paper signed and dated in plate lower left, with a “Christopher Clark Fine Art” certificate of authenticity, pencil marked “AB” lower left and “13” lower right margin. Matted, glazed and framed. platemark 10-3/8” x 7-1/4”, sheet 15” x 9-1/2”, framed 22-1/2” x 18-3/4”

$700-$1,000

Provenance: Christopher-Clark Gallery, San Francisco, California; Property of a gentleman collector, New Orleans, Louisiana.

520 Egyptian Revival Ebonized, Parcel-Gilt and Marble-Top Center Table

20th century, the rectangular verde-gris marble top over a frieze with applied and stylized sphinxes, supported by four large winged female caryatids, centered by a campanaform urn on a stepped platform base. h. 35-1/2”, w. 58”, d. 31-1/2”

$2,000-$4,000

519

521

Jacques Deveau (French, b. 1937)

“Le Dejeuner” oil on canvas signed lower right. Framed.

24” x 36”, framed 34” x 46”

$1,000-$1,500

522

Regence-Style Ormolu-Mounted Kingwood and MarbleTop Commode

20th century, of bombe form with a conforming breche marble top over a row of three drawers and two long drawers, the front corners with figural bronze mounts. h. 35”, w. 50”, d. 21”

$1,000-$1,500

523

Louis XVI Aubusson-Style Carpet

12’ x 18’

$1,400-$1,800

524

Pair of Button-Tufted Claret Suede Benches

raised on tapering, turned wood feet ended in brass caps. h. 16-1/2”, w. 30”, d. 19”

$1,000-$1,500

Provenance: A Villa, Palm Beach, Florida; interior designed by Juan Pablo Molyneux.

Literature: Thurman, Judith, “Juan Pablo Molyneux Outfits a Refined Palm Beach Villa”, Architectural Digest, July 2008, illustrated.

524

525

French Provincial Fruitwood Desk

20th century, in the Louis XV style, the shaped rectangular top with an inset leather surface, above a frieze fitted with three drawers, raised on cabriole legs headed by shield carving and ending in hoof feet. h. 31”, w. 53-1/2”, d. 27”

$1,000-$1,500

526

French Three-Piece Bronze Dore and Porcelain Clock Set

19th century, in the Neo-Grec taste, the clock with an urn-form finial with a cone-form knop, the handles with Bacchanalian masque terminals, set with porcelain decorated with black anthemia and scrollwork on an orange ground, the clock set with a matching porcelain dial with a black Greek-key border, and side panels with a classical polychrome goddess on an orange ground, raised on the original velvet-taped giltwood base, the works stamped by retailer Rollin a Paris, h. 17”, w. 7-1/4”, d. 7-1/4”, with a matching pair of gilt-bronze three-light candelabra with leaf-molded candle cups on scrolled branches, h. 11”, w. 5”, d. 3”.

$1,000-$1,500

527

Louis Philippe Burl Walnut and Marble-Top Commode

19th century, the conforming marble top over an ogeeform drawer and three long drawers with bookmatched, figured veneers, on a molded plinth base. h. 38”, w. 51”, d. 23”

$1,000-$1,500

526

528

Pair of Napoleon III Bronze Dore et Patine Sconces

third quarter 19th century, the backplates molded with trophies of war, mounted with bronze “hands” supporting serpent-form branches, set with inverted bell-form candle sockets molded with anthemia. h. 23-1/2”, w. 7-3/4”, d. 7-1/4”

$1,500-$2,500

529

Louis Philippe Walnut Commode

19th century, with a molded overhanging framed flush panel wooden top, the front fitted with an ogee-form long drawer over three dramatic book-matched veneered long drawers, raised on a molded base with bracket feet. h. 34-1/2”, w. 39-1/2”, d. 19-1/2”

$1,500-$2,500

530

Louis XVI-Style Giltwood Fauteuil

20th century, the floral pierce-carved crest flanked by small finials, with an arched and padded back, acanthine-carved arm fronts and raised on turned legs. h. 43”, w. 25”, d. 23”

$1,500-$2,500

531

Aubusson Tapestry of Hunters with Their Dogs

5’ 9” x 7’ 6”

$800-$1,200

532

Regency Faux Rosewood Window Bench

19th century, the ends with faux bamboo-turned rails, the seat with a reversible cushion, raised on an X-form frame with downcurved legs ending in paw feet. h. 29”, w. 35”, d. 17”

$1,000-$1,500

Provenance: A Villa, Palm Beach, Florida; interior designed by Juan Pablo Molyneux.

Literature: Thurman, Judith, “Juan Pablo Molyneux Outfits a Refined Palm Beach Villa”, Architectural Digest, July 2008, illustrated.

533

Maria Theresa-Style Gilt-Metal and Glass Chandelier

20th century, the twenty-five-light chandelier with glass-clad arms supporting two tiers of lights, each with molded glass prism rings, the arms hung with cut glass drops, the corona with a top spray of prisms over swags of prism-hung cut glass drops, one interior light near base.

h. 40”, dia. 40”

$1,200-$1,800

531

532

533

534

Louis XV-Style Kingwood Side Table

early 20th century, the shaped rectangular top with a brass edge, banded and quarter-veneered, and above a frieze fitted with a single drawer, raised on cabriole legs headed by ormolu mounts and ending in sabots. h. 29”, w. 32-1/2”, d. 16-1/2”

$1,200-$1,800

535

Italian Giltwood Mirror

20th century, in the neoclassical taste, the mirror-backed crest with an urn framed with a floral wreath and pineapple finials on each end, the corners with flower-carved drops, and the ogeemolded surround with beaded lining. h. 37-1/2”, w. 24”

$800-$1,200

536

Marble Figure of the Goddess Flora

20th century, in the neoclassical taste, the scantily clad goddess standing contraposto, clutching a bouquet of flowers, on a circular plinth. h. 52-1/2”, w. 12”, d. 13”

$2,000-$4,000

534

535 536

537

Directoire Mahogany and Marble-Top Rafraichissoir

ca. 1800, the top with an inset white marble work surface, with a pair of recessed brass wine buckets, the front fitted with a small utensils drawer, raised on turned and fluted legs joined by a lower shelf.

h. 29-1/4”, w. 17-1/2”, d. 18-1/4”

$1,000-$1,500

538

Christofle “Marly” Silverplate Flatware Set

the pattern introduced in 1897, this set modern, Paris, France, including a dozen twelve-piece place settings and thirteen serving pieces, no monograms, presented in four brown flocked plastic Christofle storage trays with original promotional papers. (157 pieces total)

$1,800-$2,500

Detailed list of pieces available on request.

538

537

539

Impressive Maison Odiot Belle Epoque Silver Tea Set

fourth quarter 19th century, Paris, first standard (.950) silver, including: a kettle-on-stand, h. 16-3/4”, l. 13”; a teapot, h. 7-1/4”, l. 11-3/4”; a cream jug, h. 5”, l. 5-1/4”; and a covered sugar bowl, h. 6-1/2”, w. 9”; together with an American sterling silver Graff, Washbourne & Dunn hot milk jug, h. 9-1/4”, l. 7-3/4”; each piece of serpentine-lobed form, decorated with elaborate applied rococo scrolls, with openwork acanthus-crested scroll handles, bud finials, and rococo scroll spouts, the robust kettle stand with openwork scrolls forming four feet, each piece engraved with the arms and motto of Gibbes. 257.00 total t. oz.

$7,000-$10,000

Provenance: The Estate of Mildred Paine Wilson, wife of Robert E. Lee Wilson III of Wilson, Arkansas.

This set was likely acquired by Robert “Roy” Edward Lee Wilson, Jr. and his wife Natalie (Armstrong) Wilson, possibly on their honeymoon tour of Europe in 1912, where they fell in love with all things European, particularly French aesthetics. This trip’s profound impact on the Wilsons prompted them, on their return to their home, to rebuild the town’s square in Wilson, Arkansas, revising the facades of the town square buildings to match the Tudor/European architecture they so admired on their honeymoon. At the time, the town construction was nearing completion by its founder, Roy’s father, Robert Edward Lee Wilson. “Boss Lee” (as the senior Wilson was known) was a phenomenon in the Delta cotton business, transforming 400 acres of inherited swamp land into more than 65,000 contiguous acres of fertile cotton plantation - the largest in the South at the time.

After Roy’s wife Natalie’s death in 1974, the set passed to their son Robert “Bob” Edward Lee Wilson III (1913-1987), who continued the family’s prominence in the Delta cotton trade. On New Year’s Eve 1961, he married Mildred “Millie” Martin Paine, the widow of Robert Paine, editor of the Memphis Commercial Appeal. Bob died in 1987, and Millie earlier this year in Paragould, Arkansas at the age of 95. The Wilson family is foundational in the Arkansas Delta and is greatly admired for their vision, devotion, generosity, and commitment to education. Their daughters are pleased to offer the current lot to a new generation of collectors.

540

Fine Chinoiserie Black-Lacquered Cabinet on Stand

17th/18th century, the upper case with chinoiserie decoration, engraved brass hinges and cast lock plate, the doors opening to an interior fitted with ten drawers, mounted to an elaborate Louis XIV carved base, with traces of silvering and gold gilt. h. 68-1/2”, w. 44”, d. 22”

$1,500-$2,500

541

Pair

of French Gilt-Bronze and Crystal Sconces

fourth quarter 19th century, the oblong backplates decorated with rocaille work, bellflowers and molded leaves, set with scrolled, leaf-molded candle branches supporting leafmolded drip pans, set with inverted bell-form reeded candle sockets, hung with swags of crystal prisms and cut glass drops. h. 19-1/2”, w. 15-3/4”, d. 12”

$1,000-$1,500

542

Continental Carved Walnut and Marble-Top Figural Center Table

early 20th century, the inset circular Egyptian marble top over aprons with carved ribbons and garland swags, the legs with carved maidens joined by a carved stretcher and centered by a turned finial.

h. 30”, dia. 29”

$1,000-$1,500

543

John Landrum Bryant (American, 20th Century)

“Boar”

patinated bronze the recumbent boar with tusks, inscribed “JLB, Edition 27/60” and with artist’s elephant mark at bottom. h. 2”, w. 4-1/4”, d. 1-3/4”

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

544

Louis XV-Style Ormolu-Mounted Kingwood Bureau Plat

early 20th century, the shaped, rectangular top within a brass band and with an inset leather surface, above a frieze fitted with three drawers to one side and three faux drawers to the other, raised on cabriole legs headed by ormolu mounts and ending in sabots.

h. 30”, w. 58”, d. 30”

$2,500-$4,000

545

French Bronze and Marble Clock Set

19th century, in the Neo-Grec taste, the clock with a silvered bronze “Warwick Vase” finial, atop the circular red griotte marble body, the marble face set with signed Japy Freres works, h. 14-1/4”, dia. 8”, and the matching three-light candelabra with scrolled candle branches set with Greek-key-incised candle sockets and drip pans, supported by vasiform anthemiamolded bases, on matching marble plinths, h. 14-3/4”, w. 9-3/4”, d. 4-3/4”.

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

543

545

546

French Provincial Fruitwood Buffet a Deux Corps

early 19th century, the molded cornice above two long paneled doors, the lower section fitted with two drawers over two paneled cupboard doors, raised on shaped toes. h. 80-1/2”, w. 52”, d. 23”

$900-$1,200

Provenance: Private collection, Natchez, Mississippi.

547

Gaston Casimir Saint-Pierre (French, 1833-1916)

“Portrait of a Young Woman in White”, 1882 oil on canvas signed and dated lower left. Framed. 34-1/2” x 25”, framed 43-3/4” x 34”

$2,000-$4,000

546

548

Leon Houbaer (Belgian, 1861-1935)

“Portrait of a Lady”

oil on canvas signed lower left. Framed.

32” x 24”, framed 38” x 30-1/4”

$1,500-$2,500

549

Empire-Style Mahogany and Marble-Top Table

19th century, the circular dished marble top above a plain frieze, raised on three ormolu-mounted supports joined by a tripartite stretcher and ending in block feet on casters. h. 28-1/2”, dia. 32-1/2”

$900-$1,200

Provenance: Private collection, Houston, Texas.

550

Bronze and Belgian Marble Neo-Grec Pedestal

third quarter 19th century, attributed to the foundry of Frederic Barbedienne (French, 1838-1891), the bronze legs with busts of goddesses and terminating in sandal-human feet, the skirt decorated with pierced anthemia, the lower portion with a stretcher and turned finial. h. 42”, dia. 13”

$1,800-$2,500

548

549

550

551

Pair of Ralph Lauren “Spencer” Giltwood Armchairs the backs and wings covered in paisley velvet, the seats in a bronze leather, raised on cabriole legs joined by X-form stretchers, labeled under the seats.

h. 46”, w. 28”, d. 23”

$1,000-$1,500

552

French Provincial Louis XV-Style Fruitwood Vanity Table 19th century, the shaped rectangular top with a hinged center section, opening to a storage interior, above a frieze fitted with a paneled cabinet door to either side, opening to three pullout drawers, raised on molded cabriole legs ending in scrolled toes.

h. 28”, w. 56”, d. 23”

$700-$1,000

Provenance: Private collection, Natchez, Mississippi.

553

Empire Aubusson-Style Carpet

6’ x 9’

$600-$900

554

European Savonnerie Carpet

9’ x 12’

$1,200-$1,800

8’ 2” x 10’ 2”

$1,000-$1,500

555 Kashmir English Garden Carpet

553

554 555

556

Camille Pissarro (French, 1830-1903)

“Etudes des Paysannes”, ca. 1880

watercolor and charcoal on paper monogram lower right, verso frame with “Hammer Galleries” stamp.

Together with a Certificate of Authenticity by Alma Egger on behalf of Joaquim Pissarro, Ph.D.

Glazed and framed.

sheet 5-1/2” x 8-3/4”, framed 11-1/2” x 14-1/2”

$7,000-$10,000

Provenance: Hammer Galleries, New York, New York; Marjorie F. Shushan Estate, New Orleans, Louisiana.

New Orleans Auction Galleries is pleased to announce the inclusion of "Etudes des Paysannes" in the forthcoming Catalogue Raisonne of Drawings by Camille Pissarro.

The 1880s were perhaps the most artistically experimental decade of Camille Pissarro’s career, as he moved away from the traditional Impressionist landscape painting for which he was celebrated. Instead, he returned his attention to themes of his early work and began creating large figural works depicting peasant life. During this period of experimentation, Pissarro began to use more unified brushwork along with carefully controlled strokes of pure color, leading him to explore various media, such as drawing, watercolor, and gouache in preparation for his paintings.

Pissarro often returned to the motif of agrarian women engaged in everyday chores during this time, using preparatory drawings and watercolors like Etudes des Paysannes. His depictions were decidedly not political, contrasting with his contemporaries, who often represented peasants’ work as exceedingly laborious. Instead, Pissarro alternated between illustrating his peasants completing simple chores or resting after a long day, attempting to capture what he observed firsthand when he relocated to the French countryside with his family. This was his intention, to educate French city-dwellers of the realities of peasant life through the lens of a neutral observer, which would later be described by Pierre-Auguste Renoir in 1882 as “revolutionary.”

Pissarro’s “revolutionary” intent is exemplified in the present lot by the figures’ traditional dress, including modest blouses tucked into long skirts and classic headscarves. While the figures are not tied to any specific painting, they are portrayed as perhaps foraging in a kitchen garden, as Pissarro produced several paintings with this subject matter during this period. Etudes des Paysannes likely served as a study for numerous paintings over the course of the decade, as Pissarro expanded his interest in experimental figural work.

Since Pissarro's death in 1903, his influence and legacy have only expanded, inspiring various artistic movements. Unfortunately, this visibility left his work vulnerable to looting by Nazi Germany during World War II, and several works were lost. The discovery, authentication, and offering of Etudes des Paysannes here is an exciting development in the excavation of Pissarro’s long career, as well as an important addition to the forthcoming Catalogue Raisonne of Drawings by Camille Pissarro. New Orleans Auction Galleries is pleased to present Etudes des Paysannes.

556 556

557

French Kingwood, Mixed Woods Inlaid and Marble-Top Commode

19th century, in the neoclassical taste, the thick Brocatelle Jaune du Jura marble top over three long drawers with inlaid fronts, the case with canted corners, raised on tapered square legs.

h. 34-1/2”, w. 33-1/2”, d. 17”

$1,000-$1,500

558

Pair of Schwartz Collection, Paris, Club Chairs

of generous proportions, upholstered in pale lemon silk inset with floral-embroidered ribbons and trimmed throughout with twist cording, the skirts with pleated corners, labeled.

h. 33-1/4”, w. 30-1/2”, d. 39-1/2”

$1,000-$1,500

Provenance: A Villa, Palm Beach, Florida; interior designed by Juan Pablo Molyneux.

Literature: Thurman, Judith, “Juan Pablo Molyneux Outfits a Refined Palm Beach Villa”, Architectural Digest, July 2008, illustrated.

559

Provincial Louis XV-Style Oak Draw-Leaf Dining Table

19th century, the rounded, rectangular top banded and with parquetry veneers, with a like draw leaf to either end, raised above a shaped apron on cabriole legs joined by a shaped X-form stretcher and ending in scrolled toes on pegs.

h. 32”, w. 48”, l. 97”, extended l. 183”

$3,000-$5,000

Provenance: Purchased from a private estate, Montecito, California; Historic Solana, Montecito, California.

557

558

560 Monumental Giltwood Chandelier in the Rococo Taste

the twenty-one-light chandelier with a vasiform leaf-carved and giltwood standard, set with three tiers of scrolled leafcarved and reeded candle branches, terminating in leafcarved drip pans and turned sockets, the arms alternating with large carved upswept leaves. h. 70-1/2”, dia. 57”

$2,000-$4,000

Provenance: A Villa, Palm Beach, Florida; interior designed by Juan Pablo Molyneux.

561

Napoleon III Inlaid Kingwood and Bronze-Mounted Jardiniere

19th century, the lid with inlaid musical horns and floral sprays, opening to a removable metal-lined interior, the jardiniere mounted to a turned and ebonized standard, supported by an X-form platform and turned legs with brass feet and finials. h. 30-1/2”, w. 22-1/2”, d. 16”

$1,000-$1,500

560

561

562

Italian Giltwood Mirror

20th century, in the neoclassical taste, with a mirrorbacked crest decorated with an urn, framed with trailing flowers, the surround with corner floriform medallions and leaf- and scroll-carved side drops, the lower edge with flower carvings and the mirror plate lined with reed-form carvings.

h. 47”, w. 27-1/2”

$1,200-$1,800

563

French Provincial-Style Walnut Commode

20th century, in the Louis XV taste, the conforming serpentine top with a molded edge, over three side-byside drawers and two graduated long drawers, each with in-carved fronts, raised on cabriole legs with scrolled toes. h. 36”, w. 48”, d. 24”

$1,000-$1,500

564

Pair of French Belle Epoque Gilt-Bronze Putti-Form Garnitures

fourth quarter 19th century, now mounted as lamps, the bronze putti holding bouquets of flowers, mounted on black metal circular bases, fitted with shades. h. 21-1/2”, dia. 11”

$1,000-$1,500

562

564

563

565

Suite of Eight Regency-Style Ebonized and Parcel-Gilt Chairs

early 20th century, comprised of two armchairs, h. 34”, w. 22”, d. 20”, and six side chairs, h. 33”, w. 19”, d. 19”, each with a curved and carved back rail, slip seat and down-curved legs.

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

566

ca. 1900, with scroll-decorated borders over lushly handpainted pheasants, peonies and branches of prunus. h. 17”, dia. 16-1/4”

$1,200-$1,800

Provenance: Private collection, Houston, Texas.

Large Meiji Period Blue and White Porcelain Jardiniere

565

566

565 detail

567

Large Gilt-Bronze, Crystal and Marble Epergne

20th century, in the French taste, the central panel-cut trumpet vase in a leaf-molded bronze holder, the diamond-cut crystal bowl with a grape-molded gilt-bronze ring, the bowl supported by bronze elephant heads on a tripartite base, on a green marble plinth.

h. 22-1/2”, dia. 16-1/4”

$1,000-$1,500

568

French Belle Epoque Gilt-Bronze and Crystal Chandelier

fourth quarter 19th century, the twenty-four-light chandelier with a standard clad with molded glass and mounted with three graduated tiers of scrolled arms, set with sprays of drops and crystal swagging, the bronze spherical body mounted with scrollwork and set with scrolled candle cups, set with cut glass spires terminating in candle sockets, set with pierced bronze prism rings and hung with swags of crystal prisms.

h. 54”, dia. 35-1/2”

$2,500-$4,000

569

Pair of Chinese Ebonized Yew Wood Throne Chairs

20th century, with yoke-form back rails and pierce-carved splats, shaped arms with out-scrolled hand grips, and framed and paneled seats, raised on square legs joined by box stretchers.

h. 45-1/2”, w. 25-1/2”, d. 18”

$1,000-$1,500

Provenance: Ann Koerner Antiques, New Orleans, Louisiana.

569

567

570

Turkish Angora Oushak Carpet

6’ x 8’ 10”

$600-$900

571

Turkish Angora Oushak Carpet

8’ 1” x 10’ 2”

$1,000-$1,500

572

Turkish Angora Oushak Carpet

9’ 8” x 12’ 3”

$1,400-$1,800

573

Pair of Italian Polychrome Commodes 20th century, in the neoclassical taste, each with three long drawers with painted scrolls and foliate sprays, raised on tapered square legs.

h. 36-1/2”, w. 45-1/2”, d. 21-1/2”

$4,000-$7,000

574

Pair of Button-Tufted Chamois Suede Benches

raised on tapering, turned wood feet ended in brass caps. h. 16-1/2”, w. 30”, d. 19”

$1,000-$1,500

Provenance: A Villa, Palm Beach, Florida; interior designed by Juan Pablo Molyneux.

Literature: Thurman, Judith, “Juan Pablo Molyneux Outfits a Refined Palm Beach Villa”, Architectural Digest, July 2008, illustrated.

575

Giovanni Ottaviani (Italian, 1735-1808)

“Loggia di Rafaele nel Vaticano”

hand-colored copper engraving after Raphael.

Matted, glazed and framed.

sight 13-1/2” x 22”, framed 25” x 31-1/2”

$1,000-$1,500

575

576

Giovanni Ottaviani (Italian, 1735-1808)

“Loggia de Rafaele nel Vaticano”

hand-colored copper engraving after Raphael.

Matted, glazed and framed.

sight 13-1/2” x 22”, framed 25” x 31-1/2”

$1,000-$1,500

577

Pair of Petite Italian Polychrome Cabinets

20th century, in the neoclassical taste, the upper case of each with a mirrored door, flanked by half-pilaster columns on each side, the bases fitted with three drawers above a scalloped lower shelf.

h. 58”, w. 15”, d. 10”

$1,000-$1,500

578

Pair of Large Italian Giltwood Brackets

late 19th century, in the rococo taste, the carved backplates decorated with flowers framed in scroll and rocaille work, lined with scrolled edges, set with serpentine shelves, painted to resemble Siena marble.

h. 21-1/4”, w. 28-1/2”, d. 8-1/2”

$1,000-$1,500

577

578

579

Suite of Eight Creme-Peinte and Parcel-Gilt Armchairs

labeled William Switzer, in the neoclassical taste, the back with a recessed paneled crest rail over a central carved and gilt plume, flanked by pierced and stylized fans, joined by curved arm rests and raised on tapered square legs. h. 36”, w. 21”, d. 18”

$1,000-$1,500

580

Louis XV-Style Creme-Peinte and Parcel-Gilt Window Seat

20th century, the padded seat flanked to either end by padded, outscrolled arms, raised on cabriole legs ending in scrolled toes, covered in Fortuny fabric. h. 29”, w. 39-1/2”, d. 18”

$800-$1,200

581

Pair of Edwardian Giltwood Mirrors

first quarter 20th century, the shield-form mirrors with trumpet-form finials, decorated with sprays of flowers and urn finials on each end, supporting swags of giltwood bellflowers, the bases with acanthus-carved trumpet-form drops framed with scrolls, terminating in medallions, set with beveled mirror plates.

h. 43”, w. 18”

$1,400-$1,800

582

Niermann Weeks Carved and Painted “Annecy” Settee

the molded frame with cockbeaded trim, the arm fronts carved with lion’s heads, raised on turned and fluted legs, covered in Fortuny fabric, labeled on the bottom. h. 36-1/2”, w. 61”, d. 19”

$1,500-$2,500

583

Ruby Viavant (American, 1904-1925)

“Nature Morte: Blue Jay”, 1923

watercolor and gouache on paper on board signed and dated lower left. Unframed.

18” x 14”

$2,000-$4,000

582

584

9’

$2,500-$4,000

585

4’

$800-$1,200

Peshawar Birds of Paradise Carpet

1” x 11’ 8”

Peshawar Birds of Paradise Carpet

x 6’

584

586

Large English Mason's Ironstone Vase

19th century, unmarked, in the ìFlying Birdî pattern with cobalt sea monster knop and handles, the clobbered decoration of birds, peonies and flowering vines, decorated in the Imari palette. h. 31-1/2”, dia. 10-1/2”

$1,500-$2,500

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

587

Rare English Mason’s Ironstone Potpourri Urn

post-1825, with a polychrome dragon-form knop and handles, and a pierced cover, the tapered, faceted body decorated with raised pheasants, flowers and butterflies against a ground of clobbered chinoiserie decoration, with a brown transfer-printed mark.

h. 22”, w. 10-3/4”, d. 7-1/4”

$2,000-$4,000

Provenance: Valerie Howard Antiques, London, England.

588

English Mason’s Ironstone Covered Dough Bin

ca. 1815-1830, decorated in the “Table and Flower Pot” pattern, the large, oval dough bin decorated with clobbered vases of peonies and “tables” supporting bowls of fruit, the borders decorated with peonies and chinoiserie patterns, set with dragon-molded handles, the base with the black printed “Mason’s Patent Ironstone China” mark with crown. h. 15-1/2”, w. 10-1/4”, d. 6-1/4”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

589

English Mason's Ironstone Potpourri Vase

19th century, unmarked, with polychromed dragon-molded, pierced cover and handles, the tapered and faceted vase decorated with clobbered panels of chinoiserie scenes on a blue ground with yellow clouds, the neck and base with raised gilt on a cobalt ground.

h. 25”, w. 11-1/4”, d. 7-1/2”

$1,400-$1,800

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

The unnamed pattern is on a pair of alcove vases in the collection of The Metropolitan Museum of Art, New York, New York.

586

587

588

Pair of Rare Mason’s Ironstone Clobbered Potpourri Urns

ca. 1830-1848, in the “Double Landscape” pattern, the pierced covers with cobalt lotus-form knops, the bodies with double panels of landscapes with pagodas and willow trees on a green ground, the sides with cobalt eagle handles, with a Mason’s printed “Fenton Stone Works CJM & Co.” mark.

h. 14-1/2”, dia. 10-3/4”

$1,500-$2,500

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

591

Impressive Pair of Mason’s Ironstone Potpourri Vases

19th century, with green and blue dragon handles and pierced covers, the tapered bodies decorated in blue transfer print pagodas, bridges and fences. h. 25”, w. 11-1/2”, d. 6-3/4”

$2,000-$4,000

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

592

Exceptional English Mason's Ironstone Alcove Vase

19th century, unmarked, the pagoda-form spire knop atop the cover, decorated with “Double Landscape” panels, the main body with panels in the “Lyre Bird” pattern, mounted with gilt dragon-form handles, on a cobalt ground with yellow flowers and scrollwork. h. 41-1/2”, w. 15”, d. 12-1/2”

$1,800-$2,500

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

Literature: A similar example from the City Museum Art Gallery, Stoker-on-Trent, England, is illustrated in Geoffrey Godden Mason’s China and The Ironstone Wares (Suffolk: Antique Collector’s Club, 1991), p. 187.

593

English Mason’s Ironstone Double Landscape Covered Soup Tureen, Underplate and Ladle

post-1891, in the Imari palette with chinoiserie decoration, the molded cover with intertwined dolphin knops, and the tureen and underplate with dolphin handles, with a transfer-printed puce mark including “England”. h. 12-1/2”, w. 15-1/4”, d. 13”

$900-$1,200

Provenance: Valerie Howard, London, England; Private collection, Houston, Texas.

594

Neoclassical-Style Stained Pine and Parcel-Gilt Bookcase/ Vitrine

late 19th century, in two parts, the upper case with a pair of fan-light-glazed doors, opening to a later mirror-lined interior, fitted with three adjustable plate-glass shelves, the base with a carved Greek-key frieze above a pair of framed and paneled doors, bearing a tag reading, “Provenance: Princeton University - Rockefellar [sic] Donation”. h. 84-1/2”, w. 54-3/4”, d. 16-3/4”

$1,800-$2,500

$700-$1,000

595

Antique Mahal Carpet

9’ x 11’ 6”

$3,000-$5,000

596

Agra Serapi Runner

2’ 6” x 20’ 1”

595

596

597

Antique Serapi Carpet

10’ x 13’

$4,000-$7,000

597

598

2’ 6” x 23’ 7”

$800-$1,200

599

Semi-Antique Persian

signed in border. 8' 7" x 10' 7"

$1,000-$1,500

Agra Serapi Runner

Mashad Carpet

599

600 Georges BrillWouin (French, 1817-1893)

“The Jolly Cavaliers” oil on board signed lower right. Framed.

18-7/8” x 23”, framed 27-3/8” x 32-1/8”

$1,000-$1,500

601 George III-Style Mahogany Dining Table

19th century, the rounded rectangular top raised on three turned baluster-form standards to four splayed and molded legs ending in brass caps on casters, with two 25” leaves. h. 28”, w. 52”, l. 83”, ext. l. 133”

$1,500-$2,500

Provenance: Private collection, Houston, Texas.

602

Large and Unusual Marquetry-Inlaid Mirror

19th century, in the Baroque taste, the ogee-carved surround inlaid with scrollwork and leaves, set with a beveled mirror plate.

h. 51-3/4”, w. 28-1/2”

$1,400-$1,800

Provenance: Private collection, Houston, Texas.

603

early 20th century, English, the tapered standard decorated with gilt leafage, the molded circular base with mandarin figures, flowers and pagodas, with raised gilt decoration, fitted with a custom Denning and Fourcade pleated and fringed silk lampshade.

h. 70-3/4”, dia. 22”

$1,400-$1,800

Provenance: Private collection, Houston, Texas.

Edwardian Chinoiserie Floor Lamp

602

604

English Silverplate and Mahogany Bar Trolley

modern, with recessed silverplate plateau fitted with an ice/punch bowl, above a conforming frieze with silverplate handles at the short ends, raised on four tapering turned legs above a lower stretcher fitted with a faux leather bottle / glasses tray, on four rolling casters. h. 37” (41” with bowl), w. 24-1/4”, l. 44”

$1,500-$2,500

Provenance: Private collection, Houston, Texas.

605

Impressive Victorian Neo-Grec Silverplate Venison Dome

1862, by Thomas Bradbury & Sons, Sheffield, retailed by Muirhead & Son, Glasgow, decorated with a wide band of warriors on a matte ground, below a row of engraved anthemion and above an applied gadrooned band, with reed-and-acanthus handle on an anthemion mount and centering a neoclassical masque, engraved with a crest of a demi-lion rampant and the motto “Semper Fidelis”. h. 14”, l. 21”, w. 16-1/2”

$1,000-$1,500

606

Spanish Silver Armada Jug

mid-20th century, by J. Perez, first standard (.915) silver, of traditional form, with applied angels and bear’s head on a richly decorated repousse ground, the lid opening with mechanical action within the arched handle. h. 12-1/4”, dia. 5-1/4”; 26.79 t. oz.

$1,800-$2,500

604

605 606

607

Set of Ten St. Louis “Bubbles” Wine Glasses

modern, the hock glasses with red bowls molded with circles, the stems molded with spheres. h. 9-3/4”, dia. 3-1/2”

$1,000-$1,500

Provenance: Private collection Houston, Texas.

608

Collection of “Tiffany Holiday” Porcelain

20th century, Japanese, retailed by Tiffany &Co., decorated with fruit, nuts and leaves bound with red ribbons terminating in Christmas bells, the service including sixteen dinner plates, dia. 10-1/4”, eighteen salad/dessert plates, dia. 7-3/4”, eighteen bread and butter plates, dia. 6-1/2”, four cups, h. 2-3/4”, dia. 3-1/2”, six saucers, dia. 6”, and a platter, w. 7-1/4”, l. 11-3/4”.

$1,200-$1,800

607

609

Collection of Ten Blown, Cut and Molded Crystal Decanters

20th century, including two panel-cut decanters marked “Baccarat”, a signed William Yeoward square decanter, three cut glass ship decanters, a Waterford “Lismore” decanter, a barrel-form cut glass decanter, a brilliantstyle cut glass decanter and a blown glass decanter in the Georgian taste.

h. 8-3/4” to 15”, dia. 3-1/2” to 8-3/4”

$600-$900

Provenance: Private collection, Houston, Texas.

610

Custom Designed Denning and Fourcade Coffee Table

of square form, the upholstered table with a top centered by a floral-patterned inset fabric, raised on upholstered bun feet.

h. 16”, w. 45”, d. 45”

$1,200-$1,800

Provenance: Private collection, Houston, Texas.

611

Louis XVI-Style Polychrome Bergere

20th century, the apple green frame with burnt orange highlights, custom upholstered in a designer floral fabric, raised on turned and fluted legs. h. 37”, w. 26”, d. 23”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

612

Italian Leather-Top Wrought Iron Nesting Tables

each inset with glass-covered, gilt-edged leather on a gilded wrought iron base.

h. 17” to 18-3/4”, w. 20-1/4” to 22”, d. 14” to 14-1/4”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

613

Large Neoclassical-Style Aubusson-Upholstered Stool

the rectangular top with floral-patterned Aubusson upholstery, raised on a curule-form base.

h. 16”, w. 38-1/2”, d. 24”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

614

Laristan Sultanabad Carpet

$1,500-$2,500

615

Laristan Serapi Carpet

$1,500-$2,500

9’ x 12’ 2”

614

9’ x 12’ 4”

616

George III Mahogany Sideboard

early 19th century, the demilune top with a brass railing along the back edge, with a rosewood and string-inlaid banded front edge, fitted with an assortment of cabinets and drawers, raised on tapered square legs. h. 51-1/2”, w. 74-1/2”, d. 30-1/2”

$1,500-$2,500

Provenance: Private collection, Houston, Texas.

617

Henry Schouten (Belgian, 1864-1927)

“Chickens” oil on canvas signed lower left. Framed. sight 19-1/4” x 28-3/4”, framed 26” x 36”

$1,500-$2,500

617

618

Four-Panel Stained Oak and Glass Screen

each stained oak frame with two panels of beveled colorless glass.

h. 92-1/2”, w. 48”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

619

American Late Classical Mahogany and Leather-Top Center Table

19th century, Philadelphia, the circular top with a gadrooned edge and inset with green leather, supported by a faceted, tapered standard mounted to a shaped platform base, on carved paw feet.

h. 29”, dia. 48”

$1,500-$2,500

Provenance: Private collection Houston, Texas.

618

620

Five Rare Mason’s Garniture Vases

19th century, the clobbered vases with orange foo dog knops and pierced handles, decorated with panels of lily pads and peonies with peony and chrysanthemum borders, on celadon grounds. h. 12-1/4”, w. 3-3/4”, d. 3-3/4”

$1,400-$1,800

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

An Ashworth dinner service in this pattern is illustrated in Geoffrey Godden, The Illustrated Guide to Mason’s Patent Ironstone China, (New York: Praeger Publishers, 1971), Color Plate VII.

621

Pair of William IV Gilt-Bronze Sconces

second quarter 19th century, English, the leaf-molded, oval backplates set with reeded and scrolled arms decorated with lion’s heads, supporting five matching arms mounted with floriform drip pans and reeded candle sockets, fitted with Denning and Fourcade custom-designed silk shades. h. 7”, w. 14”, d. 12”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

622

Set of Eight Portuguese Majolica Bateau-Form Dishes

early 20th century, attributed to Bordallo Pinheiro, the glazed shell-form dishes with red coral-form handles, resting on black feet with molded pottery surrounds. h. 4-3/4”, w. 9”, d. 4-3/4”

$700-$1,000

Provenance: Private collection, Houston, Texas.

623

Regency Chinoiserie Recamier

19th century, the cushioned seat flanked to one end by an outscrolled arm and partial shaped back, and to the other by a lower outscrolled arm, raised on turned, circular legs ending in casters, the whole frame accented with chinoiserie designs. h. 32-1/2”, w, 25”, l. 73”

$1,500-$2,500

Provenance: Private collection, Houston, Texas.

624

Pair of Specimen Stone Lamps

first quarter 20th century, the Louis XVI-style candlesticks composed of jade, rose quartz and lapis lazuli, with a gilt-metal base, fitted with custom Denning and Fourcade pleated and ruffled silk lampshades. h. 15”, w. 8”, d. 7-3/4”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

625 Christian Dior Majolica Covered Tureen and Underplate

in the aesthetic taste, with bird-form knops and bamboomolded trim on a turquoise ground, marked “Christian Dior” on base of both the tureen and underplate. h. 10”, w. 13-3/4”, d. 12”

$500-$800

Provenance: Private collection, Houston, Texas.

623

624

626

Regency

Mahogany Breakfront

19th century, the upper section in three parts, with four astragal-glazed doors, opening to adjustable shelves, the base in three sections, with a central butler’s drawer opening to a fitted interior and three long drawers below, flanked by cabinets to each side. h. 88-1/2”, w. 98”, d. 19”

$1,800-$2,500

Provenance: Private collection, Houston, Texas.

627

Pair of English Imari-Decorated Lamps

19th century and later, the vases attributed to Copeland Spode and decorated in the “Old Tobacco Leaf” pattern, with peonies and treillage, on pierced wooden bases, fitted with custom Denning and Fourcade pleated and fringed silk lampshades. h. 22”, dia. 14-1/2”

$1,000-$1,500

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

627

628

Rare English Potpourri Urn

19th century, attributed to Hicks and Meigh, the domed and pierced cover with a crowned recumbent lion knop, the sides molded with lion’s-head masques and paws, decorated with pagodas and flowers in the Imari palette, retaining the inner flat cover.

h. 18”, dia. 9”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

629

Pair of Sage Green Suede Club Chairs

with canted backs, rolled arms and loose over-stuffed backs and seat cushions, raised on tapered square brass-banded wood front feet and backswept rear feet. overall h. 37-1/2”, back h. 29-1/2”, w. 35”, d. 35-1/2”

$1,000-$1,500

630

Carved Onyx and Lapis Lazuli Centerpiece

20th c, the oval centerpiece with ram’s-head handles, with lapis lazuli horns, the body and tapered standard carved with gadrooning.

h. 9”, w. 19”, d. 9”

$700-$1,000

Provenance: Private collection, Houston, Texas.

628

630 629

631

Regency Mahogany Lectern Stand

19th century, the top with an adjustable book slope above two open shelves and a pair of drawers below, raised on short, turned legs ending in brass cup casters. h. 47”, w. 23”, d. 15”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

633

632

Pair of Provincial Fruitwood Prie-Dieus

19th century, each with a padded needlework top joined by fluted supports to the kneeler, raised on bun feet. h. 28”, w. 22”, d. 17”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

Two English Victorian Jardinieres in the Renaissance Taste fourth quarter 19th century, the oval brass example with gadrooning and lion’s-head ring handles, raised on paw feet, with a removable liner, h. 8-1/4”, w. 18-3/4”, d. 12-3/4”, and the circular copper example with reeding and brass lion’s heads with twisted rings, on brass paw feet, h. 10-1/4”, dia. 15-3/4”.

$600-$900

Provenance: Private collection, Natchez, Mississippi.

631

632

634

Large English Mason's Ironstone Lamp

first quarter 19th century, unmarked, the tapered and faceted vase with rose-form handles and Gothic-framed panels of flowers on a cobalt ground, richly decorated with trailing leaves, fitted with a custom Denning and Fourcade pleated and fringed silk lampshade. h. 32”, dia. 21”

$1,200-$1,800

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

635

Chippendale-Style Mahogany and Leather Armchair

20th century, with a slightly arched back and down-curved arm supports, raised on square legs joined by box stretchers. h. 41-1/2”, w. 27-1/2”, d. 26”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

636

Regency-Style Mahogany and Tooled Leather Desk

labeled Maitland-Smith, the kidney-form desk with an inset tooled and embossed gilt-leather writing surface, fitted with an in-curve center drawer and fan-inlaid corner brackets, each bank with conforming curved drawers, raised on square, banded legs with brass caps. h. 30-1/2”, w. 63-1/2”, d. 33”

$1,200-$1,800

634

636

635

637

William Clark (Scottish, 1803-1883)

“A British Topsail Schooner Inward Bound off the Needles, Isle of Wight, with a Cutter and Other Shipping in the Distance” oil on canvas signed lower left. Framed.

13-5/8” x 19-1/2”, framed 20” x 25-3/8”

$5,000-$8,000

Provenance: Sotheby’s London, November 6, 2007, “The Marine Sale”, lot 25.

639

Salvatore Colacicco (Italian/England, b. 1935)

“Three-Masted Clipper Ship in Calm Waters” oil on canvas signed lower left. Framed.

27” x 35-1/2”, framed 35” x 43”

$1,500-$2,500

638

John Ward of Hull (British, 1798-1849)

“Frigate off the English Coast” oil on canvas signed lower left. Framed.

27-1/4” x 36”, framed 35-1/4” x 43”

$5,000-$8,000

637

638

late 19th century, the large, well-constructed rack with a ratched support and a ledge to support a book. h. 19”, w. 27”, d. 18-1/2” (fully open)

$600-$900

Provenance: Private collection, Houston, Texas.

641

British Sports and Sportsmen

London: Sports & Sportsmen, Ltd, 1908-1933, 15 volumes (of 17), limited edition 189 of 1,000, folio, in red morocco, the boards with bevel edges and gilt fillet and lettering, the spines with raised bands and gilt lines and lettering, with anthemion gilt dentelle and marbled endpapers, the edges cut and gilt, including volumes:

Polo & Coaching / Shooting & Deerstalking

Hunting / Cricket & Football / Commerce & Industry

Golf, Athletics, Tennis, Hockey & Winter Sports

Sportsmen of the Past, Parts I & II

Yachting & Rowing / The Story of Shipping Breeding, Agriculture & Country Life Pursuits

Big Game Hunting & Angling

Modern Flat-Racing, Steeplechasing, Point-to-Point Racing, Coursing & Greyhound Racing

Athletic Sports, Tennis, Rackets & Other Ball Games

Modern Commerce Transport, Motoring & Aviation 15-1/4î x 11-1/4î

$1,200-$1,800

Provenance: Private collection, Houston, Texas.

642

Punch, or the London Chiavari

bound copies for years 1920, 1922, 1926, 1930 and 1931 (two volumes each), in black half leather on dark green cloth, the spines with raised bands with red panel and gilt lettering, the edges cut and speckled. (10 books total) 11-1/4” x 8-3/4”

$400-$700

Provenance: Private collection, Houston, Texas.

643

Turkish Runner

3’ 1” x 10’ 3”

$1,200-$1,800

644

Turkish Runner

2’ 3” x 15’

$1,000-$1,500

645

Regency-Style Mahogany and Leather-Top Drum Table

20th century, the circular top with inset brown leather, the frieze with faux-leather-bound books and alternating drawers and faux drawers, in the form of cabinet doors, supported by a turned standard and three downcurved and reeded legs.

h. 30-1/2”, dia. 34”

$1,400-$1,800

643 644

646

Large English Mason's Ironstone Lamp

second quarter 19th century, unmarked, with polychrome dragon handles, the tapered and faceted vase with a clobbered, transfer-printed panel with mandarin figures, on a transfer-printed ground of blue scrollwork, fitted with a custom Denning and Fourcade pleated and ruffled lampshade.

h. 42-1/4”, dia. 24-1/2”

$1,200-$1,800

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

647

George III Mahogany Corner Cabinet

late 18th century, the dentillated, cove-molded cornice above an arched opening with a domed top, the interior fitted with four scalloped shelves, the exterior front decorated with architectural elements and blind fretwork, the base with a pair of framed and paneled doors.

h. 92”, w. 42”, d. 25” (to corner)

$1,500-$2,500

Provenance: Private collection, Houston, Texas.

646

646

648

Collection of Fifteen English Pottery Jugs

19th century, including a pair of signed clobbered Mason’s jugs with chinoiserie decoration, h. 7”, dia. 5”, three Mason’s “hydra” jugs in the “Conversation” pattern, on orange grounds, h. 8” to 8-3/4”, dia. 3-1/2” to 4-1/4”, a signed Mason’s ironstone jug in the “Chinoise” pattern, h. 6-3/4”, dia. 4-1/2”, four unmarked clobbered jugs in the “Conversa” pattern, on orange grounds, h. 6”, dia. 4-3/4”, two unmarked clobbered chinaware jugs with lion spouts, h. 5” to 7”, dia. 6” to 7-1/2”, a signed Davenport “hydra” jug in the Imari palette, h. 7”, dia. 5-1/4”, and a transfer-printed pearlware jug in the Imari palette, marked “porcelain” in underglaze blue, h. 5”, w. 7”, d. 4”.

$700-$1,000

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

English Mahogany Drop-Leaf Wake Table

20th century, the long rectangular top with two rounded drop leaves, raised on a gateleg support of chamfered square legs. h. 30”, w. 15”, ext. w. 55”, l. 82”

$1,500-$2,500

Provenance: Private collection, Houston, Texas.

649 detail

648

649

650

Godfrey Douglas Giles (British, 1857-1923)

“The Warwickshire, a Check at Kineton”, 1906 oil on canvas

signed and dated lower left, titled on artist plaque. 25-3/4” x 36”, framed 32” x 42”

$3,000-$5,000

651

Pair of French Bronze and Steel Table Lamps

20th century, the stylish lamps with Tam-O-Shanter milk glass shades, over bronze and steel columnar standards on circular bases, with spurious “Moderator” lamp labels. h. 32-1/2”, dia. 12-3/4”

$1,000-$1,500

652

English Nickle-Plated Metal and Ironstone Scale

late 19th century, the top with a rampant lion resting on a shield, the standard with a badge-form brass plate marked “Herbert & Sons Ltd., Makers Ltd., 7 West Smithfield, London”, on a fluted base, the bottom with an ironstone plateau marked by Herbert & Sons, opposite a plate for the weights. h. 32”, w. 24”, d. 24”

$800-$1,200

Provenance: Private collection, Houston, Texas.

653

Oyster Work Mirror in the Jacobean Taste

19th century, probably Flemish, the pulvinated surround with burlwood veneer, cut to resemble oysters, set with a beveled mirror plate. h. 45-3/4”, w. 37-1/2”

$1,500-$2,500

Provenance: Private collection, Houston, Texas.

654

Henry Schouten (Belgian, 1859/67-1927)

“The Black Horse” oil on canvas signed lower left. Framed.

24” x 35-1/2”, framed 28” x 41”

$1,500-$2,500

652

653

654

655

William-and-Mary Oak Highboy

18th century, in two parts, the upper case with a pair of side-byside drawers over three graduated long drawers, the base with three side-by-side drawers over a scalloped apron, raised on six trumpet-turned legs joined by shaped stretchers. h. 66-1/2”, w. 41”, d. 22-1/2”

$1,500-$2,500

Provenance: Private collection, Natchez, Mississippi.

656

English Oak Press

19th century, the corkscrew press within a dentillated and molded frame, with a single long drawer below. h. 33”, w. 32”, d. 19”

$700-$1,000

Provenance: Private collection, Houston, Texas.

657

Collection of Leather Half Bindings

most 19th century, including works by Thackery, Emerson, Thiers, Lodge, Knox et al. (25 books total) 6-1/2” x 5” to 10-7/8” x 7-1/4”

$600-$900

Provenance: Private collection, Houston, Texas.

655

656

657

658

Collection of Full Calf Bindings

1797-1802, including works by Macaulay, Ruskin, Tennyson, Addison & Steele and others, all in full calf, with eight academic bindings with gilt armorial on the front board. (12 books total)

6-3/4” x 4-1/4” to 8” x 5-1/2”

$500-$800

Provenance: Private collection, Houston, Texas.

659

660

Collection of Half- and Quarter-Bound Leather Books

1825-1898, including works by Burns, Scott, Meredith, Morely and Ewald. (19 books total)

7-1/4” x 4-3/4” to 10-3/4” x 7-3/4”

$600-$900

Provenance: Private collection, Houston, Texas.

Provenance: Private collection, Houston, Texas. 658 659 660

Collection of Large Half- and Quarter-Bound LeatherBound Books

1892-1928, including bound periodicals Connoisseur and Garden Magazine & Home Builder, selected volumes of Larousse Dictionnaire, Horne’s Great Men & Famous Women and Brewer’s Character Sketches. (17 books total)

11-3/4” x 9-3/4” to 12-3/4” x 10”

$700-$1,000

661

Handsome Embossed Leather Screen

18th century, with four arched-top panels, decorated in the Baroque taste with red-outlined urns of flowers on a gilt ground, accented with leaves and flower heads on a green ground.

h. 77-1/2”, w. 93-1/2”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

662

English Mahogany Stool

19th century, the padded, circular tapestry-covered top above a conforming graduated base with floral carving, raised on paw feet.

h. 12”, dia. 19-1/2”

$800-$1,200

Provenance: Private collection, Houston, Texas.

661

662

663

William IV Mahogany Metamorphic Tiered Table

19th century, the rounded rectangular top with a molded edge, mechanized to lift up, forming an upper and lower shelf, raised on end supports joined by a turned stretcher and ending in runner feet to casters.

h. 29”, w. 46”, d. 18-1/2”

$700-$1,000

Provenance: Private collection, Houston, Texas.

664

Large English Mason's Ironstone Lamp

19th century, unsigned, the domed cover on a vase decorated with gilt flowers and a cobalt dragon, on an iron-red ground, fitted with a custom Denning and Fourcade pleated and fringed silk lampshade.

h. 32”, dia. 16”

$1,200-$1,800

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

665

George III-Style Mahogany Tripod Table

19th century, the tilting circular top with a molded edge, raised on a birdcage support on a turned and spiral-fluted standard, to three splayed and pierced legs ending in pad feet.

h. 28-1/2”, dia. 29-1/2”

$700-$1,000

Provenance: Private collection, Houston, Texas.

663

664

665

666

Pair of Silver-Clad Lion Sculptures on Marble Bases

20th century, the recumbent lions resting on rough-hewn, white-veined black marble bases, with a Yaacov Heller (Israeli/American, b. 1941) stamp. h. 7”, w. 9”, d. 6”

$800-$1,200

667

Regency Mahogany Butler’s Secretary

19th century, in two parts, the upper case with a dentillated overhanging molding above a pair of astragal-glazed doors, the base with a pull-out butler’s desk drawer, fitted with a combination of drawers and cubbies, over three graduated long drawers, raised on splayed legs. h. 90-1/2”, w. 50”, d. 23-1/2”

$1,400-$1,800

Provenance: Private collection, Houston, Texas.

6’ 3” x 8’ 10”

$1,000-$1,500

8’ 10” x 11’ 8”

$1,800-$2,500

668

Peshawar Serapi Carpet

669

Peshawar Bidjar Carpet

668

670

English Mason's Ironstone Covered Garniture Vase

19th century, unmarked, the large double-gourd vase with gilt dragon handles, decorated with peonies, moths and enameled pheasants on a mazarine blue ground, the Chinese-style cover with a gilt snail knop. h. 26-1/2”, dia. 9”

$2,000-$4,000

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

671

Pair of English Mason's Ironstone Mitre Jars

19th century, unmarked, the mitre jars with gadrooned covers and bases, decorated with peonies, moths and enameled pheasants on a mazarine blue ground, the cover with a pierced knop and the sides with scrolled handles. h. 14-1/4”, w. 9-1/4”, d. 6-1/2”

$1,000-$1,500

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

672

Pair of Handsome English Mason’s Ironstone Vases

19th century, the richly gilt vases decorated in the Chinese taste, on a cobalt ground, mounted with gilt dragon-molded handles, both sides with gilt pagodas, willow trees and figures fishing, framed in panels decorated with scrollwork, on a taupe ground, with underglaze blue faux Chinese seal marks. h. 13-1/2”, w. 5-1/4”, d. 3-3/4”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

673

English Mason’s Ironstone Garden Seat

19th century, unmarked, with a pierced seat on a field of flowers and leaves, on a cobalt ground, the faceted, pierced barrel-form sides handsomely decorated with dragons and flower pots of swirling peonies and lotus blossoms.

h. 21-1/2”, dia. 11”

$1,000-$1,500

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

674

Edwardian Mahogany Bowfront Sideboard

early 20th century, the banded and bowed top above a conforming case fitted with a central drawer over a cellarette drawer, flanked to one side by a drawer over a deep drawer and to the other by a drawer over a cupboard, raised on chamfered, tapered square legs.

h. 39”, w. 60-1/2”, d. 28”

$1,400-$1,800

Provenance: Private collection, Natchez, Mississippi.

673

675

Collection of Nine Pottery and Porcelain Teapots

19th century, including a basalt teapot, the hinged cover with a widow knop, the sides with neoclassical sprigging, with an associated stand, h. 8”, w. 10”, d. 5-3/4”, a Chinese export globular teapot, clobbered in England or Holland, h. 5-1/4”, w. 8”, d. 4-1/4”, a pearl ware parapet teapot decorated with clobbered brown transfer ware, h. 5-3/4”, w. 8”, d. 5”, a signed Mason’s ironstone Chinese-form transfer-printed teapot, h. 7-1/4”, w. 8”, d. 4-1/2”, a signed Mason’s “Conversation” pattern teapot, h. 4-1/2”, w. 6-3/4”, d. 4”, a porcelain teapot and stand with Imari decoration, h. 7-3/4”, w. 9”, d. 4-1/2”, a William Adams aesthetic teapot and stand, marked, h. 7”, w. 7-1/4”, d. 6”, a signed Davenport enameled teapot with a black ground, h. 4”, w. 6-1/2”, d. 4”, and a cobalt aesthetic period teapot with a registry mark, h. 8-1/4”, w. 7-1/2”, d. 4-1/2”.

$900-$1,200

Provenance: Private collection, Houston, Texas.

676

19th century, English, in the Georgian taste, with crossetted corners and giltwood laurel-leaf drops, the scrolled lower corners terminating in giltwood medallions, the surround with giltwood lotus-carved leaves. h. 48-1/2”, w. 62-3/4”

$1,200-$1,800

Provenance: Private collection, Houston, Texas.

Edwardian Mahogany and Giltwood Overmantel Mirror

677

Continental Painted Panel of a Tree, Figures and Deer 19th century, on coarsely woven and pieced canvas, the figures surrounded by a meandering foliate border. Framed.

sight 70-1/2” x 25”, framed 73-1/2” x 28-1/4”

$800-$1,200

Provenance: Private collection, Houston, Texas.

678

Chinoiserie-Decorated Writing Desk

late 19th/early 20th century, with a decorated top and central drawer, the front with additional carved drawers and raised on carved cabriole legs. h. 30”, w. 45-1/2”, d. 22”

$1,500-$2,500

677

679

English Chinoiserie-Decorated Hanging Corner Cabinet

mid 18th century, the upper section with scalloped backboards and two curved, graduated open shelves, above a single door opening to three shelves. h. 45”, w. 21”, d. 14” (to corner)

$700-$1,000

Provenance: Private collection, Natchez, Mississippi.

680

Edwardian Japanned Floor Lamp

19th century, English, the standard on a vasiform base, decorated with pagodas, bamboo and fences with raised accents, on a black ground, the ogee-molded base decorated to match, fitted with a custom Denning and Fourcade pleated and fringed silk lampshade.

h. 88”, w. 15”

$1,200-$1,800

Provenance: Private collection, Houston, Texas.

681

Pair of French Gilt-Metal and Crystal Sconces

20th century, each with a scrolled gilt-metal frame lined with glass beads and set with five arms, terminating in molded glass prism rings, hung with swags of prisms and crystal drops. h. 22-3/4”, w. 24”, d. 12-3/4”

$1,200-$1,800

Provenance: Private collection, Houston, Texas.

681

679

682

Pair of Royal Doulton Pottery Garden Seats

ca. 1900, the garden seats with stylized flower borders at the top and around the pierced opening, the barrel-form sides with stylized leaf borders and swags of flowers framing Renaissance figures, with a rare transfer-printed Royal Doulton mark. h. 20”, dia. 11-1/2”

$1,500-$2,500

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

683

Pair of Marbleized Pottery Cachepots

early 20th century, the faceted vasiform cachepots set with molded ring handles, molded tasseled swag work and molded panels of latticework, signed indistinctly. h. 8”, dia. 7”

$400-$700

Provenance: Private collection, Houston, Texas.

684

George III-Style Mahogany Polychrome and Parcel-Gilt Demilune Side Table

19th century, in the Adam taste, the banded top above a conforming frieze with scrolling foliate carving centered by a patera, raised on paneled, tapered square legs with bellflower carving, ending in floral block capitals to tapered feet. h. 32”, w. 49-1/2”, d. 23”

$1,500-$2,500

Provenance: Private collection, Houston, Texas.

682

683

684

685

Turkish Angora Oushak Carpet

9’ x 12’

$1,400-$1,800

686

Turkish Angora Oushak Carpet

9’ 9” x 13’ 10”

$1,800-$2,500

687

Turkish Angora Oushak Carpet

8’ x 10’

$1,000-$1,500

685

686

687

688

Unusual Lacquerware Jardiniere

19th century, the planter with paneled sides, decorated with figures and delicate gilt leafage, the interior painted iron red.

h. 13-1/4”, w. 31-1/2”, d. 11-1/2”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

689

Dove Grey Leather Ottoman

20th century, with brass nailhead trim and raised on turned cherry feet ended in brass discs. h. 15-1/2”, w. 30-1/2”, d. 25-1/2”

$700-$1,000

Provenance: McMillen, Inc., New York, New York, in collaboration with De Angelis, Ltd., Glen Head, New York; Private collection, New York, New York.

690

Unusual Japanese Imari and Lacquerware Covered Jardiniere

19th century, the lacquered cover decorated with phoenix birds and pine trees, the jardiniere with panels of harbor scenes, birds and flowers, trimmed in iron red with gilt Greek-key borders, on an ebonized stand.

h. 16”, dia. 10-1/2”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

688

689

691

Set of Eight Japanese Imari Porcelain Dishes

ca. 1900, decorated in the orange and cobalt palette with gilt accents, with cockerels and lotus flowers, the backs with blue underglaze character marks. dia. 7-1/4”

$600-$900

Provenance: Private collection, Natchez, Mississippi.

692

Large Japanese Meiji Period Patinated Bronze Vase

ca. 1868-1912, the lobed vase decorated with sprays of chrysanthemums and birds, on an incised ground, the base with mounts of swimming turtles. h. 24-1/4”, dia. 8-3/4”

$1,000-$1,500

693

Louis XVI-Style Parcel-Gilt Low Center Table

20th century, the inset circular top ebonized and featuring a figural chinoiserie scene, above a scrolling foliate-carved frieze, raised on paneled, tapered square legs ending in peg feet.

h. 23”, dia. 28”

$1,000-$1,500

691

692

693

694

Georgian-Style Mahogany Serpentine Bachelor’s Chest

early 20th century, the case fitted with a pull-out work slide over four conforming graduated long drawers with figured mahogany veneers and string-inlaid borders, raised on bracket feet. h. 35”, w. 38”, d. 19-1/2”

$1,000-$1,500

695

Edmond Tschaggeny (Belgian, 1818-1873)

“Young Farmgirl with Animals” oil on canvas signed lower right. Framed.

sight 20” x 29-1/2”, framed 28” x 37”

$5,000-$8,000

694 695

696

Louis Verwee (Belgian, 1807-1877)

“Shepherd and His Flock” oil on canvas initialed lower left. Framed.

sight 19” x 27-1/4”, framed 32” x 40-1/4”

$2,000-$4,000

697

Pair of Petite Mahogany Chippendale Mirrors

fourth quarter 18th century, American or English, with classic scroll-sawn crests, ears and bases, the mirror plates with molded surrounds.

h. 18”, w. 11-3/4”

$900-$1,200

Provenance: Private collection, Natchez, Mississippi.

696

697

698

Large English Mason's Ironstone Lamp

19th century, unmarked, the faceted, octagonal urn decorated with clobbered panels in the “Conversation” pattern, framed in printed scrollwork, on an iron red “cracked ice” ground, fitted with a custom Denning and Fourcade pleated and fringed lampshade.

h. 35”, dia. 19-1/2”

$1,200-$1,800

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

700

William IV Mahogany Luggage Stand

19th century, the slatted, rectangular top with brass treads, raised above a plain frieze on turned, tapered circular legs ending in ball feet.

h. 30”, w. 20”, d. 16”

$600-$900

Provenance: Private collection, Houston, Texas.

699

William IV Rosewood Teapoy

19th century, the caddy of sarcophagus form, the interior fitted with two zinc-lined and lidded compartments, centered by a crystal mixing bowl, mounted to a stand with four downcurved legs joined by a shaped shelf-form stretcher, ending in carved paw feet.

h. 33”, w. 21”, d. 15”

$1,000-$1,500

701

George III Mahogany Drum Table

19th century, the highly figured circular top above a frieze fitted with four drawers and four faux drawers, raised on a turned, bulbous standard to four splayed legs ending in brass caps and casters. h. 29-1/2”, dia. 43”

$1,400-$1,800

Provenance: Private collection, Houston, Texas.

702

Eugene Joseph Constant Pierre Petit (French, 1839-1933)

“Eying the Grouse” oil on canvas signed lower right. Framed.

22” x 25-1/2”, framed 28-1/2” x 32-1/2”

$3,000-$5,000

703

Mahogany Canterbury

19th century, the rectangular top with four slatted sections, above a single drawer, raised on circular, turned and bulbous legs ending in brass caps on casters. h. 20-1/2”, w. 23-1/2”, d. 15-1/2”

$600-$900

Provenance: Private collection, Houston, Texas.

704

Pair of English Brass Sconces in the Regency Taste

the circular, beaded backplates supporting hand-form arms set with turned candle sockets and drip pans, fitted with custom Denning and Fourcade pleated and fringed silk shades.

h. 15”, w. 7”, d. 12”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

705

Pair of English Brass Sconces in the Regency Taste

the circular, beaded backplates supporting hand-form arms set with turned candle sockets and drip pans, fitted with custom Denning and Fourcade pleated and fringed silk shades.

h. 15”, w. 7”, d. 12”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

703

705

704

706

George III-Style Satinwood Games Table

19th century, in the Adam taste, the hinged demilune top with delicate scrolling foliate and swag inlays, opening to a baizelined interior, above a conforming like-inlaid frieze, raised on tapered square legs ending in peg feet. h. 29”, w. 32”, d. 17”

$1,000-$1,500

19th century, with a spool-turned outer surround and an inner surround decorated with rope-twist molding, the antique mirror plate with a coved, ebonized liner. dia. 28-1/4”

$1,200-$1,800

Provenance: Private collection, Houston, Texas.

early 19th century, in two parts, the top center drawer with a fold-down leather writing surface, fitted with drawers and cubbies, flanked by a smaller drawer on each side and three long drawers below. h. 40-1/2”, w. 42”, d. 21-1/2”

$1,500-$2,500

708

William IV Giltwood Convex Mirror

706

707

English Brass-Bound Camphor Wood Butler’s Campaign Chest

707

708

709

Newton Reeve Howard (American/Louisiana, 1912-1984)

“Buck”, 1939

watercolor and pencil on paper signed and dated lower right, titled lower left. Matted, glazed and framed.

13” x 11”, framed 29” x 27”

$1,000-$1,500

710

Newton Reeve Howard (American/Louisiana, 1912-1984)

“Tony”, 1939

watercolor and pencil on paper signed and dated lower right, titled lower left. Matted, glazed and framed.

13” x 11”, framed 29” x 27”

$1,000-$1,500

mid-19th century, labeled “H & J Gardner Paris, 153 & 63 Strand London”, made in London and retailed in Paris, in the form of a Native American maiden wearing a feathered headdress and bear claw necklace, draped in a bear skin and fringed skirt, holding aloft the gas socket, mounted with a period blown, Greek-key cut and frosted glass shade, electrified. h. 39”, dia. 9”

$1,500-$2,500

711

Rare Patinated Metal Gas Newel Post Lamp

709

710

711

Edwardian Mahogany Occasional Table/Book Stand

early 20th century, in the Georgian taste, the trefoil top above a graduated body fitted with open compartments over four corner drawers and three faux drawers, raised on a turned vasiform standard to three splayed legs ending in brass caps and casters.

h. 33-1/2”, dia. 24”

$700-$1,000

Provenance: Private collection, Houston, Texas.

713

Pair of Queen Anne-Style Walnut Armchairs

late 19th century, the balloon backs with floral needlework, and the shaped and carved arms with rolled hand grips, raised on cabriole legs with shell-carved knees. h. 43”, w. 30”, d. 20”

$1,000-$1,500

Provenance: Private collection, Houston, Texas.

714

Pair of Gilt-Metal and Glass Sconces

20th century, in the Craftsman taste, the fluted backplates hung with chains, the torch-form lights with “cages”, holding the lights, now mounted with frosted glass torch flame-form shades.

h. 38”, w. 8-3/4”, d. 10”

$1,000-$1,500

712

715

Regency-Style Figured Mahogany Horseshoe-Leaf Dining Table

20th century, the circular top with a banded and string-inlaid border, fitted with five curved extension leaves, mounted to a base with four turned supports to a concave platform with four downcurved, reeded legs ending in reeded brass caps and casters.

h. 30”, dia. 66”, ext. dia. 90”

$3,000-$5,000

716

English Mason's Ironstone Potpourri Vase

second quarter 19th century, unmarked, in the “Fence” pattern, the covered vase decorated with orange peonies and gilttrimmed cobalt fences, with a pierced, domed cover, set with reeded and scrolled handles.

h. 7”, dia. 5-1/2”

$700-$1,000

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

717

Rare English Mason’s Ironstone Potpourri Urn

ca. 1813-1820, the urn with a gadrooned body decorated with scattered blue enamel flowers on a puce ground, set with scrolled handles, the pierced cover with an acorn knop, impressed “MASON’S PATENT IRONSTONE CHINA” on the bottom.

h. 10-1/2”, w. 11-3/4”, d. 8-3/4”

$800-$1,200

Provenance: Valerie Howard Antiques, London, England; Private collection, Houston, Texas.

715

716

717

718

Hepplewhite Mahogany Pembroke Table

early 19th century, the top and leaves with a rosewoodbanded edge, each end fitted with a drawer, raised on tapered square legs ending in brass cup casters. h. 29", w. 26", d. 40-1/2", open w. 50"

$700-$1,000

Provenance: Private collection, Houston, Texas.

719

Johann Mengels Culverhouse (Dutch/New York, 1820/1893)

“Ice Skaters”, 1863

oil on canvas

signed and dated lower right. Framed.

22” x 39-1/2”, framed 33” x 49-1/2”

$4,000-$7,000

718

719

720

George III Mahogany Fold-Open Games Table

early 19th century, the figured mahogany top and stringinlaid leading edge over apron panels with line inlay borders, separated by snail shell inlays at the leg tops, raised on tapered square legs ending in spade feet. h. 29”, w. 36”, d. 14-3/4”, open dia. 35-1/2”

$700-$1,000

Provenance: Private collection, Houston, Texas.

721

American Neo-Renaissance Mahogany Bookcase/ Vitrine

fourth quarter 19th century, attributed to R. J. Horner, New York, the front with a heavily carved frieze above a pair of doors flanked by figural “twisted tail mermaids” to each side, the shelves with grooved plate holders. h. 64-1/2”, w. 54-1/2”, d. 16-1/2”

$2,000-$4,000

722

Suite of Six Barbara Barry for McGuire Bamboo Chairs

each with a tall back and woven rattan panels, the seat covered in green faux leather, the undersides bearing a brass label. h. 40”, w. 24”, d. 24”

$1,400-$1,800

723

Five-Piece Cast Aluminum Garden Suite

in the neoclassical taste, comprised of four armchairs, h. 29-1/2”, w. 21-1/2”, d. 15”, each with a drapery swag crest rail above a central medallion with a nine-pointed star, and down-curved arms with dolphin supports, and a circular marble-top table with like details, h. 30-1/2”, dia. 43”.

$1,200-$1,800

722

723

723

724

Pair of Cast Stone, Iron and Bronze-Mounted Console Tables

with stepped demilune tops and winged caryatid-form legs, each holding a clam shell and joined by metal tubular stretchers.

h. 38”, w. 44”, d. 20”

$1,200-$1,800

Provenance: A Villa, Palm Beach, Florida; interior designed by Juan Pablo Molyneux.

725

French Brass-Mounted Cast Iron and Marble-Top Pastry Table

the rectangular marble top over a Gothic-style frieze with inverted fleur-de-lis-form finials with acorn drops, raised on a scrolled base joined by stretchers.

h. 30”, w. 40”, d. 26”

$1,000-$1,500

724

725

726

Pair of Iron Campana-Form Garden Urns

with flared rims and fluted bodies, raised on platform bases with extended paw feet. h. 23-1/2”, dia. 17”

$1,000-$1,500

727

Five-Piece Cast Aluminum Garden Suite

in the manner of Alberto Giacometti, comprised of a table, with a beveled plate-glass top on a brutalist-form base with a pair of legs at each corner, joined by an X-form stretcher, h. 29-1/2”, w. 43”, l. 73”, and a set of four armchairs of like form, h. 37”, w. 23”, d. 20”.

$1,200-$1,800

726

727

728

Large Patinated Bronze Figural Garden Fountain

in two parts, the domed upper section topped with a sixteen-spout spigot, the edge with four children holding water vessels, supported by four maiden’s holding garland swags, the lower section with a large lobed bowl with lion’s masques, each with a water spigot in its mouth, supported by a grapevine-wrapped column and four maiden’s with musical instruments, mounted to a stepped base. h. 101”, dia. 46”

$3,000-$5,000

729

Pair of Janus et Cie Chaise Lounges, Table and Pillows

the lounges with adjustable backs and mesh coverings, h. 14” to 42”, w. 29”, l. 82”, bearing the metal label, together with a small, circular side table, h. 20”, dia. 15”, and a pair of pillows, w. 19”, l. 19”.

$1,000-$1,500

730

Brown Jordan “Elegance” Aluminum Garden Dining Suite

20th century, comprised of six side chairs and an oval table, the chairs with oval panels of pierced latticework, set into scrolled surrounds decorating the backs, the legs with pierced scrollwork corner brackets, with cushions, h. 31”, w. 18-1/2”, d. 19-1/2”, and the oval table with a glass top and a pierced skirt, with pierced scrollwork corner brackets decorating the legs, h. 29”, w. 40”, l. 60-1/4”, each labeled on the bottom.

$1,000-$1,500

731

Five-Piece Cast Aluminum Garden Suite

in the neoclassical taste, comprised of a bench, h. 31-1/2”, w. 41-1/2”, d. 17”, and four armchairs, h. 31-1/2”, w. 21-1/2”, d. 17”, each with a drapery swag crest rail above a central circular medallion with a pointed star, and down-curved arms with dolphin supports.

$1,000-$1,500

732

Pair of Bronze Garden Figures of Cranes of Japanese inspiration, realistically modeled, one looking up and the other turned downward. h. 57-1/2” to 66-3/4”, w. 15-1/2” to 16”, d. 11-3/4”

$1,000-$1,500

731

Conditions of Sale:

ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction

(a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction.

(b). Under these Conditions of Sale, the following capitalized terms are defined as follows:

• An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG;

• The “Auctioneer ” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot;

• A “ Bidder ” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding);

• A “ Buyer ” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction;

• “ Buyer’s Premium” is defined in Section 4 below;

• “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction;

• The “ Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction;

• The “ Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges;

• A “ Lot ” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below;

• The “ Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot;

• The “ Seller ” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot;

• The “ Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer.

(d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction

(a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER.

(i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.”

(ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose.

(iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale.

(iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED.

(v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership.

(vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a).

(b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

(c). Catalogue and other descriptions.

(i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others.

(ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot.

(iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price.

(iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material.

(d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that:

(i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot;

(ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere;

(iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot;

(iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and

(v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction

(a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements:

(i) A Bidder must complete and sign the attached registration form and provide identification to NOAG;

(ii) NOAG may require the production of bank or other financial references or any other additional information;

(iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment

(iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and

(v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below).

(b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion.

(c). Absentee bids / Telephone bids.

(i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”).

(ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid.

(iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith.

(d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above.

(e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller.

(f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot.

(g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction

(a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG:

(i) the Hammer Price; and

(ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction) up to and including a Hammer Price of $200,000 and 12% of the amount by which the Lot’s Hammer Price exceeds $200,000; and

(iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form.

(b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer.

(c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card.

(d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction.

(e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction.

(g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law):

(i) to charge outstanding amounts to the Buyer’s credit card;

(ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law);

(iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law;

(iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer;

(v) to cancel the sale;

(vi) to resell the property publicly or privately on such terms as we shall think fit;

(vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer;

(viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer;

(ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs;

(x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids;

(xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.

(h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved.

(i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright

The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability

If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection

In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction

The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM

Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________

Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________

Address: _____________________________________________________

City: _____________________________________________ State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________

E-mail Address: _________________________________________________________________________________

Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot # Bid Amount (not including buyer’s premium) OR Telephone Number to Call: $ $

VISA / MasterCard / American Express #: ____________________________________________

Expiration Date: _____________ CVV #: __________ Billing Zip:

I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 12% of the hammer price greater than $200,000 (no discounts). Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required):

Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Rev. Jan. 2023

Meet Our Team

CEO:

PRESIDENT:

DIRECTOR EMERITUS:

SPECIALISTS:

DIRECTOR OF ESTATES & EVALUATIONS:

DIRECTOR OF FINE ART:

ASSOCIATE SPECIALIST, FINE ART

SENIOR SPECIALIST: AMERICAN, CONTINENTAL & ENGLISH FURNITURE; DECORATIVE ARTS; CLOCKS

SENIOR SPECIALIST CONTINENTAL & ENGLISH FURNITURE; DECORATIVE ARTS

DIRECTOR OF FINE JEWELRY

FINE SILVER

CARPETS

CONSIGNMENT COORDINATOR

ADMINISTRATION:

DIRECTOR OF CLIENT SERVICES

ADMINISTRATION

OFFICE MANAGER

CLIENT SERVICES ASSOCIATE

CREATIVE:

CREATIVE DIRECTOR

LEAD PHOTOGRAPHER

GRAPHIC DESIGNER

OPERATIONS:

DESIGNER:

CONSULTANTS:

ENGLISH & CONTINENTAL FURNITURE

AMERICAN FURNITURE

FINE ART

Susan D. Sarofim

Taylor Eichenwald | taylor@neworleansauction.com

Tessa Steinkamp

John C. Jones | john@neworleansauction.com

Michele M. Carolla | michele@neworleansauction.com

Sophie Curtis | sophie@neworleansauction.com

Greg S. Kowles | greg@neworleansauction.com

Ireys Bowman | ireys@neworleansauction.com

Kim Lemon | kim@neworleansauction.com

Charles C. Cage | charles@neworleansauction.com

Sean Ranson | sean@neworleansauction.com

Alex Ebel | alex@neworleansauction.com

Sylvia Burn | sylvia@neworleansauction.com

Denise Haik | denise@neworleansauction.com

Charles C. Cage | charles@neworleansauction.com

Audrey Dawson | audrey@neworleansauction.com

Amelia Schussler | amelia@neworleansauction.com

Christa Ougel | christa@neworleansauction.com

Erica Westenberger | erica@neworleansauction.com

Sean Ranson, Cedric Roberts, Gerald Hampton, Emmitt Kendrick, Jr., Sol Carter, Juanita Jones, Theadrow Mark, Furnell Augustin, Jr., Will Williams, Jr., Owen Lemon

Burke

Ellen McKenzie

Thomas Halverson

Claudia Kheel