Estates Auction: March 29-30, 2025 by New Orleans Auction Galleries

New Orleans Auction g alleries

March 29-30, 2025

SPRING of The Serenity

Serenity of

SPRING The

CREATIVE DIRECTOR

Amelia Schussler

PHOTOGRAPHER

Jacqueline Marque

PRODUCER / John-Robert Horville

DIRECTOR OF PHOTOGRAPHY / Sam Aguirre-Kelly

LIGHTING TECHNICIAN / Josh Walker

GRIP / Thad Mitchell

PHOTO RETOUCHING / Jacqueline Marque

CREATIVE ASSOCIATES / Erica Westenberger, Jo Gremillion

OPERATIONS / Sean Ranson, Cedric Roberts, Sol Carter, Will Williams Te'Saun Walker

SHOT ON LOCATION AT:

BY:

ESTATES AUCTION

MARCH 29-30, 2025

MARCH

Monday - Friday 9:00 a.m. - 5:00 p.m.

Evening Reception

Thursday, March 27 5:00 p.m. - 7:00 p.m. 10:00 - 11:00

BIDDING

Bidding is available in-person, by telephone, absentee and live online at NewOrleansAuction.com, LiveAuctioneers.com and Invaluable.com.

Saturday, March 29, 2025 10:00 a.m CT LOT SCHEDULE

Please note that times are approximate.

Sunday, March 30, 2025 10:00 a.m CT

333 Saint Joseph Street, New Orleans, Louisiana 70130 504-566-1849 | info@neworleansauction.com www.neworleansauction.com

Auction License LA AB-363 | Eichenwald #1922, Steinkamp #1265

25% Buyer’s Premium (No Discounts) | 30% for Purchases Made on LiveAuctioneers and Invaluable

Welcome to

A MARCH from the President

s the days get longer and flowers begin to bloom again, we are greeted with the familiar sweet smells and sounds of spring, signaling nature’s reawakening from the doldrums of winter. As vibrancy returns, we are reminded of the power of natural light and color to shift our emotions and lift our souls.

Much like the renewed energy that comes with the changing seasons, the beautiful things and vibrant colors that we choose to surround ourselves with at home can inspire the same sense of serenity and joy all year long. We may not be able to control the world around us, but we can certainly create spaces that envelop us in comfort.

Last month, New Orleans Auction Galleries and the French Heritage Society hosted world-renowned interior designer Timothy Corrigan at our gallery for a lively talk and book signing. His third book, At Home in France , showcases Timothy’s Paris apartment and his current home, Château de la Chevallerie, among other past projects.

The psychology of color – how, where and why it’s used – is something Timothy considers in all of his projects. One of his favorite spaces, the château’s “Yellow Salon”– inspired by Nancy Lancaster’s iconic butter yellow drawing room at her London home – is subdued yet powerful, exuding warmth and positivity. It should come as no surprise that from Southern Living to Vogue , many have noted that yellow – a color known for its ability to energize and evoke optimism – is making a big comeback in 2025.

Our March 29-30 Estates Auction is a spring symphony bursting with beauty and color. Whether you are decorating a grand château or a quiet cottage, this sale offers elegant furniture, cheerful paintings, colorful porcelain and much more to delight your spaces. Fittingly, we selected a charming historic property nestled in New Orleans’s Bywater neighborhood as the location for this sale’s photoshoot. Designed by Logan Killen Interiors, in partnership with Dear Valentine, the home’s carefully curated color palette is soothing and uplifting, creating an ethereal backdrop for this auction.

We are pleased to feature furniture, fine art and decorative objects from The Estate of Martha Turner & Glenn Bauguss, a collection that is best described as elegant and uplifting. The sale also features items from The Estate of Loveta Byrne, including a collection of portraits, American and English furniture and silver. We are also pleased to present The Honorable John B. Craig Collection of Baltimore Silver. In addition to amassing an impressive silver collection over the years, his business and diplomatic accomplishments include serving as U.S. Ambassador to the Sultanate of Oman from 1998 to 2001. ( Read more about our featured estates and collections in the pages that follow ).

We are pleased to feature furniture, fine art and decorative objects from The Estate of Martha Turner & Glenn Bauguss, a collection that is best described as elegant and uplifting. The sale also features items from The Estate of Loveta Byrne, including a collection of portraits, American and English furniture and silver. We are also pleased to present The Honorable John B. Craig Collection of Baltimore Silver. In addition to amassing an impressive silver collection over the years, his business and diplomatic accomplishments include serving as U.S. Ambassador to the Sultanate of Oman from 1998 to 2001. (Read more about our featured estates and collections in the pages that follow).

Finally, we are delighted to present Part III of The Kevin Stone & Mark Diamond Collection, including pieces from Kevin Stone Antiques. Kevin and Mark’s eye for the extraordinary and their deep knowledge of antiques has been evident since we first began offering their extensive collection last year. This auction’s selections—from exceptional Italian furniture to rare Delftware—are no exception.

Our two-week exhibition begins Monday, March 17, and continues through Friday, March 28. The auction begins at 10 a.m. each day, Saturday, March 29, and Sunday, March 30. Be sure to join us on Thursday, March 27, for an evening preview from 5 to 7 p.m.

As you explore this catalogue, I hope you, too, are inspired by the beauty of spring. I invite you to find something that will make you smile no matter the season.

See you at the auction,

Taylor Eichenwald President

Photography by Xavier Béjot, from At Home in France: Inspiration and Style in Town and Country by Timothy Corrigan, Rizzoli (2024)

DECALCOMANIA Delights explorations

Simplicity is beauty, and few techniques reflect that sentiment as well as decalcomania.

Written by / John C. Jones Photography / Jason Kruppa

Decalcomania (or Potichomania, as it’s often used interchangeably) refers to the process of decorating pottery and glass with carefully trimmed and pasted paper transfer designs overlaid with layers of varnish and paint.

Popular both for the accessibility of materials and the skill level required to produce it, Decalcomania originated in Paris and became widespread in the mid 1800s. Victorians viewed the style not just as a decorative trend but also as a viable pastime for creative enrichment.

Popular decalcomania forms include vases, plates, ginger jars, rolling pins and blown glass “witch balls” or “gazing balls,” with motifs commonly in the Chinoiserie taste, reflecting Europe’s increasingly preferred choice for such décor – a vague amalgam of Chinese, Japanese and Indian-inspired designs. Modern-day interest in decalcomania shows an enduring appreciation for one-of-a-kind hand-made pieces that in addition to beauty offer insight into the past.

New Orleans Auction Galleries is pleased to offer fine examples of decalcomania and its color palettes, unusual forms and interesting patterns.

explorations

CHINESE of SILVER Export EXPLORATION An

It is an outdated notion to see non-Western decorative arts as “exotic.” They are, after all, reflections of the culture that produced them, their designs deeply rooted in the traditions, spirituality and mythos of the artisans who created them. Even so, Chinese Export Silver is still marvelous to our eyes, richly ornamented with coiled dragons, bamboo thickets and scenes of everyday life with persons in attire and attitude so unlike our own.

Written by / Charles C. Cage

Still Life Photography / Christa Ougel

Yet beneath the alluring ornament and beyond the colonialist notion of exoticism, we find surprisingly familiar industry in the Chinese silver trade. Even the designation “Chinese Export Silver” has been proven by modern scholarship to be inaccurate and outdated. While some pieces, particularly those from the early days of the China Trade, mimicked Western forms and decoration and were made exclusively for export, the majority were actually made for the domestic market.

Silver’s prestige in China, where payments for goods and merchants during the early China Trade period (1785-1840) were made in silver, was even greater than it was in the West. Whereas the American tradition was to minimize the amount of silver used for an item, even the most modest Chinese-made pieces are substantial and hefty.

New research, most notably by Drs. Adrien von Ferscht and Chao Huang, reveals that the Latin characters distinctively struck on Chinese silver – long thought to be those of silversmiths – are most often those of retailers or merchants. Even then, these names are often fictitious and simplified to cater to English speakers.

The prominent Cutshing of Canton [see lot 195], for instance, is now known to have begun as a partnership between powerful Hong merchant Wu Binjian (17691843) and Boston sea captain John Perkins Cushing (1787-1862); the name "Cutshing" is likely a deliberate corruption of "Cushing." Leeching [see lot 193] was known since the 1860s to be a merchant house name (meaning “increasing profit!”), but the designation was lost in favor of the quaint illusion of a lone craftsman toiling away at his bench.

Late Qing Dynasty silver (the more accurate and increasingly preferred term for the silver made in the trade cities of China in the 19th and early 20th centuries) embraces a wide variety of traditional Chinese and Western forms, as well as a hybrid of both in some instances, and we now know that their manufacturing and commerce was often a cooperation of the two cultures as well.

New Orleans Auction Galleries is pleased to present a small but significant selection of fine Chinese silver, the appeal of its luxurious design only enhanced by a greater appreciation and understanding of their origin.

LOT 193 (1 OF A PAIR)

CANTON FACTORIES C. 1850

PORTRAIT OF HOUQUA (WU BINJIAN) TINGQUA, 1840S

DAME of collections GRAND A Houston

ESTATE The of MARTHA

TURNER BAUGUSS

Asmall-town girl with boundless energy, a love for music and a steadfast devotion to God, Mary Martha Fuller once daydreamed about a future that involved dressing up to go to work, while fashionably outfitting her paper dolls. In Hemphill, East Texas (population: 972), achieving this dream could have seemed nearly impossible, yet it was precisely this upbringing that would profoundly impact Martha’s life and set her remarkable trajectory.

Written by / Valeria L. Palmertree

collections

M Entrepreneurial Spirit

artha’s family’s dry goods and feed store provided her with early lessons in salesmanship and sparked her desire to be a working woman, while her love for music led her to pursue a college education at the University of North Texas. In 1962, Martha earned a degree in music and elementary education. While in school, Martha met her first husband on a blind date and shortly thereafter relocated to Austin, where he was attending law school. Austin would soon powercharge Martha Turner’s potential and cement her as a timeless Texas legend.

Not one to shy away from hard work, Martha took on a part-time sales job at Austin’s Montgomery Ward, while teaching full-time. Unsurprising to anyone who knew her, Martha sold more lingerie as a parttime employee than her full-time colleagues. With uncanny confidence and unbridled business acumen, Martha partnered with one of her fellow educators to start a wig store – the first of many successful entrepreneurial endeavors.

While teaching, Martha also discovered an innate penchant and passion for real estate. Over several years, she would go on to remodel, build and sell several homes. Becoming a real estate maven, however, is not something Martha could’ve imagined, but before long, she would go on to claim that distinction – and then some.

Home in Houston

Martha retired from teaching in 1978, following a 15-year career that included stints at Spring Branch and at River Oaks Baptist in Houston, where she relocated in 1966. Houston would not only become Martha’s forever home but also be a key player in her professional and personal lives. It was the Houston community within which Martha thrived and to which she notably and generously gave back.

An adamant believer in paying it forward, Martha devoted her talent and time to various civic, philanthropic and professional leadership roles. More than a businesswoman, Martha’s family and friends remember her as an agent of change within the Houston community: inspiring, encouraging and generous. She was an ardent supporter of health care, women’s organizations, the arts and education.

“

To be successful, you have to love what you do, love the people around you, make everyone feel special, and realize that you are the only person in charge of your life.”

– Martha Turner Bauguss

Martha earned her real estate license from the University of Houston in 1979 and quickly went on to become a top producer at a local firm. In 1981, she tenaciously founded Turner-Owens Real Estate with her friend, Nancy Owens. The rest, as they say, is Houston real estate history!

After being recognized by the State of Texas as “Houston’s Most Inspiring Businesswoman,” Martha was inducted into the Texas Business Hall of Fame in 2009, one of only seven women to have received this honor.

Blazing Trails

Ushering in a new era of unprecedented success, Turner Owens Real Estate became Martha Turner Properties in 1986. Joining hands with Glenn Bauguss, her husband of 33 years, and treasured business partner, Tom Anderson, they created a luxury brand real estate firm second to none.

Martha Turner Properties would go on to become one of Houston’s largest and most profitable brokers, with more than 200 sales associates across six offices in the Greater Houston area. In 2014, Martha Turner Properties had its best year ever in the company’s 32-year history, surpassing more than $2.3 billion in annual sales and ranking among the country’s top 10 firms.

In 2014, Martha Turner Properties sold to Sotheby’s International Realty of New York, with Martha notably telling a reporter, “We are the jewel in their crown!” Today, the firm continues to bear her name as Martha Turner Sotheby’s International Realty.

collections

Fashion Forward

The small-town girl who once daydreamed of dressing up to go to work fulfilled that vision in more ways than one. Well-known for her uncompromising flare for fashion, Martha had a penchant for oversized brooches and rings, as well as statement necklaces and bracelets.

Dressing professionally was a tenet of Martha’s business philosophy. She understood the role that image and style played in forging credibility and success, and she communicated that sentiment to her sales agents. Her team knew to be “Martha Ready!”

Martha’s style was as formidable as her brand’s visibility. A big believer in advertising, Martha Turner Properties’ presence across yard signs, television and print and digital media was bold and ubiquitous, earning her the Lifetime Achievement Award for Women Who Mean Business by the Houston Business Journal and the Trailblazer Award from Houston’s chapter of the American Advertising Federation.

“

If you find a great shoe, buy it in every color!”

– Martha Turner Bauguss

Faith, Family & Friends

A compass from childhood, faith was central to Martha's life, with family and friends rounding out her north star. Generous with her time and affection, those closest to Martha describe her as a light, a treasure. Her ever-positive spirit guided each step of her every day walk of life.

Possessing an extraordinary business acumen, one of Martha's gifts was her unintimidating approach, putting everyone around her at ease. Her friends and family saw her as fun-loving, with a loyalty that knew no bounds. Her personal time was often marked by her “hobby” of exploring the latest fashion and makeup tips alongside her best friend of more than 40 years, Sharon Witt. This exploration embraced her creativity, which harkened back to childhood days.

Everyone who was fortunate to have known Martha would wholeheartedly agree that she possessed a heart of gold.

I met Martha many years ago, and I’m not sure I’ve ever known anyone with a more loving, giving heart. Through the years I asked her to support innumerable charities; the answer was always affirmative! Equally as important, I know that Martha helped so many people in need without anyone’s knowledge. She was the ultimate expression of God’s love here on earth.”

– Warner Roberts, Friend of Martha Turner Bauguss

New Orleans Auction is honored to present The Estate of Martha Turner Bauguss, including selections from her beloved Houston apartment. Her collection features antique furniture, impressionist and modern paintings, as well as custom Scalamandre upholstered furniture, silver and Chinese porcelain.

HOSPITALITY Southern of ESTATEThe LOVETA BYRNE

From her family’s old wood bureau to an historic home filled with a lifetime collection, Loveta Byrne spent her 92 years on earth surrounded by antiques. As a tiny newborn, she slept tucked within a dresser drawer her parents had outfitted as a crib – an experience, her children speculate, that may have sparked her ardent love of antiques.

Loveta was born in Mississippi’s rural Franklin County to a hardworking, poor family; her mother picked cotton and became a hairdresser, and her father served in the Army Corps of Engineers. It’s this upbringing that fed her drive and determination. From a young age, Loveta demonstrated a relentless entrepreneurial spirit, a keen eye for beautiful things and a defining passion for hospitality. These would become key chapters of her remarkable life.

Written by / Valeria L. Palmertree Still Life Photography / Christa Ougel

Welcome to Natchez

In the early 1950s, Loveta moved to Natchez, Mississippi for a professional opportunity, but this relocation would change the course of her life forever. Not only would Natchez’s colorful, close-knit and culture-drenched community inspire her, but so, too, would Natchez embrace her as one of its most beloved champions. Over eight decades, Loveta built an impressive career as a Natchez businesswoman, with multiple shops, restaurants and bed and breakfasts to her name.

Loveta was steadfast in promoting Natchez as a place to live and visit, serving as an unofficial ambassador both in town and across the country. She traveled to Hollywood to promote Natchez’s picture-perfect offerings and lovingly welcomed new residents as a member of the newcomers’ committee. She believed Natchez’s history, culture, food, year-round entertainment and antiques scene were second to none.

In the 1970s, Loveta opened the El Farol Spanish Shop in downtown Natchez and would go on to also establish the Serendipity Gift Shop, the Pompous Palate and the Sidetrack. In the 1990s, she received recognition from the Mississippi Restaurant Association for her accomplishments in the restaurant industry. In addition to business ownership, Loveta dedicated herself to numerous civic, church and social affiliations.

In Natchez, Loveta also built a strong network of dear friends, colleagues and neighbors, who admired her tenacity, generosity and meaningful contributions to their community. Upon her passing, The Natchez Democrat remembered Loveta as “a force in Natchez society and business during the modern heyday of the city.”

Dedicated to Service

That Loveta found her footing as a revered figure in Natchez’s food and hospitality industry would surprise no one who knew her. For Loveta, hospitality was both a gift and a love language. Both personally and professionally, it was a means of connection.

From a young age, Loveta possessed a deep love for cooking; she would go on to read hundreds of cooking books in her lifetime. From the kitchen to the front door, Loveta was a constant presence at her restaurants, setting and delivering her vision for the guest experience: service always at the forefront. To her employees, she was a mentor, a force to be reckoned with – always learning, improving and deeply caring about what she did and for whom.

Hospitality was Loveta’s way of expressing how much she cared for and generously took care of people, particularly those who others may see as underdogs. Her children recall open houses held on Christmas Day, when Loveta would welcome dozens of guests to the family’s home for a celebratory day-long feast. Among her cherished traditions and festivities were Mardi Gras and Natchez Pilgrimage Tours.

Loveta thrived when sharing a homemade meal or creating a gathering for those she loved. Her family estimates that she owned thousands of cookbooks during her lifetime. Excited to share a new favorite recipe, she’d write her notes on an envelope and call up her children to share proper instructions.

When she passed away, our family joked that we should make her tombstone in the shape of an envelope because envelopes were where she would most often jot down her recipes. She loved cooking and entertaining. It’s why we’ve found what seems like a gazillion sets of China, silver…”

–Kristie Chandler, Loveta’s Daughter

Open Doors

Loveta’s gracious hospitality was especially evident across the several bed and breakfasts she owned and operated during her illustrious business career as well as in the homes she decorated.

In the mid 1970s, over the course of three years, Loveta lovingly restored the historic Glenburnie mansion (est. 1833), fittingly filling it with beautiful pieces from the period. When she later acquired The Burn, she poured her heart into designing and outfitting each of the rooms at the bed and breakfast and catered more than 300 events per year. During her short time in Vicksburg, Mississippi, Loveta also operated the Anchuca Historic Mansion & Inn after living in and decorating several homes in the Garden District of New Orleans.

Always searching for a home that would fit her collection of furnishings, Loveta took on several renovation projects that further cemented her commitment to collecting.

An Eclectic Personal Collection

gone,

Mama would tell me that you could always buy new stuff, but when these old windows, doors, furniture, etc. were

they were gone forever. It was important to her to not let that happen.”

– Pat Jonaitis, Loveta’s Daughter

n Natchez, Loveta’s love of antiques grew exponentially. Inspired by the city’s rich history, distinctive architecture and local antique dealers, she sharpened her knowledge and expanded her taste for beautiful, unique items steeped in stories.

Her knowledge and understanding of antiques came primarily from books, hundreds of them in fact, all still beautifully organized in her treasured bookcases. Inquisitive and genuine in her search for the next interesting item, Loveta amassed an eclectic collection – a reflection of her.

She truly enjoyed what she collected. She bought what she found interesting or beautiful, and she never stopped collecting, even into her

90s.”

–Kristie Chandler

Loveta was particularly drawn to the stories behind the antiques she collected. She would impress family members, friends and bed-andbreakfast guests alike with her knowledge of the items’ provenance or about who had restored them and when. She displayed and used all of her antiques with great care and, most importantly, joy.

She loved antiques, but it was the stories she heard or even imagined about those antiques that drew her in. She used antiques to create different worlds. Knowing people’s stories was especially important to her, and she extended the life of those stories by sharing her pieces with a variety of people, both at home and at her B&Bs.”

– Kevin Byrne. Loveta’s Son

Loveta passed away in Natchez last year at the age of 92. Until her last days, she remained an avid Bridge and Mahjong player, meeting up often with her cherished friends. She most enjoyed the company of her three children, six grandchildren and three great-grandchildren.

New Orleans Auction is honored to present The Estate of Loveta Byrne, which includes a large collection of American and Continental furniture from Georgian to Victorian periods, Old Paris and other fine porcelains, as well as an even larger selection of silver.

KEVIN STONE & MARK DIAMOND

JOHN B. CRAIG The Honorable

Lots 95-127

on location

A HIDEAWAY An Inspiring Chartres 1883

head of each auction, the New Orleans Auction Creative team extensively searches for the backdrop against which to bring our catalogue to life. This month, the exploration led us downriver from the French Quarter to the enchanting Bywater neighborhood. Thoughtfully designed, Chartres 1883 pens a love letter to New Orleans history. The intimate hideaway – a collaboration among Dear Valentine, Inhab Group and Logan Killen Interiors – sets the mood for this early spring season: drenched in sunlight, sweetness and stories.

Rich in charm and character, Chartres 1883 spans three picturesque parcels of land at the corner of Chartres and Montegut Streets and consists of two impeccably restored historic buildings from the late 1800s. Together, the Main House and the Carriage House offer accommodations for up to 12 guests, as well as a lush courtyard known as “The Garden at Chartres,” which can be used for intimate gatherings, outdoor yoga sessions and other special events.

Written by / Valeria L. Palmertree

Photography: Augusta Sagnelli

Both the three-story Main House, originally a late 19th-century feed store, and the Carriage House have been lovingly and painstakingly restored. Together they stand proudly as a testament to the history of its surroundings.

The Bywater neighborhood blends a melange of pastelcolored Creole cottages, stately Greek Revival mansions and elegant Victorian townhouses – a melting pot of architectural influences that echoes the soul and the stories of a city steeped in history, culture, music and joy.

To honor the property’s surroundings, rich history and New Orleans influences, Logan Killen Interiors incorporated utility elements and an exuberant, yet deeply considered, color palette paired with a Southern European aesthetic. The result is a warm, inviting experience, where simplicity reigns supreme and natural materials take center stage. Drawing inspiration from French Colonial style, Chartres 1883 boasts a captivating blend of utilitarian charm, industrial heritage and timeless character.

(ABOVE) Fire Insurance Map, 1896

(RIGHT) 1924 Advertisement for 3001 Chartres Street

Our March editorial was photographed within the Carriage House, where meticulously curated furnishings and handcrafted accents evoke introspection and creativity. Flooded by natural light and serene views of the lush courtyard and sparkling pool below, this tranquil hideaway helped bring to life a small preview of the hundreds of lots that make up the March Estates Auction.

Chartres 1883’s evocative storytelling served as an idyllic pairing for this sale, and we hope you, too, will find yourself inspired and beckoned to escape – if only for a moment – to search for beauty and joy in the everyday.

A special thank you to Dear Valentine for their collaboration in bringing the images within this catalogue to life. Explore Chartres 1883 at www.dearvalentine.co/chartres, and use code NOAG when booking your stay or special event for a 10% discount.

Photography: Augusta Sagnelli

SESSION1

SATURDAY, MARCH 29

Pair of Chinoiserie and Marble-Top Commodes

19th century, each with a conforming gray marble top over a case fitted with two long drawers, raised on cabriole legs ending in gilt-bronze sabots. h. 32”, w. 45”, d. 21”

$2,000-$4,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas. 2

Suite of Four Red Chinoiserie Side Chairs

20th century, in the Hepplewhite taste, with carved and parcel-gilt backsplats and padded seats, raised on tapered square legs ending in spade feet. h. 36”, w. 18”, d. 15”

$1,200-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of Brass, Patinated Bronze and Metal Girandole Mirrors

fourth quarter 19th century, the crest with a giltbronze shell flanking a patinated bronze masque and the corners with flower heads and satyr masques grasping oak leaves, over a molded brass surround, the base with a patinated bronze foliate socket supporting two-light metal candle branches, set with beveled mirror plates. h. 24-1/2”, w. 15-1/2”, d. 6-1/4”

$1,400-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of George III-Style Armchairs

20th century, the paint-decorated chairs with oval shield backs set with scroll-sawn pierced splats, accented with chestnut meandering vines, the serpentine-front caned seats with Scalamandre herringbone silk cushions. h. 38”, w. 22-3/4”, d. 19-3/4”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

“Oliviers et Coquelicots - Olive Trees and Poppies” oil on canvas signed lower right, titled and signed en verso. Framed.

25-1/2” x 21”, framed 32-1/2” x 28-1/4”

$400-$700

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas. 3 4

5 Pierre Pivet (French, b. 1948)

Yolande Ardissone (French, b. 1927)

“Les Fleurs Rouge”

oil on canvas signed lower right. Framed.

29” x 36-1/4”, framed 41” x 48-3/4”

$1,500-$2,500

Provenance: Nolan Ryan Galleries, Houston, Texas; The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Yolande Ardissone (French, b. 1927)

“L’Auberge”

oil on canvas signed lower right, titled en verso, a “Nolan Rankin Galleries” tag en verso. Framed.

18-1/4” x 22”, framed 26” x 29-1/4”

$2,500-$4,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas. 6

Three Latin American Wooden Santos Figures

18th/19th century, the largest figure of St. Anthony of Padua and the two smaller figures of St. Francis of Assisi, each mounted on a contemporary acrylic base. h. 9-3/4” to 11-3/4”, w. 4-1/2” to 6-1/4”, d. 3-3/4” to 4”

$600-$900

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of French Empire-Style Bronze Dore et Patine Sconces

contemporary, the leaf-molded backplates set with fluted arms terminating in lotus-molded, gilt-bronze candle sockets, fitted with lampshades. h. 19”, w. 10-3/4”, d. 11-1/2”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Four Tole, Papier-Mache and Lacquered Trays

19th century, including a British large, oval papier-mache tray decorated with gilt grapevines accented with mother-of-pearl inlay, w. 24-1/4”, l. 30-3/4”, a Japanese rectangular lacquered tray decorated with female figures and tea houses, w. 18-1/2”, l. 24”, a Chinese export serpentine lacquered tray decorated with mandarin figures and pagodas, w. 16-1/2”, l. 21-1/2”, and an oval tole tray with chinoiserie Japanned decoration, w. 8”, l. 12-1/2”.

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Dutch Japanned Hanging Corner Cupboard

fourth quarter 18th century, the bowfront cupboard with pierced butterfly hinges, decorated with raised gilt pagodas and mandarin figures on a black ground, the interior fitted with shaped shelves. h. 36-1/2”, w. 15-1/2”, d. 15-1/2”

$1,200-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of Handsome French Louis Philippe Gilt-Bronze Candlesticks

second quarter 19th century, the rocaille-molded bobeches set into cabochon- and scroll-decorated sockets on rocaille drip pans, the tapered and fluted standards with scroll-molded cupids and acanthus-molded bases, the bases raised on cabochon-molded feet.

h. 12-1/4”, dia. 5”

$800-$1,200

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Black-Lacquered Chinoiserie Side Table

20th century, the square top with a molded edge and centered with a traditional Chinese landscape, raised on cabriole legs. h. 22-1/2”, w. 24”, d. 24”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

French Bronze Patine and Marble Neo-Grec Urn

third quarter 19th century, after a design by Alfred Daubree (French, 1817-1885), set with pierced handles terminating in lion’s heads, the ovoid body with Moorish borders, decorated with dancing muses on both sides, the foot with a meandering vine, on a double-step Siena marble plinth. h. 17-1/2”, w. 8”, d. 5-1/2”

$700-$1,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

French Wood, Bronze and Marble Pedestal

first quarter 20th century, the marble top over a skirt decorated with parquetry panels, the legs with bronze bases and caps, decorated with tropical veneers, outlined in stringing, with a matching lower shelf on bun feet. h. 46-1/2”, w. 13-3/4”, d. 13-3/4”

$700-$1,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of Embroidered Panels

17th/18th century, possibly fragments of French vestments, the central circular panel worked with fleurs-de-lis against a claret ground, decorated with silver passamenterie scrollwork, on silk backings, in contemporary black and gilt frames. h. 27-3/4”, w. 21-3/4”

$800-$1,200

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Regency-Style Mahogany and Parcel-Gilt Breakfront

20th century, the upper case with a deep cornice molding above a carved frieze, the front with a pair of astragal-glazed beveled glass doors, the base with a pair of framed and paneled doors, flanked by lion pilasters to each side. h. 98-1/2”, w. 74”, d. 24”

$2,000-$4,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Thirteen-Piece Collection of Katherine Houston Porcelain Fruits and Vegetables

20th/21st century, including a bunch of asparagus, h. 7-1/2”, dia. 5”, a melon with a vine and flower, h. 7”, dia. 5-3/4”, a plum, h. 1-3/4”, w. 1-3/4”, an apple, h. 2-1/4”, dia. 2”, a peach resting on two strawberries, h. 3”, dia. 3-1/4”, a zucchini blossom, h. 2-1/2”, w. 4-3/4”, an ear of corn with silk and husk, h. 2”, w. 8”, two peaches, h. 3-3/4”, w. 5-1/4”, a persimmon, h. 3-1/2”, w. 4”, two (separate) peas in pods, h. 1/2”, w. 3”, three figs on fig leaves, h. 2-3/4”, dia. 8-3/4”, and a red cabbage, h. 2-1/4”, dia. 8-3/4”, each piece signed.

$1,400-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

19 Custom George III-Style Mahogany Camelback Sofa

20th century, in the Chippendale taste, of traditional form, with a reversible loose cushion and seven pillows, all upholstered in Scalamandre silk fabric, on square, stop-fluted legs joined by stretchers. h. 39”, w. 96”, d. 33”

$1,800-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Scalamandre Fabric-Draped Side Table with Glass Top

the pale celadon silk fabric embroidered with swirling floral bands, the hem luxuriously gathered, the fabric padded and lined throughout.

h. 25-1/2”, dia. 24”; fabric dia. 98”

$800-$1,200

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of Louis XV-Style Walnut Fauteuils

early 20th century, with molded frames, the backs centered with carved flowers on the crest rail, covered in Scalamandre floral fabric, raised on cabriole legs. h. 38-1/2”, w. 27”, d. 23”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Carved Celadon Vase in the Song Style

the bulbous vase carved with a dragon, with the pearl of wisdom in its mouth, wrapping around the neck, a red wax seal on the bottom, with a Chinese certificate of authenticity. h. 8-1/4”, dia. 4-1/4”

$800-$1,200

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Chinese Celadon Censer

in the Longquan taste, with raised side ribs, on tripod feet. h. 3-3/4”, dia. 5”

$600-$900

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Chinese Celadon Censer

in the Longquan taste, with raised side ribs, on tripod feet. h. 3-3/4”, dia. 5”

$400-$700

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of Continental Orphrey Panels

17th/18th century, the two-panel example with carefully worked polychrome saints set into elaborate passamanterie surrounds, and the tree-panel example decorated with Mary, John the Baptist and Joseph, both mounted on silk in contemporary acrylic box frames. h. 41” and 52-1/4”, w. 14-1/4”

$1,400-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Italian Giltwood and Plate-Glass Coffee Table

20th century, naturalistically carved with branch and leaf ornamentation, fitted with a beveled plate-glass top. h. 18”, w. 51”, d. 31”

$1,400-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

27 Joan Miro (Spanish, 1893-1983)

lithograph in colors plate XIV, pencil-signed lower right and numbered “98/120” lower left.

Matted, glazed and framed. sight 12-1/2” x 19-1/4”, framed 22-3/4” x 29-3/4”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

“L’Enfance d’Ubu”

Joan Miro (Spanish, 1893-1983)

“Fusees”

pair of etchings and aquatints in color each pencil-signed lower right and numbered “6/50” lower left. Matted, glazed and framed alike. sight 8” x 8-1/2”, framed 20” x 20-1/4”

$5,000-$8,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

fourth quarter 19th century, now mounted as lamps, with scalloped rims, foo dog handles and gilt salamanders on the shoulders, decorated with panels of mandarin figures in gilt fret surrounds, on a white ground decorated with peonies, butterflies and vases, now on octagonal gilt-metal bases, fitted with custom shades. h. 37”, dia. 18”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of Chinese Rose Medallion Porcelain Vases

Louis XV-Style Giltwood and Marble-Top Console Table

19th century, with a Vert Patricia marble top over a carved frame with a large shell-form cartouche in the front apron, raised on cabriole legs with carved bellflowers joined by a scrolled stretcher.

h. 30”, w. 45-1/2”, d. 20-1/2”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

French Majolica Jardiniere in the Massier Style

20th century, with large molded and pierced irises, the body molded with leaves and birds in bas-relief, on a brown molded base, with a “Faience, Made in France” label. h. 13-1/2”, dia. 13-1/4”

$800-$1,200

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Three Garden Pots with Dried Boxwood

including two classical-style terracotta pots decorated with medallions and swags, h. 21-3/4”, dia. 15”and h. 24-1/2”, dia. 16” (not including boxwood), and a smaller faux stone resin pot, h. 13”, dia. 12” (not including boxwood).

$700-$1,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Handsome Pair of Silverplate Baskets

contemporary, oval with slightly tapering sides, pierced with a basketweave pattern and raised on ball feet, with fitted colorless glass liner. h. 5-1/2”, l. 10-1/4”, w. 5-1/4”

$800-$1,200

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Silverplate and Chromed Butler’s Tray

contemporary, the rounded rectangular silverplate tray with pierced gallery, engraved plateau and rope-twist handles, above a folding X-form chromed metal stand joined by two leather straps. tray 30-1/2” x 18-1/2”; stand l. 17-1/4”, w. 13-3/4”, h. 31-1/2” (34” with tray)

$800-$1,200

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of German Sterling Silver Candlestick Lamps

late 19th century, with London import marks for 1895-1896, sponsor Berthold Mueller, each of baluster form embossed with rocaille scrolls, shells and flowers, fitted with faux candles and electrified as lamps, fitted with conical oval lampshades with pleated white taffeta and satin cording, with lead crystal finials.

candlestick h. 17”, base w. 6”, h. to finial 33-1/4”, shade h. 7 1/2”, w. 7-1/2”, l. 10-1/4”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas. 33

Large Custom Poof/Ottoman

of circular form, the top deeply tufted with Scalamandre lavender fabric and trimmed with tasseled fringe.

h. 18”, dia. 36”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

37 Beltran Bofill (Spanish, 1934-2009)

“Entre Amigas” oil on canvas signed lower right, titled en verso. Framed.

46” x 35-1/8”, framed 55” x 44-1/2”

$2,000-$4,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas. 36

Brigitte Curt (French/California, b. 1949)

“Lavender Fields”

oil on canvas signed lower right.

Framed.

24” x 30”, framed 35-1/4” x 41-1/2”

$700-$1,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Yolande Ardissone (French, b. 1927)

“Printemps”

oil on canvas signed lower right. Framed.

32” x 39-1/2”, framed 40” x 47”

$2,500-$4,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

40 Louis Fabien (French, 1924-2016)

“Tete a Tete”

oil on board four-panel screen, signed. h. 80”, overall w. 68”, d. 1-1/2”

$1,200-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Suite of Four French Gilt-Bronze Sconces

mid-20th century, in the Louis XVI taste, the pierced backplates in the form of bowknots, over quiver-form standards, set with leaf-molded and scrolled branches with molded candle sockets and ribbon-bound drip pans, fitted with lampshades. h. 22”, w. 13-1/4”, d. 6-3/4”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Chinese Rose Medallion Fruit Basket and Stand

fourth quarter 19th century, the reticulated basket and stand decorated with panels of mandarin figures and panels of peonies and birds, with polychrome borders. h. 5”, w. 10-3/4”, d. 9-1/2”

$600-$900

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

43 Chinese Rose Canton Porcelain Vase

mid-19th century, now mounted as a lamp, the baluster vase with “Wu Shuang Pu” decoration, with figures wearing elaborate robes, with scattered flowers, fruits and various implements, mounted with gilt salamander handles and fitted with a custom lampshade. h. 34-1/2”, dia. 18”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

20th century, the top and drawers with oval inlaid floral reserves, the doors opening to a mirrored interior with stemware racks, raised on tapered square legs. h. 36”, w. 36-1/2”, d. 16-1/2”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Italian Neoclassical-Style Inlaid Mahogany Dry Bar Cabinet

Good George II Mahogany Tall Case Clock

18th century, with an eight-day time-and-strike movement, the face engraved “Robert Cawley, Chester” the hood with a broken-arch pediment centered by a turned finial and inlaid panels, the case with stop-fluted columns, and the architectonic base with chambered corners carved with quoins flanking a molded panel, on ogee bracket feet. h. 101-1/2”, w. 23-1/2”, d. 10-1/2”

$1,200-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Custom Tufted Scalamandre Silk Sofa

contemporary, with a tufted back and downswept arms, the lower portion with box pleats, with a pair of matching fringed pillows. h. 36”, w. 72”, d. 24”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of Chinese Rose Canton Plates

mid-19th century, the center panels decorated with mandarin court figures, the borders with peonies and butterflies. dia. 7-3/4”

$600-$900

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of Belle Epoque Gilt-Bronze Figural Candelabra

fourth quarter 19th century, in the form of putti holding baskets of flowers on their shoulders, the baskets set with giltbronze flowers, two on each candelabrum set with sockets, on complex bombe bases with griffin monopodia terminating in paw feet on each side, the facade with a leaf-molded escutcheon set with a cabochon. h. 15-1/4”, w. 9”, d. 4-1/2”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Fine George III Inlaid Mahogany Sideboard

18th century, the shaped, bow-fronted top with a string-inlaid and banded edge, over two central conforming drawers, flanked by a deep bottle drawer to each side, the front with bellflower and swag inlays, raised on tapered square legs. h. 36-1/2”, w. 81-1/2”, d. 31-1/2”

$1,800-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

50 Pair of Gilt-Bronze Pheasants with Place Card Holders

20th century, the male and female pheasant couple with carefully delineated sculpted feathers and long tails, h. 8-1/2” and 9-1/4”, w. 2-1/2”, l. 16-1/4”, together with eight matching place card holders, h. 1-1/2”, w. 2”.

$1,200-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

ca. 1800, each set with a central bud-form finial, the scrolled, leaf-molded candle branches terminating in leaf-molded candle cups with laurel-molded bobeches and drip pans, the fluted standards molded with acanthus leaves, the fluted bases trimmed with ribbon-bound laurel leaves. h. 14”, dia. 11”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

fourth quarter 19th century, in the famille rose palette, the bottom and front with unusual roundels of baskets of flowers, supported by orange tassel-hung lanterns, set into diapered borders with raised green dot trim, the rim and base with matching borders. h. 5-3/4”, dia. 14-1/4”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of French Directoire Bronze Dore Candelabra

Large Chinese Export Punch Bowl

Three Chinese Porcelain Vases

19th century, including two Rose Medallion vases decorated with mandarin panels and panels of flowers, birds and butterflies, one with foo dog handles, h. 9-1/4” to 10”, dia. 3-1/4” to 3-1/2”, and a Rose Mandarin vase decorated with panels of mandarin figures on a gilt fret border, with handles depicting foo dog heads grasping rings, h. 10”, dia. 3-1/2”.

$500-$800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Two Pieces of Chinese Export Porcelain

19th century, including a large Rose Canton dish decorated with peonies, birds and butterflies, the borders with birds, butterflies and medallions on a gilt ground, with an inner gilt fret border, h. 2-1/2”, dia. 13-1/2”, and a Rose Medallion punch bowl decorated with alternating panels of mandarin figures and peonies, birds and butterflies on a gilt and green scrollwork ground, h. 5”, dia. 11-1/4”.

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Andre Hambourg (French, 1909-1999)

“A Maree Montante, l’ Apres Midi a Trouville”, 1980 oil on canvas

signed lower right, titled en verso, old sale sticker en verso. Framed.

32” x 39-1/2”, framed 40-3/4” x 48”

$15,000-$25,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Andre Hambourg had a long and active career painting luminous seascapes and evocative beach scenes. Born in Paris, Hambourg spent his early years studying under several talented artists, including Paul Niclausse and Lucien Simon, before living and working in northern Africa for nearly ten years. The powerful sunlight and diversity of the landscape inspired Hambourg, and he began producing dozens of works that were exhibited in Algeria and Paris, including the Algerian Pavilion at the Exposition Internationale of Paris, which earned him the Laureate of the Exposition title. This catapulted him into the spotlight, and his work was received warmly by critics and collectors alike.

Hambourg soon reached international prominence, exhibiting globally but especially in the United States, where his sundappled beach scenes were much beloved. He also wrote and illustrated several well-known books, like Rudyard Kipling’s The Return of Imray and Albert Camus’ Posthumous Works, adding more achievements to his prolific career. But it was these depictions of the sea and beaches that were often hailed as his greatest work, especially those inspired by Trouville and Deauville ñ the lively color palette demonstrated his masterful command of color theory, ushering in the dominance of color theory in post-war fine art. Today, many of his works can be found in private and public collections worldwide, including the Musée National d’Art Moderne in Paris.

Andre Hambourg (French, 1909-1999)

“Maree Basse en Septembre, Beau Temps”, 1983

oil on canvas

signed lower right, initialed and titled en verso and with a “Phillips Galleries” framer's label. Framed.

15” x 21-3/4”, framed 26-1/4” x 33-1/2”

$5,000-$8,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Literature: Ipas, Michael, A. Hambourg a Trouville-Deauville (France: Editions Anne et J.Francois Apesteguy, 1990), Illustrated p. 69.

Suite of Ten Mahogany Dining Chairs

20th century, in the Chippendale taste, the crests carved with flower heads and rocaille work, over tassel-carved and pierced splats, the seats upholstered in Scalamandre “Villa Lante Unito” lampas with Brunschwig & Fils silk trim, over leaf-carved legs ending in ball-and-claw feet. h. 40”, w. 23-3/4”, d. 23”

$2,000-$4,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

58 Large Pottery Tureen with Underplate

20th century, the oblong covered tureen and underplate molded with flowers, scallions, grapes and pears, the bottom signed by Leana Gibson. h. 10-1/2”, w. 17-1/2”, d. 7-1/4”

$500-$800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

59 Memphis-Style Blown Glass Compote

20th century, the tangerine and white-plated bowl on a jadeite-colored, ribbed, spherical standard, on a conical foot. h. 7-3/4”, dia. 13”

$300-$500

The Estate of Martha Turner & Glenn Bauguss, Houston, Texas

58 59

Pierre Neveu (French, b. 1929)

“Balazuc”

oil on canvas signed lower left. Framed.

39-1/2” x 39-1/2”, framed 46-1/2” x 46-1/2”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Michele Lellouche (French, 20th Century)

“Le Balcon” oil on canvas signed lower right, signed and titled en verso. Framed.

36-1/4” x 28-3/4”, framed 43-1/2” x 36”

$700-$1,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pierre Neveu (French, 20th Century)

“Pornic”

oil on canvas signed lower right. Framed.

31-1/2” x 31-1/2”, framed 38-1/2” x 38-1/2”

$1,200-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Georgian Oak Tall Case Clock

late 18th century, the pierced broken-arch crest over a dentillated molding, the corners of the hood with straight columns and brass capitals, the case with one-quarter round reeded columns, raised on a bracket foot base, with a timeand-strike movement, the dial signed “P. Conqueror, Berwick”. h. 81-1/2”, w. 20”, d. 10”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Attributed to Horatio McCulloch (Scottish, 1805-1867)

“Mountain Lake Valley with Cows” oil on canvas unsigned, artist plaque at front. Framed.

16-3/4” x 27-1/2”, framed 26-1/2” x 36”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

65 Edwin Hayes (British, 1819-1904)

“Stormy Seas”

oil on beveled wood panel signed lower left, old inventory label en verso. Framed.

8-1/4” x 12”, framed 14-1/2” x 18”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

William H. Howe (American, 1846-1929)

“Cows, Dover Valley, New York”, 1917 oil on canvas board signed and dated lower left, titled on “American Artist Committee” label en verso along with several of the committee stamps. Framed.

16-1/4” x 19-7/8”, framed 27” x 31”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Exhibition: American Artist Committee of 100, New York, New York.

George III-Style Mahogany Armchair

early 20th century, the shaped and carved crest rail over a pierced splat, the arms with acanthine-carved hand grips, with a slip seat and raised on Marlborough legs. h. 38”, w. 26”, d. 19”

$700-$1,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

68 French Napoleon III Wood, Glass and Gilt-Bronze Cave a Liqueur

third quarter 19th century, the case set with beveled glass, and veneered with amboyna burl and trimmed with ebonized trim, on turned feet, the lift-out tray with gilt-bronze bamboomolded handles and fittings on a rosewood base, supporting four wheel-cut decanters and fourteen glasses. case h. 11-1/2”, w. 13-1/4”, d. 10-1/4”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Silverplate Gallery Tray on Wooden Stand

the Webster-Wilcox “Joanne” patten tray with a scrolled edge and pierced gallery, on a turned wooden adjustable stand with a brass handle, 20th century. h. 20”, dia. 16-1/2”

$600-$900

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Three-Piece Collection of Chinese Export Rose Medallion Vases

fourth quarter 19th century, including a trumpet-form vase decorated with panels of peonies and mandarin figures, on a gilt ground decorated with scrollwork, h. 17-1/4”, dia. 6”, a tapered, faceted vase with gilt foo dog handles, decorated with panels of mandarin figures and peonies, on a gilt ground with scrollwork, h. 12-1/2”, dia. 6”, and a Rose Canton vase set with foo dog ring handles, decorated with various panels of mandarin figures on a white ground, scattered with flowers and vases, h. 15”, dia. 6”.

$700-$1,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Venetian Bronze and Crystal Chandelier

the globe-form bronze frame concealing four lights, decorated with a spray of mauve glass hanging fruit, lined with colorless, amber and mauve blown glass flowers, the lower portion hung with matching glass fruit and drops.

h. 35”, dia. 25”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Contemporary Acrylic and Plate-Glass Dining Table

the thick, circular plate-glass top with a triple-stepped edge over an acrylic base with a baluster-form standard, mounted to a large, circular foot.

h. 30”, dia. 83”

$2,000-$4,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

“I feel the space in Texas...it frees me. It connects me with the sky. It connects me with the earth.”

- Dorothy Hood

A native of Houston, Dorothy Hood received a traditional academic art education; she attended the Rhode Island School of Design and, briefly, the Art Students League in New York. Even as a young student, she knew her technique and approach were antithetical to the traditional training her instructors were espousing.

After a spontaneous trip to Mexico exposed her to the works of such artists as Rufino Tamayo, Diego Rivera, Frida Kahlo, Remedio Varo, and Leonora Carrington - all of whom befriended the talented young American – she began to toy with the tenets of abstraction, expressionism, and color field. Hood was to spend two decades in Mexico, honing her skills and exploring a variety of styles and techniques, before returning to Texas. It was in her home state that she began to receive considerable attention and acclaim. The compositions she created upon her return, with her distinctive, often amorphous, swaths of bold color, are subtle and sophisticated explorations of form, texture, tone and the interplay of light and shadow. While the works themselves may inspire a range of emotions in the viewer, the artist's pleasure in the act of creation is often palpable.

References: dorothyhood.org; Edquist, Grace, “Dorothy Hood, A Giant of Texas Abstraction, Gets the Dazzling New York Show she Craved”, Vogue, Feb. 11, 2025.

73 Dorothy Hood (American, 1918-2000)

“The Inverted Chalice” oil on canvas signed upper left, titled on stretcher. In a thin gallery frame.

48” x 48”, framed 49-1/2” x 49-1/2”

$20,000-$40,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of Contemporary Chinese Porcelain Lamps

the blue crackled glaze lamps mounted with foo dog ring pull handles, on wooden bases, fitted with custom lampshades. h. 33-1/2”, w. 17”, d. 17”

$1,400-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

William and Mary Burr Elm Lowboy

18th century, the top and drawers with highly figured burlwood veneers and banded along the edges, raised on turned trumpet legs joined by a shaped stretcher. h. 33-1/2”, w. 38”, d. 19-1/4”

$800-$1,200

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Four British Hand-Colored Botanical Engravings

18th century, by various artists, including one engraved by Sir John Hill (1716-1775). Matted, glazed and framed alike. each sight 16” x 9”, framed 23” x 17-1/4”

$600-$900

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Nine British Hand-Colored Botanical Engravings

1820s, various engravers, including Edwin Dalton Smith (1800-1883).

Matted, glazed and framed alike. each sight 8-1/4” x 5-1/4”, framed 14-1/4” x 11”

$1,200-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Pair of Irish “Lismore” Cut Crystal Table Lamps

20th century, attributed to Waterford, the vasiform cut crystal lamps on brass bases, fitted with custom oval pleated lampshades with rose and green ropebraided trim and matching fringe. h. 34-1/12”, w. 20-1/2”, d. 14”

$1,200-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Elegant Custom-Designed Chaise Longue

with an integral, button-tufted back and deep seat cushion, the arms rolled and gently out-swept, trimmed all around with an elaborate tape-edged silk fringe skirt, includes a small pillow trimmed with similar silk tape, all upholstered in pale celadon Scalamandre silk.

h. 34-1/2”, overall l. 56-1/2”, d. 30”; seat l. 45”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Figured Mahogany and Leather-Top Charlton House-Style Desk

labeled Maitland-Smith, the stepped back with a bank fitted with a central cabinet and eighteen small drawers, and a pierced brass gallery above, with an inset leather writing surface and raised on tapered square legs. h. 36-1/2”, w. 45”, d. 28”

$700-$1,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Michel Sarazin (French, b. 1942)

“Femme en Vert”

oil on board signed lower right. Framed.

19-3/4” x 19-1/4”, framed 25-1/2” x 25-1/2”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Michel Sarazin (French, b. 1942)

“Femme en Jaune”

oil on board signed lower left, signed and dated en verso. Framed.

19-7/8” x 19-7/8”, framed 25-1/2” x 25-1/2”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Michele Lellouche (French, 20th Century)

“Ambiance du Cafe, Jaune” oil on canvas signed lower right. Framed.

15-3/4” x 15-3/4”, framed 23” x 23”

$600-$900

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Arthur Fillon (French, 1900-1974)

“Trolley Yard”

oil on canvas

signed lower left, a “Wally Findlay Galleries” label en verso. Framed.

21-1/2” x 26-1/2”, framed 27-1/2” x 33-1/2”

$1,000-$1,500

Provenance: Wally Findlay Galleries, Palm Beach, Florda; The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Custom Button-Tufted Ottoman

the padded top over a deeply pleated skirt, the whole upholstered in muted floral-embroidered peach Scalamandre silk and raised on brass rolling ball feet. h. 16-1/2”, dia. 29-1/2”

$1,200-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Art Deco Glass and Chrome Floor Lamp

second quarter 20th century, the reeded and scrolled arm supporting the socket, fitted with a custom fringed silk lampshade, supported by a cluster-column glass standard, mounted with a mirrored shelf, the circular chrome base set with beveled mirror glass, on bun feet. h. 59-1/4”, w. 20”, d. 9-3/4”

$700-$1,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

87 Queen Anne Circassian Walnut Highboy

18th century, the upper case with a pair of side-by-side drawers, over three graduated long drawers, all with banded edges, the base with three drawers with like banding, raised on Queen Anne cabriole legs. h. 58”, w. 40”, d. 23”

$1,400-$1,800

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

88 Eric Kaposta (American/Texas, b. 1951)

“No Greater Love”, 1993 patinated pewter cast signature and dated along proper right side, titled at front. h. 10-1/2”, w. 8-1/4”, d. 6-1/4”

$800-$1,200

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

18th/19th century, Tibetan, depicted holding an alms bowl, on his lotus throne, flanked by guardians and with various buddhas and attendants, in a contemporary giltwood frame with a silk surround. h. 32-1/2”, w. 26”

$700-$1,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

90 Greek Byzantine-Style Icon of the Virgin and Child

20th century, the .950 silver riza decorated with deep repousse with attributes of the Four Evangelists, presented in a black-painted frame. sight 9-3/4” x 7-3/4”, framed 16” x 13-3/4”

$600-$900

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Thangka Buddha of Shakyumuni

91 Contemporary Pickled Pine Breakfront

in the Adam taste, in three sections, each with astragal-glazed upper and lower doors, the interior cabinets lighted, raised on a conforming plinth base. h. 88”, w. 99”, d. 16-1/2”

$1,800-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Extensive Collection of Staffordshire-Style Transferware

second quarter 19th/early 20th century, primarily brown with some black, the notable pieces in the collection including an R. Hall “Eagle and Shield on Shell” waste bowl, h. 3-1/4”, dia. 6-1/2”, a Heath & Co. “Residence of the Late Richard Jordan, New Jersey” plate, dia. 8-3/4”, a Stevenson “Millennium” plate, dia. 10-1/4”, and a “Napoleon’s Battle” sugar bowl, without a cover, h. 3-3/4”, w. 6-3/4”

Complete list available online and by request.

$1,800-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Regency Mahogany Tilt-Top Breakfast Table

19th century, the dramatic bookmatched two-board top mounted to a turned pedestal with four down-curved and reeded legs ending in brass caps with casters.

h. 28-1/2”, w. 57”, d. 44”

$700-$1,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

19th century, each with a curved crest rail with a central inlaid panel, reeded back posts joined by an X-form splat, and raised on reeded, tapered square legs. h. 34”, w. 21”, d. 18-1/2”

$1,500-$2,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Suite of Six Late Regency-Style Mahogany Chairs

The Honorable John B. Craig Collection of Baltimore Silver

ELIZABETHTOWN, PENNSYLVANIA

95 S. Kirk & Son Baltimore Standard (.917) Silver Footed Bowl

fourth quarter 19th century, Baltimore, Maryland, with a hemispherical bowl above a waisted pedestal foot, decorated with repousse flowers on a matte ground, monogrammed “HG”. h. 5”, dia. 6-1/4”; 9.82 t. oz.

$400-$700

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania 96

dated 1890, by A. Jacobi, the bulbous bowl with side spout and insulated straight handle, decorated all over with repousse flowers on a matte ground, the underside with inscription “N.H.B. / from / Norman Hall / 1890”. h. 2”, l. 9-1/2”, w. 6”; 7.49 t. oz.

$200-$400

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

Baltimore Sterling Silver Brandy Pan

Good Baltimore Sterling Silver Platter

1890-1894, by Jacobi & Co., of oval form, the rim richly decorated with repousse flowers on a matte ground with integral monogram “MG”, within an applied gadrooned border. l. 18”, w. 13-1/2”; 36.35 t. oz.

$1,000-$1,500

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

Baltimore Sterling Silver Glove Box

1894-1908, by Jacobi & Jenkins, rectangular with hinged lid, decorated all over with repousse flowers and foliage on a matte ground. h. 3-1/2”, w. 10”, d. 4”; 22.45 t. oz.

$600-$900

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

Good S. Kirk & Son Baltimore Standard (.917) Silver Coffeepot

dated 1899, Baltimore, Maryland, the pear-shaped body with domed lid, arched handle, “gooseneck” spout and raised on three palmette-crested pad feet, richly decorated with repousse flowers, foliage, butterflies and bees on a matte ground, the underside monogrammed and dated “CM / 1899”.

h. 8-1/2”, l. 8”, dia. 3-3/4”; 19.19 t. oz.

$500-$800

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

100

Samuel Kirk & Son Sterling Silver Bud Vase

ca. 1900, Baltimore, Maryland, of trumpet form with shallow-domed base, decorated with repousse flowers. h. 8”, dia. 4-1/4”; 7.37 t. oz.

$250-$400

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

101

1903-1905, by Baltimore Silversmiths Mfg. Co., the circular dish with floral repousse rim and molded edge, raised on a waisted foot ring.

h. 2-1/4”, dia. 9-1/8”; 8.50 t. oz.

$250-$400

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

Baltimore Sterling Silver Footed Dish

102

Baltimore Sterling Silver Sauce Boat

1903-1905, by Baltimore Silversmiths Mfg. Co., of traditional batteau form with acanthus-crested handle, applied floral scroll edge and domed oval pedestal foot, decorated with repousse flowers on a matte ground.

h. 4-7/8”, l. 8-1/2”, w. 3-3/4”; 8.37 t. oz.

$250-$400

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

103

Baltimore Silversmiths Sauce Boat

1903-1905, by Baltimore Silversmiths Mfg. Co., of traditional batteau form with acanthus-crested handle, applied floral scroll edge and raised on three shell-crested lion’s-paw feet, decorated with repousse flowers on a matte ground, monogrammed on the underside “WFP”.

h. 4-7/8”, l. 7-1/2”, w. 4”; 6.89 t. oz.

$150-$300

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

104

Baltimore Sterling Silver Sauce Boat

first quarter 20th century, by Ritter & Sullivan, retailed by Hennegan, Bates & Co., of traditional batteau form with acanthus-crested handle, molded edge and raised on three shell-crested pad feet, decorated with repousse flowers on a matte ground. h. 4”, l. 6-3/4”, w. 3-3/8”; 7.17 t. oz.

$200-$400

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

105

Stieff Sterling Silver Bowl

1915, Baltimore, Maryland, the hemispheircal bowl with applied rococo scroll rim and molded foot ring, richly decorated with repousse flowers above an acanthus calyx, monogrammed “EMP”.

h. 4”, dia. 7-3/4”; 18.21 t. oz.

$500-$800

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

106

Stieff Sterling Silver Waiter

1927, Baltimore, Maryland, of rounded rectangular form, the shaped rim decorated with repousse flowers, monogrammed “ESB”.

l. 12”, w. 9”; 17.64 t. oz.

$500-$800

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

107

Good Stieff Sterling Silver Pitcher

1916, Baltimore, Maryland, the pear-shaped body with integral collar and spout, with crested, arched handle and domed pedestal foot, richly decorated with deep repousse flowers. h. 14-1/2”, dia. 6-1/2”, l. 9”; 43.97 t. oz.

$1,400-$1,800

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

108

Two Stieff Sterling Silver Vases

Baltimore, Maryland, the smaller with date mark for 1927, each of trumpet form with wavy rim, annular band and domed foot, richly decorated with repousse flowers and acanthus leaves. h. 10-1/4”, dia. 5-3/4” and h. 6-1/4”, dia. 3-1/2”; 16.94 total t. oz.

$600-$900

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

109

Stieff Sterling Silver Waiter

1926, Baltimore, Maryland, circular, with deep repousse floral rim and applied floral scroll edge, raised on four claw-and-ball feet, monogrammed “RLH”. dia. 10”; 14.53 t. oz.

$500-$800

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

110

Three Stieff Sterling Silver Dishes

Baltimore, Maryland, including: a heart-shaped dish, 1923, l. 7, w. 6”; a navette-shaped dish, 1925, monogrammed “MSK”, l. 7-3/4”, w. 4-3/8”; and an oval dish, no date mark, l. 10”, w. 6-1/4”; all decorated with repousse flowers on a matte ground and with applied floral rim. 20.10 total t. oz.

$600-$900

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

Baltimore Sterling Silver Footed Bowl

dated 1907, by Hennegan, Bates & Co., with hemispherical bowl decorated with a band of repousse flowers above an acanthus calyx, with applied rococo scroll rim and raised on a domed foot en suite, inscribed “Charles O’Hagan Grimes / from / Martha O’Hagan / December 8th / 1907”. h. 7-1/2”, dia. 8”; 26.67 t. oz.

$700-$1,000

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

Charles O’Hagan Grimes was born in Raleigh, North Carolina on December 18, 1907. the son of John Bryan Grimes and Elizabeth Forrest. This was undoubtedly, then, a Christening gift from Martha O’Hagan (1850-1935), daughter of his namesake Dr. Charles J. O’Hagan (1821-1900).

Baltimore Sterling Silver Pitcher

second quarter 20th century, by Schofield Co., the pearshaped body richly decorated with well-detailed repousse flowers, with integral collar and arched grapevine handle. h. 9”, dia. 5-3/4”, l. 8-1/8”; 27.61 t. oz.

$800-$1,200

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

113

Baltimore Sterling Silver Butter Dish

first quarter 20th century, by Jenkins & Jenkins, circular, the rim decorated with repousse flowers on a matte ground, with applied rococo scroll rim, with pierced mazarine above an ice reservoir, no lid. h. 1-1/2”, dia. 8-1/2”; 14.26 t. oz.

$300-$500

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

114

Baltimore Sterling Silver Presentation Bowl

first quarter 20th century, by the Heer-Schofield Co., the hemispherical bowl with applied floral rococo scroll rim and molded foot ring, richly decorated with repousse flowers above an acanthus calyx, the interior with presentation inscription “Compliments of / Riggs, Rossman & Hunter Inc” / and / Automobile Brokerage Corp”. h. 3-3/4”, dia. 8”; 15.61 t. oz.

$400-$700

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

115

Baltimore Sterling Silver Flower Bowl

first quarter 20th century, by Jacobi & Jenkins, circular, the everted rim decorated with repousse flowers on a matte ground, with applied rococo scroll rim, monogrammed “HES”. h. 2-1/2”, dia. 12-1/2”; 20.14 t. oz.

$600-$900

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

116

Two Baltimore Sterling Silver Bottle Coasters

first quarter 20th century, including: one by Jacobi & Jenkins, dia. 6”; and one by A.G. Schultz & Co., retailed by R.F. Polack of York, Pennsylvania, dia. 6-1/2”; each circular with shaped and applied floral scroll edge, the rim decorated with repousse flowers on a matte ground. 8.26 total t. oz.

$300-$500

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

117

Baltimore Sterling Silver Vegetable Bowl

first quarter 20th century, by A. G. Schultz & Co., retailed by F. Bucher & Sons, circular, the rim and side richly decorated with repousse flowers on a matte ground, monogrammed “EGF”. h. 1-3/4”, dia. 11-1/8”; 22.06 t. oz.

$600-$900

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

118

Baltimore Sterling Silver Footed Bowl

first quarter 20th century, by A.G. Schultz & Co., the bowl raised on a domed pedestal foot, decorated with repousse flowers and fruit, with applied rococo scroll rim, monogrammed “GBW”. h. 7”, dia. 9-3/4”; 27.91 t. oz.

$900-$1,200

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

Baltimore Sterling Silver Pitcher

first quarter 20th century, by A.G. Schultz & Co., of baluster form with integral collar and spout and arched handle, decorated all over with repousse flowers, monogrammed “CPM”. h. 9-5/8”, dia. 6”, l. 9”; 29.39 t. oz.

$900-$1,200

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

Baltimore Sterling Silver Platter

first quarter 20th century, by John W. Mealy & Son Co., of oval form, the rim richly decorated with repousse flowers and foliage, with applied floral scroll rim. l. 14-3/4”, w. 11”; 17.60 t. oz.

$500-$800

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

120

121

Two Kirk & Son Sterling Silver Dishes

first half 20th century, Baltimore, Maryland, including: an etched glass bottle coaster with silver rim, dia. 6-1/4”; and an oval bread tray, monogrammed “AB”, l. 10”, w. 7-1/2”; the rim of each decorated with repousse flowers on a matte ground. 10.73 t. oz. (bread tray only)

$300-$500

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

122

S. Kirk & Son Sterling Silver Vegetable Dish

first quarter 20th century, Baltimore, Maryland, of oval form, the rim decorated with repousse flowers on a matte ground within an applied foliate edge. h. 2-1/2”, l. 12”, w. 8”; 16.91 t. oz.

$500-$800

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania 123

Eight Sterling Silver Bread and Butter Plates

mid-20th century, by Schofield Co., Baltimore, Maryland, each of circular form, with foliate-engraved rim and rolled edge, monogrammed (on the rim) “N”. dia. 6”, 23.95 total t. oz.

$700-$1,000

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

123 detail

124

S. Kirk & Son Sterling Silver Service Plate

dated 1939, Baltimore, Maryland, the rim decorated with a band of repousse flowers on a matte ground, with applied laurel edge, the underside with inscription “1939 / Melissa Golden Halpin”. dia. 11”; 22.08 t. oz.

$600-$900

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

125

Pair of S. Kirk & Son Sterling Silver Service Plates

dated 1965, each circular with a repousse floral-banded rim and molded edge, the underside with presentation inscription “To / the Board of Managers of / The Presbyterian Home / on my 80th Birthday / Alice G. Kastner / 1965”.

dia. 10-1/4”; 24.10 total t. oz.

$700-$1,000

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

mid-20th century, Baltimore, Mayland, including: a coffeepot, 1948, h. 9-1/2”, l. 8-1/2”; an open sugar bowl, 1954, h. 3-3/4”, w. 5-1/4”; and a cream jug, 1954, h. 3”, l. 4”; all decorated with repousse flowers on a matte ground, the coffeepot monogrammed “AWT”. 27.41 total t. oz.

$900-$1,200

Provenance: The Collection of the Hon. John

Pennsylvania

1949, Baltimore, Maryland, of oval form, the rim richly decorated with repousse flowers on a matte ground within an applied foliate scroll edge. l. 16”, w. 12-1/4”; 37.15 t. oz.

$1,000-$1,500

Provenance: The Collection of the Hon. John B. Craig, Elizabethtown, Pennsylvania

127

Stieff Sterling Silver Platter

126

Stieff Sterling Silver Demitasse Set

B. Craig, Elizabethtown,

Louis XV Gilt-Bronze and Porcelain Mantel Clock

ca. 1750, Paris, the gilt-bronze waisted case decorated with foliage, rocaille and C-scrolls, the pierced body backed with later red silk and later embellished with porcelain flowers on green tole stems, on four scroll feet, the enameled dial with Roman numerals and Arabic chapters, and a gilt fleur-de-lis between each hour, inscribed “GILLE L’AINE / A PARIS”.

h. 20-1/2”, w. 16-1/4”, d. 5-1/2”

$7,000-$10,000

Provenance: Partridge, London, England, 2003; The Collection of Adolphus Andress, Jr. and Emily Taylor Andrews, Christie’s, New York, New York, June 18, 2024; Private collection, Dallas, Texas.

129

Chinese Famille Verte Porcelain Charger

Kangxi period (1662-1722), of circular form with subtle foliate rim, the interior centered by a design of a bird perched on rockwork amid blossoming peonies and foliage, within multiple floral borders, the reverse with softly incised designs, the base with an artemisia leaf mark in underglaze blue within two concentric bands. dia. 14-1/2”

$2,000-$4,000

130

Pair of Carved Onyx Pedestals

20th century, the carved and pierced pedestals decorated with Islamic motifs, the standards with interior lights. h. 32”, dia. 12”

$1,000-$1,500

Provenance: Private Collection, Laguna Beach, California.

131

Chinese Export Porcelain Jardiniere

Qing dynasty, fourth quarter 19th century, the cobalt keyfret lining a raised yellow-ground border punctuated with pink lotus flowers, the sides with four panels of mandarin decoration. h. 17-1/2”, dia. 20-3/4”

$1,500-$2,500

Provenance: Private collection, Houston, Texas.

132

Chinese Lighted Rose Quartz Urn

first quarter 20th century, the covered urn with a water buffalo knop on the cover, the body decorated with carved ring pulls, above two standing figures holding branches, on a carved wooden base, over an incised gilt-metal plinth that conceals the electrical wiring. h. 15-1/2”, w. 6”, d. 4-1/2”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

133

Pair of Taisho Period Kutani Ware Bottle Vases

ca. 1912-1926, molded with corn, with yellow kernels and blue leaves, decorated with delicately painted flowers and butterflies, with character marks on the bottoms. h. 9-3/4”, dia. 5-1/4”

$400-$700

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

134

Japanese Paper “The Tales of Genji” Three-Fold Screen

Tosa School, Edo Period, 18th century, depicting scenes from Japan’s oldest novel rendered in ink, color and gilt, the panels bordered in tan embroidered silk and presented in an ebonized frame, the reverse covered with patterned green and black paper; includes custom metal supports to enable hanging, a certification card and the original receipt.

overall h. 32-1/4”, w. 53-1/4”, d. 3/4”

$1,200-$1,800

Provenance: Purchased 1977, Yokoyama, Inc., Kyoto, Japan; Private collection, Kalamazoo, Michigan.

135

Pair of Franco-Chinese Bronze-Mounted Moderator Lamps

third quarter 19th century, the porcelain bodies decorated with mandarin figures, framed with borders of peonies and butterflies, in the Rose Medallion palette, with Rococo Revival gilt-bronze mounts, pierced handles and bases, now electrified and fitted with lampshades. h. 22-1/4”, dia. 8-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

136

Transitional Louis XV/XVI-Style Kingwood and Marble-Top Commode

early 20th century, the conforming gray marble top over three long drawers with inlaid fronts, the front apron with an ormolu mount, raised on cabriole legs ending in sabots. h. 35-1/2”, w. 50”, d. 20-1/2”

$1,000-$1,500

137

Bronze-Mounted Rose Medallion Dish

fourth quarter 19th century, Franco-Chinese, the dish decorated with peonies and mandarin figures, the grape-molded bezel on pierced, leaf-molded handles, raised on a pierced brass base. h. 4”, w. 13-1/4”, d. 10-1/2”

$400-$700

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

138

Louis XVI Mahogany and Marble-Top Bouillotte Table

18th century, the circular inset marble top with a pierced brass gallery, two ends fitted with drawers, and the other two sides fitted with pull-out candle slides, raised on turned and fluted legs, the top with an additional reversible inset playing board with felt on one side and leather on the other. h. 29-1/2”, dia. 26”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

139

Italian Giltwood Armchair

18th century, Roman, the padded back cushion set within a shell-carved frame, with a slip seat and foliate-carved seat frame, raised on cabriole legs ending in scrolled toes. h. 47”, w. 30”, d. 22”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

140

Italian Rococo Giltwood and Faux Marbre Console Table

18th century, the conforming faux marbre top over a pierce-, floral- and scroll-carved frame, raised on conjoined C-curved legs with a central cabochon stretcher. h. 31”, w. 44”, d. 20”

$1,200-$1,800

141

Pair of Italian Parcel-Gilt Wooden Appliques

19th century, with carved and gilt fruit and gray/green-painted leaves.

h. 44-1/4”, w. 7-1/2”, d. 4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

142

Bronze, Glass and Rock Crystal Chandelier

20th century, of Empire inspiration, the six-light chandelier with reeded hanging rods set with specimen stones, the bronze body set with gilt-bronze swan-form arms alternating with bronze wreaths, set with rock crystal, the frosted bowl concealing three interior sockets.

h. 39-1/2”, dia. 18-1/2”

$1,200-$1,800

143 Italian Neoclassical Painted, Parcel-Gilt and Marble-Top Console Table

18th century, the conforming white marble top over a carved apron frieze and gilded medallions, raised on turned and fluted legs.

h. 35-1/2”, w. 44”, d. 22”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Palatial Napoleon III Sarrancolin d’Auch Marble and Bronze Jardiniere

ca. 1800, the oval carved marble jardiniere mounted with pierced leaf-molded bronze handles, the tapered base with monopodia on each side, molded with leopard’s heads, swags of fruit and laurel leaves, on paw feet with gadrooned bronze base trim. h. 42-1/2”, w. 49”, d. 28-3/4”

$10,000-$15,000

Provenance: Provenance: Christie's, London, England, March 22, 2001, lot 281; A Villa, Palm Beach, Florida; interior designed by Juan Pablo Molyneux.

Literature: Thurman, Judith, “Juan Pablo Molyneux Outfits a Refined Palm Beach Villa”, Architectural Digest, July 2008, illustrated

145 Italian School

19th Century

“Ancient Ruins with Figures” gouache on paper unsigned.

Float-mounted, glazed and framed. sheet 16-3/4” x 23-1/2”, framed 22-3/4” x 29”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

146

Large Dutch Mahogany Linen Press

18th century, the angled pediment with egg-and-dart-carved moldings, over a pair of paneled doors with applied swag carvings, the base with three long drawers and raised on fluted block feet. h. 93-1/2”, w. 72”, d. 25”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

147

French Parcel-Gilt Trumeau Mirror

19th century, in the neoclassical taste, the upper tablet with an oil-on-canvas painting of classical ruins, in a giltwood surround, the mirror plate under a carved urn supporting swags of flowers, the side panels with bowknots supporting giltwood flowers.

h. 64-1/2”, w. 43”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

148

Bronze Lantern in the French Taste

the pierced, scrolled and bellflower-molded frame supporting the tapered octagonal lantern, set with glass panels with pierced shell-molded and scrolled crests, and overlaid with swags of flowers, the pierced bottom molded with acanthus leaves, electrified.

h. 32”, dia. 15”

$1,000-$1,500

149

French Kingwood, Bronze-Mounted and Marble-Top Commode

19th century, in the transitional Louis XV/XVI style, the conforming marble top above three long drawers, each with bookmatched kingwood-veneered panels and inlaid borders, the case with canted corners and the legs ending in cast bronze sabots.

h. 33-1/2”, w. 49”, d. 21-1/2”

$1,500-$2,500

150

19th century, the padded seats covered in period Aubusson fabric, the frames with carved and gilded decor, raised on turned and carved legs.

h. 19”, w. 40”, d. 16”

$1,500-$2,500

Provenance: Kevin

151

ca. 1800, modeled as yellow seated lions grasping yellow, cobalt and green candle holders, in the form of Solomonic columns, on matching oval bases.

h. 9-1/2”, w. 7”, d. 5”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair of Faience Candlesticks in the Form of Lions

Pair of Empire Mahogany and Parcel-Gilt Benches

Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 151 150

152

Parcel-Giltwood Floor Lamp in the Venetian Taste

contemporary, in the form of a large candlestick with a carved giltwood socket and drip pan, supported on a carved and tapering rope-twist pedestal, decorated with alternating gilt and carmine, on a flaring rocaille-carved base, fitted with a lampshade. h. 74-1/4”, dia. 19”

$1,000-$1,500

153

Venetian Polychrome and Marble-Top Commode

19th century, the conforming marble top over three long drawers of slightly bowfront form, raised on short cabriole legs. h. 30-1/2”, w. 36”, d. 17”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

154

Pair of Contemporary Alfonso Marina “Palatino” Chairs

in the Italian neoclassical taste, the painted and parcel-gilt chairs with arms in the form of bundled reeds, on Greek sphinx arm supports, the base rails carved with flowers, the giltaccented and tapered legs carved with bellflowers, upholstered in a silver metallic fabric with rope-braided trim, with matching cushions. h. 36”, w. 22-1/2”, d. 31-1/4”

$1,000-$1,500

155

Italian Neoclassical Giltwood Plaque

19th century, the pierced plaque decorated with horned instruments bound with a bowknot and accented with scrollwork. h. 21”, w. 24-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

156

Franco-Chinese Bronze-Mounted Lamp

third quarter 19th century and later, the Chinese export Rose Canton vase with foo dog handles and gilt salamanders on the shoulders, the body decorated with panels of roundels with gilt-accented mandarin figures, with 19th-century gilt-bronze mounts, now fitted with a custom silk lampshade with gilt, blue and pink braided trim. h. 31”, dia. 19-1/2”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas. 154 155

157

Impressive Swedish Painted and Parcel-Gilt Clock

fourth quarter 18th century, the obelisk-form superstructure mounted with a pair of giltwood putti holding lovebirds, with giltwood flowers trailing down each side, the case with a putty-colored ground, decorated with bas-relief arabesque giltwood scrollwork, the circular door with rope-twist trim, the base with giltwood brackets flanking the case, raised on tapered, foliate-carved feet, the associated later dial and works by Junghaus, late 19th/early 20th century. h. 35-1/2”, w. 15-1/2”, d. 6-1/2”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

ca. 1800, French, the pierced crest with a giltwood wreath atop a plaque carved with lovebirds on a white ground, framed with pierced scrollwork, flower heads and tassels, the surround carved with dents-de-loup, and the base with incised scrollwork, on leaf-carved feet. h. 64”, w. 29-1/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

158

Directoire Carved and Pierced Giltwood Mirror

157

159

Large Italian Polychrome Wardrobe Cabinet

19th century and later, the exterior composed of antique elements and the interior with fittings for a modern wardrobe, the conforming ogee-molded cornice above three framed and paneled doors, with floral reserves throughout, raised on a plinth base.

h. 96”, w. 109”, d. 28”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Large Napoleon III Giltwood Mirror

third quarter 19th century, the pierced crest decorated with a central urn of flowers, above a tablet carved with crossed arrows, flanked by trailing flowers, with carved cone finials on each side, the mirror inset surround carved with oval running medallions, the corner panels with flower heads, set with a beveled mirror plate.

h. 80-3/4”, w. 48-1/4”

$1,200-$1,800

161

Impressive Italian Giltwood and Silver-Gilt Wall Plaque

mid-20th century, in the Greco-Roman taste, the plaque with a helmet serving as the finial, above a torso dressed for battle, with a shield decorated with various instruments of war and power, including a battle axe, spears, trumpets and fasces. h. 57-1/2”, w. 33”

$3,000-$5,000

162

French Art Nouveau Gilt-Bronze Vase

ca. 1900, attributed to Som-Charles Guenardeau (French, 1870-1940), the vase with a wave edge border, delicately molded with bas-relief sprays of flowers and leaves, the base and handles molded to match, retaining a matte gilt surface, likely cast by Susse Freres, Paris. h. 8-3/4”, dia. 3-3/4”

$800-$1,200

163

French Fin-de-Siecle Cut Glass and Gilt-Bronze Trumpet Vase

fourth quarter 19th century, the cut glass vase set into an elaborate gilt-bronze stand decorated with a pair of birds resting on vines with leaves and berries. h. 15”, w. 8”, d. 5”

$800-$1,200

Provenance: Private Collection, Little Rock, Arkansas.

164

Italian Giltwood and Marble-Top Torchere Stand

19th century, Sicily, in the neoclassical taste, the white marble top on a laurel-carved giltwood support, set with monopodial legs with ram’s heads, terminating in hoof feet, on a molded tripartite base. h. 49-1/4”, dia. 14-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 162 163

165

French Louis Philippe Giltwood Mirror

mid-19th century, the molded mirror surround carved with beading, lining the mirror plate.

h. 57”, w. 30-1/2”

$1,000-$1,500

165

166

Unusual French Gilt-Bronze and Cut Glass Flower Stand

first quarter 20th century, possibly Baccarat, the lyre-form cut glass frame mounted with bronze “strings”, having a cut glass inverted bell-form vase as the finial, the sides with twelve cut glass posy holders supported by beaded bronze arms on a faceted cut glass base, raised on pierced bronze fittings with delicately shell-molded and scrolled feet.

h. 19-3/4”, w. 10-1/2”, d. 8”

$1,000-$1,500

167 Northern Italian Giltwood Mirror

19th century, the crest decorated with a circular mirror plate framed in scrollwork, the arched mirror with a wide giltwood surround decorated with foliate carving, scrollwork and rocaille carving, the base carved with bold scrolls on each side and a central ornament matching the crest. h. 71”, w. 60”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

168

Fine Louis XVI-Style Mahogany and Gilt-Bronze-Mounted Center Table

19th century, in the manner of Francois Linke, the circular top with a pierced gallery and silk moire-lined top under a conforming plate glass, the front and back sides fitted with a drawer concealed in the apron frieze, the sides with pull-out candle slides, raised on turned legs joined by stretchers and centered with a circular shelf with a pierced bronze gallery. h. 28-1/2”, dia. 33”

$2,000-$4,000

167

169

School of Jean-Marc Nattier (French, 1685-1766)

“Portrait of a Lady” oil on canvas unsigned, old inventory and sale labels en verso. Framed.

15-7/8” x 12-7/8”, framed 23-1/2” x 20”

$3,000-$5,000

Provenance: Deaccessioned from the Denver Art Museum, Denver, Colorado; Private collection, New Orleans, Louisiana.

Exhibition: Guildhall Art Gallery, London, England, 1902, #38; Denver Art Museum, Denver, Colorado.

170

After Jacques Francois Marin (Belgian, 1877-1950)

“Cupid and Psyche”

gilt bronze cast signature along base. h. 14-3/4”, dia. 5-3/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

171

After Rosalba Carriera (Italian, 1673-1757)

“Allegory of Summer”, ca. 1800 oil on canvas unsigned, after a pastel by Carriera now in an undisclosed private collection. Unframed.

25-3/4” x 21-1/2”, framed 28-7/8” x 24-1/4”

$1,400-$1,800

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

172

French School (ca. 1800)

“La Marionette Brisee” oil on canvas Framed.

18” x 13-7/8”, framed 21” x 17-1/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

173

French Bronze and Marble Figure of a Satyress and Child

fourth quarter 19th century, after Jean Michel Clodion (French, 1738-1814), the Bacchanalian group of the mother feeding grapes to her child, on a red griotte marble base trimmed with gilt-bronze beading. h. 10-1/4”, w. 6”, d. 6”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

174

French Faience Cruet Stand

ca. 1900, in the Marseilles (Veuve Perrin) style, molded in the rococo taste, the vasiform cruets decorated with landscapes and scattered flowers, set with yellow eagle-head spouts, the oval stand with pierced rococo handles, decorated with blue, chrome yellow and manganese, with holders for the covers, marked on the base in feuilles-de-choux.

h. 7-1/4”, w. 10”, d. 5”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

175

Pair of Unusual Wedgwood Creamware Fruit Baskets and Underplates

19th century, the circular baskets of “woven” creamware with rose trim, the basketweave underplates with arcaded borders, trimmed in rose, stamped “WEDGWOOD” and with “KLC” date code, and rose painted “C1185” by the enameler. h. 2-1/2”, dia. 9”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

176

Pair of Marseilles (Veuve Perrin) Faience Bouquetieres

18th/19th century, in the Marseilles style, the commode-form bodies set with pierced flat covers, decorated with pastoral scenes on the front, the side panels decorated with garden trophies, the panels divided with raised gilt-accented pilasters, on tapered feet with manganese foliate decoration. h. 5”, w. 6-3/4”, d. 3”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

177

Pair of French Faience Potpourri Urns

ca. 1900, in the Marseilles (Veuve Perrin) style, with cone-form knops, the covers and bodies molded with rose scrollwork framing panels of polychrome landscapes, with pierced covers and necks and raised on scroll feet, marked on the bottoms in the 18th-century style. h. 23-1/4”, dia. 9-3/4”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

178

Pair of Louis XV-Style Giltwood Fauteuils

19th century, the padded backs joined by carved arms with padded elbow rests, the seat frames with foliate- and shell-carved details, raised on cabriole legs ending in scrolled toes. h. 42-1/2”, w. 31”, d. 25”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

179

German Sterling Silver Novelty “Owl” Cocktail Shaker

second half 20th century, in the form of a realistically detailed owl, its beak a faux spout fitted with a chained “stopper” with a frog on a lily pad, the head fitted with glass eyes detaching to reveal the detachable strainer.

h. 8”, w. 4-1/2”, d. 5”; 30.96 t. oz.

$3,500-$5,000

180

German Novelty Sterling Silver “Squirrel” Cocktail Shaker

contemporary, in the form of a realistically detailed European squirrel, its paw resting on a walnut, its mouth a faux spout fitted with a chained “stopper” with an acorn, the head fitted with glass eyes and detaching to reveal the detachable strainer.

h. 6-1/4”, l. 11”, w. 3-1/4”; 28.18 t. oz.

$3,500-$5,000

181

Interesting French-Style Kingwood and Boxwood Inlaid Double-Sided Desk

20th century, each side with a fold-down slant-lid writing surface, opening to an interior fitted with a row of small drawers, and three drawers below the lids, the whole inlaid with floral sprigs, raised on cabriole legs. h. 41”, w. 54”, d. 36”

$2,000-$4,000

182

Rare Italian Istoriato Majolica Dish

15th century, likely Urbino, the center panel decorated with Poseidon rising up from the sea, on a shell and holding his trident, attendants at his side, the border decorated with grotesque satyr masques, griffins and dragons on a cobalt ground, an unidentified mark on the back. dia. 13-1/2”

$6,000-$9,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

183 Collection

of Three Majolica Chargers

19th century, in the Castelli style, the larger Istoriato charger decorated with Diana and a pair of putti, with a crowned “M” mark and “Italy”, dia. 18”, and the smaller chargers decorated with armorial centers, all with borders of similar “grotesque” satyr masques, dragons and scrollwork, the smaller chargers with an unidentified mark, dia. 13”, all pierced for hanging.

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

184

Pair of Italian Majolica Plates

19th century, the Istoriato plates decorated with a woman on horseback and a lamb, and a shepherd and shepherdess, respectively, the borders decorated with grisaille cartouches, shells and putti with boughs of flowers on a pale yellow ground. dia. 10”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

185

Italian Polychrome Commode

20th century, in the neoclassical taste, with three long drawers with painted scrolls and foliate sprays, raised on tapered square legs.

h. 36-1/2”, w. 45-1/2”, d. 21-1/2”

$1,500-$2,500

185

186

Italian Polychrome Commode

20th century, in the neoclassical taste, with three long drawers with painted scrolls and foliate sprays, raised on tapered square legs. h. 36-1/2”, w. 45-1/2”, d. 21-1/2”

$1,500-$2,500

187

Niek van der Plas (Dutch, b. 1954)

“St. Louis Cathedral, New Orleans” oil on wood panel signed lower right. Framed.

15” x 20”, framed 23-1/2” x 27-1/2”

$2,000-$4,000

188

Niek van der Plas (Dutch, b. 1954)

“Beach Scene”

oil on wood panel signed lower right. Framed.

18” x 24”, framed 26” x 31-1/2”

$2,500-$4,000

189

Andre Gisson (French/American, 1921-2003)

“Searching for Seashells” oil on canvas signed lower right. Framed.

16” x 20”, framed 18” x 22”

$1,000-$1,500

Provenance: Sold in these rooms, May 20, 2017, lot 47; Private collection, Houston, Texas.

Jules Marie Armand Goethals (French, 1844-1902)

“Plage”, 1892

oil on canvas

signed lower left, with “Exposition des Beaux-Arts” label en verso.

Antique frame with artist and title plaque. 18” x 32”, framed 31” x 43”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Exhibited: Exposition Generale des Beaux-Arts de 1893, # 252.

190

191 Rare Signed Five-Piece Delft Garniture

ca. 1687-1701, Dutch, the blue and white garniture comprised of three covered octagonal urns with foo dog knops, decorated with panels of deer on a scrolled and diapered ground, h. 15-1/4”, dia. 6-1/4”, together with a pair of matching flaring vases, h. 10”, dia. 5-1/2”, marked “AK” for Adrianus Kocx, De Grieksche A Factory.

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

192

Framed French Neoclassical Polychrome Wallpaper Panel

19th century, decorated with musical trophies strewn on a bed of flowers, the background with an urn of trailing flowers on a stone wall, framed with scrollwork and acanthus leaves hung with swags of flowers against a rose field, in a contemporary parcel-gilt and blue-painted frame. h. 32”, w. 35”

$1,000-$1,500

Pair of Chinese Export Silver Jardinieres

second half 19th century, Leeching, Canton, Shanghai and Hong Kong, each of rectangular form with pierced “bamboo” gallery above a torusmolded base decorated with repousse scenes of rural life, raised on four feet in the form of rearing dragons.

h. 4-1/2”, l. 8-3/4”, w. 6”; 59.68 total t. oz.

$3,000-$5,000

194

Impressive Chinese Export Silver Tazza Centerpiece

the circular surmounting dish with everted rim decorated with chased and cut bamboo, raised on an openwork standard of six grapevines with applied leaves and clusters, above a broad knop and domed circular plinth base, both with flat-chased bands of fruit, flowers and foliage. h. 11-1/2”, dia. 11”; 88.12 t. oz.

$3,000-$5,000

195

Chinese Export Silver Goblet

second half 19th century, Cutshing, Canton, of traditional form, the bowl decorated in the round with a repousse scene of rural life, raised on openwork acanthus above a knopped pedestal foot decorated with repousse ferns. h. 6-1/4”, dia. 3-1/4”; 8.27 t. oz.

$600-$900

196

Six Chinese Export Silver Cordials

first quarter 20th century, by Hung Chong & Co., Shanghai, each with inverted conical bowl decorated with an applied dragon on a matte ground and centering a circular cartouche engraved with a rooster, above a trumpeting stem. h. 4”, dia. 2-3/4”; 20.48 total t. oz.

$800-$1,200

197

Meiji period, Nagahama, the squat baluster-form body decorated with a repousse dragon and kirin between the waves and clouds, with figural rooster-head spout, fitted domed lid with repousse clouds and melon finial and arched swing handle.

h. 6-1/2” (9” with handle), dia. 6”, l. 7-1/2”; 27.11 t. oz.

$1,000-$1,500

198

Pair of Japanese Silver Soy Ewers

Showa period (1926-1989), each vasiform ewer with flat, hinged lid and arched handle, one engraved with chrysanthemums and one with prunus, above a banded matte ground.

h. 6-1/4”, dia. 2-3/4”; 9.69 total t. oz.

$500-$800

Provenance: Collection of Arlene Philipson, New Orleans, Louisiana.

Nomura Silver Teapot

199

Fine

Sanju Saku Enameled Silver Tea Set

late Meiji period (1890-1910), including: a teapot, h. 5-5/8”, l. 7”; an open sugar bowl, h. 5-1/2”, dia. 3”; a cream jug, h. 2-1/2”, l. 4-1/2”; and a tray, 9-1/4” x 12-1/2”; the hollowware designed as bamboo sections, the sugar bowl of teoke form, the creamer and teapot with twining vine handle, the latter with “bamboo” spout and finial, the tray of rounded rectangular form with arched “bamboo” handles, all decorated with applied wisteria decorated with shaded lavender and green enamel.

40.95 total t. oz.

$2,000-$4,000

Provenance: Collection of Arlene Philipson, New Orleans, Louisiana.

200

Pair of Small Italian Silvered Giltwood Mirrors

late 19th century, in the Baroque taste, the cartoucheform mirrors with carved and pierced surrounds, decorated with leaves and scrollwork, set with antique mirror plates.

h. 14-1/4”, w. 12-3/4”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

201

Silvered Giltwood Reliquary Bust of St. Nicholas

18th century, depicted wearing his mitre, his robes with a trim of Greek crosses.

h. 26-1/2”, w. 15”, d. 6-1/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

202

Bronze Argente Lante Vase

19th century, by Ferdinand Barbedienne, Paris, after the antique pastiche by Giovanni Battista Piranesi (1720-1778) from fragments found at Hadrian’s Villa at Tivoli, signed “F. Barbedienne” on the basal edge, with Achille Collas “Reduction Mecanique” medallion on the underside. h. 9”, dia 10-1/4”, w. 14-1/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

A companion to the more famous Warwick Vase also by Piranesi, the Lante Vase passed through several hands, including Giovanni Volpato, Colonel John Campbell and finally to the Duke of Bedford who purchased it in 1800 from Campbell’s (then Lord Cawdor) estate. A monumental cast iron copy appears in the 1858 catalogue of Barbezat & Cie, Haut-Marne, and it continued to be manufactured by their successor, the Val d'Osne Foundry, into the 1870s. Barbedienne's copy appears in his 1888 catalogue as “Cratere” (Vase Consacre a Bacchus) in seven different sizes (the present lot conforming to the one-third reduction).

203

Italian Rococo Silvered and ParcelGiltwood Console Table

18th century, the faux marbre top over a carved frame with a shield-form cartouche in the front apron, raised on cabriole legs ending in scrolled toes. h. 34-1/2”, w. 47”, d. 22-1/2”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

204

Pair of Unusual Italian Faux Marbre Walnut Urns

the carved ovoid urns on turned bases and rectangular plinths, now with wellexecuted faux marbre painting. h. 23-1/2”, w. 19-1/4”, d. 12-1/4”

$1,400-$1,800

205 Continental School (ca. 1800)

“The Cherry Thief” oil on canvas unsigned. Framed.

29-1/2” x 39-1/4”, framed 36” x 46”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

206 Continental School (19th Century)

“Still Life of Fruit” oil on canvas Framed.

27” x 55”, framed 39-1/2” x 67-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

207

Eleven Neapolitan Creche Figures

18th/19th century, composed of painted wood and terracotta, the stuffed bodies on a wire structure, dressed in colorful, handstitched clothes, some elements likely original, the largest figure dressed in an olive green tunic and breeches, with a pleated shirt, attributed to the School of Giuseppe Sanmartino (Italian, 1720-1793), h. 19-3/4”, w. 9”, d. 6-1/4”, along with nine other examples, including figures of Joseph and Mary and wise men, h. 13-3/4” to 15-1/2”, w. 4” to 6”, d. 3-1/2” to 3-3/4”, on later painted wooden stands.

$1,500-$2,500

208

Pair of Venetian Polychrome and Parcel-Gilt Stools

late 19th century, each with a padded seat on a carved frame with foliate decor, the cabriole legs with shell-carved knees. h. 20”, w. 23”, d. 15”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

209

Pair of Monumental Chinese Export Porcelain Ginger Jars

19th century, in the famille rose palette, with lotus knops, the covers and bodies decorated with gilt-trimmed peonies and phoenix birds, with pink diapered borders, accented with floral panels.

h. 25”, dia. 10-1/4”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

210

Italian Rococo Painted, Parcel-Gilt and Marble-Top Commode

18th century, the conforming Trets marble top over a dentillated carved frieze molding, the case fitted with three graduated long drawers, each with carved and gilded details, raised on turned and fluted legs. h. 37-1/2”, w. 50-1/2”, d. 24”

$4,000-$7,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

211

Rene Lalique Crystal “Ormeaux” Bowl

ca. 1931, the molded and frosted Art Deco low bowl decorated with overlapping leaves, signed “R. Lalique France” in etched block print letters.

h. 2-1/2”, dia. 12-1/2”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

212

Pair of Lalique “Bagatelle” Molded and Frosted Crystal Vases

20th century, French, molded with birds on a foliate ground, the bases signed “LALIQUE, FRANCE”. h. 6-3/4”, dia. 4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

213

Pair of Contemporary Chinese Export Bottle Lamps

with a crackled celadon glaze, raised on ebonized, carved wood bases, fitted with lampshades. h. 35-1/2”, dia. 11-1/4”

$1,000-$1,500

Provenance: Private Collection, Laguna Beach, California.

214

Chinoiserie White Porcelain Figure

20th century, the seated male figure dressed in a wide collar, sitting with his legs crossed, delicately holding a bird. h. 21”, w. 10”, d. 10”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

215 Pair of Pottery Lamps of Chinese Inspiration

the tapered square lamps decorated with gilt wolves grasping tendrils of vines in their mouths and elephant-head handles, set with mahogany lids and bases, and fitted with custom Denning & Fourcade pleated and fringed lampshades. h. 31”, dia. 14-1/2”

$1,000-$1,500

216

Pair of Chinese Porcelain Phoenix

ca. 1900, in the famille rose palette, with green bodies, the lower portions molded with peonies, the bases with impressed character marks. h. 16”, w. 5”, d. 4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

217

Pair of Chinese Porcelain Phoenix

ca. 1900, in the famille rose palette, with green bodies and rosecolored crests and combs, the bases molded with flowers, with impressed character marks. h. 11-1/2”, w. 3-1/2”, d. 3-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

218 French Fin-de-Siecle Bronze and Tortoiseshell Box

third quarter 19th century, in the Louis XV taste, the hinged cover with corner mounts of scrollwork and flower heads, the corners with scrollwork terminating in paw feet, the front skirt with rococo mounts, the interior lined with silk. h. 4-1/5”, w. 14”, d. 9-1/2”

$1,400-$1,800

219

Pair of French Gilt-Bronze Candlesticks

19th century, in the Directoire taste, the candle cups molded with leaves and berries, over tapered and fluted standards, the bases with matching leaves and berries framed with beading. h. 8-1/4”, dia. 3-3/4”

$500-$800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

220

French Gilt-Bronze and Cut Crystal Centerpiece

third quarter 19th century, the trumpet-form center vase cut with stars and panels, engraved with swags of flowers and ferns, supported over a gilt-bronze, leaf-molded and fluted stand, with medallion-molded handles on each side, the mirrored base with an acanthus-molded bezel and reeded handles, raised on scrolled feet. h. 18”, w. 14-1/2”, d. 12-1/4”

$1,000-$1,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

221

Pair of French Belle Epoque Gilt-Bronze and Marble Garniture Urns

ca. 1900, with cone-form knops and rocaillemolded bronze necks, the marble bodies with mounts of torches framed with laurel wreaths, set with reeded handles on lion’s-head masques. h. 18-1/4”, w. 7-1/4”, d. 6-1/4”

$1,000-$1,500

French Painted and Parcel-Gilt Trumeau Mirror

ca. 1800, the upper tablet decorated with carved and pierced giltwood appliques depicting garden elements, framed with cornucopias and scrollwork, the two-part mirror plate surround decorated with ribbon-wrapped, reed-carved bellflowers and beading on a gray ground, the corners carved with medallions.

h. 90-1/2”, w. 33-1/4”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

223

Italian Rococo Fruitwood and Walnut Armchair

18th century, the shaped and carved crest rail above a pierced figure-eight splat, the down-curved arms with acanthus-carved hand grips, raised on cabriole legs, pegged construction.

h. 36”, w. 25”, d. 21”

$800-$1,200

224

Henri Decaisne (Belgian, 1799-1852)

“La Lettre”, 1846 oil on canvas signed and dated mid right. In an antique oval frame. 29” x 24”, framed 39” x 35”

$1,200-$1,800

225

Louis XVI-Style Giltwood and Marble-Top Center Table

early 20th century, the rectangular inset marble top within a rope-twist-carved frame, over a ribbonand floral-carved frieze and swags of garland below, raised on turned and carved legs joined by a curved stretcher and centered with an urn-form finial. h. 31-1/2”, w. 40”, d. 24”

$1,500-$2,500

226

Three-Piece Gilt-Bronze Clock Set

contemporary, in the Louis XV taste, the clock with a pierced finial and enamel dial, richly decorated with scroll and rocaille work, the sides molded with shells, h. 16-1/2”, w. 9-1/4”, d. 6”, and the pair of matching five-light candelabra with removable flame finials in the center sockets, h. 20-1/4”, dia. 9-1/4”.

$1,200-$1,800

227

Pair of French Walnut Footstools

19th century, the padded seats over foliate-carved frames, raised on cabriole legs with bellflower-carved knees and ending in scrolled toes. h. 20”, w. 19”, d. 19”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

228

Pair of English Decalcomania Blown Glass Vases

19th century, decorated in the chinoiserie style with mandarin figures, ibis in a plum tree, butterflies and vultures, on a pale blue ground, the vases with pontil marks, the covers with ground knops. h. 10-3/4”, dia. 4-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

229

Pair of Reverse-Decorated Decalcomania Glass Vases

19th century, the molded glass vases decorated with mandarin figures, fish, coral, shells and aquatic plants, on a white ground. h. 13”, dia. 6-3/4”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

230

Pair of Decalcomania Vases

ca. 1900, the molded vases decorated in the chinoiserie taste, with mandarin figures, passion flowers, vases of peonies and plum branches. h. 13”, dia. 7”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

231

Pair of French Gilt-Bronze and Cut Glass Figural Boudoir Lamps

19th century, the grape-molded candle sockets set with cut glass drip pans, supported by giltbronze cherubs on vasiform cut glass bases, raised on bronze foliate plinths, fitted with lampshades.

h. 19-3/4”, dia. 5”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

232

French Gilt-Bronze and Cut Glass Vase

20th century, in the Empire taste, possibly Baccarat, the diamond-point cut glass vase with an engine-turned ring and a pierced leaf-molded stand, supported by three gilt-bronze cranes on a tripartite base.

h. 11-3/4”, dia. 4-1/2”

$1,200-$1,800

Provenance: Private Collection, Little Rock, Arkansas.

233

Pair of Giltwood Mirrors in the English Rococo Taste

20th century, each threesection mirror with mirror-inset surrounds carved with scrollwork, accented with rocaille work and strewn with flower heads. h. 62-1/2”, w. 28-1/4”

$2,000-$4,000

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

234 Pair of French Giltwood Wingback Fauteuils

19th century, the molded frames with tall, arched backs, joined to side wings, and the arms with padded elbow rests, with reversible seat cushions, raised on cabriole legs.

h. 42”, w. 32”, d. 28”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

235 Continental Six-Panel Leather Screen

ca. 1900, painted in the Impressionist taste, with a boat in a river, lined with gardens and classical architecture, including a summer house on a rocky promontory. h. 72”, w. 103-1/2”

$2,000-$4,000

Provenance: Private collection, Little Rock, Arkansas.

236

Italian Giltwood Mirror in the Baroque Taste

fourth quarter 19th century, the pierced surround decorated with bold carved and pierced scrollwork, the beveled mirror plate set into rope-twist carving, accented with flower heads. h. 39-1/2”, w. 26-3/4”

$1,000-$1,500

237

Carved Wooden Figure of Apollo

18th century, the kneeling figure dressed in carefully rendered flowing robes.

h. 24”, w. 10”, d. 6-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

238 Italian Tole Chandelier

mid-20th century, the eight-light chandelier set with a profusions of green-enameled tole oak leaves, set with scrolled candle branches.

h. 21-1/2”, dia. 25”

$700-$1,000

239

Pair of Continental Neoclassical Polychrome Commodes

19th century, each with a rectangular top above a conforming case fitted with two drawers, each with a decorative scroll design, the sides en suite, raised on tapered square legs.

h. 32”, w. 21-1/2”, d. 15”

$1,400-$1,800

240

Bronze and Crystal Chandelier in the Empire Taste

the basket chandelier with six electrified interior sockets and eight unelectrified exterior candle sockets, set with molded drip pans, the leaf-molded and pierced corona and matching frame hung with strands of cut glass prisms and buttons, the bottom with a faceted ball finial. h. 32-1/2”, dia. 27”

$1,000-$1,500

241

Framed Neoclassical Wallpaper Panel

19th century, with a flaming brazier in the center, framed with garlands of flowers and arabesque scrollwork, the outer gray surround decorated with scrolls of flowers and gold bellflowers, in a contemporary giltwood frame. h. 37-1/2”, w. 38-1/2”

$1,000-$1,500

242

Pair of English Porcelain Fruit Coolers

first quarter 19th century, possibly Worcester, the Warwick vase-form coolers with carefully rendered floral decoration on a stippled ground, with grape-form knops and handles in the form of twisted grapevines, the upper rim with applied grapes.

h. 10”, w. 12-1/2”, d. 9”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

243

French Neo-Grec Silver-Gilt Wooden Mirror

third quarter 19th century, the crest with an oval roundel decorated with a bas-relief portrait of a nymph, framed with ribbon-bound laurel leaves and sprays of acanthus leaves and flowers, the pulvinated, arched top surround decorated with an incised Greek-key fret. h. 64”, w. 35-1/4”

$1,000-$1,500

244

19th century, the Baroque-style candlesticks with fluted drip pans and vasiform standards carved with bold scrollwork and bellflowers, on square bases, fitted with lampshades. h. 23-1/2”, w. 9-1/2”, d. 5”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair of Italian Silvered Giltwood Candlestick Lamps

245

Venetian Polychrome and Faux Marbre Commode

18th century, of bombe form, with three conforming long drawers, each with painted floral sprays and carved giltwood panels.

h. 34”, w. 52”, d. 23”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

246 Pair of Hoechst Faience Tulipieres

ca. 1746-1796, the fan-form three-nozzel tulipieres decorated with seaside scenes, the front with molded gilt-trimmed pilasters, the tapered bodies painted with scattered flowers, with gilt Hoechst hand-painted marks, as well as impressed marks. h. 7”, w. 5”, d. 2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

247

18th century, in two parts, the upper case with a molded and parcel-gilt overhanging cornice, above a straight frieze with an applied giltwood ornament, over four open shelves flanked by faux marbre pilasters with giltwood capitals, the base with a pair of cabinet doors flanked by inset faux marbre panels, the side ends of the upper case with open shelves, and the side ends of the base fitted with cabinet doors.

h. 97”, w. 69”, d. 19”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Italian Neoclassical Polychrome and Parcel-Gilt Breakfront

247

248

Pair of Large Italian Giltwood Reliquaries

ca. 1800, the upper portion decorated with pierced giltwood scroll and rocaille work, the opening set with glass, on sheaf-of-wheat-form standards, raised on stepped bases. h. 28”, w. 11-1/2”, d. 6”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

249

Pair of Large Italian Giltwood Altar Stick Lamps

early 19th century, now mounted as lamps, the reeded drip pans resting on vasiform standards, decorated with carved leaves, on flower-carved supports, the tripartite bases carved with scrollwork and acanthus leaves, raised on carved ball feet and fitted with lampshades. h. 34-3/4”, dia. 9-3/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

250

Unusual Belle Epoque Tortoiseshell and Gilt-Bronze Encrier

ca. 1900, veneered in tortoiseshell, the upper edges with brass trim, set with a pair of gilt-bronze rococostyle inkpot holders, the serpentine front set with a deep pen rest and a shaped skirt. h. 4-1/2”, w. 11-3/4”, d. 8”

$1,400-$1,800

Provenance: Private Collection, Little Rock, Arkansas.

251

Green-Dyed Tortoiseshell and Abalone Tea Caddy

19th century, the body decorated with abalone, accented on the foot rim and cover panel with green-stained tortoiseshell, the interior with matching covers and remnants of foil lining. h. 5-1/4”, w. 7-3/4”, d 4-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

252

KPM Porcelain Portrait Plaque of “Daphne”, Signed “Lauterbach”

ca. 1900, after Sir Hubert von Herkomer (British, 1849-1914), the luminous, pre-Raphaelite-style plaque depicting the nymph Daphne, wearing a laurel wreath, signed “Lauterbach” lower right, impressed with both “KPM” and the scepter mark, as well as hand-incised numbers, and a partial label from a Munich framer, presented in a gilt oak frame in the rococo taste. Plaque h. 10-1/4”, w. 7-1/2”; overall h.16-3/4”, w. 14-1/4”

$1,400-$1,800

253

Carved Giltwood Swag

18th century, bound with ribbons, the swag carved with various flowers and laurel leaves. h. 9-1/2”, w. 35”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

254

French Belle Epoque Marble Bust of Marie Antoinette

fourth quarter 19th century, with flowers in her hair, wearing a locket depicting Louis XVI, on a variegated marble turned socle.

h. 23-3/4”, w. 15”, d. 9-1/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

255

Louis XV Parcel-Giltwood Barometer

fourth quarter 18th century, decorated with carved and parcel-giltwood on a green ground, the neck set with a thermometer, with a pierced bowknot-carved crest, the sides with swags of fruit, the circular dial in the base, labeled “Bernard, Opticien a Pravins”, framed in rocaille work, the drop panel below carved with flowerheads and acorns.

h. 37-1/2”, w. 11-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 254

256

Pair of Giltwood and Marble-Top Console Tables

19th century, each with an inset marble top over an ogee-form frieze and pierced apron below, mounted to a cabriole leg standard with three outstretched legs. h. 35”, w. 24”, d. 15”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

257

Italian Baroque Painted and Parcel-Gilt Supraporte

18th century, framed with bold, carved and pierced bluetrimmed scrollwork, the heart-shaped scroll enclosing the pulvinated central panel painted with blue and tan faux marbre.

h. 24-1/2”, w. 58-1/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

258

Hand-Carved Pine Bust of Julius Caesar

ca. 1800, the youthful Caesar modeled with a wreath on his head, on a faux marbre, turned wood socle. h. 13-1/4”, w. 7”, d. 5-1/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

259

Pair of Signed Polychrome Delftware Covered Vases

ca. 1700, possibly Gerrit Pietersz Astonne, the covers with bird knops, over the inverted pear-form urns decorated with peacocks, framed in scroll and rocaille work, and scattered with flower heads.

h. 14-1/2”, w. 5-3/4”, d. 4-3/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

260 Italian Carved Giltwood “Rod of Asclepius”

18th century, the rope-twist finial atop the carved staff, wound with a serpent, the rod emanating from a sphere, resting on a carved outcropping accented with leaves. h. 30”, w. 14”, d. 9-1/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

261

Pair of French Gilt- and Patinated Bronze Lamps

third quarter 19th century, the Neo-Grec standards with gilt-bronze faux neoclassical oil lamps, supported on “rustic” standards wrapped with serpents on masquemolded fittings, the cylindrical patinated bronze bases with bas-relief molding of classical figures, fitted with lampshades.

h. 32-1/2”, dia. 17”

$900-$1,200

Provenance: Private Collection, Little Rock, Arkansas.

262

Exceptional Italian Painted, Parcel-Gilt and Marble-Top Commode

18th century, the conforming Saint-Anne Grand Dessin marble top over two long drawers, adorned with floral garland swags and beaded edges, raised on turned and fluted legs.

h. 35-1/2”, w. 45”, d. 21”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

263

French Painted Terracotta Bust of Marie Antoinette

ca. 1900, after Augustin Pajou (French, 1730-1809), her hair tied with a large bow in the back, dressed in a flowing gown, on a tapered square socle. h. 15”, w. 8-1/2”, d. 4-1/2”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

264

Early Pair of Tole Peinte Verrieres

ca. 1800, each with scalloped rims and Japanned panels of raised gilt chinoiserie decoration on a white ground, the teal bodies set with side handles. h. 4-3/4”, w. 12-1/2”, d. 7-3/4”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

265

Impressive Pair Giltwood Neoclassical Columns

ca. 1800, the Ionic capitals over spiral-reeded standards, on turned and coved bases, now raised on contemporary white-painted wooden plinths. overall h. 83-1/4”, w. 15”, d. 15”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

French Gilt-Bronze and Cut Glass Garniture Urn

20th century, probably Baccarat, the urn with strawberry and fan cutting, with an engine-turned bronze rim, handles decorated with Dionysian masques set with running grapevines and raised on a bronze acanthus-molded base. h. 15-3/4”, dia. 9-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

267 Cut Glass and Bronze Dore Centerpiece

20th century, in the Empire taste, the diamond-point cut glass bowl set with a gilt-bronze engine-turned rim, on a bronze dore base composed of four tapered legs, set with lion’s heads grasping rings, terminating in paw feet, stamped “Made in Austria”. h. 8-1/4”, dia. 7-3/4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

268

Russian Icon, The Nine Martyrs of Kisik

the silver riza marked Moscow 1816, assayer Ivan Ivanovich Vikhlyaev, unidentified maker “MIT”, the group looking heavenward to Christ Pantokrator, holding the gospel and blessing them, richly colored and detailed, with gilt Slavonic inscription, the riza with concentric floral borders h. 8-7/8”, w. 7-1/2”

$1,500-$2,500

Provenance: Christie’s London “Russian Pictures and Works of Art”, November 27, 2008, sale 5407, lot 607; Private collection, New Orleans, Louisiana.

269

Pair of Napoleon III Bronze Candlesticks

third quarter 19th century, French, the inverted bell-form candle sockets fluted and molded with laurel leaves, to vasiform standards decorated with monopodia, the goddess heads on scrolled supports, accented with swags, the bases fluted and trimmed with guilloche borders. h. 12-1/4”, dia. 6”

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

268 verso

270

French Louis Philippe Giltwood Mirror

mid-19th century, in the rococo taste, the arched crest with an anthemion-decorated cartouche, framed with rocaille work and set into pierced scrollwork and flower heads, the pulvinated surround with a beaded liner and mirror plate. h. 66”, w. 32-1/2”

$1,000-$1,500

271

18th century, the arched back and arms with a swirl gadroon-carved pattern, the padded slip seat fitted into a chip-carved seat frame, raised on stop-fluted, tapered circular legs. h. 42”, w. 28”, d. 24”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Fine Pair of Louis XVI Giltwood Fauteuils

272

Samson Porcelain Lamp

19th century, decorated in the famille rose palette with diapering and scattered flowers and scrollwork, fitted with a shade. h. 26”, w. 11-3/4”, d. 8”

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

273

Paul Lucien Maze (French, 1887-1979)

“Still Life with Yellow Flowers” pastel on paper signed lower right. Framed.

sight 21” x 29”, framed 31-1/4” x 39”

$1,000-$1,500

274

Porcelain and Gilt-Bronze Lamp

19th century, Franco-Chinese, the celadon green body with patesur-pate decoration of sprays of flowers, the foo dog handles above gilt-bronze ribbon-bound rings, on a bronze cove-molded base with pierced guilloche decoration and block feet, fitted with a shade. h. 31”, dia. 17”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

275

Rare Paris Porcelain Jardiniere and Stand

19th century, the Rococo Revival jardiniere decorated with scrollwork, leaves and flowers, with distinctive shellform handles, the sides with panels of courting couples in 18th-century costume, in Arcadian landscapes, on a pale blue ground, each piece with Edouard Honore’s stenciled mark. h. 8-3/4”, w. 18-1/4”, d. 8-1/2”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

276

the crest with a central urn framed with delicate pierced scrollwork and side finials, the surround with a pair of Corinthian faux marbre pilasters, the base with a finial and leaves, set with a beveled mirror plate. h. 57-1/2”, w. 28-1/2”

$1,000-$1,500

Italian Giltwood and Faux Marbre Mirror

277

Pair of Italian Creamware Urns

20th century, the urns with pierced rims, the sides decorated with applied putti bearing flowers, standing on a rim of sculpted roses.

h. 10-1/4”, dia. 7-1/4”

$700-$1,000

278

Set of Ten Paris Porcelain Dinner Plates

mid-19th century, with seafoam green borders, accented with gilt lancet inner borders. dia. 9-1/2”

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

279

Jean (PAL) Paleologue (French, 1855-1942)

“Theatre du Palais Royal - Les Fetards”, ca. 1897 lithograph in colors

Glazed and framed.

sight 31” x 23-1/2”, framed 33” x 25-1/2”

$1,000-$1,500

280

Jules Cheret (French, 1836-1932)

“Grands Magasins du Louvre”, 1897 lithograph in colors

Glazed and framed.

sight 47-3/4” x 33”, framed 51-1/2” x 37”

$1,200-$1,800

281

Jules Cheret (French, 1836-1932)

“La Tzigane”, 1877 lithograph in colors poster for the Parisian premier of the comic opera “La Tzigane”, a slightly modified version of Johann Strauss’s “Die Fledermaus” which had received unenthusiastic reviews following its Viennese run. Matted, glazed and framed.

sight 31-1/2” x 23-1/2”, framed 32-1/2” x 24-1/2”

$1,000-$1,500

282

Jules Cheret (French, 1836-1932)

“Theatre de L’Opera” lithograph in colors Glazed and framed. sight 15-1/4” x 11”, framed 17” x 12-3/4”

$1,000-$1,500

283

Contemporary Gilt-Metal, Giltwood and Glass Chandelier

the six-light chandelier with a scrolled frame supporting circular candle holders, hung with large glass bubble drops, the interior with swags of glass beads supporting additional drops.

h. 34”, dia. 33-1/4”

$1,000-$1,500

284

Pair of Large Denning & Fourcade-Upholstered Stools

ca. 1900, in the Regency taste, the saddle seats covered in Aubusson tapestry with rope-twist trim, the sides upholstered in green silk, on gilt-bronze paw feet with acanthus-molded brass nail heads.

h. 13-1/2”, w. 24-1/4”, d. 18”

$1,200-$1,800W

285

Collection of Coalport “Jade” Pattern Dinnerware

20th century, the collection including two dinner plates, dia. 10-3/4”, twelve salad/dessert plates, dia. 7-3/4”, and twelve bread and butter plates, dia. 5-3/4”, each piece marked.

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

286

Large Mason’s Ironstone Lamp

second quarter 19th century, transfer-printed in the chinoiserie taste with flowers, vines and pagodas, with cobalt chinoiserie gilt-trimmed handles, fitted with a custom Denning & Fourcade pleated and ruffled lampshade. h. 47”, dia. 23”

$1,000-$1,500

Provenance: Valerie Howard Antiques, London, England.

287

Unusual

English Pottery Garden Seat

19th century, the barrel-form seat with a pierced top, decorated with raised cream-colored leafy scrollwork on a seafoam green ground. h. 19-1/2”, dia. 14”

$1,000-$1,500

Provenance: Valerie Howard Antiques, London, England.

288

Collection of Five German Hand-Colored Copperplate

Botanical Engravings

after Basilius Besler (1561-1629), from the Hortus Eystettensis, including:

“Frittillaria”

“Maleagris Flos Maximus”

Fritillaria Polyanthus Lutea”

“Iris Bulbosa Flore Luteo”

“Tordilion Creticum”

Matted, glazed and framed alike. each sight 19-1/8” x 16”, framed 27-3/4” x 24”

$1,000-$1,500

289

Suite of Eight French Provincial Fruitwood and Polychrome Chairs

early 20th century, each with an oval splat centered by a carved cluster of grapes and leaves, and a woven rattan seat, comprised of two armchairs, h. 40”, w. 23”, d. 21”, and six side chairs, h. 36”, w. 18”, d. 17”.

$1,400-$1,800

290

French Provincial Scrubbed Pine Buffet a Deux Corp

18th century, the removable conjoined scroll-carved pediment over a pair of shaped and carved panel doors, the base with a stepped front edge and two similar paneled doors below. h. 95”, w. 58”, d. 19”

$1,200-$1,800

Provenance: Estate of Violeta Judell Van Ronzelen, New Orleans, Louisiana.

291

Two Pieces of Herend Porcelain

20th century, in the “Rothschild Bird” pattern, including a soup tureen, h. 11”, w. 14-1/4”, d. 9-1/2”, and an oval platter, w. 12-3/4”, l. 16-1/2”.

$700-$1,000

292

Pair of Herend Porcelain Cake Plates

20th century, the handled plates in the “Rothschild Bird” pattern. w. 12”, d. 11-1/2”

$500-$800

293

French Provincial Fruitwood Bonnetiere

18th century, the deeply molded removable cornice above a fan-carved frieze and triple-paneled door below. h. 91”, w. 33”, d. 21”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

294

Vietri “Foglia Stone” Green Pottery Tableware

Italian, the collection including three graduated dessert stands, h. 4” to 6”, dia. 9” to 12-1/2”, two footed bowls, h. 4”, dia. 8-1/4”, a flat bowl, h. 3-3/4”, dia. 2-1/2”, and a circular serving dish, dia. 13-1/4”.

$600-$900

295

Five-Piece Crewelwork Salon Suite

20th century, including a barrel-back club chair with two bolsters, h. 29”, w. 32”, d. 33”, an ottoman, h. 16”, w. 30”, d. 19”, a cube-form stool with a tufted seat, h. 20”, w. 18”, d. 18”, and a pair of side chairs, each with a pillow, h. 36”, w. 19”, d. 20”.

$1,500-$2,500

18th century, the top with stunning book-matched veneers, folding open to an interior with a fold-down front and three drawers along the back, the writing surface and lid interior with kingwood and olivewood diamond-pattern inlays, the kneehole with a recessed cabinet and flanked by two drawers to each side, raised on cabriole legs ending in gilt-bronze sabots. h. 34-1/2”, w. 46”, d. 26”

$1,800-$2,500

Dramatic French Oyster Burl and Kingwood-Inlaid Lady’s Writing Desk

297

Mason's Ironstone Lamp

second quarter 19th century, in the “Prunus Bush” pattern, the vasiform jar with a domed cover, mounted with dolphin handles, the clobbered decoration executed in various shades of orange and green, fitted with a Denning & Fourcade custom pleated lampshade with pink flounces. h. 28”, dia. 22”

$1,000-$1,500

Provenance: Valerie Howard Antiques, London, England.

298

Pair of Majolica Cachepots

ca. 1900, in the Art Nouveau taste, the polychrome cachepots molded with stylized flowers and scrollwork, with turquoise interiors, incised “170” on the bottom. h. 7”, w. 8-1/4”, d. 7”

$600-$900

299

Neoclassical Carved Marble Bust on Pedestal

mid-19th century, probably Italian, figure in neoclassical drapery, her hair gathered in a bun, on a cove-carved marble socle, h. 29-1/2”, w. 18-1/2”, d. 8-1/4”, on a later 19th-century ringturned figured marble pedestal, h. 36”, w. 12”, d. 12”.

$1,000-$1,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

300

Pair of French Restauration Bronze Patine and Marble Tazzas

19th century, the kylix-form tazzas with reeded bodies and leafmolded, scrolled handles, on dramatic lotus-molded bases, raised on Seina marble plinths with ogee bronze leaf-molded trim. h. 12-3/4”, w. 9-1/2”, d. 7”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

301

Unusual French Belle Epoque Bronze Dore et Patine Chandelier

fourth quarter 19th century, the six-light chandelier with a patinated bronze turned standard, mounted with gilt-bronze fleurs-de-lis, the bronze arms molded with ribbon-bound, leafmolded arms flaring out to form candle holders, the bottom with molded buds and leaves forming the finial. h. 21-1/2”, dia. 22”

$1,000-$1,500

302

Pair of Large Venetian Ebonized and Parcel-Gilt Pedestals

19th century, each with a demi-oval top above a heavily molded frieze, supported by a shaped back panel and a monumental carved dolphin support to a cove-molded base, the whole with carved accents. h. 50-1/2”, w. 19”, d. 23”

$3,000-$5,000

303

20th century, each with a shell-form carved back and seat, stylized dolphin arms and scrolling conch shell legs.

h. 43”, w. 24”, d. 24”

$1,500-$2,500

Pair of Venetian Grotto-Style Giltwood Armchairs

304

Daniel Webster Whitney (American/New Orleans, 1896-1965)

“The Harbor” oil on canvas signed lower left. Framed.

32-1/4" x 43-1/2"

$800-$1,200

305

Rudolf Plessner (German, 1889-1977)

“Cathedral Square” oil on canvas signed lower left. Framed.

25-1/2” x 36-1/2”, framed

$1,500-$2,500

Provenance: Sold in these rooms, December 9, 2017, lot 455; Private collection, Houston, Texas.

306

G. Otmar (German, 20th Century)

“Nighttime Street Scene”

oil on canvas signed lower left. Framed.

18-1/2” x 27”, framed 24-1/2” x 33”

$2,500-$4,000

307

Raymond Louis Charmaison (French, 1876-1955)

“Le Cirque au Nuit”

oil on canvas signed lower right. Framed.

18-1/4” x 24-1/4”, framed 25-1/2” x 31-5/8”

$1,500-$2,500

308

Eugene Chigot (French, 1860-1923)

“Red Skies at Night”, 1906 oil on canvas signed and dated lower right. Framed.

22-1/4” x 31-7/8”, framed 30-1/2” x 37-1/4”

$1,500-$2,500

Provenance: Private collection, Houston, Texas.

Eugene Chigot had many mentors throughout his lifetime, including his father, Alphonse Chigot, and Alexandre Cabanel at the Ecole des Beaux-Arts, who influenced his career. However, he would go on to buck the traditionalism that he had been taught by cultivating his own, unique style, as well as become an active participant in the artist community of turn-of-the-century France. Whilst Chigot is not regarded as a radical artist, his work did flirt with Modernism and postImpressionism, reflecting the restlessness of the Belle Epoque, and he did encourage the changing tides of fine art in Paris.

These preoccupations would also lead Chigot to actively participate in the founding of the Salon d’Automne in 1903, an annual art exhibition in Paris that is still popular today. The new exhibition showcased the developments of early 20th century art and received strong support from artists across France. Paul Cezanne and Auguste Rodin participated in the inaugural exhibition, and Chigot would submit his own work in 1905, the same year that Fauvism was introduced. The Salon d’Automne was a reaction to the conservative principles of the Paris Salon, the dominant exhibition at the time, and encouraged more radical artists to come forward, forever changing the course of art history.

In these ways, Chigot left an indelible mark on the art history canon. By resisting traditionalism and integrating Modernism into his practice, as well as supporting other artists to do the same, Chigot proved to be more than an academic painter. His work is still widely celebrated, and can be found throughout the permanent and private collections of France, including the Musee d’Orsay.

308

309

Louis XVI-Style Kingwood and Marble-Top Occasional Table

20th century, the circular top with an inset marble panel, above a chevron-veneered frieze fitted with a single drawer, joined to a lower sunburst-inlaid frieze by banded, tapered square legs ending in brass caps. h. 29”, dia. 23”

$1,000-$1,500

Provenance: Royal Antiques, New Orleans, Louisiana.

310

French Polished Bronze Chandelier

20th century, the six-light chandelier with a standard cut as leaves, the scrolled, leaf-molded branches terminating in pierced rocaille-molded shade holders, set with frosted glass floriform shades, with a lower scrolled finial accented with cast leaves and berries. h. 33”, dia. 22-3/4”

$800-$1,200

311

Three French Gilt-Brass Jewel Caskets

ca. 1900, one example with an enamel plaque of a young woman in Renaissance dress, with a mother-of-pearl hair ribbon, on a molded ground, the paneled surround with bellflowers, the sides with arabesque scrollwork, with a watered silk interior, h. 3-1/2”, w. 8”, d. 7”, another serpentine example with a cover with a portrait of Napoleon framed in scrollwork, the sides with anthemia and cornucopias, with a red velvet interior, h. 2-1/2”, w. 6-1/4”, d. 4-1/2”, and the oblong example with an oval miniature of peasants in a farmyard, with laurel-framed mother-of-pearl panels on each side, with acanthus-molded edges and fluted and beaded sides, the interior lined with silk tapestry, stamped “France” on the bottom, h. 2-3/4”, w. 9”, d. 4”.

$1,000-$1,500

312

French Gilt-Bronze and Mother-of-Pearl Miniature Cheval Mirror

ca. 1900, the arched-top beveled mirror with an anthemionmolded surround and a pierced crest, the reverse with a portrait, likely depicting the owner, on a stippled ground with an eagle and cornucopia mount, the mother-of-pearl-inset pylon supports with vase finials, the scrolled trestle bases terminating in swan’s heads. h. 11”, w. 7-1/2”, d. 5-3/4”

$700-$1,000

313

Four French Boudoir Objets de Vertu

ca. 1900, the collection including a cylindrical gilt-brass and onyx dresser jar mounted with a portrait of Madame de Pompadour, h. 3”, dia. 4-3/4”, a gilt-brass and cut glass dresser jar mounted with a portrait of Marie Antoinette, stamped “France” on the bottom, h. 3-1/4”, dia. 5-1/4”, a small giltbrass, silk-lined jewel box, the cover with a porcelain plaque depicting Eros, h. 1-1/2”, w. 2-3/4”, d. 3-3/4”, and a guilloche enamel plaque of a lady in 18th-century costume, framed in gilt-brass with a pierced crest, h. 2-1/2”, w. 2”.

$1,000-$1,500

Pair of French Napoleon III Gilt-Bronze Sconces

third quarter 19th century, the cartouche-form backplates mounted with figures of Victory, holding aloft scrolled candle branches set with leaf-molded and fluted candle cups with matching bobeches, the central socket set with a leaf- and scroll-molded pierced prism ring.

h. 24-1/2”, w. 13-1/4”, d. 18-1/4”

$1,800-$2,500 315

Three Paris Porcelain Garniture Vases

second quarter 19th century, the ovoid vases set with lion’s-head handles and decorated on the obverse with panels of characters in 17th-century costume and on the reverse with well-painted “Italian” scenes, raised on gilt paw feet.

h. 10-3/4”, w. 6-1/2”, d. 3” and h. 11-1/2”, w. 7”, d. 3”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

ca. 1800, the pierced crest decorated with scrolling vines carved with leaves, berries and scrollwork, the side arms carved to match, the cove-molded surround carved with lotus leaves, the base with carved scrollwork terminating in foliate medallions.

h. 60”, dia. 33”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

316

Handsome Austrian Giltwood Mirror

316

317

Empire Parcel-Gilt Mahogany and Marble-Top Center Table

19th century, the rectangular Noir Marquina marble top over a straight frieze with carved and gilded bellflowers, raised on carved legs headed by female winged caryatids and joined by a shaped stretcher.

h. 33”, w. 46”, d. 28”

$1,000-$1,500

318

Bronze and Tole Chandelier in the Empire Taste

the six-light chandelier with molded brass chains supporting the black tole bowl, mounted with leaf-molded and scrolled candle branches alternating with pierced mounts of laurel wreaths tied with bowknots, the base with a cone-form finial. h. 23”, d. 20”

$1,000-$1,500

319

Pair of Pietra Dura Specimen Marble Obelisks

the tessellated obelisks inlaid with lapis lazuli, malachite and other various hardstones, on a black marble body.

h. 12-1/4”, w. 4”, d. 4”

$1,000-$1,500

320

Pair of William IV Gothic Revival Bronze and Marble Tazzas

19th century, English, the carefully detailed bronze bowls with pierced Gothic arches and trefoils, over reeded bases, mounted on Siena marble drum-form supports set into bronze Gothic trim on Siena marble square plinths. h. 7-3/4”, dia. 4-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

321 French Belle Epoque Marble Bust of “Flora”

ca. 1900, the goddess of flowers depicted with flowers in her hair and on her clothes, on a gray marble fluted column-form socle.

h. 22-1/4”, w. 15”, d. 8-3/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

322

Pair of Gilt-Bronze and Marble Garniture Urns

third quarter 19th century, decorated with Pan and others dancing in a Bacchanalian frenzy, each with a leaf-molded foot, on carved black marble plinths, over egg-and-dart bronze feet.

h. 12-1/2”, w. 5-1/2”, d. 4-3/4”

$800-$1,200

323

Pair of Iron and Granite-Top Tables

20th century, in the manner of Maison Jansen, each with an inset black granite top and pierced metal gallery, mounted to curule-form legs on each end and joined by a stretcher. h. 28”, w. 26”, d. 14”

$800-$1,200

324

Pair of Empire Gilt and Patinated Bronze Figural Candelabra

ca. 1900, French, each with a central flare finial and three scrolled candle arms set with lotus-molded candle sockets, supported by a Dionysian putto perched on a column-form, engine-turned base with gilt-bronze lotus leaf trim. h. 19-1/4”, dia. 6-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

325

Italian Grand Tour Bronze Figural Brazier-Form Jardiniere

fourth quarter 19th century, after the antique, possibly by Sabatino de Angelis et Fils, the pierced top set with molded handles and supported by three satyrs on paw feet, their tails joining a circular center stretcher. h. 16-3/4”, dia. 9-1/4”

$1,000-$1,500

324

Suite of Eight Baltic Mahogany and Parcel-Gilt Dining Chairs

comprised of a pair of armchairs, h. 35-1/2”, w. 23”, d. 19”, and six side chairs, h. 34”, w. 19”, d. 16”, each with a highly figured mahogany back crest above stylized carved giltwood dolphins, raised on down-curved legs, the seats covered in black leather.

$1,000-$1,500

327 Impressive French Giltwood Pier Mirror

ca. 1800, in the Louis XVI taste, the crest decorated with carved garden trophies against a laurel wreath, with laurel trailing on each side, the giltwood surround with rope-twist trim. h. 69-3/4”, w. 42”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

328

Pair of French Belle Epoque Bronze Dore Chenets

19th century, in the Louis XVI taste, each with a bronze fire pot hung with laurel swags and raised on hoof feet, the side bar molded with Greek “waves”, and set with a molded cone-form log stop, all on a conforming base decorated with laurel on a patine ground, on tapered, fluted and leaf-molded feet. h. 16”, w. 15”, d. 5”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

329

French Bronze Dore et Patine Moderator Lamp

19th century, the gilt egg-and-dart capital molded with stars, over the column-form fluted and stop-reeded standard, with an engine-turned base on a plinth decorated with gilt-bronze ribbon-bound wreaths, the base molding decorated with leaves and flowers, now electrified and fitted with a shade. h. 38”, dia. 18-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

330

Bronze and Marble-Top Gueridon

ca. 1900, in the neoclassical taste, the circular inset verdigris marble top over a medial shelf, raised on three down-curved legs ending in paw feet. h. 30”, dia. 20”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

331

French Gilt-Bronze and Marble Figure of Moliere

19th century, the 17th-century French playwright with a laurel wreath on his head, seated and wrapped in a cloak, a book at his side, on a cove-molded Siena marble base. h. 7-3/4”, w. 3-1/2”, d. 3-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

332

Italian Grand Tour Patinated Bronze Figure of the “Drunken Silenus”

19th century, the figure wrapped in a loincloth, holding aloft a serpent-wrapped oil lamp, on a circular base with incised decoration. h. 14-1/2”, dia. 4-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

333

19th century, the fluted candle cups set with lotus-molded drip pans, supported on leaf-molded branches mounted on Corinthian column-form standards, raised on leaf-molded scroll feet trimmed with shells, on stepped Siena marble plinths divided with leaf-molded bronze ogee molding. h. 28-1/2”, dia. 11-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

334

19th century, the broad, curved back with a central floral and shell cartouche, with a reversible loose seat cushion, raised on short cabriole legs ending in scrolled toes. h. 42-1/2”, w. 29”, d. 24”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas. 333

Pair of French Bronze and Marble Candelabra

French Carved Fruitwood Bergere

335

French Mahogany and Bronze-Mounted Bureau Plat

early 20th century, in the Directoire taste, the top with an inset leather writing surface and banded edge with inlaid bronze striping and trimmed with a bronze molding, one side fitted with a pair of drawers, raised on turned legs with bronze fluting and ending in bronze caps. h. 29-1/2”, w. 51”, d. 28”

$1,200-$1,800

Provenance: Private Collection, Laguna Beach, California.

336

English Giltwood Mahogany Mirror

fourth quarter 19th century, the basket-of-flowers finial framed with a swan’s-neck pediment lined with carved rocaille and scrollwork, with a mahogany-veneered body and sides lined with giltwood egg-and-dart molding, the mirror plate set into giltwood rocaille carving. h. 52-1/2”, w. 37-1/4”

$1,000-$1,500

337

Pair of Monumental Regency Dore et Patine Figural Candelabra

first quarter 19th century, the reeded candle cups supported on leaf-molded and scrolled arms, mounted on Egyptian Revival “priestesses”, in the manner of Thomas Hope (English, 1769-1831), on bases mounted with Egyptian masques and the Goddess Nike, raised on paw feet. h. 25-3/4”, w. 17-1/2”, d. 6”

$1,000-$1,500

338

French Empire Premiere Bronze Dore et Patine Lamp

19th century lamp, in the manner of Claude Galle (1759-1815), the neck decorated with star mounts, the patine body with molded leaves near the top, the base with molded acanthus leaves, on an engine-turned socle, the patine base with a cherub bearing a torch and floating on clouds, fitted with a shade. h. 31-1/2”, dia. 19”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

19th century, mounted with ram’s head and leaf-molded handles terminating in molded anthemia, the bodies with bands of ribbon-bound beading, with a central reeded patine body, on leaf-molded bases raised on square plinths. h. 8-1/2”, w. 4-1/2”, d. 3”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

19th century, the circular top mounted to a central carved and fluted standard, surrounded by three shaped and carved brackets, mounted to a tripodal base with down-curved legs, ending in scrolled toes.

h. 42-1/2”, dia. 18”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

339

Pair of French Bronze Dore et Patine Garniture Urns

340

Dramatic Napoleon III Ebonized and Parcel-Gilt Wooden Pedestal

first quarter 19th century, the flared forms decorated with sepia scenes and famille rose borders, the sides with leafmolded handles and the bases with key-fret trim on a cobalt ground.

h. 8-1/4”, w. 6”, d. 6-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

20th century, each with an inset circular white marble top raised on three legs headed by ram’s heads and joined by a smaller inset circular marble shelf, the legs ending in cast bronze cloven-hoof feet.

h. 28”, dia. 28”

$1,500-$2,500

Pair of Chinese Export Porcelain Bough Pots

342

Pair of French Gilt-Bronze and Marble-Top Gueridons

343

Pair of Franco-Chinese Bronze and Porcelain Candelabra

third quarter 18th century and later, the gilt-bronze molded sockets, bobeches and drip pans set into scrolled arms, mounted on Chienlung garniture vases decorated with mandarin court views, on turquoise-accented panels, with raised trim in the famille rose palette, on pierced gilt-bronze bases.

h. 16-1/4”, dia. 4-3/4”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

344

Custom Contemporary Queen Sleeper Sofa

with upright back and sculpted arms and having three loose seat cushions and three back cushions, the skirt with corresponding pleats, upholstered in Cowtan & Tout coral and pale taupe "Ocelot" fabric, the back and arms trimmed with polished brass nailheads.

h. 39-1/2”, w. 86”, d. 36”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

345

Pair of Large Chinese Rose Medallion Vases

fourth quarter 19th century, with scalloped rims, set with gilt foo dog handles and gilt salamanders on the shoulders, the bodies decorated with panels of peonies, birds and butterflies alternating with panels of mandarin figures, on a ground of gilt with green scrollwork. h. 23-1/2”, dia. 7-3/4”

$1,400-$1,800

Provenance: Private Collection, Little Rock, Arkansas.

346

Pair of Chinese Export Rose Medallion Porcelain Vases

19th century, decorated with panels of mandarin figures alternating with panels of peonies, birds and butterflies, on a gilt ground with green scrollwork, set with gilt salamanders on the shoulders and serving as handles. h. 18”, dia. 7-1/2”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

347

Pair of Chinese Export Rose Medallion Porcelain Vases

fourth quarter 19th century, decorated with panels of mandarin figures and panels of peonies and flowers on a green scroll-decorated gilt ground, with gilt foo dog handles and gilt salamanders on the shoulders.

h. 14”, dia. 6”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 348

348

Pair of French Gilt-Bronze and Crystal Candelabra

20th century, of Louis XIV inspiration, with cut crystal spearpoint finials and three graduated sprays of cut glass swags and drops, above scrolled candle arms terminating in inverted bellform candle sockets and beaded drip pans, hung with swags of cut glass drops, now with removable glass votive holders. h. 28”, dia. 13-1/2”

$1,500-$2,500

Provenance: Private Collection, Little Rock, Arkansas.

349

Italian Pressed Brass and Giltwood Plaque

19th century, the baroque-style pressed brass plaque depicting John the Baptist baptizing Jesus, in a pierced frame decorated with scrollwork and an angel’s-head crest. h. 17”, w. 13”

$1,200-$1,800

350

Empire-Style Mahogany and Ormolu-Mounted Bibliotheque

early 20th century, the peaked pediment above a straight frieze, both with gilt-bronze mounts, over a pair of framed beveled glass doors, flanked by full columns, raised on a stepped plinth base with turned legs, the interior lighted. h. 94”, w. 53”, d. 19”

$3,000-$5,000

Empire-Style Mahogany and Ormolu-Mounted Bibliotheque

$3,000-$5,000

352

Pair of French Bronze Dore et Patine Figural Lamps

19th century lamps, with central flame finials surrounded by scrolled candle arms, decorated with scrollwork terminating in medallions, held aloft by bronze patine cupids holding arrows, balancing on spherules, the engine-turned vasiform standards trimmed with lotus leaves, fitted with shades. h. 32”, dia. 14”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

353

Govert Emmerik (Dutch, 1808-1882)

“Stormy Seas” oil on canvas signed lower left. Framed.

21” x 31-1/4”, framed 33-1/4” x 42-1/2”

$3,000-$5,000

354

Regence-Style Parcel-Gilt Oak and Marble-Top Table

19th century, the shaped marble top with a molded edge, above a conforming shell-centered frieze, raised on large, shaped legs with gilt and foliate accents, joined by shaped stretchers to a central column, modified to be used as a pair of console tables.

h. 30”, w. 64”, d. 52”

$3,000-$5,000

355

French Signed Erard Double-Action Pedal Harp

first quarter 19th century, the main fluted column-form support with crown decoration in the style of Percier et Fontaine, the upper gilt-bronze neck signed “Erard, Facteur de Pianos et Harpes, 13 rue du Mail, Paris”, with a bird’s-eye maple soundboard, h. 67-1/4”, w. 33-1/2”, d. 18-1/2”; together with an American maple, iron and gilt-metal piano stool, made by J. Briggs, Peterborough, New Hampshire, labeled on the bottom, h. 18”, dia. 14-3/4”.

$1,500-$2,500

A nearly identical example is in the collection of the Metropolitan Museum of Art, New York.

first quarter 20th century, in the George II taste, the giltwood carved swan’s-neck pediment set with a leaf-carved finial, the mahogany-veneered surround with crossetted corners, lined with carved giltwood and decorated with leaf-carved, applied leaves and shells, both above and below the mirror plate, the sides with giltwood leaf-carved drops. h. 53”, w. 28”

$1,000-$1,500

fourth quarter 19th century, the crown with a spherical finial, leaf-carved scrollwork supporting the oval frame and a leaf-carved lower edge. h. 15-3/4”, w. 13”, d. 9-1/4”

$1,200-$1,800

Edwardian Parcel-Gilt Mahogany Mirror

357

Italian Giltwood and Silver-Gilt Bed Corona

358

French Restauration Gilt-Bronze and Marble Figural Clock

second quarter 19th century and later, mounted with a figure of Hermes, a dagger in one hand and his signature caduceus staff in the other, straddling a mountain top mounted with the clock, on a cove-molded Siena marble base with a mount depicting putti and war trophies, the corners with ribbonbound feathers and oak leaves, the base with a vigorously molded skirt of scrollwork and leaves, now mounted with late19th-century signed Japy Freres works.

h. 26-1/4”, w. 19-1/2”, d. 6-3/4”

$1,500-$2,500

359

Pair of Impressive Napoleon III Bronze Figural Candelabra

third quarter 19th century, decorated with patinated bronze putti holding aloft gilt-bronze reeded urns set with bouquets of flowers, five set with candle sockets, raised on gilt-bronze bases with guilloche trim and panels of strapwork, on bold bun feet.

h. 28-1/4”, w. 15-1/4”, d. 8”

$1,500-$2,500

Rare Louis XV Kingwood, Tulipwood, Mixed Woods Inlaid and Marble-Top Work Table

18th century, signed by Charles Topino (1742-1803), the circular marble top set within a pierced brass gallery, the case and door with inlaid scenic reserves, the door opening to an interior fitted with three small drawers, raised on slender cabriole legs ending in cast bronze sabots, the underside stamped “C. Topino”. h. 29-1/2”, dia. 12”

$1,200-$1,800

361

of French Gilt-Bronze and Brass Garniture Urns

19th century, the upper brass portion with a pierced gallery over an engine-turned lower portion with satyr-masquemolded handles, on ogee bases supported on engine-turned drum-form plinths with matching foot trim. h. 10-1/2”, dia. 5-1/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

362

early 19th century, in the manner of Thomas Messenger, the tapered and turned candle sockets atop gilt-bronze eagles, perched on spherules, raised above grape-leaf-molded sprays of cut glass prisms, the molded vasiform lower standards supported on lotus leaves, on stepped bases. h. 17”, dia. 4-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Pair

Pair of Regency Bronze Lustres

362

363

Suite of Thirteen William Switzer Parcel-Gilt Dining Chairs

contemporary, labeled, in the Hepplewhite taste, comprised of a pair of armchairs, h. 36”, w. 24”, d. 20”, and eleven side chairs, h. 36”, w. 23”, d. 20”, each with a shield back with a central Princeof-Wales feathers splat and raised on tapered square legs.

$2,000-$4,000

364

Signed Linke French Bronze and Marble Figural Clock

ca. 1900, the patinated bronze figure of Eostre, goddess of spring, with nesting birds and resting on a gilt-bronze case signed by Belle Epoque bronzier Francois Linke (1855-1946), on a carved marble base lined with beading and decorated with an inset panel of bronze grapevines tied with a bowknot. h. 13”, w. 8”, d. 4”

$3,000-$5,000

365

Pair of French Lacca Povera Tole Moderator Lamps

19th century, with black-enameled swan-form handles, decoupaged with military subjects, including Napoleon, raised on paw feet set with swan’s wings, fitted with shades. h. 35”, dia. 18”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

366

Pair of Bronze and Marble-Top Console Tables Attributed to Maison Jansen

20th century, the Neoclassical-style tables each with a D-form marble top with a pierced brass gallery and resting on a threelegged base with lion’s heads and paw feet, joined by X-form stretchers.

h. 34”, w. 30-1/2”, d. 15-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

367

Handsome Neo-Grec Bronze Dore et Patine Banquet Lamp

third quarter 19th century, with a frosted, star-cut ball shade, the wick raised, signed “Merveilleux Odin”, the athenienneform standard with monopodial supports terminating in figures of Victory, joined with X-form stretchers, in a conforming bronze base.

h. 29-1/2”, dia. 6-1/2”

$800-$1,200

368

Bronze and Marble Bust of Napoleon

third quarter 19th century, depicting Napoleon as Consul of France, the back inscribed “Canova 1808”, on a handsome rouge griotte marble base.

h. 23-3/4”, w. 8-3/4”, d. 6-3/4”

$1,000-$1,500

369

French Neo-Grec Bronze and Marble Tazza

third quarter 19th century, the center with a roundel decorated with the profile of a Greek nymph, on a graduated and turned conical base, resting on a black marble plinth, raised on paw feet.

h. 7-3/4”, dia. 8-3/4”

$700-$1,000

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

370

Restauration Bronze and Marble Figural Candlestick

second quarter 19th century, French, the standing bronze patine cupid holding aloft a torch set with a bronze dore standard and engine-turned candle socket, mounted over a rouge griotte marble column-form base with a black marble plinth.

h. 20-3/4”, w. 4”, d. 4”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

371

French Patinated Bronze and Marble “Young Athena”

fourth quarter 19th century, after Etienne Maurice Falconet (French, 1716-1791), the figure seated on a rocky outcropping, holding her bow, on a cove-molded red griotte marble base. h. 10-3/4”, dia. 5”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

372 Tortoiseshell and Ebonized Wood Jewel Casket

19th century, Flemish or Dutch, in the Baroque taste, the ogeemolded cover over a pulvinated body on coved trim, raised on brass paw feet, and set with a pierced escutcheon, the interior lined with watered silk. h. 7-3/4”, w. 13”, d. 10-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

373

Monumental Pair of Bronze Whippets

the carefully modeled dogs poised to run, possibly after a French animalier, on mottled gray, brown and black stone plinths. h. 31-1/4”, w. 44-1/2”, d. 22”

$4,000-$7,000

The same model appears in the Peabody Hotel, Memphis, Tennessee.

374

Suite of Four Mahogany and Parcel-Gilt Armchairs

19th century, probably Baltic, the curved back crest rails with a lyre-and-dolphin-form splat, over round padded seats and raised on down-curved legs ending in carved paw feet.

h. 34”, w. 20”, d. 17”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

375

Pair of French Napoleon III Gilt-Bronze and Marble Candelabra

third quarter 19th century, in the Renaissance Revival taste, the candle cups decorated with beading and swagging, on reeded arms accented with gilt-bronze leaves, hung with bronze chains and balls, the base with three out-curved, reeded giltbronze legs terminating in leaf-molded feet on carved Rouge Griotte marble plinths.

h. 15-1/2”, w. 9-1/4”, d. 5-3/4”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

376

Louis XV-Style Stained Mahogany and Ormolu-Mounted Fauteuil

early 20th century, the carved back frame trimmed in bronze and centered with a gilt-bronze shell cartouche, with a serpentine seat and cabriole legs ending in cast bronze paw feet.

h. 39-1/2”, w. 26”, d. 22”

$800-$1,200

Provenance: Private Collection, Little Rock, Arkansas.

377

Louis XV-Style Kingwood and Ormolu-Mounted Bureau Plat

early 20th century, with a tooled leather inset writing surface, the front fitted with five drawers, the legs with female bronze mounts ending in bronze sabots. h. 32”, w. 64”, d. 35”

$1,200-$1,800

Provenance: Private Collection, Little Rock, Arkansas.

378 Pair of Adam-Style Giltwood Mirrors

late 19th century, the shield-form mirrors with trumpet-form finials, decorated with sprays of flowers and urn finials on each end, supporting swags of giltwood bellflowers, the bases with acanthus-carved, trumpet-form drops framed with scrolls, terminating in medallions, set with beveled mirror plates.

h. 43”, w. 18”

$900-$1,200

379

Terracotta Figural Group of Bacchanalian Putti

probably ca. 1800, in the manner of Clodion (b. Claude Michel, 1738-1814), one wearing a wreath of grapes, feeding grapes to his companion, the reclining putto with a basket spilling grapes, on a molded, circular base, now on a conforming giltwood stand.

h. 14-1/2”, w. 12-3/4”, d. 10-3/4”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

380

French Inlaid Kingwood and Marble-Top Side Table

20th century, of kidney form, the Breche d’Alep marble top trimmed with a stamped bronze rim, over a parquetry-inlaid frieze, raised on cabriole legs ending in bronze sabots. h. 20”, w. 26”, d. 15”

$700-$1,000

Provenance: Private Collection, Little Rock, Arkansas.

381

French Carved Fruitwood Wing Chair

early 20th century, in the Louis XV taste, the crest rail centered by a winged cherub bust, the frame with downswept arms, with a reversible loose seat cushion and raised on short cabriole legs. h. 44”, w. 30”, d. 28”

$1,200-$1,800

Provenance: Private Collection, Little Rock, Arkansas.

382

French Gilt-Bronze, Brass and Crystal Chandelier

first quarter 20th century, possibly Baccarat, the eighteenlight chandelier standard with neoclassical gilt-bronze fittings, clad with ribbed brass, supporting gilt-bronze candle branches fitted with two lights each, on two levels, the turned brass candle sockets set with Baccarat-style molded crystal drip pans, hung with strands of cut prisms from the top to the arms, and swags of cut prisms from each arm, accented with cut glass drops.

h. 35-1/2”, dia. 35-1/2”

$3,000-$5,000

Provenance: Private Collection, Little Rock, Arkansas.

383

384

Pair of French Gilt-Bronze Candelabra

third quarter 19th century, in the Barbedienne taste, the center finials with cranes perched on turtles, a Chinese symbol of happiness and longevity, the anthemion-molded arms supporting candle sockets molded with grapevines on a stippled ground, on coved, circular bases. h. 8-1/4”, w. 7”, d. 3”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

382

383

French Empire-Style Gilt-Bronze and Cut Glass Vase

early 20th century, possibly Baccarat, the diamond-point vase with a molded gilt-bronze rim, supported on three monopodia with “Liberty” heads and hoof feet, on a cylindrical cut glass base trimmed in gilt-bronze engine turning.

h. 15-1/2”, dia. 4-1/4”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

384

385

French Belle Epoque Parcel-Gilt Overmantel Mirror

fourth quarter 19th century, in the Rococo Revival taste, the white-painted back with a giltwood egg-and-dart trim, the mirror plate with a central giltwood cartouche flanking flowers, the surround decorated with carved shells on a stippled ground, and the mirror plate lined with beading.

h. 60”, w. 46-3/4”

$1,200-$1,800

Provenance: Private Collection, Little Rock, Arkansas.

386

Carved, Painted and Parcel-Gilt Wooden Floor Lamp

20th century, the tapered standard decorated with graduated rings of giltwood leaves above three painted and carved angel’s heads, the lower standard carved with fringed swag work and acanthus leaves, the tripartite platform base covered in velvet with brass tacks, raised on giltwood paw feet, fitted with a lampshade.

h. 66”, dia. 18”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas. 385

387

Napoleon III Mixed-Woods-Inlaid and Ormolu-Mounted Sideboard

19th century, the shaped top set with various floral- and parquetry-inlaid panels, the edge framed with cast bronze trim, the front with three inlaid doors and ormolu mounts. h. 41-1/2”, w. 89”, d. 25-1/2”

$1,500-$2,500

Provenance: Private Collection, Little Rock, Arkansas.

388

Pair of Asian Carved Wooden Table Lamps

mid-20th century, the faceted lamps painted with geishas carrying lanterns, men fishing, plum trees and scrollwork, the panels separated by carved giltwood trim, fitted with lampshades. h. 28”, w. 14-1/4”, d. 10-1/4”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

389

Pair of Napoleon III Bronze and Marble Tazzas

19th century, French, the bronze tazza with serpent handles, the bases reeded and molded with lotus leaves, mounted with marble plinths with oval-carved panels, bronze trim and ogeecarved bases. h. 9-1/2”, w. 8-1/4”, d. 6-1/4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

390

French Gilt-Bronze and Cut Glass Trumpet Vase

fourth quarter 19th century, the panel-cut vase set into a bronze stand with a pair of scrolled and winged figures supporting the vase, the circular base molded with ivy on a stippled ground. h. 10”, dia. 3-3/4”

$600-$900

Provenance: Private Collection, Little Rock, Arkansas.

391

French Fin-de-Siecle Bronze Jardiniere

fourth quarter 19th century, the rectangular jardiniere with Greek fret trim around the rim, set with inverted swags of ribbon-bound fruit and laurel leaves, the sides set with bold bronze musical trophies on a black ground, with guillocheframed panels, the base with a pierced, arcaded trim. h. 8-1/4”, w. 18-3/4”, d. 9-1/4”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

390

392

Louis XVI-Style Mahogany, Parcel-Gilt and Marble-Top Table

19th century, the conforming white marble top over a frieze with applied giltwood cornucopias, raised on turned and fluted legs joined by conjoined E-scroll stretchers centered by a carved giltwood finial. h. 32”, w. 54-1/2”, d. 33-1/2”

$1,500-$2,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

393

18th century, in two parts, each section with a curved and carved back centered by a floral spray, each with a reversible loose cushion, raised on short cabriole legs.

h. 35-1/2”, w. 33”, d. 85”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

394

Italian

19th century, set with pierced handles, the oblong urn decorated with carved lotus leaves, horizontal incised reeding and fluting, on a stepped base, now mounted as a lamp with two sockets and fitted with a shade.

h. 35”, dia. 18”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

395

19th century, the upper tier of D-end rectangular shape with a tall raised gallery and brass banding, joined to a lower shelf and a well shelf by lyre-form supports, the whole raised on in-scrolled feet. h. 30”, w. 21”, d. 11-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Louis XV Fruitwood Duchesse Brisee

Carved and Painted Wooden Urn Lamp

Napoleon III Mahogany Tiered Table

393

396 Contemporary Mahogany and Parcel-Gilt King-Size Bed

the broad, arched headboard joined by reeded posts with pineapple finials, the inverted, arched footboard joined by like posts, the rails with applied foliate carvings.

h. 61”, inside w. 78”, l. 84”, outside w. 82”, l. 88”

$1,500-$2,500

397

Pair of Handsome Italian Painted and Parcel-Gilt

Figures of the Angel Gabriel

19th century, set with carved, pierced and parcel-gilt wings, the kneeling angels dressed in flowing gilttrimmed white robes, one holding a giltwood trumpet. h. 20-1/2”, w. 14”, d. 11”

$1,200-$1,800

398

French Lacquered Mahogany and Brass-Mounted Armoire

the molded overhanging cornice above a pair of brassframed mirrored doors, flanked by turned columns and raised on short splayed legs. h. 67”, w. 54”, d. 19”

$1,000-$1,500

399

Pair of French Restauration Bronze and Marble Candelabra

second quarter 19th century, the bronze dore molded candle sockets and drip pans mounted on bronze patine leaf-molded arms, supported on Rouge Griotte marble standards with leaf-molded bronze dore fittings, on scrolled, leaf-molded patine feet, a dore pineapple in the center, all on a tripartite platform base. h. 22”, dia. 8-1/2”

$1,000-$1,500

400

Pair of French Bronze Dore et Patine Cassolettes

19th century, in the Gothic Revival taste, with reversible covers, one side with reeded candle cups and the other side with cone-form knops, the patinated bodies with Gothic pierced trim and handles molded with quatrefoils, the bases with pierced quattrefoil mounts and Gothic-arch-molded base trim.

h. 15-3/4”, w. 4-3/4”, d. 4-1/4”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

401

Fine Regency-Style Figured Mahogany and Parcel-Gilt Extension Dining Table

20th century, the circular top with rosewood banding and gadrooned edge, opening to accept three 24” skirted leaves, mounted to a faceted pedestal and incurved platform base with scrolled feet.

h. 30”, dia. 72”, ext. l. 144”

$3,000-$5,000

402

French Cut and Molded Crystal Chandelier

first half 20th century, possibly Baccarat, the eight-light chandelier with a standard clad with vasiform cut glass, set with prism rings, the glass rope-twist scrolled arms set with cut glass prism rings, hung with swags of prisms and cut glass bell-form drops, a cut crystal ball finial in the center. h. 49”, dia. 38-1/2”

$1,500-$2,500

403

Italian Neoclassical Giltwood Mirror

ca. 1800, the pierced crest with a bowknot supporting an oval panel decorated with a rose, framed with laurel leaves on fluted blocks, the surround with a beaded liner securing the beveled mirror plate, the lower edge decorated with rings holding carved swags of laurel leaves, the center with roses. h. 43-3/4”, w. 26-1/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

404 Large Handsome Carved Giltwood Urn

19th century, in the neoclassical taste, the upper portion carved with bold acanthus leaves, over a turned and fluted base.

h. 18-1/4”, dia. 13”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

405

Pair of Handsome Italian Giltwood Sconces

ca. 1800, the beaded oval backplates decorated with classical goddesses leaning on columns, set with leaf-carved crests, the lower portions with leaf carving, supporting scrolled, leafcarved candle branches terminating in conical drip pans and pricket candle holders. h. 24-1/2”, w. 10-1/4”, d. 5-3/4”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

406

Monumental Italian Baroque Faux Marbre and Silver Gilt Mirror

fourth quarter 18th century, with a reverse serpentine crest, with broad plains of rosso antico faux marbre, trimmed in silver gilt, on a painted base, set with an antique mirror plate. h. 110”, w. 85”

$1,500-$2,500

407

Pair of Italian Renaissance-Style Giltwood Savonarola Chairs

19th century, the frames exuberantly carved with griffins, flowers and cherub busts, the curved arm supports with male caryatids, the legs ending in carved paw feet, the padded backs and seats in painted leather with angelic cherub scenes.

h. 39”, w. 28”, d. 21”

$3,000-$5,000

408

Ben (Benjamin) Foster (American/Maine, 1852-1926)

“Vista Through the Pine Trees”

oil on canvas

verso with “Grand Central Galleries, New York, New York” exhibition label and an original hand-inscribed label with artist name and title. Framed.

24” x 24”, framed 27-1/2” x 27-1/2”

$1,500-$2,500

Provenance: Grand Central Galleries, New York, New York.

409 M. de Forest Bolmer (American/New York, 1854-1910)

“Coastal Landscape” oil on canvas signed lower right. Glazed and framed. 11” x 15”, framed 20-1/2” x 24-1/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

410 Pair of Directoire Gilt-Bronze Figural Candlesticks

ca. 1800 and later, now mounted as lamps, the sockets molded with delicate anthemia, each standard in the form of a classical nymph, on a base molded with lotus leaves, now on faux marbre wooden plinths, fitted with lampshades. h. 28-1/5”, dia. 12”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

411 Turkish Oushak Carpet

8’ 9” x 12’ 2”

$1,500-$2,500

412 Semi-Antique Silk Qum Carpet

11’ 10” x 18’ 1”

$4,000-$7,000

413

Semi-Antique Heriz Carpet

7’ 1” x 12’ 9”

$1,800-$2,500

414

Semi-Antique Tabriz Silk Carpet

9’ 6” x 14’

$4,000-$7,000 413

415

Semi-Antique Heriz Carpet

$3,000-$5,000

416

Pair of Semi-AntiqueTabriz Silk Carpets

4’

$1,500-$2,500

9’ 10” x 12’ 7”

x 6’

417

$15,000-$25,000

Antique Farahan Sarouk Carpet

10’ 3” x 16’

2SESSION SUNDAY, MARCH 30

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.10 carats in total. inside circumference 6-1/2”, total weight 12.0 grams

$2,500-$4,000

14k yellow gold, the band mounted with round brilliant-cut diamonds weighing approximately 5.20 carats in total. size 6, total weight 4.7 grams

$6,000-$9,000

Diamond Bangle Bracelet

419

Diamond Eternity Band

420

Pair of Diamond Earrings

14k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.80 carats in total. l. 1-3/4”, total weight 4.3 grams

$1,400-$1,800

421 Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.50 carats in total. inside circumference 6-3/4”, total weight 4.9 grams

$1,500-$2,500

approximately 10.00 carats in total. l.

total weight 16.7 grams

$8,000-$12,000

423

14k yellow gold, each mounted with round brilliant-cut diamonds weighing approximately 1.10 carats in total. size 6-3/4, total weight 5.5 grams

$1,500-$2,500

Diamond Necklace

14k yellow gold, the necklace mounted with round brilliant-cut diamonds weighing

16”,

Two Stackable Diamond Bands

424 Diamond Flower Pendant Necklace

14k yellow gold, the necklace with a fixed flower pendant, mounted with pear-cut diamonds weighing approximately 0.60 carats in total.

l. 16”, total weight 1.9 grams

$900-$1,200

425 Pair of Diamond Huggies

14k yellow gold, the huggies mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total.

l. 5/8”, total weight 4.1 grams

$1,500-$2,500

14k yellow gold, the necklace mounted with quatrefoil-shaped fixed pendants, each set with round brilliant-cut diamonds weighing approximately 0.50 carats in total.

adjustable l. 14”-15”-16”, total weight 2.6 grams

$1,000-$1,500

14k yellow gold, the clover-shaped ring mounted with round brilliant-cut diamonds weighing approximately 0.40 carats in total.

size 7, total weight 3.4 grams

$900-$1,200

Diamond Necklace

427 Diamond Ring

429

Pair of Diamond Butterfly Earrings

14k yellow gold, the earrings mounted with round brilliant-cut and marquise-cut diamonds weighing approximately 0.70 carats in total.

l. 1/2”, total weight 1.7 grams

$800-$1,200

428

Diamond Necklace with Removable Charms

14k yellow gold, the paper clip-link necklace with a lobster claw clasp mounted with round brilliant-cut diamonds, set with two removable pendants, including a butterfly and flower, each mounted with round brilliant-cut diamonds, with an approximate total diamond weight of 1.20 carats.

chain l. 18”, butterfly l. 3/4”, flower dia. 1/2”, total weight 8.7 grams

$2,000-$4,000

430

Diamond and Mother-of-Pearl Flip Ring

18k yellow gold, the ring with a quatrefoil-shaped gold ribbed center mounted with a round brilliant-cut diamond weighing approximately 0.03 carats, flipping to reveal the mother-of-pearl reverse with a beaded edge. size 7, total weight 6.6 grams

$1,000-$1,500

431

Pair of Mother-of-Pearl and Diamond Earrings

14k yellow gold, the quatrefoil-shaped earrings mounted with mother-of-pearl centers, surrounded by round brilliant-cut diamonds weighing approximately 0.34 carats in total.

l. 1/2”, total weight 3.9 grams

$1,000-$1,500

432

Diamond and Sapphire Ring

platinum, the ring mounted with a central European-cut diamond weighing approximately 2.00 carats, accented by tapered sapphire baguettes weighing approximately 0.34 carats in total, and smaller European-cut diamonds weighing approximately 0.16 carats in total.

size 6, total weight 5.9 grams

$6,000-$9,000

433

Sapphire and Diamond Ring

18k white gold, the ring mounted with an oval-cut sapphire weighing approximately 3.20 carats, accented by a halo of round brilliant-cut diamonds weighing approximately 1.60 carats in total.

size 6, total weight 6.4 grams

$1,500-$2,500

434

Pair of Diamond and Sapphire Earrings

platinum, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.88 carats in total and tapered baguette and square-cut sapphires weighing approximately 1.98 carats in total.

l. 2”, total weight 11.7 grams

$8,000-$12,000

435 Beautiful Diamond and Sapphire Ring

platinum, the ring mounted with a central oval-cut diamond weighing approximately 1.00 carat, surrounded by a halo of square-cut sapphires weighing approximately 0.32 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.60 carats in total.

size 7, total weight 4.6 grams

$3,500-$5,000

436

14k yellow gold, the quatrefoil-shaped earrings each mounted with black onyx surrounded by a beaded gold edge.

l. 3/4”, total weight 3.4 grams

$900-$1,200

437

Bold Diamond and Enamel Ring

18k yellow gold, the ring mounted with stripes of black enamel alternating with sections of round brilliant-cut diamonds weighing approximately 2.03 carats in total. size 6-1/4, total weight 29.9 grams

$6,000-$9,000

Pair of Onyx Earrings

438

Tiffany & Co. Diamond Pendant/Brooch

18k yellow gold, the black enamel flower pendant/brooch mounted with a round brilliant-cut diamond weighing approximately 0.75 carats. size 1-1/2” x 1-1/2”, total weight 13.8 grams

$6,000-$9,000

439

Pair of David Webb Diamond Ear Clips

18k yellow gold, the black enamel ear clips mounted with round brilliant-cut diamonds weighing approximately 1.95 carats in total, stamped “PLAT 18K WEBB”. dia. 3/4”, total weight 21.7 grams

$10,000-$15,000

440

David Webb Angel Skin Coral and Diamond Ear Clips

18k white gold, the ear clips mounted with angelskin coral cabochons, accented by a halo of round brilliant-cut and marquise-cut diamonds weighing approximately 3.00 carats in total, stamped “DAVID WEBB”, with a David Webb box. dia. 7/8”, total weight 21.6 grams

$18,000-$25,000

441

Diamond Brooch/Pendant

platinum, the brooch/pendant mounted with a central round brilliant-cut diamond weighing approximately 0.75 carats, surrounded by four round brilliant-cut diamonds weighing approximately 0.33 carats each, with a round brilliant-cut diamond drop on the bottom weighing approximately 1.50 carats, the whole accented with smaller round brilliant-cut diamonds throughout, with an approximate total diamond weight of 7.00 carats.

size 1-3/8” x 2-3/8”, total weight 15.9 grams

$7,000-$10,000

442

Beautiful Custom-Made Diamond Bracelet

18k white gold, the finely crafted bracelet mounted with round brilliant-cut diamonds weighing approximately 12.00 carats in total, finished with a hidden clasp. w. 3/4”, l. 7-1/4”, total weight 62.0 grams

$15,000-$25,000

443

Graduated Diamond Necklace

14k white gold, the necklace mounted with graduated round brilliant-cut diamonds weighing approximately 1.00 carat in total.

l. 17”, total weight 6.4 grams

$1,400-$1,800

444

Pair of Diamond Stud Earrings

14k white gold, the earrings mounted with round brilliantcut diamonds weighing approximately 4.32 carats in total, approximate color H-I-J and clarity SI3-I1. total weight 1.92 grams

$14,000-$18,000

Diamond Bangle Bracelet

14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.50 carats in total. inside circumference 6-1/2”, total weight 4.8 grams

$1,500-$2,500

446

Five Stackable Diamond Eternity Bands

14k white gold, the bands mounted with round brilliant-cut diamonds weighing approximately 1.25 carats in total. size 7, total weight 5.0 grams

$1,500-$2,500

14k yellow gold/sterling silver, the brooch mounted with single-cut diamonds weighing approximately 2.92 carats in total.

size 1” x 2-5/8”, total weight 9.6 grams

$1,400-$1,800

448

Diamond Ring

14k white gold, the ring mounted with Europeancut diamonds weighing approximately 1.30 carats in total.

size 7-1/4, total weight 3.8 grams

$1,200-$1,800

Diamond Leaf Brooch

449

Buccellati Diamond Leaf Brooch

18k white gold, the brooch mounted with round brilliantcut and single-cut diamonds weighing approximately 4.20 carats in total, stamped “M. BUCCELLATI”.

size 2-1/8” x 1-1/4”, total weight 16.9 grams

$18,000-$25,000

451

Verdura Diamond Pineapple Ear Clips

18k yellow gold, the ear clips mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.80 carats in total, stamped “VERDURA”. l. 1-1/8”, total weight 11.0 grams

$7,000-$10,000 449

450

Buccellati Diamond Bracelet

18k yellow gold, the woven bracelet mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total, stamped “M. BUCCELLATI”. w. 3/4”, l. 7-1/2”, d. 46.4 grams

$8,000-$12,000

452

Verdura Gold Bracelet

18k yellow gold, the twisted rope interlocking chain-link bracelet with a hidden clasp, stamped “VERDURA 750”. l. 8”, total weight 65.8 grams

$9,000-$12,000

453

Verdura Multi-Strand Aquamarine, Emerald and Diamond Necklace

18k yellow gold, the ten-strand necklace composed of aquamarine faceted roundels accented with emerald faceted roundels, and gold roundels mounted with round brilliantcut diamonds weighing approximately 0.64 carats in total, stamped “VERDURA”. l. 17”, total weight 172.1 grams

$18,000-$25,000

454

Two Emerald and Diamond Stackable Bangles

14k yellow gold, the bracelets mounted with emeraldcut emeralds weighing approximately 1.40 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.60 carats in total.

inside circumference 6-1/2”, total weight 16.2 grams

$2,500-$4,000

455

Emerald and Diamond Ring

14k yellow gold, the ring mounted with a square-cut emerald weighing approximately 1.00 carat, accented by round brilliant-cut diamonds weighing approximately 0.45 carats in total.

size 7, total weight 3.7 grams

$1,200-$1,800

456

Pair of Emerald and Diamond Earrings

14k yellow gold, the earrings mounted with square-cut emeralds weighing approximately 0.55 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.40 carats in total.

l. 3/8”, total weight 2.5 grams

$900-$1,200

457

Emerald and Diamond Necklace

14k yellow gold, the necklace mounted with oval-cut emeralds weighing approximately 2.80 carats in total, accented by round brilliant-cut diamonds weighing approximately 2.00 carats in total.

adjustable l. 15”-16”-17”, total weight 6.9 grams

$2,500-$4,000

458

Emerald and Diamond Bracelet

14k yellow gold, the bracelet mounted with marquisecut emeralds weighing approximately 6.10 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.75 carats in total. l. 6-3/4”, total weight 10.7 grams

$2,500-$4,000

459

Emerald and Diamond Ring

14k yellow gold, the ring mounted with an emerald-cut emerald weighing approximately 2.00 carats, accented by baguette-cut diamonds weighing approximately 0.50 carats in total.

size 6-1/2, total weight 10.1 grams

$1,400-$1,800

460

Diamond Bangle Bracelet

14k yellow gold, the hinged bracelet mounted with emerald-, pear-, oval- and marquise-cut diamonds weighing approximately 1.90 carats in total. inside circumference 6-3/4”, total weight 9.3 grams

$3,500-$5,000

461

Unusual Diamond Ring

18k yellow gold, the ring mounted with a bullet-cut and calf’shead-cut diamond weighing approximately 1.05 carats in total. size 6-1/2, total weight 4.4 grams

$3,000-$5,000

462

Diamond Bangle Bracelet

14k yellow gold, the hinged bracelet mounted with a pear-cut and round brilliant-cut diamonds weighing approximately 1.00 carat in total. inside circumference 6-1/2”, total weight 8.3 grams

$1,800-$2,500

463

Diamond Bangle Bracelet

14k yellow gold, the hinged bracelet mounted with a marquise-cut and round brilliant-cut diamonds weighing approximately 0.70 carats in total. inside circumference 6-1/2”, total weight 8.3 grams

$1,800-$2,500

464

Diamond Bangle Bracelet

14k yellow gold, the hinged bracelet mounted with an emerald-cut diamond and accented by round brilliant-cut diamonds, with an approximate total weight of 0.65 carats. inside circumference 6-1/2”, total weight 8.3 grams

$1,800-$2,500

14k yellow gold, the necklace composed of interlocking oval links with a polished finish. l. 18”, total weight 17.3 grams

$1,500-$2,500

465 Gold Necklace

466

Hermes Gold Buckle Bracelet

18k yellow gold, the heavy curb-link bracelet with a working buckle clasp, stamped “HERMES PARIS”. adjustable l. 8” to 9-1/4”, total weight 101.0 grams

$12,000-$18,000

467 Gold Bangle Bracelet

18k yellow gold, the rounded hollow bracelet with a semipolished finish. inside circumference 6-3/4”, total weight 49.1 grams

$6,000-$9,000

468

Pair of Bulgari Emerald and Diamond Ear Clips

18k yellow gold, the ear clips mounted with emerald-cut emeralds weighing approximately 4.00 carats in total, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 2.60 carats in total, stamped “BVLGARI”.

l. 3/4”, total weight 18.7 grams

$18,000-$25,000

469

Spectacular Bulgari Serpenti Tubogas Watch Bracelet

18k yellow gold, the beautiful bracelet mounted on the head and tail with round brilliant-cut diamonds weighing approximately 3.34 carats in total, accented on the eyes with cabochon-cut rubies weighing approximately 0.20 carats in total, the head opening to reveal the Jaeger-LeCoultre watch face, together with the original Bulgari box, stamped “BVLGARI”.

adjustable circumference, total weight 30.18 grams

$140,000-$180,000

468

469

14k yellow gold, the choker mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.80 carats in total.

l. 15”, total weight 59.7 grams

$3,000-$5,000

471

Bold Diamond and Enamel Ring

18k yellow gold, in the David Webb style, the ring mounted with a central pear-cut diamond weighing approximately 1.40 carats, flanked on either side by a marquise-cut diamond weighing approximately 0.36 carats in total and bordered on the outside edge by round brilliant-cut diamonds weighing approximately 0.90 carats in total, the whole accented by black enamel.

size 7, total weight 22.3 grams

$2,500-$4,000

Diamond Choker

473

473 detail

472

Beautiful Diamond Bracelet

18k yellow gold, the bracelet mounted with sections of round brilliant-cut diamonds weighing approximately 4.80 carats in total.

w. 3/4”, inside circumference 7”, total weight 133.7 grams

$9,000-$12,000

473

Three-Stone Diamond Ring

14k yellow gold, the ring mounted with a central Europeancut diamond weighing approximately 1.50 carats, flanked on either side by a European-cut diamond weighing approximately 1.30 carats each, accented by smaller round brilliant-cut diamonds weighing approximately 0.12 carats in total, in an ornate mounting.

size 6-3/4, total weight 6.5 grams

$10,000-$15,000

472

474

14k yellow gold, the necklace mounted with bezel-set round brilliant-cut diamonds weighing approximately 13.00 carats in total.

l. 15-1/2”, total weight 20.3 grams

$12,000-$18,000

Diamond Necklace

475

Cartier Diamond Bracelet

18k yellow gold, the free-form bracelet mounted with a profusion of round brilliant-cut diamonds weighing approximately 7.90 carats in total, stamped “Cartier”. w. 1-3/8”, l. 7-1/4”, total weight 82.1 grams

$18,000-$25,000

476

Cartier Diamond Ring

platinum, the ring mounted with a central European-cut diamond weighing 5.13 carats, color H and clarity VS2, GIA report #5222454296, flanked on either side by a tapered baguette weighing approximately 0.50 carats in total, stamped “Cartier PT 950”, and with the original box. size 6-1/2, total weight 6.4 grams

$120,000-$180,000

477

Pair of Diamond Earrings

14k white gold, the earrings mounted with pie-cut invisibleset diamonds weighing approximately 1.00 carat in total.

l. 5/16”, total weight 1.3 grams

$1,800-$2,500

478

Diamond Band

14k white gold, the band mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 1.10 carats in total.

size 6-3/4, total weight 3.7 grams

479

Pair of Diamond Huggies

14k white gold, the huggies mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 1.10 carats in total.

l. 1/2”, total weight 4.4 grams

$1,500-$2,500

$1,500-$2,500 480

14k white gold, the hinged bracelet mounted with emeraldcut and round brilliant-cut diamonds weighing approximately 1.00 carat in total.

inside circumference 6-3/8”, total weight 7.9 grams

$2,000-$4,000

Diamond Bangle Bracelet

481

Diamond Star Pendant Necklace

14k white gold, the necklace with a fixed star diamond pendant, invisible-set with kite-cut diamonds weighing approximately 0.30 carats in total.

adjustable l. 16”-17”-18”, total weight 1.8 grams

$900-$1,200

482

Pair of Diamond Star Earrings

14k white gold, the earrings mounted with kite-cut diamonds weighing approximately 0.50 carats in total.

l. 1/4”, total weight 1.4 grams

$1,000-$1,500

483

Diamond Bracelet

14k white gold, the bracelet mounted with marquise-cut diamonds weighing approximately 4.25 carats in total.

l. 7”, total weight 12.8 grams

$6,000-$9,000

484

Pair of Diamond Earrings

14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. dia. 3/8”, total weight 3.7 grams

$1,800-$2,500

485

Mauboussin, Paris Gem-Set Necklace

platinum, the necklace mounted with carre-cut rubies, emeralds and sapphires weighing approximately 9.00 carats in total, accented by carre-cut diamonds weighing approximately 3.00 carats in total, marked “MAUBOUSSIN PARIS”.

l. 15”, total weight 50.1 grams

$12,000-$18,000

485

486

Bellarri Garnet and Diamond Pendant with Chain

18k rose gold, the pendant in the form of a flower, the petals mounted with tapered Rhodolite garnets, accented throughout with round brilliant-cut diamonds weighing approximately 0.28 carats in total, suspended from a rose gold chain.

pendant l. 1-1/8”, chain l. 16”, total weight 8.1 grams

$1,800-$2,500

487

488

487

Diamond, Ruby and Emerald Brooch

platinum, the brooch mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.84 carats in total, accented by cabochon-cut rubies and emeralds weighing approximately 0.16 carats in total.

size 1-1/4” x 3/4”, total weight 5.6 grams

$3,500-$5,000

488

Unusual Diamond, Emerald and Ruby Snake Ring

platinum, the ring in the form of a snake, mounted on the head with a triangle-cut diamond weighing approximately 2.30 carats, accented by European-cut diamonds weighing approximately 0.90 carats in total, the top of the body mounted with calibre-cut emeralds and the eyes mounted with cabochon-cut rubies.

size 7, total weight 12.2 grams

$18,000-$25,000

486

489

Art Deco Diamond and Emerald Earrings

platinum/14k white gold, each earring mounted with a central round brilliant-cut diamond weighing approximately 2.80 carats in total, accented throughout with single-cut and baguette-cut diamonds weighing approximately 2.41 carats in total and square-cut emeralds weighing approximately 0.40 carats in total.

l. 1-3/4”, total weight 11.7 grams

$18,000-$25,000

490

Art Deco Emerald and Diamond Ring

platinum, the ring mounted with a central cushion-cut diamond weighing approximately 0.75 carats, surrounded by calibre-cut emeralds weighing approximately 0.28 carats in total and accented by round brilliant-cut diamonds weighing approximately 0.35 carats in total.

size 6-3/4, total weight 4.8 grams

$5,000-$8,000

491 Emerald and Diamond Necklace

14k white gold, the necklace mounted with round-cut emeralds weighing approximately 4.70 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.05 carats in total.

adjustable l. 15”-16”-17”, total weight 18.2 grams

$3,500-$5,000

490 489

491

492

Emerald and Diamond Ring

18k white gold, the ring mounted with an emerald-cut emerald weighing approximately 1.00 carats, accented by round brilliant-cut and baguette-cut diamonds weighing approximately 1.21 carats in total.

size 6, total weight 5.2 grams

$2,000-$4,000

493

Emerald and Diamond Bracelet

14k white gold, the bracelet mounted with pear-cut emeralds weighing approximately 3.70 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.90 carats in total.

l. 7”, total weight 9.2 grams

$1,800-$2,500

494

Emerald and Diamond Heart Ring

platinum, the ring mounted with a heart-cut emerald weighing approximately 1.10 carats, accented by single-cut diamonds weighing approximately 0.80 carats in total. size 7-1/4, total weight 3.7 grams

$3,500-$5,000

492

493

494

495

Topaz and Emerald Flower Ring

18k yellow gold, the ring mounted with a melon-carved blue topaz, accented in the center by a round cabochon-cut emerald weighing approximately 0.30 carats.

size 6-1/2, total weight 7.3 grams

$1,400-$1,800

496

Turquoise, Diamond and Sapphire Bug Brooch

14k yellow gold/sterling silver, the brooch mounted with a cabochon-cut turquoise weighing approximately 9.90 carats, accented throughout with single-cut diamonds weighing approximately 3.30 carats in total, mounted on the body with cabochon-cut sapphires weighing approximately 0.90 carats in total and the eyes mounted with cultured pearls.

size 1-1/2” x 2”, total weight 18.2 grams

$2,000-$4,000

497

Aquamarine and Diamond Ring

18k white gold, the ring mounted with an emerald-cut aquamarine weighing approximately 8.35 carats, accented by round brilliant-cut diamonds weighing approximately 0.36 carats in total.

size 6-1/2, total weight 7.3 grams

$1,800-$2,500

498

Pair of Turquoise and Diamond Earrings

14k yellow gold, the earrings mounted with freeform turquoise weighing approximately 5.20 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.46 carats in total.

l. 5/8”, total weight 4.6 grams

$2,000-$4,000

499

Turquoise and Diamond Necklace

14k yellow gold, the necklace mounted with cabochoncut turquoise weighing approximately 6.50 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.10 carats in total.

l. 16”, total weight 15.0 grams

$3,000-$5,000

500

Turquoise Bracelet

14k yellow gold, the bracelet mounted with bezel-set turquoise cabochons weighing approximately 3.60 carats in total.

l. 7”, total weight 10.7 grams

$1,800-$2,500

501

Turquoise and Diamond Ring

platinum, the ring mounted with a central cushion-cut diamond weighing approximately 0.50 carats, surrounded by cabochon-cut turquoise and further accented by round brilliant-cut diamonds weighing approximately 0.78 carats in total.

size 7-1/4, total weight 6.1 grams

$3,000-$5,000

14k yellow gold, the necklace mounted with opal doublets accented by round brilliant-cut diamonds weighing approximately 3.40 carats in total. adjustable l. 15” to 16”, total weight 28.5 grams

$3,500-$5,000

503

Pair of Opal and Diamond Earrings

14k yellow gold, the earrings mounted with opal doublets accented by round brilliant-cut diamonds weighing approximately 0.70 carats in total. l. 1-1/2”, total weight 6.2 grams

$1,500-$2,500

Opal and Diamond Necklace

504

Opal and Diamond Ring

14k yellow gold, the ring mounted with an opal doublet, accented by round brilliant-cut diamonds weighing approximately 0.20 carats in total. size 7, total weight 3.1 grams

$900-$1,200

505

Opal and Diamond Necklace

14k yellow gold, the necklace set with a fixed pendant, mounted with an opal doublet surrounded by round brilliantcut diamonds weighing approximately 0.32 carats in total. adjustable l. 16”-17-1/4”-18-1/2”, total weight 3.8 grams

$1,200-$1,800

505 504

506

Opal and Diamond Ring

18k yellow gold, the ring mounted with a freeform opal doublet, accented by round brilliant-cut diamonds weighing approximately 0.15 carats in total. size 7-1/4, total weight 9.7 grams

$900-$1,200

18k yellow gold, the necklace mounted with sections of twisted gold accented with beading, alternating with rows of round brilliant-cut diamonds weighing approximately 2.89 carats in total, stamped “J. LACLOCHE PARIS”, together with the original fitted box. l. 16”, total weight 123.2 grams

$25,000-$40,000

507

LaCloche Diamond Necklace

507

508

Custom-Made Flexible Diamond Bracelet

14k yellow gold, the bracelet mounted in the round with round brilliant-cut diamonds weighing approximately 13.55 carats in total, designed without a clasp, to “stretch” over the wrist for a seamless finish.

w. 3/8”, adjustable circumference 6-3/4”, total weight 39.3 grams

$12,000-$18,000

509

Pair of Diamond Hoop Earrings

14k yellow gold, the inside/outside round hoop earrings mounted with round brilliant-cut diamonds weighing approximately 1.65 carats in total.

l. 1-1/2”, total weight 7.1 grams

$1,500-$2,500

510 Diamond Bangle Bracelet

14k yellow gold, the hinged bracelet mounted with round brilliant-cut diamonds weighing approximately 4.00 carats in total.

inside circumference 6-3/4”, total weight 13.4 grams

$3,500-$5,000

509

508

14k yellow gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 7.00 carats in total. l. 20”, total weight 11.9 grams

$5,000-$8,000

Diamond Necklace

512

Graduated Diamond Necklace

14k yellow gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total.

adjustable l. 16”-17”-18”, total weight 3.2 grams

$1,400-$1,800

513

Pair of Diamond Hoop Earrings

14k yellow gold, the inside/outside oval earrings mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total.

l. 1-1/8”, total weight 4.4 grams

$1,400-$1,800

514

Diamond Band

18k yellow gold, the matte gold ring mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total.

size 7, total weight 2.7 grams

$1,400-$1,800

515

yellow gold, the chains composed of paper clip and round polished links, in graduating sizes.

l. 16” and 20”, total weight 19.6 grams

$1,800-$2,500

Two Gold Chains

14k

Three Graduated Gold Chains

14k yellow gold, the chains composed of paper-clip links.

l. 16”, 18” and 20”, total weight 11.5 grams

$1,200-$1,800

517

Convertible Pearl and Diamond Necklace/Brooch

18k yellow gold, the five-strand necklace composed of white freshwater pearls, finished with a flower-shaped clasp mounted with round brilliant-cut diamonds weighing approximately 2.80 carats in total, the clasp with hidden slides, allowing it to be removed and worn alone as a brooch. necklace l. 18”, brooch dia. 1-1/2”, total weight 107.2 grams

$1,500-$2,500

518

Cultured Pearl Necklace and Earring Suite

18k yellow gold, the necklace composed of graduated white cultured pearls measuring approximately 11.40mm to 13.90mm, finished with a gold clasp, l. 17”, and a pair of white cultured pearl stud earrings measuring approximately 14.90mm in diameter.

total weight 92.5 grams

$1,500-$2,500

519

Three-Strand Pearl Necklace

18k yellow gold, the necklace composed of three strands of white cultured pearls measuring approximately 6.00mm to 7.00mm, finished with a gold clasp set with a mabe pearl. l. 34”, total weight 151.9 grams

$900-$1,200

519

518

the suite including a necklace, 14k yellow gold, and a pair of ear clips, 18k yellow gold, each mounted with cultured pearls measuring approximately 6.00mm to 6.50mm.

necklace l. 15”, pendant drop 2”, ear clip l. 1-3/8”

$1,500-$2,500

520

Pearl and Gold Pendant Necklace and Ear Clips

520

14k white gold/18k yellow gold, the necklace composed of baroque Tahitian pearls measuring approximately 9.30mm x 9.80mm to 11.30mm x 13.40mm, centered by a section of round brilliant-cut diamonds weighing approximately 0.68 carats in total, supporting a removable pendant mounted with round brilliant-cut diamonds weighing approximately 1.40 carats in total and a Tahitian pearl drop, the necklace finished with a white gold ball clasp.

necklace l. 18-1/2”, pendant l. 1-3/4”, total weight 80.1 grams

$900-$1,200

521

Convertible Tahitian Pearl and Diamond Pendant Necklace

521

522

Impressive Irish Mahogany Breakfront

18th century, the carved cornice molding over four astragalglazed doors, the base with four framed doors, each with carved panels, raised on a plinth base. h. 111”, w. 132-1/2”, d. 21”

$6,000-$9,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

523 British School

18th Century

“Portrait of a Gentleman”

“Portrait of a Lady”

each oil on canvas unsigned. In matching carved giltwood oval frames. each 30” x 25”, framed 38” x 33”

$1,500-$2,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

524

George II-Style Giltwood Overmantel Mirror

19th century, the three-section mirror with a central section decorated with a scroll-carved cornice, set with a beveled mirror plate, the sides with reeded pilasters. h. 37”, w. 54-1/4”

$1,200-$1,800

523

525

Elizabethan-Style Rosewood and Needlepoint Firescreen

third quarter 19th century, the central framed needlepoint panel of a gentleman with his horse, dog and cat, supported by a spiral-twist frame and raised on scrolled legs. h. 46”, w. 31”, d. 17”

$800-$1,200

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

526

Pair of George III Mahogany D-End Console Tables

early 18th century, each with a single-board top, mounted to a straight frieze apron and raised on tapered square legs, formerly two sections of a dining table. h. 29-1/2”, w. 44”, d. 22-1/2”

$1,200-$1,800

527

Anglo-Ceylonese Carved Ebony and Inlaid Hardwood Work Box

19th century, the cover with a sunburst of inlaid exotic wood and a central carved ebony medallion, the front and sides carved with a vase of swirling leaves and pineapples. h. 8-3/4”, w. 17-3/4”, d. 13-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

526

528

Regency-Style Mahogany Dining Table

20th century, the circular top with an oyster burl and satinwood banded edge, mounted to a base with four turned and carved columns on a shaped platform with four downcurved legs with acanthus-carved details and reeded tops ending in brass paw feet with casters. h. 30-1/2”, dia. 72”

$3,000-$5,000

528

529

Italian Inlaid Lombardy Casket

19th century, in the Baroque taste, inlaid with bone and tropical hardwood, depicting hunters in 17th-century costume, on horseback with dogs pursuing game, the corners with bone panels incised with tendrils, with molded and carved edges on the cover and base, on bold, carved paw feet. h. 10-1/2”, w. 17-1/2”, d. 12-1/2”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

530

Pair of Rare Victorian Sword-Hilt Candlesticks

fourth quarter 19th century, the leaf-molded sockets set into horn drip pans, the horn-mounted standards with bronze acorn mounts, the lower edge with gilt-bronze stag-form heads and a lobed hilt guard molded with images of a boar’s head, the steel “blade” set into a molded bronze base. h. 11-1/4”, w. 4-1/2”, d. 4-1/2”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

531 Semi-Antique Pictorial Tabriz Carpet

11’ 1” x 16’ 2”

$2,000-$4,000

531

532 Semi-Antique Hamadan Carpet

4’ x 9’

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

532

533

English Mahogany Pembroke Table

19th century, in the Hepplewhite taste, the top with two drop leaves and a satinwood-banded edge, one end fitted with a drawer, the opposite end with a faux drawer, raised on tapered square legs with string inlay.

h. 28-1/2”, w. 20”, d. 31”, ext. w. 38-1/2”

$900-$1,200

533

534

Biedermeier Figured Walnut Center Table

ca. 1820, the tilt top veneered in a sunburst pattern, supported on a faceted urn-form pillar, the octagonal base raised on ebonized feet. h. 33”, dia. 26-1/2”

$1,400-$1,800

Provenance: Private Collection, Laguna Beach, California.

535

Francis Morley Ironstone Partial Dinner Service

ca. 1845-1858, decorated with a vase of flowers on a fence beneath a plum tree, with cobalt and gilt borders decorated with flowers, the service including a centerpiece, h. 7-1/4”, w. 13”, d. 11”, an open soup tureen, h. 6”, w. 12-3/4”, d. 9-3/4”, a pair of fruit baskets, h. 5-1/2”, dia. 9-1/4”, three covered vegetable dishes, h. 8-1/2”, w. 11-1/4”, d. 10-1/4”, a vegetable dish without a cover, h. 3”, w. 11-3/4”, d. 10-1/4”, a pair of gravy boats and stands, h. 6”, w. 8-1/2”, d. 5-3/4”, a rectangular vegetable dish, h. 2”, w. 10-3/4”, d. 8”, a circular open vegetable dish, h. 2-1/4”, dia. 10-3/4”, two stands with handles, w. 10”, l. 11”, seven graduated platters, w. 7-3/4” to 15-3/4”, l. 9-1/2” to 17-1/2”, eight dinner plates, dia. 10-1/2”, nine soup plates, dia. 10-1/2”, ten luncheon plates, dia. 9”, and nineteen salad/ dessert plates, dia. 7-1/2”, most pieces impressed “REAL IRONSTONE CHINA”, and most pieces with a painted pattern number 3/1361, the centerpiece with Morley’s transfer-printed mark.

$1,500-$2,500

536

Continental Four-Panel Leather Screen

fourth quarter 19th century, decorated with knights on horseback and Norman towers, the lower portions painted to mimic Siena marble. h. 77”, w. 72”

$1,000-$1,500

537

Eight Mahogany Shield-Back Dining Chairs

early 20th century, consisting of two armchairs, h. 38”, w. 23”, d. 18”, and six side chairs, h. 37”, w. 19”, d. 17”, each with a pierced splat with carved “Prince-of-Wales” plumes and a leather slip seat, raised on tapered square legs joined by an H-form stretcher.

$800-$1,200

538

Pair of French Sevres-Style Covered Urns

fourth quarter 19th century, probably Limoges or Paris, the urns with a cobalt ground, trimmed with raised gilt, the covers set into bronze rims, the sides with carefully executed landscapes, some with thatched cottages and others with peasants in 18th-century costumes, the covers and bases with spurious Sevres marks. h. 13-1/4”, w. 4-1/2”, d. 4-1/2”

$1,000-$1,500

537

538

540 Handsome Restauration Tole Peinte Jardiniere

second quarter 19th century, decorated in the round with horses in a farmyard, and thatched cottages and landscapes, supported on gilt-brass winged paw feet, on a faux-stonepainted plinth, with a removable tin liner. h. 11-1/2”, w. 13-1/2”, d. 8-1/2”

$400-$700

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

541 English Tole Lantern

ca. 1900 and later, with a mount back, possibly for nautical usage, with a faceted lens, repainted at a later date with gilt neoclassical decoration on an apple-green ground. h. 20”, w. 7-1/4”, d. 6”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

539

American School

First Half 19th Century

“Portrait of a Lady of Means” oil on canvas unsigned. Framed.

36” x 29”, framed 42-1/2” x 36”

$1,500-$2,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

539

541

542

Fine George III Carved Walnut Games Table

18th century, the fold-over top with shaped corners, opening to a period needlework playing surface and inset carved corners, over a conforming frame, raised on cabriole legs with carved oak leaf knees and ending in ball-and-claw feet.

h. 28-1/2”, w. 28”, d. 14-1/2”, ext. d. 29”

$4,000-$7,000

543

Pair of Japanese Imari Porcelain Vases

19th century, faceted with hexagonal panels in the traditional Imari palette, decorated with plum branches, butterflies and clouds.

h. 11-3/4”, dia. 5-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

543

542

542 detail

544

Cambodian Gilt-Bronze Buddha

19th century, the seated figure of the Gautama Buddha on an elaborately molded and graduated dais, with a banner unfurled in the front.

h. 9”, w. 7-1/2”, d. 3-1/2”

$700-$1,000

545

Pair of Qing Dynasty Carved and Painted Foo Dogs

19th century, the camphor wood foo dogs carved with loose balls in their mouths, each with a front paw resting on a ball, on rectangular bases decorated with gilt and red bas-reliefcarved panels on a black ground.

h. 13”, w. 8-3/4”, d. 5-3/4”

$800-$1,200

546

Small Bronze Dore et Patine Chandelier

19th century, possibly a Grand Tour souvenir, the reeded body set with a conical finial, mounted with bronze dore scrolled arms with inverted bell-form sockets, trimmed with beading, opposite the turned “handles” set with molded bronze chains. h. 24”, w. 13”, d. 8”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

545

546

547

Chinoiserie Red-Lacquered Side Table

early 20th century, the top with a traditional scenic panel, bordered with gilt scrollwork, the front fitted with two drawers, raised on animal-form legs ending in hoof feet. h. 32”, w. 20-1/2”, d. 14-1/2”

$1,000-$1,500

Provenance: Private collection, Little Rock, Arkansas.

French Empire Bronze and Tole Moderator Lamp

19th century, fitted with a black tole shade, the standard with a gilt-bronze kylix atop a tole block decorated with gilt-bronze foliate mounts, resting on a quiver-form standard, the bronze-mounted, stepped base decorated with gilt stars and lozenges, now electrified. h. 20-3/4”, dia. 12”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

548

547

548

549

Unusual Neoclassical Giltwood Convex Mirror

first quarter 19th century, American or English, composed of a pair of intertwined dolphins on a rocky outcropping, flanked by a pair of hippocampi, the cove-molded surround with an outer edge of leaf-bound reeding, set with giltwood spherules, the mirror plate with a reeded, ebonized liner, the lower edge with a finial of carved acanthus leaves. h. 47-1/4”, w. 25-1/2”

$3,500-$5,000

550 Georgian Scrubbed Pine Console Table

18th century, the plank top with a molded edge and dimpled corners, over a foliate- and shell-carved apron, raised on cabriole legs with acanthine-carved knees and scrolled feet. h. 30”, w. 58”, d. 23”

$1,500-$2,500

Provenance: Private Collection, Little Rock, Arkansas.

549

551

French Steel and Bronze Dore Jewel Casket

third quarter 19th century, signed by Leopold Oudry et Cie, (active 1854-1882), molded in bas-relief with cherubim playing instruments, arabesque scrollwork, birds and flowers, with bronze dore trim, inscribed “L. Oudry et Cie, Paris, Editeur”, with a blue silk interior. h. 4-1/2”, w. 7-1/2”, d. 5”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

552

William IV Tortoiseshell Tea Caddy

second quarter 19th century, the coved cover over the serpentine caddy, veneered in richly figured tortoiseshell, on ball feet, the interior with two covered, foil-lined compartments. h. 5-3/4”, w. 8-3/4”, d. 5”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

553

Chinese Export Carved Lacquered Box

second quarter 19th century, the complex serpentineform box richly decorated with gilt mandarin figures in a courtyard, with buildings in the background, the border with pots of flowers and butterflies, on carved dragon feet, possibly a glove box. h. 5”, w. 13”, d. 7-1/4”

$1,000-$1,500

Provenance: Private Collection, Little Rock, Arkansas.

551

552

553

554

Louis Philippe Burl Elm and Marble-Top Commode 19th century, the rectangular Noir Coquillier d’Izeste marble top over four figured, book-matched veneered drawers, flanked by flat pilasters and ending in carved paw feet.

h. 36”, w. 50-1/2”, d. 22”

$1,200-$1,800

Provenance: Private Collection, Little Rock, Arkansas.

555

Pair of French Napoleon III Bronze Figural Lamps third quarter 19th century, in the Neo-Grec taste, the standards molded with “The Three Graces”, on cylindrical plinths with “Dancing Hours” bas-relief molding over blocks decorated with anthemia and incised with Greek “waves”, above faux-marbrepainted bases, fitted with lampshades.

h. 34-1/2”, dia. 17-1/2”

$1,500-$2,500

Provenance: Private Collection, Little Rock, Arkansas.

French Painted and Parcel-Gilt Overmantel Mirror

first quarter 20th century, the arched crest carved with a satyr masque, flanked by flame finials, the tapered side pilasters with composite capitals, carved with giltwood bellflowers, the lower sides with brackets carved with scrollwork, the mirror plate with a carved giltwood liner. h. 62”, w. 51-1/4”

$1,400-$1,800

Provenance: Private Collection, Little Rock, Arkansas.

557

Pair of French Marble and Gilt-Bronze Urns

ca. 1900, the Classical Revival urns with bronze necks and bud-form knops, the ovoid bodies mounted with swags of gilt-bronze flowers and ram’s-head handles, on conical bases with bronze rope-twist trim. h. 21-1/4”, w. 7-3/4”, d. 6”

$1,200-$1,800

Provenance: Private Collection, Little Rock, Arkansas.

558

Fine Louis XVI-Style Kingwood, Ormolu-Mounted and Marble-Top Commode

20th century, the conforming marble top over a heavily ormolu-mounted long drawer and two banded drawers below, raised on turned legs with bronze feet. h. 35-1/2”, w. 58-1/2”, d. 24-1/2”

$2,500-$4,000

559

French Napoleon III Bronze and Porcelain-Mounted Jardiniere

third quarter 19th century, the pierced gallery top above the serpentine sides and a padauk wood veneered case with turreted corners, the sides set with Sevres-style plaques decorated with cherubim and flowers on a bleu celeste ground surrounded with gilt-bronze trim, and the ends set with matching handles, the interior with an antique liner. h. 11-1/4”, w. 21-1/2”, d. 11-1/2”

$700-$1,000

559

557

560

Pair of Italian Giltwood Sconces

19th century, the scrolled backplates supporting cherubs holding cornucopia-form candle brackets, set with pricket supports.

h. 19”, w. 19-1/2”, d. 6-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

561

Large Belle Epoque Gilt-Bronze and Marble-Top Coffee Table

early 20th century, the circular Breche Rose de Lez marble top over a conforming frame with a pierced apron and supported by four cherubim-form legs joined by an inner circular apron.

h. 24”, dia. 40”

$1,500-$2,500

562

Pair of Chinese Chien Lung Porcelain Garniture Urn Lamps

19th century, the oval panels with mandarin decoration and cobalt trim, on an orange cracked ice ground with scattered cobalt flowers, now on giltwood bases and fitted with shades.

h. 22”, dia. 14”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

560

561

562

563

Continental Mahogany and Marble-Top Tall Bachelor’s Chest

19th century, the slightly bowed marble top above a conforming case fitted with six drawers, all with banding and decorative inlays, raised on bracket feet. h. 59”, w. 20-1/2”, d. 14”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

564

Large Japanese Imari Punch Bowl

ca. 1900, the exterior decorated in the round with peacocks and orange and cobalt flowering vines, the sides of the interior decorated with panels of landscapes and figures, alternating with panels of pineapples and peonies, an unidentified hand-painted mark on the bottom. h. 6-1/4”, dia. 15-1/2”

$1,400-$1,800

563

564

565

Pair of Large Italian Silver-Gilt Appliques

ca. 1800, the neoclassical urn-form appliques carved with swirled fluting, with reeded caps and bases, and a central panel decorated with carved medallions, the bold handles carved with plumes and terminating in floriform medallions. h. 37-3/4”, w. 29”, d. 8”

$3,000-5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

566

Louis XIV Giltwood and Marble-Top Table

18th century, the rectangular white marble top over a heavily carved frame, the legs joined by a swirling X-form stretcher. h. 32”, w. 53”, d. 30”

$2,000-$4,000

Provenance: Acquired from the Roosevelt Hotel, New Orleans, Louisiana; Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

565

566

567

French Napoleon III Bronze-Mounted Valuables Box

third quarter 19th century, veneered in parquetry work, the corners with gilt-bronze mounts of the Goddess Flora with flowers, raised on scrolled bronze feet, the hinged lid opening to reveal an unusual engraved bronze trim around the edges and a button which opens a hidden drawer in the front. h. 7-3/4”, w. 13-1/2”, d. 10-3/4”

$700-$1,000

568

Victorian Papier-Mache Tea Caddy

second quarter 19th century, in the Gothic Revival taste, the cover decorated with romantic Gothic ruins in a landscape, the pylon-form sides decorated with gilt Gothic tracery, the interior with original papier-mache covers with carved mother-of-pearl knobs.

h. 6”, w. 9”, d. 6”

$700-$1,000

19th century, the bronze busts mounted on gray-and-whitemottled marble column-form plinths, with white marble caps and bases.

h. 9-1/2”, w. 2-3/4”, d. 2-3/4”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

569

Pair of French Patinated Bronze and Marble Busts of Louis XVI and Marie Antoinette

567

568

Commode

in the Italian neoclassical taste, the facade inlaid with rosewood panels, ebony, maple stringing and other exotic woods, on tapered square legs, and accented with urndecorated oval brass hardware, labeled. h. 34-1/2”, w. 51-1/2”, d. 21-3/4”

$1,500-$2,500

Commode

$1,500-$2,500

571

Alfonso Marina “Verona”

570

Alfonso Marina “Verona”

572

Louis XV-Style Peint en Gris Upholstered Niche en Tabouret

after an 18th-century design by Etienne Nauroy, with serpentine lines, the seat and kennel padded and muslinupholstered throughout, raised on scrolled feet. h. 19-1/2”, w. 23-1/4”, d. 20”

$1,000-$1,500

Provenance: Private collection, New Orleans, Louisiana.

Lapdogs were the craze in 18th-century France as companions and accessories, filling the paintings of wellknown artists such as Jean-Honore Fragonard. Elaborately decorated dog kennels became de rigueur as fashionable accessories for sophisticated homes. In the example above, padded upholstery allowed the dog owner to provide comfort for the dog as well as providing a low seat or footstool for her/himself.

573

Paris Porcelain Foot Bath

mid-19th century, Paris or Limoges, the rectangular foot bath with twig-molded handles terminating in molded gilt bamboo leaves, accented with vertical stripes, an unidentified rouge-de-fer mark on the base. h. 7-1/4”, w. 18-3/4”, d. 11-1/2”

$700-$1,000

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

574

Pair of Bronze, Frosted Glass and Marble Table Lamps

20th century, of rococo inspiration, the leaf-molded bronze frames decorated with flowers supporting swags of bellflowers, set with frosted glass concealing an interior light, on portoro marble bases, fitted with lampshades. h. 36-1/2”, w. 15”, d. 10-3/4”

$1,000-$1,500 572

573

575 presentation box

575

After Salvador Dali (Spanish, 1904-1989)

“The Last Supper” gilt-patinated metal bas-relief sculpture numbered “20/160” lower left, cast signature lower right, produced by Center Art Galleries, Honolulu, Hawaii, in a red velvet-covered clamshell presentation box. sculpture 18-1/2” x 24”, box 20” x 26-3/4”

$1,500-$2,500

576

Pair of Louis XV-Style Giltwood Wingback Bergeres

20th century, the frames with floral-carved details, the seats with reversible cushions, raised on cabriole legs. h. 42”, w. 33-1/2”, d. 22”

$1,500-$2,500

577

Cut Glass and Gilt-Bronze Jewel Casket

early 20th century, possibly Baccarat, the casket with a gadrooned gilt-bronze handle on the top, the rectangular body with diamond-point cutting and molded gilt-bronze fittings. h. 5-1/2”, w. 5-1/4”, d. 3-1/2”

$700-$1,000

578

French Gilt-Brass and Cut Crystal Jardiniere

ca. 1900, the gilt-brass frame decorated with swags of flowers hung from ram’s heads, and on turned and reeded feet, with a cut crystal insert. h. 3-1/4”, w. 7-3/4”, d. 4”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

579

Collection of Six French Jewel Cases

20th century, in the rococo and neoclassical taste, including a circular and largest rectangular gilt-metal examples with velvet lining and unidentified marks, h. 3”, dia. 7”, a smaller rectangular example, h. 3-1/2”, w. 4”, l. 5-1/2”, an oval gilt-brass box decorated with a miniature of a lady in 18th-century costume, with a blue guilloche enamel surround, h. 1-3/4”, w. 4-3/4”, l. 5-1/2”, and two smaller gilt-brass jewel cases, with miniature paintings on the covers, lined with silk, h. 1-1/4” to 1-1/2”, w. 3-1/4” to 4” and d. 3” to 3-3/4”.

$800-$1,200

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

580

English Copeland & Garrett Feldspathic Porcelain ThreePiece Garniture Set

ca. 1833-1847, the feather-form gilt knops atop the inverted pear-form vases, decorated with fruits on one side and flowers on the other, on a pale ochre ground, each marked “Copeland & Garrett Late Spode, Feldspar Porcelain”. h. 10-1/2” to 13-3/4”, w. 6-1/4” to 8-3/4”, d. 3-3/4” to 5-3/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

581

Dennis & Leen Peint en Blanc “Lancaster” Settee

in the 18th-century French manner, with outswept, arched, scrolled arms and arched back, the apron and tapered legs fluted, upholstered in platinum Perennials Chameleon fabric edged with Samuel & Sons platinum Delicat silk gimp. h. 39”, w. 86”, d. 36”

$1,500-$2,500

Provenance: Pour la Maison, Inc., Studio City, California; Private collection, Houston, Texas.

582

French Gilt-Metal and Paris Porcelain Chandelier

third quarter 19th century, the eighteen-light chandelier with a Sevres-style porcelain standard, with a bleu celeste ground, the metal molded with cattails and set with scrolled and pierced candle arms terminating in molded sockets and bobeches, the prism rings hung with spear-point cut glass drops and swags of cut glass prisms. h. 40”, dia. 28-1/2”

$2,000-$4,000

Provenance: Estate of Loveta Byrne, Natchez, Mississippi. Originally installed in The Burn House (Plantation), Natchez, Mississippi.

583

Irish Satinwood and Inlaid Fold-Over Games Table

ca. 1800, the segmented, inlaid top opening to a felt-lined playing surface, the apron frieze with patera-inlaid panels, raised on tapered square legs, the underside bearing a paper label from John Dooly & Sons, Ltd., Birr, Ireland. h. 29-1/2”, w. 36”, d. 17”, ext. d. 34”

$900-$1,200

582

583

584

Important Queen Anne Giltwood and Eglomise Overmantel Mirror

ca. 1710, attributed to Thomas and Rene Pelletier, the carved giltwood surround decorated with acanthus leaves and medallions framed in strapwork, on a stippled ground, the interior lined with beveled verre scarlet and gilt eglomise panels decorated with penwork gilt acanthus leaves, strapwork and bellflower drops, the three-part mirror plate with shallow beveled edges, and side panels decorated with cut scrollwork and fronds of leaves.

h. 45-1/4”, w. 58”

$5,000-$8,000

Provenance: Sotheby’s, Important English Furniture, Decorations & Ceramics, October 2007.

The pattern of this mirror can be seen on mirrors in the collections of the Metropolitan Museum of Art, New York and the Victorian and Albert Museum, London. The side edges are carved with overlapping leaves, a detail frequently seen in French work, not surprising since their father, Jean Pelletier trained in Paris. It is suggested he fled France after the revocation of the Edict of Nantes, first going to Amsterdam and then on to London, where he established a business in Covent Garden, supplying gilt pier tables, mirrors, candle stands and picture frames to William II and the Queen and to the Duke of Montagu. The firm was named “Master of the Wardrobe” to William III for his London House and Boughton House. After Jean died in 1704, his two sons took over the business and ran it until 1712, after which they stopped carving.

584

585

Three-Panel Hand-Painted Wooden Screen

fourth quarter 19th century, decorated in the Renaissance taste, with pilgrims in polychrome costume, castles, dogs and trees, wrapped with banners in Latin, the lower panels painted with heraldic devices, the paneled oak screen with beaded trim.

h. 63-1/4”, w. 68-1/4”

$1,800-$2,500

586

English Tiger Cherry and Satinwood-Banded Pembroke Table

19th century, in the Hepplewhite taste, the top with curved drop leaves and banded with rosewood and satinwood veneers, one end fitted with a drawer, raised on tapered square legs.

h. 28-1/2”, w. 19”, d. 32”, ext. w. 41-1/2”

$900-$1,200

587

Pair of English Tole Tea Canisters

19th century, the black and gilt cylindrical canisters with domed covers, with fret-painted trim framing characters, naming the tea inside, in gilt-painted foliate borders. h. 17-1/4”, dia. 10-1/4”

$700-$1,000

588

Large Custom-Made Stained Pine and Wrought Iron Table

the framed top with four inset parquetry panels, mounted to an iron base with four outstretched scrolling panels attached to a central cylindrical standard. h. 32”, w. 75”, d. 75”

$1,500-$2,500

Provenance: Private Collection, Little Rock, Arkansas.

589

Handsome Chinese Export Work Box

second quarter 19th century, the coved cover decorated with musicians performing for a figure in a pagoda, with willow trees and insects in the ground, the ogee sides with molded bronze carrying handles, decorated with figures in a wagon, a basket of flowers, ho ho birds and insects. h. 10”, w. 19”, d. 13-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

587

588

589

590

Patinated Bronze Shakyamuni Buddha

19th century, possibly Tibetan, peacefully poised in contemplation, holding an alms bowl. h. 17-1/4”, w. 10”, d. 6-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

591

Pair of French Tole Peinte Tiered Jardinieres

ca. 1900, each with six graduated planters, the lower ones with pierced galleries and ring handles. h. 17-1/4”, w. 8”, d. 4-1/4”

$1,200-$1,800

late 19th century, the mottled green and brown jugs with serpent-molded handles, their heads emerging at the neck to form the spouts, the bodies molded with frogs, salamanders and various insects. h. 17”, dia. 8-1/2”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

592

Pair of Portuguese Palissy Ware Puzzle Jugs

590

591

592

593

George III-Style Mahogany and Marble-Top Slab Table

20th century, the Campan Vert marble top with rich rouge veining, over a single long drawer and raised on cabriole legs ending in carved paw feet. h. 29-1/2”, w. 54”, d. 24”

$1,500-$2,500

594

Carolean-Style Mahogany Bench

the padded, rectangular seat raised on barley-twist and block legs joined by a like H-form stretcher and ending in bun feet. h. 19-1/2”, w. 39”, d. 17-1/2”

$1,000-$1,500

595

Peshawar Sultanabad Carpet

10’ x 13’

$1,800-$2,500

596

Semi-Antique Isfahan Carpet

10’ 4” x 14’ 6”

$2,000-$4,000

595

597

Semi-Antique Tabriz Silk Carpet

$6,000-$9,000

598

Antique Karachov Kazak Carpet

$9,000-$12,000

13’ 4” x 20’

5’ 8” x 9’ 8”

597

599

Large Martin Brothers Salt-Glazed Stoneware Double Face Jug

1897, the brown glaze with “orange peel” typical of Martin Brothers, incised underneath “7, 6-1897, Martin Bros., London & Southall”.

h. 9-1/2”, w. 8”, d. 7-1/4”

$3,500-$5,000

Provenance: Estate of Ann and Howard Barnett, New Orleans, Louisiana.

600

Martin Brothers Salt-Glazed Stoneware Two-Sided Face Jug

1902, English, made by Robert Wallace Martin, the underside incised “S-1902, R W Martin & Bros., London & Southall”, retaining the paper retailer label “Gem Antiques, 1088 Madison Ave.”

h. 6-3/4”, w. 5”, d. 4-3/4”

$2,500-$4,000

Provenance: Estate of Ann and Howard Barnett, New Orleans, Louisiana.

Robert Wallace Martin, along with his brothers Walter, Charles and Edwin, formed the pottery in 1902. The typically expressive faces make it evident that Robert was trained as a sculptor.

601

Italian Olivewood and Mixed-Woods-Inlaid Side Table

19th century, the octagonal top with a molded, raised edge and a concentric inlaid field, raised on three slender, tapered legs joined by a medial circular shelf.

h. 28”, w. 18”, d. 18”

$800-$1,200

601

602

William IV Figured Mahogany Wine Cellarette

second quarter 19th century, the hinged cover opening to reveal fittings for seven bottles, and the base carved with lotus leaves, over scroll-trimmed feet.

h. 21-1/2”, w. 30”, d. 19”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

603

Pair of Neoclassical Tole Covered Chestnut Urns

ca. 1800, the urns decorated with borders of hand-painted leaves on a black ground, the bodies with landscapes, mounted with gilt-metal liners and animal masques grasping rings.

h. 13-1/2”, dia. 5-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

602

604

Maitland-Smith Coromandel-Style Eight-Panel Screen

the eight-panel black and gilt screen with top panels decorated with fans depicting landscapes, over pagodas with mandarin figures of noblemen in courtyards, the back decorated with bamboo. h. 96”, w. 144”

$1,500-$2,500

Provenance: Private collection, Laguna Beach, California.

605

Giltwood Girandole Mirror

first quarter 19th century, English or American, the crest with a displayed eagle atop carved acanthus leaves, the deep, coved surround set with wooden spherules and mounted with a pair of double candle arms, leaf-carved and set with giltwood candle sockets and drip pans, with a leafcarved flower finial flanking a carved quiver of arrows. h. 57-3/4”, w. 41”

$1,500-$2,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

604

606

William-and-Mary-Style Oyster Walnut and Yew Chest

18th century, the double-banded and quarter-veneered rectangular top above a conforming case fitted with two short drawers over three graduated long drawers, all banded, raised on bun feet.

h. 34-1/2”, w. 37-1/2”, d. 23”

$1,500-$2,500

Provenance: Royal Antiques, New Orleans, Louisiana.

607

Royal Crown Derby “Olde Avesbury” Tableware

20th century, the collection including twelve ruffled dessert plates, dia. 8-3/4”, a vase, h. 4-3/4”, dia. 5-1/4”, a cream jug, h. 3-1/4”, w. 3”, an open sugar bowl, h. 2”, dia. 3-1/4”, salt and pepper shakers, h. 3-1/2”, dia. 2-1/4”, and four bread and butter plates, dia. 6”.

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

606

607

608

Collection of Royal Crown Derby “King’s” Pattern Dinnerware

ca. 1890-1921, decorated in the Imari palette with trees, flowers and rocaille work, the service including a soup tureen, h. 9-1/2”, w. 13-1/2”, twelve dinner plates, dia. 10-1/4”, and twelve shaped luncheon plates, dia. 9”, each piece marked.

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

609

George III Mahogany Fold-Over Games Table

18th century, the rectangular top with a molded edge and supported by a hinged swinging rear leg, above a straight frieze with inlaid border, raised on Marlborough legs. h. 30”, w. 35”, d. 16-1/4”, ext. d. 32-14/2”

$900-$1,200

610

ca. 1900, the urn-form finial over the bronze clock case, set with beveled glass sides, trimmed with champleve enamel on a turquoise ground, the door flanked with matching Corinthian columns, the door, bezel and enamel-decorated pendulum trimmed with paste “jewels”, marked “Tiffany & Comp.y” on the back. h. 19”, w. 6-3/4”, d. 5”

$1,400-$1,800

Tiffany-Retailed Champleve Enamel Regulator Clock

611

Unusual Chinese Cloisonne Jardiniere

ca. 1900, the applied rim with panels decorated with butterflies and scrollwork, the body with warriors and centurions in Greco-Roman-style garb on a turquoise ground with gilt “stars”.

h. 15-1/2”, dia. 12-3/4”

$1,000-$2,000

Brass-Inlaid Mahogany Bottle Case

ca. 1800, inlaid with rectangular panels on each side, the sides with brass carrying handles, the front with a Chippendale escutcheon, raised on brass paw feet, now with six mismatched 18th-century gilt-decorated blown glass spirit bottles.

h. 9”, w. 12-1/2”, d. 8-1/4”

$700-$1,000

Provenance: Malcolm Innes Gallery, Edinburgh, Scotland.

613

English Brass-Mounted Camphor Wood Campaign Chest/ Butler’s Desk

19th century, in two parts, the upper case fitted with a center fold-down drawer front, the interior with a leather writing surface and fitted with drawers and cubbies, flanked by a drawer to each side and a long drawer below, the lower case with two long drawers.

h. 40-1/2”, w. 42”, d. 21-1/2”

$1,200-$1,800

611

612

English

612

614

Faience de Lille Bouquetiere

19th century, the semicircular planter with ruffled edges, hand-painted scrollwork and diapered panels with molded trim, the back with openings for wall hanging. h. 6-1/4”, w. 13”, d. 9-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

615

Pair of Dutch Delft Beaker Vases

18th century, decorated with raised cobalt-accented scrollwork panels, the bases with unidentified underglaze marks. h. 12-3/4”, w. 7-1/8”, d. 6”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

616

Pair of Delft Covered Vases

19th century, the leopard knops over faceted, inverted pearform vases decorated with vases of flowers and scrollwork, the bases with spurious “JK” marks. h. 21-3/4”, dia. 8-3/4”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

614

615 616

617

George III Mahogany Butler’s Secretary

18th century, the upper case with a pair of astragal-glazed doors, the base with a fold-down butler’s desk drawer, opening to a fitted interior, above three graduated long drawers. h. 87”, w. 43-1/2”, d. 22”

$1,200-$1,800

19th century, the D-form top opening to a felt-lined playing surface, the frieze sections with satinwood banding, raised on turned, tapering legs. h. 27-1/2”, w. 35-1/2”, d. 17-1/2”, ext. d. 35”

$900-$1,200

618

Irish Mahogany and Satinwood-Inlaid Fold-Over Games Table

617

618

618 detail

619

$2,000-$4,000

620

Antique Oushak Carpet

$2,000-$4,000

Provenance: Private collection, Laguna Beach, California.

621

$6,000-$9,000

Peshawar Birds of Paradise Carpet

8’ 1” x 9’ 10”

8’ 11” x 9'11"

Khotan Carpet

13’ x 16’ 10”

622

Pair of English Brass Sconces

in the Regency taste, the circular, beaded backplates supporting hand-form arms set with turned candle sockets and drip pans, fitted with custom Denning & Fourcade pleated and fringed silk lampshades.

h. 15”, w. 13”

$1,000-$1,500

623

Pair of English Brass Sconces

h. 15”, w. 13”

$1,000-$1,500

624

Rare Signed Five-Piece Dutch Delft Garniture Set

ca. 1756-1789, the set including three covered jars with birdmolded knops, h. 13-3/4”, w. 5-1/2”, d. 3-3/4”, and a pair of flaring paneled vases, h. 10”, w. 6-1/2”, d. 4”, decorated with hunting dogs pursuing game birds, framed with raised flowers and scrollwork, and painted with yellow, cobalt and brown flowers, marked “BP” for De Vergulde Blompot.

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

622

623

624

625

Set of Seven French Creamware Plates

first quarter 19th century, the P & H Choisy plates with yellow borders, decorated with animals and one architectural scene, impressed “P & H” on the back. dia. 8-1/4”

$400-$700

626

George III Veneered Box on Stand

ca. 1800 and later, the richly veneered mahogany with contrasting crossbanding, accented with line inlay, the top with a period brass bail pull, the front with an inlaid escutcheon and the sides with later turned bosses, raised on a contemporary stand with tapered legs. h. 28”, w. 15”, d. 12-1/2”

$700-$1,000

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

627

William IV Mahogany Trolley

19th century, with three shelves, each with a threequarter gallery, the block-and-turned corner posts with reeded details, raised on porcelain casters. h. 40”, w. 39-1/2”, d. 17”

$700-$1,000

626

628

Edwardian Figured Satinwood Occasional Table

early 20th century, the circular top with an inlaid and banded border, the center field with a book-matched segmented inlaid design, raised on tapered square legs joined by shaped stretchers and a small circular shelf. h. 28-1/2”, dia. 30”

$1,000-$1,500

629 George III Tortoiseshell Tea Caddy

ca. 1800, with cut corners and veneered in book-matched figured tortoiseshell segments, the two-compartment interior with matching covers and remnants of foil lining. h. 4-1/2”, w. 7-1/4”, d. 3-3/4”

$1,000-$1,500

630

Georgian Tortoiseshell Tea Caddy

ca. 1800, the bowfront caddy with a segmented tortoiseshell cover with a rectangular silver plate engraved with initials, the front with a matching escutcheon, the two-compartment interior with tortoiseshell covers, raised on bun feet. h. 5-1/2”, w. 6-1/2”, d. 3-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

628

629

631

William IV Rosewood and Specimen Marble Chess Table

19th century, the octagonal top set with Italian marble, with ogee sides, the edges with egg-and-dart trim, on a faceted pedestal over a platform base, raised on leaf-carved and scrolled feet, on brass casters. h. 29-1/2”, dia. 28-1/2”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

631 detail

632

William IV Mahogany Tilt-Top Breakfast Table

19th century, the circular top mounted to a faceted and tapered standard, on a carved circular ring and in-curved platform, raised on scroll-carved feet. h. 28-1/2”, dia. 50”

$1,000-$1,500

632

633

Pair of Enameled Candlesticks Lamp

third quarter 19th century, attributed to Prattware, decorated with winged griffins on a terracotta ground, with painted fret borders, now electrified and fitted with pleated and fringed Denning & Fourcade custom lampshades.

h. 17”, w. 12”, d. 8”

$900-$1,200

634

Unusual Black Forest Carved Tapestry/Towel Rod

19th century, carved of lindenwood in the Baroque taste, decorated with a young woman in 17th-century costume, her bodice issuing forth from a leaf-carved cartouche carved with the cypher “E St.” on each side, the rod with reeded finials. h. 26-1/4”, w. 33-1/4”

$1,500-$2,500

635

English Mahogany, Brass and Glass Pub Coin Till

first quarter 20th century, an early form of a cash register and change maker for pubs and other businesses, the front with an enameled sign reading, “By Her Majesty’s Royal Letters Patents, Tel. No. Central 4343, J.C. Cox, Inventor, Patentee & Manufacturer, Lit. Water Lane, Queen Victoria St., London, E.C.”.

h. 50-1/2”, w. 55-1/2”, d. 13”

$1,200-$1,800

The coin was dropped into the brass slot at the top, where it descended through a zig-zag system of trays between the panes of glass, before dropping in the locked money drawer in the base. The mechanism was actuated by a set of brass levers, which caused a bell to ring each time a coin was inserted.

633

634

635

636

Semi-Antique Tabriz Silk Carpet

$8,000-$12,000

$2,000-$4,000

13’ x 21’

637

Agra Serapi Carpet

8’ 10” x 11’ 7”

636

$2,000-$4,000

$1,200-$1,800

638

Heriz Carpet

13’ x 18’ 6”

639 Semi-Antique Isfahan Carpet

10’ 3” x 15’ 8”

638

639

640

$5,000-$8,000

641

Antique Serapi Carpet

9’ 11” x 13’ 2”

Agra Serapi Runner

2’ 8” x 25’ 8”

$1,000-$1,500

642

Italian Carved Walnut Box in the Baroque Taste

ca. 1800, the cover with a satyr masque framed with reliefcarved scrollwork and flower heads, the corners with leafcarved corbels, the facade with a cartouche supported by a pair of figures against a field of leaf-carved vines, on a stippled ground.

h. 8-1/4”, w. 16-3/4”, d. 12”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

17th century, the tapestry decorated with a shepherd and shepherdess, along with goat herds and their flocks in a lush landscape, the border woven with ribbon-bound swags of fruit.

h. 87”, w. 105”

$3,000-$5,000

Provenance: Sotheby’s, 1964; Private collection.

643

Flemish Pastoral Verdure Tapestry

642

642 detail

644

Pair of Louis Philippe Crystal, Bronze and Marble Rhyton Vases

second quarter 19th century, French, the cut and scalloped crystal vases within carefully detailed bronze dore ram’s-head mounts, resting on Siena marble plinths.

h. 9”, w. 6”, d. 4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

645

Handsome French Neo-Grec Bronze and Marble Figure of Apollo

third quarter 19th century, the figure standing and poised to shoot his bow, his arrows, lyre and amphorae at his feet, the base with a Greek-key fret border, on a molded rouge griotte marble base.

h. 15”, w. 13”, d. 6-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

646

Pair of Regence-Style Walnut Fauteuils a la Reine

early 20th century, each with an arched back, carved arms and seat frame, raised on cabriole legs ending in scrolled toes, covered in floral needlepoint.

h. 45-1/2”, w. 29”, d. 25”

$1,000-$1,500

644

645

647

Pair of English Majolica Dessert Stands

ca. 1900, in the Art Nouveau taste, the leaf-molded tops on trumpet-form bases, marked indistinctly. h. 9-1/4”, dia. 11”

$800-$1,200

648

Edwardian Brass and Leather-Covered Adjustable Fire Fender Bench

early 20th century, the seat ends tufted in burgundy leather, over a tubular brass frame, the width adjustable, on a sliding bar concealed in the base frame. h. 18”, w. 53” to 61”, d. 17”

$800-$1,200

649

Chinese Export Blue and White Covered Vase Lamp

the unusual pear-form covered vase decorated with panels of mandarin figures and bamboo, on a painted floral ground, on a pierced and ebonized stand, fitted with a custom pleated and fringed silk lampshade. h. 34”, dia. 21-1/2”

$1,000-$1,500

647

648

650

George III Mahogany Huntboard

19th century, the serpentine top with a narrow, fluted frieze above a conforming straight frieze with cock-beaded edge, raised on tapered square legs ending in spade feet.

h. 36”, w. 71”, d. 29”

$1,200-$1,800

Provenance: Waldhorn & Co., New Orleans, Louisiana; Private collection, New Orleans, Louisiana.

651

Pair of Chinese Export Porcelain Vases

ca. 1900, the gilt-trimmed vases with pomegranate-molded handles, the sides decorated with mountainous landscapes, the bases with underglaze blue seal marks.

h. 20”, dia. 9-3/4”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

652

Spode “Greek” Pottery Partial Dinner Service

ca. 1900, blue and white, each with a Greek key band and various classical reserves throughout, the service including twelve dinner plates, dia. 10-1/2”, two dinner plates, dia. 9-3/4”, twelve luncheon plates, dia. 9”, twenty-two salad/dessert plates, dia. 7-1/2”, thirteen bread and butter plates, dia. 6-1/2”, twelve hors d’oeuvres plates, dia. 5-1/4”, three dessert/sauce dishes, dia. 5”, eight bowls, dia. 6-1/4”, fifteen London shape cups, h. 2”, dia. 3-1/2”, and twelve saucers, dia. 5-1/2”, a circular open bowl, h. 2-1/2”, dia. 10”, a covered, handled bowl, h. 5-3/4”, w. 9-1/2”, a gravy boat, h. 3-1/2”, w. 7”, a mustard pot, h. 3-1/2”, dia. 2-3/4”, two graduated open vegetable dishes, w. 6”, l. 8-1/4” and w. 6-3/4”, l. 9”, a condiment set with a fitted stand, including salt and pepper shakers, a mustard pot and a toothpick holder, h. 2-3/4”, w. 8-1/2”, a teapot, h. 5-3/4”, w. 10-1/2”, a cream jug, h. 4”, w. 4-1/4”, a leaf dish, w. 4-1/2”, l. 15-1/2”, and a covered cheese dish, h. 2-1/2”, w. 6-1/4”.

$1,400-$1,800

653

Collection of Spode and Herculaneum “Greek” Pattern Pearlware

early 19th century, English, including a vegetable dish marked “Copeland and Garret late Spode”, h. 2-1/2”, w. 9-1/2”, a hot water dish with “Zeus in His Chariot”, h. 2”, w. 11-1/4”, d. 9-3/4”, a pair of oval pierced stands with decorator’s marks, w. 6-1/2”, l. 9”, an oval pierced basket with a decorator’s mark, h. 2-3/4”, w. 9”, d. 5”, a pair of brown-edged dessert dishes, w. 7”, l. 9-3/4”, a rectangular platter with iron-red trim, with a painter’s mark, w. 7-1/2”, l. 10-1/4”, and a brown-edged basket and stand, attributed to Herculaneum, h. 3-1/2”, w. 9-3/4”, d. 7-1/2”; together with a copy of David Drakard and Paul Holdway’s Spode Transfer Printed Ware, 1784-1833.

$700-$1,000

654 George III-Style Mahogany Vitrine

ca. 1900, the top with a neoclassical-style broken-arch pediment over a dentillated and fluted frieze section separated by turned rosettes, above a pair of astragalglazed doors, the base of like form and raised on ogee bracket feet.

h. 95”, w. 44”, d. 18”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

656

George III Banded Mahogany Chest of Drawers

late 18th century, the top with quarter book-matched veneers and bordered with a banded edge, the front with a pair of side-by-side drawers over three graduated long drawers, each with similar banding, raised on bracket feet. h. 38”, w. 40”, d. 21”

$1,000-$1,500

657

Pair of William IV Mahogany Hall Chairs

19th century, each with a pierced and carved back centered by an applied and carved stylistic shield, with shaped plank seat, raised on turned legs. h. 35”, w. 14”, d. 17”

$600-$900

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

655

Pair of Chinese Export Porcelain Garden Seats

20th century, the hexagonal garden seats decorated with panels of peonies, birds and bamboo on a white ground, against a cobalt field strewn with white flowers and scrollwork, and pink characters.

h. 15-1/4”, dia. 12-1/4”

$1,000-$1,500

656

657

658 British School

19th Century

“The Thoroughbred” oil on canvas unsigned. Framed.

25” x 29-1/2”, framed 30-1/2” x 35”

$1,000-$1,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

659

Theodore Levigne (French, 1848-1912)

“La Chasse” oil on canvas signed lower left. Framed.

62” x 112”, framed 71” x 121”

$5,000-$8,000

658

660

Samuel Joseph Clark (British, 1834-1912)

“Farm Scene”

oil on canvas signed lower left. Framed.

18” x 24”, framed 27” x 32”

$1,800-$2,500

661

Louis Pierre Verwee (Belgian, 1807-1877)

“Landscape with Sheep”

oil on canvas signed lower right. Framed.

19-1/2” x 29”, framed 31” x 40-1/2”

$1,500-$2,500

662

Antal (1860) Szirmai (Hungarian, 1860-1927)

“Rams”

oil on canvas signed lower left. Framed.

27-1/2” x 40-1/4”, framed 31-3/4” x 45-1/2”

$1,500-$2,500

663

American School

First Quarter 20th Century

“The Stag”

oil on canvas signed “Hastings” lower right. Framed.

48” x 48”, framed 54-1/2” x 54-1/2”

$1,000-$1,500

Provenance: Tavern on the Green, New York, New York; Guernsey’s, New York, New York, Tavern on the Green Auction, January 13, 2010, lot 12; Private collection.

Literature: Vince Veneziani, Business Insider, “The Awesome Stuff Being Auctioned Off by Bankrupt Tavern on the Green”, January 11, 2010, illustrated.

663

662

664

Henry Schouten (Belgian, 1864-1927)

“Horse-Drawn Cart”

oil on canvas signed lower right. Framed.

19-3/4” x 30”, framed 25” x 35”

$1,500-$2,500

665

Louis Pierre Verwee (Belgian, 1807-1877)

“Two Sheep”

oil on canvas signed lower left. Framed.

sight 6-3/4” x 8-1/2”, framed 16-1/2” x 18-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

664

665

666 Flemish School

18th Century

“Country Life” oil on canvas unsigned. Framed.

25” x 32”, framed 31” x 38”

$1,500-$2,500

667

Jacobean Pine and Padauk Wood Chest of Drawers

17th/18th century, the top with a molded overhanging edge, above two cases which stack together, each with two long drawers with panels and geometric moldings, raised on square block legs.

h. 37-1/2”, w. 40”, d. 22”

$1,000-$1,500

668

Philadelphia Coin Silver Water Pitcher

mid-19th century, by George B. Sharp (ca. 1819-1904), the pear-shaped body with integral spout, molded foot ring and acanthus-crested handle, decorated with repousse acanthus and floral swags, monogrammed “DSBW”. h. 11-1/2”, dia. 6-3/4”, l. 9”; 35.19 t. oz.

$900-$1,200

669

Fine Gorham Coin Silver Pitcher

mid-19th century, Providence, Rhode Island, retailed by J. W. Tucker & Co., San Francisco, the ovoid body decorated with repousse hibiscus on a starry matte ground, the scrollmounted imbricate handle crested with a ram’s masque, the cartouche engraved “B. F. Washington”. h. 12-3/4”, l. 9”, dia. 5-3/4”; 39.81 t. oz.

$1,200-$1,800

Benjamin Franklin Washington (1820-1872) was the greatgreat-nephew of George Washington, a descendant of the patriot’s brother Samuel. Born in Berry Hill in Jefferson County Virginia (now West Virginia), he studied law and assumed the family estates at the early age of 21, but was lured to the Pacific Coast by the Gold Rush, leading a contingent of young men from the Shenandoah Valley to California. He met with no success, but remained in Sacramento, working in the post office and elected Recorder in 1850. He purchased and operated the Times and Transcript newspaper for a few years before being appointed by James Buchanan as Collector of the Port of San Francisco in 1857. He purchased a ranch and returned to the practice of law in 1863, and in 1865 became editor of the San Franciso Examiner, from which he retired shortly before his death.

668 669

Unique USS Louisiana Silver Service Goblet

1906, by Frank W. Smith Co., Gardner, Massachusetts, for Coleman E. Adler, Jeweler, New Orleans, Louisiana, .935 silver, the bowl with an applied band of fruit swags in high relief between reeded bands and centering opposing medallions of the Louisiana state seal and “Avoyelles” with magnolia petal calyx above a magnolia bud and leaf pedestal foot with acanthus scroll edge, the interior gilt.

h. 6-1/4”, dia. 3-1/4”; 15.54 t. oz.

$1,000-$1,500

The USS Louisiana, the second Connecticut-class battleship of the United States Navy, was authorized on July 1, 1902, and laid down on February 7, 1903, at the Newport News, Virginia, Shipbuilding Company. The ship was launched on August 27, 1904, christened by Miss Marie Juanita de Lallande de Ferriere (1875-1955), a New Orleans debutante and former queen of Proteus.

Alongside announcements of the ship's launch were the first appeals for funds to supply the ship with a silver service from the state as had become the custom with the ships of the "New Navy". The campaign was led through the New Orleans Times-Democrat newspaper and Andrew R. Blakely, proprietor of the St. Charles Hotel. The drive raised $429.25 through September but then lagged until May 1905 when the Times-Democrat began a series of articles about the lackluster response, chiding Louisianians with the success of Mississippi's similar drive for the USS Mississippi. By June of 1906, the fundraising committee - now under the auspices of the Progressive Union and chaired by Mayor Martin Behrmanhad raised $3671 (of the projected $10,000 needed).

The design for the service was approved on July 4, 1906. New Orleans silver firms A.B. Griswold & Co. and T. Hausmann & Sons among others submitted entries, but the design chosen was that of Slovakian immigrant Coleman E. Adler (1868-1938) who had opened a jewelry concern on Canal Street in 1898 (and which still exists today). The set he designed comprised a large punch bowl on stand, a small tray, a large plateau, two cake baskets, two fruit baskets, two ladles and fifty-eight goblets: one for each parish except Orleans, which was represented by the punch bowl, decorated with a vignette of the Cabildo flanked by scenes of LaSalle's Claim and the Louisiana Purchase.

The goblets were described thus: "The seal of the state appears on each side of the goblet, while the corresponding space on the other side is used for the name of the parish. The principal feature in the treatment of the goblet is the magnolia . . . The blossom forms a socket for the cup and continues to the base, forming the stem of the goblet, with garlands of fruit festooning around the cups. The goblets are gold lined and weigh twenty ounces." (New Orleans Times-Democrat, July 5, 1906)

The Progressive Union formally contracted Adler on August 9, 1906, to supply the set by the following November. While never mentioned by name in the press, the "Boston" firm Adler contracted for the task was Frank W. Smith of Gardner, Massachusetts. The funding committee targeted the parishes and large cities to sponsor specific pieces: Baton Rouge the fruit baskets, Lake Charles the cake baskets, Shreveport the plateau, for instance, and each parish its own goblet. Mayor Behrman reported on August 12 that ten parishes (among them Avoyelles) had yet to contribute the requested $100 for their goblet.

Adler continued to update the press on the set's construction ("the set will be the only one in the navy made of .935 silver") and by October the punchbowl had arrived in New Orleans. (Adler demonstrated its enormous size by showing that his eight-year-old son Milton could hide in it completely.)

The complete set was unveiled in Adler's store on December 6, and the service formally presented to Captain Albert R. Couden of the USS Louisiana at the Port of New Orleans on December 15, 1906. Photographs of the set appeared in both the New Orleans TimesDemocrat and the Times-Democrat

The USS Louisiana was part of the Great White Fleet 1907-1909 and deployed thrice to protect American interests during the Mexican Revolution 1913-1915. The ship was then reduced to reserve status, serving as both training vessel and convoy escort during the First World War. The ship was decommissioned on October 20, 1920, and scrapped in November 1923.

The silver service of the USS Louisiana was Navy property and its disposition required Federal authority. US Senator Edwin S. Broussard of Louisiana oversaw the process, and by House Resolution 13404 the 70th US Congress, passed by the Senate January 7, 1929, the service was given to the Louisiana State Museum. The museum's accession records, however, state that the service was merely a loan, not a gift, and was returned to the US Navy decades ago. The disposition of the service is thereafter unknown. This single goblet offers the tantalizing hope that more of the set

670

670 detail

670

may yet be discovered.

671

American Sterling Silver Vase

mid-20th century, by International Silver, Meriden, Connecticut, of amphora form, with leaf-and-ball banding and anthemion-mounted arched and scrolled handles, raised on a pedestal foot.

h. 14-3/4”, w. 8-1/4”, dia. 5-1/2”; 33.6 t. oz.

$800-$1,200

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

672

Fine Tiffany & Co. Sterling Silver and Mixed Metal “Pilgrim Bottle” Vase

designed by Edward C. Moore, ca. 1878, New York, New York, the “moon flask”-shaped vase with four integral feet and “honeycomb” hammered finish, with applied silver wisteria, copper ladybug and spider, brass and copper beans, and copper and silver dragonfly handles.

h. 7”, w. 4-3/4”, d. 3”; 15.44 t. oz

$3,000-$5,000

671

672 detail

673

Four American Coin Silver Punch Ladles

mid-19th century, including:

a “Fiddle” example with oval bowl and rounded shoulders, by Henry Richardson (1818-1898), Providence, Rhode Island, inscribed and dated “Lathrop / 1845” and monogrammed “L”, l. 12”;

a “Fiddle” example with oval bowl and pointed shoulders, by Theodore LeHuray (ca. 1820-1867), Philadelphia, Pennsylvania, inscribed “Presented by Mrs. Elizabeth Freidenberg / To / P. Freidenberg”, l. 13-3/4”;

a “Fiddle Thread” example with oval bowl and rounded shoulders, indistinctly marked [F. H****** & Co.”], monogrammed “SLS”, l. 13”; and a “Fiddle Thread” example with circular bowl and rounded shoulders, unmarked, no monograms, l. 12”. 26.15 total t. oz.

$700-$1,000

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

673 details

674

German Silver “Fiddle Thread” Flatware

second half 19th century, by Lazarus Posen Witwe, Frankfurt, .800 silver, including twelve dinner forks, l. 8”, four tablespoons, l. 8-1/4”, and a teaspoon, l. 6-3/4”, the last only monogrammed “FB”.

38.45 total t. oz.

$800-$1,200

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

675

Eleven Mexican Sterling Silver Goblets

third quarter 20th century, each with an inverted bell-form bowl, baluster stem and circular foot with applied addorsed scroll banding.

h. 6-7/8”, dia. 3”; 85.38 total t. oz.

$1,500-$2,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

676

Large Set of Gorham “Chantilly” Sterling Silver Flatware

the pattern designed in 1895 by William Christmas Codman (1839-1923), Providence, Rhode Island, including a dozen tenpiece luncheon-size place settings, a half-dozen each dinner forks and knives, dessert forks and spoons and iced tea spoons, with an additional twenty-three place pieces and twenty-one serving pieces, thirty-five pieces monogrammed. (194 pieces total)

148.11 total t. oz. (weighable silver)

$3,000-$5,000

Provenance: Estate of Loveta Byrne, Natchez, Mississippi. Detailed list of pieces available on request.

Rare Extensive “Old Limoges” Dinner Service

ca. 1853, French, decorated by Haviland on Malvergne Alluaud blanks, with flowers and shaded framboise borders, richly trimmed in gilt, the knops in the form of pomegranates the service comprised of a suite of three pierced baskets, including an basket, h. 11”, w. 17-1/2”, d. 10", and two circular baskets, h. 9”, dia. 11”, a soup tureen h. 13”, w. 10”, d. 7-3/4”, a pair of sauce tureens with integral stands, h. 7-3/4”, w. 8-1/4”, d. 6-1/4”, a pair of large shell dishes, w. 8-1/4”, l. 11”, a pair of small shell dishes, w. 4-3/4”, l. 9”, a pair of oval covered vegetable tureens, h. 6-3/4”, w. 11-3/4”, d. 8-1/4”, a pair of butter tubs, one with a liner, h. 5-1/2”, dia. 6-1/2”, a pair of oval open vegetable dishes, h. 2-1/2”, w. 9-3/4”, d. 7-1/2”, a circular salad bowl, h. 3-3/4”, dia. 9-3/4”, a gravy boat and stand, h. 4-3/4”, w. 10-1/2”, d. 6-1/2”, five covered pots-de-creme, h. 4”, dia. 3”, a nest of ten graduated platters, w. 7-1/4” to 13-1/4”, l. 10” to 20”, nineteen dinner plates, dia. 9-1/4”, ten soup plates, dia. 9-1/4”, fifteen salad/dessert plates, dia. 8-1/2”, and eight bread-and-butter plates, dia. 7-1/4”.

$2,000-$4,000

Literature: An engraving of the oval basket from Haviland’s stand at the “Exhibition of the industry of All Nations”, at New York’s Crystal Palace, 1853-1854 is reproduced on page 132 of “Old Limoges, Haviland Porcelain Design and Decor 1845-65”, by Barbara Wood and Robert Doares. The book goes on to quote a description of the stand by New York Tribune editor Horace Greely, who wrote “A Day at the Crystal Palace” and describes a “white and shaded crimson” dinner service, which appears to be the service being offered.

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

678

Colonial Revival Glass Lamp in the Sinumbra Taste

ca. 1900, the frosted glass shade cut with grapes and set into a prism ring hung with prisms, supported on a molded glass standard. h. 25-1/2”, dia. 9-1/2”

$1,000-$1,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

679

After John James Audubon (American, 1785-1851)

“Pine Grosbeak (Pyrrhula enucleator. Male Adult, Spring Plumage, 1. Female, 2. Young First Winter, 3.) No. 72, Plate CCCLVIII”, 1837

hand-colored aquatint engraving

“J. Whatman, 1837” watermark lower left. Engraved, printed and coloured by Robert Havell Sr., London. Matted, glazed and framed. sheet 34” x 23”, , framed 43” x 30”

$2,500-$4,000

Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.

680

After John James Audubon (American, 1785-1851)

“Selby’s Fly Catcher, (Muscicapa selbii. Plant Vulgo. Pheasants Eye.) Plate IX. No. 11”, 1827 hand-colored aquatint engraving

“Alex. Drysdale, Carvers and Gilders, Edinburgh” label en verso. Engraved by William Home Lizars, Edinburgh, Scotland, and printed and coloured by Robert Havell Sr., London. Matted, glazed and framed. sheet 22” X 14-3/4’, framed 40” x 30”

$2,000-$4,000

Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.

From Audubon’s journal, July 1, 1821:

“I found this bird about three miles from St. Francisville in Louisiana, whilst engaged in searching for a Turkey, which I had wounded. It was afternoon, and the heat oppressive. I saw it innocently approaching us until within a few yards, anxiously looking, as if trying to discover our intentions; but as we stood motionless, it once came so near that I could easily have reached it with my gun barrel. It moved nimbly among the twigs of the low bushes, making now and then short dashes at flies, which it swallowed after killing them under foot, as many other Fly Catchers are in the habit of doing, then peeping at us, and again setting off in pursuit of flies.”

679

681

Antique Bakshaish Carpet

10’ x 15’

$12,000-$18,000

681

682

Semi-Antique Karaja Runner

3’ 3” x 10’ 9”

$1,000-$1,500

683

Semi-Antique Mashad Carpet

10’ 4” x 14’ 3”

$1,800-$2,500

682

684

Antique Serapi Carpet

10’ x 13’

$3,000-$5,000

685

Semi-Antique Tabriz Carpet

8’ x 15’ 6”

$1,000-$1,500

684

686

Pair of Bronze Lamps in the Neoclassical Taste

20th century, in the form of garnitures, decorated with faux bois, on bronze monopodial supports terminating in ram’s heads, hung with bronze floral swags, on circular matching bases with bronze feet, fitted with lampshades. h. 28-3/4”, dia. 14”

$900-$1,200

687

American Late Classical Rosewood Secretaire a Abattant

19th century, the top with a complicated double ogee cornice above a pair of glazed doors, the base with a drop lid opening to an inlaid and fitted interior with cubbies and drawers, above a pair of paneled doors opening to an interior fitted with three long drawers.

h. 98”, w. 43”, d. 19”

$1,800-$2,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

688

Neoclassical Giltwood Convex Mirror

second quarter 19th century, English or American, the crest with a displayed eagle on a shaped plinth, flanked by flags on either side and scrolling acanthus leaves, the cove-molded surround set with gilt spherules, the bottom with carved acanthus leaves. h. 33”, w. 20”, d. 4”

$1,500-$2,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

686

689

Empire Mahogany and Ormolu-Mounted Cheval Mirror

19th century, the framed beveled mirror supported by turned columnar supports, each mounted with bronze candle arms, and mounted to a trestle base with carved feet, joined by a turned stretcher. h. 65-1/2”, w. 37”, d. 29”

$1,000-$1,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

690

Alban Jasper Conant (American, 1821-1915)

“Portrait of a Gentleman of the Law”, 1860 oil on canvas signed and dated on sheet lower left. Framed.

49-1/2” x 37”, framed 56-1/2” x 46-1/2”

$2,000-$4,000

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

A native of Vermont and later resident of St. Louis, Missouri, Conant was a portraitist, gallery owner, and author. His numerous political commissions most notably included the first portrait of President Abraham Lincoln now located in the American Heritage Room, Morris Library at Southern Illinois University; it is the only portrait of Lincoln smiling.

689

691

Theodore E. Pine (American, 1828-1905)

“Portrait of a Scholar in His Study”, 1863 oil on canvas signed and dated lower left. Framed.

46” x 36”, framed 50” x 41-1/2”

$1,500-$2,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

692

Antique Bidjar Carpet

9’ 4” x 13’ 4”

$1,800-$2,500

693

Antique Bidjar Runner

3’ x 14’

$4,000-$7,000

691

694

Pair of Renaissance Revival Giltwood Appliques

ca. 1870, probably architectural fragments, with anthemia crests and Athena masques, framed with scrollwork and flower heads.

h. 15-1/4”, w. 10-3/4”, d. 6-3/4”

$700-$1,000

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

695

Bronze and Glass Solar Astral Table Lamp

second quarter 19th century, Boston, set with a cut and frosted glass sinumbra-style shade, the standard with unusual pierced and flower-molded mounts, the hexagonal base molded with Elizabethan revival strapwork, converted to kerosene.

h. 31-3/4”, dia. 8-3/4”

$800-$1,200

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

694

695

696

American Renaissance Revival Walnut and Burl Walnut Extra Grade Wooten Patent Secretary

third quarter 19th century, the carved threequarter gallery above a pair of triple hinge swinging banks, opening to a drop-down writing surface and fitted interior. h. 71”, w. 43”, d. 31”

$7,000-$10,000

696

697

Pair of Paris Porcelain “Mermaid” Vases

19th century, attributed to Jacob Petit, the mermaids supporting shell-form vases on bases decorated with molded seashells, raised on plinths with masquemolded and scrolled feet and masque-decorated floral plaques on the skirts, the ground with raised gilt scrollwork.

h. 11-3/4”, w. 7-1/2”, d. 5-1/4”

$900-$1,200

698

Pair of Paris Porcelain Rhyton-Form Vases

mid-19th century, in the Jacob Petit manner, the vases decorated with flowers and raised gilt on a claret ground, resting on allegorical figures of America, in the form of Native American princesses riding dragons.

h. 12-3/4”, w. 8-1/2”, d. 4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

699

American Classical Mahogany Breakfront

19th century, the broken, angular pediment over a straight frieze, the upper case with three diamondpatterned, astragal-glazed doors, the base with three framed and paneled doors, raised on ring-turned feet. h. 113”, w. 78”, d. 20-1/2”

$2,000-$4,000

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

697 698

699

700

Alexander John Drysdale (American/Louisiana, 1870-1934)

“Louisiana Bayou”, 1930 oil on canvas signed and dated lower right. Framed.

13î x 19î, framed 17î x 23î

$3,000-$5,000

Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.

701

Alexander John Drysdale (American/Louisiana, 1870-1934)

“Live Oak and Cypress Trees” oil wash on board signed lower right. Glazed and framed.

sight 20î x 29-1/2î, framed 23î x 33î

$3,000-$5,000

Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.

702

Pair of Gilt-Metal and Art Glass Sconces

in the Renaissance Revival taste, the backplates with masque molding and pierced scrollwork, set with sweeping scrolled and pierced arms decorated with classical warriors on horseback, and fluted drip pans fitted with aurene-style iridescent gold art glass trumpet shades.

h. 15-3/4”, w. 6”, d. 18”

$1,000-$1,500

703

American Federal-Style Inlaid Mahogany Sideboard

early 20th century, the form typically associated with Charleston, with a stepped row of drawers and short gallery backsplash, above a conforming base with various drawers and cabinets, raised on tapered square legs.

h. 49”, w. 72”, d. 23”

$1,000-$1,500

704

Regency Giltwood Bull’s-Eye Mirror

second quarter 19th century, the cove-molded surround with a reeded edge, set with gilt spherules, and an ebonized liner set with an antique convex mirror plate. dia. 20-1/4”

$1,400-$1,800

705

Rare Pair of Cast Spelter Figural Newel Post Lamps

19th century, attributed to Mitchell, Vance & Co., New York, one depicting the Greek goddess Athena and the other depicting Eleutheria, the Greek goddess of liberty, both with a raised arm holding aloft a lighting apparatus, set with period Greek-keycut glass shades, electrified. h. 43”, dia. 8-1/2”

$3,000-$5,000

706

Pair of Paris Porcelain Anneau d’Or Fruit Baskets

mid-19th century, the gilt-trimmed baskets with a pierced basketweave design, the bases decorated with pierced scroll and rocaille work. h. 8-1/4”, dia. 9-1/2”

$800-$1,200

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

704

705

706

707

Gilt-Metal and Onyx Banquet Lamp

ca. 1900, now with a cut and frosted Sinumbra-style shade, mounted on a prism ring hung with prisms, over a pierced rococo-style font holder mounted on a Corinthian column-form standard set with onyx, on a scroll-molded base decorated with winged angel heads. h. 31”, dia. 10-1/4”

$1,000-$1,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

708

Pair of Franco-Bohemian Porcelain Fan Vases

mid-19th century, with rocaille edges and molded leaves on each side, the panels decorated with floral bouquets. h. 10-1/2”, w. 7-1/2”, d. 5”

$700-$1,000

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

709

Late Classical Mahogany Butler’s Secretary

19th century, the top with a broken-arch pediment over a double-door cabinet with astragal diamond-pattern glazed doors, the base fitted with a fold-down butler’s desk drawer, the interior with a leather writing surface and fitted with a drawer and cubbies, above two paneled doors flanked by full columns and raised on carved paw feet.

h. 111”, w. 56”, d. 24-1/2”

$1,800-$2,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

707

708

710

Pair of Handsome Blown and Cut Glass Sweetmeat Jars

19th century, English or American, the ogee covers with faceted knops, over bodies decorated with bands of fluting, the bases with polished pontils. h. 16-1/4”, dia. 7-1/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

711

Arts and Crafts Brass and Glass Chandelier

ca. 1900, the center standard decorated with pierced brass scrollwork trim, supporting an adjustable center light supported on pulleys and chains, the standard supporting the circular ring on rod-form “chains” and mounted with three turned light supports alternating with turned medallions, set with four tulip-form slag glass shades, likely Handel. adjustable h. 41-1/2”, dia. 23-1/2”

$1,000-$1,500

712

Frank Howard Desch (American, 1873-1934)

“A Basque Girl”

oil on canvas mounted on wood panel signed lower right, a “Salmagundi Club” label en verso. Framed.

10-5/8” x 8-5/8”, framed 15” x 13”

$2,000-$4,000

Provenance: Salmagundi Club, New York, New York; Christie’s New York, July 22, 1998, lot 99; Guarisco Gallery, Washington, D.C.; Property of a gentleman collector, New Orleans, Louisiana.

710 712

713

Vernacular Louisiana Cypress Tapered-Leg Table

third quarter 19th century, the two-board plank top with underside battens mounted to a mortised and pegged straight apron, one side fitted with a drawer, raised on two-way tapered legs related to the Acadian group of furniture, the base in a reddish-brown paint. h. 29-1/2”, w. 34-1/4”, d. 30”

$700-$1,000

Literature: A near identical table is illustrated and discussed in Furnishing Louisiana: Creole and Acadian Furniture, 1735-1835, page 267, figure 30, published by the Historic New Orleans Collection.

714

Clementine Hunter

(American/Louisiana, 1886-1988)

“Cotton Picker”

oil on canvas board monogrammed upper mid right. Framed.

6” x 7”, framed 7-1/2” x 8-1/2”

$2,000-$4,000

Since her childhood, picking cotton was part of Clementine Hunter's life. When she became a mother, Clementine would place her children under a nearby tree and tend to them as she finished picking a row of cotton. According to Clementine:

"I just let my head wander. I always feel close to the Lord when Iím picking. Because to pick the cotton, you donít have to think of how to do it, you just do it. So, that leaves my whole head to think of the Lord. I can pray, sing, do just about anything I want while Iím picking, and nobody could stop me, except them children.”

Her depiction of a sole cotton picker could be seen as a self-portrait of the artist hard at work in the fields.

713

714

715

Custom Benchmade Southern Walnut Sideboard

20th century, in the Hepplewhite taste, the front with a central plank door, flanked by three drawers to each side, raised on tapered square legs joined by a scalloped apron.

h. 39”, w. 52”, d. 16-1/2”

$800-$1,200

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

716

Louisiana Creole-Style Inlaid Mahogany Armoire

ca. 1820, the molded cornice over a line-inlaid frieze containing a trio of oval panels, the center with an inlaid six-point star, over a pair of flush panel doors on fiche hinges, each interior door panel supported with a distinctive tapered strut, the false stile and scalloped apron framed with string inlay, raised on cabriole legs with pyramidal feet, the interior with a medial bank of three drawers, the back with six cypress panels. h. 83-1/4”, w. 64-3/4”, d. 22-1/4”

$3,000-$5,000

Provenance: The Collection of Reverend Gerard F. Young, Darrow, Louisiana.

715

716

717

Giltwood Convex Mirror

19th century, American or English, decorated with an eagle on a rocky outcropping, flanked by carved leaves, the circular frame set with spherules and a reeded, ebonized liner securing the mirror plate, with scrolled candle branches set with brass candle sockets fitted for glass shades, the base with a central shell flanked by scrollwork.

h. 33”, w. 20-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

718

Pair of Bohemian Overlay Glass Vases

19th century, the gilt-trimmed white-cut-to-cranberry vases in the Gothic taste. h. 12”, dia. 3-3/4”

$400-$700

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

719

New England Brass, Marble and Glass Solar Lamp

second quarter 19th century, mounted with a rare period cut and frosted glass ball shade decorated with bulls’ eyes and cross-hatched panels, the front molded with laurel leaves, on a fluted standard with a double-stepped marble base, hung with “snowflake” prisms.

h. 22”, dia. 8”

$1,000-$1,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

717

719

720

Semi-Antique Kashan Carpet

9’ x 11’

$1,500-$2,500

721

Semi-Antique Lavar Kerman Carpet

13’6” x 24’6”

$3,000-$5,000

722

Antique Lavar Kerman Palace Carpet

16’ 9” x 24’ 3”

$4,000-$7,000

723

Antique Oushak Carpet

11’ 10” x 12’

$3,000-$5,000

722

8’

$1,500-$2,500

724

Oushak Carpet

x 10’

725

Turkish Angora Oushak Carpet

10’ 1” x 13’ 10”

724

726

American Gas/Electric Brass Chandelier

ca. 1900, the eight-light electrolier with turned and pierced scrolled mounts, supporting four leaf-molded scrolled arms, each supporting an electric socket mounted with opalescent “Daisy Chain” Northwood shades and a gas socket with pierced and scrolled cups, set with opalescent glass candle sleeves, the bottom with a ball finial, electrified. h. 29-1/2”, dia. 21-1/2”

$1,000-$1,500

727

David Parks (American, b. 1944)

“Portrait of Gordon Parks”, 2021 archival pigment print signed in print lower left, pencil-signed en verso, printed by the Art Guild Press, Santa Fe, New Mexico, printer’s embossed mark lower right, signed “Robert Erlichman, dated “8/18/2021”, from an edition of 24, inscribed “130132” en verso. Unframed but in foldover portfolio. sheet 22” x 17”

$800-$1,200

I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs. I knew at that point I had to have a camera.

--Gordon Parks

One of the most acclaimed American photojournalists of the 20th century, Parks was a staunch advocate for social justice and much of his work explores issues of poverty, racism, and civil rights. The youngest of 15 children of a Kansas farmer and his wife, Parks taught himself the rudiments of photography after purchasing a camera at a pawnshop. He worked as a freelance photographer, as well as working numerous odd jobs to support himself, until his series of photographs of Chicago's South Side received national attention. In 1942, in part because of these photos, Parks was awarded a fellowship from the prestigious Julius Rosenwald Foundation, an extraordinary honor for a self-taught photographer with no formal training. The fellowship afforded him the opportunity to relocate to Washington, D.C., for an apprenticeship at the Farm Security Administration (FSA), where he remained for several years, supplementing his income by taking fashion photos for such magazines as Vogue and Ebony. In 1948, he became the first, and was for many years, the only African American on staff at LIFE magazine. His work for the publication brought him to the attention of an even wider audience and gave him the opportunity to explore social justice issues.

Reference: gordonparksfoundation.org 726 727

728

Tom Hennessey (American, 1937-2018)

“Evening on the River”

watercolor on paper

signed lower right, titled lower left on mat. Matted, glazed and framed.

sight 14-1/4” x 21”, framed 24” x 30-1/2”

$1,000-$1,500

729

Jere Hardy Allen (American/Mississippi, b. 1944)

“Bull”

mixed media on paper

signed lower right, “Carol Robinson Gallery” label en verso. Float-mounted and framed.

29-1/2” x 22”, framed 42-1/2” x 34”

$1,000-$1,500

Provenance: Carol Robinson Gallery, New Orleans, Louisiana.

728

729

730

Pair of Gilt-Brass and Marble-Top Side Tables

late 20th century, the inset circular marble top supported by three clusters of faux bamboo legs, joined by an in-curved lower shelf and ending in paw feet. h. 29”, dia. 18”

$1,800-$2,500

731

Arita Meiji Period Porcelain Umbrella Stand

ca. 1900, the Japanese umbrella stand with borders decorated with lotus blossoms, framing the body decorated with cranes and palm trees. h. 25”, dia. 8-3/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

732

Pair of Nevers Faience “Arms of Light” Wall Plaques

18th century, each cartouche-form backplate trimmed with chrome yellow scrollwork, molded with a young nobleman in chrome yellow and cobalt clothing, holding out one hand to support the candle, with small lion’s heads molded on each side of his face. h. 15-1/2”, w. 12-1/4”, d. 2-3/4”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

730

733

Large Italian Creme-Peinte and Specimen Marble-Top

Coffee Table

contemporary, in the Louis XVI taste, the inlaid marble top with geometric squares, rectangles and circles over a carved frame supported by ten French-style legs.

h. 17”, w. 72”, d. 36”

$2,000-$4,000

Provenance: A Villa, Palm Beach, Florida; interior designed by Juan Pablo Molyneux.

Literature: Thurman, Judith, “Juan Pablo Molyneux Outfits a Refined Palm Beach Villa”, Architectural Digest, July 2008, illustrated.

734

Large Italian Creme-Peinte and Specimen Marble-Top Coffee Table

contemporary, in the Louis XVI taste, the inlaid marble top with geometric squares, rectangles and circles over a carved frame supported by ten French-style legs. h. 17”, w. 72”, d. 36”

$2,000-$4,000

Provenance: A Villa, Palm Beach, Florida; interior designed by Juan Pablo Molyneux.

Literature: Thurman, Judith, “Juan Pablo Molyneux Outfits a Refined Palm Beach Villa”, Architectural Digest, July 2008, illustrated

733

734

20th century, comprised of a circular table with a plate-glass top, h. 29-1/2”, dia. 60”, and six side chairs, each with a ribbonmolded back, padded seat and back, and raised on cabriole legs, h. 39”, w. 20”, d. 19”.

$1,200-$1,800

735

Seven-Piece Cast Aluminum Garden Set

735

736

Jacques Renard Lejeune (French, 1930-2003)

“Jolie Femme sur la Terrasse” oil on canvas signed lower right. Framed.

39-1/2” x 39-1/2”, framed 47” x 47”

$2,500-$4,000

736

737

Mary Lee Flotte Lombard (American/Louisiana, b. 1940)

“Boats with the New Canal Lighthouse”, 1967 oil on canvas signed lower right, signed and dated en verso. Framed. sight 35-1/2” x 47-1/4”, framed 37” x 49”

$700-$1,000

738

Gordon Parks (American, 1912-2006)

“Day Dreamer”, 1970 iris print on watercolor paper printed 1995 from a 1970 transparency. Unframed. sheet 21-1/2” x 31”

$1,000-$1,500

Provenance: Purchased from the artist.

737 738

These images exist in their own longing. My mindís eye found them waiting, Laden with the scent of mystery. Having stumbled upon their presence, I began looking for secrets. Soon, things were dissolving Into the kind of geography Where only imagination roams.

--Gordon Parks

The stunning -- and rare -- unframed nude offered here reveals Gordon Parks' continuous exploration of perspective, lighting, and form with the photograph serving as a sophisticated experiment of composition and technique. It was a part of a larger group of images -- 15 nudes and 35 abstracts -- intended for a traveling museum exhibition entitled “Images from the Soul”. A large coffee table book was also in the works before Parks' untimely and sudden death halted the project.

739

Savonnerie Carpet ca. 1900

10’ x 15’

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

740

Pair of Louis XV-Style Pickled Beechwood Bergeres

20th century, each with a floral-carved frame and acanthus-carved hand grips, raised on cabriole legs. h. 35”, w. 30”, d. 33”

$1,000-$1,500

741

Four Custom Cowtan & Tout "Ocelot" Pillows the framboise and gold ocelot print pillows with matching fringed trim.

w. 22”, l. 22”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

742

Contemporary Gilt-Metal and Glass Chandelier of Italian inspiration, the scrolled metal frame lined with glass beading and set with fluted drip pans and cylindrical sockets, the bottom with a spherical glass finial. h. 33”, dia. 33”

$800-$1,200

741

743

9’ x 12’

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

744

Silk and Wool Stark Carpet

9’ x 12’

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

745

Pair of Italian Giltwood Lamps

ca. 1900, the Medici-form urn lamps decorated with anthemia, the scrolled handles accented with carved leaves, fitted with crewel-decorated lampshades. h. 22-1/2”, w. 10-1/2”, d. 10-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

Silk and Wool Stark Carpet

746

Pair of Labeled Lloyd-Flanders “Grand Traverse” Lounge Chairs and Ottomans

the traditional woven acrylic suite mounted with butter yellow cushions, and including a pair of chairs, h. 28”, w. 29”, l. 43-3/4”, and a pair of ottomans, h. 17", w. 42", d. 25-1/2".

$1,000-$1,500

747

Brown Jordan Chaise Lounges and Table

after a Richard Frinier design, the white metal set with a pair of chaise lounges with woven backs and seats, scrolled arms and seafoam green cushions, the backs on casters, h. 40-1/2”, w. 24”, l. 69”, and the drinks table with a glass top, h. 18”, w. 17-3/4”, d. 17-3/4”.

$1,000-$1,500

746

748

Suite of Nine Pressed Hydrangeas

2024, each initialed and dated lower right, in shades of blue.

Glazed and framed alike. each overall 17-1/2” x 13-1/4”

$1,200-$1,800

748

749

Italian Specimen Marble Bust and Pedestal

fourth quarter 19th century, the conical hat executed in gray mottled marble with rouge griotte and white trim, the head in white and black marble, the robe with inlaid details mimicking frog closures, the bust on a carved Breche Violette marble pedestal with white marble trim. h. 68-3/4”, w. 20-1/2”, d. 13-3/4”

$2,000-$4,000

Provenance: Private Collection, Laguna Beach, California.

Seven-Piece Stone and Metal Garden Suite

the suite comprised of a contemporary circular table with a pietra dura top decorated with scrollwork, on a cast stone vasiform base, h. 29-1/2”, dia. 59-1/2”, and six brown bambooturned chairs from Century’s “Orient” collection, fitted with cushions, after a Richard Frinier design, h. 39”, w. 22-1/2”, d. 22”.

$1,000-$1,500

751

Rare Signed French Gothic Revival Cast Iron Garden Bench

mid-19th century, decorated with pierced Gothic quatrefoils and tracery, the seat with hexagonal piercing, signed “Calla A Paris Brevete” on the crest. h. 36”, w. 56”, d. 20-3/4”

$1,500-$2,500

Christophe Francois Calla (1802-1884) was an important Parisian iron “fondeur”, producing both decorative and military iron, creating signed fountains on the Champs Elysee, among numerous important public commissions. The design is published in the 1858 Barbezat et Cie Fonderies du val D’Osne Catalog, Band de Jardin, plate 251.

752

Pair of Painted Cast Iron Garden Urns

fourth quarter 19th century, in the neoclassical taste, the egg-and-dart-molded rim over bodies set with ram’s-head handles, molded with daisies alternating with laurel leaves, the conical bases with rope-twist trim. h. 17”, dia. 20”

$1,200-$1,800

Provenance: Private Collection, Laguna Beach, California.

751

753

Rare Pair of Hugh Newell Jacobsen “Dominican Collection” Chaise Lounges and Occasional Tables

fourth quarter 20th century, each executed in aluminum, the chaises with adjustable backs, the loose cushions supported by parallel bars, each of the tables with a stone top, the legs joined by high box stretchers, retaining their original painted bronze patina surfaces.

chaise lounges: h. 33-1/2”, w. 31”, l. 74-1/2”; occasional tables: h. 17”, w. 22”, d. 22”; h. 12-1/2”, w. 26”, d. 26”

$1,500-$2,500

Hugh Newell Jacobsen’s architectural commissions included several institutions, amongst them renovations of the Smithsonian’s Renwick Gallery and Arts and Industries Building, and an addition to The Museum of Art at the University of Oklahoma. His celebrity clients included the Martha’s Vineyard home of Jacqueline Kennedy, Meryl Streep, and King Hussein and Queen Noor of Jordan. He designed furniture for several commissions. In the 1980s, he and his son Simon made these designs available on a limited production basis.

754

Pair of Patinated Bronze Garden Figures of Egrets contemporary, of Japanese inspiration, one bird with its head craned high and the other downcast. h. 56”, w. 22”, d. 22-1/2” and h. 43-1/2”, w. 23-1/2”, d. 11”

$1,000-$1,500

755

Peshawar Birds of Paradise Carpet

9’ x 12’ 1”

$2,500-$4,000

756

Peshawar Birds of Paradise Carpet

8’ 1” x 10’

$2,000-$4,000

757

Metal “Etruscan” Cocktail Table in the Diego Giacometti style, with hammered legs, and a giltmetal serpent wrapped around the S-form stretcher, set with a glass top. h. 16-1/2”, w. 47-3/4”, d. 35-3/4”

$1,000-$1,500

758

Mary Louise Snowden (American, b. 1952)

“Ions”, 2000 patinated bronze cast signature and numbered “17/100” along one back element, on an integral shaped black marble base; together with a copy of COA from Hanson Gallery. h. 26-1/2”, w. 36”, d. 11”

$2,500-$4,000

Provenance: Hanson Gallery, New Orleans, Louisiana; Private collection, Covington, Louisiana.

759

Pair of Neoclassical-Style Iron Planters of box form, with a pineapple finial at each corner, the sides centered with an applied wreath, raised on bun feet. h. 22-3/4”, w. 16”, d. 16”

$1,000-$1,500

760

Pair of Neoclassical-Style Iron Planters

of box form, with a pineapple finial at each corner, the sides centered with an applied wreath, raised on bun feet. h. 22-3/4”, w. 16”, d. 16”

$1,000-$1,500

758

759

760

761

Italian Renaissance-Style Polychrome, Parcel-Gilt and Specimen Marble-Top Table

20th century, the circular top inlaid with vases of flowers and flags, over a conforming frame, supported by four carved legs joined by a stretcher and ending in paw feet. h. 31”, dia. 60”

$2,000-$4,000

762

Partial Japanese “Jaguar Jungle” Dinner Service

contemporary, after a design by Lynn Chase, the service comprised of eight dinner plates, dia. 10-3/4”, eight salad plates, dia. 8-1/4”, eight bread and butter plates, dia. 6-1/2”, and eight coffee mugs, h. 3-3/4”, dia. 3”, each piece marked.

$1,000-$1,500

761

762

763

Pair of Large Patinated Bronze Sconces

possibly inspired by German designer Hans Kogls work for Maison Bagues, the tapered pots with rope-twist trim, set with a pair of scrolled candle branches terminating in lilies, set with lights, a pair of palm fronds “growing” from the pots. h. 33”, w. 25”, d. 9”

$1,200-$1,800

764

Signed Contemporary Bronze Figural Fountain

decorated with children fishing on an overhanging tree limb, with a bucket of fish atop the stump, piped for the fountain, on a molded base, signed “S. Kelian”. h. 58”, w. 60-1/2”, d. 27”

$2,000-$4,000

763

765

Pair of Monumental Cast Bronze and Aluminum Garden Urns

in the rococo taste, the painted aluminum garden urns with basins decorated with bronze masque mounts alternating with scrollwork, on vasiform standards, over pedestals set with molded bronze corner columns flanking panels of scrollwork. h. 60”, dia. 36”

$1,500-$2,500

766

Brown Jordan Attributed “Venetian Garden” Dining Suite

after a Richard Frinier (American, b. 1946) design, the classically inspired enameled metal suite comprised of a dining table with a pebbled glass top, h. 29”, dia. 61”, and six dining chairs with X-form backs, scrolled arms and woven seats, h. 34”, w. 22”, d. 20-1/4”.

$1,000-$1,500

765

766

767

Pair of Fluted Cast Iron Garden Urns

the fluted and flaring urns on conical bases, raised on paw feet. h. 23”, dia. 17”

$1,000-$1,500

768

“Orient Collection” for Century Lounge Suite

after a Richard Frinier design, the metal bamboo-molded suite comprised of a sofa mounted with tan printed cushions, h. 34”, w. 78”, d. 30-1/2”, a pair of oval-back lounge chairs with cushions, h. 42”, w. 28-1/2”, d. 27-1/2”, a cocktail table with a travertine-inset top, h. 18”, w. 43-1/2", d. 29-3/4" and two pairs of drinks tables, h. 22-1/2”, w. 25-1/2”, d. 25-1/2”.

$1,200-$1,800

Eight-Piece Richard Frinier “Orient” Garden Furniture

the bronze-finished metal suite including four bambooturned lounge chairs with oval backs, woven seats and brown and cream cushions, h. 41”, w. 28-1/2”, d. 28-1/2”, and four matching tables with inset stone tops and canted corners, h. 22-1/2”, w. 27-1/2”, d. 26”.

$1,200-$1,800

769

770

Five-Piece Richard Frinier “Orient” Dining Suite

the bronze-finished metal suite molded with bamboo, including a dining table with an inset travertine top, h. 29-3/4”, w. 47”, d. 47”, and four dining armchairs with oval backs, fitted with cushions, h. 38”, w. 23-1/2”, d. 21”.

$1,000-$1,500

771

French Patinated Cast Iron and Parcel-Gilt Floor Lamp

the standard composed of a cluster of three vertical rope-twist rods with scrolled tops, bound with gilded “rope” on matching scrolled rope-bound supports, fitted with a lampshade. h. 71-1/2”, dia. 20”

$700-$1,000

772

Pair of Cast Iron Garden Urns

in the neoclassical taste, the campana-form urns with molded egg-and-dart rims, and reeded lower portions, on conical bases.

h. 29-3/4”, dia. 21-1/2”

$1,000-$1,500

773

Two “California Zephyr” Travel Posters

1950s, including “The Vista-Dome”, sheet 38” x 23”, and “Feather River Canyon”, sheet 21-1/2” x 17-3/4”.

Both unframed.

$1,000-$1,500

772

773

774

Brown Jordan Chaise Lounges and Drinks Tables

after a Richard Frinier design, the brown metal set with scrolled arms and woven seats and backs, mounted with coral cushions, the suite comprised of a pair of chaise lounges, h. 40-1/2”, w. 24”, l. 69”, and a pair of glass-top drinks tables, h. 18”, w. 17-1/2”, d. 17-3/4”.

$1,000-$1,500

775

Brown Jordan “Venetian” Metal Lounge Set

after a Richard Frinier design, with “X” back stretchers, scrolled arms and woven seats, the set comprised of a sofa mounted with cushions, h. 32-1/2”, w. 81”, d. 27”, a pair of lounge chairs, h. 32-1/2”, w. 27”, d. 22-1/2”, a pair of ottomans with cushions, h. 17-1/2”, w. 25-1/2”, d. 24-1/2”, and a pair of glass-top drinks tables, h. 18”, w. 17-3/4”, d. 17-3/4”.

$1,000-$1,500

774

775

Conditions of Sale:

ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction

(a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction.

(b). Under these Conditions of Sale, the following capitalized terms are defined as follows:

• An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG;

• The “Auctioneer ” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot;

• A “ Bidder ” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding);

• A “ Buyer ” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction;

• “ Buyer’s Premium” is defined in Section 4 below;

• “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction;

• The “ Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction;

• The “ Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges;

• A “ Lot ” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below;

• The “ Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot;

• The “ Seller ” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot;

• The “ Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer.

(d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction

(a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER.

(i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.”

(ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose.

(iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale.

(iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED.

(v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership.

(vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a).

(b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

(c). Catalogue and other descriptions.

(i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others.

(ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot.

(iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price.

(iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material.

(d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that:

(i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot;

(ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere;

(iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot;

(iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and

(v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction

(a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements:

(i) A Bidder must complete and sign the attached registration form and provide identification to NOAG;

(ii) NOAG may require the production of bank or other financial references or any other additional information;

(iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment

(iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and

(v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below).

(b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion.

(c). Absentee bids / Telephone bids.

(i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”).

(ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid.

(iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith.

(d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above.

(e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller.

(f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot.

(g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction

(a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG:

(i) the Hammer Price; and

(ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction) up to and including a Hammer Price of $200,000 and 12% of the amount by which the Lot’s Hammer Price exceeds $200,000; and

(iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form.

(b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer.

(c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card.

(d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction.

(e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction.

(g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law):

(i) to charge outstanding amounts to the Buyer’s credit card;

(ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law);

(iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law;

(iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer;

(v) to cancel the sale;

(vi) to resell the property publicly or privately on such terms as we shall think fit;

(vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer;

(viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer;

(ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs;

(x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids;

(xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.

(h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved.

(i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright

The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability

If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection

In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction

The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

New Orleans Auction galleries

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com

ABSENTEE / TELEPHONE BID FORM

Name (Please Print): ______________________________________________

Date: ______________________

Business Name: ______________________________________________________________________________

Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________

Address: _____________________________________________________

City: _____________________________________________ State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________

E-mail Address: _________________________________________________________________________________

Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot # Bid Amount (not including buyer’s premium) OR Telephone Number to Call: $ $

VISA / MasterCard / American Express #: ____________________________________________

Expiration Date: _____________ CVV #: __________ Billing Zip:

I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 12% of the hammer price greater than $200,000 (no discounts). Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required):

Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

Rev. Jan. 2023

Meet Our Team

CEO:

PRESIDENT:

DIRECTOR EMERITUS:

SPECIALISTS:

VICE PRESIDENT

DIRECTOR OF FINE ART

ASSOCIATE SPECIALIST, FINE ART

SENIOR SPECIALIST: FURNITURE & CLOCKS

SENIOR SPECIALIST: GENERAL

DIRECTOR OF FINE JEWELRY

FINE SILVER

CARPETS

CONSIGNMENT COORDINATOR

ADMINISTRATION:

DIRECTOR OF CLIENT SERVICES

ADMINISTRATION

OFFICE MANAGER

CLIENT SERVICES ASSOCIATE

RETAIL MANAGER

CREATIVE:

CREATIVE DIRECTOR

LEAD PHOTOGRAPHER

CREATIVE ASSOCIATES

OPERATIONS:

DIRECTOR OF OPERATIONS

OPERATIONS ASSOCIATES

DESIGNER:

CONSULTANTS:

ENGLISH & CONTINENTAL FURNITURE

AMERICAN FURNITURE

FINE ART

ASIAN ARTS

Susan D. Sarofim

Taylor Eichenwald | taylor@neworleansauction.com

Tessa Steinkamp

John C. Jones | john@neworleansauction.com

Michele M. Carolla | michele@neworleansauction.com

Sophie Curtis | sophie@neworleansauction.com

Greg S. Kowles | greg@neworleansauction.com

Ireys Bowman | ireys@neworleansauction.com

Kim Lemon | kim@neworleansauction.com

Charles C. Cage | charles@neworleansauction.com

Sean Ranson | sean@neworleansauction.com

Alex Ebel | alex@neworleansauction.com

Sylvia Burn | sylvia@neworleansauction.com

Denise Haik | denise@neworleansauction.com

Charles C. Cage | charles@neworleansauction.com

Audrey Dawson | audrey@neworleansauction.com

Owen Lemon | owen@neworleansauction.com

Amelia Schussler | amelia@neworleansauction.com

Christa Ougel | christa@neworleansauction.com

Erica Westenberger | erica@neworleansauction.com

Jo Gremillion | jo@neworleansauction.com

Sean Ranson

Cedric Roberts, Gerald Hampton,Emmitt Kendrick, Jr., Sol Carter, Juanita Jones, Theadrow Mark,Furnell Augustin, Jr., Will Williams, Jr., Te’Saun Walker

Burke Ellen McKenzie

Thomas Halverson

Claudia Kheel

James Callahan