APRIL 24, 2025
APRIL 14-23
Monday - Friday 9:00 a.m. - 5:00 p.m.
Saturday Reception
April 19 10:00 a.m. - 3:00 p.m.
BIDDING
Bidding is available in-person, by telephone, absentee and live online at NewOrleansAuction.com, LiveAuctioneers.com and Invaluable.com.
LOT SCHEDULE
Please note that times are approximate. 10:00 - 11:00 11:00 - 12:00 12:00 - 12:45
Thursday, April 24, 2025 10:00 a.m CT
333 Saint Joseph Street, New Orleans, Louisiana 70130 504-566-1849 | info@neworleansauction.com www.neworleansauction.com
Auction License LA AB-363 | Eichenwald #1922, Steinkamp #1265 25% Buyer’s Premium (No Discounts) | 30% for Purchases Made on LiveAuctioneers and Invaluable
1
James Abbott McNeill Whistler (American, 1834-1903)
“Annie Seated”
etching on wove paper a “Closson Art Galleries” label en verso. Matted, glazed and framed. sight 5-1/2” x 4-1/2”, framed 14-3/4” x 12”
$700-$1,000
Provenance: The Closson Art Galleries, Cincinnati, Ohio; Private collection, New Orleans, Louisiana.
2
Pierre-Auguste Renoir (French, 1841-1919)
“L’Enfant au Biscuit - Jean Renoir”, 1899
lithograph in colors on laid paper watermarks “MBM” (France) and “Ingres d’Arches” along left edge, and unsigned. From unpublished L’Album d’estampes originales de la Galerie Vollard.
New Orleans Museum of Art exhibition label en verso.
Printed by Auguste Clot (1858–1936), Paris. Matted, glazed and framed. image 12-1/2” x 10-1/2”, sheet 24-3/4” x 18-1/2”, framed 26-1/2” x 20-1/2”
$3,000-$5,000
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibited: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
Literature: Delteil, Loys, Pierre-Auguste Renoir: L’Oeuvre Grave et Lithographie, Catalogue Raisonne, San Francisco: Alan Wofsy Fine Arts, 1999, pp. 66-69.
3
Henri Matisse (French, 1869-1954)
“Figure pensive au fauteuil pliant (Nude Sitting in a Folding Chair)”
lithograph on Japon paper initialed in plate, and pencil-numbered “6/25” lower right.
Matted, glazed and framed. sheet 17-1/2” x 11”, framed 27-1/2” x 19”
$3,000-$5,000
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Literature: Duthuit-Matisse, Marguerite and Claude Duthuit, Henri Matisse: Catalogue raisonne de l’oeuvre grave, Paris, 1983. #396.
4
After Wilhelm Lehmbruck (German, 1881-1919)
“Madchenkopf”
patinated bronze later casting after the 1913/14 model, cast signature, numbered “2/3” and with a “Cire Perdue/Hebrard” foundry mark along back. h. 15”, w. 9-1/4”, d. 6”
$3,000-$5,000
5
Karl Anton Reichel (Austrian, 1874-1944)
“Femme a la Cigarette”, 1908
watercolor on paper signed and dated lower right. Matted, glazed and framed. sight 12” x 9”, framed 20” x 16-1/4”
$800-$1,200
6
Armand Guillaumin (French, 1841-1927)
“Paysage de Creuse, pres de Puy Barriou”, ca. 1895
pastel on laid paper signed lower right, paper watermarked “Ingres 1871”, “Christie's” label on frame backing.
Matted, glazed and framed. 17” x 22-3/4”, framed 25” x 33”
$7,000-$10,000
Provenance: Possibly Christie’s, London, England, 6 April, 2001, lot 333; Frances Aronson Fine Art, Atlanta, Georgia.
7
Andre-Dunoyer de Segonzac (French, 1884-1974)
“Les Demoiselles de la Marne”, 1921
drypoint
signed in ink and stamped “59” lower right. “Circle Gallery, New Orleans” and New Orleans Museum of Art labels en verso. Matted, glazed and framed. sight 17” x 22”, framed 21-1/2” x 26”
$600-$900
Provenance: Circle Gallery, New Orleans, Louisiana; Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibited: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
8
Newcomb College Art Pottery Bowl
Decorated by Henrietta Bailey
1916, with matte vellum glaze, the shoulder wrapped with vining white flowers with heart-shaped leaves, thrown by potter Joseph Meyer, with “JM”, “4” and “33” impressed underglaze. h. 2-3/4”, dia. 6”
$1,200-$1,800
Provenance: Collection of Arlene Philipson, New Orleans, Louisiana.
9
Marie de Hoa LeBlanc (American/Louisiana, 1874-1954)
“Cabin on the Bayou”
watercolor on paper pencil-signed lower left, and “Joseph’s Art Gallery, in the French Quarter” label en verso. Matted, glazed and framed.
7” x 10-3/4”, framed 13-1/2” x 16-1/2”
$800-$1,200
Provenance: Joseph’s Art Gallery, New Orleans, Louisiana; private collection, New Orleans, Louisiana.
10
W. H. Nelson (American, Act. Early 20th Century)
“The Stream”
watercolor on paper signed lower right, a “W.E. Seebold/New Orleans” label en verso. Matted, glazed and framed. sight 13-1/4” x 9-1/2”, framed 23-1/2” x 19-1/2”
$300-$500
Provenance: W.E. Seebold, New Orleans, Louisiana; Private collection, New Orleans, Louisiana.
11
Alexander John Drysdale (American/Louisiana, 1870-1934)
“Louisiana”
oil on canvas signed lower left, and signed, titled, dated, and “The Farish Art Store, New Orleans” label en verso. Framed.
10" x 13", framed 14-1/2" x 18"
$3,000-$5,000
Provenance: The Farish Art Store, New Orleans, Louisiana; The Estate of Kenneth Abshire, Gulfport, Mississippi.
12
Alexander John Drysdale (American/Louisiana, 1870-1934)
“Louisiana Bayou”, 1915
oil wash on board signed and dated lower left. Framed.
10-1/2"x 21", framed 14-1/2" x 25"
$2,500-$3,500
Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.
13
Bror Anders Wikstrom (Swedish/Louisiana, 1854-1909)
“St. Tammany Roadside”, 1903
oil on artist board initialed “B.A.W.” and dated lower right, “F.W. Devoe & Co.” and “From W.E. Seebold Stationer & Engraver, and Fine Art, Bourbon St., New Orleans” labels en verso.
In a period frame.
9” x 12”, framed 14-1/2” x 17-1/2”
$3,000-$5,000
Provenance: W.E. Seebold, New Orleans, Louisian; Private collection, New Orleans, Louisiana.
14
Collection of Ten Tiffany Studios Dore Bronze Bowls
ca. 1920, comprising a pair of low bowls, #1708, h. 1-1/4”, dia. 9”, four low bowls each with a stylized floral band, #1707, h. 1-1/4”, dia. 8-3/4”, a low bowl with Greek key band, #1743, h. 1”, dia. 8”, a small bowl with scalloped rim and molded foot, #1713, h. 1-1/2”, dia. 4-3/4”, a large planter with a stylized floral band, #1701, h. 3-7/8”, dia.10-3/4”, and a small bowl with an enamel-decorated band, stamped “Louis C. Tiffany-Furnaces, Inc./Favrile/324” and the circular logo, h. 1-1/4”, dia. 6-1/4”.
$1,200-$1,800
Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.
15
Tiffany Studios Dore Bronze “Zodiac” Desk Set
ca. 1920, comprising a pair of bookends, #1091, h. 6”, w. 5”, dia. 5-1/4”, four blotter corners, #996, l. 3-3/4”, w. 3-1/2”, a paper rack, #1009, h. 6-1/4”, w. 9-1/2”, d. 2-1/2”, a pair of pen trays, #1000, w. 10”, d. 3-1/8”, a paper knife #1095, l. 10-5/8”, w. 1” to 1/4”, and a “Chinese” match stand, #1764, h. 3-1/2”, w. 7”, d. 3-3/4”, each stamped “Tiffany Studios/New York” above the model number.
$1,000-$1,500
Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.
16
Tiffany Studios Patinated Bronze ThreeLight Lily Lamp
early 20th century, fitted with three unsigned gold aurene glass shades, the base marked “Tiffany Studios New York 465”. h. 12-1/4”, dia. 11”
$1,800-$2,500
Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.
17
Tiffany Studios Favrile Glass Finger Bowl with Underplate
ca. 1900, both with ruffled edges and engraved underneath “L.C.T.”.
bowl h. 2-1/2”, dia. 4-3/4”; underplate h. 1-1/4”, dia. 6-1/4”
$300-$500
Private Collection, New Orleans, Louisiana
18
Fine Tiffany & Co. Retailed Marble and Bronze Dore Bust of “Jeune Femme”
ca. 1900, by Alphonse Henri Nelson (French, 1854-1919), cast signature along back of bust along with the Tiffany stamp h. 23-1/4”, w. 14-1/4”, d. 8”
$3,000-$5,000
19
Gaston La Touche (French, 1854-1913)
“The Engagement”, 1899 oil on canvas signed and dated lower center right, stretcher with “Christie’s, London” and various other partial inventory and drayage labels.
Framed.
46-1/4” x 31-1/4”, framed 54-1/2” x 40-1/4”
$25,000-$40,000
Provenance: Private collection, Spain; Christie’s, London, England, July 12, 2018, lot 24; Private collection, London, England; Sold in these rooms, July 27, 2019, lot 242; Private collection, Houston, Texas.
20
Otto Eerelman (Dutch, 1839-1926)
“Concours de Chiens au Promenade”, 1904
watercolor and gouache on paper signed and dated lower left. Matted, glazed and framed. sight 19-1/2” x 26-1/2”, framed 29” x 35-3/4”
$30,000-$50,000
Provenance: Venduehuis der Notarissen, the Hague, Netherlands, 8 September 2020, lot 103; Private collection.
21
Pierre-Charles Comte (French, 1823-1895)
“Portrait of Anne Marie de la Tremoille, Princesse des Ursins”
oil on beveled wood panel signed lower right, old hand-written inscription “Duchesse de la Tremoille...” and inventory/sale stencils en verso. Framed.
20-1/2” x 15-3/4”, framed 29-1/2” x 26-1/2”
$10,000-$15,000
22
Hans Ronsard Zatzka (Austrian, 1859-1945)
“Under the Blossoming Branches”
oil on wood panel signed lower right. Framed.
20” x 10”, framed 27” x 17”
$5,000-$8,000
23
Juan Baixas-Carrate (Spanish, 1863-1925)
“Paisaje con Nina”, 1909 oil on canvas signed and dated lower left. Framed.
33-1/2” x 46”, framed 42” x 55”
$2,000-$4,000
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
24
Edward Herbert Miner (American, 1882-1941)
“Maine” oil on canvas signed and inscribed lower left. Framed.
24” x 18”, framed 28-3/4” x 23”
$2,000-$4,000
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
Interesting Art Deco Rosewood and Stingray Hide Writing Desk
early 20th century, the top inset with segmented stingray hides, one side fitted with three drawers, raised on carved octagonal legs.
h. 30-1/2”, w. 50-1/2”, d. 27”
$2,500-$4,000
26
Signed Handel Leaded Glass Table Lamp
early 20th century, the green petal-form leaded glass shade mounted to a bronzepatinated metal base, the shade and base both signed.
h. 22-1/2”, dia. 16”
$700-$1,000
27
William Henry Kemble Yarrow (American, 1891-1941)
“Nude Reclining in a Patio Garden” oil on linen signed lower right. Framed.
26” x 32-1/4”, framed 30” x 36-1/4”
$12,000-$18,000
Provenance: Heritage Auctions, Dallas, Texas, November 17, 2005, lot 30380; Frances Aronson Fine Art, Atlanta, Georgia.
28
Loetz “Crete Chine” Glass Vase
Bohemia, ca. 1900, the moss green vase with threaded decoration and light iridescence, with a spurious engraved “Loetz” mark on base. h. 11”, dia. 7-1/4”
$400-$700
29
American Leaded Glass Table Lamp in the Art Nouveau Taste
early 20th century, the floral banded beaded shade with four rosebud stems extending up the body, mounted to a gilt-metal base with embossed floral decoration.
h. 24”, dia. 17-1/2”
$700-$1,000
30
Large American Arts and Crafts Leaded Glass and Wrought Iron Floor Lamp
ca. 1920, the leaded glass shade with a floral and cattail banded border, mounted to a telescoping adjustable standard ending in forged cloverleaf feet.
h. 65” - 84”, dia. 24”
$1,200-$1,800
31
Pair of French Patinated Wrought Iron Side Tables, Attributed to Jean-Michel Frank
ca. 1937-1940, in the Moderne Neoclassical taste, the tops with flat slats and raised on curule legs bound with gilt-metal cord. h. 20”, w. 18”, d. 17”
$1,800-$2,500
Provenance: Private collection, Laguna Beach, California.
32
Emile Henri Bernard (French, 1868-1941)
“Portrait of a Woman”, 1931 oil on board signed and dated mid left. Framed.
25-1/2” x 19”, framed 30-1/2” x 24-1/2”
$1,000-$1,500
Provenance: Ader Picard & Tajan, Paris, France, November 4, 1977, lot 114; Private collection, Georgia. 32
33
Jacques Guiaud (French, 1811-1876)
“Entrance to the Village”
oil on canvas signed lower right. Framed.
8” x 11”, framed 15-1/4” x 18-1/4”
$2,000-$4,000
Provenance: Private collection, Houston, Texas.
34
Edmund Charles Tarbell (American/Massachusetts, 1862-1938)
“[Probably] Josephine with Pony”
oil on canvas signed lower left, “Vose Galleries of Boston” and “Frances Aronson Fine Art” labels en verso backing along with auction tags from “Christie’s” and Skinner”. Framed.
30” x 25-1/2”, framed 39” x 33-1/2”
$40,000-$70,000
Provenance: Vose Galleries, Boston, Massachusetts; Skinner, Boston, Massachusetts, September 24, 2010, lot 599; Frances Aronson Fine Art, Atlanta, Georgia.
35
Martha Walter (American, 1875-1976)
“Fish Market, Brittany”
oil on canvas board signed lower right, titled and inscribed en verso. Framed.
16” x 20”, framed 24” x 28”
$6,000-$9,000
Provenance: Heritage Auctions, Dallas, Texas, May 11, 2005, lot 23504; Frances Aronson Fine Art, Atlanta, Georgia.
Exhibited: Impressionist Jewels. The Paintings of Martha Walter, A Retrospective. Woodmere Art Museum, Philadelphia, Pennsylvania, September 22-November 17, 2002. (ill. in catalogue, p. 52, pl. 130).
36
Lucien Genin (French, 1894-1958)
“Rue Norvins”, 1922
watercolor and gouache signed, dated and titled lower right. Glazed and framed.
14-3/4” x 12”, framed 21” x 18”
$1,000-$1,500
Provenance: Frances Aronson Fine Art, Atlanta, Georgia.
37
Antal Berkes (Hungarian, 1874-1938)
“The Flower Market in Spring” oil on board signed lower right. Framed. 16” x 20”, framed 21” x 24-3/4”
$1,500-$2,500
38
Jules Pascin (Bulgarian/American, 1885-1930)
“Jeune Femme au Chapeau Cloche assise sur une Chaise (Seated Young Girl in Cloche Hat)”
aquatint in colors pencil-signed and numbered “65/100” lower margin, and New Orleans Museum of Art label en verso. Matted, glazed and framed.
sight 20-1/2” x 16”, framed 30-1/2” x 26-1/4”
$600-$900
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibited: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
39
Aristide Maillol (French, 1861-1944)
“Femme nue de dos: L’Art d’aimer d’Ovide series”, 1935
“L’Art d’aimer d’Ovide (Ovid’s ‘The Art of Love’)”
lithograph printed in sanguine on Montval wove paper monogrammed in crayon and in stone and edition of “19/50” in pencil lower left, and New Orleans Museum of Art exhibition label en verso.
From a set of 12 lithographs published by Librairie Weber, Paris. Matted, glazed and framed.
sheet 15” x 11”, framed 19-1/4” x 15-3/4”
$1,000-$1,500
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibited: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001. 39
40
40
Henri Matisse (French, 1869-1954)
“Danseuse assise”, 1927
lithograph pencil-signed and numbered “100/130” lower right, and New Orleans Museum of Art exhibition labels en verso. From “Dix Danseuses” suite, pl. 91. sight 19” x 12-1/2”, framed 26-1/2” x 18”
$5,000-$8,000
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibited: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
Literature: Duthuit-Matisse, Marguerite and Claude Duthuit, Henri Matisse: Catalogue raisonne de l’oeuvre grave, Paris, 1983. #480.; “New Orleans Collects: A Selection of Works of Art Owned by New Orleanians”, New Orleans Museum of Art, 1971-1972, exhibition catalogue, no. 152.
41
Edouard Vuillard (French, 1868-1940)
“Le Square Vintimille, Paris”, 1937
etching and drypoint signed in plate lower right, and New Orleans Museum of Art exhibition label en verso.
Published by Jean-Gabriel Daragnes, Paris, third state. Matted, glazed and framed. sight 13-1/2” x 10-1/2”, framed 22” x 18-3/4”
$500-$800
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibition: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
Literature: Roger-Marx, Claude, L’Oeuvre Grave de Vuillard, Andre Sauret: Monte Carlo, 1948, p. 170, no. 66.
42
Jean-Louis Forain (French, 1852-1931)
“Au Theatre: Deux Femmes Assises”
ink on paper signed lower left, and New Orleans Museum of Art label en verso. Matted, glazed and framed. sight 9-1/2” x 13-3/4”, framed 15-1/2” x 19-1/2”
$1,200-$1,800
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibited: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001. 42
43
Pablo Picasso (Spanish, 1881-1973)
“Deux Femmes Nues II”, 1930 etching signed and numbered “93/125” with brush in yellow lower left margin, and New Orleans Museum of Art exhibition labels en verso.
Published by A. Skira, Paris, 1931. Matted, glazed and framed. sight 12-1/2” x 9-1/4”, framed 26” x 19-1/2”
$5,000-$8,000
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibited: New Orleans Collects, New Orleans Museum of Art, 1971; and A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
Literature: Bloch, Georges, Pablo Picasso, Volume 1, Catalogue of Printed Graphic Work, 1904-1967, Berne: Editions Kornfeld et Kipstein, 1971, p. 54, no. 132; and New Orleans Collects exhibition catalogue, New Orleans Musuem of Art, 1971, no. 150.
44
Pablo Picasso (Spanish, 1881-1973)
“Venus et L’Amour, d’Apres Lucas Cranach”
lithograph on Arches paper pencil-signed lower right. Unframed. sheet 30” x 22”
$4,000-$7,000 43 44
$5,000-$8,000
45 Moroccan Wool Rug 15’ x 10’ 4”
46
Moroccan Silk and Wool Rug 10’ x 14’
$5,000-$8,000
47
Don Wright (American/Louisiana, 1938-2007)
“Full Moon Over the Lake”, 1976
oil on canvas signed and dated lower right. Framed.
18” x 24”, framed 25” x 31”
$800-$1,200
48
George Overbury “Pop” Hart (American, 1868-1933)
“Market Wagon”, 1916-17
watercolor and graphite on paper signed and dated in ink lower left, penciltitled lower right.
Matted, glazed and framed. sheet 13-1/2” x 22-1/4”, framed 20” x 29”
$1,000-$1,500 47 48
49
Clarence Millet (American/Louisiana, 1897-1959)
“The River: Cloud Shadows on the Mississippi River”
oil on canvas
unsigned, assorted exhibition labels with artist and titles en verso including from “1959 Art Association of New Orleans Annual Exhibition” and “Springville High School Art Ass’n, Inc.”. In a period frame. 26” x 38”, framed 33-1/2” x 45-1/2”
$5,000-$8,000
Provenance: Gresham Gallery, 718 Toulouse Street, New Orleans, Louisiana; Descended in the New Orleans family.
Exhibited: Springville High School Art Association, Inc.; Art Association of New Orleans Annual Exhibition, 1959.
50
George Henry Clements (American, 1854-1935)
“French Quarter Street Scene”, 1893
grisaille watercolor signed lower left, and signed and dated en verso.
Matted, glazed and framed.
8-1/4” x 10-3/4”, framed 15” x 17-3/4”
$800-$1,200
51
Alfred Heber Hutty (American, 1877-1954)
“Loading Melons”
watercolor on paper signed lower left. Matted and framed.
sight 7-1/4” x 9-1/2”, framed 10-1/2” x 13”
$900-$1,200
52
John Korver (American, 1910-1988)
“Cabin in the Cypress Grove”
watercolor on paper signed lower right.
Matted and unframed.
sight 9-1/2” x 6-1/2”, matted 16” x 12-1/2”
$600-$900
53
Colette Pope Heldner (American/Louisiana, 1902-1990)
“Swamp Idyl (Louisiana Bayou Country)”, ca. 1954
oil on canvas affixed to panel signed lower left, signed and titled en verso; verso affixed with “The Little Gallery” label.
Framed.
20” x 16”, framed 23-1/2” x 19-1/2”
$1,000-$1,500
Provenance: The Little Gallery, New Orleans, Louisiana.
54
Carl M. Thorp (American, 1912-1989, Act. New Orleans 1950s-1989)
“From the East River, New York”, 1962
oil on masonite signed lower right, and signed, titled and dated en verso.
Framed.
16” x 20”, framed 23-1/2” x 27-1/2”
$500-$800
55
Louis Kronberg (American, 1872-1965)
“Dancer in Blue with Red Scarf”, ca. 1953
pastel on paper signed lower right, verso inscribed with artist name, dates, and localized “Paris”, affixed with a label, hand-inscribed with title and artist name, and with “Sennelier/ Quai Voltaire, Paris” supplier’s stamp. Glazed and framed. 24” x 18”, framed 33-1/2” x 27-1/2”
$2,000-$4,000
Provenance: Private collection, Chicago, Illinois; Guarisco Gallery, Washington, D.C.; Property of a gentleman collector, New Orleans, Louisiana.
56
Marc Chagall (French/Russian, 1887-1985)
“La Baie des Anges (Mourlot 350)”, 1962
lithograph in colors on Arches paper pencil-signed lower right and numbered “16/50” lower left. Matted, glazed and framed. sight 33” x 23-1/2”, framed 47-1/2” x 37-1/2”
$20,000-$40,000
Provenance: Sold in these rooms, December 9, 2018, lot 902; Private collection, Houston, Texas.
57
Jean Dufy (French, 1888-1964)
“La Côte d’Azur près de Villefranche-sur-Mer”, 1926
watercolor signed and dated lower right. This work will be included in the forthcoming, third volume of the catalogue raisonné being prepared by Jacques Bailly. Matted, glazed and framed. sheet 22” x 20”, framed 31” x 28”
$10,000-$15,000
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
58
Alice Kent Stoddard (American, 1883-1976)
“By the Sea”
oil on canvas board signed lower right, stretcher stamped “David David Art Gallery, Philadelphia, Estate of A. K. Stoddard”. Framed.
16” x 20-1/4”, framed 25” x 29”
$4,500-$7,000
Provenance: Estate of the artist; David David Art Gallery, Philadelphia, Pennsylvania; Heritage Auctions, Dallas, Texas, November 17, 2005, lot 30338; Frances Aronson Fine Art, Atlanta, Georgia.
59
Yvonne Canu (French, 1921-2008)
“Saint Tropez: Le Port”
oil on canvas signed lower right, signed and titled en verso.
Framed.
23-1/4” x 28-3/4”, framed 32” x 37-1/4”
$30,000-$50,000
Provenance: Azur Encheres, Cannes, March 16, 2013, lot 228; Private collection, Switzerland; Bonham’s, London, April18, 2024, lot 59.
Exhibited: Artrust, Switzerland, March 21,May 21, 2016.
60
Andre Gisson (French/American, 1921-2003)
“Young Girl with a Hat”
oil on canvas signed lower left. Framed.
sight 11-1/4” x 15-1/4”, framed 20” x 24”
$400-$700
Provenance: Private collection, Brooklyn, New York; Leland Little Auctions, October 24, 2024, lot 1515.
61
Lelia Pissarro (French/English, b. 1963)
“Les Foins de Clement”
oil on canvas signed lower right, signed, titled, inscribed “8 Fig” and with the artist’s sketch en verso canvas. Framed.
15” x 18”, framed 20-5/8” x 23-5/8”
$1,500-$2,500
Provenance: M.S. Rau Antiques, New Orleans, Louisiana; Property of a gentleman collector, New Orleans, Louisiana.
62
Raymond Thibesart (French, 1874-1968)
“Pommiers en Fleurs Dans la Friche”
pastel on paper signed lower left, titled on an “Art en Seine, Le Havre, France” gallery label en verso. Together with a Certificat d’ Authenticite from Art en Seine Gallery. Glazed and framed.
9-3/4” x 12-7/8”, framed 13” x 16”
$600-$900
Provenance: Art en Seine Gallery, Le Havre, France; Private collection.
63
Raymond Thibesart (French, 1874-1968)
“Sans Titre”
pastel on paper signed lower left, an “Art en Seine, Le Havre, France” gallery label en verso. Together with a a Certificat d’ Authenticite from Art en Seine Gallery. Matted, glazed and framed. sight 16-1/2” x 10”, framed 23-1/2” x 17”
$600-$900
Provenance: Art en Seine Gallery, Le Havre, France; Private collection.
64
20th century, the amber vase with white veining and polychrome accents. h. 10”, dia. 10”
$500-$800
Murano Blown Glass Vase
65
“Neomurrino” Blown Glass Vase
20th century, attributed to Barovier & Toso, Murano, with a black and yellow tortoiseshell pattern, a ground pontil at base. h. 16-3/4”, dia. 7-1/4”
$1,000-$1,500
66
Jean Jansem (Armenian/French, 1920-2013)
“Figural”
oil on canvas signed lower left. Framed.
64-1/2” x 38-1/4”, framed 70-3/4” x 44”
$7,000-$10,000
Provenance: Private collection, Houston, Texas.
67
Jean Jansem (Armenian/French, 1920-2013)
“Nature Morte”
oil on canvas signed and dated lower right, a “Maurice Garnier” stamp, “Lefevre Gallery, London” and “DuBose Gallery, Houston” labels and marked “12B23” en verso. Framed.
45” x 77”, framed 52” x 83-1/2”
$8,000-$12,000
Provenance: Galerie Maurice Garnier, Paris, France; Lefevre Gallery, London, England; DuBose Gallery, Houston, Texas; Private collection, Houston, Texas.
68
Lewis Carroll (British, 1832-1898) and Salvador Dali (Spanish, 1904-1989)
Alice’s Adventures in Wonderland
New York: Maecenas Press - Random House, 1969, limited edition portfolio with one color etching (facing frontispiece) and twelve color heliograves with woodcut remarque on wove Mandeure paper, signed by Dali on title page, this numbered 2366 on colophon, in original linen-covered clamshell portfolio with toggle closures, leather spine with gilt lettering. sheets 17” x 11-1/2”, portfolio 18-1/2” x 13-1/4”
$6,000-$9,000
69
Francoise Gilot (French, 1921-2023)
“Glory in the Sun”
gouache on paper signed lower left, a “Vincent Mann Gallery” label en verso.
Glazed and framed.
29-1/2” x 22”, framed 36-1/2” x 29”
$15,000-$25,000
Provenance: Vincent Mann Gallery, New Orleans, Louisiana; Sold in these rooms, December 8, 2018, lot 902; Private collection, Houston, Texas.
70
Interesting Art Deco-Style Zebra Wood and Leather Desk and Chair
the kidney-form desk with an inset tan leather blotter, the front fitted with a row of drawers and the left bank with a pair of cabinets, raised on curved and ebonized legs, h. 37”, w. 57”, d. 31”, together with a matching chair, h. 34”, w. 19”, d. 18”.
$1,000-$1,500
71
$5,000-$8,000
Moroccan Rug
10’ x 15’
72
72
Marc Chagall (French/Russian, 1887-1985)
“Le Cerf et la Vigne (The Stag and the Vine)”, 1952 etching
pencil-signed and numbered “60” lower margin.
From Les Fables de Jean de la Fontaine, published by Teriade, Paris. Matted, glazed and framed.
sight 13-1/2” x 10-1/2”, framed 25-1/2” x 20-1/2”
$1,000-$1,500
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
73
73
Georges Rouault (French, 1871-1958)
“La Parade, from Cirque de l’Ètoile filante (The Shooting Star Circus)”, ca. 1934-36
aquatint in colors
Vollard, Paris, publisher, 1938.
Typewritten gallery label en verso. Matted, glazed and framed.
sight 11-3/4” x 12-1/2”, framed 21-1/2” x 17-1/4”
$1,000-$1,500
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
74
Georges Rouault (French, 1871-1958)
“Hiver, Lepre de la Terre”
aquatint, etching, and drypoint with roulette over photogravure from the “Miserere” portfolio of 22 illustrations, published by Edition de L’Etoile Filante, Paris, 1948 from a 1922 image.
Matted, glazed and framed.
sight 23-1/2” x 17-1/2”, framed 33-1/4” x 26-3/4”
$800-$1,200
Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.
75
Georges Rouault (French, 1871-1958)
“Ce Sera la Derniere, Petit Pere”
aquatint, etching, and drypoint with roulette over photogravure from the “Miserere” Portfolio of 22 illustrations, published by Edition de L’Etoile Filante, Paris, 1948 from a 1922 image.
Matted, glazed and framed. sight 21” x 15”, framed 30-1/2” x 24-1/2”
$800-$1,200
Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.
76
Bernard Buffet (French, 1928-1999)
“Le Clown au Fond Vert (Sorlier 22)”, 1960
lithograph in colors on deckle-edged paper pencil-signed lower right and marked “E.A.” lower left, published by Edition David et Garner, Paris. Unframed. sheet 28-1/2” x 21-1/4”
$1,500-$2,500
77
Michel Nedjar (French, b. 1947)
“Paris, St. Martin”
mixed media on paper signed and dated upper right, a “Judy A Saslow Gallery” label en verso. Float-mounted, glazed and framed. 22-1/2” x 14-3/4”, framed 30-1/4” x 22”
$800-$1,200
Provenance: Judy A Saslow Gallery, Chicago, Illinois; Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
78
James (Jim) McGarrell (American, 1930-2020)
“Fete Champetre, the Marmalade Contata”, 1994
oil on linen diptych signed en verso each panel, dated on one, titled on a “Galerie Simonne Stern” label en verso.
Thin gallery frame. 60” x 76”, framed 60-1/2” x 76-1/2”
$4,000-$7,000
Provenance: Galerie Simonne Stern, New Orleans, Louisiana, 1995; private collection, New Orleans, Louisiana.
79
Mary Jane Parker (American/Louisiana, b. 1955)
“Nude”
oil on wood panel signed and titled en verso. Framed.
11-1/4” x 8-1/4”, framed 12” x 9”
$800-$1,200 78
80
Jeanne Gentry Keck (American, Contemporary)
“Portrait: Love and Let Live”
oil on gallery-wrapped canvas signed lower right, signed, titled and inscribed to artist’s father en verso. Unframed.
46” x 56”
$1,200-$1,800
81
William H. Rau (American, 1855-1920)
“The Riverbank”
positive transparency from a ca. 1890 negative. Together with a 1971 letter from the Smithsonian Institution regarding the photograph.
In an integral frame. framed 18" x 31-1/2"
$3,000-$5,000
Provenance: Private collection, Louisville, Kentucky; Private collection, New Orleans, Louisiana.
82
Clarence John Laughlin (American, 1905-1985)
“Screen (Portrait of Dody Weston Thompson)”, ca. 1937-1940
vintage gelatin silver print. Pencil notations en verso. Matted, glazed and framed. sheet 9-3/4 x 7-1/4”, framed 17-1/4” x 14-3/4”
$1,000-$1,500
Provenance: Photographs from the Archive of Dody Weston Thompson & Other Collections, Daniel Cooney Fine Art Auction, New York City, 2012.
83
Clarence John Laughlin (American, 1905-1985)
“Brick Wall: Beauty and Strength (Portrait of Dody Weston Thompson)”, ca. 1937-1940
vintage gelatin silver print pencil-notations en verso. Matted, glazed and framed. 7-1/2” x 10”, framed 15” x 17-1/2”
$1,000-$1,500
Provenance: Photographs from the Archive of Dody Weston Thompson & Other Collections, Daniel Cooney Fine Art Auction, New York City, 2012.
84
Charles Lindsay (American, b. 1961)
“Bent Rod”, 1998
silver gelatin print signed, dated, titled and numbered “1/10” en verso backing. Glazed and framed. sight 37-1/8” x 37-1/8”, framed 42” x 42”
$1,500-$2,500
85
George Valentine Dureau (American/Louisiana, 1930-2014)
“David Kopay”
gelatin silver print signed lower right and titled lower left. Framed.
framed 10" x 8"
$1,000-$1,500
Provenance: Purchased from the artist; private collection, New Orleans, Louisiana.
86
Gordon Parks (American, 1912-2006)
“Valleys and Coves”, 1993
iris print on watercolor paper printed 1995 from a 1993 transparency. Unframed.
sheet 21-1/2” x 31”
$1,000-$1,500
Provenance: Purchased from the artist.
87
Gordon Parks (American, 1912-2006)
“A Star for Noon”, 1975
iris print on watercolor paper printed 1995 from a 1975 transparency. Unframed.
sheet 21-1/2” x 31”
$1,000-$1,500
Provenance: Purchased from the artist.
88
Gordon Parks (American, 1912-2006)
“Loneliness”, 1999
iris print on watercolor paper transparency and print from 1999. Unframed. sheet 31” x 21-1/2”
$1,000-$1,500
Provenance: Purchased from the artist.
89
Sonia Kouyoumdjian (American, Contemporary)
“The Salon”
graphite on paper signed lower right, a “Carol Robinson Gallery” label en verso. Float-mounted, matted, glazed and framed. sheet 6-3/4” x 5”, framed 15” x 13”
$400-$700
Provenance: Carol Robinson Gallery, New Orleans, Louisiana; Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
90
Ivan Schwebel (American/Israeli, 1932-2011)
“Jerusalem Street Scene”
silkscreen in colors
pencil-signed lower right. Float-mounted, glazed and framed. sheet 26” x 19-3/4”, framed 33-1/2” x 27-1/2”
$700-$1,000
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
91
Serge Poliakoff (Russian/French, 1900-1969)
“Composition Gris (R.59)”, 1966
lithograph in colors on Rives paper pencil-signed lower right and numbered “14/75” lower left, published by Galerie im Erker, St. Gallen, Switzerland. Glazed and framed. sight 21” x 25-1/2”, framed 30-1/2” x 35”
$3,000-$5,000
90 91
92
Vladimir Konstantinovich Gooss (Russian, 1950-1998)
“Unseen Danger”, 1990
monotype with ink and watercolor pencil-signed, titled and dated lower margin; signed, monogrammed, dated, Russian titled and inscribed in plate, and “Duncan Miller Contemporary Arts, London” labels en verso. Matted, glazed and framed. sheet 24-1/2” x 22-1/2”, framed 30” x 30”
$1,000-$1,500
Provenance: Duncan Miller Contemporary Arts, London, England; Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
93
Jacques (Chapiro) Shapiro (Russian, 1887-1972)
“Untitled”, 1937 oil on canvas signed and dated upper left, signed, dated and localized Paris en verso. Framed.
19-3/4” x 28-3/4”, framed 21-3/4” x 31-1/8”
$2,000-$4,000
94
Abstract Expressionism School 20th Century
“Alphabet”
acrylic on board unsigned. Framed.
sight 13” x 18-1/2”, framed 16-1/2” x 22-1/2”
$800-$1,200
95
Lucas Samaras (Greek/American, 1936-2024)
“Untitled”, 1956
acrylic and oil on canvas affixed to board signed and dated lower right. In an antique frame. 18” x 14”, framed 23” x 19”
$4,000-$7,000
96
Jon R. Schueler (American, 1916-1992)
“Snow Cloud: Passion and Blue”, 1959
oil on canvas signed and titled en verso. In a thin gallery frame. 72” x 60”, framed 72-1/2” x 60-1/2”
$8,000-$12,000
Provenance: Estate of David I. Oreck, New Orleans, Louisiana
97
Curtis Jere (American, 1910-2008)
“Dancers”, 1967
patinated bronze signed and dated on plaque affixed to integral black carved wood base. overall h. 18-1/2”, w. 9”, d. 5-1/2”
$800-$1,200
Provenance: Private collection, New Orleans, Louisiana.
98
Roger Lersy (French, 1920-2004)
“Le Voilier”
oil on canvas signed lower right, a “Galerie Carlier” label en verso. Framed.
36-3/4” x 25-1/2”, framed 43” x 32-1/4”
$800-$1,200
Provenance: Galerie Carlier, Paris, France, 1963; Private collection, Houston, Texas.
99
Ilana Goor Bronze, Iron and Glass Coffee Table
Modernist design with birds perched on the stretcher, and mounted with a thick, circular plate-glass top, signed on the leg with a metal tag. h. 18”, dia. 41-1/2”
$2,000-$4,000
100
Queen-Size Bed in the Manner of Mario Villa
the mixed metal bed in two parts, the headboard with a deep swag, centered by a circle trimmed with vining tendrils and leaves, mounted to a one-piece iron-framed platform, fitted with legs at the foot end. h. 61”, inside w. 60-1/2”, l. 80-1/2”, outside w. 61”, l. 82-1/2”
$1,000-$1,500
101
Jose-Maria Cundin (Spanish/Louisiana, b. 1938)
“Escena del Crimen de Cuenca”
oil on canvas signed lower center, titled en verso.
In a thin gallery frame.
42” x 46”, framed 43” x 47-1/4”
$4,000-$7,000
Provenance: Private Collection, New Orleans, Louisiana
102
After Man Ray (American, 1890-1976)
"Untitled"
patinated bronze cast signature at back, on an integral black marble base.
overall h. 10-1/4”, w. 9-7/8”, d. 4”
$1,500-$2,500
103 Man Ray (American, 1890-1976)
“Le Violon d’Ingres”, 1969
color lithograph pencil-signed and numbered “37/150” lower margin and signed and dated in plate lower right. New Orleans Museum of Art exhibition label en verso.
Printed by Pierre Chave, Venice and published by Edition Kung, Tokyo. Matted, glazed and framed.
sight 20-1/2” x 15”, framed 29” x 22”
$2,000-$4,000
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibited: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
104
Frank Gehry for Knoll "Power Play" Laminated and Bent Maple Lounge Chair
for Knoll Studios, ca. 1992, signed “Knoll” and marked “Made in USA 11/09/92” on the underside.
h. 33”, w. 32”, d. 27”
$2,000-$4,000
Literature: Hanks, Frank Gehry: New Bentwood Furniture Designs, p. 60, illus. 12.
105
French School 20th Century
“Still Life with Apple, Oranges, Bananas and Grapes”
oil on canvas unsigned. Framed.
11” x 14”, framed 20-1/4” x 23-1/4”
$500-$800
Provenance: Frances Aronson Fine Art, Atlanta, Georgia.
106
Rufino Tamayo (Mexican, 1899-1991)
“Naturaleza Muerta (Still Life)”, 1950
lithograph in colors
pencil-signed and numbered “28/100” lower margin, and New Orleans Museum of Art exhibition label en verso. Matted, glazed and framed. sight 17-1/2” x 21-1/4”, framed 28” x 31-1/2”
$3,000-$5,000
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibited: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
107
Will Barnet (American, 1911-2012)
“Dialogue in Green”, 1970
color lithograph
pencil-signed, titled, and numbered “Ed. 114/200” lower margin, and New Orleans Museum of Art exhibition label en verso. Printed by Bramson and Georges, Paris, and Bramson and Georges, Paris. Matted, glazed and framed.
sight 20-1/4” x 35”, framed 26-1/2” x 40”
$1,000-$1,500
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibition: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
108
John Geldersma (American/Louisiana, b. 1942)
“Three Spirit Totems”, 1999
carved and painted wood signed, dated and localized along edge of one.
each approx. h. 39-1/2”, w. 3-1/8”, d. 3-1/4”
$700-$1,000
109
Fusion Art Glass Elongated Teardrop
20th century, blown glass, incised mark along top, with a metal display stand. glass h. 28”, dia. 4”, stand h. 33-1/2”
$600-$900
110
Adolph Friedlander (German, 1851-1904)
“Conjuring”, ca. 1910
color stone lithograph
artist signature printed in plate mid left.
Float-mounted and framed.
37” x 28”, framed 40” x 30-1/4”
$500-$800
111
Pedro Friedeberg (Mexican, b. 1936)
“Obelisks and Basilisks”
screenprint on paper
pencil-signed lower right, numbered “53/100” and inscribed lower left, titled lower center.
Float-mounted, glazed and framed.
28” x 28”, framed 31” x 30-3/4”
$800-$1,200
112
Pair of Hivo Van Teal Chrome and Acrylic Table Lamps
1970s, the chrome core supporting signature stacked acrylic elements, raised on a circular base centered with a push on/off knob, both fitted with black lampshades.
overall h. 29-1/4”, dia. 16-1/4”
$1,200-$1,800
113
Contemporary Vaccaro Steel and Eglomise Beveled Mirror
by Century Furniture, the top eglomise panel with crossed feathers over twelve beveled mirror plates. h. 74-1/2”, w. 38”
$1,000-$1,500
114
Moroccan Runner 2' 9" x 20' 1"
$1,800-$2,500
115
Dennis Osadebe (Nigerian, b. 1991)
“Dream Sequence (Orange Tee)”, 2019
giclee in colors on Somerset Velvet Fine Art paper, pencil-signed lower right, numbered “11/15” lower left. Framed.
sight 23-1/2” x 23-1/2”, framed 25-1/2” x 25-1/2”
$900-$1,200
116
Cleon Peterson (American, b. 1973)
“Flowers of Evil: The Kiss (Bone)”, 2021
hand-pulled screenprint on coventry rag paper, pencil-signed lower right, numbered “91/125” lower left. Framed.
sight 31-1/2” x 31-1/2”, framed 33” x 33”
$600-$900
117
Felix Gonzalez-Torres (Cuban/American, 1957-1996)
“Nowhere Better Than This Place”, 1989/1990 “Somewhere Better Than This Place”, 1989/1990
pair of offset lithographs unsigned. Framed.
each sight 22-3/4” x 28-1/2”, framed 24-1/4” x 30-1/4”
$500-$800
118
Baccarat “Grand Ginkgo” Vase
20th century, the thick fan-form vase resembling a ginkgo leaf, marked with Baccarat’s decanter mark.
h. 12”, w. 22”, d. 5”
$1,200-$1,800
119
International “Empress” Sterling Silver Flatware Set
the pattern designed in 1931 by Alfred Grover Kintz (1885-1963), Meriden, Connecticut, the rare “Viande” service including eight nine-piece place settings and six serving pieces.
Presented in a Hagerty fitted and zippered silver cloth drawer insert, 19î x 11-3/4î. (78 pieces total)
79.71 total t. oz. (weighable silver)
$2,000-$4,000
120
Gundorph Albertus (Danish, 1887-1954)
“Cactus” flatware, designed in 1930 for Georg Jensen, Copenhagen sterling silver and stainless steel fifteen assorted place and serving pieces. 15.71 total t. oz. (weighable silver)
$600-$900
Provenance: Private collection, New Orleans, Louisiana.
121
Emilia Castillo Silverplate “Parrot” Tableware
contemporary, Taxco, Mexico, including: a cream and sugar set, h. 5-1/2” and 4-1/2”; and a salad serving set, l. 15-1/2”; all with hammered finish and “parrot” handle/finial with malachite inlay and gilt beak.
$400-$700
122
Emilia Castillo Silverplate “Frog” Cream and Sugar Set
contemporary, Taxco, Mexico, including a pear-shaped cream jug, h. 3-3/4”, and covered sugar bowl, h. 3”, each with hammered finish and verdigrisenameled frog on lilypad cover/finial, together with an oval tray en suite with two frogs on a cut and raised spiral, 10-3/4” x 8-1/4”, and floriform sugar spoon with leaf finial, l. 5-1/2”.
$300-$500
123
Emilia Castillo Silverplate Serving Tableware
contemporary, Taxco, Mexico, including: an “Armadillo” butter dish with oval underplate and malachite-inlaid dragonfly finial, h. 3”, l. 8”, w. 5-1/4”; a “Tiger” sauceboat, the handle with a tiger with oxidized stripes hiding within malachite-inlaid foliage, h. 3”, l. 7-3/4”, w, 4”; and a bud vase with indented bowl and malachite-inlaid, waisted neck, h. 4”, dia. 2-3/4”.
$300-$500
124
Pair of Emilia Castillo Parrot Chairs
mixed metal, each with a vine and leaf back, topped with stone-inlaid parrots. each h. 58-1/2”
$1,500-$2,500
125
Michael Low Crespo (American/Louisiana, 1947-2010)
“Potted Ferns”
oil on canvas signed lower right. Framed.
42” x 46-1/2”, framed 43” x 47-1/2”
$1,000-$1,500
126
Beatrice Wood (American, 1893-1998)
“Bowl”
lustre-glazed earthenware signed at bottom. h. 6”, dia. 7-1/2”
$800-$1,200
127
Mildred Wohl (American, 1906-1977)
“Untitled”
oil on canvas signed en verso. Framed.
44” x 44”, framed 44-3/4” x 44-3/4”
$2,500-$4,000
128
Hannah Wilke (American, 1940-1993)
“Untitled”
glazed ceramic incised signature at bottom, in the original fabric-covered oval box. box h. 1-3/8”, w. 1-7/8”, d. 1-3/8”
$2,000-$4,000
Provenance: Private collection, New Orleans, Louisiana.
129
Hannah Wilke (American, 1940-1993)
“Untitled”
chewing gum mounted on white cardboard under plexiglass inscribed “Happy Birthday Roger love HW” along bottom. h. 1”, w. 2-1/2”, d. 2-1/2”
$3,000-$5,000
Provenance: Gift of the artist; Private collection, New Orleans, Louisiana.
130
Sandu Darie (Romanian/Cuban, 1908-1991)
“Untitled”
oil on panel signed lower right. Together with a Certificado de Autenticad from Roberto Cobas Amate. Framed.
28” x 24-1/4”, framed 35-1/4” x 31”
$5,000-$8,000
131
Dumitru Gorzo (Romanian, b. 1975)
“Cioporul (The Crowd)”
oil on gallery-wrapped canvas signed and titled en verso. Unframed.
47-1/8” x 59-1/8”
$1,200-$1,800
132
Jesus-Rafael Soto (Venezuelan, 1923-2005)
“Permutacion”
screenprint on plexiglass with metal signed, numbered “61/110” and titled on label en verso.
h. 27-3/4”, w. 12”, d. 4-1/8”
$3,000-$5,000
133
Lin Emery (American/Louisiana, 1926-2021)
“Mini Triad”
polished aluminum and enamel kinetic sculpture marked “A.P.” under base.
h. 6-1/2”, orbit 9-1/2”, base dia. 5-1/2”
$3,000-$5,000
Provenance: Gift of the artist; Private collection, thence by descent.
134
Lin Emery (American/Louisiana, 1926-2021)
“Splay”
polished aluminum kinetic sculpture unsigned. h. 56”, orbit 35”
$20,000-$40,000
Provenance: Gift of the artist; Private collection, thence by descent.
135
Laura Covaci (Romanian, b. 1964)
“Untitled”, 2006
oil on gallery-wrapped canvas initialed and dated en verso. Unframed. 78-3/4” x 78-3/4”
$1,400-$1,800
136
Berthe Martinie (American, 1883-1958)
“Maternal Love”
ink and watercolor on paper signed lower right. Matted, glazed and framed. sight 9” x 7-1/2”, framed 15-1/2” x 13-3/4”
$300-$500
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
137
Glenna Goodacre (American, 1939-2000)
“Sacagawea”, 1989
patinated bronze cast signature, dated and numbered “159/2000” along self-base, on an integral black marble base, the figure holding a Sacagawea dollar coin. h. 7-1/4”, w. 2-3/4”, d. 2-3/4”
$1,000-$1,500
Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.
138
Glenna Goodacre (American, 1939-2020)
“Christina”
terracotta
faintly signed and dated in casting lower left, signed and inscribed en verso. 10-3/4” x 9-1/2”
$500-$800
Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.
139
Glenna Goodacre (American, 1939-2020)
“Sacagawea”, 1999
terracotta
cast signature, copyright-marked and dated lower center, signed and numbered “469/2000” en verso. dia. 7-1/4”
$600-$900
Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.
140
Modern Carpet
5’ 6” x 7’ 9”
$1,200-$1,800
141
William “Bill” Ludwig (American/Louisiana, 1935-2011)
“Untitled” bronze
incised signature and dated along proper left side of helmet, on an integral black square base.
overall h. 26”, w. 7-7/8”, d. 9-1/2”
$800-$1,200
Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.
142
William “Bill” Ludwig (American/Louisiana, 1935-2011)
“Untitled”, 1989
patinated bronze incised signature and dated at back, on an integral wooden base. overall h. 32-1/2”, w. 10-1/2”, d. 8”
$1,000-$1,500
Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.
143
Eng Tay (Malaysian/New York, b. 1947)
“Serenade”
oil on canvas signed lower left, titled en verso. Framed.
18” x 24”, framed 21-1/2” x 27-1/2”
$4,000-$7,000
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana. 142
143
144
Alan Tompkins (American, 1907-2007)
“The Bathers”, 1932
oil on masonite signed and dated lower left, and signed and titled en verso. Framed.
31” x 29”, framed 37” x 35”
$800-$1,200
Provenance: Estate of Loveta Byrne, Natchez, Mississippi.
145
Carlos Solano-Granda for Stamford Modern “Crescent” Bench
in the mid-century modern style, with cast and polished brass legs, the button-tufted seat upholstered in caramel strie velvet. h. 18”, w. 43-1/2”, d. 21-1/2”
$1,500-$2,500
Provenance: Private collection, Laguna Beach, California.
146
Rock Crystal and Gilt-Metal Lamp
contemporary, the Postmodern-style twolight lamp with a tapered rock crystal finial, the standard mounted with a rock crystal Ionic pilaster, on a rectangular gilt-metal base, fitted with a lampshade. h. 21-3/4”, w. 7-1/4”, d. 3-1/2”
$1,000-$1,500
Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.
147
Eero Saarinen Enameled Aluminum and Marble-Top Tulip Dining Table
for Knoll, with a circular white-veined marble top mounted to a white-enameled base, unsigned. h. 28-1/4”, dia. 52-1/2”
$1,500-$2,500 146 147
148
Suite of Four Hans J. Wegner Oak Chairs
Carl Hansen & Son, Denmark, ca. 1952, model CH23, each with a curved back rest and woven cord seat. each h. 29-1/2”, w. 20-1/2”, d. 20”
$1,200-$1,800
149
Alberto Giacometti (Swiss, 1901-1966)
“Portrait of Rimbaud, from Rimbaud, vu par les peintres”, 1962 etching pencil-signed and numbered “30/97” lower margin, and New Orleans Museum of Art exhibition labels en verso. Published by Matarasso, Paris. Matted, glazed and framed. plate 11-1/2” x 9-3/4”, framed 23-3/4” x 18-1/4”
$6,000-$9,000
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibited: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
Literature: New Orleans Collects: A Selection of Works of Art Owned by New Orleanians, New Orleans Museum of Art, 1971-1972, exhibition catalogue, no. 157.
150
Paul Cadmus (American, 1904-1999)
“Self Portrait (Study for David and Goliath)”, 1965
color crayon and chalk on tan paper signed “Cadmus” and titled “Study for Goliath” lower right, and New Orleans Museum of Art exhibition label en verso.
Matted, glazed and framed.
sight 11-1/2” x 10”, framed 20-3/4” x 18-1/2”
$4,000-$7,000
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibition: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
151
Henry Casselli (American/Louisiana, b. 1946)
“Civil War General, Probably Stonewall Jackson”
pencil on paper signed lower left. Matted, glazed and framed. sight 11” x 8”, framed 17-1/2” x 14”
$700-$1,000
152
Fritz Bultman (American, 1928-2012)
“Lori: Back View”, 1976
graphite on paper initialed and dated lower right, a “Martha Jackson Gallery, New York” label en verso. Matted, glazed and framed. sight 28” x 22-1/2”, framed 38-1/2” x 32”
$700-$1,000
Provenance: Martha Jackson Gallery, New York, New York.
153
George Valentine Dureau (American/Louisiana, 1930-2014)
“Pensive Figure”
graphite on paper signed lower right. Matted, glazed and framed. 19-1/4” x 13-3/4”, framed 31-1/4” x 26”
$700-$1,000
154
George Valentine Dureau (American/Louisiana, 1930-2014)
“Untitled”
graphite on paper signed along lower left edge. Glazed and framed.
sight 16” x 13-1/2”, framed 19-3/4” x 17”
$1,500-$2,500
155
George Valentine Dureau (American/Louisiana, 1930-2014)
“Male Nude”
mixed media on paper signed lower center. Matted, glazed and framed.
sight 38” x 29”, framed 50-3/4” x 40-3/4”
$5,000-$8,000
156
George Valentine Dureau (American/Louisiana, 1930-2014)
“Satyr”, 1976
graphite on paper signed and dated lower center. Matted, glazed and framed. 22-1/4” x 15-1/4”, framed 29” x 22”
$600-$900
157
George Valentine Dureau (American/Louisiana, 1930-2014)
“Portrait”
charcoal on canvas signed lower center. In an acrylic shadowbox frame. 24” x 22”, framed 24-1/2” x 22-1/2”
$600-$900
158
George Valentine Dureau (American/Louisiana, 1930-2014)
“Dance For Six, Street Dance at Comus Parade”, 1988/90
oil on gallery-wrapped canvas signed lower left, signed and titled en verso. Unframed.
88” x 80-1/2”
$10,000-$15,000
Provenance: Purchased from the artist; Private collection, New Orleans, Louisiana. 158
159
Hessam Abrishami (Iranian/American, b. 1951)
“Dancing Figure”
graphite, charcoal and pastel on paper signed lower left.
Matted, glazed and framed.
sight 14-1/2” x 11”, framed 25-1/2” x 22”
$300-$500
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
160
Zoran Antonio Music (Italian/Slovenian, 1909-2005)
“Cavalli que Passano”
lithographs in colors pencil-signed and inscribed “prova d’artista” (artist’s proof) lower margin.
Schmucking 26.
Matted, glazed and framed.
sight 13-3/4” x 20-3/4”, framed 22” x 28-1/2”
$2,000-$4,000
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
161
Robert Gordy (American/Louisiana, 1933-1986)
“The Green Nile”, 1969
color screen print
pencil-signed and numbered “14/100” lower margin, and New Orleans Museum of Art exhibition label en verso.
Printed by Editions Alecto, London, England, from the “Golden Days” series. Matted, glazed and framed.
sight 22-1/2” x 30-1/2”, framed 26-1/4” x 34-1/2”
$800-$1,200
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibited: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
162
Robert Motherwell (American, 1915-1991)
“Basque Suite #10”, 1971
screenprint in colors on J.B. Green paper pencil-initialed and numbered “110/150” lower right, signed upper left, printed by Kelpra Studio, London, UK, published by Marlborough Graphics, New York, New York. Unframed.
sheet 40-3/4” x 28-1/4”
$2,500-$4,000
163
Larry Zox (American, 1937-2006)
“Untitled: Diamond Drill Series”
color screenprint pencil-signed and numbered “35/75” lower margin and New Orleans Museum of Art exhibition label en verso.
Printed at Chiron Press, New York, by Steve Poleskie, and published by Kornblee Gallery and Editions Alecto. Plexiglass framed. sheet 25-7/8” x 23, framed 26-1/4” x 23-1/2”
$700-$1,000
Provenance: Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
Exhibition: A Passion for Paper: Prints and Drawings From the Joel and John Weinstock Collection, New Orleans Museum of Art, 2001.
164
Randy Leo “Frenchy” Frechette (American/New Orleans, b. 1970)
“Dreams Come True: Big Chief Bo Dollis”, 2015
acrylic on canvas signed lower right, and signed, dated, titled and inscribed “Official Jazz Festival Poster Painting” en verso. Framed.
60” x 39”, framed 67-1/2” x 46-1/2”
$40,000-$70,000
165
George Bauer Dunbar
(American/Louisiana, 1927-2024)
“Action Series 19”, 2011
mixed media signed lower right, titled and dated on label en verso. Framed.
9-3/4” x 14”, framed 10-1/4” x 15-1/4”
$2,000-$4,000
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
166
George Bauer Dunbar
(American/Louisiana, 1927-2024)
“Heart”
gold leaf over black clay incised signature lower center. 14” x 12”
$2,000-$4,000
George Bauer Dunbar (American/Louisiana, 1927-2024)
gold leaf over red and black clay incised signature lower center. In an integral thin gallery frame. framed 55-1/4” x 49-1/2”
$20,000-$40,000
167
“Coin Du Lestin”
167
168
Noel Rockmore (American/Louisiana, 1928-1995)
“The Bird’s Wedding”, 1992
watercolor and ink on paper signed, dated, titled, and inscribed “For Joey” lower right.
Float-mounted and framed.
19” x 24”, framed 21-1/4” x 26-1/4”
$800-$1,200
169
Gary John (American, Contemporary)
“Tribes Owl”, 2018
acrylic and mixed media pencil-titled lower right Together with a certificate of authenticity. Glazed and framed.
28” x 22”, framed 31” x 24-1/2”
$600-$900
Provenance: Artspace Warehouse, Los Angeles, California; Private collection, Houston, Texas. 168
170
Anderson Family (American/Mississippi, Mid-to-Late 20th Century)
“Fritillaries (Butterflies)”
watercolor on paper
pencil initialed “A” lower right and titled lower left.
Unframed.
10” x 15”
$1,500-$2,500
171
Pair of Contemporary Italian Murano Sconces
the two-light sconces with carved facades, decorated with a profusion of Murano blown glass colorless and polychrome flowers. h. 26”, w. 8”, d. 3-3/4”
$2,000-$4,000
172
American Pottery Bowl
1999, glazed interior with turtle and jackrabbit design, initialed and dated at bottom. h. 6-1/2”, dia. 17-1/4”
$400-$700
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
173
Michael Low Crespo (American/Louisiana, 1947-2010)
“Three Fish”
oil on canvas initialed lower right. Framed.
24” x 30”, framed 25-1/2” x 30-1/2”
$900-$1,200
174
Hunt Slonem (American, b. 1951)
“Double Troupial”, 1996
oil on wood panel signed, dated and titled en verso, a “M.B. Modern, New York” gallery label en verso. Framed.
6” x 4-3/4”, framed 12” x 9”
$2,500-$4,000
Provenance: M.B. Modern, New York, New York.
175
Hunt Slonem (American, b. 1951)
“Two Birds”, 2000
oil on masonite signed and dated en verso. Framed.
dia. 1-7/8”, framed 4” x 3-1/2”
$800-$1,200
176
Michael Low Crespo (American/Louisiana, 1947-2010)
“Parrot”
watercolor on paper signed lower center. Matted, glazed and framed. sight 8-1/2” x 8-3/4”, framed 14-1/4” x 14-1/4”
$500-$800
177
John Clemmer (American, 1921-2014)
“Untitled Abstraction”, 2004
mixed media on handmade papel de amate unsigned.
Float-mounted, glazed and framed. sheet 15 x 23”, framed 27-1/2” x 34-1/2”
$2,500-$4,000
Provenance: Acquired from the artist; Private collection, Louisiana.
176 177
178
Douglas Bourgeois (American, b. 1951)
“French Horn”, 1994
mixed media on wood panel signed and dated lower right, titled and dated en verso. 8” x 5-1/2”
$1,000-$1,500
179
James Michalopoulos (American/Louisiana, b. 1951)
“Pink House”
oil on canvas signed lower left. Float-mounted and framed. 20” x 27-1/2”, framed 22” x 29-1/2”
$4,000-$7,000
180
Mary Lee Flotte Lombard (American/Louisiana, b. 1940)
“Remember When”
oil on canvas signed lower right and signed, titled, and localized en verso. Framed.
sight 36” x 30”, framed 37” x 31”
$800-$1,200
181
Elemore Morgan, Jr. (American, 1931-2008)
“Early Fall”, 1994
acrylic on masonite signed, dated and titled on wooden support en verso.
7” x 24-1/2”
$4,000-$7,000
182
John Clemmer (American, 1921-2014)
“Untitled Abstraction”, 2004
mixed media on handmade papel de amate signed and dated lower right.
Float-mounted, glazed and framed. sheet 15” x 23”, framed 27-1/2” x 34-1/2”
$2,500-$4,000
Provenance: Acquired from the artist; Private collection, Louisiana.
183
James Michalopoulos (American/Louisiana, b. 1951)
“Still Water”, 2012
oil on canvas initialed lower left, signed and dated en verso, titled on stretcher bar.
Float-mounted and framed. 24” x 12”, framed 25-3/4” x 13-3/4”
$2,500-$4,000
184
John Clemmer (American, 1921-2014)
“Untitled Abstraction”, 2004
mixed media on handmade papel de amate signed and dated lower left.
Float-mounted, glazed and framed. sheet 15” x 23”, framed 27-1/2” x 34-1/2”
$2,500-$4,000
Provenance: Acquired from the artist; Private collection, Louisiana.
185
Alia Ali (Yemeni-Bosnian/Louisiana, b. 1985)
“Floral”, 2022
pigment print on photo rag mounted on aluminum
wooden frame upholstered in Dutch wax fabric sourced from Senegal, this print number one from an edition of three. 93-1/2” x 51”
$5,000-$8,000 184
186
Margaret Evangeline (American/Louisiana, b. 1943)
“Halo I” “Halo II”
two oils on glassine paper each signed lower right. Unframed. each sheet 34” x 22”
$1,500-$2,400
187
Louis Carreon (American, b. 1977)
“Spirit Bird”
mixed media on canvas signed lower right. In a thin gallery frame. 60” x 48”, framed 61” x 49-1/2”
$20,000-$40,000
188
Nicole Charbonnet (American/Louisiana, b. 1966)
“Day is Desire - Night is Sleep, There are no shadows anywhere (Study for the Flood)”, 1993-95
mixed media on canvas
“Galerie Simonne Stern, New Orleans” label with artist, title and date, and handwritten inscription from The Creations of Sound by Wallace Stevens: “If the poetry of X was music, So that it came to him of its own. Without understanding, out of the wall” en verso. Unframed.
18” x 28”
$2,000-$4,000
Provenance: Galerie Simonne Stern, New Orleans, Louisiana; Joel and John Weinstock Collection; Estate of Joel Weinstock, New Orleans, Louisiana.
189
Ashley Longshore (American/Louisiana, b. 1975)
“Wine Bottles”, 2010
acrylic and resin on gallery-wrapped canvas signed and dated en verso.
30” x 10”
$2,000-$4,000
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
190
Ashley Longshore (American/Louisiana, b. 1975)
“M & M’s”, 2010
acrylic and resin on gallery-wrapped canvas signed and dated en verso.
30” x 10”
$2,000-$4,000
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
191
Nicola Simbari (Italian, 1927-2012)
“Marilyn”
oil on canvas signed lower right. Framed.
40” x 28”, framed 48-3/4” x 37”
$2,500-$4,000
192
Frank Worth (American, 1923-2000)
“Marilyn Monroe and the Hollywood Sign”
limited edition archival pigment print numbered “5/75” and with “Frank Worth Estate” blind stamp lower right. Matted, glazed and framed. sheet 20” x 24”, framed 27-1/2” x 33”
$2,000-$4,000
Provenance: Sold in these rooms, March 17, 2018, lot 908; Private collection, Houston, Texas.
193
Blake Boyd (American/Louisiana, b. 1970)
“Tears of a Clown: Portrait of Harry Shearer”
cibachrome face-mounted to plexiglass signed and titled en verso. Glazed and framed. 59-1/2” x 47-3/4”, framed 66” x 56”
$5,000-$8,000
194
Generic Art Solutions (American/New Orleans, Contemporary)
“The Last Supper”, 2006
digital chromogenic print
pencil-signed by Matt Vis and Tony Campbell, titled, dated, and numbered “13/13” en verso.
Matted and framed.
sight 15-3/4” x 23-3/4”, framed 23-1/2” x 31”
$800-$1,200
195
Carlos Betancourt (American/Puerto Rican, b. 1966)
“Re-Collection X-Ray”
digital chromogenic print titled, signed and numbered “3/3” on labels en verso.
Glazed and framed.
sight 35-1/2” x 35-1/2”, framed 37” x 37”
$2,000-$4,000
196
Dejana Kabiljo (Croatian/Austrian, Contemporary)
“ScriboTable”
paper and cardboard with plexiglass support with two painted and carved wood pencils. h. 30-1/2”, w. 23-1/2”, d. 17”, large pencil l. 29-1/2”
$1,500-$2,500
Provenance: Purchased from the artist; Private collection, New Orleans, Louisiana.
196
197
Jim Rabby (American, b. 1947)
“Harbor” oil on canvas signed lower left. Framed.
24” x 48”, framed 31” x 55”
$800-$1,200
197
198
Evert Witte (Dutch/Louisiana, b. 1951)
“London Calling”, 2008
acrylic on canvas initialed lower right, signed and dated en verso; verso affixed with “Cole Pratt Gallery” label.
Float-mounted and framed.
48” x 48”, framed 52-1/2” x 52-1/2”
$1,000-$1,500
Provenance: Cole Pratt Gallery, New Orleans, Louisiana; Crescent City Auction Gallery, New Orleans, Louisiana, November 3, 2023, lot 161.
199
Alfred Leslie (American, 1927-2023)
“The Eagerness of Objects to be What we are Afraid to do Cannot Help but Move us”, 1996
ink and watercolor on paper title from Frank O’Hara’s poem Interior (with Jane), signed, dated and localized New York along lower edge.
Glazed and framed. sight 22” x 17-1/2”, framed 29” x 24-1/2”
$1,500-$2,500
200
Dapper Bruce Lafitte (Davenport) (American/Louisiana, b. 1972)
“City Park”, 2017
marker on paper signed and inscribed in several places. Float-mounted, glazed and framed. sheet 19-1/2” x 25-1/2”, framed 22” x 28”
$800-$1,200
201
Janice Yvonne Kennedy (American/Georgia, b. 1941)
“Miss Daisey, Gwinnett County, Georgia”
acrylic on board signed and inscribed lower right, expository inscription and signed en verso backing. Framed.
15” x 18”, framed 17-1/2” x 20-1/2”
$400-$700
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana. 200 201
202
Clementine Hunter (American/Louisiana, 1886-1988)
“Pecan Picking”
oil on canvas board monogrammed lower right, and inscribed and “Gilley’s Gallery, Baton Rouge” label en verso.
Framed.
10” x 20”, framed 13-1/2” x 23-1/2”
$3,000-$5,000
Provenance: Gilley’s Gallery, Baton Rouge, Louisiana; Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
This painting has been examined and authenticated by Mr. Thomas N. Whitehead, Nachitoches, Louisiana.
203
Clementine Hunter (American/Louisiana, 1886-1988)
“Chimney Sweep”
oil on canvas board monogrammed lower right, and titled, “Estate of Yvonne Arnoult Ryan” and “Gilley’s Gallery, Baton Rouge” label en verso. Framed.
16” x 20”, framed 19” x 23”
$2,500-$4,000
Provenance: Estate of Yvonne Arnoult Ryan, wife of Dr. Robert F. Ryan, Metairie, Louisiana; Gilley’s Gallery, Baton Rouge, Louisiana; Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
This painting has been examined and authenticated by Mr. Thomas N. Whitehead, Nachitoches, Louisiana.
202
203
204
Mose Tolliver (American/Alabama, 1925-2006)
“Yellow Melon”
acrylic on plywood signed lower right. 12” x 12-1/2”
$500-$800
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
205
Mose Tolliver (American/Alabama, 1925-2006)
“Yellow Bird”
acrylic on plywood signed lower left, a “Gilley’s Gallery” label en verso. 23-1/2” x 24”
$800-$1,200
Provenance: Gilley’s Gallery, Baton Rouge, Louisiana; Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
204 205
206
Clementine Hunter (American/Louisiana, 1886-1988)
“Harvesting”, ca. 1940s
oil on paper signed “Clemence” lower left and monogrammed mid left, and “Gilley’s Gallery, Baton Rouge” label en verso. Matted, glazed and framed. sight 11” x 14”, framed 22” x 24-1/2”
$3,000-$5,000
Provenance: Gilley’s Gallery, Baton Rouge, Louisiana; Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
This painting has been examined and authenticated by Mr. Thomas N. Whitehead, Nachitoches, Louisiana.
207
Clementine Hunter (American/Louisiana, 1886-1988)
“African Headdress”, ca. 1970
oil on canvas board monogrammed lower right. Framed.
20” x 16”, framed 25” x 20-3/4”
$3,000-$5,000
This painting has been examined and authenticated by Mr. Thomas N. Whitehead, Nachitoches, Louisiana.
208
Howard Finster (American, 1916-2001)
“Elephant”
carved and painted wood numerous inscriptions throughout. h. 6-1/2”, w. 7”, d. 3-3/4”
$800-$1,200
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
209
George E. Ohr (American/Mississippi, 1857-1918)
“Cougar Head Inkwell”, ca. 1895-1900
green-glazed bisque affixed to base Accompanied by bisque stamped “G. E. Ohr, Biloxi, Miss.”.
3-1/4” x 3-1/2”
$1,000-$1,500
Provenance: Private collection, New Orleans, Louisiana. 208 209
210
Two Shearwater Art Pottery Vases
with nude figures, 1980s, glazed earthenware, decorated by Patricia Anderson Findeisen, each marked “D/P” and with pottery stamp at bottom.
each h. 7-1/2”, dia. 2-1/2”
$600-$900
211
Jo Ann Greenberg (American/Louisiana, 1928-2013)
“Bathing Beauties”
glazed pottery incised signature along outer rim and at bottom. h. 7-3/4”, dia. 3-1/2”
$500-$800
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
212
JoAnn Greenberg (American/Louisiana, 1928-2013)
“Bathing Beauties”
glazed pottery incised signature along outer rim and at bottom. h. 16”, dia. 7-1/4”
$600-$900
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
213
Terry Turrell (American, b. 1946)
“Mask”
found object sculpture signed and with an “American Primitive Gallery” sticker at bottom, with a rectangular black base. sculpture h. 7-1/4”, w. 6”, d. 3-1/4”, base 6-1/2” x 4”
$700-$1,000
Provenance: American Primitive Gallery, New York, New York; Collection of Mrs. Arlene Philipson, New Orleans, Louisiana. 212 213
214
Terry Turrell (American, b. 1946)
“Rabbit Ears”
mixed media and found object sculpture h. 52-1/4”, w. 7”, d. 2”
$500-$800
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
215
Ann “Frantic” Roberts Morley (American, 1936-2009)
“Double-Face”
mixed media on plywood signed lower center and lower right. h. 20-3/4”, w. 12”, d. 2”
$400-$700
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
216
Contemporary Anasazi Painted Pottery
Vessel in the Form of a Raven
referencing the historical Four Corners Region, now encompassing Utah, New Mexico, Colorado and Arizona, interior lid with traditional petroglyphs, inscription on the Raven at bottom.
h. 10-1/2”, w. 11”, d. 7”
$500-$800
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
217
Whimsical Glazed Pottery Figure
with arms outstretched, signed at bottom. h. 19”, w. 10”, d. 4-3/4”
$400-$700
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
218
Denise Greenwood Loveless (American/Louisiana, Contemporary)
“Face”, 2008 clay
signed and dated and marked en verso. h. 9-1/2”, w. 8”, d. 4”
$500-$800
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
219
Jim Shores (American, b. 1950)
“Mask”
found object assemblage signed en verso. h. 15-1/2”, w. 15”, d. 2-1/4”
$500-$800
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
220
Whimsical Wrought Iron Mailbox on Stand
20th century, the mailbox wrapped in a floral vine with a dragonfly perched on top, mounted to a twisted iron standard on a square base with a turtle peering out from the legs.
h. 50”, w. 16”, d. 25”
$1,000-$1,500
221
Jimmy Lee Sudduth (Alabama, 1910-2007)
“Bicycle Man”
oil on board
pencil-signed upper left. Artist-enhanced frame.
sight 11” x 11”, framed 20” x 20”
$800-$1,200
Provenance: Collection of Mrs. Arlene Philipson, New Orleans, Louisiana.
ARTIST INDEX
(BY LOT NUMBER)
(Chapiro) Shapiro, Jacques 93
Abrishami, Hessam 159
Abstract Expressionism School, 94
Ali, Alia 185
Anderson Family, 170
Baixas-Carrate, Juan 23
Barnet, Will 107
Betancourt, Carlos 195
Bourgeois, Douglas 178
Boyd, Blake 193
Buffet, Bernard 76
Bultman, Fritz 152
Cadmus, Paul 150
Canu, Yvonne 59
Carreon, Louis 187
Casselli, Henry 151
Chagall, Marc 56,72
Charbonnet, Nicole 188
Clements, George Henry 50
Clemmer, John 177,182,184
Comte, Pierre-Charles 21
Covaci, Laura 135
Crespo, Michael Low 125,173,176
Cundin, Jose-Maria 101
Darie, Sandu 130
de Segonzac, Andre-Dunoyer 7
Drysdale, Alexander John 11,12
Dufy, Jean 57
Dunbar, George Bauer 165,166,167
Dureau, George Valentine 85,153,154,155,156,157,158
Eerelman, Otto 20
Emery, Lin 133,134
Evangeline, Margaret 186
Finster, Howard 208
Forain, Jean-Louis 42
Friedeberg, Pedro 111
Friedlander, Adolph 110
Fusion Art Glass 109
Geldersma, John 108
Generic Art Solutions, 194
Giacometti, Alberto 149
Gilot, Francoise 69
Gisson, Andre 60
Gonzalez-Torres, Felix 117
Goodacre, Glenna 137
Goodacre, Glenna 138,139
Gooss, Vladimir Konstantinovich 92
Gordy, Robert 161
Gorzo, Dumitru 131
Greenberg, Jo Ann 211
Greenberg, JoAnn 212
Guiaud, Jacques 33
Hart, George Overbury “Pop” 48
Heldner, Colette Pope 53
Hunter, Clementine 202,203,206,207
Hutty, Alfred Heber 51
Jansem, Jean 66,67
Jere, Curtis 97
John, Gary 169
Kabiljo, Dejana 196
Keck, Jeanne Gentry 80
Kennedy, Janice Yvonne 201
Korver, John 52
Kouyoumdjian, Sonia 89
Kronberg, Louis 55
La Touche, Gaston 19
Lafitte , Dapper Bruce 200
Laughlin, Clarence John 82,83
LeBlanc, Marie de Hoa 9
Lehmbruck, After Wilhelm 4
Lersy, Roger 98
Leslie, Alfred 199
Lombard, Mary Lee Flotte 180
Longshore, Ashley 189,190
Loveless, Denise Greenwood 218
Ludwig, William “Bill” 141,142
Maillol, Aristide 39
Martinie, Berthe 136
Matisse, Henri 3,40
McGarrell, James 78
Michalopoulos, James 179,183
Millet, Clarence 49
Miner, Edward Herbert 24
Morgan, Jr., Elemore 181
Morley, Ann “Frantic” Roberts 215
Motherwell, Robert 162
Music, Zoran Antonio 160
Nedjar, Michel 77
Nelson, W. H. 10
Ohr, George E. 209
Osadebe, Dennis 115
Parker, Mary Jane 79
Parks, Gordon 86,87,88
Pascin, Jules 38
Peterson, Cleon 116
Picasso, Pablo 43,44
Pissarro, Lelia 61
Poliakoff, Serge 91
Rabby, Jim 197
Rau, William H. 81
Ray, After Man 102
Ray, Man 103
Renoir, Pierre-Auguste 2
Rockmore, Noel 168
Rouault, Georges 73,74,75
Samaras, Lucas 95
Schueler, Jon R. 96
Schwebel, Ivan 90
Shores, Jim 219
Simbari, Nicola 191
Slonem, Hunt 174,175
Soto, Jesus-Rafael 132
Sudduth, Jimmy Lee 221
Tamayo, Rufino 106
Tay, Eng 143
Thibesart, Raymond 62,63
Thorp, Carl M. 54
Tolliver, Mose 204,205
Tompkins, Alan 144
Turrell, Terry 213,214
Vuillard, Edouard 41
Whistler, James Abbott McNeill 1
Wikstrom, Bror Anders 13
Wilke, Hannah 128,129
Witte, Evert 198
Wohl, Mildred 127
Wood, Beatrice 126
Worth, Frank 192
Wright, Don 47
Zatzka, Hans Ronsard 22
Zox, Larry 163
New Orleans Auction Galleries does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.
The Artist’s Name: In our qualified opinion, a work by the artist.
Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.
School of / Follower of: In our qualified opinion, a work by a follower of the artist.
Circle of: In our qualified opinion, a work of the period of the artist and showing his or her influence.
Studio of: In our qualified opinion, a work possibly associated with the studio of the artist and showing his or her influence.
Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.
After: In our qualified opinion, a copy of a known work by the artist.
Signed: In our qualified opinion, has the signature which is that of the artist.
Bears Signature: In our qualified opinion, has a signature which may be the signature of the artist.
Dated: In our qualified opinion, is so dated and was executed on or around that date.
Bears Date: In our qualified opinion, is so dated and may have been executed at about that date.
Conditions of Sale:
ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.
1. Introduction
(a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction.
(b). Under these Conditions of Sale, the following capitalized terms are defined as follows:
• An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG;
• The “Auctioneer ” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot;
• A “ Bidder ” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding);
• A “ Buyer ” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction;
• “ Buyer’s Premium” is defined in Section 4 below;
• “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction;
• The “ Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction;
• The “ Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges;
• A “ Lot ” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below;
• The “ Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot;
• The “ Seller ” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot;
• The “ Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.
(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer.
(d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.
2. Before the Auction
(a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER.
(i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.”
(ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose.
(iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale.
(iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED.
(v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership.
(vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a).
(b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.
(c). Catalogue and other descriptions.
(i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others.
(ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot.
(iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price.
(iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material.
(d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that:
(i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot;
(ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere;
(iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot;
(iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and
(v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.
3. At the Auction
(a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements:
(i) A Bidder must complete and sign the attached registration form and provide identification to NOAG;
(ii) NOAG may require the production of bank or other financial references or any other additional information;
(iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment
(iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and
(v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below).
(b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion.
(c). Absentee bids / Telephone bids.
(i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”).
(ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).
(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid.
(iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith.
(d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above.
(e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller.
(f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot.
(g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.
4. After the Auction
(a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG:
(i) the Hammer Price; and
(ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price up to and including a Hammer Price of $200,000 and 12% of the amount by which the Lot’s Hammer Price exceeds $200,000.
(iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form.
(b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer.
(c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card.
(d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction.
(e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.
(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction.
(g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law):
(i) to charge outstanding amounts to the Buyer’s credit card;
(ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law);
(iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law;
(iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer;
(v) to cancel the sale;
(vi) to resell the property publicly or privately on such terms as we shall think fit;
(vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer;
(viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer;
(ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs;
(x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids;
(xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller
If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.
(h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved.
(i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.
5.Copyright
The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.
6. Severability
If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.
7. Data Collection
In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.
8. Law and Jurisdiction
The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.
333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com
ABSENTEE / TELEPHONE BID FORM
Name (Please Print): ______________________________________________
Date: ______________________
Business Name: ______________________________________________________________________________
Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________
Address: _____________________________________________________
City: _____________________________________________ State: ____________ ZIP: ___________________
Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________
E-mail Address: _________________________________________________________________________________
Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.
Lot # Bid Amount (not including buyer’s premium) OR Telephone Number to Call: $
VISA / MasterCard / American Express #: ____________________________________________
Expiration Date: _____________ CVV #: _______________ Billing Zip: ________________
I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 12% of the hammer price greater than $200,000 (no discounts). Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.
Signature (Required):
Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com
DIRECTOR OF FINE ART
Michele M. Carolla
ASSOCIATE FINE ART SPECIALIST
Sophie Curtis
SOUTHERN REGIONAL ART SPECIALIST
Claudia Kheel
ART PREPARATOR
Sol Carter
CREATIVE TEAM
Amelia Schussler
Erica Westenberger
Jo Gremillion
Meet Our Team
CEO:
PRESIDENT:
DIRECTOR EMERITUS:
SPECIALISTS:
VICE PRESIDENT
DIRECTOR OF FINE ART
ASSOCIATE SPECIALIST, FINE ART
SENIOR SPECIALIST: FURNITURE & CLOCKS
SENIOR SPECIALIST: GENERAL
DIRECTOR OF FINE JEWELRY
FINE SILVER
CARPETS
CONSIGNMENT COORDINATOR
ADMINISTRATION:
DIRECTOR OF CLIENT SERVICES
ADMINISTRATION
OFFICE MANAGER
CLIENT SERVICES ASSOCIATE
RETAIL MANAGER
CREATIVE:
CREATIVE DIRECTOR
LEAD PHOTOGRAPHER
CREATIVE ASSOCIATES
OPERATIONS:
DIRECTOR OF OPERATIONS
OPERATIONS ASSOCIATES
DESIGNER:
CONSULTANTS:
ENGLISH & CONTINENTAL FURNITURE
AMERICAN FURNITURE
FINE ART
ASIAN ARTS
Susan D. Sarofim
Taylor Eichenwald | taylor@neworleansauction.com
Tessa Steinkamp
John C. Jones | john@neworleansauction.com
Michele M. Carolla | michele@neworleansauction.com
Sophie Curtis | sophie@neworleansauction.com
Greg S. Kowles | greg@neworleansauction.com
Ireys Bowman | ireys@neworleansauction.com
Kim Lemon | kim@neworleansauction.com
Charles C. Cage | charles@neworleansauction.com
Sean Ranson | sean@neworleansauction.com
Alex Ebel | alex@neworleansauction.com
Sylvia Burn | sylvia@neworleansauction.com
Denise Haik | denise@neworleansauction.com
Charles C. Cage | charles@neworleansauction.com
Audrey Dawson | audrey@neworleansauction.com
Owen Lemon | owen@neworleansauction.com
Amelia Schussler | amelia@neworleansauction.com
Christa Ougel | christa@neworleansauction.com
Erica Westenberger | erica@neworleansauction.com
Jo Gremillion | jo@neworleansauction.com
Sean Ranson
Cedric Roberts, Gerald Hampton,Emmitt Kendrick, Jr., Sol Carter, Juanita Jones, Theadrow Mark,Furnell Augustin, Jr., Will Williams, Jr., Te’Saun Walker, Christian Hamilton, Josh Ranson
Burke
Ellen McKenzie
Thomas Halverson
Claudia Kheel
James Callahan
