Deploying the Archive
Deploying the Archive
The collaboration between the Norman Foster Foundation and the Yale School of Architecture started in 2009 with the establishment of the Norman R. Foster Visiting Professorship. Now for over a decade, this professorship enables the Yale School of Architecture to invite distinguished international architects to teach in the design studio on an annual basis. In 1961, Norman Foster was awarded a Henry Fellowship that allowed him to undertake the Master’s Class in Architecture at Yale University. In Foster’s words, ‘my time at Yale and the people I was exposed to there, in particular Paul Rudolph, Serge Chermayeff and Vincent Scully, had an incredible impact on me. Rudolph created a studio atmosphere which was highly creative, competitive and fueled by a succession of visiting luminaries’. From May to June 2019 there will be a second collaboration with the Yale School of Architecture as a four-week study course at the Madrid headquarters of the Norman Foster Foundation. Graduate students will research within the archive of the Foundation and engage with a distinguished group of mentors.
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The focused Yale School of Architecture Summer Programme at the Norman Foster Foundation is a wonderful and needed addition to the School’s long history of directed summer study. Architects today use archival resources in broad, creative ways. There is no better place than the Norman Foster Foundation Archive for students to be able to examine documents, drawings, models and materials and learn the relevance and importance of archival research.
Deborah Berke Dean Yale School of Architecture
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Deploying the Archive | Introduction
This collaboration between the Norman Foster Foundation and the Yale School of Architecture celebrates the potential contained within architectural archives. What makes an archive more than a repository of material, and how does research stimulate and enrich our knowledge and understanding by opening new intellectual approaches? During this four-week programme students will be introduced to the Norman Foster Foundation Archive; a collection reflecting six decades of Norman Foster´s career. With expert input from their mentor and a specially assembled academic body, students will gain understanding of the benefits of archival research, and practical experience of encountering physical documents. Interpreting original documentation, across a diverse range of media, will enable students to comprehend the thought processes behind design evolution, and deepen their architectural thinking. Through working at the Norman Foster Foundation in Madrid, students will see how ideas researched in the Archive can be further developed with reference to the extensive collection of objects and models displayed in the Foundation’s gallery spaces. Lectures and workshops will complement the exploratory sessions in the archive, allowing students to gain practical experience of navigating a leading architectural collection and of using these encounters to confidently pursue their own research project.
Iñaqui Carnicero Design Critic Yale School of Architecture
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Academic Body
Mentor
Iñaqui Carnicero, Professor at Yale School of Architecture, Yale University, and Co-founder of Rica Studio, New Haven, CT, United States
Professors
Estrella de Diego, Academician, Real Academia de Bellas Artes de San Fernando, Madrid, Spain
Luis Fernández-Galiano, Professor at ETSAM, Universidad Politécnica de Madrid, and Director of AV/Arquitectura Viva, Madrid, Spain
Academic Body
Neeraj Bhatia, Professor at University of California, Los Angeles, CA, United States
Manuel Blanco, Director of ETSAM, Universidad Politécnica de Madrid, Madrid, Spain
Ángela García de Paredes, Co-founder of Paredes Pedrosa and Professor at ETSAM, Madrid, Spain
Jacobo García-Germán, Professor at ETSAM, Universidad Politécnica de Madrid, Spain
Gabriel Hernández, Architect and Researcher, Head of Education & Research Units, Norman Foster Foundation, Madrid, Spain
James Jago, Architectural Historian, Archive & Library Units, Norman Foster Foundation, Madrid, Spain
Javier Lahuerta, Architect and Researcher, London, United Kingdom
Ángel Martínez, Critic and Professor, Universidad de Sevilla, Seville, Spain
Cristina de Mora, Archivist, Coordinator of the Archive & Library Units, Norman Foster Foundation, Madrid, Spain
Alicia Valdivieso, Archivist, Archive & Library Units, Norman Foster Foundation, Madrid, Spain
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Yale School of Architecture Students
Page Thomas Comeaux, M.Arch candidate at Yale School of Architecture, Bachelor of Science in Architectural Studies from the University of Louisiana at Lafayette, Lafayette, LA, United States Nathan A. GarcĂa, M.Arch candidate at Yale School of Architecture, Bachelor of Environmental Design from Texas A&M University, Austin, TX, United States Hojae Lee, M.Arch candidate at Yale School of Architecture, Architecture Major from Hongik University, Seoul, Korea Rachel N. Lefevre, M.Arch candidate at Yale School of Architecture, Bachelor of Science in Architecture from Washington University, St. Louis, MO, United States Andrew Economos Miller, M.Arch candidate at Yale School of Architecture, Bachelor of Science in Architecture from Ohio State University, Columbus, OH, United States Smit Ramesh Patel, M.Arch candidate at Yale School of Architecture, Bachelor in Architecture from Kamla Raheja Vidyanidhi Institute for Architecture and Environmental Studies, Mumbai, India Zhuo Er Pei, M.Arch candidate at Yale School of Architecture, Bachelor of Science in Architecture from Washington University, St. Louis, MO, United States Armaan Bobby Shah, M.Arch candidate at Yale School of Architecture, Bachelor of Science in Architecture from Washington University, St. Louis, MO, United States Arghavan Taheri, M.Arch candidate at Yale School of Architecture, Bachelor in Architecture from Tehran University, Tehran, Iran  11
Mentor and Professors
Iñaqui Carnicero Iñaqui Carnicero is a practising architect and educator, and graduated from the School of Architecture of Madrid (ETSAM, 1999) where he also obtained his International PhD (2016). His academic experience spans over seventeen years and he is co-founder of RICA* STUDIO, an architectural practice and a platform for design investigation operating across many scales. His work has been recognised with the Golden Lion at the Venice Architecture Biennale 2016, amongst other awards. Carnicero has won several international competitions resulting in built projects and has lectured at several universities and institutions. Currently, he serves as Director of Arquia Proxima 2017-18, co-chair of ACSA International Conference 2018, juror of Europan XIV in Sweden and nominator of YAP MOMA PS1 2018.
Estrella de Diego Estrella de Diego is a writer and researcher, professor of History of Art at Universidad Complutense de Madrid, she has held the King Juan Carlos I Chair of Spanish Culture and Civilization at the King Juan Carlos I of Spain Center at New York University, and the thirteenth Luis Ángel Arango International Chair at Banco de la República, Bogotá. She is a member of the Advisory Board of the Norman Foster Foundation and of the Board of the Real Academia de España en Roma. In 2012 she was awarded the Golden Medal for Merit in Fine Arts by the Spanish Ministry of Culture.
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Luis Fernández-Galiano Luis Fernández-Galiano is an architect, chair professor at Madrid’s School of Architecture, ETSAM, and editor of the journals AV/Arquitectura Viva. Member of the Royal Academy of Fine Arts, he is an International Fellow of the RIBA, and has been Cullinan Professor at Rice, Franke Fellow at Yale, a visiting scholar at the Getty Center, and a visiting critic at Princeton, Harvard, and the Berlage Institute. He has been president of the jury at the 9th Venice Biennale and of the Aga Khan Award, and he has also been a Juror in the competitions for the National Library of Mexico, the National Art Museum of China, the National Library of Israel, and the Noble Qur’an Oasis in Madinah. Among his books are Fire and Memory, Spain Builds, and Atlas: Architectures of the 21st Century. Since 2015, he has been Trustee of the Norman Foster Foundation.
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Academic Body
Neeraj Bhatia Neeraj Bhatia, an architect and urban designer. His work resides at the intersection of politics, infrastructure and urbanism. Neeraj is a co-director of InfraNet Lab, a nonprofit research collective probing the spatial byproducts of contemporary resource logistics, and the founder of The Open Workshop, a design office examining the project of plurality. Furthermore, he is the Research Director of The Petropolis of Tomorrow, which explores the relationship between urbanism and resource extraction. Neeraj is currently an assistant professor at The California College of the Arts, where he is also co-director of the the Urban Works Agency. Neeraj has received Graham Foundation Grants, The Lawrence B. Anderson Award, Shell Center for Sustainability Grant, the Odebrecht first-prize Award for Sustainability, the ACSA Faculty Design Award, and Thesis Prize (MIT, 2007; University of Waterloo, 2005). Neeraj received his master’s degree in Architecture and Urban Design from MIT where he was studying on a Fulbright Fellowship.
Manuel Blanco Manuel Blanco is a member of the International Confederation of Architectural Museums (ICAM), curator and designer. Since 2017, he directs the ETSAM (Technical Superior School of Architecture of Madrid). In 2006 he curated the exhibition España [f.] Nosotras, las Ciudades in the Spanish pavilion at the 10th Venice Architecture Biennale. Since 2013, he has been the Academic Director of the Superior Center for Fashion Design of Madrid and directs the Research Group and PhD programme ‘Architecture, Design, Fashion & Society’.
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Jacobo García-Germán Jacobo García-Germán is an architect, he received an MA from the Architectural Association, London, and European PhD. Since 2005 he has been a teacher at ETSAM, having taught, lectured and acted as jury in different universities worldwide such as AA, Columbia, Cornell, Católica Lima, Feng-Chia Taiwan, Escola da Cidade São Paulo and IE University amongst others. After working in the office of Rafael Moneo, he founded Garciagerman Arquitectos in 2003. He maintains a parallel activity as researcher, having lectured extensively and published several books, winning the FAD Prize in 2013 for Estrategias Operativas en arquitectura. Técnicas de Proyecto de Price a Koolhaas. He has been a member of the Scientific Committee for the Spanish Pavilion of the 15th Venice Architecture Biennale 2016 (Golden Lion Award), and currently co-directs Arquitectura, the official magazine of Madrid’s Board of Architects (COAM).
Ángela García de Paredes Ángela García de Paredes founded in 1990, together with Ingacio Pedrosa, the architectural firm Paredes Pedrosa after collaborating with José M. García de Paredes. She is a professor at ETSAM and visiting professor in the architecture schools of Pamplona, ESARQ UIC in Barcelona and IUAV in Venice, as well as critic and lecturer at several universities such as GSD Harvard, ETH Zurich, EPFL Lausanne and Ibero in Mexico, amongst others. Paredes Pedrosa built work includes the Valle Inclán Theatre in Madrid, the Archaeology Museum in Almeria, La Olmeda Roman Villa Museum in Palencia, Lugo Auditorium and Córdoba’s Public Library. Her firm has been awarded the Spain Fine Arts Gold Medal 2014 and Spain Architecture Award 2007, and their work has been selected for several Spain Architecture Biennials, Venice and Iberoamerican Biennials. 15
Javier Lahuerta Javier Lahuerta is an architect and researcher based in London, United Kingdom. He obtained his M.Arch. Degree at the School of Architecture of Valencia in 2005 after developing his graduation project at the Technische Universiteit of Eindhoven, the Netherlands. Lahuerta’s main research interest is the relation between semiotics, construction systems, quality and well-being in architecture and design. His doctoral thesis, ‘Emotion in the architectural language of Norman Foster’, develops how Norman Foster’s influences and references have shaped his architectural thinking and production.
Ángel Martínez Ángel Martínez García-Posada is a professor at Universidad de Sevilla, Spain, and a member of the project and heritage research group. He has worked in the editorial field since 2002 on various projects. He co-directed Neutra, the magazine for the College of Architects of Seville, from 2002 to 2005; was co-editor of Cuaderno Rojo and Acciones Comunes; and a finalist in the 2015 FAD International Award in Thought and Criticism in Architecture. He is also the author of various books, including Sueños y Polvo, Tiempos de Central Park, or Paseos en espiral, awarded in the 13th Spanish Biennale of Architecture. Martínez was part of the scientific committee of the Spanish Pavilion at the 15th Venice Architecture Biennale awarded with the Golden Lion Prize, and co-editor of its catalogue Unfinished. Martínez García-Posada earned a degree in architecture from the School of Seville in 2001 and a PhD in 2008. 16
Students
Page Thomas Comeaux Page Comeaux most recently served as a coordinating editor of the student-run architecture journal Paprika! Page’s work and writings have been published in Paprika!, Retrospecta 41, and Bauhaus Horizonte. He also collaborated in the design and curation of an exhibition with the student advocacy group Equality in Design that was displayed in the North Gallery of Paul Rudolph Hall. Comeaux previously attended the University of Louisiana at Lafayette, where he received a Bachelor of Science in Architectural Studies.
Nathan A. García Nathan Garcia is originally from Austin, Texas, where he obtained his Bachelor Degree in Environmental Design from Texas A&M University, in 2017. When not developing architecture projects, García is focused on participating in outdoor activities.
Hojae Lee Born in Seoul, Hojae Lee spent his childhood in numerous cities in Korea and the United States, from Honolulu to Washington D.C. He studied architecture at Hongik University, Seoul, Korea. After graduation and completion of his military service, Hojae has worked in Kohn Pedersen Fox Associates, New York City, and THE_SYSTEM LAB, Seoul, for a total of four years before joining the Yale School of Architecture.
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Rachel N. LeFevre Rachel LeFevre is originally from Detroit, Michigan, where she lived before moving to St. Louis, Missouri, where she received a Bachelor of Science in Architecture from Washington University in St. Louis before joining the Yale School of Architecture. She is interested in resilient architecture and environmental design as well as spatialising geo-political and social networks.
Andrew Economos Miller Andrew Economos Miller completed his undergraduate in Architecture at the Ohio State University in 2016. Recently, he has served as coordinating editor for the Yale Architecture student publication Paprika! and has had articles published in Log.
Smit Ramesh Patel Smit Patel holds a Bachelor Degree in Architecture from the Kamla Raheja Vidyanidhi Institute for Architecture and Environmental Studies (KRVIA) in Mumbai, India. After completing his bachelor’s degree, he worked in an architecture practice in Mumbai, after which he decided to travel as part of a United Nations Development Programme scheme to impart marketing and contemporary design help to artisans in rural India, in order to revive handicrafts and create sustainable livelihoods.
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Zhuo Er Pei Zhuo Er Pei received her Bachelor’s Degree of Science in Architecture from Washington University in St. Louis. She is originally from Shanghai, China, and she has worked for Akihisa Hirata Architecture Office in Tokyo, Japan, and SOFTlab in New York City.
Armaan Bobby Shah Armaan Shah is an architectural designer from Tokyo and Mumbai. His work traverses various architectural scales, ranging from geo-spatialising data to digital-fabrication in small-scale interventions. He holds an interest in sustainability, carbon life cycles, and alternative practice models as a means to deploy creative thinking. Prior to his time at the Yale School of Architecture, Armaan worked as a designer and attended architecture schools in St. Louis, MO and Tokyo, Japan.
Arghavan Taheri Arghavan Taheri is a second-year graduate student at Yale School of Architecture. Prior to Yale, she coursed her undergraduate studies in architecture at the University of Tehran, Iran. Her focus is a cross-cultural study of the architecture and history of architecture of the Roman Empire and the Islamic civilisation around the Mediterranean region. Her current research involves the architectural, artistic, and ideological interchanges that occurred between the two worlds and covers the time from one hundred B.C. to the fifteenth century.
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Norman Foster Foundation team
Archive & Library Units
Cristina de Mora Coordinator Argiñe Diana Visiting Scholar from ETSAM, Madrid, Spain James Jago Architectural Historian Alicia Valdivieso Archivist
Education & Research Units
Gabriel Hernández Head Cecilia Bousoño Lisa and Richard Cashin Research Fellow Andrés Conejero Visiting Scholar from ETSAM, Madrid, Spain Lea Halabi Visiting Scholar from the American University of Dubai, UAE Irene Martín Visiting Scholar from Universidad CEU San Pablo, Madrid, Spain Laura Rodríguez Architect Diego Tobalina Harriet and Michael Moritz Research Fellow
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Deploying the Archive
Programme and contents 20 May–14 June 2019 Norman Foster Foundation Headquarters Madrid, Spain
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Programme: Overview
Week 1 20–24 May
Opening Day Introduction to Archives and Methodologies by Estrella de Diego Introduction to the Work of Norman Foster by Luis Fernández-Galiano Introduction to the Norman Foster Foundation Archive Collections and Guided Tour, by the Education & Research Units and Archive & Library Units teams Archive Focus sessions Archive Focus Theme I: Influences and References Archive Focus Theme II: Technology, Sustainability and Materials Archive Focus Theme III: The City, Heritage and Art Archive Focus Theme IV: Architectural Representations
Week 2 27–31 May
Progress Review I: Presentations to Norman Foster Attendees at the Workshop on Cities Public Debates Screening of Paris to Pittsburgh Visit to Reina Sofía Museum Bike Tour through the Madrid Río project
Week 3 3–7 June
Progress Review II with Academic Body Project Development Field Work and Visits
Week 4 10–14 June
Progress Review III with Academic Body Project Definition Final Day Final Presentations to the Mentor, Professors and Academic Body 23
Programme Methodology
Deploying the Archive will bring the opportunity for the students from Yale School of Architecture to develop a deep understanding of the content and aims of an architectural archive.
Aims and Methodology
What makes an architectural archive go beyond the mere accumulation and classification of material to become instrumental? Through the research of a varied selection of materials from the Norman Foster Foundation Archive, students will be able to identify the key elements of an archive, explore their potential to stimulate new strategies for design and understand how they provide the grounds for the development of architectural research. The archive’s holdings span chronologically from the 1950s to the present with a wide range of media, comprising drawings, sketches, models, photographs, audio-visual material, textual records, etc. Students will be encouraged to explore, reappropriate and rearrange available documentation to discover and speculate with new narratives that will inform their architectural thinking.
Masterclasses
The exploratory work will be complemented with Masterclasses and Talks providing the tools and knowledge of how to instrumentalise an architectural archive. Professor Estrella de Diego and Professor Luis FernĂĄndezGaliano will provide masterclass introductions to the contents of the programme. This expert knowledge will serve as a foundation for the students to begin their research on the Archive Focus Themes.
Talks
The Academic Body will give further inputs on the diverse fields related to architectural theory, archives and research.
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Archive Focus Themes
The Foundation will supply a series of Archive Focus Themes where a selection of material, gathered from the archive fonds, on a specific topic will be displayed and outlined for the students to develop further research. The selected Focus Themes revolve around four main topics that have shaped the works of Norman Foster and that are highly relevant to any contemporary architectural or design practice: Influences and References; Technology, Materials and Engineering; Art, History and the Vernacular; and Architectural Representation.
Visits
Complementing the lectures and research, students will conduct site visits to relevant buildings, cultural institutions with great tradition holding archives, renowned architectural offices in Madrid and architectural magazines.
Outcomes
Students will develop a research project during the fourweek programme. They will produce short presentations on their proposals for their selected topics that will be reviewed by Norman Foster and the Norman Foster Foundation team. Finally, students will be expected to choose an archive item within the Foundation’s holdings to design and elaborate an exhibition proposal for a location in Madrid. A 1500-word essay on their proposal will be submitted during the last week of the Programme followed by presentations to the Mentor, Professors and Academic Body on 14 June.
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Programme Contents: Masterclasses
Tuesday 21 May, 9:00 a.m.
‘The Role of Archives: History and Narratives’ Estrella de Diego In his 1995 work Archive Fever, Jacques Derrida pondered the role of archives in a hyperinformed world and the way in which they influenced the construction of memory. Today we can take this one step further: archives have become ‘cultural artefacts’ and the concept of ‘document’ has expanded its meanings and usages. The classic question regarding what should and should not be stored in an archive is made even more relevant by the current overload of information: after all, isn’t the archive, inasmuch as it is a ‘cultural artefact’, the place where the narratives that make up—and have made up—history are outlined?
Tuesday 21 May, 10:00 a.m.
‘Introduction to the Works of Norman Foster’ Luis Fernández-Galiano Perhaps the most charismatic architect of our time, Norman Foster trained as an architect in Manchester and Yale to establish his office in London, designing works like the Reliance Controls factory, a modular system that would inspire later projects for Fred Olsen, IBM, Willis Faber or the Sainsburys. The HSBC was a landmark of high-rise construction, followed by works as innovative as Stansted or Chek Lap Kok airports, as urban as the Carré d’Art or the Bilbao Metro, and as symbolic as the Reichstag and the British Museum. In the twenty-first century Foster has continued to explore new dimensions, from Masdar City or Apple’s headquarters to projects on the Moon or Mars.
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Programme Contents: Lectures and Talks
Tuesday 21 May, 12:00 noon
Talk 1 Introduction to the Norman Foster Foundation Archive by Gabriel Hernández
Tuesday 21 May, 14:30 p.m.
Talk 2 Javier Lahuerta
Thursday 23 May, 17:00 p.m.
Talk 6 Neeraj Bhatia
Friday 24 May, 12:00 noon
Talk 4 Jacobo García Germán
Tuesday 28 May, 12:30 p.m.
Public Debate on Cities Luis Bettencourt, Celine D’Cruz, Francis Keré, Rajev Kathpalia, Ian Goldin, Janice Perlman, Kenneth Rogoff
Monday 3 June, 17:00 p.m.
Talk 3 Ángela García de Paredes
Friday 7 June, 12:00 noon
Talk 5 Ángel Martínez
Friday 14 June, 12:00 noon
Final Presentations Invited Critic: Manuel Blanco
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Programme Contents: Archive Focus Themes
Archive Focus Theme I
Influences and References Focus 1.1 Early References and Travelling First Architectural Influences Aviation and Machines Focus 1.2 Formative Years Manchester School of Architecture Yale School of Architecture 20th-Century American Architects Focus 1.3 Buckminster Fuller Spaceship Earth and Innovations Structures and Tensegrities
Archive Focus Theme II
Technology, Sustainability and Materials Focus 2.1 The Idea of Technology Appropriate Technology Factory Studies and Typology Evolution Focus 2.2 A New Materiality Skin + Bones Material Expression in Early Projects Focus 2.3 Multidisciplinarity Infrastructure: Bridges, Transportation and Towers Engineering
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Archive Focus Theme III
The City, Heritage and Art Focus 3.1 The City Urban Tissue The Context as a Tool Focus 3.2 Heritage Working with History Back to Basics and the Vernacular Focus 3.3 Beyond Art Architecture and Sculpture Shape and Materiality
Archive Focus Theme IV
Architectural Representations Focus 4.1 Drawing Innovations Drafting Techniques and Visualisation Focus 4.2 Narrating Architecture Storytelling: Diagrams and Cartoons Focus 4.3 Beyond the Practice Exhibitions and Publications Rotis Typeface and Book Design
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Programme Contents: Visits
Architectural Tours
El Croquis Avenida Reyes Católicos 9 Centro de Estudios Hidrográficos by Miguel Fisac Paseo Bajo de la Virgen del Puerto 3 Maravillas Gym by Alejandro de la Sota Joaquín Costa 21 Iglesia de los Almendrales by José María García Paredes Plaza Angélica Señora 1 Instituto de Patrimonio by Fernando Higueras Díaz Pintor El Greco 4 Archivo de la Biblioteca Regional Ramírez de Prado 3 AV Arquitectura Viva Aniceto Marinas 32 COAM Archives Hortaleza 63 Francisco Javier Sáenz de Oíza Archive General Arrando 11
Cultural Institutions and Museums
Museo Nacional Centro de Arte Reina Sofía Santa Isabel 52 Museo Nacional del Prado Ruiz de Alarcón 23 CaixaForum Madrid Paseo del Prado 36 Madrid Río Project bike tour Ending location: Matadero Madrid Plaza Legazpi 8
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Architecture Foundations and Studios
Fundación Francisco Giner de los Ríos by Amid09 General Martínez Campos 14 Fundación Fernando Higueras Díaz Maestro Lassalle 36 Fundación Alejandro de la Sota Bretón de los Herreros 66 Estudio Herreros Boix y Morer 6 José María Sánchez García Palencia 32 Paredes Pedrosa Arquitectos Calle Nervión 12 Ensamble Studio Cabo Candelaria 9B SelgasCano Calle Guecho 27
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Reading List
Books and Articles
Archives d’architecture du vingtième siècle, Institut Français d’Architecture, Paris, 1991 Boris V. Ananich, ‘The Historian and the Source: Problems of Reliability and Ethics’, Archives, Documentation, and Institutions of Social Memory: Essays from the Sawyer Seminar, Francis Blouin and William G. Rosenberg (eds.), University of Michigan Press, Ann Arbor, 2007, pp. 490-496 Dana Arnold, ‘Reading Architectural Herstories: The Discourses of Gender’, Reading Architectural History, Routledge, London, 2002, pp. 199-217 Murtha Baca (ed.), Introduction to Metadata, Getty Publications, Los Angeles, 2016 Eva-María Barkhofen, Architecture in Archives: The Collection of the Academy of Arts, DOM Publisher, Berlin, 2017 Jaimie Baron, The Archive Effect: Found Footage and the Audiovisual Experience of History, Routledge, Abingdon, 2014 Giovanni Battista Piranesi, Observations on the Letter of Monsieur Mariette: With Opinions on Architecture, and a Preface to a New Treatise on the Introduction and Progress of the Fine Arts in Europe in Ancient Times, intro. John Wilton-Ely, trans. Caroline Beamish and David Britt, Series: Texts & Documents, Getty Publications, Los Angeles, 2002 Walter Benjamin, ‘Unpacking My Library: A Talk About Book Collecting’, Illuminations: Essays and Reflections, Schocken Books, New York, 1969, pp. 59-67 Beatrice von Bismarck, Diethelm Stoller, Hans Ulrich Obrist, Hans-Peter Feldmann, Ulf Wuggenig (eds.), Interarchive: Archival Practices and Sites in the Contemporary Art Field, Verlag der Buchhandlung Walther König, Köln, 2002
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Catherine Blain (et al.), L’atelier de Montrouge: La Modernité à l’oeuvre (1958–1981), Actes Sud and Cité de l’Architecture et du Patrimoine, 2008 Eve Blau and Edward Kaufman (eds.), Architecture and Its Image: Four Centuries of Architectural Representation, Works from the Collection of the Canadian Centre for Architecture, Canadian Centre for Architecture, Montreal, 1989 Lina Bountouri, Archives in the Digital Age: Standards, Policies and Tools, Chandos Publishing, Sawston, 2017 Louis Cardinal (et al.), Maygene Daniels and David Peyceré (eds.), A Guide to the Archival Care of Architectural Records, 19th–20th Centuries, International Council on Archives, Architectural Records Seccion (ICA/SAR), Paris, 2000 Iñaqui Carnicero, Carlos Quintáns, Ángel Martínez (eds.), Unfinished : Ideas, Images, and Projects from the Spanish Pavilion at the 15th Venice Architecture Biennale, Actar Publishers, New York, 2018 Christophe Cherix, Kim Conaty (et al.), Print/Out: 20 Years in Print, The Museum of Modern Art, New York, 2012 Rebecca Comay (ed.), Lost in the Archive, Alphabet City Media Inc., Toronto, 2002 J. Mordaunt Crook, ‘Architecture and History’, Architectural History 27, SAHGB Publications Limited, Wales, 1984, pp. 555-578 Jaques Derrida, Archive Fever: A Freudian Impression, University of Chicago Press, Chicago, 2017 Estrella de Diego, Cristina Iglesias & Thomas Struth: Constructions of the Imagination, Ivorypress, Madrid, 2014
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Riccardo Domenichini and Anna Tonicello, Il disegno di architettura: Guida alla descrizione, Università IUAV, Archivio Progetti, Venice, and Il Poligrafo, Padua, 2004 Anthony Downey (ed.), Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East, I.B. Tauris, London, 2015 Okwui Enwezor, Archive Fever: Uses of the Document in Contemporary Art, Steidl Publishers, Göttingen, 2008 Luis Fernández-Galiano, Norman Foster, AV Monographs 78, Arquitectura Viva, Madrid, 1999 Hal Foster, ‘The Archive without Museums’, October 77, The MIT Press, Cambridge, 1976, pp. 97–119 Norman Foster: 1986-1992, AV Monographs 38, Arquitectura Viva, Madrid, 1992 Norman Foster: In the 21st Century, AV Monographs 163_164, Arquitectura Viva, Madrid, 2013 Norman Foster: Common Futures, AV Monographs 200, Arquitectura Viva, Madrid, 2017 Michel Foucault, The Archeology of Knowledge and the Discourse on Language, Pantheon, New York, 1972 Michael J. Fox, Peter L. Wilkerson, Suzanne R. Warren, Introduction to Archival Organization and Description: Access to Cultural Heritage (Getty Information Institute), Oxford University Press, Oxford, 1999 Annette Gilbert, (ed.), Publishing as Artistic Practice, Sternberg Press, Berlin, 2016
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R. G. Grant, Flight. The complete history of aviation, DK Penguin Random House, London, 2002 Judith Halberstam, In a Queer Time and Place: Transgender Bodies, Subcultural Lives, New York University Press, New York, 2005 Carolyn Hamilton (ed.), Refiguring the Archive, David Philip, Cape Town, 2002 Abdelmajid Hannoum, ‘Archiving Algeria: Power, Violence and Secrecy’, Sources and Methods in Histories of Colonialism: Approaching the Imperial Archive, Routledge, Abingdon, 2017, pp. 71-84 Patricia Harpring, Introduction to Controlled Vocabularies: Terminology for Art, Architecture, and Other Cultural Works, updated edition, in Murtha Baca (ed.), Series: Intro To, Getty Publications, Los Angeles, 2013 Samantha Hardingham, Cedric Price Works, 1952–2003: A Forward-Minded Retrospective, Architectural Association, London, and Canadian Centre for Architecture, Montreal, 2016 Greg Lynn, Archaeology of the Digital, Canadian Centre for Architecture–Sternberg Press, Berlin, 2013 William McPheron, First Drafts, Last Drafts: Forty Years of the Creative Writing Program at Stanford, Stanford University Libraries, Stanford, 1989 Charles Merewether (ed.), The Archive: Documents of Contemporary Art, Whitechapel Gallery, London, 2006 Markus Miessen and Yann Chateigné (eds.), The Archive as a Productive Space of Conflict, Sternberg Press, Berlin, 2016
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Hans Ulrich Obrist, Ways of Curating, Penguin Random House, London, 2015 Paul O’Neill, Mick Wildon (eds.), Curating Research, Open Editions, London, 2015 Claude Parent, L’oeuvre construite, l’oeuvre graphique, HYX, Orleans, 2010 Janet Parks, Contemporary Architectural Drawings: Donations to the Avery Library, Centennial Drawings Archive, Pomegranate Artbooks, San Francisco, 1991 Nikolaus Pevsner and Mathew Aitchison (eds.), Visual Planning and the Picturesque, Getty Publications, Los Angeles, 2010 Peggy Phelan, Unmarked: The Politics of Performance, Routledge, London, 1993 Vicki Porter and Robin Thornes, A Guide to the Description of Architectural Drawings, G. K. Hall & Co., Boston, 1994 Harald Szeemann, Selected Writings, Getty Conservation Institute, Los Angeles, 2018 Harald Szeemann, Individual Methodology, JRP Ringier, Zurich, 2008 Carolyn Steedman, Dust: The Archive and Cultural History, Rutgers University Press, New Brunswick, 2002 André Tavares, Anatomy of the Architectural Book, Canadian Centre for Architecture–Lars Müller Publishers, Baden, 2016 Diana Taylor, The Archive and the Repertoire: Performing Cultural Memory in the Americas, Duke University Press, Durham, 2003
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Dell Upton, ‘White and Black Landscapes in Eighteenth-Century Virginia’, Cabin, Quarter, Plantation: Architecture and Landscapes of North American Slavery, Yale University Press, New Haven, 2010, pp. 121-139 Anthony Vidler, James Frazer Stirling: Notes from the Archive, Canadian Centre for Architecture–Yale University Press, New Haven, 2010 Cornelia Vismann, Files: Law and Media Technology, Stanford University Press, Stanford, 2008 Aby Warburg, Aby Warburg. Mnemosyne Bilderatlas (English): Reconstruction–Commentary–Revision, Zentrum für Kunst und Medien, Karlsruhe, 2016 Mark Wigley, ‘Unleashing the Archive,’ Future Anterior 2, no. 2, University of Minnesota Press, Minneapolis, 2005, pp. 10-15 Diane Zorich, Introduction to Managing Digital Assets: Options for Cultural and Educational Organizations, Getty Information Institute, Los Angeles, 1999
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Watching List
AA School of Architecture, ‘Norman Foster–At the ACA’ (Lecture on November 1981), March 2014, https://www.youtube.com/ watch?v=Ns_5LzTdfkQ (accessed 26 April 2019) Ancestral Productions, ‘Buckminster Fuller–Thinking Out Loud (documentary 1996)’, July 2016, https://www.youtube.com/ watch?v=uZ1PkrumLPc (accessed 26 April 2019) BBC, ‘Building Sights Series 3: 1. Boeing 747’, January 1991, https://www.bbc.co.uk/iplayer/episode/p01rqxwc/buildingsights-series-3-1-boeing-747 (accessed 26 April 2019) Getty Research Institute, ‘A Closer Look: Behind Harald Szeemann’, February 2013, https://www.youtube.com/ watch?v=Vu6zn-V11vI (accessed 26 April 2019) Phyllis Lambert and Paul Finch, ‘Phyllis Lambert Interview: The AR Interviews’, June 2014, https://www.youtube.com/ watch?v=R6JIBfNAyQk (accessed 26 April 2019) Christina Lodder, ‘Naum Gabo: Discovering the Archive’, November 2009, https://www.tate.org.uk/context-comment/ audio/naum-gabo-discovering-archive (accessed 26 April 2019) Louisiana Channel, ‘Norman Foster Interview: Striving for Simplicity’, June 2015, https://www.youtube.com/ watch?v=hJNxgv9Rak0 (accessed 26 April 2019) Manuela Mena, ‘Bacon, the Very Substance of the Painting’, January 2011, https://www.ivorypress.com/en/video/bacon-thevery-substance-of-the-painting-a-lecture-by-manuela-mena/ (accessed 26 April 2019) Metropolitan Museum, ‘The Artist Project’, Seasons 1-6, March 2015, http://artistproject.metmuseum.org/about/ (accessed 26 April 2019)
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Hans Ulbrich Obrist, ‘The Art of Curating’, October 2011, https:// www.youtube.com/watch?v=gyIVCqf23cA (accessed 26 April 2019) Glenn R. Phillips, Sabih Ahmed, Hans Ulrich Obrist, ‘Conversations, Curator Talk, Archives and the Digital Dark Age’, July 2017, https://www.youtube.com/watch?v=9cGwUophYfw (accessed 26 April 2019) Tate Modern, ‘Archiving the Artist’, June 2009, https://www. tate.org.uk/context-comment/audio/archiving-artist-audiorecordings (accessed 26 April 2019) Thames Tv, ‘Architect - Norman Foster–interview’, October 2016, https://www.youtube.com/watch?v=GDQXLn6mKp0& feature=youtu.be (accessed 26 April 2019) Tchoban Foundation, ‘Sergei Tchoban Architectural Drawings Exhibition at A+D Architecture and Design Museum, Los Angeles’, November 2017, https://www.youtube.com/ watch?v=fy6CHRM8v2g (accessed 26 April 2019) WantedRobot, ‘The Shock of the New–Ep 5–The Threshold of Liberty’, March 2014, https://www.youtube.com/ watch?v=f0HeSrqXKps (accessed 26 April 2019) Whitney Museum of American Art, ‘Whitney Stories: Video: Carter Foster’, April 2014, https://www.whitney.org/ WhitneyStories/CarterFoster (accessed 26 April 2019) Whitney Museum of American Art, ‘Whitney Stories: Video: Jay Sanders’, January 2015, https://whitney.org/WhitneyStories/ JaySanders (accessed 26 April 2019) Whitney Museum of American Art, ‘Whitney Stories: Video: Vincent Punch’, October 2014, https://www.whitney.org/ WhitneyStories/VincentPunch (accessed 26 April 2019)
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