pop - March 11, 2011

pop

‘Pope of Fools’ is good ‘Medicine’

2nd Friday Circuit of Art

• friday • march 11 • 2011

pages four & five

page two

pop

friday, march 11, 2011

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COVER ART: Artworks featured at 2nd Friday Circuit of Art events (photos by by Elizabeth Burr and Doug Hill)

‘Becoming Jane’ would be Austen-approved In the 18th century, it was unthinkable that a proper young woman should aspire to anything more than marrying a wealthy man. After all, how could she possibly hope to take care of herself if she didn’t? It wasn’t like there were employment options for ladies of good breeding back then. There were no independent women.

There were plenty of women who wanted to be independent, though, and one in particular who laid the groundwork for future generations of female writers and novelists to make a lot of money from their work — Miss Jane Austen, whose pre-fame life is the subject of the lovely “Becoming Jane” (2007).

Our story takes place in 1795, when we meet 20-year-old Jane Austen (Anne Hathaway), the spirited daughter of a country minister (James Cromwell) and his long-suffering wife (Julie Walters). Jane is the youngest of eight children, and while the Austen family is loving and closeknit, there’s no denying that it’s

Mary Anne Hempe Forgotten Video been tough going on a reverend’s salary. Mrs. Austen would like nothing more than to see both her beloved daughters married off to rich men.

Jane wants no part of marrying for money, though. To her mother’s dismay, Jane claims she’ll only marry for love. She has no interest in the rich-yet-insufferably-dull Mr. Wisley (Laurence Fox), who stands to inherit a fortune from his snooty spinster great aunt, Lady Gresham (Maggie Smith). To Mrs. Austen’s further dismay, Jane plans to take make a living “by the pen” writing romantic tales until she meets a man she adores.

That man arrives sooner than Jane expects, when she encounters the brash, penniless and super-sexy Tom Lefroy (James McAvoy) at her sister

Cassandra’s engagement party.

Tom, a law student in London, is visiting his country relatives for a month. He’s miserable to be stuck out here with all these bumpkins — until he meets Jane.

Jane plays hard-to-get at first, but it isn’t long before she’s forced to admit she’s smitten with Tom. The feeling is definitely mutual — and it’s about the worst thing that could happen to both young lovers. Tom is entirely dependent on his rich uncle (Ian Richardson) for his allowance, which, Uncle warns, will be cut off if Tom goes against his wishes and marries someone as poor as Jane. While Jane’s father wants her to be happy, her mother is mortified that Jane would even consider a life of poverty with Tom over a life of privilege with the boring Mr. Wisley.

With society’s rules coming down hard, Jane and Tom’s relationship is doomed. But it’s an ill wind that blows no good; Austen’s love for Tom fueled the fire for “Sense and

Sensibility,” her first successful novel. She would go on to write five more (two, including “Persuasion,” were published in 1818, after her death at 41 the year before).

“Becoming Jane” isn’t a true biography of Jane Austen; the events surrounding Tom have been quite romanticized, but I bet Jane would have approved. It’s beautifully done, including superb costumes — which seem more like actual clothing than costumes (a number of them were used in the 2005 screen version of Austen’s “Pride and Prejudice”) — and gorgeous scenery (most of the movie was shot in Ireland). Anne Hathaway looks very 18th century, with her pale skin and dark hair, and does a fine job as Jane, although her English accent isn’t quite 100 percent. James McAvoy is so dashing as Tom it’s hard to see how anyone could resist running off with him.

“Becoming Jane” is rated PG for a brief bit of nudity. Check it out!

Movie Listings New Releases: • B a t t l e : L o s A n g e l e s : A Marine platoon faces off against an alien invasion in Los Angeles.

• R e d R i d i n g H o o d : Set in a medieval village that is haunted by a werewolf, a young girl falls for an orphaned woodcutter, much to her family’s displeasure.

• Mars Needs Moms 3D/2D: A young boy named Milo gains a deeper appreciation for his mom after Martians come to Earth to take her away.

Now playing: • T h e A d j u s t m e n t B u r e a u : After glimpsing his future, an ambitious politician (Matt Damon) battles the agents of Fate itself to be with the woman (Emily Blunt) he loves. PG13. (Warren Theater, Hollywood Spotlight 14) • B e a s t l y : After a spurned classmate curses him, a teen will be for-

ever ugly unless he finds true love.

PG-13. (Warren Theater, Hollywood Spotlight 14) • T h e D i l e m m a : Best friends face a challenge in their relationship when one discovers that the other’s wife is having an affair. PG-13.

(Robinson Crossing) • C o u n t r y S t r o n g : A fallen country star (Gwyneth Paltrow) strives to resurrect her ailing career with a little help from her supportive husband (Tim McGraw), an ambitious young songwriter (Garrett Hedlund) and an emerging country artist (Leighton Meester) with a rapidly growing fan base. PG-13.

(Robinson Crossing) • Gnomeo and Juliet 3D: Garden gnomes are caught up in a neighborly feud. G. (Warren Theater, Hollywood Spotlight 14) • H a l l P a s s : A married man is granted the opportunity to have an affair by his wife. Joined in the fun

by his best pal, things get a little out of control when both wives start engaging in extramarital activities as well. R. (Warren Theater, Hollywood Spotlight 14) • Harry Potter and the Deathly H a l l o w s , P a r t 1 : The first part of the last book. Harry seeks to destroy the horcruxes that hold the soul of The Dark Lord. PG-13. (Robinson Crossing) • I A m N u m b e r F o u r : With only a few others like him, John must ward off a deadly enemy who has killed three before him. PG-13.

(Warren Theater, Hollywood Spotlight 14) • J u s t G o W i t h I t : In an effort to impress a girl, a plastic surgeon asks his assistant to pose as his soon-to-be ex-wife. Starring Adam Sandler and Jennifer Aniston. PG13. (Warren Theater, Hollywood Spotlight 14)

• Justin Bieber: Never Say N e v e r ( D i r e c t o r ’ s C u t ) : The story of performer Justin Bieber. G. (Hollywood Spotlight 14) • T h e K i n g ’ s S p e e c h : Colin Firth portrays King George VI of Britain and his ascension to the throne, with special attention paid to the speech therapist who helped him. R. (Hollywood Spotlight 14) • R a n g o : A chameleon that aspires to be a swashbuckling hero finds himself in a Western town plagued by bandits and is forced to literally play the role in order to protect it. PG. (Warren Theater, Hollywood Spotlight 14) • Take Me home Tonight: Follow an aimless college grad who pursues his dream girl at a wild Labor Day weekend party. He, his twin sister and their best friend struggle with their burgeoning adulthood over the course of the night. R. (Warren Theater,

Hollywood Spotlight 14) • T a n g l e d : The magically longhaired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is. PG. (Robinson Crossing) • T h e F i g h t e r : A look at the early years of boxer “Irish” Micky Ward and his brother who helped train him before going pro in the mid 1980s. (Robinson Crossing) • U n k n o w n : After awakening from a coma, a man (Liam Neeson) finds that he is unrecognizable to all the loved ones in his life.

PG-13. (Warren Theater, Hollywood Spotlight 14) • Y o g i B e a r : A documentary filmmaker travels to Jellystone Park to shoot a project and soon crosses paths with Yogi Bear, his sidekick Boo-Boo and Ranger Smith.

(Robinson Crossing)

page three

‘Pope of Fools’ is good ‘Medicine’

By Andrew W. Griffin For Pop

Sounding like a soulful, poetic rocker, Oklahoma-native Clay Berkes really shines on his 2010 debut disc “Pope of Fools,” recorded under the band name Medicine Park.

And yes, it’s named after that nifty community near Lawton, the city where the Ardmore-born Berkes spent a chunk of his formative years.

That red dirt is in his blood and he is quick to say that while he’s spent the past decade playing in Austin, Texas, his “heart is really in Oklahoma.”

The independently released album, featuring a total of 10 songs, ranges from the quirky alterna-pop of “Who’s Fooling You” to the whisper-cool of the Rhett Miller-esque “Daphne Wilkerson.” There’s even a song about his growing up in Lawton called “Ahead Of Your Time.”

Talking to Pop recently, Berkes explained that he first

started playing music when he was attending the University of Oklahoma in the mid-1990s, playing gigs at places such as Liberty D’s and The Deli.

“That’s where I got my chops,” recalled Berkes. “But back then, it was about partying and having a good time, which we did.”

After OU, Berkes made the transition to Austin, playing in a high-energy, folk-rock band called Love County (there’s a Matthew Sweet-inspired altrocker on “Pope of Fools” titled “Love County Line,” I might add), but over time, Berkes realized he was taking on all the band managementtype responsibilities, leading him to realize that he could do his own thing.

And that led to Medicine Park, a musical outfit that was given some needed love and encouragement from producer George Reiff. And really, Medicine Park is just Berkes on vocals and guitar with some help from some sidemen, including guitarist Jon

Sanchez, bassist Joshua Zarbo, keyboardist Brent Pendleton and drummer J.J. Johnson.

Berkes said that while he played around Austin and wrote songs, he hadn’t made a record.

“I was writing and playing music and I thought, ‘If I’m going to do this, now is the time,’” Berkes said.

And I should note that Berkes got some assistance in the studio from some top players, including former Son Volt guitarists Brad Rice and Chris Masterson (Rice is now with Keith Urban).

And the disc is great. It has a mature feel. Listening to the sweeping orchestral-pop of album closer “Perfect Time” helps you realize Berkes is a truly talented guy.

With “Pope of Fools” under his belt, Berkes said he has felt the call of Nashville in recent months and plans to “ramble that way after I cut my next record.”

Interestingly, Berkes filmed a video for an edited version of

Music Review Album: “Pope of Fools” Artist: Clay Berkes Label: Independently released Review: It has a mature feel.

Listening to the sweeping orchestral-pop of album closer “Perfect Time” helps you realize Berkes is a truly talented guy.

the song “It’s the Right Way,” directed by Lawton native and OU grad Amy Cargill.

“I thought it would be cool to use that tune. I thought I could include photos and stills and tell the Medicine Park story with that song,” Berkes said. “It felt right.”

He also hopes to play live in Oklahoma sometime soon, either in Norman, Oklahoma City or both.

“I don’t know what it is about Oklahoma, but it’s where my heart is,” Berkes said.

Gibson delivers more from the heart

By Doug Hill For The Transcript

Several years ago, we were walking through the Paseo Arts Festival and heard Susan Gibson’s unmistakable voice. Over the noisy crowd — most of whom weren’t listening to the music — and long before we could see her, there was no doubt that was Gibson singing.

She’s a Texas Panhandle stylist with a voice that’s both beautiful and unique. No one sounds like this woman who has been sharing her

gift at clubs, house venues and festivals for more than 14 years.

Her latest release, “Tightrope” is essential Susan Gibson, (vocals/guitar) and features only one accompanying musician, Gabe Rhodes (guitars/misc. percussion). Rhodes co-produced this shimmering 10 track, all-original album with Gibson.

“It’s Raining Outside Today, Hooray!” is a song that leaves no doubt she’s a child of the Southwest.

In our land of drought and dry creek beds, rain

Music Review Album: “Tightrope” Artist: Susan Gibson Label: Independently released Review: Essential Susan Gibson, whose angelic vocals deliver a heartfelt performance.

shouldn’t be blues metaphor. Rain brings life.

Gibson’s joyful hymn is a tribute to the tireless prairie firefighters of the volunteer fire department in the Amarillo, Texas, area.

One of Gibson’s most

endearing song writing qualities is that her compositions all have the ring of truth. Nothing sounds contrived or strained. She writes from the heart, whether it’s about taking in a stray mutt or memorializing a friend’s old guitar with a remarkable history.

As you might imagine, the title track examines danger, hope and uncertainty up high. For me, that’s not Susan Gibson.

She’s right down here on earth, singing with angelic vocals.

pop

friday, march 11, 2011

Gypsy Wind to perform Pop Staff Gypsies are are said to blend their musical style with whatever ethnicities they encounter in their travels.

Gypsy Wind is such a group and exists to play fusions of Eastern European, Middle Eastern, Latino and American pop.

The group, with its strings, flute, gypsy guitar, accordion and percussion, will perform at 7:30 p.m.

Saturday at the Norman Performing Arts Center at the Norman Train Depot. Admission is free.

Their performances, reminiscent of Django Rheinhardt, are mainly around the Oklahoma City Metro area.

www.silkthemagazine.com

page four pop

friday, march 11, 2011

2nd Friday Circuit of Art Downtown Sound art show features Nichols, Elise

By Doug Hill For The Transcript

New Norman music and arts cooperative adds to tonight’s 2nd Friday Art Walk festivities with a showing of concert posters, sculpture and paintings by Erica Nichols and Erin Elise.

At 7 tonight Downtown Sound, 115 S. Crawford, will be hosting a mixed media art show by Norman residents Nichols and Elise.

There’s no admission charge and the art will be available for purchase.

Both women are recent graduates of OU’s studio art program and are active participants in Norman’s current artistic renaissance.

“Interest has really increased since the 2nd Friday Art Walks started,” Nichols said during an interview earlier this week. “It’s exciting because people are becoming aware that everyone can participate and not just those in-theknow.”

Nichols has a “military brat” background living in several varied locations and Elise is from Texas.

They chose to remain in Norman after graduation in no small part because of the artistic opportunities here.

“Instead of wanting to get out of Oklahoma and make it big someplace else, a lot of people are focused on making this an interesting place to live,” Elise said. “There’s so much talent of all kinds here.”

She described a community where creative ideas are coming to fruition and people from many different disciplines are working together on a variety of projects.

Day jobs pay the bills but Nichols and Elise don’t waste leisure time

watching TV in a city where poetry readings, concerts and art happenings fill the calendar.

Elise is part of this imaginative cross pollination, making fliers, show posters and album cover designs for local musicians. “Music is a huge influence in what I do,” she said. “I’m inspired by different bands and their sounds.” She creates monthly showcase fliers for Zanzibar! record label, all art for the band Psychotic Reaction and random requests from other outfits for festival posters. Elise also does drawings of female figures and abstract floral designs with landscape elements.

Nichols’ recent work has included enamel painting on acrylic board. “The subjects are frequently women, using bright colors,” she said. “They tend to be more light-hearted than some of my other paintings.”

Typical of this would be a fur-faced wolf girl in a lime green bikini that Nichols produced.

“My inspiration comes from hot rod culture, horror films and comic books,” she said. “It’s all pretty low-brow but horror movies have been a vehicle for some powerful socio-political commentary and often with the humor element embedded in it that I like.”

Nichols was wearing a vibrant purple and poison apple green “Creature from the Black Lagoon” T-shirt. Her arms are elaborately inked with multi-colored tattoos.

“Some of my more recent work reflects Ed (“Big Daddy”) Roth’s car stuff,” Nichols said. “And right now I’m working on some Star Wars pieces.”

She has also painted a series on canvas depicting dermatology disorders.

“Rashes,” she said. “It’s hard for • see C I R C U I T page five

March Events All events are free from 6 p.m. until at least 9 p.m. More information is available online at www.2ndFridayNorman.com.

• Jacobson House: Exhibit featuring Kiowa artist James Auchiah, with a lecture by guest co-curator Kevin Warren Smith from 7 to 8 p.m. at the Jacobson House, 609 Chautauqua Ave. • Fred Jones Jr. Museum of Art: “Á la CART” featuring tempera paintings for the art activity, artists performing nontraditional Native-inspired folk music and two films by deadCENTER Film Festival.

• STASH: Fire dancing performances and artist Thomas Shahan at 412 E. Main St. • Performing Arts Studio: PLS Big Read Kickoff Celebration at The Depot, 200 S. Jones Ave. • Norman Music Festival: Wine Share, 6 to 9 p.m. at FIVE in the annex behind STASH, 412 E. Main St. • Firehouse Art Center: Corazon Watkins and Carolyn Faseler exhibition • Dreamer Concepts Studio & Foundation: Opening reception for Dreamer 32: Designs for Maturity, Possibilities and Realities for Positive Aging in Norman and Beyond.

• Norman Convention and Visitors Bureau: Lobby demolition at 223 E. Main St. • Gallery 123: First anniversary exhibit featuring new artists at 123 E. Main St. • MAINSITE Contemporary Art: Reception for the photography of Steven Poster at 122 E. Main St. • Maggy’s Thread Design: Handmade and one-of-a-kind items on display and for sale upstairs at 122 E. Main St. (above MAINSITE).

• Sandalwood & Sage: Working with Clay Demonstration & Celtic Pottery Showcase by Tracey Garrison from 6 to 10 p.m. at 322 E. Main St. • Sonder Music, Dance, Art: Patrick Roberts will perform guitar-generated sound sculptures at 8 p.m. at 225 E. Gray St. Also, Immagini d’Italia photography exhibition.

page five

pop

friday, march 11, 2011

Circuit: ‘Everything Mixed-media artists show new works has become so If you go ...

This world she wants us to computerized’ see is one that reveals deep 2ND

F R I D AY C I R C U I T O F A R T R E V I E W

By Elizabeth Burr For The Transcript

Artists Corazon Watkins and Carolyn Faseler are mixed-media artists; but it is how they apply this description to their work that allows us to see the wide possibilities that lurk within this term.

The artists bring their past artistic experiences to this current show. Watkins draws upon her work as a sculptor and ceramicist, and Faseler’s background in painting affects her application of mixed media.

For her contribution to this exhibition, Watkins created 26 shadow boxes, all of which measure 9 inches by 9 inches by 3 inches. Each of these boxes contains elements of found objects, personal items, and reconfigured figurines, which have been enclosed in their own worlds.

Watkins’ has varnished these boxes and used a wax-and-paint based medium called encaustic.

This medium gives a softness and translucency to the surfaces of these objects.

Each of her enclosed boxes has a quotation attached to it. These epigraphs have been culled from philosophers, novelists, journalists and other celebrated figures.

Watkins’ quotations provide a key to the meaning of the objects within her boxes; they are a commen-

• Artists Corazon Watkins and Carolyn Faseler showcase their new works.

• Opening reception 6 to 9 p.m.

• Exhibition continues through April 18.

• Firehouse Art Center, 444 S. Flood Ave.

tary on the world as found by the artist. This world she wants us to see is one that reveals deep social concerns — racism, discrimination, and misuses of religion, all subjects that the artist feels deeply about.

The artist’s creation of these intricate shadow boxes is an indication of her sculptural activities. Her shadow boxes make reference to those whimsical boxes made by Joseph Cornell. But the differences between Cornell and Watkins are noteworthy.

Cornell almost always sealed his shadow-boxes with a glass pane; Watkins leaves her boxes unsealed. Her world is not enclosed, but presents a tactile, sculptural environment to the viewer. And, while Cornell’s boxes often were lighthearted and fanciful, Watkins’ works reflect the beauty and emotional depth of the artist’s eye.

Faseler’s mixed media paintings dovetail excellently with Watkins’ work. Faseler, too, has been inven-

social concerns — racism, discrimination, and misuses of religion — all subjects that the artist feels deeply about. on shadow boxes

by Corazon Watkins tive in her construction of her paintings. With a generous eye, she has applied acrylic paint, newspaper, stamps, stencils, cardboard, cloth and cheesecloth, embossed wallpaper and even glitter as just some of her mixed-media sources.

The artist works by adding layers upon layers upon her surface.

She may start with newsprint, add more layers of paint, use a black marker or charcoal — and then scrape through some of these layers to reveal the mysterious newspaper headlines that have been uncovered.

This process of layering and scraping is continued by Faseler until “nothing can be added or removed to my satisfaction.”

Because the artist wants to have a • see R E V I E W page six

• continued from page four

some people to even admit having them, let alone model for me.”

She made a small sculpture that could be titled “The Hand of Fate.”

It’s a diminutive human hand from the wrist up and cupped slightly. Painted several colors with a multitude of patterns and decorative flourishes, cryptic symbols, mysterious pictures and half words adorn its surface.

Elise’s drawings tend to recall illustrations from another era. She cites Aubrey Beardsley, Dame Darcy and Edward Gorey among her influences.

“I like anything from the Victorian era,” she said. “Even their newspaper advertisements can be amazing.”

Old movie posters, murder mystery covers and science fiction magazines draw her attention for their dramatic and “painterly” qualities.

“I’m just really

annoyed with Photoshop,” Elise said.

“And how just everything has become so computerized. It’s not impressive and lacks any artistic merit.”

Nichols believes that many people have a need to create and even if it’s not fine art, the impulse is the same.

“Whether you’re cooking, knitting or pinstriping a car there’s a need to do something with your time,” she said. “It’s not very satisfying just sitting around and watching life pass you by.”

Tonight you can see what Elise and Nichols have been doing with their time and there’s an added bonus for attending the show.

“I’m making cupcakes to bring,” Nichols said.

“Root beer and vanilla frosting topped with Pop Rocks and ones with Chocolate ChipotleOrange icing.”

page six pop

friday, march 11, 2011

AREA ROUNDUP

Jacobson House announces cultural activities The Jacobson House Native Art Center, 609 Chautauqua Ave., will host Weaving Traditions, featuring Native American cultural activities, every Wednesday and Thursday until the end of June and every Tuesday in April and July.

Every Wednesday from 7 to 9 p.m. renowned Kiowa singer John Hamilton and revered Ponca elder John Kemble will alternate as lead singer for the Jacobson House powwow singing sessions.

Every Thursday from 6 to 8 p.m. Jacobson House will offer a free evening of learning how to speak the Kiowa language. A children’s session will be from

6 to 6:15 p.m.

For more information about Weaving Traditions, call Kricket RhoadsConnywerdy at 366-1667, e-mail jacobsonhouse@gmail.co m or visit www.jacobsonhouse.com or Facebook.

Music Festival organizes CarrotMob Leaders of the state’s largest free indie music festival are encouraging supporters to participate in a CarrotMob on April 2 in downtown Norman and shop at businesses that make the Norman Music Festival possible.

Festival Chairman Robert Ruiz said the Norman Music Festival’s CarrotMob is modeled after events organized by

environmentalists to use their commercial influence in a positive way to encourage local businesses to adopt green initiatives.

“This made me think, with all of the thousands of supporters we have for the festival, why couldn’t we do something positive for the downtown retailers who so graciously allow us to close Main Street and hold this festival?” Ruiz said. “Through this event, we hope to bring downtown retailers some extra business and ensure their future support of the Norman Music Festival.”

Ruiz said his specific goal is to double downtown retail sales April 2 to make up for any lost sales during the festival, which is April 28-30.

“We are asking all of

the Norman Music Festival supporters out there to delay the purchase of that next piece of furniture, to hold off on buying that engagement ring, to wait on stocking up on some nonperishable groceries, to take pause in getting geared up for spring wardrobes and come instead to downtown Norman to do all of that shopping on April 2.”

Ruiz said one lucky shopper will win a pair of VIP tickets to the festival and with each purchase, shoppers have the opportunity to unearth the lineup for the festival.

“This is a fun way to reveal our line-up while also serving a purpose,” Ruiz said.

The Norman Music Festival will be April 28-30.

For more information, visit

www.normanmusicfestival.com/2011.

Lyric Theatre to perform ‘Boeing Boeing’ Lyric Theatre will perform the comedy “Boeing Boeing” from March 30 to April 9 at the Plaza Theater in Oklahoma City.

Tickets are on sale now for $40. Performances begin at 7:30 p.m.

Green Hornet in 2D PG13 12:45 4:00 7:05 9:45 The Fighter R 12:55 3:55 6:55 9:35 Harry Potter and the Deathly Hallows Part 1 PG13 3:45 9:15

Tuesdays through Thursdays, 8 p.m. Fridays and a 2 p.m. matinee and 8 p.m. show Saturdays.

For more information on Lyric Theatre’s 2011 season subscriber benefit packages, visit www.lyrictheatreokc.com, call 524-9312 or visit the box office, 1727 N.W. 16th St. in Oklahoma City.

Yogi Bear in 2D PG 12:15 2:35 4:55 7:10 9:20 Tangled in 2D PG 12:20 1:00 2:40 5:00 6:50 7:25 9:40 The Dilemma PG13 12:50 7:00 Country Strong R 3:50 9:30

Review: Faseler pairs pears with art • continued from page five rich and varied texture for her paintings, each one will have different media elements mixed into her canvases.

Another surprising use of new sources in her collaged paintings is her manipulation of digital imagery from her computer — printed, cut, shaped and glued to her surface, under other layers of paint, wallpaper or other detritus.

The subject of the artist’s current show is the simple pear.

Visual variations and verbal puns are employed by Faseler to tease the viewer and to express her joy in family and friends. For the artist, she sees the pear as a perfect emblem of the human figure.

She has included a pear — or pears — in all her paintings. For example, she dedicates one of her paintings, “Sara Peara,” to her daughter, using the family nickname for her as the title. In other pieces, she has hidden the pears, so that the surface has to be carefully examined to solve the mys-

tery of the presence of the pear.

Textured and complex, Faseler’s paintings are also characterized by her sure sense of color.

She has always had an affinity with color, and even with these mixed media works, her application of paint seems translucent and creates a unifying principle for her work.

Another facet of Faseler’s use of color is the sense of optimism they bring to her works. They enlighten her work, and this light pervades the gallery.

HALL PASS (R) 1:45 4:20 7:00 9:45 JUST GO WITH IT (PG13) BATTLE: LOS ANGELES • (PG13) 1:25 4:10 6:50 9:35 1:00 1:50 3:50 4:30 6:45 7:20 9:25 9:55 KINGS SPEECH (R) 1:15 4:00 6:40 9:25 MARS NEEDS MOMS J (PG) 2:00 4:40 7:30 9:45 JUSTIN BEIBER DIRECTOR’S CUT (G) RED RIDING HOOD • (PG13) 1:05 3:55 6:40 9:35 1:20 4:05 7:10 10:05 GNOMEO & JULIET 3D (G) RANGO • (PG) 1:35 3:55 1:00 1:30 3:45 4:15 6:35 7:25 9:15 10:00 I AM NUMBER FOUR (PG13) 6:30 9:10 BEASTLY (PG13) 1:40 4:35 7:15 9:50 UNKNOWN (PG13) 1:15 6:45 ADJUSTMENT BUREAU J (PG13) TAKE ME HOME TONIGHT (R) 1:10 4:25 7:05 9:40 4:05 9:30

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SOCIAL CALENDAR

POP’S FRIDAY

11

SATURDAY

12

13

Ali Harter, 8 p.m., Othello’s

Carrie Webber and Sarah Grote with Megan Slankard, 7 p.m., Othello’s

My So Called Band, 10 p.m., The Brewhouse, $5

Anthony Nagid Jazz Quartet, 7 p.m., Othello’s

MARCH

The Pidgin Band, The Deli

SUNDAY

MONDAY

14 Mike Hosty Solo, The Deli

15

Travis Linville, 7 to 9 p.m., The Deli, free The Damn Quails, The Deli

Resident Funk, The Deli

TUESDAY

Gypsy Wind, 7:30 p.m., The Depot, free

Horde Casket, From Worm To Man, U.D.C. and A Fate Far Worse, The Hidden Castle (1309 SW 24th), 8pm, $5

WEDNESDAY 16 Alan Pedersen, 7:30 p.m., OEC Building, 242 24th Ave. N.W., free

The JonBear Fourtet, Bella Ruse and Walk the Moon, The Deli

THURSDAY 17 Hosty Duo (4 to 7 p.m.), Camille Harp (7 to 9 p.m.) and The Pirate Band (10 p.m. to close) The Whiskey Trio, 8 p.m., Othello’s The Damn Quails, 10 p.m., The Brewhouse, $5

18

19

20

Dustin Prinz, 8 p.m., Othello’s

Jazz Night with Adam Ledbetter, 8 p.m., Othello’s

Son Del Barrio, 10 p.m., The Brewhouse, $5

86 After, The South 77 Band, 10 p.m.,The Brewhouse, $5

The Gunship, The Deli

Mike Hosty Solo, The Deli

21

22 Travis Linville, 7 to 9 p.m., The Deli, free

23 Zanzibar Showcase: Zebre and FRMR, the Deli

Rainbows Are Free with Psychotic Reaction, The Deli

24 Sutton Concert Series: OU Choir Concert, time TBA, Sharp Concert Hall, Catlett Music Center, $8 adults, $5 OU students, faculty, staff and seniors Camille Harp, 7 to 9 p.m., The Deli, free Sh*tty Awesome, The Deli

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