VERONICA MULHASSAN REVEAL DIGITAL PORTFOLIO

CONCEPT: TOPOGRAPHYOF THE LOCAL AREA

CECI LI E BAHNSEN

WORKY TI CKET

[wor k-ee-ti c k-et]

noun; usage:someonebeingmisc hevousor do wnrightanno ying “ t hebairn’ sbeingapro pawor kyti c ket ”

TI SHMURTHA YOUTH UNEMPLO YMENT

COLOUR

FABRI CS

80s NEWCASTLE

COLOUR & FABRI C: METROLAND:ASTAPLE OFTHE AREA

OPENED I N THE LATE 1980s

BRI GHT&FUN COLOURS CONTRASTED THE GRI TTYREALI TY OFTHE TI MES

CECI LI E BAHNSEN

FABRI CS:

A MI X OFFABRI CSI NSPI RED BYWORKWEAR CONTRASTED WI THBRI GHTORGANZAS

PALETTE:

A BALANCE OFBRI GHTBUBBLEGUM TONESI NSPI RED BYTHE THEME PARK

SILHOUETTE DEVELOPMENT: MOULAGI NGON THE STAND USI NGDENI M AS THI SI SA HEAVI ER FABRI CAND THUS CREATESMORE STRUCTURE THAN THE CALI COWOULD

MOULAGI NGON THE STAND USI NGREMNANTCALI CO CUTI NTOVARI OUS PATTERNSPI ECES.THI S WASPLACED ON THE STAND TOESTABLI SH SOME SI LHOUETTE I DEAS FOR FUTURE GARMENTS WI THI N THE COLLECTI ON

FURTHER MOULAGI NG HELPED TODEFI NE CERTAI N AREASOFTHE GARMENTTHATIWANTED TOEXAGGERATE.THI S WASI NFLUENCED BYTHE DENI M MOULAGI NGASTHE EXAGGERATED SHOULDER WORKED WELL

GESTURE LINE UP:

SAMPLI NG: EXPLORI NGTHE I DEA OF CHARACTERI STI CS DEVELOPED THROUGHTHE BREAKDOWN OFFABRI C. SEVERAL TECHNI QUES WERE USED TOCREATE I NDI VI DUAL PRI NTS I NSPI RED BYTHE TEXTURESFOUND THROUGH SAMPLI NG

SAMPLI NGHOW BLEACHAFFECTS THE SAME DENI M DEPENDI NGUPON TEMPERATURE AND LENGTHOFTI ME. SAMPLESWERE BALLED UPI N NO PARTI CULAR MANNER TOCREATE ORGANI CRESULTS

PRI NTSDERI VED FROM PREVI OUSSAMPLI NG TOBE FURTHER DEVELOPED FOR LARGE SCALE PRI NTI NGUPON GARMENTS

COLOURWAYEXPERI MENTATI ON: FURTHER DEVELOPMENTOFTHE PLACEMENTPRI NTI NSPI RED BY PREVI OUSSAMPLI NG.LAYERI NG WI THCOLOUR I NI TI ALLYAND THEN FURTHER LAYERI NG DI SCHARGE UPON THE DENI M TO CREATE A DI MENSI ONAL LOOK VARYI NGCOLOURWAYS& SATURATI ONS

PRINT DEVELOPMENT:

LAYERI NGI SFURTHER DEVELOPED THROUGHTHE ADDI TI ON OFMORE COLOURSTO ENHANCE THE DI MENSI ON OFTHE FABRI C.THE FI NAL SAMPLE DI SPLAYSTHE EFFECTACHI EVED WI TH3LAYERSOFCOLOUR AND A LAYER OFDI SCHARGE

GARMENT RESEARCHI NTO A PAI R OF GEORDI E JEANS FROM THE 80sTO I DENTI FY DETAI LSWI THI N THE GARMENT

RESEARCHI NTO THE DI FFERENT POCKETSTYLES OVER THE YEARS

PRI NTPLACEMENT:

EXPERI MENTI NGTOSEE HOW DI FFERENT PLACEMENTSWOULD WORK T

~ HI GHWAI STED ~SLI M FI T ~RELAXED FI T ACROSSTHE THI GHSAND BUM ~PANNELI NG ~STEPHEM DETAI L ~DOUBLE FRONT POCKETS& CHANGE POCKET

RESEARCH& DEVELOPMENT:

~LARGE PATCH POCKETS THATTAPER TOWARDS THE BOTTOM ~DARK LEATHER J ACRON PATCH ~DOUBLE TOPSTI TCH DETAI L

SI ZE,DESI GN AND PLACEMENT EFFECTTHE OVERALL LOOK I N REGARDSTO THE JEANS

SAMPLI NGTO DEMONSTRATE HOW THE SPLI T STEPHEM DETAI L WOULD TRANSLATE I N CONSTRUCTI ON

FINALLINE UP:

GEORDIE GENES

A SPRI NG/SUMMER 22COLLECTI ON I NSPI RED BYA VI NTAGE PAI R OF GEORDI E JEANSFROM THE 1980’ S

FAUSTI NE STEI NMETZ S/S‘ 15

SHI BORI TECHNI QUE: SHI BORI TECHNI QUE:

JEAN J ACRON DESI GN

FABRI CS: TE KEEPTHI M GANNI N’THE SYEM WAY YE BOWTTHI M YE WANTTE WESHTHI M BE HAND I N LUKE WARM WETTOR. . .SO NEE POSSI N‘MI ND. NOOTYEK NOTI CE,TORN THI M OOTSI DE FORSTWHEN YER WESHI N’THI M AND MEK SURE THE SOAPPOODERSWEEL DI SSOLVED AFORE YE SI NK THI MI N THE WETTOR.

TI SHMURTHA COLOURS:

PRI NT SAMPLES:

COLOUR & FABRI C: COLOURS: COLOURSI NSPI RED BYA PAI R OF GEORDI E JEANSI NCLUDI NGTHE HUESFOUND I NJ ACRONS, THREADSAND CARE LABELS

FABRI CS:

PRI NTS:

A RANGE OFSHI BORISAMPLESAND TECHNI QUES

A RANGE OFWORKWEAR I NSPI RED FABRI CS RANGI NGFROM DENI MSAND TWI LLSTO LI GHTER COTTON FABRI CS AND SWEATSHI RTI NG

PRINT DEVELOPMENT: EXPERI MENTATI ON WI THTHE COMBI NATI ON OF LI NE DRAWI NGSAND COLOURWAY RESPONSES

QUI CK LI NE DRAWI NG RESPONSESTOSHI BORI SAMPLES.THESE CAN BE COMBI NED TOCREATE MORE TEXTURE WI THI NA PRI NTDESI GN

SHI BORIWEAVI NG

EXAMPLESOFTRADI TI ONAL NUI SHI BORITECHNI QUES.THE GATHERI NGPREVENTSTHE DYE FROM PENETRATI NGTHE FABRI C CREATI NGSTARK CONSTRASTS WI THI N THE FABRI C.THI SCREATES UNI QUE DESI GNSWI THI N EACH SHI BORIPRI NT.

SHI BORIPANELS

COLOURWAY ON BASED MENTATI EXPERI NGS NE DRAWI ON THE LI BORI OUSSHI FROM PREVI NTSAMPLES PRI

GESTURE LINE UP:

I NI TI AL COLOUR BLOCK DEVELOPMENT:

DEVELOPMENT:

BURBERRYTRENCHCOAT

EXPLORINGTHE KEYDETAILSOFTHE TRENCHINCLUDINGCOLLARS,CUFFSAND SILHOUETTE. EXAGGERATED COLLARS

LARGE STORM FLAPS

DOUBLE STORM FLAPS

KEYDETAI LS: ~STORM FLAPS ~EXAGGERATED JEAN PATCH POCKETS ~WOVEN ELEMENTS I NSPI RED BY SHI BORIPRI NTS ~PLEATSI NSPI RED BYJEAN J ACRONS

PLEATS

WOVEN PATCHWORK

ELASTI CATED WAI STBAND

PLEATED DETAI LS

LARGE JEAN PATCH POCKETS

I NI TI AL I NSPI RATI ON:

DEVELOPMENT:

ZI P DETAI LS TAPERED FI T TI SHMURTHA FRESHNESSGUARANTEED

BALMAI N CARGOPANTS

I NI TI AL COLOUR BLOCK DEVELOPMENT I NI TI AL PRI NTPLACEMENTDEVELOPMENT

TOOL STRAPS

DEEPFRONT POCKETS

PEN HOLDER

KEYFEATURES: ~OVERSI ZED POCKETS REI NFORCED KNEE PATCHES ADJUSTABLE RI BBED CUFFS

ZI P DETAI LI NG

~REI NFORCED PANELS ~FUNCTI ONAL DETAI LI NG

LINE UP:

TYPE I I

TYPE I I I

A SPRI NG22CAPSULE COLLECTI ON I NSPI RED BYARCHI VED DENI M J ACKETS

CONCEPTBOARD:

LEVISTRAUSSX COLLAB

TYPE I-CI NCHBACK DETAI L

RESEARCH& DEVELOPMENT:

DETAI LS:

LEVISTRAUSSTRUCKER J ACKETS: 506XX BLOUSE/TYPE IJ ACKET ( 1905-1953) 507XX/TYPE I IJ ACKET ( 1953-1962) 557XX/TYPE I I IJ ACKET ( 1962-PRESENT)

TYPE I I PLEATED FRONTREI NFORCED WI THSEVERAL BOX STI TCHES

TYPE I I I TYPE I TYPE ICI NCHBACK WI THBRONZE SLI DER CI RCA 1940

TYPE I I

TYPE ICINCH STRAP ATTACHMENT DESI GNSFROM 1873 ONWARDS

MI CK J AGGER I N A LEVI S TYPE IJ ACKET

LEVISTRAUSS TYPE I I IJ ACKET

TYPE I IPATCH POCKET FEATI NGTHE TRADI TI ONAL FLAP TYPE I IFRONT &BACK

TYPE I I IPATCH POCKET FEATURI NG THE MODERN POI NTED FLAP

GESTURE LINE UP:

MARKET RESEARCH:

LEE CHORE J ACKET: SHOWSTHE DI FFERENCE BETWEEN BRANDS AND DETAI LS

LEVISTRAUSSCHORE J ACKET: QUI LTED REVERSI BLE CHORE J ACKETWI THTHE SI GNATURE RED LABEL VI SI BLE

JUNYA WATANABE X LEVI STRAUSS:A HI GHEND COLLAB WHI CHREWORKED THE RAI LROAD J ACKETWHI LSTKEEPI NG SI GNATURE DETAI LSI .

E.THE RED LABEL

LEVISTRAUSS CAMPAI GN

HI STORI CAL GARMENT: A QUI CK SKETCHUSI NG MARKERS,FI NE LI NERS AND GEL PENSTO EXPLORE COLOUR WI THI N THE AGED J ACKET

ORI GI NAL J ACKET

VI NTAGE LEVI SJ ACKETRECLAI MED FROM A COLLAPSED MI NESHAFTAND NOW STORED I N THE LEVI SARCHI VE. THE J ACKETORI GI NATED I N THE 1880’ S

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