The Secret Garden - preview

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For Bill and Margaret – G. M. For Svetlana and Julia – M. K. The Secret Garden by Frances Hodgson Burnett first published by Frederick A. Stokes 1911 This text adaptation by Geraldine McCaughrean, illustrated by Margarita Kukhtina first published 2021 by Nosy Crow Ltd The Crow’s Nest, 14 Baden Place, Crosby Row, London SE1 1YW www.nosycrow.com ISBN 978 1 78800 858 7 Nosy Crow and associated logos are trademarks and/or registered trademarks of Nosy Crow Ltd. Text adaptation copyright © Geraldine McCaughrean 2021 Illustrations copyright © Margarita Kukhtina 2021 The rights of Geraldine McCaughrean to be identified as the author and of Margarita Kukhtina to be identified as the illustrator of this work have been asserted. All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, hired out or otherwise circulated in any form of binding or cover other than that in which it is published. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of Nosy Crow Ltd. A CIP catalogue record for this book is available from the British Library. Printed in China Papers used by Nosy Crow are made from wood grown in sustainable forests. 10 9 8 7 6 5 4 3 2 1


retold by

illustrated by

Geraldine McCaughrean

Margarita Kukhtina

Frances Hodgson Burnett



M

ary Lennox was born under a jewel–coloured sky

in a land of dusty gold. But she was not an adorable baby and nobody was glad. Her beautiful mother loved beautiful things – dresses and parties and fun. She did not want a squalling little daughter. She gave Mary to a nursemaid to look after. Mary’s father was too busy to think about babies. In fact, nobody cared much for Mary Lennox.



An Indian sun beat down outside. Big hibiscus flowers smiled at the sky. But Mary stayed in the cool house and turned a sickly yellow, like something kept too long in a drawer. Her face was thin; her body was thinner. She yelled in a thin shriek, “Get me this . . . Get me that . . . Go away. Come here. I want . . .” The servants dared not say no; Mary’s mother hated the sound of a crying child. Mary’s nursemaid – her ayah – was gentle and patient and sang Mary to sleep with soft, soothing songs. But she was too afraid to say, “Now, now, Miss Mary. Be kind. Be polite. Behave yourself.” So Mary grew into the most horrible, selfish little girl you ever saw.


One day Mary woke and her ayah was not there to dress her. Nobody came when she called. Sickness had come into the house and, like a poisonous snake, slithered from room to room. Servants lay ill. Others had run away. Mary could not hear her mother’s tinkly laugh or her father’s gruff voice. Doors banged. Then silence. Mary waited angrily for someone to come and tell her what was happening. She wandered into the gardens and broke the heads off the big hibiscus flowers. But the hot sun made her sleepy. So she went back to bed and hid under a blanket of sleep, because what else could she do? Soldiers arrived at the house. Nobody greeted them at the door. They went from empty room to empty room, opening the window blinds, letting in the sun. When they opened the last door, they found a little girl in a nightdress and bare feet, who glared at them. “Who are you?” said Mary. “Where’s my ayah?” The officer was astonished. “A child! Can you believe it? They forgot all about her!” He was a gentle, kind man. He hated having to say, “Your mother got ill and died, dear. Your father, too. As for your ayah . . . I just don’t know. I’m sorry.” But Mary did not cry. Her mother was a pretty stranger she had liked to watch from the top of the stairs. Her father, too, she hardly knew. She felt as empty as the big, beautiful house.



A kind English family took Mary in – “just until we can tell your relations in England. You will have lots of children to play with here.” But this house was small, crowded and f ull of children. Mary had never had children to play with before. They did not do as she told them. They did not bow to her as if she was a little princess. They did not like her bad temper or her sour face. They laughed at her hoity-toity ways and called her “Contrary Mary”, like in the nursery rhyme: Mary, Mary, quite contrary, How does your garden grow? Then Mary stamped her foot and clenched her fists. “I’m not contrary. Not, not, not!” And the children laughed even more.


“What will happen to me?” she asked their mother and father. “You are going home to England, dear. You have an uncle there.” “Home?” But England was not “home”. Mary had never been there. Home was the beautiful house under a blazing jewel-coloured sky, where her ayah had sung soft songs to soothe her to sleep.


The ship came – big as a whale – swallowed Mary Lennox, and set sail with her for England. For a while, the sea glittered and the sun shone. Then the waves began to heave and the sea turned grimy grey. England came into view, with cliffs like white teeth ready to bite.



The anchor chain rattled and the ship docked. Under Mary’s feet, the dry land still seemed to be moving. A woman was waiting for her, frowning and stern. “Mary Lennox? I’m Mrs Medlock,” she said, “your uncle’s housekeeper at Misselthwaite Manor. Hurry up; we’ve a long way to go.” All day long they were shaken about – first in a train, then by a coach that rattled through towns and villages, until they reached a great, grey, dreary wilderness without any colour. After sunset, darkness wrapped them round and they seemed to be moving through Nothing and Nowhere. “Your uncle, Mr Craven, is not at home much,” said Mrs Medlock. “He travels a lot. When he is home, you must not bother him. His back pains him . . . and his heart broke years ago when his wife died. So it’s me as has to feed you. It’s me must put up with you. Hmmm. You’re no beauty, that’s for sure.”


And on they rolled across the Yorkshire moors towards Misselthwaite Manor, a house stuffed full of unhappiness.


Mary was led up staircases and along shadowy corridors. The portraits on the walls seemed to watch as she went by, and none were smiling. “There are a hundred rooms,” said Mrs Medlock. “All locked, so no need to check. These two here are yours; none of the others. No wandering about.” A lit fire and a supper tray were waiting, and a gloomy bedroom next door. As Mary ate, more unfriendly portraits watched her from the walls. Creeping into her bed, she was as lonely as if she was the last person left in the whole world.



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