NEW 2013 PIGMENT RANGE
BROWS
BLONDE RANGE
NAME & REFERENCE NUMBER
DARK BLONDE [270]
LIGHT COOL BLONDE [262]
LIGHT WARM BLONDE [264]
Was: DARK BLONDE
Similar: BLONDE ON BLONDE
Was: MACCHIATO
MEDIUM COOL BLONDE [266]
MEDIUM WARM BLONDE [268] Similar: MARRON
FITZ I FITZ II FITZ III FITZ IV FITZ V FITZ VI HAIR SCALE
4-7
7 - 10
6 - 10
5-8
6-8
WARM / COOL COLOURS
Neutral / Cool
Neutral / Cool
Neutral / Warm
Cool
Warm
PREDOMINANT UNDERTONE COLOURS
Yellow Green
Yellow Green
Yellow Red
Yellow Green
Yellow Red
COLOUR BALANCE (PRIMARIES)
White 30% Yellow 30% Green 30% Black 5% Red 5%
White 60% Yellow 24% Green 5% Black 7% Red 4%
White 60% Yellow 24% Black 8% Red 8%
Yellow 52% White 20% Green 14% Black 7% Red 7%
White 52% Yellow 20% Red 8% Green 7% Black 7%
DARKEN
Light Brown [284]
Dark Blonde [270]
Dark Blonde [270]
Dark Ash [278]
Dark Ash [278]
Medium Cool Brown [286]
Medium Warm Brown [288]
Dark Mahogany Brown [294]
Dark Mahogany Brown [294]
Soft Ash [272]
Light Warm Blonde [264]
LIGHTEN
Light Cool Blonde [262]
Camo A [401]
Soft Ash [272] COOL
WARM
HOW WE LIKE TO USE IT
02
Light Cool Blonde [262] Camo A [401]
Light Cool Blonde [262]
Soft Ash [272]
Light Red Out [601]
Light Cool Blonde [262]
Light Red Out [601]
Soft Ash [272]
Medium Cool Blonde [266]
Medium Cool Blonde [266]
Lilac Out [605]
Camo C [405]
Camo C [405]
Lilac Out 6 [05]
Lilac Out [605]
Light Warm Blonde [264]
Areola 2 [504] Light Warm Blonde [264]
Areola 2 [504]
Medium Cool Blonde [266]
Light Warm Blonde [264]
A natural looking, dark blonde pigment. Because this is neutral / cool, for clients with cooler skintones, some warming may be considered.
A new pigment which is similar in tone to the discontinued Blonde on Blonde, but has a cooler base. This is the lightest blonde colour in the 2013 range with a cool undertone. We find it a useful pigment for lightening brow colours. It is generally too light to use on its own, unless for shaded eyebrows where hair strokes are going to be added on top.
This is the lightest warm blonde in the brow range. We find it useful for lightening and adjusting brow colours. We consider this too light to use on its own unless for hair stroke brows, which are going to be supplemented with a soft underlying shade of colour.
A beautiful medium cool blonde, which we have found can be well suited to warm skin-toned Fitz 1-3 clients in particular.
A medium warm blonde. Note the warm base, yet it can be cooled if required. We have found it suited to some ashy blonde or grey haired clients.
Soft Ash [272]
Light Red Out [601] Medium Cool Blonde [266]
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
BROWS
ASH BLONDE RANGE
DARK ASH [278]
LIGHT ASH [274]
MEDIUM ASH [276]
SOFT ASH [272]
Was: DARK ASH BLONDE
Was: LIGHT ASH BLONDE
4-7
6-8
4-7
6 - 10
Cool / Neutral
Cool / Neutral
Cool / Neutral
Cool / Neutral
Yellow Grey
Yellow Grey
Yellow Grey
Yellow
White 47% Yellow 20% Black 19% Green 7% Red 7%
White 41% Yellow 41% Green 6% Black 6% Red 6%
White 43% Yellow 42% Green 5% Black 5% Red 5%
White 55% Yellow 15% Black 15% Red 15%
Dark Deep Brown [298]
Dark Cool Brown [290]
Dark Deep Brown [298]
Dark Ash [278]
Dark Oak Brown [292]
Medium Cool Brown [286]
Dark Oak Brown [292]
Light Warm Blonde [264]
Soft Ash [272] Camo A [401]
Light Cool Blonde [262]
Soft Ash [272] Camo A [401] Light Cool Blonde [262]
Light Red Out [601]
Light Red Out [601]
Light Red Out [601]
Light Cool Blonde [262]
Light Cool Blonde [262]
Lilac Out [605]
Lilac Out [605]
Lilac Out [605]
Camo C [405]
Light Warm Blonde [264]
Light Warm Blonde [264]
Light Warm Blonde [264]
Areola 2 [504]
A dark ash, with a cool / neutral base. We have found it well suited to clients with fair skin and capillary redness, as the moderately cool base colours can counteract. If your client has cool undertones, consider warming.
Have you ever had a first time client who has been worried that their brows might look too dark? This could be the pigment for them, enabling them to build their confidence. A popular pigment for lovely, soft powder brows. Can also be suitable for hair stroke brows, however, some changes to technique and application are recommended to ensure the results do not appear too soft.
A beautiful pigment with neutral / cool base, which can deliver very natural results on medium blonde and grey haired clients. It has some slight warm underlying hues, but not much warmth. Can be ideal for shading work, or hair strokes (if deepened a little with an accent colour).
This is a very light, soft colour that can be used to create beautiful shaded brows. We have also found this a fantastic secondary shade colour for 3D brows.
Was: SOFT ASH BLONDE
Light Cool Blonde [262]
Dark Blonde [270]
Camo A [401] Light Cool Blonde [262] Light Cool Blonde [262]
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
03
BROWS
BROWS
ASH BROWN RANGE
NAME & REFERENCE NUMBER
LIGHT ASH BROWN [280]
MEDIUM ASH BROWN [282]
Was: LIGHT ASH BROWN
BROWN RANGE
DARK COOL BROWN [290]
DARK DEEP BROWN [298]
DARK MAHOGANY BROWN [294]
Similar: CHOC CHOC
Was: DARK DEEP BROWN
Was: DARK MAHOGANY BROWN
FITZ I FITZ II FITZ III FITZ IV FITZ V FITZ VI HAIR SCALE
4-8
2-6
2-6
1-4
1-6
WARM / COOL COLOURS
Cool
Cool
Cool
Cool
Cool / Warm
PREDOMINANT UNDERTONE COLOURS
Yellow Green
Green
Blue Brown
Blue Brown
Blue Red
COLOUR BALANCE (PRIMARIES)
Yellow 34% Black 34% Green 14% White 14% Red 4%
Black 46% Yellow 20% Green 20% White 7% Red 7%
Black 46% Yellow 18% White 18% Red 18%
Black 46% Yellow 18% White 18% Red 18%
Black 42% White 23% Red 23% Yellow 6% Green 6%
DARKEN
Dark Cool Brown [290]
Dark Cool Brown [290]
Dark Deep Brown [298]
Grey Black [152]
Grey Black [152]
Dark Deep Brown [298]
Dark Deep Brown [298]
Grey Black [152]
Light Cool Blonde [262]
Medium Cool Blonde [266] Camo A [401] L. Cool Blonde [262]
Light Ash [274]
Dark Red Out [607]
Dark Red Out [607]
Dark Red Out [607]
Dark Red Out [607]
LIGHTEN
Camo A [401] COOL
Dark Blonde [270]
Dark Cool Brown [290] Medium Cool Blonde [266]
Dark Blonde [270] Light Ash [274]
Soft Ash [272]
WARM
Lilac Out [605]
Areola 3 [506]
Blue Out [609]
Blue Out [609]
Blue Out [609]
HOW WE LIKE TO USE IT
A light ashy brown, with cool greenish undertones. One of our favourite colours for first time clients who are worried about their brows looking too dark. Also useful for cancelling out red, due to its cool base. Warm if required.
This new, brow pigment is the suggested replacement for Tuscany. It has a similar greenish base, but more brown hues. The green base can make this useful for cancelling out red.
An extremely versatile pigment which can be useful for brows, eyeliners, blending with other pigments and so on. A deep brown hue. A fairly cool base, so warm if required.
A luscious, deep brown. We use this neat to create intense, dark brows -however, bear in mind your client's skin tone as this has a cool base. It is an extremely versatile pigment and can be lightened, darkened, cooled or warmed. Another pigment we sometimes use as an alternative to Choc Choc.
We have created rich, smouldering brows on some beautiful Fitz 3-6 skin-tones with this pigment. One of our fave dark brown pigments at the mo.
04
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
DARK OAK BROWN [292]
DARK WARM BROWN [296]
LIGHT BROWN
MEDIUM COOL BROWN [286]
Similar: ROCKOLA
Was: DARK WARM BROWN
Was: LIGHT BROWN
Was: MEDIUM BROWN
MEDIUM WARM BROWN [288]
3-6
2-6
4-8
3-7
4-7
Warm / Neutral
Warm / Neutral
Neutral
Cool
Warm
Red Yellow
Brown Red
Yellow
Grey Brown
Yellow Brown
Yellow 29% Red 29% White 28% Black 14%
Yellow 25% Red 25% White 25% Black 25%
Yellow 51% White 21% Red 21% Black 7%
Black 46% Yellow 18% White 18% Red 18%
Yellow 56% Black 22% Red 22%
Dark Mahogany Brown [294]
Grey Black [152]
Dark Mahogany Brown [294]
Dark Cool Brown [290]
Dark Mahogany Brown [294]
Dark Deep Brown [298]
Dark Deep Brown [298]
Medium Cool Blonde [266]
Light Warm Blonde [264]
Soft Ash [272]
Light Cool Blonde [262]
Dark Deep Brown [298] Medium Warm Blonde [268]
Dark Cool Brown [290] Light Cool Blonde [262]
Light Cool Blonde [262]
Light Warm Blonde [264] Dark Red Out [607]
Dark Red Out [607]
Light Red Out [601]
Light Red Out [601]
Light Red Out [601]
Blue Out [609]
Blue Out [609]
Lilac Out [605]
Lilac Out [605]
Lilac Out [605]
This dark oak brown has warm / neutral undertones. We love it for hair stroke brows, 3D shading and so on. Have you tried it yet?
A lovely dark warm brown, very versatile. We often like to use it to blend and warm other pigments.
This is a beautiful soft brown with neutral undertones. We like to use it neat for a natural-looking result, or we sometimes darken it for a touch of intensity when required. Can be used on clients with warmer skin-tones, however, we often tend to cool it a little for them.
Popular with many clients who want slightly stronger brows, without going too intense. This is only slightly cool and does have reds and yellows, so for clients with lots of warmth, we general compensate a little by adding a little drop of a cooling colour.
We use this neat for hair strokes, or as a blend. We have found that its subtly warm tones can be used for lovely natural-looking results.
05
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
EYES
BLACK/GREY RANGE
NAME & REFERENCE NUMBER
BLACK IS BLACK [150]
GREY BLACK [152]
Was: BLACK IS BLACK
ALMOST GREY [162]
GREY IS GREY [160]
LIGHT SILVER PEARL [158]
Was: ALMOST GREY
Was: GREY IS GREY
Was: LIGHT SILVER PEARL
FITZ I FITZ II FITZ III FITZ IV FITZ V FITZ VI HAIR SCALE
1 - 10
1 - 10
1 - 10
4 - 10
6 - 10
WARM / COOL COLOURS
Cool
Cool
Cool
Cool
Cool
PREDOMINANT UNDERTONE COLOURS
Black
Black Grey
Grey
Grey Blue
White
COLOUR BALANCE (PRIMARIES)
Black 100%
Black 80% Yellow 15% Red 5%
Black 40% White 39% Yellow 15% Red 6%
Black 43% White 43% Red 6% Yellow 6% Blue 2%
White 94% Black 6%
Black is Black [150]
Black is Black [150]
Almost Grey [162]
Grey is Grey [160]
Black is Black [150]
Almost Grey [162]
DARKEN
LIGHTEN
Grey Black [152]
Grey is Grey [160]
Grey is Grey [160]
Light Silver Pearl [158]
Light Silver Pearl [158]
Grey is Grey [160] COOL
WARM
HOW WE LIKE TO USE IT
06
A deep and dark black, which we have found can yield beautiful eyeliner results. Must be used with care and not implanted too deeply into the skin.
An entirely new colour tone for eyes which we would describe as a beautiful soft charcoal colour. We have found this works well for creative soft shaded eyeliners.
We have had beautiful results with this pigment on some clients with pale grey or grey/blue eyes. We would describe this as a softer grey. On lower eyeliners we have used it alone for a very natural look, but we have also used it underneath eyeliners to soften them. On the upper lid, its softer tone means that it can also be used to create an amazing shaded effect.
This is best described as a medium charcoal grey with just a hint of blue. We have found it superb for a range of clients who have grey hair or want a softer lower eyeliner or lash enhancement. For advanced work, we have often used this pigment for upper shaded eyeliners.
This pigment can have lots of applications for more advanced artists. We have found it a good choice for creating French Pearl effects on top eyeliners. Also, for eyeliners in general, we have found it can work beautifully to complete the eyeliner if used as a secondary colour tone.
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
EYES
BLUE RANGE
ALMOST BLUE [172]
BLUE IS BLUE [176]
DARK PURPLE [178]
ROYAL BLUE [174]
Was: ALMOST BLUE
Was: BLUE IS BLUE
Similar: Deep Purple
Was: ROYAL BLUE
4 - 10
1 - 10
1 - 10
1 - 10
Cool
Cool
Cool
Cool
Grey Blue
Blue Black
Blue Purple
Blue
Black 45% White 45% Blue 8% Yellow 1% Red 1%
Blue 50% Black 50%
Red 59% White 23% Blue 9% Black 9%
Blue 73% White 20% Black 7%
Royal Blue [174]
Black is Black [150]
Blue is Blue [176]
Blue is Blue [176]
Black is Black [150]
Black is Black [150]
Light Silver Pearl [158]
Almost Blue [172]
Almost Blue [172]
Almost Blue [172]
Light Silver Pearl [158]
Light Silver Pearl [158]
Light Silver Pearl [158]
For clients with grey or blue eyes, we have often used this soft light blue as a lower eyeliner. We feel it really brings out the eye colour. Almost Blue is quite a versatile pigment, as for those doing advanced work it can be used as a secondary colour on top eyeliners or applied using shading techniques for a smoky effect.
Bored of using black? We give our treatments a boost with this gorgeous dark blue. We have found it suitable for both upper and lower eyeliners, particular on clients with blue eyes. When using multiple blends for that pro touch, we have found this works well as a secondary colour over a darker eyeliner blend.
An entirely new colour for eyes, we would describe this as a beautiful dark purple, with deep blue undertones when healed.
This deep, gorgeous midnight blue looks almost like denim. We love it for blue eyed clients. There is an important rule with this colour: it is deep and it is strong, so ensure you are fully qualified and trained in how to apply it.
Blue is Blue [176]
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
07
EYES
GREEN RANGE
BROWN TAUPE [156]
FERN GREEN [164]
LASH GREEN / BLACK [170]
OLIVE [168]
Was: TUSCANY
Was: GIGA GREEN
Was: LASH GREEN / BLACK
Was: OLIVE
HAIR SCALE
3 - 10
1 - 10
5 - 10
1 - 10
WARM / COOL COLOURS
Cool
Cool
Cool
Cool
PREDOMINANT UNDERTONE COLOURS
Yellow Grey
Green
Black Green
Green
COLOUR BALANCE (PRIMARIES)
Yellow 39% Black 39% White 16% Red 6%
White 58% Yellow 24% Blue 9% Black 9%
Black 52% White 20% Yellow 20% Blue 8%
Black 41% White 41% Yellow 17% Red 1%
DARKEN
Black is Black [150]
Lash Green Black [170]
Brown Taupe [156]
Lash Green Black [170]
NAME & REFERENCE NUMBER FITZ I FITZ II FITZ III FITZ IV FITZ V FITZ VI
Grey Black [152]
Brown Taupe [156] LIGHTEN
Light Ash Brown [280]
Light Silver Pearl [158]
Fern Green [164]
Fern Green [164]
A beautiful deep, taupe with hints of soft greyish black. We have found it ideal for soft shaded eyeliners, particularly complimentary for clients with brown and / or green eyes.
A teal colour which can look fabulous on pale green, grey and blue eyes. We have found this pigment to be great for dual colour eyeliners.
A softer black with underlying green tones. We often consider this for clients with green or hazel eyes. We have also found it useful for clients who want a dark, but soft looking, eyeliner. Can be also be useful for darkening the tone of other green toned pigments from the Nouveau Contour collection.
A fantastic deep olive green designed for use as a soft eyeliner. We have also used this for advanced results, such as dual tone eyeliner effects. The effect can look stunning.
COOL
WARM
HOW WE LIKE TO USE IT
08
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
LIPS
PINK RANGE
BRICK PINK [352]
CERISE [358]
CHAMPAGNE PINK [350]
FIRE ENGINE RED [360]
CANDY PINK [372]
Was: MIAMI PLUM
Was: DÉJÀ VU
Was: MISTY
Was: HOLLYWOOD
Similar: Berry Berry
Neutral / Cool
Cool
Neutral / Cool
Neutral
Cool
Red Blue
Red
White Pink
Red
Red Pink
White 45% Red 37% Black 18%
White 49% Red 49% Black 2%
White 76% Red 11% Yellow 11% Black 2%
Red 93% White 6% Black 1%
White 68% Red 32%
Burgundy [364]
Rusty Red [366]
Brick Pink [352]
Red Brown [384]
Sienna [382]
Rusty Red [366]
Fire Engine Red [360]
Sienna [382]
Champagne Pink [350]
Terra Cotta [354]
Charm Pink [395]
Charm Pink [395]
Orange Red [368]
Real Red [376]
Fire Engine Red [360] Vermillion Red [370]
Brick Pink [352]
Plum Pink [356]
Redwood [380]
Cerise [358]
Orange Red [368]
Orange Red [368]
Real Red [376]
Orange Red [368]
A gorgeous dusky, brick pink with undertones which we have found can complement many fair to medium skin tones, particularly those clients who want a natural look. This is one of our most popular pigments, due to its flexibility in being used to blend and complement a range of lip pigments, adding a dusky base quality to them.
A beautiful cool pink colour with a hint of red.
Orange Red [368]
A very light natural pink base colour. We have found it matches up to many very light natural lip colours but can be too light if used on its own. We like to blend to deepen the colour.
Whilst this is a strong colour, we find that it generally heals to a very complimentary shade of red with a little hint to pink. We have found it suitable for clients who want beautiful red lips, but not too intense and bright.
A reddish-rose colour, which we used it to add density to lips without being too expressive. It can also be a useful blending pigment to create a range of other lip tones. We have found it somewhat similar to Berry Berry (2010 range) but lighter in hue.
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
09
LIPS
LIPS
PINK RANGE CONTINUED
NAME & REFERENCE NUMBER
PLUM PINK [356]
VIRGIN PINK [392]
Was: PASSION FRUIT
RED RANGE
BERRY RED [362]
BURGUNDY [364]
CHARM PINK [395]
Was: BERRY BERRY
Was: RUBY PASSION
Similar: RED VINTAGE
FITZ I FITZ II FITZ III FITZ IV FITZ V FITZ VI HAIR SCALE WARM / COOL COLOURS
Cool
Neutral / Cool
Cool
Cool
Cool
PREDOMINANT UNDERTONE COLOURS
Pink
Pink
Red Pink
Red Blue
Red
COLOUR BALANCE (PRIMARIES)
Red 47% White 47% Black 6%
Red 49% White 49% Black 2%
Red 76% Black 11% White 11% Blue 2%
Red 80% White 10% Black 8% Blue 2%
DARKEN
Burgundy [364]
Red Brown [384]
Red Brown [384]
Burgundy [364]
Rusty Red [366]
Fire Engine Red [360] Brick Pink [352]
Charm Pink [144]
Rusty Red [366]
LIGHTEN
Champagne Pink [350]
Soft Salmon [394]
Brick Pink [352]
COOL
Berry Red [362]
Crimson [388]
Candy Pink [372]
WARM
Red Brown [384]
Earthy Nude [390]
Real Red [376]
Real Red [376]
Lust Red [389]
Orange Red [368]
Orange Red [368]
Orange Red [368]
Orange Red [368]
Orange Red [368]
This is a rose pink with a twist of a tropical punch. The luscious pink base has a hint of mauve - gorgeous colour which we find can complement the natural lip base for fair to medium complexions. A very popular colour, often used to custom blend and tweak other pigments for that ultimate professional touch.
A new formula lip pigment. We would describe it as a soft, intense yet natural pink.
This colour is a real, fresh pink with subtle cool undertones. If we ever feel we need a touch more pink in another lip pigment, this is the one we often use. We only add a drop.
Best described as a deep rich wine colour. We have frequently used it to custom blend many of the other lip pigments, usually when we want to darken and intensify. One of the most popular colours in the range, yet one which must not be used neat due to the intensity of its base.
A new formula lip pigment, with a medium rosy tone complemented with a beautiful tint of crimson. Reminds us of Red Vintage. We use this to cool some of the other lip pigments.
HOW WE LIKE TO USE IT
10
Candy Pink [372]
Crimson [388]
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
LIPS
RED RANGE CONTINUED
RUSTY RED [366]
CRIMSON [388]
RUM Was: RUNNER RUM RUNNER
DARK RED [374]
ORANGE RED [368]
Was: DIVA
Was: ORANGE SORBET
LUST RED [389]
Warm
Cool
Warm
Warm
Warm
Red Brown
Red
Red
Orange
Red
Red 80% White 10% Yellow 9% Black 1%
Red 95% Black 5%
Red 99% Black 1%
Red 41% Yellow 41% White 17% Black 1%
Red 60% White 25% Yellow 15% Black 5%
Burgundy [364]
Ruby Brown [389]
Red Brown [384]
Vermillion Red [370]
Russet [399]
Sienna [382]
Real Red [376]
Brick Pink [352]
Lilac Out [605]
Red Brown [384]
Vermillion Red [370]
Virgin Pink [392]
Soft Salmon [394]
Blue Out [609]
Champagne Pink [350] Berry Red [362]
Ruby Brown [398]
Candy Pink [372]
Redwood [380]
Real Red [376]
Lust Red [389]
Real Red [376]
Earthy Nude [390]
Orange Red [368]
Orange Red [368]
Orange Red [368]
Orange Red [368]
A gorgeous, vibrant red-brown pigment, which we have found has hints of brick red. We have used it on many Fitz 4-6 clients to create beautiful, expressive lips.
An intense, new colour which could be described as sitting between red and ruby and has a stronger blue base formulation.
A sheer woody red, which we have found can be superb for intensifying and adding vibrancy and depth to other pigments. Tends to yield a deep red brown brick shade.
This is a brilliant fresh orange, which we find useful for warming up lip colours to prevent them from turning too cool in certain lip tones. Can be used alone but will not give an intense colour. If applied correctly, can be a good correction colour for lips.
Charm Pink [395]
Rich and vibrant.
11
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
LIPS
RED RANGE CONTINUED
NAME & REFERENCE NUMBER
REAL RED [376]
VERMILLION RED [370]
LIPS
RED BROWN RANGE
BARN RED [378]
BURNT ORANGE [393]
CAFÉ LATTE [396]
Was: KISS KISS
FITZ I FITZ II FITZ III FITZ IV FITZ V FITZ VI HAIR SCALE WARM / COOL COLOURS
Warm
Warm
Neutral / Warm
Warm
Warm
PREDOMINANT UNDERTONE COLOURS
Red
Red Orange
Red Brown
Orange Brown
Orange Brown
COLOUR BALANCE (PRIMARIES)
Red 70% White 30%
Red 63% White 26% Yellow 9% Black 2%
Red 67% White 29% Black 4%
Yellow 70% Red 20% White 9% Black 1%
Yellow 49% Red 28% White 23%
DARKEN
Lust Red [389]
Burgundy [364]
Red Brown [384]
Russet [399]
Ruby Brown [398]
Brick Pink [352]
Candy Pink [372]
Soft Salmon [394]
Sienna [382]
Vermillion Red [370]
Brick Pink [352]
COOL
Cerise [358]
Candy Pink [372]
Cerise [358]
Fire Engine Red [360]
Ruby Brown [398]
WARM
Orange Red [368]
Real Red [376]
Sienna [382]
Orange Red [368]
Earthy Nude [390]
Orange Red [368]
Orange Red [368]
Beautiful and bold, we have found that this pigment provides a vibrant tropical punch with red and orange hues. The spicy shade carries warm undertones.
A new colour to the range. We have found this reddish brown pigment is ideal for a range of applications. We don't recommend using it neat, rather as a base to create a range of blends with brown bases (e.g. by adding pink or red hues to it), or as a wonderful way of deepening some of the lighter pigments.
LIGHTEN
HOW WE LIKE TO USE IT
12
We have found this to be bright, rich and effective for a range of clients. Also can be superb for adding depth to other pigments.
Champagne Pink [350]
Orange Red [368]
We would describe this as a deep shade of orange with a hint of brownish burnt red. It can be used for lip corrections. Is a deeper orange than Blue Out.
A beautiful brown hued pigment with a deep, orange base. We would describe it as somewhat similar to La Rocca, but softer.
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
LIPS
RED BROWN RANGE CONTINUED
EARTHY NUDE [390]
RED BROWN [384]
REDWOOD [380]
RUBY BROWN [398]
RUSSET [399]
Was: VAMP
Warm
Warm
Cool
Cool
Cool
Orange Brown
Red Brown
Orange Brown
Red Blue
Red Brown
Red 50% Yellow 40% White 10%
Red 60% Yellow 18% White 12% Black 10%
Red 51% Yellow 21% White 21% Black 7%
Crimson [388]
Virgin Pink [392]
Red Brown [384]
Brick Pink [352]
Brick Pink [352]
Champagne Pink [350]
Champagne Pink [350]
Charm Pink [395]
Burgundy [364]
Cerise [358]
Orange Red [368]
Orange Red [368]
A new pigment to try. We have found this to be a beautiful, warm orange with a subtle hint of rusty, brown. Imagine a blend of Sheer Nude and Liquid Lola.
Yellow 39% Red 30% White 14% Black 8%
This deep and intensive pigment should be handled with care as it can give a strong and expressive effect. This pigment can be useful for adding to other pigments to intensify the blend.
Candy Pink [372]
Soft Salmon [394]
Sienna [382]
Burnt Orange [393]
Earthy Nude [390]
Orange Red [368]
Orange Red [368]
Orange Red [368]
Best described as a neutral brown with a golden red base and a hint of orange. We like this also for general blending in order to add more earthy tones to various other lip pigments.
A new lip pigment, which we describe as something of a darkish maroon colour. It has a strong blue base, so we tend to blend it with a warmer colour if used throughout the lips. Somewhat similar to Diva (2010 range), but with more dominant brown hues. A beautiful pigment, yet one which must be applied with care.
A new formula lip pigment, which is dark brown with a beautiful reddish brown tinge. We have found it suitable for darkening other pigments, lip camouflage on darker lips and so on.
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
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LIPS
RED BROWN RANGE CONTINUED
NAME & REFERENCE NUMBER
SIENNA [382]
SOFT SALMON [394]
TERRA COTTA [354]
NOT PINK [397]
Was: LIQUID LOLA
Was: LA ROCCA
FITZ I FITZ II FITZ III FITZ IV FITZ V FITZ VI HAIR SCALE
Neutral
WARM / COOL COLOURS
Warm / Neutral
Neutral
Warm / Neutral
PREDOMINANT UNDERTONE COLOURS
Orange Brown
Orange
Red Yellow
COLOUR BALANCE (PRIMARIES)
White 47% Red 39% Yellow 7% Black 7%
White 60% Red 20% Yellow 19% Black 1%
Red 38% White 38% Yellow 16% Black 8%
White 49% Yellow 25% Red 25% Black 1%
DARKEN
Red Brown [384]
Crimson [388]
Burgundy [364]
Dark Red [374]
Rusty Red [366]
LIGHTEN
Brick Pink [352] Champagne Pink [350]
Champagne Pink [350]
Champagne Pink [350]
Soft Salmon [394]
COOL
Burgundy [364]
Charm Pink [395]
Plum Pink [356]
Charm Pink [395]
WARM
Orange Red [368]
Lust Red [389]
Sienna [382]
Orange Red [368]
Orange Red [368]
HOW WE LIKE TO USE IT
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This is a very rich orange brown pigment which we either used neat (although always with a touch of colour compensation) or as a blend with other lip pigments. We have found it can be used to create some luscious blends.
A new formula lip pigment, with a luscious pinkish-orange hue. Dependent on technique, we have sometimes found it a little to soft to use entirely on its own, so may consider darkening it with a secondary pigment.
A warm coffee caramel colour. We have found it can yield wonderfully natural-looking results. We also use this as a blending pigment to customize lots of our other pigments in the lip range.
An entirely new colour. Karen says it’s definitely not pink! In fact, it's more of a tea rose shade which is neither a pink, nor a nude. We have found that it heals to a beautiful, subtle neutral tone. We find that this is an excellent pigment for lightening some of the darker brown lip colours.
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
CORRECTION RANGE
BLUE OUT [609]
DARK RED OUT [607]
LIGHT RED OUT [601]
LILAC OUT [605]
PURPLE OUT [603]
Was: BLUE OUT
Was: DARK RED OUT
Was: LIGHT RED OUT
Was: LILAC OUT
Was: PURPLE OUT
Warm
Cool
Cool
Warm
Neutral
Orange
Green
Green
Yellow
Yellow
Yellow 74% White 16% Red 10%
Green 75% Black 25%
Yellow 43% White 43% Black 7% Red 7%
Yellow 46% White 46% Red 7% Black 1%
Yellow 87% White 11% Black 2%
A strong orange which can be used as a corrective colour for brows and lips with bluish undertones. Intense, due to its extreme warm base. We use it in very small amounts to warm certain pigments, particularly if Lilac Out hasn’t quite provided enough extra warmth.
A deep green designed as a corrective colour for strong pink / red undertones. We also use it neat as an eyeliner, or blended to counteract the warmth in some pigments if required due to client undertone analysis. Use with care, this is a very strong green.
A softer green designed as a corrective colour for pink and salmon undertones. We sometimes use it to add coolness to a range of pigments, if required due to client undertone analysis. Popular for shaded eyeliners also.
A yellow undertoned pigment designed to counteract lilac and grey undertones. We have found it a useful earthy tone for warming a range of brow and lip colours, if required due to client undertone analysis. Can also be used for some camo work and softening of some pigment tones.
A mustardy yellow pigment designed as a corrective colour for purple and deep violet undertones.
Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
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CAMO RANGE
CAMO A [401]
CAMO B [403]
CAMO C [405]
CAMO D [407]
Was: CAMO A
Was: CAMO B
Was: CAMO C
Was: CAMO D
WARM / COOL COLOURS
Cool
Cool
Warm
Cool
Warm / Neutral
PREDOMINANT UNDERTONE COLOURS
Off White
Off White
Peach
Brown
Brown
COLOUR BALANCE (PRIMARIES)
White 91% Yellow 7% Black 1% Red 1%
White 97% Yellow 2% Red 1%
White 75% Yellow 12% Red 12% Black 1%
Black 46% White 18% Yellow 18% Red 18%
White 62% Yellow 12.5% Black 12.5% Red 12.5%
DARKEN
Areola 2 [504]
Camo A [401]
Areola 2 [504]
NAME & REFERENCE NUMBER
CAMO E [409]
FITZ I FITZ II FITZ III FITZ IV FITZ V FITZ VI HAIR SCALE
Areola 2 [504]
Areola 6 [512]
LIGHTEN
Camo B [403]
COOL
Light Cool Blonde [262]
Light Cool Blonde [262]
Camo A [401]
WARM
Areola 5 [510]
Camo C [405]
Lilac Out [605]
Camo C [405]
Areola 1 [502]
Areola 5 [510]
Lilac Out [605]
A very subtle off white, with light beige hues. We use this to lighten a range of other pigments, or as a base from which to mix in other pigments to custom blend required skin tones.
A warm camo colour with subtle peachy undertones. We tend to use this as a base to blend with other pigments to achieve required skin tones.
An auburn brown that we use as a blend, or as a darkening pigment in order to achieve the required skin tone.
HOW WE LIKE TO USE IT
An off white, which can be used for a range of applications. We find it useful for lightening other pigments, or using it as a base from which to mix in other pigments to custom blend required skin tones.
Camo B [403]
Camo B [403]
Camo B [403]
A natural mid-tone skin colour.
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Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
AREOLA RANGE
AREOLA 1 [502]
AREOLA 2 [504]
AREOLA 3 [506]
AREOLA 4 [508]
Was: AREOLA 1
Was: AREOLA 2
Was: AREOLA 3
Was: AREOLA 4
Warm / Neutral
Warm
Warm
Cool
Warm
Peach
Brown
Red Brown
Brown Grey
Pink
White 63% Yellow 26% Red 9% Black 2%
White 59% Yellow 23% Red 9% Black 9%
Yellow 39% Red 39% White 16% Black 6%
Yellow 44% Black 44% Red 6% White 6%
White 84% Red 16%
Areola 2 [504]
Redwood [380]
Areola 3 [506]
Grey Black [152]
Areola 3 [506]
Areola 3 [506]
Areola 3 [506]
Camo D [407]
Areola 1 [502]
Areola 1 [502]
AREOLA 5 [510]
Areola 4 [508]
Areola 1 [502]
Areola 6 [512]
Areola 2 [504]
Camo C [405]
Camo A [401]
Camo A [401]
Light Cool Blonde [262]
Areola 4 [508]
Lilac Out [605]
Areola 5 [510]
Lilac Out [605]
Areola 5 [510]
Lilac Out [605]
Lilac Out [605]
Lilac Out [605] Areola 5 [510]
Areola 1 [502] A light, peachy base which we use to blend and lighten to achieve the correct skin tone. Generally too light to use neat, however, sometimes used on its own for transluscent areolas.
A fairly neutral looking pigment which we tend to use to blend with other pigments to create the correct skin tone.
A rich and deep mahogany brown. Although this is an areola pigment, we have also used it for some lip work, plus to counteract bluish undertones in brows.
A cool, dark brown. Strong, so we tend to use it drop by drop when blending. Very cool, so we often warm it a little.
A warm, pinkish tone which we find can yield beautiful natural-looking results.
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Please note that our pigment descriptions are not recommendations. If you are unsure as to how to use these pigments, we recommended attending one of our Pro Tips seminars or other training courses.
Head Office: Nouveau Beauty Group Nouveau House Barnsley Road South Elmsall Pontefract West Yorkshire WF9 2HR Call: 0845 644 3994 Email: info@nouveaucontour.co.uk Visit: www.nouveaucontour.co.uk