NATHAN SCOTT
FABRICATING CONNECTIONS ARCHITECTURE PORTFOLIO
WE ARE WHAT WE REPEATEDLY DO. EXCELLENCE, THEN, IS NOT AN ACT, BUT A HABIT. ARISTOTLE
TABLE OF CONTENTS 4 SINGLE BUILT | D F F 14 BOSTON SYMPHONY HALL | C 20 MORFÍLIOS LABS |ACSA M D 24 CYLCODROME | C 26 OREON E. SCOTT CHAPEL | D 28 CAFE SWERVE | C D 30 LIVE WORK COMPLEX | N Y IGITAL
ORM
INDING AND
FABRICATION
OMPREHENSIVE
ICROBIOLOGY LAB
OLLEGE OF
UNIVERISTY
ESIGN
EW
- COVER - WALKER ART CENTER SKY PESHER - ADJACENT - SEATTLE PUBLIC LIBRARY
COMPETITION
ESIGN
RAKE
OLLEGE OF
STUDIO
ORK
CITY
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SINGLE BUILT: DIGITAL FORM FINDING AND FABRICATION
THE BEST WORK IS EVENLY BALANCED AS ANALOG AND DIGITAL, A REAL DIALOG BETWEEN MIND, MACHINE AND HAND.
- ROB CORSER -
Graduate Spring 2013 Professor Rob Whitehead Patrick Rhodes
THE
GOAL OF MY SELF-DIRECTED STUDY WAS TO INVESTIGATE
AND ENGAGE THE RISING TREND OF DIGITAL DESIGN COUPLED WITH AN UNDERSTANDING OF STRUCTURAL FORM. DESIGNERS
HAVE
BEEN
ENGAGING
THE
SEVERAL
TECHNIQUES
OF
PARAMETRIC MODELING, BUT WHAT IS OFTEN FOUND TO BE OF ISSUE IS THAT THERE IS A DISTINCT SEPARATION OF FORM TO ITS
+
+
LITERAL CONSTRUCTABILITY.
THEREFORE,
THE RESEARCH AGENDA OF THE PROJECT WAS TO
ASSESS HOW DIGITAL DESIGNS THAT ARE BASED ON REAL WORLD APPLICATIONS, SPECIFICALLY PARABOLIC THIN SHELL STRUCTURAL FORMS, THAT CAN BE FABRICATED AND ASSEMBLED WITH AN EASE AND MEANS NOT PREVIOUSLY DEMONSTRATED.
PALMIRA CHAPEL. FELIX CANDELA
THE
CAPANNONE. PIER LUIGI NERVI
FIRST STEP INVOLVED FIGURING OUT HOW TO FABRICATE
THROUGH A DIGITAL MEDIUM.
I
CREATED PARABOLIC FORMS
CADENARY AND THEN IMPORTED THE LINES INTO RHINOCEROS. FROM THERE I WAS ABLE TO CREATE THE SURFACE AND RIBBED MODEL. NEITHER OR THESE WERE AS STRUCTURALLY SOUND AS I HAD DESIRED, BUT WHEN I PUT THEM TOGETHER, THEY FORMED A SPACE-FRAME FORM THAT HELPED ME UNDERSTAND THE MODULAR FORM WHICH I COULD KEEP MOVING FORWARD WITH. IN A SOFTWARE CALLED
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RHINO DIGITAL REPRODUCTION: CARDBOARD
ONCE THE DIGITAL MODEL WAS CREATED IN RHINO, I UNFOLDED ALL THE SURFACES AND LAYED THEM FLAT FOR LASER CUTTING. THE CARDBOARD MODEL WAS 4’X4’ WITH FIVE MODULES IN BOTH THE X AND Y DIRECTION. IN ORDER TO CONNECT THE MODULES, I USED A SIMPLE CLIP THAT ENDED UP PINCHING THE MODULES TOGETHER. THE IDEA WAS THAT I NEEDED TO KEEP THE CONNECTION PIECES AS SIMPLE AS POSSIBLE FOR EASE OF CONSTRUCTION. AFTER ASSEMBLYING THE MODEL, THE POLYGON MODULE HAD SPECIFIC AREAS ALONG THE SEAMS THAT KEPT TAKING ALL THE STRESSES OF THE FORM. I WANTED TO DISPERSE THESE STRESSES AND BY TRIANGULATING THE MODULES, I COULD BREAK UP THE STRESSES AND HAVE A STRONGER OVERALL STRUCTURE.
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SOLIDWORKS DIGITAL REPRODUCTION: 3D PRINT The SolidWorks model was created in order to test how efficient the connections could be created as part of the module itself. With SolidWorks I was able to create the modules with tabs and slots to connect the adjacent
pieces. The 3D printed pieces were successful, but the importance of the tab became apparent quickly because if the tabs were to break, the whole assembly fails.
GRASSHOPPER: SCALABLE TO CONTEXT BY
HAVING GRASSHOPPER DEFINE THE PARABOLIC
INTO
4’X8’
CUT SHEETS.
THE
GREAT PART ABOUT
THIS
PROJECT IS WITH PARABOLIC FORMS, BUT THE
SHAPE, THE STRUCTURE IS ABLE TO BE MANIPULATED
HAVING THE DEFINITION IS THAT WHEN ANY ONE PART
PARAMETRIC CAPABILITIES WITH GRASSHOPPER ARE ABLE
TO ANY CONTEXT.
FOUR MAIN SECTIONS OF
OF THE STRUCTURE GETS MANIPULATED, THE FINAL CUT
TO BE IMPLEMENTED WITHIN ANY SHAPE.
THE GRASSHOPPER DEFINITION CREATE THE SHAPES
SHEET IS AUTOMATICALLY UPDATED AND READY FOR
STRUCTURES QUICKLY WITH CAREFULLY ORGANIZED
THAT EVENTUALLY GET LABELED AND ORGANIZED
FABRICATION.
PARAMETERS IS NOW A POSSIBILITY.
HEIGHT
CATENARY DOME
THE
WIDTH
MODULAR SURFACES
FABRICATING
DIVISION
LABELING SCHEME
CUT SHEET NESTING
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DIGITAL TO PHYSICAL REALIZATION MODULE CONSTRUCTION
CUT LINE
SCORE LINE
FOLDING
ZIP TIE CONNECTIONS
ASSEMBLY DOCUMENTATION POLYGON MODULE TRIANGLE MODULE
INITIAL CONSTRUCTION PROCESS
ASSEMBLE MODULES
TIME LAPSE OF ASSEMBLY
CNC CUT SHEETS 35 CT. 4’X8’ POLYPROPYLENE SHEETS = 135 LBS. 194 TRIANGLES = 10 CU. FT. 465 CU. FT. PARABOLIC PAVILION TOTAL WEIGHT = 100 LBS.
PROJECT ACHIEVEMENTS
- DIGITALLY FABRICATED THIN SHELL - EASE OF CONSTRUCTION - ECONOMY OF MATERIALS AND PROCESS: STRUCTURE PROTOTYPE - MINIMAL FALSEWORK COST WASTE TRANSPORTABLE - DIGITAL FORM FINDING - ZIP TIE ASSEMBLY WEIGHT LABOR VOLUME - OPEN SOURCE PLATFORM - GRASSHOPPER CNC CUT SHEETS 10|11
FINAL PARABOLIC PAVILION
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SITE ANALYSIS
BUILDING DIAGRAM
Graduate Fall 2012 Professor Tom Leslie The program for my comprehensive studio was a symphony hall that was located in the Financial District of Boston. After visiting the site and noticing that the pedestrian bridge that was located adjacent to our site was a popular pedestrian bridge and major connector of the South Boston’s new development and the Financial District, my partner and I decided to extend the bridge volume through the site. This move created an even smaller footprint to a small site, so the only way to achieve of programmed square footage was to move the theater up. With the theater located four floors up from the street level, the visitors to the symphony hall could experience Boston from a different perspective. Views are available up and
down the greenway as well as the canal and the South Boston. With the initial diagram sketched, the design decisions had a solid concept to work from and the layout and sight lines were carefully placed. Because of the elevated theater and lobby floors, the structure to handle the cantilever was an immediate concern. We also wanted the lobby floors to feel light, so the only way we could succeed was to hang the floors from above. The structural members that hung onto the lobby floors then defined the roof, which was where the experimental hall and cafe were located. The building ended up being a compact and integrated design with a clear understanding of program.
BOSTON SYMPHONY CENTER | COMPREHENSIVE STUDIO
STRUCTURAL DIAGRAM
[2] ADMINISTRATION FLOOR
[3] REHEARSAL FLOOR
[5-7] LOBBY FLOORS
[8] ROOF TOP EXPERIMENTAL
HALL AND CAFE
[4] MAIN LOBBY AND THEATER
[1] SITE PLAN AND GROUND FLOOR
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WEST ELEVATION
NORTH ELEVATION
EAST ELEVATION
SOUTH ELEVATION
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Summer
11a m
11 am
6p m
m 3p
12pm
12pm
2pm
m 2p
1 or 2 floors to achieve 30,000 sf of roof
Summer pm 3p
Winter
Summer m
Winter 9am
9am ummer
Winter
6pm 7am
9am
PV Panels N
N
Sloped for water collection and pv orientationthe sun
N
Shading south window
N
Shading south window minimizing footprint
9am
Winter N
7am
N
USVI PROJECT GOAL SUSTAINABILITY
N
N
CLIMATE RESOURCES
N
N
HEAT GAIN REDUCTION: SUN SHAPED FORM
LOCAL BUILDING MATERIALS LACK OF WATER UNRELIABLE ENERGY
MORFÍLIOS LABS |ACSA MICROBIOLOGY LAB COMPETITION
Context: Analysis of St. Croix’s climate and resources lead to the design development of two important architectural sustainable systems; solar form-based laboratory design and canopy structure. This is a response to the lack of reliable energy, water, and designing with locally available building materials in new ways. Leading to the key design drivers of reducing the heat gain of the laboratory based on its form and designing a system to harvest water and energy.
BAMBOO SKIN
BAMBOO STRUCTURE
LIVING DINING LABORATORY/CLASSROOM ADMINISTRATION MAITENANCE GUEST HOUSE DOCK
CANOPY
The primary function of the canopy is to collect rain water, create outdoor microclimates through shading, and increase the square footage for solar panel arrays. The modular bamboo structure was designed to be easily built and assembled in order to keep maintenance easy and engage local craftsman in a new use of materials local to the region.
Vertical Bamboo
Bracing Bamboo
Bamboo Structure
Faceted Shell
Plywood Surface
Solar Panels
To Water Holding Tank
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NWOD
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By mapping the sun’s azimuth and altitude throughout the year, the form for the laboratory closely adhered to a shape that maximized shading of the north and south facades, dramatically reducing heat gains. This form was interpreted as a woven bamboo outer skin of circulation spaces and an offset inner core of laboratory and public spaces. The shape also allows for passive ventilation strategies.
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CYCLODROME | COLLEGE OF DESIGN
Graduate Summer 2011 Professor Jason Alread For our Summer Service Learning course my class connected with the Des Moines Bike Collective to build them, arguably, the world’s smallest velodrome. We had a work space within our King Pavilion that had dimensions of 34’x24’ in which to build our track. The first step was to figure out the angles of the slope of the track. All we knew for the angles was that we wanted the corners to be at a 45 degree angle and for the sides to be close to 20 degrees. We had to test our slope transitions by creating digital models and study models to see if it a bike could be ridden on it.
Once we decided on the dimensions of all the triangles which would hold our plywood surface, we started out by making one whole quarter of the track to see if the transition was what we wanted. We did end up having to change some pieces, but it was an easy fix. I was personally in charge of managing the construction process and organizing the fifteen graduate students so we could efficiently produce each component of the track. Having my hands in each part of the construction process was valuable to understand all aspects of our project.
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Graduate Summer 2011 Professor Tom Leslie The study of a historic building in Iowa was the initial goal in this studio. I chose the Oreon E. Scott Chapel at Drake University that was designed by Eero Sarrinen. I studied the building through drawings and modeling at first and then I proposed an intervention to the existing structure. Throughout my studies, I became interested in the intricate wooden truss system that Sarrinen had incorporated into his Chapel and also thoroughly enjoyed the atmosphere of the Chapel created by the amount of natural lighting that was allowed to enter the space. I took both of these aspects and manipulated them to be incorporated into my intervention, which was a lower level that would be a library for the religion program at Drake University.
Oreon E. Scott Chapel | Drake University
Sarrinen’s seven sided truss system
I took the truss system Sarrinen designed in the Chapel and pulled the two seven sided polygons apart, one being much large while the other was close to the same size as the original. By doing this I was able to create a space within the expanded truss system, which is where the proposed library would be located. Light would then come in from above, around a gap that would be around the original alter, while also coming in from around the edges of the library. This light coming in from the edges would be diffused up the sloping ceiling and also down the angled walls. The space on the outside of this new library space is where the stairs will be located along g with additional study space that is ennclosed, but allows much more natural al lighting.
Sarrinen’s light baffel
PROPOSED
EXXISTING
Design Concept
Investigations to manipulate the seven sided truss system
Diffused lighting effect
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CAFE SWERVE | COLLEGE OF DESIGN
LIGHTING CONCEPT
COMPONENTS ON SURFACE
DIVISION OF COMPONENTS
GRASSHOPPER TO RHINO FOR FABRICATION
Graduate Fall 2011 Professor Mikesch Muecke My independent course studied the plugin Grasshopper for Rhinoceros. Through initial tutorials and learning objectives, I wanted to incorporate the perception of how light is filter through an object’s surface. I decided to create a shelf that would be located on a wall next to the College of Design cafe. This defined the final shape that has two different levels for people of different heights, while giving them a place to set books or drinks as they wait for their food. In order to accomplish my goal of having a progression of light filtering through my shelf’s surface, I created three different components that when put into the Grasshopper definition would create the intended progression. The vectors which define the three components could be considered as the angle in which a person observes the shelf and the amount of light seen from eye level.
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Graduate Spring 2011 Professor Chuck MacBride The New York project started out with the investigation of maximum density through a specific material. I chose to make my 16”x16”x16” cube out of 2x6 studs and nail them together. Once I manipulated the cube through coring, I had to cut the cube into separate slices with a ban saw. I took the two larger slices (red and blue slices at top of page) and hung them on a ‘T’ brace and attached the two thinner slices onto the large slices. The building’s form, structure, and modular unit was to take inspiration from the resulting maximum density cube. The building would be located in a vacant lot located within the Chelsea District in New York City. The Chelsea District has a variety of art museums and showcase rooms, so I wanted to create a place where fabrication studios could be located right next to where the fabricators lived. Part of the building slice would be the main studio space while the other side of the building was where the apartments would be located. The ‘T’ braces would be the main vertical circulation, while the smaller slices would be part of the horizontal circulation between the studio space and apartments.
LIVE WORK COMPLEX | NEW YORK CITY
MY INTENT To continually pursue a rigorous and logical design approach in belief that architectural concepts are best resolved holistically and practically. EDUCATION Master of Architecture Iowa State University Ames, IA
EXPERIENCE Graduate Teaching Assistant IND D 592. Digital Fabrication Rhinoceros and Grasshopper Workshop Organized and Led Student Group Graduate Teaching Assistant ARCH 342. Building Science and Technology III Student Intern BWBR Architects St. Paul, MN Graduate Teaching Assistant ARCH 341. Building Science and Technology II
May 2013 G.P.A. 3.82
Spring 2013 Fall 2012 Fall 2012 Summer 2012 Spring 2012
AWARDS, HONORS, AND PUBLICATIONS Communication Award Spring 2013 Iowa State Architecture Program Parabolic Pavilion: Independent Project Spring 2013 Published on College of Design Website and Professors’ Blogs Scholarship Award 2012-2013 AIA South Dakota Comprehensive Studio: CSI Competition Finalist Fall 2012 Iowa State University Architecture Program Fall 2012 Intelligent Green Building Design Competition Finalist Top 8 Finalist Summer 2011 World’s Smallest Velodrome Iowa State Daily and Local News Stations Miller Graduate Fellowship 2010-2011 Iowa State University
Bachelor of Design in Architecture University of Minnesota Minneapolis, MN Architecture Program Danish Institute of Study Abroad Copenhagen, DK Graduate Teaching Assistant ARCH 230. Design Communications I
G.P.A. 3.16
Fall 2008
Fall 2011
Graduate Research Assistant Design Center Building Proposal Luis Rico-Gutierrez. Dean of the College of Design Graduate Teaching Assistant ARCH 230. Design Communications I Landscaping Oak Ridge Nursery Brandon, SD Family Farm Evergreen Stock Farm Valley Springs, SD
May 2009
Summer 2011 Fall 2010 April - August 2010 1998 - Fall 2010
SKILLS Proficient (*) and Basic Understanding Rhinoceros 5.0* Digital Fabrication Equipment and Concepts* Grasshopper 3D* Autodesk Revit AutoCAD* SketchUp* CNC Router Laser Cutters* 3D Printing* SolidWorks
Adobe Photoshop* Adobe Illstrator* Adobe Indesign* Adobe Premiere Hand Tools and Concepts Photography Concepts Autodesk Ecotect Vasari Vray for SketchUp and Rhino
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NATHAN SCOTT
48798 267th street Valley Springs, SD 57068 (605) 929-2600 nscott13@iastate.edu