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INTRIGUING WORLDWIDE CONTENT

THE

PROTOCOL REPORT


PROTOCOL REPORT publisher & creative director Nancy Suttles title? hal crocker aviation correspondent dr george Editor & Senior Writer Charlotte Correspondent Bill King European Correspondent Marketing Director L. Miller

••• Cover Photo: james corbett car art Porsche Emblem: Nancy Suttles

© 2014 A.M.G. MEDIA GROUP. ALL RIGHTS RESERVED.


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F E AT U R E S FALL 2014

24

24

elBulli: 2005-2011: A journey inside the creative process of the world’s greatest chef

38

JAMES CORBETT: Timeless Art

58 HOOD ART 24

66 DEPARTMENTS

8

FOOD & WINE

10 RCS 24

12

GLASS EYE

14 TRAVEL 58 ARTS & CULTURE


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FROM THE PUBLISHERs

We can write something really facinating about our vision here - explain “Protocol” - a plan for a new publication experiment which provides a common means for unrelated objects to communicate with each other . . .go deeper here breaking out of the stereotypical box INTRIGUE INTERESTING CURIOUS FANTASTIC WEIRD REALLY COOL UNKNOWN HOW DID THEY DO THAT? PARTS UNKNOWN



rcs

RCS is our department dedicated to “Really Cool Stuff”. We explore the web constantly searching for the most unique things, exotic locations, interesting tid-bits, cool gear and more. If you come across something you would like to share - please let us know. Enjoy!

Big Sky Country The Resort at Paws Up - is a “must do” on your bucket list! This luxury ranch resort is situated on a 37,000-acre authentic working cattle ranch 35 minutes northeast of Missoula, Montana in Greenough. Whether you choose an expansive private home or a sophisticated, safari-style luxury tent, Paws Up provides an unfiltered connection with the natural beauty of the Montana wilderness amidst a landscape of impeccable rustic elegance and comfort. Paws Up also features many special events throughout the year including the Montana Long Table, photography workshops, adventure activities and more. www.pawsup.com

FIND MORE STUFF

> TOP:Safari-style luxury tent accommodations at The Resort at Paws Up, Greenough, Montana > MIDDLE: The Ferrari Store, Maranello, Italy > BOTTOM: Elements Collection, Manutti


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FOOD & WINE


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James Corbett: Timeless Art “I’d like to think that years into the future, my sculptures will be seen as not only desirable art work, but also as an intriguing time capsule from the age of the motor car.”


I

n the late 1960’s, Australian, James Corbett was a small boy. His young class mates would always say that he would be an artist when he grew up. “I could and always did draw”. By the time he was in high school that was forgotten, “back then in our part of the world, art wasn’t even offered as a subject… a career in art . . . well that was just ridiculous. I was a bit keen to be an architect but really didn’t get any support or encouragement to do that. I was encouraged to join the public (civil) service, and that’s what I did. I hated it every day for the two years that I was there.” Thirty years later after firstly being a signwriter and then the owner of an auto recycling business, James became an artist. “I was surrounded by all these parts every day. I could see shapes in them. I had given this guy some parts for his rally car, and he had won a trophy made from gears welded together. It was just an abstract thing, but he left it on the counter as a sort of a thank you. One day I looked at it and thought, “I can do better than that, and so I made my first sculpture from car parts. Just to prove it to myself. That really was a life changing moment for me. I really enjoyed the process, and the chance to be creative again. I did another one and then another, and after making maybe half a dozen, each so much better than the last, I could see that I had found a talent that I hadn’t known that I possessed. The auto recycling business was ordinary and money was tight, but I knew I had found something, and I made a decision to see how far I could take it. I had always told my young sons to make the most of any talent they had been given, I had no choice but to live the advice, I went at it 100%”. “That initial period was pretty tough. Learning how gallery people work and think, making


James Corbett: Timeless Art


His subjects vary from life size people and animals to his trade mark Speed Demons, “I think my favourite subjects are dogs and the monster pre WW1 race cars. The dogs because of their sheer variety, and I love the way that they speak with their eyes and ears. If I can get that right, they can be so alive. Those cars because of the lunacy, passion and naivety. Speed and glory was the goal. Stopping, turning, or survival was incidental�.


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