NU-MODE´ MAGAZINE ISSUE 3

NO BOUNDARIES

NU-MODE´ FASHION ART & LIFESTYLE BEAUTE´ ISSUE 3

LAURA THEISS, TIM HINES, LEIGH VINER, GORDON MAGNIN, ERWIN OLAF, MICHEAL KAMPE, LUDGET DELCY

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N U - M O D E´ EDITOR IN CHIEF & CREATIVE DIRECTOR LATOYA HENRY FASHION EDITOR RENESSTA OLDS MARKET EDITOR KAILEE PARKER WRITER & EDITORIAL ASSISTANT SHANNON GADDY CONTRIBUTORS SYLWIA PNIEWSKA, JOANNA KOSTKA, MICHAL MAZUROWICZ, CHRISTINA CADELARIO, ALEX WYNNE AT PAINTED FACES, YUSEF FARRELL, JESSICA TODAY, THOMAS LODWIG, EDDIE PONCE, MING YANG, ELIZABETH PREGER, DJADENKO AT PINKERTON MODELS, ROBERT REA, JENNA TUCKER, REGINAL MICHAEL, JENNI HENSLER CHRISTINE CHERBONNIER, HIROYA WATASE, JULIA AT MUSE NYC, FELICITY VAN DAM, ANNE VAN ECYK AT LINDA MODELS, NANETTE MONTIZAAN, JESSICA ENGER, DANIELE SPENCER, KRISTIAN ECKERT, JORDANA RABINOWITZ, BRYAN LYNDE, MASHA AT MUSE NYC, NEEMA ALI, NICOLE BLACKMAN, CHRIS FONSECA AT LASECA PRODUCTIONS, GELI AT AGENCY MODEL MANAGEMENT, KYRA AT RED MODEL MANAGEMENT, SASHA BAY, LORI AT IMAGES MODEL MANAGEMENT, KAYLA AT PAINTED FACES, MORGAN GIBBONS, DANIELLA AT WORKGROUP-LTD FOR FACE STOCKHOLM, ANU KOSKI AT SUPREME, ANNALEISE SMITH AT SUPREME, TRACY MOORE, EMELLAR, DOMINIQUE FARINA, ARIANNE .S AT FUSION MODELS, JESSICA AT BASIC MODEL MANAGEMENT CONTRIBUTING PHOTOGRAPHERS ALEKSANDRA ZABOROWSKA, AYSHA BANOS, BRANDON ANDRE, CHRIS FONSECA, EMILY JEAN ULLRICH, JON STARS, JULIE DICKINSON, LPH, ROEG COHEN, SHANNA FISHER, WHALEN BRYCE, STEFANIE HODNIK, JOHN CIAMILLO, JOEL CONTRERAS, TONY VELOZ

COPY WRITER LATOYA HENRY

PUBLISHER LATOYA HENRY NU-MODE´ MAGAZINE BROOKLYN, NY 11238 T. 7 1 8 . 8 1 2 . 5 8 1 5 WWW.NUMODEMAG.COM

NEEMA ALI MAKE UP ARTIST Neema Ali has established an endearing friendship between herself and NU-MODE´ magazine. She enjoys collaborating with different teams to create a story for every project she works on!!! My motto is “WHATEVER THE LOOK WE CAN CREATE YOUR BEAUTY” BEAUTY 24/7

www.kreatingnewfaces.com

NICOLE NVCB BLACKMAN MAKE UP ARTIST & HAIRSTYLIST Based In Brooklyn, NY I’m a well rounded artist so don’t try to put me in a box :-) WWW.NVCBTHEARTIST.COM

CHRISTINA CANDELARIO Based In Brooklyn, NY WWW.DAMAKEUPDIVA.CARBONMADE.COM

NU-MODE´ CONTRIBUTORS

ROEG COHEN PHOTOGRAPHER Based in New york He likes Coffee, Horses, and Books.

WWW.ROEGCOHEN.COM

BRANDON ANDRE PHOTOGRAPHER Brandon Andre is an 18-year old Los Angeles Fashion Photographer. Beginning photography in 2009 and shooting professionally since 2010, he is growing to become one of the best emerging fashion photographers in Los Angeles. He credits his talent and gift to his personal lord and savior, Jesus Christ. “I could never have got to where I am in such a short amount of time, without him. I will forever be thankful to him,” says Brandon. Look out for him; he is determined to do big things in not only photography, but in the world.

WWW.EMERALDWAYPHOTO.COM

AYSHA BANOS PHOTOGRAPHER Aysha Banos is a photographer based out in New York City and Los Angeles. Aysha creates photographs based upon personal experiences; a recreation of metaphoric events or incidents that are visual memories from the past and present. Aysha specializes in fashion, portraiture, fine art, and narrative photography along with short films and art direction. At 20 years old, Aysha continues to tell her establishing story through photography.

WWW.INDICAJIVE.COM

ILLUSTRATION LEIGH VINER

Hi Friends!

Is the summer hot enough for you?

Then it’s about to get even hotter with our summer issue of Nu-Mode´ Magazine featuring the works and interviews from spectacular artist, photographers, designers and models. Who are working extremely hard to share their thoughts, emotions and work with you.

In this issue our focus is on Beaute´ & Art two things that I think compliment

each other very well. Beaute´ & Art could be beautiful mix of diffrent emotions and when they are combined they create this cosimic air of euphoria that has “No Boundaries”. While developing this issue I was blown away by the expressions from so many of the artist who have given us an insight into their inspirations, dreams and hopes for the future.

so sit back and relax in your air conditioned room and view Nu-Mode´

magazine. I hope that you enjoy this issue as much as we have and of course we love to hear from our readers please let us know what you think.

ENJOY! Latoya P Henry Latoya P. Henry Editor In Chief

NO BOUNDARIES CONTENTS GORDON MAGNIN PG.12 JULIE EILENBERGER PG.22 TOM HINES PG.30 MARIA ORTEGA PG. 76 NICOLE BLACKMAN PG.84 RACHAEL GHORBANI PG.92 EKINEYO PG.94 LUDGET DELCY PG.104 ERWIN OLAF PG.144 A.J. HATELEY PG.152 MICHAEL KAMPE PG.167

MENS TRENDS PG.175 CHRISTIAN BROWN PG.176 WOMENS TRENDS PG. 215 MARIE LUISE EMMERMANN PG.216 LAURA THEISS PG.228 LEIGH VINER PG.236 FELEKE PG.280 LARA PG. 288 LOLA PG.296 SHEILA PG.304

PROPRE ET BELLE PG.40 SMALL STARS PG. 52 UNUSUAL SEQUENCE PG.64 GLAM ROCK PG.112 DEAD TO THE WORLD PG.124 BOUNDLESS PG.132 PEACH PG.184 WALLED IN PG.196

DARK DESIRE PG.207 SOUS LE PONT PG. 244 WHERE’S WALDO PG.260 LOCO MOTION PG.272 SUCH A HOLIDAY PG.308 FUEGO PG.322 SUBTLE ENTICEMENT PG.334 AGAINST THE WIND PG.344

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GORDON MAGNIN

BY LATOYA HENRY

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Changing the style of basic collage art. Los Angeles based artist Gordon Magnin who defines his work as altered found images consisting of a mix of geometric shapes and patterns this artist is alternating the future of collage images.

When did you decide to become an artist and why?

After I got out of architecture school, I was thinking about the reason that I went in the first place. I was always into art for as far back as I can remember and I wanted to work in a creative field. I quickly realized that working in architecture was not going to provide the creative outlet that I wanted and started to work on my own art practice.

How do you know the way your going to construct a collage, are you usually inspired by shapes or your work is done in a freestyle order?

Both. Sometimes I work from specific shapes, sometimes I work in a more experimental way, a lot of the work is developed through trial and error and trying a handful of things before something clicks for me. I like not knowing what the end result will look like, the more the process allows for surprise the better.

How long does it take for you to construct one of your pieces?

It varies, sometimes things work immediately and sometimes I get bogged down in a process for a long time. I get bored quickly and tend to move on to other projects. I would say most pieces take a couple of days max to get into the computer, then another couple days for printing and framing the final works

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If you were not an artist what else would you be interested in?

“ I usually refer to my work as altered found image. I think people tend to refer to it as collage, but I don’t think it’s the same ”

The law, secret service, CIA, government intel, code cracking, and the FBI. Are there any new projects you are currently looking forward too?

I was recently included in a zine put together by Drippy Bone Books titled, “the ALCHEMY of appropriation the SCIENCE of visual theft and the NEW COLLAGE” which is being published in limited edition and should be released in a couple of weeks.

What genre of art do you find the most interesting and how would you classify your work?

I also had some work published in a couple of books by Gestalten out of Berlin: “Cutters, Contemporary Collage” and, “Doppelganger, images of the human being”.

I like crude, edgy, and shitty, contemporary art. I usually refer to my work as altered found image. I think people tend to refer to it as collage, but I don’t think it’s the same.

I am working with photographic images, processes and the scanner.

I am also working on a new zine and some prints that will be available on my website in the coming months. Stay tuned.

I think traditional collage usually has a dated feel and most is not very interesting to me. I like people like John Baldessari, I think I am more closely aligned to contemporary photographers and artists working with images.

What do you enjoy most about being an artist?

Creative freedom and surprise.

Future plans ?

Keep on keeping on Advice for aspiring artist?

Stay productive, don’t apologize, and stay true to yourself.

WWW.GORDONMAGNIN.COM

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JULIE EILENBERGER

BY LATOYA HENRY

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When did you decide to become a fashion designer and why?

I never really thought of it as a conscious choice. It was more a kind of natural way to go for me. I never really thought about doing anything else, nor did I think of myself as a “fashion designer”. Fashion has always been in my life, as a young girl I made fashion shows with my sister cat walking in our living room, and later going through lots of fazes, from glittery spice girls to a wannabe hippie. But fashion is in everybody’s lives and I love how it is always connected to emotions and personal expression, it can tell a story or anonymize you completely, depending which specific styles you wear.

How would you describe your style of design?

I find that my collections are all little curious journeys. I jump on the boat and try not to steer the wheel. This makes my designs very free and uncontrolled and often very personal, since most of my inspiration comes from emotions or past experiences.

Where do you usually find inspiration for your designs?

I get my inspiration from everywhere, movies, art and music always being important but my surroundings definitely make a big impact on me, always traveling between Denmark, Germany and Britain. Growing up near the ocean and forest in Denmark affects me just as much as the fast life in London does. I like variety of speed and surroundings, it gives me perspective and lets me breathe. It also makes me look at myself differently. In Berlin everything is really easygoing and slow, which makes me run faster. In London the constant movement and density makes me more quite and sometimes longing for clean air and simple life but I like it like that, it makes me feel alive and I am never bored.

What was the inspiration behind your Marry Me Nature collection?

“Marry Me Nature” was a little “tribute” to nature. I was searching for colors and textures in the desert, the forest and the mountains trying to translate these often fine but at the same time rough pictures from very different places in nature. I was imagining my woman as a nymph living in the wild and becoming one with her surroundings.

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If you could collaborate with any designer who would it be and why?

I think I would rather choose an artist. I would love to work with people like Elisabeth Peyton creating beautiful patterns from her paintings.

Things you like to do during your free time?

If I have time off I always go home to Denmark. I need the ocean and the peace it gives me to be close to it. Other than that I like to go to museums alone, reading or walking among people shut off with my ipod.

“ I find that my collections are all little curious journeys. I jump on the boat and try not to steer the wheel.”

Where do you hope to see your brand in the future?

I hope to keep doing what I am doing now. Next step is producing my collections and seeing people wear it.

Up until now every collection has been a small project with one off pieces and I hope to gather enough interest around my final collection for it to get produced.

What do you love most about being a women’s wear designer and would you consider on designing a mens collection in the future?

I love mens wear but I’m not sure I would be any good at designing it. For me menswear has to be quite classic and this is not the way that I work. I am usually inspired by women, so it is

natural for me to do women´s wear.

Are there any new exciting projects you are currently working on?

I am currently working on my final collection which will be shown in the beginning of July, so I am not getting much sleep these days!

Who is your favorite designer and have they made a impact on you and your work?

I always admired the work and life of surrealist designer Elsa Schiaparelli.

JULIEEILENBERGER.COM

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TOM HINES PHOTOGRAPHY TOM HINES

BY LATOYA HENRY

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LINE A JOURNAL WINTER 2011

When did you decide to become a photographer and why?

I’ll give you the long answer. I realized I was pre-disposed to be an artist when I was a kid. I had other interests, but nothing was as compelling as Art. Photography is a mode of artistic expression, among many other things. I was given a consumer grade Polaroid as a kid. I shot pictures of my pets and my bike. Looking back, this wasn’t art making, not in the willful sense. My desire to document my possessions was driven by something other than artistic intent. Later, when I was a teen, I refurbished my dad’s Nikon and shot pictures of my friends. At this stage my motives were still unclear. It was as much a social catalyst as an artistic medium.

In high school I built a darkroom in my basement.

This was when photography as a medium began to compete with other modes of art making.

Photography gave me so much of what I wanted from art. That said, it was toxic in those days. The chemicals made me sick. I’m not one of those people who’s going to tell you there’s only been one medium all my life. I basically quit photography when I couldn’t stand to be around dark room chemistry anymore. I came back to photography as an adult living in New York City, where I could effectively outsource my darkroom obligations.

Describe your style of photography?

LAKE & STARS SS 2011

I’m the sort of artist who is preoccupied with relatively abstract territory, particularly that of Style and Idea. It’s an ongoing meditation. It’s also the side on which I try to err when I’m shooting and editing. Some photographers are hedonists, some are obsessed with beauty, this list goes on. I’m obsessed with the dialectic of a scene. Pleasure and beauty are parts of my equation, but there’s necessarily more to an argument or investigation.

Which medium you prefer working with black & white or color and why?

It’s all color to me. I often make black and white images, I recognize the rhetoric of the mode, but everything is calibrated to the way one’s eyes see. When you look at a print, even one that’s B&W, you experience it via your color eyes.

What are you currently working on?

To live in New York, rather to pay the rent, commissions are obligatory. I love shooting clothing for a living. Beyond that, I have an ongoing photo collaboration with NUMODEMAG.COM NU-MODE´ 33

Michelle Lueking that stretches into most traditional subjects and modes. We love to shoot rock bands, make videos, shoot non-models, do research, the whole photographic lifestyle kind of thing. We’re curious.

Do you have any muses?

I like this question, the subject of muses interests me. I think in my orientation, the muse is internal, not just a model or a catalyst. I tend to manifest the muse in a moment, relative to the materials at hand. I’m partial to the idea that I make the story willfully. I suppose there are other photographers who believe a muse is external. Anyway, the result is the same. The muse, whatever it is, facilitates a dialogue.

Who are some of your favorite photographers and do they have an impact on your work?

Style is dialectical, and Idea is dialectical. They are arguments that happens among many voices.

I think everything is important, and I try to see as much of it as I can. Most often, I tend to make my dialogue with parts of the photographic and art historical canon, but the lesser currents are also influential. For example, all my friends make compelling pictures with their iphones. As of the last few years, everyone is a photographer, and I fol low as much as I can.

If you could shoot anyone who would it be and why?

Comte de Lautréamont would be interesting! He’s not likely to pass through New York, but it would be a cool session.

I noticed you shoot groups how do you decide which person fits, do you pick a by personality or looks?

Yeah, I always do my best to cast the participants according to my vision. All plans are

FOLEY & CORINNA HOLIDAY 2010

compromised when shoot realities come into play, but I plan anyway. It’s my nature to have ideas and plans beforehand.

When do you feel the most creative?

I really couldn’t tell you. Creativity is a rhetorical term that’s different from the process that makes art. Technically, I’m always creative because I’m always involved in the process to make art. There are lots of eureka moments along the way, some big, some small. When they come, they come.

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CANDELA AW 2011

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“ Find your belief, however you’ Make sure it’s

’ve got to find it, whatever it is. affirmative ”

What is one thing a photographer should take into consideration when shooting a fashion story?

Style. This is more of a strategic direction, and it applies to any artist.

Meditate on style and trend in that direction.

A few words for aspiring photographers?

There’s nothing left to say about photographic technique. But what I’ll say about Art is, do what you’ve got to do to believe in Art. Find your belief, however you’ve got to find it, whatever it is. Make sure it’s affirmative. Belief, if you’re lucky enough to get it, even if you’re completely wrong, can be your engine. (By the way, I think this mode of operating is only really healthy in the context of Art.) What are your hopes for the future?

I don’t know? I hope I can tell stories that are relevant to people.

ALEX & ELI AW 2011

IMAGES COURTESY OF TOM HINES COPYRIGHT TOM HINES ALL RIGHTS RESERVED

WWW.TOMHINES.COM

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PROPRE ET BELLE PHOTOGRAPHY BRANDON ANDRE

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PONCHO DRESS H. ELIZARBETH RING STYLIST OWN

DRESS ARCADE BOUTIQUE

DRESS ARCADE BOUTIQUE

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CROP JACKET & SILK PANT ARCADE BOUTIQUE

LEATHER JACKET SILK BLOUSE CUT OUT SKIRT ALL BY ARCADE BOUTIQUE NECKLACE STYLIST OWN

GEOMETRIC DRESS ARCADE BOUTIQUE

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PONCHO DRESS H. ELIZARBETH RING STYLIST OWN

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PHOTOGRAPHY BRANDON ANDRE STYLING REGINALD MICHAEL HAIRSTYLIST ROBERT REA MAKE UP ARTIST JENNA TUCKER MODEL KRISTINA DJADENKO AT PINKERTON MODELS

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SMALL STARS PHOTOGRAPHY ROEG COHEN

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SILK BLOUSE TOP SHOP NECKLACES AESA

OLIVE SILK SKIRT OAK TOOLED LEATHER BELT CHRISTIAN LACRIOX CAVIAR NEST PERAL NECKLACE AESA BRONZE CUFF AESA

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CHAIN METAL & GOLD NECKLACE AESA GOLD SAGE EARRINGS FIONA PAXTON

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BEIGE SILK JERSEY DRESS CHLOE GOLD RAQUEL NECKLACE (WORN OVER SHOULDER) FIONA PAXTON AXIS MUNDI BRONZE DISK NECKLACE AESA BRONZE BRACELETS ANNA SHEFFIELD GOLD RING AESA

BLACK LACE TOP FREE PEOPLE GOLD LAURELS NECKLACE AESA GOLD SUZANI EARRINGS JESSICA WINSELBERG

HAND DIED SLIPS VINTAGE FROM A LITTLE WICKED CHAIN METAL & BRONZE ARM PIECES & NECKLACE AESA GOLD CHARLIE NECKLACE FIONA PAXTON

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IVORY CASHMERE BRALETTE UNDREST FLORAL PANTS STYLIST OWN HAND DIED SILK SCARF SHABD ; NECKLACES AESA FRESHWATER PERLS BRACELET AESA SILVER SUZANI BRACELET JESSICA WINZELBERG

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VINTAGE LACE BLOUSE STYLIST OWN CASHMERE PANTIES UNDREST SILVER BODY CHAIN ANNA SHEFFIELD SILVER TEARDROP FRINGE EARRINGS ANNA SHEFFIELD RIVET WRAP CHAIN BRACELET ANNA SHEFFIELD

PHOTOGRAPHY ROEG COHEN STYLING MORGAN GIBBONS HAIRSTYLIST HIROYA WATASE MAKE UP ARTIST DANIELLA AT WORKGROUP LTD FOR FACE STOCKHOLM MODELS ANU KOSKI & ANNALEISE SMITH AT SUPREME

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UNUSUAL SEQUENCE PHOTOGRAPHY LPH

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SHREDDED TOP TAKE OFF YOUR CLOTHES SILVER BRA OLD NAVY TRIBAL PRINT PANT ZARA

VEST TAKE OFF YOUR CLOTHES

SHREDDED TOP TAKE OFF YOUR CLOTHES SILVER BRA OLD NAVY TRIBAL PRINT PANT ZARA

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SCARF AMERICAN APPAREL DRESS JENNY LAI SHOES KENNETH COLE

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SCARF TAKE OFF YOUR CLOTHES PANTS JIL SANDER

VEST TAKE OFF YOUR CLOTHES CROPPED PANT JIL SANDER SHOES MARC JACOBS

CORAL NECKLACE VEST NASIYA REID FRINGE PANT JENNY LAI SANDALS URBAN OUTFITTERS

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CORAL NECKLACE VEST NASIYA REID FRINGE PANT JENNY LAI SANDALS URBAN OUTFITTERS

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CHIFFON DRESS NASIYA REID SATIN TIE CUSTOMIZED BY STYLIST PIN SONIA RYKIEL BOOTS JEFFREY CAMPBELL

CHIFFON DRESS NASIYA REID SATIN TIE CUSTOMIZED BY STYLIST PIN SONIA RYKIEL BOOTS JEFFREY CAMPBELL

PHOTOGRAPHY LPH STYLIING LATOYA HENRY HAIRSTYLIST & MAKE UP ARTIST NICOLE NVCB MODEL GELI AT AGENCY MODEL MANAGEMENT

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MARIA ORTEGA

BY LATOYA HENRY

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Tell us when did you decide to become a make up artist and why?

I secretly always wanted to be a makeup artist. I decided when I was fourteen, that one day I would become a makeup artist because I was good with color and loved art. I grew up watching my mom doing flawless makeup applications on herself and wanted to be like her one day. Makeup has always allowed me to express myself and transform myself and others with cosmetics. However, after high school I went to college and did real estate. When there was a downfall in real estate in California, I decided to pack my stuff and move out to NYC in 2008 to make a living out of my passion.

Where do you find your inspiration for your work?

I am originally from California, and I was blessed to grow up surrounded by mother nature. Therefore, I am always inspired by creation: trees, plants, flowers, animals and food. Colors always inspire me. For example, I had a burger with fries one evening, loved the way the mustard and ketchup looked together side by side and the next day I did a creative beauty look with fire red and canary yellow.

How do you try to separate yourself from other artist?

I am a self-taught makeup artist with no formal training. I try to separate myself from other makeup artists by trying to master all facets of all makeup artistry. I can do a super, clean makeup look but do a creative makeup look just as well. When doing makeup, I do not overanalyze things, I just do what inspires me.

Your biggest challenge as a makeup artist?

I, myself am my biggest challenge. At the beginning, I used to always doubt my abilities and skills. I soon learned that by doing so, I was actually holding myself back and losing out on so many opportunities by being afraid.

The key to being a successful makeup artist?

Passion is key. Many people can do makeup, but an artist is that person that has love for the art. It’s of utmost importance to push ourselves to the limits and challenge our skills. It’s never a good idea to feel “comfortable” with our techniques and skills. Just as clothing styles come and go, many new makeup styles or trends are constantly being introduced. Also, setting attainable goals and doing makeup that is outside of our comfort zone.

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Are there any new projects you are currently looking forward to working on?

I am currently planning high fashion editorials as well as edgy, fashion forward shoots to submit to magazines to see my work published in more magazines here in the U.S. as well as overseas.

If you had to collaborate with another makeup artist who would it be and why?

I would love to be able to have the privilege of working with Kevyn Aucoin while he was alive. He is an icon in the world of makeup artistry. I learned so much about makeup through his book: “Making Faces.” His work was impeccable and innovative for his time.

Kevyn truly understood how to bring out the natural beauty of all women and is the master of sculpting and contouring.

The fact that he was non-conforming and was against strict rules in makeup artistry has helped me be a better an open minded artist.

What is the definition of beauty to you?

Most people generally view beauty from an exterior portion of individuals. I like to bring out the inner beauty from the people I work with. Beauty, is you, what makes you different and what separates you from everyone else. When you believe you are beautiful, your inner beauty exudes outward onto others.

How would you describe your style of make up in one word?

Diverse What are some of the hottest beauty trends this summer?

Bright eye makeup, orange and bright pastel lip colors, colored mascara are a few of my favorite beauty trends this summer.

I opt for the classics though, tinted moisturizer, sunscreen and that sun kissed glow...Makeup that doesn’t feel too heavy in this heat.

A key item everyone should have in their Name one designer you would love to makeup bag? work with and why?

A key item that everyone should have in Christian Cota is a designer I would love their bag is Rosebud Salve. It’s a multi-use to work with because I am especially product that even women who don’t wear proud of him because I am of Mexican makeup can use. Rosebud Salve is a lip descent like him and despite being so balm, but doubles as a softening balm for young, he is so talented. His garments hands, cuticles, and rough feet. I also use and designs are so elegant and it to groom unruly brows or stray hairs on feminine. head. Mix a little with some shadow and you have a new lip color.

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“ I would love to be able to have the privilege of working with Kevyn Aucoin while he was alive. He is an icon in the world of makeup artistry �

Future plans for Maria Ortega?

My biggest goal for this year is to be signed with an agency. I would feel complete if I were to be an agency represented makeup artist.

Any advice for emerging makeup artist starting out?

It is important to absorb everything about makeup you possibly can, educate yourself with books and product knowledge.

Learn about skin care and how to prep the skin, then makeup application will be even more flawless. Apply yourself and learn how to do a clean face, because most paid jobs are simple makeup looks, something that many makeup artists struggle to learn and do.

It is also important to stay humble learn proper on set behavior.

WWW.MARIAORTEGAMAKEUP.CARBONMADE.COM

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NICOLE BLACKMAN

BY LATOYA HENRY

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Tell us when did you decide to become a make up artist and why?

I’ve always been into fashion and beauty from childhood so when I heard about the mark. Opportunity, I jumped at becoming a Representative for the beauty and fashion brand in 2004. (www.mymarkstore.com/nblackman) It was then that I fell in love with the endless possibilities of expressing myself through makeup.

Where do you find your inspiration for your work?

I find inspiration for my work from everything that I see, hear smell, touch, taste and how it makes me feel or how I perceive it affects someone else’s mood which is where my imagination can take over.

How do you try to separate yourself from other artist?

I usually get complimented on my professional demeanor, sanitary practices and my meticulousness when applying makeup. I believe these traits along with the fact that I’m consistently growing separate me from the many many artists in the industry......

Your biggest challenge as a make up artist?

I find as an artist it’s usually never about what you want to do but more of what someone else wants/needs you to do. My biggest challenge as a makeup artist is finding that middle ground, that balance to perform the task that was given to me while also satisfying my artistic outlet.

The key to being a successful make up artist?

The key to being a successful makeup artist is consistency and growth. I find that people need that security in knowing what they will get. Its even better when it goes above and beyond their expectations!

What is the definition of beauty to you?

My definition of beauty lies within the individuals personality. The most beautiful people to me are genuinely loving, honest, ambitious.....They basically try to maintain a positive NUMODEMAG.COM NU-MODE´ 87

attitude through life’s journey. A smile and a laugh is always on their menu.

How would you describe your style of make up in one word?

My style of makeup in one word, befitting!

What are some of the hottest beauty trends this summer?

Bold colored lips, eyes, bold brows paired with a simple skin are one set of summers hottest makeup trends Natural skin/minimal makeup look. For example, letting the natural colors of the lid or cheeks show through and a little gloss for highlighting purposes.

Tan/Bronze shades used to sculpt cheekbones and eyes paired with a simple skin.

A key item everyone should have in their make up bag?

A key item everyone needs in their makeup bag is Oil blots. These are essential especially in the summertime to prevent that cakey look you can get from powdering throughout the day.

Added bonus, you can use these even without makeup to remove excess shine!

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“ I find as an artist it’s usually never about what you want to do but more of what someone else wants/ needs you to do. My biggest challenge as a makeup artist is finding that middle ground ”

Future plans for Nicole Blackman?

My future plans are to explore the art of hair and male grooming further.

Any advice for emerging make up artist starting out?

There is so much advice I could give but I will narrow it down to three. Practice, network and test to build up your portfolio.

WWW.NVCBTHEARTIST.COM

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RACHAEL GHORBANI

BY LATOYA HENRY

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Tell us when did you decide to become a make up artist and why?

Lets see, well I graduated from college in 2009 with a degree in chemistry. I thought I wanted to go to medical school but when it came time to actually get everything together and apply I kind of started panicking and realized it wasn’t what I loved. I always played around with makeup and practiced on my friends but never thought of doing it as a career. When I thought about what job I would have if I could do anything, that’s when I realized that makeup is my passion. I moved from Boston to new York city at the end of 2009 and have been doing makeup ever since!

Where do you find your inspiration for your work?

I find inspiration everywhere, but a lot of the time it’s from people watching. I know this probably sounds weird, but I think its so cool how even one feature can make someone look totally different from someone else. Also peoples energies and personalities help shape my work a lot too. Besides that, just random everyday stuff. That’s why New York is such a great place to be, because there’s something interesting everywhere you turn!

How do you try to separate yourself from other artist?

Trying to be one step ahead of everyone else is definitely one way I try to separate myself from other artists. Creating trends instead of following them, for example.

Being innovative and taking risks instead of playing it safe.

Your biggest challenge as a make up artist?

Probably making sure you keep challenging yourself creatively. Depending on the kind of work you do, the looks you’re creating can get repetitive sometimes. Its important to push yourself and take yourself out of your comfort zone so that you continue to grow as an artist.

The key to being a successful make up artist?

I mean obviously you have to be great at what you do, but its just as important to be personable and fun to work with. There are a lot of talented people out there, especially in New York. I think that the artists who are successful not only do amazing makeup, but are easy to work with and can take direction without letting their egos get in the way.

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Are there any new projects you are currently looking forward to working on?

I’m still waiting to find out but fingers crossed I’m going to be working on the video for Asher Levines Spring 2012 collection!! He’s insanely talented and comes out with these crazy awesome pieces that are just so not like anything else out there. So yea it’s be awesome to get to work with him

“ Creating trends instead of following them, for example.

Being innovative and taking risks instead of playing it safe ”

If you had to collaborate with another make up artist who would it be and why?

Definitely my friend Suzy Gerstein!! On top of being an incredible artist, she’s the first person I reached out to when I decided to pursue makeup as a career.

She’s so encouraging and has given me such great advice. It’s really because of her that I decided to bite the bullet and move to New York. So yea I would love to someday have the opportunity to collaborate with her!!

Name one designer you would love to work with and why?

Gareth Pugh. I looooove his style. It’s so fun and futuristic. I love videos he’s made to present his last few collections too What is the definition of beauty to you?

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and being comfortable with yourself. To me its more about the energy you give off than looks.

How would you describe your style of make up in one word?

Clean What are some of the hottest beauty trends this summer?

Definitely coral-y lipstick and bright eyeliner are big for summer.

A key item everyone should have in their make up bag?

An eyelash curler! Makes the biggest difference. Even if I don’t want to wear makeup I make sure to curl my lashes.

Really opens up your eyes

Future plans for Rachael Ghorbani?

Just trying to connect with as many people as possible and doing as many shoots as I can. Also getting my book together and ready to submit to agencies Any advice for emerging make up artist starting out?

Don’t let anyone discourage you if its really your passion. Having a plan, time line, and specific goals definitely helps too. And just enjoy yourself and have fun!

EKINEYO

BY KAI LEE PARKER

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How long have you had your line Ekineyo?

I’ve been designing about 10 years, but E K I N E Y O is relatively new. I’ve been working on it for about a year, and I released my Spring/Summer collection the second week of may.

Does Ekineyo have a meaning behind it?

E K I N E Y O is my name spelled backwards, and I used this name because my pieces are embodied my through process, often time is retrospect. The line is a reflection of me that’s why I spelled my name backwards

“ Music inspires me throughout the design process because it evokes a certain mood ”

What inspires your designs?

I am inspired by the most basic of elements shapes, color, and sound. I love very simple silhouettes, and bright colors; also the contrast of dark colors as well. Music inspires me throughout the design process because it evokes a certain mood. I love jazz, hip-hop, and classical music. It inspires shapes, and color. A love song can turn a crew neck into a deep V. Who is an ideal celebrity client & why?

My ideal celebrity client is a living breathing canvas that I can add color to; That’s why I love Tilda Swinton.

Anything she wears looks like art. where do you see your company in the next 5 years?

In 5 years E K I N E Y O will be a continuously evolving innovative brand sold in specialty and/or high end boutiques.

And where can we go to purchase your items?

WWW.EKINEYO.COM

WWW.EKINEYO.COM

PHOTOGRAPHY EDD PHOTO STYLING SOUKENA ROUSSI JESSICA AT BASIC MODEL MANAGEMENT

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LUDGET DELCY

BY SHANNON GADDY

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Pioneer of Dapperlou.com, Ludget Delcy, doesn’t let the chaos of New York City suck him into obscurity. On the contrary, this Brooklyn born gentleman has taken the city by a choke hold; mastering the vast language of Mens fashion that fawns over the streets. With a knack for not only style, Ludget uses his photography to capture the essence of the city expressed through the styles of many as well as his own “dapper” ensembles. Expect the unexpected from Ludget Delcy, because his drive will keep him on reader’s minds in times to come.

How did you get started with fashion blogging?

I was looking for menswear blogs that created original content, but they were scarce.

A lot of the ones I found were sourcing from runway shows and editorials. I decided to take on the challenge of creating a blog dedicated to men’s fashion entirely from my perspective.

Why do you feel that menswear is almost overlooked in the fashion industry?

I don’t think it’s overlooked but there is a lack of notoriety for the existing menswear establishments.

What inspires your personal style?

Everything from nature and architecture to culture and design. “You can find inspiration in Everything, and if you can’” - Paul Smith What do you look for when it comes to picking which styles are best?

I look for originality, quality, functionality, and innovation.

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Who do you look up to when it comes to style?

I have a strong European influence, specifically the British for their elegance and sophistication.

What single article of clothing do you feel that every man should have in their closet?

A great pair of dress shoes, because it doesn’t matter if you wear them with a pair jeans or a suit they will automatically elevate your look.

Who do you feel has the best style in this industry today?

“ I decided to take on the challenge of creating a blog dedicated to men’s fashion entirely from my perspective ”

It’s really hard to say because there so many people in the fashion industry with great style. But as of late I fancy Nickelson Wooster’s style.

What is your must have item for Summer 2011?

A porkpie panama hat, because it amazing how a hat can complete a look.

Does coming from Brooklyn influence you style at all?

Of course, it give me that je ne sais quoi.

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If you weren’t involved in the fashion industry, where would you be right now?

At one point my parents wanted me to be an English teacher, so maybe that would have been my career path. I’m glad I didn’t listen to my parents.

What’s in the future of Ludget Delcy?

Building the Dapper Lou Brand.

WWW.DAPPERLOU.COM

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GLAM ROCK

PHOTOGRAPHY ALEKSANDRA ZABOROWSKA

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FELT HAT H&M PLEATED SHORTS JOANNA KOSTKA

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FRINGE DRESS H&M JEWELRY STYLIST OWN PEEP TOE BOOT DEICHMANN

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EARRINGS STYLIST OWN LEATHER DRESS JOANNA KOSTKA

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WHITE BLOUSE WITH BOW GAP DENIM JEANS NEW YORKER

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LEATHER DRESS JOANNA KOSTKA STUDDED PUMP DEICHMANN

PHOTOGRAPHY ALEKSANDRA ZABOROWSKA STYLING JOANNA KOSTKA MAKE UP ARTIST & HAIRSTYLIST SYLWIA PNIEWSKA ASSISTANT MICHAL MAZUROWICZ

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DEAD TO THE WORLD PHOTOGRAPHY WHALEN BRYCE

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PINK BLAZER ZARA WHITE TUNIC ZARA HAREM PANT H&M

JUMPSUIT MANGO YELLOW BELT MANGO BOW TIE SHOES TOP SHOP

STRIPED DRESS KATE SPADE PEEP TOE SANDAL TOP SHOP

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DRESS MILLY

BLACK & WHITE STRIPED SHIRT ZARA

PHOTOGRAPHY WHALEN BRYCE STYLING EMELLAR MAKE UP ARTIST & HAIRSTYLIST DOMINIQUE FARINA MODEL ARIANNE S. AT FUSION MODELS NYC

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BOUNDLESS PHOTOGRAPHY LPH

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WATER COLOR SILK DRESS HENRIK VIBSKOV SATIN FUR SANDAL WALTER STEIGER

PRINTED DRESS LIE SANG BONG SATIN FUR SANDAL WALTER STEIGER

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SUEDE CAPE EIGHTEENTH SUEDE SHORTS EIGHTEENTH ABSTRACT MARY JANE UNITED NUDE

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SHEER PRINTED BLOUSE LIE SANG BONG PRINTED SHORTS LIE SANG BONG ABSTRACT PUMP UNITED NUDE

WATER COLOR SILK DRESS HENRIK VIBSKOV

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PATENT JACKET MJÖLK LACE BRA DKNY LACE PANTY DKNY HIGH WAIST BRIEF AMERICAN APPAREL SHOES POUR LA VICTOIRE

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GEOMETRIC MESH JACKET LIE SANG BONG

PHOTOGRAPHY LPH STYLING LATOYA HENRY MAKE UP ARTIST & HAIRSTYLIST NEEMA ALI MODEL KYRA AT RED MODEL MANAGEMENT

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ERWIN OLAF PHOTOGRAPHY ERWIN OLAF

BY LATOYA HENRY

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CHESSMEN XXIV

CHANEL

Many may call his work unconventional and controversial but we see Erwin Olaf as pure genius.

Erwin Olaf allows us to explore his innovative thinking process as he expresses his thoughts behind his digital manipulated pieces.

How would you describe your collection of work?

My body of work consists mostly of staged photography.

Do you work from life or the imagination?

I usually take life as a starting point and then my imagination starts working and I come up with an visual idea.

How do you usually find inspiration for your work?

I find inspiration everywhere, in my personal life, in my work, what happens in the world, in my own development, growing older, the environment.

What are you trying to capture with your work and is there a specific audience you are trying to reach out too?

Initially I am making my work for myself, I am trying to capture feelings that I have, or emotions that are invoked. I also make the work for an audience, not a specific one, but for the people who are touched, moved, or feel like it appeals to them.

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Your pieces are very inspirational what do you think a future photographers should take into consideration when developing a specific style?

Trying to be unique, which is very difficult in this visual world where we live in and where everybody can be a photographer. It’s a busy world, and very difficult to make a mark.

Just keep your eyes open, try to develop an own style, and don’t be afraid to fail What do you think is the key to being an successful photographer?

Being unique, and having some luck Future plans for Erwin Olaf?

I have some projects lined up, mostly photography and film projects, but I would also like to take some time off, just to enjoy some nice holiday time!

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“ I find inspi personal life, in my work, d

iration everywhere, in my , what happens in the world, in my own development �

HOTEL MILAN ROOM 607

YVES SAINT LAURENT

IMAGES COURTESY OF FLATLAND GALLERY COPYRIGHT ERWIN OLAF ALL RIGHTS RESERVED

WWW.ERWINOLAF.COM

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A.J. HATELEY

BY LATOYA HENRY

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NAPOLEON

BOXER

A.J Hateley is a 24 year old Illustrator, living in Lichfield, England. Who is a very inspirational artist his work is very moving and it touches the hearts of many. He talks to us about the present past and the future of A.J. Hateley When did you first decide to become an artist?

I have a vivid early memory of being told the sad tale of my Father’s ambition to attend art school in England. He passed all of the entry examinations and was very skilled. But his family were very poor and did not consider art a worthy profession. He became a builder, instead. I was ten years old when he died, and he died young.

For me, Illustration was not only an escape from painful reality, but a way to become the artist and young woman my father would have been proud of. Much of my work bears a hallmark of grief, of sadness, and of anxiety. These emotions are exorcised through the process of image creation.

Where do you usually find inspiration for your pieces?

I am a prolific reader. Recently I have found sources of inspiration in French and Russian literature. When creating an image, I consult my sketchbook of ideas, which acts as my diary. It is both secret and confessional, full of notes written and sketched, and, of course, there remains limitless inspiration in reflecting upon the work of others.

Adaptability is a key strength for illustrators. Being open to inspiration from various media; film, literature, art, music, is key, as they allow you to assimilate different influences that will help change your work, and make it grow stronger.

Your own life must be the chief inspiration for all of your work, and it is for my own, unashamedly. All of my loves and fears are within it.

Do you work at a certain time of the day or only when you’re inspired?

My commercial work keeps a tight schedule. Personal work, that is, work concerned only with my own visual and personal expression, arrives at strange intervals. Willing an idea to come is a process that has never yielded results for me; I simply start working without an intended conclusion and often the final illustration is stronger for being the product of experimentation.

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ALGERIAN BAZAAR OUTSIDER

MERSAULT OUTSIDER

What is important when designing a new piece the subject or the way your artwork is executed?

Theory and practice are indivisible. No illustration or piece of artwork is free from ideology. There exists in visual culture a curious compromise of meaning. My intended message, the ideology the work is weighted with, may be entirely different from the meaning that the recipient of my work transposes on to it.

I enjoy the working process between illustrator and audience. Every interpretation of the work is different and entirely valid. I consider the audience to my work as being as responsible as I am for the allocation of meaning. I leave vaguely defined strokes for them to interpret as they will, or an obscured face to promote empathy with the character. The audience, as I have found, are startlingly clever, always original, and bring remarkable insight into my work. I am dependent on them completely, from university tutors to my peers and casual comments offered by passers-by.

“ The Japanese illustrator Yoshitaka Amano. His fluidity, beauty and content cannot be imitated, and his ability to capture the spirit of a narrative is unrivalled ” illustrations are wild and untamed and bear the weight of his focus, his intense scrutiny, and indifference to the world around him.

Are there any particular artists that have made an impact on you and your work?

I persistently refer to the work of the Japanese illustrator Yoshitaka Amano. His fluidity, beauty and content cannot be imitated, and his ability to capture the spirit of a narrative is unrivalled. Another inspiration of mine is the painter Francis Bacon. His distorted, pained figures and the context of the nightmare landscapes in which they exist are always compelling, though sometimes difficult to “ The Outsider “ very intriguing how were you inspired to design that specific regard. piece?

There is a great deal of remarkably beautiful work in the galleries of the city I was born in, The series was produced to act as the both the constantly updated modern collecinternal images to Albert Camus’ novel, tions of the IKON gallery in Birmingham and ‘The Outsider’ (L’Etranger). Albert Camus is an existentialist author, and I was drawn the extensive Pre- Raphaelite galleries of BMAG, also in my native city. I am fortunate to the existential ideals of his central proenough to visit them often. My peers and tagonist, Mersault, in the novel. I was consistently challenged by the task of capturing contemporaries are exceptional and I am flattered to be associated with them. his existence as he defines it. The final NUMODEMAG.COM NU-MODE´ 159

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ANIMAL FARM

If you had the opportunity to collaborate with any artist who would it be and why?

The French Illustrator Edmond Baudoin has completely won my heart.

If I could illustrate any work of classic literature, it would certainly be ‘Notes from the Underground’ by Fyodor Dostoevsky – A challenge that would push me to the limits of my capabilities.

What are your future plans?

I’d like to finish my Masters degree to the best of my ability, and ultimately make my Dad proud. I’d like to teach others and help them as I myself have been helped.

I am currently working on a series of post-modern video game book covers, which can be seen on my website and live blogs. In the immediate future, I would like to embark on a project that is concerned with confession and secrets, and the nature of hidden things.

ARAB BOY OUTSIDER

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SNOWBALL

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WWW.AJHATELEY.CO.UK

MICHAEL KAMPE

BY LATOYA HENRY

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Twenty three year old German menswear designer Michael Kampe alters the limits of conventional menswear design. His three dimensional art statement pieces are fascinating yet mind blowing. He explains the process behind his designs and why he decided to take menswear into another direction.

When did you decided you wanted to become a fashion designer and why?

It all goes back to my motivation to start that whole design-thing: I somehow felt one day when I was 18, that constructing clothes and treating fabrics is lots of fun, so I taught myself how to stitch and make “pattern“ (that were basically just pieces of paper I draped on a dummy).

I think that this very instinctive way of working mixed with lots of trial and error is the strongest influence of my work.

I must admit, before I saw fashion-designers just as these super extrovert people who have to dress up and the fashion studies is something naive in a world of huge concurrence. By exploring Antwerp these prejudices were changed.

Who has been an major influence on you and your work?

Many people I have worked with or who`s work inspired me. The German Artist Caspar David Friedrich and Modern Architects and Product- Developers might be the strongest.

Tell us what is the inspiration behind your designs and what kind of technique do you use to design your garments?

Modern Art and Art in general influence my work a lot. All these impressions I gather in Sketchbooks and on Mood boards to create an Atmosphere that I enrich with treatment- techniques which I constantly develop. Like this I can create a sort of universe which then will be connected via a concept. I do everything myself which means development of prints, drawing the pattern, stitching, treating fabric, research on materials, press, exhibitions. It is quite a lot to do, but fun as well.

Your collection is a beautiful mix of art statement pieces how would you describe your latest collection?

“Statement-Pieces” hits it quite good!

The intention behind my collection “Exploded View” F/W 2011 is to show up new directions in Street- and Denim wear far from mass-market production, focused on an individual, single piece.

The idea behind these pieces is that they are a proposal to new ways a garment can be worn / constructed or finished. The translation of the statement piece make the every-day life piece.

In my eyes this is necessary, since fashion is still a market and not just an exhibition platform.

The best and the worst thing about being a Menswear designer?

Best and worst come together when you imagine that you are of course more limited in Menswear than in Womenswear. This limits should be challenging to extend without bending the male gender. Number wise is womenswear still easier to sell I guess, but on the other hand there are much more fishes in the sea, so it has its pros and contrast.

What is a typical day like for Michael Kampe?

Depends on where I am. When I am working Full-Time in Italy it might not be as exciting as people think a day of

“ You are of coursemore limited in Menswear than in Womenswear. This limits should be challenging to extend without bending the male gender ” a designer is: Waking up at 07:00, Start work before 09:30, Lunch, 19:00 Finished. Back at home I am checking mails, doing phone calls and work on my own collection. In the beginning it was rather difficult to think in completely different design direction and to push myself after a stressful day at work to continue until the morning for my own.

But it satisfies me just too much that I could not do it.

If I`m in Berlin, the day is more for my label, visiting lots of galleries, meet friends and concentrated work on the new collection.

Advice for emerging designers?

Try to do an internship in a design-company or at a designer before you study. It really opens your eyes!

Future plans for Michael Kampe?

I just started my new collection, which will have some pieces for Women as well. I am very excited how it will develop. Also I will give some workshops in schools and plan exhibitions.

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WWW.MICHAELKAMPE.COM

N U - M O D E´ “ the urban cowboy ” Trends come and trends go but denim is here to stay! Denim showed up on the runways of DSquared2 to Buckler and now are showing up on the sidewalks with a new twist. Colors, stripes, fades and light washes are leading the pack! Take a look at this summer trend that is sure to be heating up your cosmopolitan metropolis.

Written By Renessta Olds

D SQUARED BUCKLER G STAR

BUCKLER YIGAL AZOUEL RAG & BONE

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CHRISTIAN BROWN

BY SHANNON GADDY

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With one foot in the modeling world and the other in the acting world; Christian Brown has graced the pages of print as well as the movie screens. With only twenty-four years under his belt, the New York native has accomplished more than many men his age have dreamt of. Christian brings an arsenal of talents and a humble personality, Christian provides a refreshing outlook on his past, his present conquests and his bright future in the entertainment industry How did you get started in the entertainment industry?

I got a small part in the film Just Wright (2010) after finding out about the audition through an email from a friend. There were a lot of guys out for the role, but I was pretty hopeful. From that film I became good friends with Mehcad Brooks, whose been the “battery in my back end” when it comes to getting out there, finding jobs and keeping me on track. Also, John Thompson, the Director of Public Relations at American Apothecary helped me land my first few photoshoots and get a book together, so he was pretty important in the process as well.

What is your dream job? (Pertaining to acting or modeling) In regards to modeling, I’d say either Ralph Lauren or Sean Jean. They both have that upscale men’s style that I look for the most.

Acting wise, even though the show is cancelled, I’d love to be on something like 24 or some type of prime time drama. Even The Game or a Tyler Perry Film would be good.

If you could pick one thing you would do differently in your life, what would it be?

I actually wouldn’t change much to be honest. I just wish I would have started younger.

Who has had the most influence on you in your life?

Of course there’s my friends and family, but I would have to say my girlfriend. She’s been very supportive throughout the whole process and I appreciate her for that.

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Are you very fashion forward or are you just a jeans and t-shirt type of guy?

“ I’m always looked at as the “New Tyson Beckford”, I was actually surprised when you all contacted me for an interview. but I know one day they’ll Usually, minority models are type cast see me as just as urban, so to be a part of such a fashion forward magazine is a blessing.

Christian Brown ” I’m always looked at as the “New Tyson Beckford”, but I know one day they’ll see me as just Christian Brown.

Who have you been most excited to work with?

Definitely working with the cast of Just Wright. People like Dwayne Wade and Dwight Howard were all cool and personable. Common would ask us for basketball advice and call people by their first names! It was good to see that they were all so humble even though they were these big names.

School. I played basketball at St. Francis for 4 years before playing over seas. I played in Austria for half a season, Hungary for one season and the Dominic Republic; but that all ended when I got injured.

I ended up hurting my Achilles and lower back, so after that I had to move on to something else.

What is something you wish someone told you prior to going into the entertainment industry?

Be prepared for rejection. I was always used I read somewhere that if you weren’t to hearing yes when I played basketball, pursuing this career, you would pos- seeing as though I was never cut from a sibly go into teaching? Why is that? team. The entertainment industry is different; if you’re not mentally tough then you can’t be successful.

Well, kids are definitely the future and I know that I wouldn’t be where I was without the teacher’s I’ve had that influenced me. I know I would probably What’s in the future for you? end up going into teaching Physical Currently I’m working on a webisode for Education or Health Akademiks in a series called Life Lessons.

The title is “Money Can’t Buy You Happiness” and we’re shooting the last part of the You played basketball, right? Whatwebisode at the end of the week. I’m also ever happened to that? doing the 2011 Summer Look Book for Yes, I actually played in Harlem in High Akademiks and after that, I’ve got the shoot for you guys.

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WWW.WHOISCHRISTIANBROWN.COM

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PEACH

PHOTOGRAPHY EMILY JEAN ULLRICH

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ALL GARMENTS VINTAGE

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PHOTOGRAPHY EMILY JEAN ULLRICH STYLING JENNI HENSLER HAIRSTYLIST HIROYA WATASE MAKE UP ARTIST CHRISTINE CHERBONNIER MODEL JULIA AT MUSE NYC

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WALLED IN

PHOTOGRAPHY SHANNA FISHER

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BUSTIER TRIPP NYC LEATHER SHORTS VEDA EARRINGS & BRACELET DELPHINE CHARLOTTE PARMENTIER

LEOPARD CAMISOLE TRIPP NYC SILK JUMPSUIT BROCHU WALKER PURSE COUSIN & CO EARRINGS & BRACELET STYLIST OWN SHOES RAPHEAL YOUNG

SHADES KBL SEQUIN BLOUSE M. PATMOS PANTS GRAME ARMOUR BELT WOOD WOOD SHOES RAPHEAL YOUNG

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DRESS CODY SAI EARRINGS DELPHINE CHARLOTTE PARMENTIER SHOES RAPHEAL YOUNG

SHADES KBL STUDDED BODY SUIT TRIPP NYC PANTS BROUCHU WALKER PURSE WOOD WOOD SHOES RAPHEAL YOUNG

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DRESS WOOD WOOD LEATHER SHORTS TRIPP NYC RING & BRACELET STYLIST OWN SHOES RAPHEAL YOUNG

PHOTOGRAPHY SHANNA FISHER STYLING RENESSTA OLDS HAIRSTYLIST & MAKE UP ARTIST CHRISTINA CANDELARIO MODEL ALEX WYNNE AT PAINTED FACES

DARK DESIRE PHOTOGRAPHY STEFANIE HODNIK

ALL GARMENTS BY JORDY DE VRIES & DEVI DESIGN

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PHOTOGRAPHY STEFANIE HODNIK STYLING FELICITY VAN DAM MAKE UP ARTIST & HAIR STYLIST NANETTE MONTIZAAN MODEL ANNE VAN ECYK AT LINDA MODELS

N U - M O D E´ Sophisticated, clean and crisp these whites are not for children!

White shined as bright as any neon pop of color on the Spring/ Summer 2011 runway. Signal that your summer rebirth has arrived and introduce a piece of white into your wardrobe. Trade that little black dress for your new one- the little white dress! Head on down to your local consignment shop or host a closet swap party with your girlfriends for a way to be trend on without breaking the bank.

Written By Renessta Olds

DIESEL BLACK GOLD BALENCIAGA GEORGES CHAKRA

DOUGLAS HANNANT HAKAAN VIKTOR & ROLF

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MARIE LUISE EMMERMANN

BY LATOYA HENRY

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EGO HEAD

REMIXING REALITIES

What inspired you to become an artist and how did you get started?

I never planned to become an artist and I still wouldn´t call myself one. I studied graphic design so I consider myself a designer and then early I found my interest in picture based compositions, contrast in material, color and style. Searching for a story in found footage pieces. Everything neat and proper digital was never my thing.

While still working for a design company in Berlin I started my personal illustration project in 2006 (then called jedentag1bild.de, which simply implied to create at least one image per day – no rules given).

Some art director from a german magazine liked my work, that´s when I started my illustration studio skizomat. Looking back from today I must say that there was this quite unavoidable tendency towards collage in any possible sense or format.

Where do you usually find your best inspiration for your work?

Actually everywhere and nowhere. I mostly work intuitively and especially in the beginning of a project allow myself to drift not forcing things to much and yes, sorry I must admit: most of my non-commercial pieces are quite personal, self-centered and driven...

How do you separate yourself from other artist?

Just by being an individual. Of course every artist has their own subjective view on things. So I hope my artworks show a signature style.

Could you tell us about some of the pieces from your collection?

Last year I created a series of experimental collages for a German newspaper which were unfortunately not published, calling them REMIXING RETALIATES it was a new approach for me to mix bits and pieces of daily news in a quite simple yet radical associative way. It was a great experience to mass-produce like 20 samples in one day my studio floor was literally covered in paper cuts.

Also last year the British New Scientist Magazine asked me to illustrate HUMAN PHYSICS. A strange but very graphical combination of technic parts with the human body, as I always liked the man-machine-thing, I really LOVED the results!

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HUMAN PHYSICS

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HUMAN PHYSICS HEAD

What is your personal favorite piece from your collection and why?

The two HUMAN PHYSICS pieces are my favorites from last year. They appear dark yet complex. Another favorite of mine is EGO, a portrait without face it’s an example of what is left of a person when you take away all there active features like eyes and mouth.

Your glue less collage pieces are amazing what was the inspiration and meaning behind those particular pieces?

I am examining the interdependency of our body and mind a lot, its about the surface and what´s underneath a beautiful face, what makes a person, what happens when you get mentally or physically hurt or even destroyed.

“ I am examining the interdependency of our body and mind a lot, its about the surface and what´s underneath ” Any new projects your currently working on?

The idea was to take parts from perfect bodies, models, beauty queens or porn starlets out of glossy magazines, and remove elements from their context. An arm remains an arm, a piece of back or booty remains what it is, but these cut-outs just placed in new contexts makes them seem weird yet repulsive or obscene. There´s this attraction between beauty, sexualization and destruction.

Actually there will a small skizzomat product line coming soon.

All these artwork creatures are very fragile, just put together for the moment, the only prove they existed it the photo shoot. They where wiped away afterwards.

Where do you think the future of art is going today?

I am going on an art residency this summer to Italy to continue working on my sculptural collages. I am sticking to the subject human body and its appearance / failures, by researching on puppets and prosthetics.

Sounds like fun can´t wait to begin!

I really have no clue sorry! It´s so much about markets, business and stuff that I don´t care.

TUBERCULE

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CORPUS

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POSITION

SAMPLING ANYTIME

WWW.SKIZZOMAT.DE

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LAURA THEISS PHOTOGRAPHY ELLIS SCOTT

BY LATOYA HENRY

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She graduated from Central Saint Martins in 2009 taking the world by storm with her intriguing knitwear pieces.

The collections that she is most noted for are “Of Samurai’s and girls” & her eclectic Spring / Summer 2011 far east futuristic inspired collection that consisted of hand knitted & crochet pieces, art deco knits covered in tassels, stunning prints and shapes.

This London based knitwear designer Laura Theiss gives us a very first glimpse of her Fall / Winter 2011 collection. The collection has a perfect blend of printed knits, dresses, scarfs and jackets hinted with sheer skirts and slight pops of color.

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PHOTOGRAPHY ELLIS SCOTT STYLING MY NAME IS KABIR HAIRSTYLIST BENNY HANCOCK MAKE UP MICHELLE WEBB MODEL TIFFANY PISANI AT MODELS 1 ASSISTANTS LEYLLA ABDULLAYEVA & ANASTASIA EVERY

WWW.LAURATHEISS.COM

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LEIGH VINER

BY LATOYA HENRY

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ORANGE VELVET

INSOUCIANT

When did you decide that you wanted to be an artist and a photographer?

I have always wanted to follow my creative passions one way or another since I was young, but really it wasn’t until I had my daughter in 2003 and had the opportunity to stay home with her full-time that I actively pursued my passion for my art and photography.

How would you describe the style of your illustrations?

I recently had a group exhibition in San Francisco that was called “Fashion Unraveled” I actually felt I described my work quite well, but definitely feminine and free flowing fashion inspired work.

What are some of the methods you use in order to create an image?

I try to use a varied amount of media in each piece that I work on. I tend to use most often pencil, pen, watercolors, charcoals and a touch of digital to complete my work for print versions.

Is there a particular subject that inspires you to create a image or is your work based off of your imagination?

I use subjects that at times can be stretched from my imagination in the completed piece, but I am often inspired by something that I see first then take what I am feeling from a particular subject and create from there.

Who are some of your favorite artists and have they made a major impact on you and your work?

I absolutely love David Downtown, I was in Paris in 2006 and saw some of his work again that really made an impact on the direction I started to go in.

Where do you consider to be the most interesting place to find inspiration?

My inspirations can come from so many different sources each week, I find that the endless world of the internet and my large collection of magazines, I can find something inspiring from all over. I also love to walk around the city with my camera to help find inspiration, or watch classic films and listen to music, from all of that I can actually NUMODEMAG.COM NU-MODE´ 239

overwhelm my senses with more inspiration then I can handle at times.

You’ve had the opportunity to collaborate with Lady Gaga tell us how was that experience?

Definitely an honor and still amazed, but I was contacted by Etsy where I sell my work and was told Lady Gaga herself wanted to commission my art for prints to be autographed and sold with all proceeds going to Vh1 Save the Music Foundation, so I definitely jumped on board and am very grateful for her support and cause.

Your photography pieces are beautiful they are full of such strong emotion how do you know the perfect timing to capture your subject?

Thank you! I actually do not have a perfect time, as most of my photographs actually come on a whim as well, but when they are planned out like my “Well Read” piece, or some of my self portrait pieces, I take the same approach as my illustrations and take from what inspired me first to what emotion I want to portray and try to capture from my imagination, sometimes it works, sometimes it comes out completely different but at a satisfied finish.

Are there any photographers you admire and why?

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“ I love to have a feminine touch with use of surreal color and experience with each piece ”

have that emotion I love to inspire from and want to portray in my work, Their photographs have always brought a deeper level with me as I look through their work, but honestly I have a list a mile long that I could share and it grows weekly. One of the reasons I love that I have a blog so I can share those inspirations that again continue to grow.

One word to describe your style of photography?

As with my art, I love to have a feminine touch with use of surreal color and experience with each piece.

If you could photograph anyone in the world who would it be and why?

I would say my Grandmother Dorothy who passed when I was around 13 as I had a really close bond with her and wish she could have been around longer, but I

ATMOSPHERE

WELL READ

would love to sit with her and hear more about her life and experiences while capturing the moment in photography.

I also would love to have that same experience with Miss Coco Chanel, as she was not only an inspiration for women in strength and courage and to follow ones heart but I have always continued to want to know more about her and feel that would be such a vast experience to have a day with her as well to photograph and learn more.

Wish they both were here, but also I think this question alone has inspired me to make that possible in a creative way.

Have you ever thought of combining your illustrations with your photography?

I have already on a few pieces, but hope to further explore that down the line.

Are there any new exciting projects your working on at the moment?

There actually is, but it is still hush hush for a few more months, otherwise I am enjoying some free time to create from my many ideas and bringing them to life.

What are you looking forward to in the future?

To continue to do what I love each day and travel more...

WWW.LEIGHVINER.COM

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SOUS LE PONT PHOTOGRAPHY LPH

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SHIRT EIGHTEENTH SHORTS AMERICAN APPAREL SHOES JESSICA SIMPSON SILVER CUFF MODELS OWN

SHIRT EIGHTEENTH SHORTS AMERICAN APPAREL SHOES JESSICA SIMPSON SILVER CUFF MODELS OWN

CAPE VEST EIGHTEENTH TANK AMERICAN APPAREL PANT JIL SANDER

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SHIRT EIGHTEENTH

KNIT VEST CORRELL CORRELL WRAP PANT SHIN NEW YORK SHOES BOUTIQUE 9

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DRESS SHIN NEW YORK

KNIT TUNIC CORRELL CORRELL

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KNIT TUNIC CORRELL CORRELL BODYSUIT AMERICAN APPAREL LEATHER SHORTS BANANA REPUBLIC

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SHEER TUNIC CORRELL CORRELL BODYSUIT AMERICAN APPAREL

SHEER TUNIC CORRELL CORRELL BODYSUIT AMERICAN APPAREL

PHOTOGRAPHY LPH STYLING LATOYA HENRY HAIRSTYLIST SASHA BAY MAKE UP ARTIST NICOLE NVCB MODEL LORI AT IMAGES MODEL MANAGEMENT

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WHERE'S WALDO ?

PHOTOGRAPHY AYSHA BANOS

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PHOTOGRAPHY AYSHA BANOS PHOTOGRAPHY ASSISTANT ELIZABETH PREGER STYLING YUSEF FARRELL HAIRSTYLIST EDDIE PONCE MAKE UP ARTIST MING YANG MODELS JESSICA TODAY & THOMAS LODWIG

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LOCO MOTION PHOTOGRAPHY JULIE DICKINSON

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DRESS EKINEYO NECKLACE CIRCA SIXTY THREE

TOP FOREVER 21 LEGGINGS EKINEYO SHOES BARBARA BRIONES NECKLACE ZACHARY SMILE

DRESS EKINEYO SHOES NANETTE LEPORE NECKLACE H&M NECKLACE CIRCA SIXTY THREE

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DRESS EKINEYO NECKLACE H&M NECKLACE CIRCA SIXTY THREE

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DRESS JOSE DURAN

CROPPED TOP EKINEYO PANTS ALICE RITTER BEADED NECKLACE CIRCA SIXTY THREE GOLD CHOKER CIRCA SIXTY THREE GOLD NECKLACE H&M SHOES BARBARA BRIONES

DRESS EKINEYO EARRINGS H&M

PHOTOGRAPHY JULIE DICKINSON STYLING KAILEE PARKER HAIRSTYLIST & MAKE UP ARTIST BRAYAN LYNDE MODEL MASHA AT MUSE NYC

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FELEKE

BY LATOYA HENRY

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How did you get into singing and why?

I started writing poetry and evolved into singing/song writing. I used to sing all the time but kept to myself. Then I began singing around the house, my mom used to tell me to shut up which made me think that I couldn’t. In high school I decided to join our school’s gospel choir and would just sing to my close friends. Eventually a music major got word that I could sing (Victor “v-dub” Wilson) and approached me about doing music. I started recording with him and really got comfortable behind the mic. I haven’t stopped since.

Describe your style of music?

My style is very euro electro pop with a more soulful style of singing. Since I was brought up listening to more R&B driven music...I like to call my style “Soulectro” a combination of the two. Although I am inspired by all genres of music which I feel reflect in the way I sing and write.

Tell us a little bit about your latest album your currently working on?

This year I began to work on a mixtape and album. The mixtape is entitled “Lost in Thought”, basically my approach on music and the stories I’ve experienced this year. I just become lost into my music, whatever emotion Im feeling is unfiltered and orchestrated throughout the songs. Lost in Thought will drop this month, the album is finished but I want to focus on this project first before moving forward. Its all about timing.

Who are some people that have been a major influence on you and your music?

Aaliyah, ginuwine: in there era they brought such a strong new sound and style to the music industry. I still have their albums on repeat.

Brandy: is a beast! What drew me to her is her ear. That ability to create those strong background vocals / harmonies, the tone emotes so many feelings,the smallest thing she would do comes across so powerful. Justin Timberlake: my idol, just overall talented. I see myself being the “black” version of him.

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How are you usually inspired and is your music based off of personal experiences?

Yes, all my music is based off personal experience, as well as people close to me.

I write from their perspective, their situations. My music also comes from my insecurities and vulnerability and what would happen if I was to act upon those emotions.

You just shot a music video for your song titled “ I don’t give a fuck” what was the inspiration behind the song and video?

The video/song was also another personal event. Being accused of cheating within a relationship that’s ran its course. Saying don’t blame someone for destroying a relationship that was already on its last leg.

Then the one you once loved becomes spiteful,scorned and evil intentionally does any and everything to get even. So now you see her true form, but “I’m doing me, I don’t give a fuck”.

In your opinion who do you think are some the of the best singers of all time and why?

The best singers, hmm personally.... Mariah Carey, Stevie Wonder, Donny Hathaway, Michael Jackson, and Patti Labelle.

All different musicians but their voices touched the masses.

It doesn’t matter how many octaves / vocal range, runs aka ticks you have, you just felt their love for music.

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These artist know their craft.

Where do you think the future of music is going today?

I think music is headed in the right direction, now you don’t have to be just a pop dance artist in order to sell. Today’s market seem to be more receptive to all genres because no one wants to hear the same songs, from varieties of artist, that wouldn’t be the true definition of music.

What do you like to do during your downtime?

Downtown for me is the same as my busiest time. I live in the studio, always writing, recording even if its not for me, for other artist as well. I love to dance, sketch, and modeling in my spare time. I’m also a avid movie goer. Love comedies!

Describe your personal style?

My style is eclectic, I pull from anything that catches my eye. I would say its thrifty yet modern. I read a lot of European fashion magazines. Also harpers bazaar, women are accessible to much more than men.

What I pull from them are the color combination, the pairing of texture and pattern plus there are gorgeous models to look at!

What are your hopes for the future?

To be a very established recording artist. To have toured the world, maybe a grammy’s

“ I think music is headed in the right direction, now you don’t have to be just a pop dance artist in order to sell. Today’s market seem to be more receptive to all genres ” or any accolades.

Would love to have a foundation for sickle cell and down syndrome. A possible modeling career with many ad campaigns. Eventally owning a modeling agency and recording label. I dream big!

Advice for emerging singers?

My advice never give up on yourself, don’t allow yourself to be your worst critic and destroy your dreams.

Believe in yourself and your sound. Also, prepare for hardship, when you hear the term “starving artist” please believe every word.

Just aim on pleasing YOU first and let the world catch up. Some will love, some will hate, you can never change that.

WWW.YOUTUBE.COM/FALL4FELEKE.

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LARA

PHOTOGRAPHY JOHN CIAMILLO

BY LATOYA HENRY

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When did you decide to become a model and why?

Modeling was always something I wanted to do, but it wasn’t until this year that it became something I had to do. I used to watch the Style network with my best friend growing up. I would watch myself walk back and forth in a line in the mirror, and experimented with taking pictures of myself and my friends. There wasn’t Facebook or My space then; we used disposable 35 mm cameras and had to develop them at the pharmacy. I remember getting weird looks from the teenagers behind the counter at the CVS...I never considered people would look at those photos before I did.

When were you first scouted and how was that experience?

I was first scouted when I was seventeen by a photographer while sitting in a make-up chair for a charity runway show. It lead to my first professional shoot as an artist model.

The shoot turned into an exhibition called Brunette, and was a mix of studio shots and location shots out in the middle of Indiana on a vegetable farm in the early fall. It was more surreal and beautiful than I gave it credit--I was too amicable, I didn’t really take it all in. I think during my first photo shoot, I was sort of stunned. The photographer took some of our photos with her for gallery showings in Denmark and Croatia...So it was a pretty successful first go.

How do you usually prepare for a shoot?

I look up the photographer and see what their work is like. I go to sleep early and shower before bed. Usually, I do something to let go of my expectations for the next day so I relax.

What does your day consist of?

Scattered go-see’s around the city. Coffee from West Cafe in the morning. My boyfriend just bought their beans for a French press, so now I can have coffee before I shower.

Then I’m on the subway most of the day, unless I have a test shoot for my portfolio...

Those days are special. I’ll spend 2 to sometimes 8 hours in a studio with hair and make up and lights, or I’ll be crawling around someone’s apartment totally natural in my own clothes. Always Pandora is playing though!

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What is the best and the worst thing about being a model?

The best thing is the work that goes into a photo shoot. For my last shoot, I looked superhuman! Even the hair/ make-up/styling gals were shocked I was the same girl who had sat down in their chair. What I do in front of the camera has to be special for them because I’m showing off their work. I really enjoy the pressure of that performance. It does feel like “live or die” with all those eyes on me, but then I have to forget them. It’s for the best.

“ I love being with a photographer and opening that dialogue...Every conversation is different ”

The worst part of modeling is easily the schedule. Physically, it’s a hard core lifestyle that offers a lot of uncertainty.

Essentially, I go on a series of job interviews about my body, so I’m trying If you had to choose a mentor who would it not only to be dedicated but also be and why? clever. I’m learning a lot.

My mother, easily. She has given me everything I need to survive. I try to do her What do you love most about being good by acknowledging the tools she’s given a model? me and using them.

Time with the camera. I love being with What do you think is your best feature? a photographer and opening that dialogue...

I have very dramatic eyebrows. My friend calls me “Brows,” which I love. It’s my Old HollyEvery conversation is different. At the wood nickname. A very clever dame gave it to end, I’ve learned most photographers me. like to go back to the first shots of the day to see how we progressed. The Describe your personal style? change is incredible. I think photo shoots still stun me. I usually can’t Right now, this is my least favorite question. talk about the work until the shoot is At the moment, I’m wearing a lot of simple fully over...Like not until I’m home and lightweight outfits because I travel by foot in I’m putting on my most comfortable a dirty, hot city. I favor sheer black, white or clothes. beige tops over black or skin tone bras, high waisted leggings, skinny NUMODEMAG.COM NU-MODE´ 292

PHOTOGRAPHY JOHN CIAMILLO LARA AT FENTON MOON

jeans or cutoffs and heeled ankle boots or some wedged clog/loafer. I wear a variation of that every day. I won’t be properly dressed until fall.

Who are your favorite designers?

Vivienne Westwood, Helmut Lang, Rodarte, Alexander Wang, Burberry Prorsum Are there any designers you would love to walk for?

All the aforementioned, of course.

How do you stay fit?

My subway stop is a mile from my house. Whether I like it or not, I’m walking at least two miles everyday but it’s always more than that.

Any beauty tips?

Drink lots of water, use lots of moisturizer. Stick with the basics that you’re mom and grandmother have used over the years. Don’t give into products that promise too much.

If there really was a bottle of something out there that completely eliminated wrinkles, pimples, dark circles or fine lines, we would have depleted the source by now.

Advice for emerging models?

Fake it ‘til you make it, baby.

What are your hopes and dreams for the future?

I have my eye on some things, but I’m not going to go there just yet. I’m still cultivating what’s to come.

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LOLA

PHOTOGRAPHY JOEL CONTRERAS

BY LATOYA HENRY

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When did you decide to become a model and why?

I never really wanted to be a model growing up, I wanted to be an astronaut actually. The modeling kind of just fell into my lap unexpectedly.

When were you first scouted and how was that experience?

My agent found me at a local concert here in Arizona when I was 13. I was so shy back then and was weirded out by this stranger asking me questions about my height and if I’d ever been interested in modeling. It’s funny how things work out.

How do you usually prepare for a shoot?

I prepare for a shoot by shaving my legs… photographers usually appreciate that.

What does your day consist of?

Well right now I am spending the summer at home in Arizona, so my days consist of staying out of the heat! Music is always playing around me and Im usually creating something new for my closet, I love to sew!

What is the best and the worst thing about being a model?

The best is the people you meet, the worst is the people you meet. It’s one of those things you get to meet some of the most amazing, creative, enthusiastic people and then some of the most rude, stuck up people at the same time.

What do you love most about being a model?

The thing I love most about being a model is getting the opportunity to travel and meet people from all over.

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PHOTOGRAPHY JOEL CONTRERAS LOLA AT THE AGENCY ARIZONA

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If you had to choose a mentor who would it be and why?

I already have the best mentor in my life! My Mom. She is the strongest, self sufficient women I know and I look up to her for everything she has done.

What do you think is your best feature?

“ Don’t take anything personal. Some people will like you, some wont. Thats life! ”

My eye brows Describe your personal style?

I have a very eclectic style and it all depends on my mood that day. I make a lot of my clothes and cut a lot of clothes up to get something different.

Who are your favorite designers?

go to the gym though, I’m not very athletic. I eat very healthy, I think that’s really important.

Any beauty tips?

My best beauty tips are to stay true to yourself, be confident, and be UNIQUE!

I love shoes so Jeffery Campbell and Senso. Also Miu Miu, Stella McCartney, Diane Von Furstenberg and Rodarte I love.

Advice for emerging models?

Are there any designers you would love to walk for?

I would love to walk for any of the designers I just named also Marc Jacobs or L.A.M.B. they both always have awesome shows.

How do you stay fit?

I love to do yoga. Its hard to get me to

Don’t take anything personal. Some people will like you, some wont. That’s life!

What are your hopes and dreams for the future?

EVERYTHING! I am going to school in a couple months for shoe design, so I hope to have my own shoe label soon as well as getting to travel, model, and all the good shit in between.

SHEILA

PHOTOGRAPHY TONY VELOZ

BY LATOYA HENRY

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When did you decide to become a model and why?

Well honestly it was a random last minute thing it was like my mom wanted me to get graduation pictures so she gave me my first photo shoot, and ever since than I have been modeling.

When were you first scouted and how was that experience?

Well I was never scouted by an agency I feel that they are not interested in really using strong unique models and I am one of those models however I believe that everything happens for a reason which is why it is has lead me to starting my own agency REVENGE MODELS AND TALENT. How do you usually prepare for a shoot?

By getting a good nights sleep, and pumping out to music.

What does your day consist of?

Castings, promoting, working out, photo shoots. My days are usually extremely busy.

What is the best and the worst thing about being a model?

I love it and love it love it love it What do you love most about being a model?

It’s so much fun, I love what I do and I would never change the fact that it’s a passion of mine.

If you had to choose a mentor who would it be and why?

Nicole Scherzinger from the pussy cat dolls, I love her body and would love to be in her kind of shape to reach my goal to become a Victoria secret model.

What do you think is your best feature?

My eyes and cheeks bones Describe your personal style?

I admire Blake Lively’s style however my style is consistanly changing everyday.

Who is your favorite designers?

Donatella Versace Are there any designers you would love to walk for?

There are no paticular designers I would like to walk for but would love to have the opportunity to walk for all of them.

“ I believe that everything happens for a reason which is why it is has lead me to starting my own agency REVENGE MODELS AND TALENT ”

How do you stay fit?

I go to the gym four to five times a week and I do yoga once a week.

what you love and be patient.

Any beauty tips?

What are your hopes and dreams for the future?

You should always eat well because when you eat a well balenced meal your skin glows.

Advice for emerging models?

If you believe in yourself keep doing

My hopes are to be a successful model and travel all over the world along with building up my agency in which I have already started REVENGE MODELS AND TALENT

PHOTOGRAPHY TONY VELOZ SHEILA AT REVENGE MODELS

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SUCH A HOLIDAY

PHOTOGRAPHY TIMMOTHY LEE

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T SHIRT AIME SHORTS AIME SHOES CHOCOLATE

BODYSUIT DESPERATELY DIFFERENT BELT H&M NECKLACE USED AS BRACELET LOVE OF MINE SHOES ALDO

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How did you get started with graphic design and photography?

Ambitious or not, ever since childhood I’ve always dreamed to become some sort of ‘art person’ one day. However, as I grew up, this ‘unrealistic’ artist dream had once been fragmented into pieces, if not completely destroyed, by some more ‘realistic’ considerations.

For instance, people around me would have me believe that it’d be hard to make a living as an artist. Hence, they said, the idea would not be practical at all. During my high school years, therefore, I had been led to envision that taking computer science studies in the university should help me kick start a meaningful career. After all, they all like to believe, a computer programmer is considered a prestigious job, if not a decently well paid one. And yet they didn’t seem to care about what I felt like doing. It was until then that I found myself determined to go after the life I’ve always wanted: the pursuit of creativity. That said, I was soon “back to square one”, pursuing my childhood art dreams without looking back. And life goes on: C’est la vie.

What inspires you the most when coming up with different shoots?

The answer to this can be tricky. I must say nothing inspires me and everything inspires me, relevantly or not. All it boils down is that it really depends on how much observation and time one’s willing to spend on a certain subject matter. It’s a lot to do with whether one is being observant or not.

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To paraphrase what Coco Chanel once said: “Fashion is not something that exists in dresses only. Fashion is in the sky, in the street. Fashion has to do with ideas: the way we live, what is happening.” Similar philosophy can be applied to my interpretation of the concept of inspirations.

What has been your all time favorite shoot?

I would say all of them. Just as Richard Avedon once put it: I’ve worked out of a series of no’s. No to exquisite light, no to apparent compositions, no to the seduction of poses or narrative. And all these no’s force me to the “yes.” I have a white background. I have the person I’m interested in and the thing that happens between us.” And so, for me it’s really the process of making imagery that matters the most. Notwithstanding this belief, I have equal pleasure, joy and satisfaction in every single photo shoot.

Do you use the term “Image Maker” to solely refer to yourself as a designer/illustrator or would other photographers fit into this characterization?

I don’t know if other artists would like to be described as an image maker but personally I think “the name” suits me best.

It’s simple and straightforward in a sense that it’d be able to describe what I do in the wide range of professional practices.

Therefore, I favor creating visual images.

BODYSUIT DESPERATELY DIFFERENT SHORTS AIME

SWIMSUIT H&M TOP REBECCA BEESON NECKLACE LOVE OF MINE SCARF ELLE HARD WARE

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BODYSUIT DESPERATELY DIFFERENT CARDIGAN AIME

How do you feel your work stands out from the other image makers out there?

I’d try to be like ‘water’. This is similar to what my favorite martial art master and philosopher Bruce Lee once opined: “Empty your mind, be formless. Shapeless, like water. If you put water into a cup, it becomes the cup. You put water into a bottle and it becomes the bottle. You put it in a teapot it becomes the teapot.” As an image maker, I’m not only satisfying myself, but at the same time I’m trying to solve visual problems for others. There’s no such thing as “one” solution that works with all issues. I learn, I adapt, I apply.

Who or what would be your ideal client to shoot for?

I would say my ideal clients would be someone with whom I feel like I’d have chemical reactions. Like the situation in most scientific experiments, you will never really know what the results might turn out to be, unless you start mixing things together and see if it works.

“ As an image maker, I’m not only satisfying myself, but at the same time I’m trying to solve visual problems for others ” do, but it’s about how you do it.” No matter what style or look I’m using, I am always willing to put more of an original approach to it: The way of interrelating.

Is there anyone (model, actress, notable figure) that you would love to have a photo session with?

Oh yes! There’re quite a few of them. But to prioritize, it’d be something like this: Natalia Vodianova, Simona Mcintyre, Diana Moldovan, Noreen Carmody, Leticia Zuloaga, Margaryta Senchylo and Emmi Hellsten. The Seven Stars of the Northern Dipper!

If you could reveal one secret about yourself, what would it be?

“I don’t use drugs, my dreams are frightening enough.”- M.C. Escher

Do you feel as though there are ele- What’s in the future of Timmothy Lee? ments of yourself (i.e. your personal attitude, your self expression, emo- He’d like to learn some ninja flips, get signed by artist managements/representatives so that tions, etc) in your work? he cloud travel around the world and seek ‘the Again, I must quote Bruce Lee for this one he’s never met yet, but willing to put his whole heart to her’ (Lake House movie) one. “Do not do the techniques, express the techniques”. Like what some people say, “It’s not about what you can

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DRESS AIME NECKLACE LOVE OF MINE SHOES CHOCOLATE

HAT ELLE HARD WARE SWIMSUIT H&M SKIRT DIEPO RING LOVE OF MINE SHOES CHOCOLATE

PHOTOGRAPHY TIMMOTHY LEE STYLING AMARSANA GENDUNOVA MAKE UP ARTIST CHIHIRO NODA ASSISTANT YULIA M MODEL MARTA AT SPOT 6

WWW.TIMMOTHYLEE.COM

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FUEGO

PHOTOGRAPHY JON STARS

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SWIMSUIT H&M CHROME BANGLE STYLIST OWN BLACK LEATHER & STONE BRACELET CHAN LUU CHROME LINK BRACELET AQUA WAVE BANGLES LAILA ROWE TEXTURED CHROME CUFF AQUA

SWIMSUIT H&M SILK TEE B.P. CHROME BANGLE STYLIST OWN BLACK LEATHER & STONE BRACELET CHAN LUU CHROME LINK BRACELET AQUA WAVE BANGLES LAILA ROWE TEXTURED CHROME CUFF AQUA

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CHIFFON BODY SUIT DOUBLE IN BRASS THE LAKE AND STARS CHROME CUFF AQUA WAVE BANGLES LAILA ROWE METAL TEETH BRACELET STYLIST OWN CLEAR BANGLE STYLIST OWN

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SILK SHIRT TROUVE SWIMSUIT LA BLANCA NECKLACES AQUA

SWEATER URBAN OUTFITTERS BIKINI ROBIN PICCONE BLACK LEATHER & STONE BRACELET CHAN LUU SILVER STUD BRACELET SHASI NECKLACE AQUA

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SWIMSUIT MICHAEL KORS SLEEVELESS SILK SHIRT URBAN OUTFITTERS

PHOTOGRAPHY JON STARS STYLING JORDANA RABINOWITZ HAIRSTYLIST KRISTEN ECKERT MAKE UP ARTIST DANIELE SPENCER MODEL JESSICA ENGER

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SUBTLE ENTICEMENT PHOTOGRAPHY LPH

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NECKLACE FREE PEOPLE

PRINTED DRESS R/H NECKLACE FREE PEOPLE

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CROPPED TOP H&M

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NECKLACE FREE PEOPLE

SHEER BLOUSE VINTAGE

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PLEATED SKIRT LIE SANG BONG NECKLACE FREE PEOPLE

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PHOTOGRAPHY LPH STYLING LATOYA HENRY HAIRSTYLIST & MAKE UP ARTIST CHRISTINA CANDELARIO MODEL KAYLA AT PAINTED FACES

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AGAINST THE WIND

PHOTOGRAPHY SHANNA FISHER

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JACKET VINTAGE ALEX COLEMAN BLOUSE VINTAGE YSL RIVE GAUCHE

JACKET VINTAGE LEE SHIRT VINTAGE PENDLETON DRESS VINTAGE VERSUS SHOES JEFFREY CAMPBELL

SWEATER J.CREW DRESS VINTAGE VERSUS SHIRT VINTAGE PENDLETON SHOES JEFFREY CAMPBELL

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SHIRT VINTAGE LACOSTE SKIRT VINTAGE GAP

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JACKET VINTAGE CERRUTI 1881 SHIRT THEORY FLANNEL SHIRT VINTAGE PENDLETON SHORTS EARL JEAN SHOES T.U.K

JACKET VINTAGE LEE SHIRT VINTAGE PENDLETON DRESS VINTAGE VERSUS

PHOTOGRAPHY SHANNA FISHER STYLING TRACY MOORE

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INDEX MJÖLK

EKINEYO

HENRIK VIBSKOV

CIRCA SIXTY THREE

R/H

THE LAKE AND STARS

LIE SANG BONG WALTER STEIGER MARC JACOBS CODY SAI EIGHTEENTH POUR LA VICTOIRE UNITED NUDE TAKE OFF YOUR CLOTHES JENNY LAI BOUTIQUE 9 NASIYA REID DKNY KENNETH COLE SHIN NEW YORK JIL SANDER CORRELL CORRELL BANANA REPUBLIC JESSICA SIMPSON OLD NAVY CHAN LUU

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BARBARA BRIONES ZACHARY SMILE NANETTE LEPORE JOSE DURAN ALICE RITTER TOPSHOP OAK CHRISTIAN LACRIOX AESA FIONA PAXTON FREE PEOPLE JESSICA WIZELBERG A LITTLE WICKED UNDREST SHABD ZARA MANGO MILLY KATE SPADE ALEX COLEMAN

YSL RIVE GAUCHE

GAP

LEE

AQUA

PENDLETON

LAILA ROWE

VERSUS

FOREVER 21

J.CREW

TROUVE

LACOSTE

LA BLANCA

CERRUTI 1881

ROBIN PICCONE

EARL JEAN

NEW YORKER

T.U.K

H. ELIZABETH

SONIA RYKIEL

ARCADE BOUTIQUE

TRIPP NYC

JEFFREY CAMPBELL

BROCHU WALKER

AMERICAN APPAREL

COUSIN & CO

JORDY DE VRIES

RAPHEAL YOUNG

DEVI DESIGN

KBL

B.P.

M. PATMOS

THEORY

GRAME ARMOUR WOOD WOOD VEDA DELPHINE CHARLOTTE URBAN OUTFITTERS TOMMY HILFIGER DEICHMANN H&M

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SPECIAL THANKS VERA & DAPHNE AT CORRELL CORRELL, ALEX HARRIS AT PLV STUDIO, INEZ BONILLA AT PAINTED FACES, JAMAAL CLOWER RED MODEL MANAGEMENT, BRIAN AT BRIAN CAHILL PR, ALEX HARRIS AT PLV STUDIO, IVORY AT IVORY DOME PR, JENNY AT JENNY LAI, GIULIA PRATI AT AGENCY V MELISSA AT FOXGREENBERG, GLORIA LI CHEN AT WALTER STEIGER, APRIL AT BLANK SPACE, CRAIG AT TAKE OFFYOUR CLOTHES, ALEXA GALLER AT EIGHTEENTH

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