Color Magazine - NURIDA

Page 1

MARCH 2014 -LIMITED EDITION

COLOR MARCH 2014

FRANCOISE NIELLY


MARCH 2014 -LIMITED EDITION

MARCH 2014 -LIMITED EDITION

PAINTING

““P

ainter” redirects here. For other uses, see Painter (disambiguation). Painting is the practice of applying paint, pigment, color or other medium to a surface (support base). The medium is commonly applied to the base with a brush but other implements, such as knives, sponges, and airbrushes, can be used. Paintings may have for their support such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper or concrete, and may incorporate multiple other materials including sand, clay, paper, gold leaf as well as objects. In art, the term painting describes both the act and the result of the action. However, the term is also used outside of art as a common trade among craftsmen and builders. Painting is a mode of creative expression, and the forms are numerous. Drawing, composition or abstraction and other aesthetics may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, be loaded with narrative content, symbolism, emotion or be political in nature.

COLOR - Painting - 1

COLOR AND TONE

C

olor and tone are the essence of painting as pitch and rhythm are of music. Color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, white is. Some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover the use of language is only an abstraction for a color equivalent. The word “red”, for example, can cover a wide range of variations on the pure red of the visible spectrum of light. There is not a formalized register of different colors in the way that there is agreement on different notes in music, such as C or G in music. For a painter, color is not simply divided into basic and derived (complementary or mixed) colors (like red, blue, green, brown, etc.).

COLOR - Color and Tone - 2


MARCH 2014 -LIMITED EDITION

MARCH 2014 -LIMITED EDITION

FINE ART PAINTING

by - NIELLY FRANCOISE

by - NIELLY FRANCOISE

COLOR - Fine Art Painting - 3

Françoise Nielly’s painting is expressive, exhibiting a brute force, a fascinating vital energy. Oil and knife combine tsculpt her images from a material that is , at the same time, biting and incisive, charnel and sensual. NIELLY FRANCOISE paints the human body or portraits, the artist takes a risk : her painting is sexual, her colors free, exuberant, surprising, even explosive, the cut of her knife incisive, her color pallet dazzling.

COLOR - Fine Art Painting - 4


MARCH 2014 -LIMITED EDITION

MARCH 2014 -LIMITED EDITION

FRANCOISE NIELLY Francoise Nielly lives in a world of images. She has explored the different facets of “image” all her life , through painting, photography, roughs, illustrations and virtual, computer generated animated graphics. It is clear now that painting is her direction and her passion. She gets her sense of space and construction from her father, who was an architect. Growing up in the South of France where she lived between Cannes and Saint-Tropez, is never far from the light, the color sense and the atmosphere that permeates the South of France. This is coupled with her studies with her studies at the Beaux arts and Decorative Arts, and her sense of humor and of celebration. Françoise Nielly’s painting is expressive, exhibiting a brute force, a fascinating vital energy. Oil and knife combine tsculpt her images from a material that is , at the same time, biting and incisive, charnel and sensual. Whether she paints the human body or portraits, the artist takes a risk : her painting is sexual, her colors free, exuberant, surprising, even explosive, the cut of her knife incisive, her color pallet dazzling. Françoise Nielly is a passionate woman who loves life, wide open spaces, sushi, blue lagoons, the Internet, humor, books, Paris, New-york and Vancouver. Resolutely inscribed in her epoch, she is an accomplished artist ; 20 years of artistic expression explain the maturity of her work and the perfect mastery of her art. She lives and paints in Paris near Montmartre; shows and sells her work in Europe, in Canada and in the United States. by - NIELLY FRANCOISE

COLOR - Francoise Nielly - 5

COLOR - Francoise Nielly - 6


MARCH 2014 -LIMITED EDITION

PAINTER

... all of that classical imagery of South France is very alive as an experience inside of me. Maybe it is wht led me to the use of fluorescent colors in my paintings.

MARCH 2014 -LIMITED EDITION

It’s known that the childhood is one of the most important periods of an artist’s life. When you close your eyes and think about those years, what colors and what kind of memories do you see? Can you tell us about your father and how he inspired you? Thinking of my childhood is definitly not my favorite thing. With an over protected crippled sister I often felt lonesome, not to say abandonned! Of course I also had nice times, like summer in Cavalaire where we lived on the Mediteranéan side, building huts and cabins and hunting butterflies. I have vivid images of colors, of brightness. Yellow, sunshine, blue, heat, cicadas, pin smell, light... all of that classical imagery of South France is very alive as an experience inside of me. Maybe it is what led me to the use of fluorescent colors in my paintings. My dad was an architect ; busy man, rather harsh, demanding and critical ; I spent number of thursdays drawing on a drawing table in his office ; my education was drastic, there was no room for flaws or errors. Nonetheless, i do have a strong admiration for him. He was quite a talented architect.

by - NIELLY FRANCOISE by - NIELLY FRANCOISE

COLOR - Painter - 7

COLOR - Painter - 8

He taught me photography and optique. He also took me with him on numbers of his construction sites and with him I started to have a different look on architecture.


MARCH 2014 -LIMITED EDITION

FRANCOISE NIELLY

editor : NUR HIDAYAH BINTI MOHAMAD SAMSUDIN (52245112267)


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