2017 Sharing Cities Studio NUS Joo Chait: Culture

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AUGMENTED REALITY By Tan Jia Yu & Ye Baogen Josiah

On an individual level, the everyday living routine of a resident will evolve with the emergence of the sharing p a ra d i g m , a n d h e n c e d o m e s t i c environments should adapt to such. The studio therefore sought to envisage new modes of private living that complements the sharing neighbourhood. This is inexplicably linked to the culture existing in Joo Chiat as well. Where the shophouse used to be the basic unit of domestication, its roots are anchored deep in the collective consciousness of the residents. With the means of augmented reality, the studio attempts at preserving heritage and culture even as modes of living evolve and change with the emergence of the sharing culture.

在个人层面上,随着共享范例的出 现,居民的日常生活作习将会随着 急剧改变的环境而做出调整以便适 应这种情况。因此,工作室也需谋 求设想如何为如今新的私人生活方 式,做出相应的补充去配合分享社 区。 这 也 对 如 切 现 有 的 文 化 带 来 莫 名的冲击。例如店铺以前是居民生 活的基本条件之一,这集体意识早 已根深 蒂 。 随 着 共 享 文 化 的 急 速 发 展已成现实,并也融入大多数人的 生活模式中,工作室也同时致力于 保护旧 有 的 遗 产 和 文 化 。



sharing CULTURE AND EVERYDAY LIFE

Why augmented reality? 增强现实的理由


In this dimension of shar ing, The future of how a culture and heritage of a particular location can be shared with others through the modification of the shophouse t ypology found abundantly in Joo Chiat and commonly around Singapore is proposed.

The project seeks to cease the immor talisation of the conser ved shophouse by proposing the next step to its evolution, enabled by the advent of augmented reality.

Top Proposed conservation spectrum

Bottom Proposed Handi-Guide to augmented reality

上图 建 筑 保 留意图

下图 增强现实设计意图


在分享的层面上,我们提出了通过修复 如切不同类型的商店所累积的丰富心 得,将来也能与他人分享如何保留新加 坡其它 特 定 地 点 的 文化 遗 产 。

这项目旨在为即将出现的革命性新世 代 , 终止推动保留店屋的永生化。

Timeline of shophouses and Conservation via augmented reality 店屋的时间线和保留与增强现实的对比


JOO CHIAT 2037

Structure as social recorder 借助人与人之间的交往为推广新的共享 文化

2 0 3 7


Spatial Programming 空间程序


The project hopes to solve two issues: the gated and heavily institutionalised re s o u rc e s o f t h e ex i s t i n g h e r i ta g e, and the spatial limitations of the compartmentalised shophouses. I t ’s n o t t h e exc e p t i o n a l , bu t t h e operational that defines the everyday, functioning life of a city.

Site Plan, Axonometric View, Design Phasing 平 面 图 ,轴测图,设计阶段

B y re d u c i n g t h e s h o p h o u s e s to i t s abstract elements, spatial flexibilit y is enabled and her itage is hence d e l e ga te d to t h e d i g i t a l re a l m a n d democratically shared onto the database.


如切2037希望能解决两个问题:现有 遗产的门控和大量制度化资源,以及划 分的商 店 的 空 间 限 制 。

通过将商店的数量减少到极点,所腾出 巨大空间,能灵活的将旧文化遗产数码 化,并让人们更自由民主地分享数据库 里 的 资料。

一个城市的客观定义,不是决定于它的 特殊性,而是取决于它在日常生活中的 功能。

The Spark: Floor Plans 1:200 The Spark 平 面 图 1:200


A t t h e s a m e t i m e , c o n s u m e rs a n d residents can actively contr ibute, and at the same time, relief the evercompounding scenes of everyday life o f Jo o C h i a t , re c o rd e d t h ro u g h t h e architectural barcode of the abstract structure.

Top Design Impression 上图 设 计 示 意图

Hence, the new t ypology fufills not just a physical and spatial purpose but an important role in introducing a new sharing culture (of sharing culture) by acting as a social recorder.


与此同时,消费者和居民可以通过抽象 结构的建筑条形码,为记录如切日常生 活中日 益 复 杂 的 场 景作 出 贡 献 。

因此,新的类型学不仅仅体现在对物质 和空间的新定义上,它同时也借助人与 人之间的交往为推广新的共享文化发挥 重 要 的角色。


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