NUS DoA M.ARCH2 THESIS OVERVIEW: A COLLECTION OF WORKS (2017-2019)

YEAR 5 COMPILATION OF SAMPLES

2017/2018 AND 2018/2019 M.ARCH 2

M.ARCH THESIS: AN OVERVIEW

IMAGE CREDIT: NUS DOA GRADBOOK 2018/2019

MASTERS DESIGN PROJECTS

INTERESTS

PROJECT ATTRIBUTES

Masters Design Projects include those explored in two Options Design Research Studios (M.Arch 1), the Advanced Architecture Studio and the Thesis project in M.Arch 2. All studios may explore issues relevant to the interests of the Research Clusters, adjunct teachers and professors in practice. Students are encouraged to capitalise on faculty expertise in widening the scope of investigations which collectively strengthen the Thesis Project in M.Arch 2.

A good Masters project is one where:

Essential and Elective modules are useful in underpinning your Masters studio investigations. Although Options Design Research studios may be varied in content and method, students are advised to be selective and to use them as ‘learning runways’ to identify a Thesis topic and to apply accumulated knowledge there. The Advanced Architecture Studio preceding the Thesis may be used to explore thesis drivers in greater detail and focus.

It is expected that the Thesis project will be the most comprehensive and extensive study of all the Masters Design Projects. _______________________________________________________________________________________

• the research process informs design strategy which can be followed through a coherent sequential process of explorations or iterations • the research generates an underlying order giving rise to a number of architectural or urban propositions • the research or issues engaged with, give rise to new solutions through design, some of which are singular, permutable or recombinant • it addresses the contextual specificities of site, material, spatial, culture and program and all of the above are communicated through architectural drawings, well-crafted models and annotations which curate a design process and outcome(s) that can be understood without a verbal presentation by the author Beyond a commitment to individual academic portfolios, Masters projects play an important role in characterising the discursive ethos of a design school. It is important that you do your best.

DESIGN AS INQUIRY Masters projects can be research investigations where design forms a principal mode of inquiry.

Methods can be heuristic or empirical or in mixed modes of inquiry.

There are a number of research methods in design investigations leading to different outcomes but they are by no means exhaustive: • textual/graphic analysis of theoretical concepts with investigations drawn from critical discourse using text references, works of art/representation • quantitative analysis to verify qualitative hypotheses with simulation, physical experiment, prototype testing and mixed methods • scenario-driven speculative design to suggest solutions to emergent need. The process in itself is a new way of seeing/thinking which generates many solutions. One version of a solution may be articulated spatially and in full materiality • new research knowledge is interpreted in architecture as a new way of thinking/making/experiencing • existing practices, processes or existing technologies are applied to design and which produce ‘unprecedented’ outcomes

_______________________________________________________________________________________

MASTERS DESIGN PROJECTS

INTERESTS

PROJECT ATTRIBUTES

Masters Design Projects include those explored in two Options Design Research Studios (M.Arch 1), the Advanced Architecture Studio and the Thesis project in M.Arch 2. All studios may explore issues relevant to the interests of the Research Clusters, adjunct teachers and professors in practice. Students are encouraged to capitalise on faculty expertise in widening the scope of investigations which collectively strengthen the Thesis Project in M.Arch 2.

A good Masters project is one where:

Essential and Elective modules are useful in underpinning your Masters studio investigations. Although Options Design Research studios may be varied in content and method, students are advised to be selective and to use them as ‘learning runways’ to identify a Thesis topic and to apply accumulated knowledge there. The Advanced Architecture Studio preceding the Thesis may be used to explore thesis drivers in greater detail and focus.

It is expected that the Thesis project will be the most comprehensive and extensive study of all the Masters Design Projects. _______________________________________________________________________________________

• the research process informs design strategy which can be followed through a coherent sequential process of explorations or iterations • the research generates an underlying order giving rise to a number of architectural or urban propositions • the research or issues engaged with, give rise to new solutions through design, some of which are singular, permutable or recombinant • it addresses the contextual specificities of site, material, spatial, culture and program and all of the above are communicated through architectural drawings, well-crafted models and annotations which curate a design process and outcome(s) that can be understood without a verbal presentation by the author Beyond a commitment to individual academic portfolios, Masters projects play an important role in characterising the discursive ethos of a design school. It is important that you do your best.

DESIGN AS INQUIRY Masters projects can be research investigations where design forms a principal mode of inquiry.

Methods can be heuristic or empirical or in mixed modes of inquiry.

There are a number of research methods in design investigations leading to different outcomes but they are by no means exhaustive: • textual/graphic analysis of theoretical concepts with investigations drawn from critical discourse using text references, works of art/representation • quantitative analysis to verify qualitative hypotheses with simulation, physical experiment, prototype testing and mixed methods • scenario-driven speculative design to suggest solutions to emergent need. The process in itself is a new way of seeing/thinking which generates many solutions. One version of a solution may be articulated spatially and in full materiality • new research knowledge is interpreted in architecture as a new way of thinking/making/experiencing • existing practices, processes or existing technologies are applied to design and which produce ‘unprecedented’ outcomes

_______________________________________________________________________________________

RESEARCH CLUSTERS

ASIA RESEARCH FOCUS

III. TECHNOLOGIES

The Department positions itself as a design and research think-tank for architectural and urban development issues emerging in South Asia and SE Asia contexts. Graduate coursework in design engages with key challenges in population growth, industry, infrastructure, housing and environment, climate change and rapid economic change with disruptive technologies. In engaging with trans-boundary economies and technological change, the Department addresses concerns with the environmental impact of new settlements and cities on the natural environment in the light of climate change and on the threat to heritage and cultural presentation. MArch studios anticipate planning solutions through design explorations at various scales of intervention. The Master’s coursework are thus aligned to a core of five teaching groups viz. History Theory Criticism, Research by Design, Design Technologies, Urbanism and Landscape Studies. _______________________________________________________________________________________

The Technologies cluster investigates environmentally performative/sustainable building forms and systems,and generative-evaluative processes for designing liveable environments. Its research employs traditional and emerging technologies contributing to a new understanding of the human ecosystem, and emerging computational methods and techniques for discovering the relationships between form and performance. It researches on the relationship between human and natural landscapes, at every scale, from the building component scale to the urban scale.

Special emphasis is placed on the context of high density Asian cities and the context of the Tropics.

I. HISTORY THEORY CRITICISM The History Theory Criticism cluster develops critical capacities to examine questions of architectural production, representation and agency within historical and contemporary milieu. Taking architecture and urbanism in Asia as its primary focus, members work in interdisciplinary and transnational modes. We explore a range of topics relating to colonial/postcolonial and modern/ postmodern Asian cities; aesthetics and technopolitics of tropical climate and the built environment; affective media including film, contemporary art and exhibitionary modes; heritage politics and emergent conservation practices. We develop discursive fronts through a variety of media and scales. The cluster research encompasses scholarly, creative and advocacy activities. Output includes monographs, edited volumes, research papers, architectural reviews in professional journals, curatorial practice, conservation work, film and photography, object-making, and policy-influencing advocacy work.

II. RESEARCH BY DESIGN The Research by Design cluster performs translational research through the practices of making as research rather than through traditional forms academic research. It links the importance of creating, drawing, and building with rigor, originality, and significance to produce innovative and creative designs that shape the built environment. Located strategically between the NorthSouth axis of rapidly urbanizing Asia and the East -West line of the tropical equator, the Research

by Design cluster performs research through practice in three main themes: • Novel aesthetics of climatic calibration and performance; • Contemporary architectonics of fabrication, material, and resources contingent on South East Asia; and • Emergent spaces of inhabitation and production surrounding the equator.

IV. URBANISM With a comprehensive understanding of the complexity and distinctive characters of emerging urbanism in Asia, the vision is to develop sustainable models and innovative urban strategies to cope with various environmental, social, economic and technological challenges that Asian cities face today and in the future. Emergent urban issues related to community & participation, conservation & regeneration, ageing & healthcare, built form, modelling & big data, and resilience & informality are investigated from multiple perspectives and inter- and transdisciplinary collaborations to question conventional norms and conceptions and establish new visions for a sustainable urban future.

V. LANDSCAPE STUDIES The Landscape Studies cluster undertakes research to generate new knowledge of landscapes as socio-ecological systems and promotes the use of knowledge in governance systems and landscape design that improve the well-being of humans and the ecological integrity of the environment. The geographic focus is primarily high-density urban regions in Asia, but members of cluster also work in the transitional zones within the rural-urban continuum, where urban regions are expanding at a rapid rate into rural landscapes. The overall research approach is both interdisciplinary and transdisciplinary — we are concerned with not just advancing theoretical concepts and knowledge, but also applying the knowledge in practice and public policy to shape the environment. Our research areas cover a wide spectrum of socio-ecological dimensions of landscape, from landscape science, landscape management, to design research and socio-behavioural studies.

RESEARCH CLUSTERS

ASIA RESEARCH FOCUS

III. TECHNOLOGIES

The Department positions itself as a design and research think-tank for architectural and urban development issues emerging in South Asia and SE Asia contexts. Graduate coursework in design engages with key challenges in population growth, industry, infrastructure, housing and environment, climate change and rapid economic change with disruptive technologies. In engaging with trans-boundary economies and technological change, the Department addresses concerns with the environmental impact of new settlements and cities on the natural environment in the light of climate change and on the threat to heritage and cultural presentation. MArch studios anticipate planning solutions through design explorations at various scales of intervention. The Master’s coursework are thus aligned to a core of five teaching groups viz. History Theory Criticism, Research by Design, Design Technologies, Urbanism and Landscape Studies. _______________________________________________________________________________________

The Technologies cluster investigates environmentally performative/sustainable building forms and systems,and generative-evaluative processes for designing liveable environments. Its research employs traditional and emerging technologies contributing to a new understanding of the human ecosystem, and emerging computational methods and techniques for discovering the relationships between form and performance. It researches on the relationship between human and natural landscapes, at every scale, from the building component scale to the urban scale.

Special emphasis is placed on the context of high density Asian cities and the context of the Tropics.

I. HISTORY THEORY CRITICISM The History Theory Criticism cluster develops critical capacities to examine questions of architectural production, representation and agency within historical and contemporary milieu. Taking architecture and urbanism in Asia as its primary focus, members work in interdisciplinary and transnational modes. We explore a range of topics relating to colonial/postcolonial and modern/ postmodern Asian cities; aesthetics and technopolitics of tropical climate and the built environment; affective media including film, contemporary art and exhibitionary modes; heritage politics and emergent conservation practices. We develop discursive fronts through a variety of media and scales. The cluster research encompasses scholarly, creative and advocacy activities. Output includes monographs, edited volumes, research papers, architectural reviews in professional journals, curatorial practice, conservation work, film and photography, object-making, and policy-influencing advocacy work.

II. RESEARCH BY DESIGN The Research by Design cluster performs translational research through the practices of making as research rather than through traditional forms academic research. It links the importance of creating, drawing, and building with rigor, originality, and significance to produce innovative and creative designs that shape the built environment. Located strategically between the NorthSouth axis of rapidly urbanizing Asia and the East -West line of the tropical equator, the Research

by Design cluster performs research through practice in three main themes: • Novel aesthetics of climatic calibration and performance; • Contemporary architectonics of fabrication, material, and resources contingent on South East Asia; and • Emergent spaces of inhabitation and production surrounding the equator.

IV. URBANISM With a comprehensive understanding of the complexity and distinctive characters of emerging urbanism in Asia, the vision is to develop sustainable models and innovative urban strategies to cope with various environmental, social, economic and technological challenges that Asian cities face today and in the future. Emergent urban issues related to community & participation, conservation & regeneration, ageing & healthcare, built form, modelling & big data, and resilience & informality are investigated from multiple perspectives and inter- and transdisciplinary collaborations to question conventional norms and conceptions and establish new visions for a sustainable urban future.

V. LANDSCAPE STUDIES The Landscape Studies cluster undertakes research to generate new knowledge of landscapes as socio-ecological systems and promotes the use of knowledge in governance systems and landscape design that improve the well-being of humans and the ecological integrity of the environment. The geographic focus is primarily high-density urban regions in Asia, but members of cluster also work in the transitional zones within the rural-urban continuum, where urban regions are expanding at a rapid rate into rural landscapes. The overall research approach is both interdisciplinary and transdisciplinary — we are concerned with not just advancing theoretical concepts and knowledge, but also applying the knowledge in practice and public policy to shape the environment. Our research areas cover a wide spectrum of socio-ecological dimensions of landscape, from landscape science, landscape management, to design research and socio-behavioural studies.

2018/2019 M.ARCH 2

2018/2019 THESIS PROJECTS AIK XUAN XIN EZRA: KITSCHE | KCAMP | KHMER LIM WEI RONG KATE: SIMPLY SERENDIP GOLF RESORT GUO JING YANG: CLOUD KEEPERS MERVIN TAN JIA HERNG: VISIBLE REMAINDERS HAN YUN CHOU: KINMEN WELCOMES YOU LEE JIN TING | THE CLAY SETTLEMENT

IMAGES AND TEXT ADAPTED FROM MASTERS OF ARCHITECTURE: CLASS OF 2019 PUBLISHED IN ACCOMPANIMENT WITH THE NUS M.ARCH GRADUATION SHOW 2019, 28 MAY-1 JUNE 2019, UNDER THE DEPARTMENT OF ARCHITECTURE, SCHOOL OF DESIGN AND ENVIRONMENT, NATIONAL UNIVERSITY OF SINGAPORE

2018/2019 M.ARCH 2

2018/2019 THESIS PROJECTS AIK XUAN XIN EZRA: KITSCHE | KCAMP | KHMER LIM WEI RONG KATE: SIMPLY SERENDIP GOLF RESORT GUO JING YANG: CLOUD KEEPERS MERVIN TAN JIA HERNG: VISIBLE REMAINDERS HAN YUN CHOU: KINMEN WELCOMES YOU LEE JIN TING | THE CLAY SETTLEMENT

IMAGES AND TEXT ADAPTED FROM MASTERS OF ARCHITECTURE: CLASS OF 2019 PUBLISHED IN ACCOMPANIMENT WITH THE NUS M.ARCH GRADUATION SHOW 2019, 28 MAY-1 JUNE 2019, UNDER THE DEPARTMENT OF ARCHITECTURE, SCHOOL OF DESIGN AND ENVIRONMENT, NATIONAL UNIVERSITY OF SINGAPORE

2018/2019 M.ARCH 2 CLASS OF 2019

86

KITSCH | KCAMP | KHMER AIK Xuan Xin Ezra Supervisor: Mr. Erik L’Heureux

My thesis is about exploring the systems of architectural production and its role in the ongoing cultural production in equatorial cities during its post-independence. It explores the relationship between kitsch, camp, and fakes as processes in architectural design.

The architectural consequence the thesis includes a built architectural project or a physical urban intervention that utilizes camp-kitsch-aesthetics as a relevant cultural agency within the contemporary architectural means of production. In this case, it is a tower situated in diamond island. A copy, a critique or a mere monument? On one hand, the tower seeks to extend that exaggeration of form and motifs and on the other hand, it takes itself less seriously due to this exaggeration. As such the doubleness allows for the critique of Vann Molyvann legacy as well as the current state of capitalistic development in Cambodia.

MASTERS OF ARCHITECTURE

87

2018/2019 M.ARCH 2 CLASS OF 2019

86

KITSCH | KCAMP | KHMER AIK Xuan Xin Ezra Supervisor: Mr. Erik L’Heureux

My thesis is about exploring the systems of architectural production and its role in the ongoing cultural production in equatorial cities during its post-independence. It explores the relationship between kitsch, camp, and fakes as processes in architectural design.

The architectural consequence the thesis includes a built architectural project or a physical urban intervention that utilizes camp-kitsch-aesthetics as a relevant cultural agency within the contemporary architectural means of production. In this case, it is a tower situated in diamond island. A copy, a critique or a mere monument? On one hand, the tower seeks to extend that exaggeration of form and motifs and on the other hand, it takes itself less seriously due to this exaggeration. As such the doubleness allows for the critique of Vann Molyvann legacy as well as the current state of capitalistic development in Cambodia.

MASTERS OF ARCHITECTURE

87

2018/2019 M.ARCH 2

90

SIMPLY SERENDIP GOLF RESORT LIM Wei Rong Kate Supervisor: Mr. Erik L’Heureux

Foregrounded in Sri Lanka, the architecture thesis questions the inherent interpretation of site in architecture production and addresses the moral role of architecture and the architect in the wake of recent neocolonial government policies and developmental pressures. The thesis project is a synthesis of two seemingly polarising research trajectories. Amalgamating notions of the image of the tropics, and the turbulent social-political climate of the island. The thesis aims to set up both a literal and metaphorical framework to critique and approach the sites of contestations in Sri Lanka.

MASTERS OF ARCHITECTURE

CLASS OF 2019

91

2018/2019 M.ARCH 2

90

SIMPLY SERENDIP GOLF RESORT LIM Wei Rong Kate Supervisor: Mr. Erik L’Heureux

Foregrounded in Sri Lanka, the architecture thesis questions the inherent interpretation of site in architecture production and addresses the moral role of architecture and the architect in the wake of recent neocolonial government policies and developmental pressures. The thesis project is a synthesis of two seemingly polarising research trajectories. Amalgamating notions of the image of the tropics, and the turbulent social-political climate of the island. The thesis aims to set up both a literal and metaphorical framework to critique and approach the sites of contestations in Sri Lanka.

MASTERS OF ARCHITECTURE

CLASS OF 2019

91

2018/2019 M.ARCH 2 CLASS OF 2019

94

CLOUD KEEPERS GUO Jing Yang Supervisor: Mr. Tsuto Sakamoto

The progress of humanity as a species as always been at the expense of many of the nonhuman entities in the natural environment. Common practices of enforcing policies, which demarcates wildlife reserves, creates the illusion of government interests in natural conservation, and further strengthens its grip on agrilogistical projects. As such, the thesis questions Singapore’s ideal and normalized methods of natural conservation.

The project envisions a data centre built upon a mudflat ecology to serve the growing needs of server farms in the digital industry. The server blocks were arranged with the help of computational fluid dynamics, such that an artificial delta would be created to slow down the rate of erosion. Seawater spray cooling technology were used instead of conventional cooling towers to allow a small percentage of salt to return to the sea. Thus increasing the salinity of the sea and alleviating the issues of seasonal algae blooms while promoting the growth in the natural environment.

The result is an architectural ground of coexistence, a new form of assemblage, where the definition of what’s “artificial” and “natural” is obscured. The humming of the servers, drowned by the buzzing of insects and clicking of molluscs.

Rows of server lights that blink together with the glowworms and fireflies. A canopy that rains salt 24/7. Coexistence also suggest new lifestyles, physical transformations, and abnormal working habits of the inhabitants that have adapted to these speculative environments.

The Keepers of the Cloud.

MASTERS OF ARCHITECTURE

95

2018/2019 M.ARCH 2 CLASS OF 2019

94

CLOUD KEEPERS GUO Jing Yang Supervisor: Mr. Tsuto Sakamoto

The progress of humanity as a species as always been at the expense of many of the nonhuman entities in the natural environment. Common practices of enforcing policies, which demarcates wildlife reserves, creates the illusion of government interests in natural conservation, and further strengthens its grip on agrilogistical projects. As such, the thesis questions Singapore’s ideal and normalized methods of natural conservation.

The project envisions a data centre built upon a mudflat ecology to serve the growing needs of server farms in the digital industry. The server blocks were arranged with the help of computational fluid dynamics, such that an artificial delta would be created to slow down the rate of erosion. Seawater spray cooling technology were used instead of conventional cooling towers to allow a small percentage of salt to return to the sea. Thus increasing the salinity of the sea and alleviating the issues of seasonal algae blooms while promoting the growth in the natural environment.

The result is an architectural ground of coexistence, a new form of assemblage, where the definition of what’s “artificial” and “natural” is obscured. The humming of the servers, drowned by the buzzing of insects and clicking of molluscs.

Rows of server lights that blink together with the glowworms and fireflies. A canopy that rains salt 24/7. Coexistence also suggest new lifestyles, physical transformations, and abnormal working habits of the inhabitants that have adapted to these speculative environments.

The Keepers of the Cloud.

MASTERS OF ARCHITECTURE

95

2018/2019 M.ARCH 2

100

MASTERS OF ARCHITECTURE CLASS OF 2019

VISIBLE REMAINDERS TAN Jia Herng Melvin Supervisor: Mr. Tsuto Sakamoto

Visible remainders is about the architecture of curating leftovers. Sited in Aokigahara forest—a location imbued with macabre stories and myths—the architecture seeks to redefine its narrative through shaping the spatial experience of the forest.

Be it scenic, disgusting or even romantic, the encounters with the piles may begin as uncanny and unfamiliar, as it reveals both the beauty and horror of Japan’s industrial excessiveness.

The atmosphere within the Aokigahara piling site dissolves the boundaries between man and nature, as the boundaries of what is natural and artificial is blurred; so as the boundaries of what is of used or what is waste. A quiet vitality arises amidst the cacophony of bewildering landscapes; pursuing to dissuade myopic intentions of refugees—by presenting opportunities for survival, and subsequently contemplation.

101

2018/2019 M.ARCH 2

100

MASTERS OF ARCHITECTURE CLASS OF 2019

VISIBLE REMAINDERS TAN Jia Herng Melvin Supervisor: Mr. Tsuto Sakamoto

Visible remainders is about the architecture of curating leftovers. Sited in Aokigahara forest—a location imbued with macabre stories and myths—the architecture seeks to redefine its narrative through shaping the spatial experience of the forest.

Be it scenic, disgusting or even romantic, the encounters with the piles may begin as uncanny and unfamiliar, as it reveals both the beauty and horror of Japan’s industrial excessiveness.

The atmosphere within the Aokigahara piling site dissolves the boundaries between man and nature, as the boundaries of what is natural and artificial is blurred; so as the boundaries of what is of used or what is waste. A quiet vitality arises amidst the cacophony of bewildering landscapes; pursuing to dissuade myopic intentions of refugees—by presenting opportunities for survival, and subsequently contemplation.

101

2018/2019 M.ARCH 2

108

MASTERS OF ARCHITECTURE CLASS OF 2019

[ 金門歡迎你 ] HAN Yun Chou Supervisor: Mr. Bobby Wong

Embracing the imagery of Kinmen’s islands [ 金門 ] military heritage as a source of interest, intrigue and indulgence, the thesis project speculates a scenario in which the contemporary consumption of architectural imagery can be utilized as a methodology to mediate, negotiate and renegotiate modern-day tensions and anxieties between Taiwan and Mainland China. Confronting both social and economic imperatives of Kinmen, architecture is concurrently situated as a means to address political uncertainty in light of heightened cross-straits tensions; defying and drifting between latent notions of the paradoxical, contradictory and complex relationships between the two sides, Kinmen’s strategic importance is established as the new frontier of change.

109

2018/2019 M.ARCH 2

108

MASTERS OF ARCHITECTURE CLASS OF 2019

[ 金門歡迎你 ] HAN Yun Chou Supervisor: Mr. Bobby Wong

Embracing the imagery of Kinmen’s islands [ 金門 ] military heritage as a source of interest, intrigue and indulgence, the thesis project speculates a scenario in which the contemporary consumption of architectural imagery can be utilized as a methodology to mediate, negotiate and renegotiate modern-day tensions and anxieties between Taiwan and Mainland China. Confronting both social and economic imperatives of Kinmen, architecture is concurrently situated as a means to address political uncertainty in light of heightened cross-straits tensions; defying and drifting between latent notions of the paradoxical, contradictory and complex relationships between the two sides, Kinmen’s strategic importance is established as the new frontier of change.

109

2018/2019 M.ARCH 2

224

THE CLAY SETTLEMENT LEE Jin Ting Supervisor: Mr. Joseph Lim

Situated at JTC CleanTech Park where the last two dragon kilns in Singapore remain, Clay Settlement is a ceramics themed garden which conserves the heritage kilns brought by our ancestors to Singapore and celebrates ceramics art by engaging people with clay activities in a park setting.

In the garden, pavilions which are form by new clay products houses themed activities as new attractions of the park. New clay products are made up of excess excavated soil in Singapore. Designed with the function of rain protection and light penetration, it forms experiential spaces while demonstrating an experimental process in creating new clay tectonic.

MASTERS OF ARCHITECTURE

CLASS OF 2019

225

2018/2019 M.ARCH 2

224

THE CLAY SETTLEMENT LEE Jin Ting Supervisor: Mr. Joseph Lim

Situated at JTC CleanTech Park where the last two dragon kilns in Singapore remain, Clay Settlement is a ceramics themed garden which conserves the heritage kilns brought by our ancestors to Singapore and celebrates ceramics art by engaging people with clay activities in a park setting.

In the garden, pavilions which are form by new clay products houses themed activities as new attractions of the park. New clay products are made up of excess excavated soil in Singapore. Designed with the function of rain protection and light penetration, it forms experiential spaces while demonstrating an experimental process in creating new clay tectonic.

MASTERS OF ARCHITECTURE

CLASS OF 2019

225

2017/2018 M.ARCH 2

2017/2018 THESIS PROJECTS LIN DERONG: MATERIALISING SAND NATATLIE CHEUNG AI WEN: AUTHORISING NATURE SWEE YEW YONG KYRA: ENTOMBMENT OF FEAR YEE ZHI YUAN JASPER: THE GENETIC ARCHIVE

IMAGES AND TEXT ADAPTED FROM MASTERS OF ARCHITECTURE: CLASS OF 2019 PUBLISHED IN ACCOMPANIMENT WITH THE NUS M.ARCH SHOW 2018, 30 MAY-6 JUNE 2018, UNDER THE DEPARTMENT OF ARCHITECTURE, SCHOOL OF DESIGN AND ENVIRONMENT, NATIONAL UNIVERSITY OF SINGAPORE

2017/2018 M.ARCH 2

2017/2018 THESIS PROJECTS LIN DERONG: MATERIALISING SAND NATATLIE CHEUNG AI WEN: AUTHORISING NATURE SWEE YEW YONG KYRA: ENTOMBMENT OF FEAR YEE ZHI YUAN JASPER: THE GENETIC ARCHIVE

IMAGES AND TEXT ADAPTED FROM MASTERS OF ARCHITECTURE: CLASS OF 2019 PUBLISHED IN ACCOMPANIMENT WITH THE NUS M.ARCH SHOW 2018, 30 MAY-6 JUNE 2018, UNDER THE DEPARTMENT OF ARCHITECTURE, SCHOOL OF DESIGN AND ENVIRONMENT, NATIONAL UNIVERSITY OF SINGAPORE

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YEAR 5 COMPILATION OF SAMPLES

2017/2018 AND 2018/2019 M.ARCH 2

IMAGE CREDIT: NUS DOA GRADBOOK 2018/2019