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By AJ Feeney-Ruiz
STILL A MARQUEE EVENT SPORTS PG. 12 New Generation 6 model could lead to more passing — and more excitement — at this year’s Brickyard 400. By Lori Lovely
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UNCORK THE UPLANDS FOOD PG. 14
Best tenderloin? Check! Best record store shopping? Check!! Best of all this city has to offer? Check!!!
A tasting and vineyard tour celebrates the output of wineries and other artisans on the Uplands Wine Trail. By Howard Hewitt
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Care workers - saints on earth It has been a long time since I picked up and read NUVO; after reading Fran’s compassionate reporting of home care workers, I may have to make it a regular practice. Fran’s stories were so touching and so real — I know because I have seen many of these workers on a daily basis as I cared for an elderly friend the past two years. Some of them are saints — angels on earth — they care about the people they work to help each day. They are sensitive to the ministry that they are providing to those who were once strangers and now are more like treasured friends of the family. I felt informed after his article, too, and can see now whom I should write to and support among our legislators to help increase the living wage and working conditions of home care workers. Excellent work, Team NUVO and special kudos to Fran. — Elaine, Indianapolis
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Vol. 24 Issue 17 issue #1115
A LOOK BACK AT BEST OF INDY
BLACK EXPO: CHEERS & JEERS
Every year, we gather to celebrate our reader picks for their favorites. Here’s a trip down memory lane to eye former winners and parties.
It is time for me to do my annual assessment of the second Saturday night of Indiana Black Expo. By Abdul-Hakim Shabazz
GALLERY: DAWES, SHOVELS AND ROPE These bands performed at The Vogue on Saturday, July 20. Photos by Stacy Kagiwada
INDIANA’S VOICE FOR SUSTAINABLE LIVING
INDIANALIVINGGREEN.COM AVAILABLE AT
David Hoppe’s column on the George Zimmerman case received a number of responses: Good work here. I’d like to see a sequel to this editorial that expands the role fear played in this, and how that fear is programmed and exacerbated by the mainstream media. All you have to do these days is watch the news, or watch the TV shows they are producing these days, and you can see that we are bombarded with violence and fear programming that plays into this. I saw twice in the last 2 weeks a news clip on how to be prepared for a home invasion, where a video clip showed a large black man busting in the door and wailing punches down on a white woman who was sitting on her couch. How realistic is this to the average person, and how much do clips like these weigh on all of our psyches? — Posted by NUVO Reader Zimmerman had a gun because he and his wife had been cornered by an aggressive dog in the past. He and his wife both each got a gun after being advised to do so by an animal services employee. — Posted by Mike
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Finding hope on the horizon
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AJ FEENEY-RUIZ EDITORS@NUVO.NET
o here’s the poop. Yes, I said poop. Indy economic development Just go with it. Underemployment activist, local entrepreneur, kickboxer and Virgo working to help sucks. It has now been 413 days (as nonprofits, small businesses and of the writing of this column … but will startups. be 418 days when this column is published) since I’ve received a regular paycheck. It’s my own fault. I left a perfectly good job (deputy chief of staff, comThere are only so many times you can be munications director) for one of the top told to “dumb down” your résumé before agencies in the state to run for elected you realize the field in which you are playoffice over a year ago, after which I went ing is not where you should be. back to my consulting gig, which is solely The brain drain that exists in Indy, dependant on contracts. and Indiana as a whole, is increasingly Contracts don’t come around often for becoming less of an issue about being a somebody in my field in a year in which dynamic and attractive city, and more elections don’t exist in Indiana, so I’ve about a city short on employment opportaken to looking for more traditional tunities. This isn’t to say hope is not on means of employment. Being almost the horizon. 33 years old with a JD/MBA from a top With more than 1,000 employees, most school (working the entire time) apparof whom are located in Indy, ExactTarget ently makes you unemployable. Trust continues to grow. Its recent acquisime, a position I was overqualified for was tion by another expanding company, filled with three, entry-level folks and it Salesforce.com with roughly 5,000 still somehow came out to be cheaper employees, shows the potential for new than hiring me. And I’m not alone. When you dig into the numbers on the Bureau of Labor Statistics website, Indiana surfaces at No. 18 for unemployment and The Dow can keep telling us that underemployment, at 14.3 it has reached a new high, but for percent of the state’s labor force. Indiana’s percentage is many of us that is meaningless … just under the U.S. average of 14.5 percent. I love my city, and I applauded our recent accoopportunity in Indy. My Downtowner’s lades when we were named the No. 1 big dream is for the new parent company to city for recent college grads primarily due realize its current corporate and income to our “jaw-dropping 1.9 percent unemtax rates in California would be considployment rate” for those with bachelor’s erably lower in Indiana and to move its degrees. I don’t dispute the numbers, but headquarters to the long vacant, but now it doesn’t take long to ask yourself or your on-the-market Illinois Building — which friends before you start getting to that 14.3 just happens to be around the corner percent underemployed statistic. from their recent $2.5 billion acquisition. Underemployment in the U.S. and The transition from Rust Belt manuin Indy is a serious concern. We have facturing state to a hotbed for emerging a dearth of positions to accommodate and established tech startups has been in those who spend tens of thousands or motion for Indy for quite some time. The even hundreds of thousands of dollars city is poised to increase its Downtown on an education aimed at filling jobs that residential capacity by almost 100 persimply do not exist or that are occupied cent from 2009 (and that’s before the by folks reluctant to leave or retire due recently announced 450-unit, 28-story to the still-uncertain economy. Eli Lilly, skyscraper set to be built on half of the one of the state’s largest employers, just vacant Market Square Arena lot). More announced a salary freeze on virtually companies will be looking to Indy in the every employee in its organization. Lilly future and will hire those of us caught employees aren’t leaving their posts anyin the awkward in-between levels of time soon and that is the reality of our employment. current situation. City leadership and vision have helped The Dow can keep reaching new highs, redefine our Indianapolis job market, and, but for many of us that is meaningless as we scramble for anything remotely pertain- hopefully, the future will not be so dire for us underemployed Indy Hoosiers. ing to our degrees — if we have them at all.
Benefitting Indy cog
Elite indiana state criterium Championships
Saturday, August 10 noon to 11 p.m
Start/finish line and registration are at
435 Mass Ave., downtown Indy to view the full race schedule, visit truesport.com Visit us at mac.nuvo.net or truesportcom •
follow us on facebook at Mass Ave Criterium
watch in the beer garden as racers compete at speeds reaching 40mph! Enter to win:
A Fat Tire Bike from New Belgium
• The Art Press and United State of Indiana will be screen printing commemorative shirts on site! • BGI Will conduct contests and challenges for your chance to win prizes! • A bigger and better beer garden with more seating, more shade and longer hours! • Don’t forget to bring your water bottle! Free water stations courtesy of Bottle Free Indy For racer questions: Mike Hanley, 317-549-5233
Visit the beer garden to register for a chance to win the 2013 New Belgium Cruiser
August 10, 2013
ELITE INDIANA STATE CRITERIUM CHAMPIONSHIPS
Enjoy volunteering? Please contact Kate Bragg at kbragg@nuvo.net or 317-808-4608
crowd giveaways Racing will continue all day long! under the lights! Courtesy of Mass Ave Merchants
WHAT HAPPENED? THE GREAT PLATE DEBATE The American Civil Liberties Union of Indiana and the Indiana Bureau of Motor Vehicles are back in court — this time to debate a police officer’s right to use a vanity plate tagged “0INK.” Until the case is resolved, the state will suspend its personalized license plate program. Drivers can renew existing plates, but no new applications will be accepted. Still, nothing is a sure bet, even for existing plates: The “0ink” plate was a renewal. This case follows a favorable outcome for the Indiana Youth Group , which was challenged over alleged rules violations in the handling of its specialty plates. In other ACLU of Indiana news, the group will host a “First Wednesdays” panel discussion on the U.S. Constitution and civic literacy at noon on Aug. 7 at WFYI. Indianapolis Business Journal Chair Mickey Maurer will moderate. Panelists include educator Michael Gordon, State Senator Brandt Hershman, R-Buck Creek, and Sheila Suess Kennedy, a professor of law and policy at IUPUI. FACEBOOK FOLLIES The debate over free speech continues at the office of Gov. Mike Pence, where the governor’s Facebook page is serving as a virtual town square for gay rights activists distraught over Republican leadership’s determination to pursue a referendum that could write a hetero-exclusive definition of marriage into Indiana’s state constitution. Ever since the governor posted a statement emphasizing his hope that Hoosier voters would “reaffirm our commitment to traditional marriage” as defined as an institution between a man and a woman, literally every new Pence posting has been peppered with comments demanding marriage equality. Next to a picture of the governor with assorted officials at the opening of a Prophetstown water park, Dale Reynolds posts, “Marriage Equality Now! Do not put hatred and discrimination in our state constitution.” Under a picture of Pence at the St. Joseph County Fair with the caption — “It was great to spend time speaking with Hoosiers about the future of Indiana.” — Jonathan Pestana responded, “The future you are discussing I hope includes marriage equality.” Last Friday, Pence’s office released a new social media policy that suggests that, “ Larger discussion of political views and philosophies may be addressed elsewhere.” So far, posters do not seem to be paying much attention. And, in line with his pledged commitment to freedom of speech following June’s kerfuffle, in which his staff deleted some pro-gay comments, the governor appears to be letting the comments stand. ACADEMIC FREEDOM Local Associated Press reporter Tom LoBianco dug up some interesting 2010 email exchanges between thenGov. Mitch Daniels and leading state education officials. One targeted a University of Indianapolis professor who had been vocal in his distaste for the state’s fiscal policy. Another decried the effects the governor feared the work of historian Howard Zinn may have on Hoosier students. In a column posted at NUVO.net, journalist John Krull asked: “Just when did we decide that the primary objective of education — or, for that matter, public discourse — was making sure that people never encountered ideas with which they might disagree?” In response to the column, Daniels, now president of Purdue University, called Krull to emphasize his “commitment to free speech and academic freedom.” Daniels’ distaste for Zinn’s work, however, remains undiluted as per Krull’s account. “If someone wants to discuss whether what he has done is valid history or not,” Daniels told Krull, “we can have the debate all day.” The question remained unasked, though: “If Hoosier students aren’t permitted to read the book, how can they debate it?” — REBECCA TOWNSEND WITH THANKS TO THE STATEHOUSE FILE 6 NEWS // 07.24.13 - 07.31.13 // 100% RECYCLED P APER // NUVO
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RENEWABLE ENERGY NEXUS AT IUPUI Researchers look to lunar soil in the quest to sustain life on Earth REBECCA T O WNS END A ND D A VID GURECK I R TOWNS END @ NUV O.NET
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esearchers at the Richard G. Lugar Center for Renewable Energy, located at IUPUI, are not so much interested in developing technology to compete in today’s marketplace as they are in figuring out how to identify the limitations of today’s renewable energies and develop solutions to inefficiencies or opportunities for innovation. Examples of ongoing research efforts include a seawater flow battery that produces desalinized water as a byproduct and waste-to-energy projects. Another ongoing effort is focused on the gasification of agricultural residue, such as corn stover and rice hulls, that produces silicon (used in solar panels) as a co-product. In addition, LCRE researchers have also figured out a way to use the silicon they obtain from the waste to store hydrogen. That hydrogen can then be put to use in fuel cells to power vehicles. Three students from the India Institute of Technology-Bombay
So that puts the Lugar Center in teamed with an LCRE grad student to help install one of the gasification quite a pinch. That also means that industry has less pressure to invest units just across Fall Creek north in renewable energy. of the IUPUI campus. The “Stalk That leaves universities to look Stoker” is now operational and researchers are exploring the poten- beyond economic arguments, to look at systems thinking, life-cycle tial for the renewable hydrogen fuel analysis. And to think about: What source the machine enables. is the impact on the environment? Inspired by questions raised What’s the impact on human at the LCRE’s Spring Forum [see NUVO.net/ news for an overview of the “The goal there is to ... have all the event], we folelectric power we could ever want without lowed up with Professor Peter pollution from either the manufacture or Schubert, direcgeneration of electric power.” tor of LCRE, at his IUPUI office — PROFESSOR PETER SCHUBERT to discuss the challenges and health? How do we make these opportunities he sees in the renewthings more sustainable? able energy field. Because, even though they are abunNUVO: Tell us about the ecodant, fossil fuels, they are finite. They nomic reality for renewable energy will become more expensive to extract these days. and will cause cumulative effects in our PETER SCHUBERT: Right now, renewenvironment. So the goal of the Lugar able energy is in a slump. There’s Center is to develop renewable sources been an incredible bonanza of ener- that do not have those types of impacts gy with natural gas from hydraulic and to make them economical. fracturing. This, purely from an NUVO: What is the likelihood that we economic standpoint, is a bonanza. could destroy the planet before we run Because of that, the pressure to look out of fossil fuels? If renewable enerat renewable sources has dropped gy is not translating that well to the considerably — in industry, for consumers, and for governments. SEE, ENERGY, ON PAGE 08
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Pitch-In: A Conversation about Hunger and Food Access Community partners, including Feeding Indiana’s Hungry, Growing Places Indy, Hope in the Harvest, Indiana Department of Agriculture, OxFam Action Corp, Second Helpings, Slow Food Indy and Dow AgroScience will join IUPUI grad students and columnist Erika Smith for a panel discussion and networking. Thurs., July 25, Keep Indianapolis Beautiful, 1029 E. Fletcher Ave, FREE Recycle Fest Presented by Indiana Living Green in collaboration with Indy Parks, and MOKB Presents, the inaugural Recycle Fest will combine environmentally responsible initiatives through an all-day festival featuring food, drinks, live music, demonstrations, activities and education. Bands performing 40-minute sets comprised of half original material and half “recycled” cover songs include: Darwin Deez, The Main Squeeze, KO, The New Old Cavalry, Hotfox, The Pro Letarians, Rodeo Ruby Love, Blue Moon Revue, and The Bonesetters. Buy tickets at bit.ly/recyclefest13. Use the code: NUVO for $5 discount. Sat., July 27, 12-10 p.m., Garfield Park’s MacAllister Amphitheatre, $15 Volunteer at the Wishard Slow Food Garden Continuing through Aug. 8, volunteers team with Growing Places Indy to raise fresh produce for the farmstand at the Chase Near Eastside Legacy Center. Wednesdays from 4-6 p.m., White River State Park
THOUGHT BITE His face was flushed, but his broad shoulders saved him. — ANDY JACOBS, JR
N NUVO.NET/NEWS Peace in Syria and Trayvon Martin rally by David Gurecki GOP, Dems at odd over health insurance costs by Olivia Covington Lawmakers prepare for Common Core study by Megan Banta Political talk discouraged on Pence’s Facebook page by Olivia Covington
VOICES • Marriage and gender question for Gov. Pence - by Dr. Bill Buffie • Enabling American paranoia - by David Hoppe • State’s job creation efforts need transparency - by Lesley Weidenbener • Indiana Black Expo 2013: Cheers and Jeers - by Abdul-Hakim Shabazz • Pondering Daniels’ emails and academic freedom - by John Krull • Mitch Daniels responds to criticism over emails - by John Krull
VOICES • Indy Eleven Tryouts - by Rebecca Townsend • Tails and Ales at the Brewpub - by Aiste Manfredini • Lightning Talks: ACLU Liberty edition - by Rebecca Townsend and Steph Griggz 8 // NEWS // 07.24.13 - 7.31.13 // 100% RECYCLED P APER // NUVO
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ENERGY , FROM PAGE 06 marketplace, is it because the environmental and health consequences are externalized — not reflected in the commercial cost of oil, coal or natural gas? SCHUBERT: It’s political and economic. I’m reading two really good references right now. One is called The Merchants of Doubt by Naomi Oreskes. She describes how a small group of scientists have obscured the truth on a number of issues, including smoking, acid rain, ozone hole, secondhand smoke, and climate change. These scientists are funded specifically and deliberately to create public debate in order to delay action for economic purposes. They are incredibly effective. Another book … The Future by Al Gore. … It is a very chilling description of the current environment where the organizations that have been able to exert political influence have been able to maintain their interests economically even though they may not be serving the highest and best good of society. And those who we elect to represent us are often influenced to a high degree by established and powerful interests. NUVO: Given this dynamic, how is it even possible to make progress? SCHUBERT: Two answers: In my previous work … I tried to update the Illinois code to make it possible for farmers to use gasification technology to be able to produce more of their own energy and heat. I ran into incredible opposition from the utility companies. And, working for a small company, not only was I completely outgunned, but I felt like I had a target on my back. … There is considerable risk at vocalizing opposition to the status quo. The other answer is: If you look historically at the United States, we have been historically effective at responding reactively to crisis. It’s my personal opinion that it will require a significantly negative, emotional event before the tide turns to more favor renewable, clean sources of energy … I’m a researcher, a scientist, and I’m also a capitalist. I believe in the free market system. I believe in making money. But these things need to be balanced … . We need to have a plan, a pathway that we can get to a point of sustainability. What’s at debate here is how fast do we need to do that. And public conscientious is lagging behind science, but that has always been the case. NUVO: How does the Lugar Center position itself within this reality? SCHUBERT: We’re working as fast we’re able to with limited resources so we can be ready … It is a waste of time to fight against the establishment, we need to make sure we’re doing good science, good engineering, good policy, and prepare for when everyone says, “Oh, my gosh we need you guys real bad.” And then we can, hopefully, lead the charge and make it happen fast. We’ve increased, in recent years with the Obama administration, the investment in renewable energies and it has not been very pretty. There are some successes out there, but the failures are high profile and that means that public perception is tarnished. … We’re on a shoestring budget
PHOTO BY REBECCA TOWNSEND
Professor Peter Schubert, director of Richard G. Lugar Center for Renewable Energy, in his IUPUI office. On his desk, Schubert exhibits models of three of the LCRE’s ongoing renewable energy projects: a seawater flow battery that produces desalinized water as a byproduct; the “stalk stoker” gasification unit; and a waste-to-energy project. He holds in his hand a vial containing a hydrogen sponge, which uses silicone collected from ag residues, such as corn stalks, to store hydrogen, which can then be used in fuel cells.
right now. My job is to scour the world to find out where the investment is that can keep this work going and it’s a hard sell. It’s really, really tough. NUVO: Given the LCRE’s work with the “stalk stoker,” do you see farms getting to a place of self sufficiency with regards to energy? SCHUBERT: No. We’re working towards that, but we’re a long way from that. Of all the energies use on farms, about 40 percent are from diesel fuel. They get a lot from gas or propane, a lot from electricity, a little bit from gasoline and very, very little from renewable sources. Many of our technologies are aimed at helping farms become self-sufficient, helping to promote agriculture. This (“stalk stoker”) unit, for example, can produce bio char … . It’s not a fertilizer, but it can help soil hold moisture better, increase tilth and allow good bugs to come make nitrogen in the soil. With this machine, we’ve got the ability to produce hydrogen as renewable fuel because we make it from plant material. We can put it into existing gasoline engines to extend their range and improve their emissions. [The research team] is working on how to produce hydrogen in sufficient quantities to put into your vehicle as a dual fuel to reduce the amount of gasoline you need. We’re looking at how we can have farmers make hydrogen with their waste biomass, store it in silicone, which comes from the waste of the waste, and run a fuel cell tractor. NUVO: This sounds like it is right on target with your mission of fuel life-cycle analysis. SCHUBERT: Extracting every bit of value from renewable sources is leading to true sustainability. The ultimate test is: Can you put people into a can in outer space and have them live sustainably off the Earth?
I’m a member of the AIAA, the American Institute of Aeronautics and Astronautics, and I’m on their space colonization technical committee … developing technologies to support and sustain human presence in space. The technologies we’ve used to make silicone from rice hall ash were derived from technologies to make silicone from lunar soil. I have three patents on how to do that. I had a NASA grant of $600,000 to build one. The goal there is to produce silicone on the moon so that we can build solar panels on the moon and place them into orbit around the Earth where they can collect sunlight all the time. No night, no clouds, no rain. Then use millimeter waves to beam the power safely to the Earth so we have all the electric power we could ever want without pollution from either the manufacture or generation of electric power. NUVO: What is a millimeter wave and how much energy do you lose using it? SCHUBERT: About 50 percent, but compared to other things that’s in the same range. Millimeter waves are on your body every time you go through airport security. … The most recent demonstration of power transmission over long distances was between two volcanoes in Hawaii on different Islands. Now people are proposing we use the International Space Station to beam power through the atmosphere to see how it affects the troposphere, how does it affects bugs, and test how much power do you lose —because it’s not 100 percent, nothing is 100 percent. This is one that is you know, 20-30 years away. But it all ties in with this other stuff because getting silicone and making solar panels on farms is the first step to getting humans permanently in space and using lunar soil, which has a lot of silicone in it, to make the solar panels, which can save life on Earth.
MORE NEW POETRY ANATHEMA: A COMPLETE UNDERSTANDING OF EVERYTHING BY D.M. ROSS Anathema Hall This miniature book (3.75 inches tall by 2.75 inches) arrived a few months back, addressed to a colleague who recently decamped for the dunes. I think it’s about free will. Here’s the compete text: “IT IS a matter of control. / All things are the power to decide what will happen. / There is nothing but a chance until the end. / Search for all that can be found.” Each line break is also a page break. The book is bound in Sturdite Black Silver 209, with a gold and silver embossed cover. Do the interlocking four rings on the cover represent the four elements? Is this some kind of calling card for the Church of Satan? What is the “is” that is a “matter of control”? What to make of the tortured syntax of the second sentence? Why is there nothing but “a chance” instead of “chance”? I only have one chance? But then what am I searching for? How will I know when I find it? I fear I still have an incomplete understanding of everything. — Scott Shoger
RILEY FARM-RHYMES WITH COUNTRY PICTURES BY JAMES WHITCOMB RILEY, ILLUSTRATED BY WILL VAWTER Indiana University Press, $18 IU Press availed itself of a digital type and other tricks of the modern trade in creating a new facsimile of the first edition of Riley Farm-Rhymes, first published by the Bobbs-Merrill Company of Indianapolis in 1883. The halftone and line drawings were scanned from the best existing materials, and the text was recomposed in an Adobe Systems font, “giving the poems new life while preserving as far as possible the feeling of the 1905 edition” (the final reprint by Bobbs-Merrill). The green cover is likewise a handsome facsimile of the 1905 edition, the front board being pretty much identical (a strapping lass rising out of a field, clad in a red shirt and set against a golden setting sun). This reader can’t say he’s gained a new appreciation for Riley, but this seems an essential purchase for any Riley fan, even if he or she has a copy of the original edition (because you can page through this one without fear of disturbing the historical record). Extra points to IU Press for leaving in a period “other works by Riley” page that lists prices for the collected Greenfield Edition (eleven volumes uniformly bound in sage-green cloth, gilt top, $13.50). —Scott Shoger
EVENTS The Conservative Tradition Reba Boyd Wooden is the discussion leader for this series of video lectures and talks. This week: National Review, Barry Goldwater and the Upheavals of the ‘60s. Center for Inquiry-Indiana (350 Canal Walk, Ste. A), July 28, 7 p.m., FREE Win Against Invasive Plants The Hoosier Heartland Resource Conservation and Development Council is leading this one-hour workshop devoted to eradicating invasive plants. Garfield Park Library, July 29, 6 p.m., FREE
N NUVO.NET/BOOKS Visit nuvo.net/books for complete event listings, reviews and more. 10 // ARTS // 07.24.13 - 07.31.13 // 100% RECYCLED P APER // NUVO
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A close look at recent work by Indiana poets
COMPANY OF WOMEN NEW AND SELECTED POEMS BY JAYNE MAREK, LYLANNE MUSSELMAN, AND MARY SEXSON Chatter House Press, $15, e Three books of poetry. Three poets. Ninety-five pages. Jane Marek’s The Umbrella Shore starts off the collection with her “Burn Series,” which asks the question, “What if I were to climb the slopes of the mountains today/to find the place where light folds under the clouds... “ In this destination “among dead trees marked by fire,” Marek finds a rich vein of metaphor. With its evocative imagery, the poem inspires re-reading, as well as contemplation. While Marek’s poems are often inspired by travel, Lylanne Musselman’s What She Taught Me
seems more rooted in “ordinary Indiana.” That’s the way she describes the state in “Our New English Teacher,” which finds Musselman praising her former teacher as a “dash of drama in a room full of drab denim” who inspired her to write poems that are “out of ordinary.” Skipping along a few years, in “Resurrecting Poets in 2012” she wonders about the relevance of poetry in the Internet age; she also pictures Walt Whitman driving a Smart Car and Amy Lowell riding along with Dykes on Bikes. Mary Sexson, who closes this collection with her Memories of an Unarchived Past , offers up the stunning poem “Copper Cup,” which reflects on a memento of sorts left by a son who has gone off to travel to Tibet, taken a new name “and not once called home.” — Dan Grossman
AND GOD SAID: LET THERE BE EVOLUTION! POEMS BY STEVE HENN NYQ Books, $14.95, t Writing in fluid and engaging verse, Henn pokes fun at everything on the American scene from the certainties of televangelist Pat Robertson and his ilk to the way in which high-minded academic institutions dominate contemporary poetry. Henn is at his best when he’s at his most generous. In “Letter to a student, just before the Census, 2010,” he asks the question to a high school student of his, “Lisa, in essence, are
you not immeasurable?” It’s a poem that successfully merges a jaded world view with hopeful sentiment. He does go off the rails occasionally with poems that bury themselves so deeply in sarcasm that they seem devoid of all human compassion. In “A Funny Thing Happened on the Way to the Splash Park,” the poem’s narrator wishes he had a camera ready so he could photograph a man walking around with a urinary drainage bag peaking out of his shorts: “At this point Bag-Of-PissMan’s existence is about as verifiable / as the existence of the Sasquatch... “ — Dan Grossman
SONGS IN SEPIA AND BLACK & WHITE POETRY BY NORBERT KRAPF AND PHOTOGRAPHY BY RICHARD FIELDS Indiana University Press, $24, y The poems of former Indiana Poet Laureate Norbert Krapf are kaleidoscopic in their subject matter. In this collection he writes about the music of Bob Dylan, a boyhood growing up in small town Indiana, and 9/11, among other topics. In “Virgil in Hill Country” Krapf seamlessly weaves his apparent familiarity with (and love for) the ancient Roman poet with a boyhood memory: “I see you squinting up / at a fox squirrel cutting / in a shagbark hickory / in the woods / where I hunted / with my father.” But poems that take on a more contemporary poet and songwriter — Bob Dylan — seem to lead Krapf
astray. In “Arlo and Bob go Fishing,” Krapf draws a strained metaphor to songwriting; and in “The Voice,” Krapf waxes prosaic in outlining the one obvious hurdle to becoming a Dylan acolyte: “If you can get beyond an addiction to the merely pretty, this voice could change your life.” It’s when Krapf finds poetic connections between the natural world and his own experience that he nails it. In “The Screech Owl’s Call” he recalls overhearing an owl in the dark with his brother when they were children. “Now that / my brother, more than / half a century later / has withdrawn from his / brothers and sister, I wonder / what calls he hears in the dark.” The black and white photos by Richard Fields of Hoosier landscapes provide excellent accompaniment to Krapf’s Songs. — Dan Grossman
FRAGMENTS: POETRY ANCIENT AND MODERN EDITED AND TRANSLATIONS BY BLUE FLUTE CreateSpace Independent Publishing, $15.99, t This collection of over a hundred poems includes new translations of poems drawn from Israel, Greece and Rome alongside recent work from Italy, France, China, Japan and the United States (including work by South Bend-based author Sondra Byrnes). The ancient poems remind us that people centuries ago wondered and worried about the things we wonder and worry
about today. I was particularly struck by work by Yiota Karioti, a resident of Athens, whose starkly modern poetry is equally influenced by the musicality of ancients such as Sappho and the visual sensibility of traditional Japanese poetry: “Howling to the moon / wild / pale light / senses heightened / as the world dissolves / and the stars are moving / the galaxy flows / echoing inside me.” Illuminating, entertaining and provocative, this is a volume to share, reading aloud and absorbing interconnecting humanity. For copies of the book, email followingtheblueflute@gmail.com. — Rita Kohn
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EVENTS Indianapolis Indians The Tribe return to town after a rather grueling road trip (3-7 in the last 10 games as of July 22) to take on under-.500 Syracuse and Scranton/W-B clubs. On the promotions calendar you’ve got fireworks on July 26 and a Lou Brock autograph signing on July 27 (limit one, from 6-8 p.m.). He’s the guy the Cubs traded away for Ernie Broglio. Poor Ernie Broglio (and Mario Mendoza). vs. Syracuse Chiefs: July 26, 7:15 p.m.; July 27, 7:05 p.m.; July 28, 1:35 p.m.; July 29, 7:05 p.m. vs. Scranton/Wilkes-Barre Yankees: July 30, 7:05 p.m.; July 31, 1:35 p.m.
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Zombie Outbreak 5K You are the zombie in this 5K fun run/walk benefitting Gleaner’s Food Bank. And so you really ought to dress up. Prizes will be awarded for best overall zombie, best zombie group, funniest zombie, sexiest zombie, best zombie makeup and most creative team name. A zombie party will follow the run/walk, with a beer tent open to those 21 and over. Gleaners will be on site accepting monetary and food donations. White River State Park, July 27, 7:30 p.m., $35 pre-registration (zombieoutbreak5k.com), $40 day of event Guinness International Champions Cup: Chelsea/Inter The city is set to broaden its sports capital bragging rights legacy when European soccer giants Chelsea of England and Inter of Italy do battle Aug. 1 at Lucas Oil Stadium. The game is a first-round match in the Guinness International Champions Cup, which involves ™ eight top-caliber teams playing in seven cities. Visit IndyEleven.com for ticket specials. If you’re broke or just feeling lucky, follow NUVO and the Brickyard Battalion on social media for ticket giveaway opportunities. Lucas Oil Stadium, Aug. 1, 8 p.m. kickoff, $30-135 (VIP options available) Lucas Oil Raceway’s Night of the Stars The IMS doesn’t have a lock on fast cars and checkered flags this weekend. Lucas Oil Raceway’s Night of the Stars (July 26, practice from 10 a.m., racing at 8 p.m.) features two 100-lap features (CRA Super Late Models and Pro Late Models) preceded by autograph opportunities with Rusty Wallace, Kenny Schrader and the like. And the weekend rolls on with midget cars (July 27) and drag racing (July 28). Lucas Oil Raceway, July 26-28
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Cars circle the Indianapolis Motor Speedway during the pace lap at the 2012 Brickyard 400.
STILL A MARQUEE EVENT
New Generation 6 model could lead to more passing and excitement at Brickyard 400 RACING
BY L O RI L O VE LY E D I T O R S @ N U V O.NET
BRICKYARD WEEKEND
WHAT: IT’S NOT JUST ONE RACE — IT’S AN ENTIRE WEEKEND! AND THERE ARE TRUCKS, SPORTS CARS, COUNTRY MUSIC ARTISTS AND TONS OF OTHER STUFF TO DO. MORE INFORMATION AND TICKETS: INDIANAPOLISMOTORSPEEDWAY.COM JULY 28: CROWN ROYAL PRESENTS THE SAMUEL DEEDS 400 AT THE BRICKYARD POWERED BY BIGMACHINE RECORDS (1 P.M.) J U LY 2 7 : I N D I A N A 2 5 0 NA S C A R NA T I O NW I D E S E R IE S R A C E ( 4 : 3 0 P . M . ) JULY 26: BRICKYARD GRAND PRIX (5:30 P.M.); B R IC K Y AR D S P O R T S C A R C H A LLENGE R A C E ( 1: 50 P. M . ) JULY 25: HAULER PARADE (FROM 5 P.M. ON SPEEDWAY MAIN STREET); HUSTLE HAULER 4K (6:30 P.M., 4K RUN/WALK ON IMS TRACK); PIT STOP CHALLENGE AND LIVE MUSIC (6:45 P.M. ON SPEEDWAY MAIN STREET)
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ndy continues to be an important market for NASCAR, ranking No. 2 in TV ratings. “Everybody wants to win this race,” said Tony Stewart, who won in 2005 and 2007. “This is a marquee event. The Daytona 500 is still the biggest race of the year, but the Brickyard is the second-biggest.” The native Hoosier is eager to bag his third win at his “home” track. He’s got a lot of competition. Although Brian Vickers won the last race, Jimmie Johnson — a four-time Brickyard winner and five-time series champion who’s currently top in the NASCAR standings — is the man to beat. Stewart sits 13th in the points standings — five points out of The Chase (NASCAR’s championship system). His lone win this year qualifies him for one of the two Wild Card positions, but because he’s outside of the Top
10, his place in The Chase is not assured. But don’t look for “Smoke” to run a cautious race on his home track. At New Hampshire his gamble to go for the win didn’t pan out; he ran out of fuel when a late-race caution and the subsequent green-white-checker rule threw the race into “overtime,” adding extra laps. Expect the same bold choices at IMS. “It doesn’t matter if you’ve won one or 10, when I’m at Indy, I am only here to win – especially since it is my home track,” he said at a recent press conference at IMS. “My whole life, since I was a kid, that’s what I wanted to do. My fascination to do it here was pretty obsessive.” Explaining that the Brickyard is not a fuel-mileage race and that it’s usually a championship contender in the fastest car in Victory Circle, he said, “That’s what you want in a marquee event like this. You want the fastest car to win, the best team and the best driver on that day. It’s really a big boost
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2012 Brickyard 400 winner Jimmie Johnson and his daughter kiss the bricks — the 36-inch strip of original bricks from the racetrack. The tradition of “kissing the bricks” was started by NASCAR champ Dale Jarrett after his 1996 victory.
to your team if you can win Indy.” He’s had that boost twice in the past and he wants it again. “You look at the history of this track and who won what race here and how many times they’ve won,” Stewart continued. “I was honored to win one of them and the second was even that much better. You get into some elite company and it’s some company you’d definitely like having your name associated with, so it would be a big honor.”
The next generation The new Generation 6 car may have a significant impact on this year’s race. NASCAR introduced the car with the hope that its new configuration would encourage more passing. But it remains to be seen if those changes will make any difference on the flat Indianapolis Motor Speedway, which typically doesn’t allow for much passing by heavy stock cars. When the fifth-generation Car of Tomorrow was introduced in 2007, racing suffered. But Trent Bailey, NASCAR’s competition communication manager, says that’s history. More grip in the Gen-6 car means more passing on the flatter tracks. “I think we’ve proven, and our drivers have confirmed, that this new car is racier.” Two years in the making, the new car looks more like the cars sold on the showroom floor. “The silhouette is nearly
identical,” Bailey says, which is important because “people want to see the drivers race cars that look like the ones they buy.” Beyond aesthetic appeal, the new car is 150 pounds lighter, thanks to its carbon fiber hood and deck lid, giving it a better power-to-weight ratio. Because it’s 10 pounds heavier than the discontinued Car of Tomorrow, with the weight balanced on the left side, it will turn better in the corners. More camber on the rear axle has improved handling and a larger rear spoiler increased downforce, which will enable the cars to run faster and pass more. “Already this year, we’ve gotten lots of positive feedback from the drivers,” Bailey said. But the new car is “racier” for some more than others. Joe Gibbs Racing and Hendrick Motorsport appear to have come to grips with early season engine problems after adopting a slower approach to the Toyota’s horsepower. They qualified on the front row at Daytona and won two races this summer, indicating that reliability is no longer an issue. But Richard Childress Racing, Roush Fenway Racing and Penske Racing continue to struggle. Biffle recently admitted that his Roush Ford lacks performance, particularly in traffic. Regardless of new car and engine issues, the Brickyard seems to favor repetition. Jeff Gordon has won four times; so has Jimmie Johnson. Two other drivers are multiple winners: Dale Jarrett and Tony Stewart.
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BEER BUZZ
BY RITA KOHN
Eighty breweries, 300 beers. No way could we make the rounds to each at the Indiana Microbrewers Festival on July 20, so we were content with learning a little. When someone says, “Hey, have you tried...,” we check it out, and that’s part of the fun of returning to the annual festival — we meet up with people we don’t usually see all the rest of the year, as well as NUVO readers who introduce themselves and want to chat about craft beer. The other part of the fun is being able to taste brews not yet available in Indiana, as well as the latest from Indiana brewpubs and breweries in parts of the state to which we’ve not yet traveled. Getting to taste some of the new brews from readily accessible breweries is a third boon. Green Flash Brewery came from San Diego to share its West Coast style. Green Flash’s mantra of “Taste the Brews, Learn the Story” fits our philosophy. It’s not just a beverage; there’s an individual story behind each beer, and that story is best understood against the entire history of craft beer. By tasting a variety of brews from elsewhere we can learn where Hoosier brews fit into the spectrum from Brooklyn, Baltimore and Boston on the Atlantic to Fort Bragg and San Diego on the Pacific. Along with the Indiana ReplicAle Saisons we sampled “Saison Diego® Ale” by Green Flash. Its rich, multilayered flavors come from a mix of Seville orange peels, Chinese ginger and grains of paradise. We also ran across Normal, Ill.’s DESTIHL Brew Works, which was cited in the Jan/Feb 2013 Draft Magazine as a brewery to watch for: “The name will be huge when inventive, spontaneously fermented Saint Dekkera Reserve Sour Ale series hits shelves for the first time in 2013.” It’s worthy of the accolades. We’ll plan to enjoy this Sour along with Indiana’s lineup led by Upland’s Lambic series. At the Schalfly table we met up with Jared Williamson, formerly at New Albanian Brewing Company, savored his delightful Biere de Gard and then talked about the autumn vegetable beers. Jared brought an early batch of Pumpkin Head; its sunny orange hue and full-aroma spicyness is followed by a series of subtle enticements of the best of autumn. Four Horsemen of South Bend promises to bring back their Pumpkin Headless Horseman Ale that we enjoyed last year. Look for a autumn full of specialties all around Indy. As always, Bell’s lineup grabs upfront, especially wowing with Uberon Black and Quinan Falls Special Lager. We again enjoyed the best of everything from Indiana’s brewers each bringing a distinctive personality and personal flair to traditional varieties.
EVENTS RAMAGEDDON tapping Featuring a full range of barrel-aged beers, including editions in the RAMAGEDDON series, plus the grand release of RAM’s Barrel-aged Oktoberfest. RAM Restaurant and Brewery, July 25, 6 p.m. GnawBrew Rock band GravelMouth is hosting this informal concert/ beer tasting/homebrew symposium/party in the woods. GravelMouth is headlining, with White Lightning Boys and The Bone Boogity also on the bill. Keg tapping/competition at 3:30 p.m.; homebrew talks at noon. eXplore Brown County (2620 Valley Branch Rd., Nashville), July 27, noon-midnight, $15
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UNCORK THE UPLANDS Tasting and vineyard tour to celebrate the output of wineries and other artisans on the Uplands Wine Trail BY H O W A RD H EW I TT EDITORS@NUVO.NET
I
ndiana’s best wine region is pairing up this weekend with some of the state’s better-known artisan food producers for the third annual Uncork the Uplands. It’s a chance to taste some of Indiana’s best wines all in one spot. “The Uplands area is very large geographically, so we are moving the event to different venues around the trail to be accessible to a larger and more diverse audience,” said Kim Doty, Uplands president and owner of French Lick Winery. “This is our sigJim Pfeiffer nature event. We want to show people what we can do. We’re making worldclass wines.” The Indiana Uplands trail (see sidebar for included wineries) was declared an American Viticulture Area in February. The designation, awarded by the U.S. Department of Treasury, lends a certain Jim Butler air of authenticity to the output of a given winery or wine region. Judy Schad, Capriole Farmstead Goat Cheeses, is one of the event’s featured speakers. Jim Butler, Butler Winery, will talk about the significance of the AVA designation. A silent auction will be held to benefit the Bill Oliver Local Growers Guild, and three chefs will compete in a wine/food pairing competition judged by all visitors. Bill Oliver, Oliver Winery, is opening his Creekbend Vineyard to visitors as part of the Uncork event. Winemakers from many of the 10 wineries will be in the vineyard Saturday afternoon to talk about grapes grown in Indiana and their winemaking.
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UNCORK THE UPLANDS
WHEN: JULY 27, VARIOUS TIMES VINEYARD TOUR: OLIVER WINERY’S CREEKBEND VINEYARD (NOON-3 P.M.) EVENING RECEPTION: BLOOMINGTON MONROE COUNTY CONVENTION CENTER (6-9 P.M.) FEATURING: BEST VINEYARDS, BROWN COUNTY WINERY, BUTLER WINERY, CAROUSEL WINERY, FRENCH LICK WINERY, HUBER WINERY, OWEN VALLEY WINERY, OLIVER WINERY, TURTLE RUN WINERY, WINZERWALD WINERY TICKETS: $55 FOR EVENING RECEPTION ONLY; $75 FOR RECEPTION AND VINEYARD TOUR WEBSITE: UNCORKTHEUPLANDS.COM
For the winemakers, 2013 has been a very good year. “It’s all about validity,” said Jim Pfeiffer, winemaker and owner of Turtle Run Winery, Corydon. “When you have big events people take notice. I’m a big subscriber to Robert Mondavi’s mantra of promote yourself, promote your industry and get others to grow with you. It’s sort of like we’re trying to do things Napa Valley does. We want to be noticed.” The wine trail has benefited from the publicity. Already this year, the Uplands added a tenth winery after the AVA announcement, Owen Valley Winery, Spencer, Ind. “Indiana Uplands was Indiana’s first wine trail,” Doty said. “We are celebrating our tenth anniversary. With the new AVA designation, we are seeing more wineries take root in the Uplands and the expansion of established vineyards.” Pfeiffer said the wine trail brings more credibility to each winery’s effort. “Would anyone know of Napa Valley if there were one, two or three wineries? You have to partner up with people who are like minded. It creates validity and excitement.” Howard W. Hewitt, Crawfordsville, Ind., writes about wine for 23 Midwestern newspapers. You can reach him at: hewitthoward@gmail.com. Read his wine blog: www.howardhewitt.net.
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SWEET STUFF Being a very much abridged list of local providers of fro-yo, bon-bons and brownie-wownies. Circle City Sweets From small-batch jams to wedding cakes, everything you can buy at Circle City Sweets is made from scratch. Owner and head pastry chef Cindy Hawkins wouldn’t have it any other way. What started as an after-work hobby became a full-time gig just six years ago. Since then Hawkins has added professional training at The French Pastry School in Chicago to her resume, in addition to building — and already expanding — her full production kitchen and storefront at City Market. Seems like a busy six years, but she’s had help. She recruited her mother — the one who taught her to bake — to help in the kitchen (word on the street is that she makes the World’s Best Sugar Cookie). 222 E. Market St. (City Market), 632-3644, circlecitysweets.com Scout’s Treat Truck When your sweet tooth beckons, Scout’s Treat Truck is where it leads. Behind the wheel you’ll find cupcakes, brownies and other assorted sweets, most of which were inspired by the recipes of owner Lisa Moyer’s Great Aunt Pippa Scout.
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Moyer’s aim is to provide the best red velvet cupcake in town, and she’s just about got it made, but Scout’s Treat Truck is always changing, with at least one vegan sweet in every line-up and a gluten-free selection in the works. Look for them parked near the New York Slice pizza truck for a double-whammy of pizza and a treat. 409-2600, @scoutstreats, scoutstreats.com Cultured Swirl The price is a little higher than other yogurt shops, adding up to less than a dollar more for a full cup of yogurt. But what you get is genuine organic yogurt (and in its original form, not reconstituted from a powder base), with flavorings added in-store. The flavors are divided into two camps: cream-based flavors, such as the standard chocolate and vanilla, plus the wildly-popular salted caramel — and tart flavors, such as pomberry and pineapple. All served up in a warm, friendly spot with rope swings along the Cultural Trail in Fountain Square. 1026 Virginia Ave., 602-8808, areyoucultured.com
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Topping options at Cultured Swirl in Fountain Square include Cajun Spice bananas and Vanilla Wafers. Nicey Treat Pink grapefruit. Blueberry buttermilk. Sweet black tea and lemon (also known as the Arnie P). Avocado. Just some of the flavors offered by Nicey Frozen Treats, a frozen popsicle cart run by the husbandand-wife duo of Jeff and Stacey Patrick. Jeff was inspired to open the stand after
tasting his first ‘paleta,’ a Latin American popsicle known for its unusual flavor combinations and fresh ingredients. Look for the retro bike cart on Monument Circle and beyond. Or stop by Goose the Market, now offering Nicey Treat products. 602-6423, @NiceyTreat, niceytreat.com
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OPENING To Do List Like The Bucket List , only the bucket is actually a list, and Morgan Freeman is played by Aubrey Plaza. R, Opens Thursday, Castleton Square 14 and Glendale 12
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The Wolverine PG-13, Opens Thursday in wide release Fruitvale Station Based on a true, awful story. Michael B. Jordan ( The Wire, Friday Night Lights ) plays Oscar Grant, an unarmed San Francisco resident shot dead by a BART transit officer in the early morning of New Year’s Day 2009. A Grand Jury Prize winner at this year’s Sundance. R, Opens Friday, Glendale 12 and nd Keystone Keyston Art
FILM EVENTS Indy Film Fest Daily screenings at Indianapolis Museum of Art continue tinu through July 27. Visit indyfilmfest.org for more info. Special screenings: July 23, 9:30 p.m.: Lost for Words at Tibbs Drive-In July 24, 9:30 p.m.: Out of Print at Indiana History Center (free, on the canal) July 25, 9:30 p.m.: Fall and Winter at The Eiteljorg July 26, 9:30 p.m.: Detroit Unleaded at Big Car Service Center July 27, 7:30 p.m.: Don Jon at the IMA July 28, from 1 p.m.: Indy Film Fest winners at IMA Raiders of the Lost Ark (1981) Artcraft Theatre (Franklin), July 26 and 27, 2 and 7:30 p.m., $5 (discounts available) King of the Kongo (1929) Film historian Eric Grayson has something new/old for you: chapter 5 of King of the Kongo , the first sound serial, restored by Grayson, who added back a soundtrack that was thought lost. The 10-chapter film features a pre-Frankenstein Boris Karloff as Scarface Macklin, who may or may not be the villain as of chapter 5. Plus other features and shorts from Grayson’s collection. Indiana Landmarks Center, July 26, 7:30 p.m., $10 Midnight Movies: The Adventures of Priscilla, Queen of the Desert (1994) Keystone Art Cinema, July 26 27, midnight, $7.50 Summer Nights: Notorious (1946) Indianapolis Museum of Art, July 26, 9:30 p.m., $10 public, $6 member
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Coming-of-age story from Descendants writers Nat Faxon and Jim Rash is funny, awkward and believable
BY ED J O H N S O N -O TT EJO H N S O N O T T @ N U V O . N E T
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he Way, Way Back is one of those refreshing treats that pop up too rarely during the summer. It manages to be charming even while depicting people behaving badly, seamlessly blending comedy, drama and those terribly awkward moments in-between. The film is a comingof-age story that travels familiar ground, but feels fresh because the characters are distinct and, more importantly, believable. Credit the well-chosen cast and the writer-director team of Nat Faxon and Jim Rash, who shared an Oscar with Alexander Payne for their screenplay for The Descendants. Faxon and Rash are adept at imbuing characters with enough specificity to make them seem universal. The film opens with Duncan (Liam James), a quiet, glum 14-year-old boy sitting way, way back in an old station wagon (with a rear-facing third seat) as his recently divorced mom, Pam (Toni Collette), dozes and her well-intentioned jerk of a boyfriend, Trent (Steve Carell), decides to give the boy a pep talk, informing Duncan that on a scale of one to 10, he considers the kid a three. Duncan is stunned. The group, including Trent’s teen daughter, are headed for a beach town on the northeast to spend the summer at Trent’s place there. At the beach house, Pam and Duncan get acclimated while Trent introduces them to his friends. Betty is a loud, happy boozer played by Alison Janey, and Kip and Joan (Rob Corddry and Amanda Peet) are a happy couple. Duncan wants none of this and has little interest in the younger residents, with the possible exception of Betty’s daughter, Susanna (AnnaSophia Robb), who is a bit older and not as mean as the other neighborhood girls. Eager to stay as far away from the family as possible, Duncan spends his days exploring the town on a streamer-laden
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Liam James begins his summer vacation trapped in the back of a station wagon in The Way Way Back. REVIEW
THE WAY, WAY BACK
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bicycle he finds in the garage. Eventually, he comes across Water Wizz, a water park that draws crowds despite not having been spruced up since the ‘80s. He is soon befriended by Owen (Sam Rockwell), who runs the place, and becomes friends with the joke-telling adult, securing a job working with Owen, his girlfriend Caitlin (Maya Rudolph) and the rest of the crew (which includes writer-directors Faxon and Rash). Duncan doesn’t tell the family about the job – he doesn’t tell them about anything. Meanwhile, back at the beach, the
summer-long party rolls on, with some of the adults acting more immature than their children. Things get complicated, and the vacation takes a wrong turn. The pleasure of the film comes from the way the writers and actors present their characters. Duncan is a nice kid, but not a standout. He grows as a person through his experiences with father figure/mentor Owen, but only a reasonable amount. Owen, who appears to be trying to become Bill Murray’s character in Meatballs, is presented by Sam Rockwell as a full-fledged human being and not just a wiseguy. Even boozy Betty is humanized in the able hands of Alison Janney. Toni Collette is wonderful as usual and Steve Carell does an impressive job showing that Trent is more of a boob than a villain. The Way, Way Back is a small film about taking baby steps forward. It satisfies.
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INDY FILM FEST, CONT. … Gofer (Chalan) One scene sticks with you from this fragment of a political thriller (under an hour long): Two ordinarily corrupt Mexican assemblymen exit a heated meeting that ended in detente after each confronted the other with evidence of his violent misdeeds. As they walk towards the chamber, they give way from live-action to animated versions of themselves. And these animated versions lose all shape until they become gray amorphous blobs, who enter the chamber to join all the other slug-like blobs in pledging allegiance to prominently displayed Mexican flag. So it goes in this short feature’s vision of an
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irremediable, totally broken legislature and political class. Gofer would’ve benefitted from tighter editing and some tricks of the thriller trade (from music cues to dynamic blocking) — and who knows what an extra half-hour would’ve added — but it works for what it is, both as an entertainment and an angry salvo against a police state. — Scott Shoger Dislecksia Cheesy and totally rough around the edges, Dislecksia is nevertheless informative, bighearted, funny and engaging. Director Harvey
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Hubbell was diagnosed with dyslexia in grade school, at a time when educators didn’t really have a clue. He was made to walk on a balance beam in his family’s living room for hours at a time, as if he might find an equilibrium in his body and mind that might allow him to more effectively process written information. But he made it through school (the painful process is recounted from early childhood to early adulthood), and along the way, he picked up survival skills while taking advantage of an innate ability to see the big picture (perhaps because of an innate difficulty with seeing things down to the microscopic, word-by-word level). And Hubbell makes the case that it’s that ability to think big that characterizes successful dyslexics — from
Billy Bob Thornton (a prominent interviewee) to Albert Einstein (an expert in the film jokes that he’s post-humously diagnosed with just about every disorder, but that the dyslexics get to keep him because they claimed him first). This long-in-the-works doc does a nice job of keeping things moving for the attention deficient (with quizzes, animations and other attention grabbers), while spending some time with educators who, working in the trenches, have made things quite a bit easier on young people, who, like Hubbell, grew up learning a little bit differently. — Scott Shoger Open Mic Night After the Apocalypse An exuberant, if uneven, tale of a motley crew of videographers and musicians preparing
for a music festival in the “off-the-grid” Slab City, an infamous site for squatters and bold retirees located in the Mojave Desert. “This is the closest place to Deadwood we have in North America,” one resident assures us. The lawless, unregulated nature seems to be its appeal, though tensions with law enforcement do arise towards the film’s finish. Filmmaker and star Mike James seems uncertain precisely what he wants the film to be: voiceover is used intermittently, then abandoned for direct address interviews of Slab City residents and musicians. The charm of the colorful characters- from resident aging hippies to countercultural dropouts in loincloths lured by the music festival- forgive the more technically unsteady moments. — Nile Arena
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WELCOME, WOOT Those interested in community radio should make all the necessary plans to attend tonight’s WOOT-FM DJ Call to Action. What’s WOOT, you ask? Well, it’s Indy’s newest and brightest station. With plans to go live on-air in late 2013 or early 2014, WOOT will broadcast live from the Irving Theater. Station Director Nicholas Roberts has worked furiously the last few months to create WOOT, on which he plans to broadcast local music chosen by local DJs. The station is a not-forprofit venture. “This is my personalized American dream,” said Roberts, about starting WOOT. WOOT-FM DJ Call to Action Irvington Library, 5625 E. Washington St. 5:30 p.m., all-ages WOOT-FM Fountain Square Game Night Game Paradise, 1110 Prospect St. Thursdays, beginning August 1, 6 p.m., all-ages
AND WELCOME BACK, CATARACTS Indy’s happy to welcome back Cataracts Music Fest, which has outgrown the Fountain Square houses it was born inside. This year’s psych fest will be held at Fountain Square Brewery on Saturday, August 24. The show, which begins at 1 p.m., is $10. We’ll have a more extensive preview of the event in upcoming issues, but a few lineup highlights are Cave, Aapche Dropout, Tammar, Thee Open Sex, We Are Hex and Thee Yolks. Cataracts Music Fest Fountain Square Brewery, 1301 Barth Ave. Saturday, August 24 1 p.m., $10, all-ages
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Cataracts 2012
N NUVO.NET/MUSIC Visit nuvo.net/music for complete event listings, reviews and more.
REVIEWS • All Good Festival by Lacy Bursick • Luke Bryan at Klipsch by Callie Kennington
PREVIEW • Mayhem by Joey Megan Harris 20 MUSIC // 07.24.13 - 07.31.13 // 100% RECYCLED P APER // NUVO
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The Front Bottoms
EMOTIONAL BABY BOY, EMOTIONAL MAN The Front Bottoms open up on new release
B Y K A TH ERI N E CO P L EN KCOPLEN@NUVO.NET
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eah, their name is a bit of unsavory British slang. Yeah, they still sing about getting high and passing out in cars. But don’t write the Front Bottoms off as pop punk jokers — they’re sincere, and insistent. Or, at least, their last album is. When I spoke with lyricist/singer Brian Sella during the first few days of the second leg of their 2013 tour, he explained that this sudden turn towards sincerity wasn’t exactly planned. It was just time for the band to get more serious, he says. Maybe it was their growing profile (“I know a lot of people really look at the lyrics,” he mentioned in our interview); maybe it was the three backto-back European tours, each more official than the last. Maybe it was their opening slot for The Menzingers, the most sincere pop punk band this side of New Jersey. Who knows, really? But on Talon of the Hawk, The Front Bottoms took a sharp turn for the heartfelt. NUVO: So, first there were two Brians [Sella and Uychich] and one Matt [Uychich] in The Front Bottoms. Now, there is only one Brian and one Matt. How has the loss of the second Brian impacted the band? BRIAN SELLA: Well, after Matt’s brother Brian decided he didn’t really want to be in it anymore, we got another friend of ours named Drew to come and fill in. He would play live with us on a lot of the tours we did last year. Then, he decided he didn’t want to tour anymore, so now, we actually travel with two good buddies of ours, Tom [Warren] and Ciaran [O’Donnell]. We were able to get rid of the laptop we used to play with. We used to play with a click, which kind of made it a little robotic. Now that we have Tom and Ciaran, it
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opened up the sound. It’s kind of like a band, just kind of jamming. And those two dudes are super good musicians, so it makes it easier for me to just hang out and be a rockstar. NUVO: A number of reviews of Talon of the Hawk have commented on the lyrical change of this album — that it’s more emotional, more relatable, less jokey. I’m thinking of “Twin Size Mattress” and “I Swear To God The Devil Made Me Do It” in particular. What precipitated that change? SELLA: I wasn’t very conscious of this change, to be very honest. I think I grew up a bit since the writing of the last album. I think I am a mature, grown man now. [laughs]. NUVO: You’re writing man songs now. SELLA: Yeah. I’m no longer a little boy. I have to write man songs. It sort of just fell into place. The lyrics on this new album were definitely something I wanted to focus a lot on. I knew my place in the band was to write the lyrics and I didn’t want to let anyone down. I know a lot of people focus on the lyrics of the songs. I just wanted to try to do my best. I wasn’t going to stress it; I was going to keep it light and natural and do what I do. But I did focus a lot more on the lyrics. The old album, the self-titled album – a lot of those lyrics I made up sort of on the spot, the day that we were recording. It was a much more basement recording style. If I didn’t have words for a chorus, there was
a good chance I was just going to flip open my notebook, take a line, sing that line. I definitely wanted to focus more on the lyrics and I think it came pretty naturally. NUVO: In the chorus of “Twin Size Mattress,” I hear the influence of Scottish bands like Frightened Rabbit and Frank Turner. Are you influenced by the UK indie rock/folk scene? SELLA: Yes. Definitely. For me, going over to the UK was really important because everyone in the band seemed to be on the same page in the States. When we would go to shows, they had this idea of who we were. They enjoyed the show, but in the UK it really felt like I had the opportunity to be conscious of what I was making people think our band was. NUVO: Now that you’re starting to play bigger venues, do you still feel at home in these smaller DIY venues? SELLA: I feel definitely more at home [in DIY venues]. We’ve had the opportunity on this tour to play some bigger venues where you have a dressing room and a bathroom that has toilet paper in it, and stuff like that. The luxuries of playing those bigger venues are nice, but there’s a very positive energy when you walk into a venue that’s run by volunteers, by kids. And I love it. I love when the crowd is on stage, having a good time. You’re a little nervous, because stuff might get stomped on, but I think it’s an incredible vibe. When I was younger, I just thought like, “Wow, all these bands I look up to are playing these punk venues and having like 200 kids come out.” It was like a dream to be able to do that. Now that I’m actually able to do that – roll up to a place and have 200 kids ready to party – it’s awesome. It’s more intimate, more real vibe from these DIY venues.
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HEART ATTACK
Wilson sisters return to Indianapolis BY K A TH ERINE C O P L E N KCOPL EN@NU VO . N ET
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nn Wilson has memories of Indianapolis. And not necessarily good ones. “I remember playing in Indianapolis and being turned away from a bar because we were women,” she says on the phone in mid-July. “It was a gent’s club. We’d never heard anything like that before, out West. “They didn’t want any chicks in there jabbering away. They wanted a place for a guy to go, have a beer, and not have to worry about women,” Ann says, laughing. Times have changed in the 40-some years Wilson’s toured with her sister Nancy in their band, Heart. But have all the changes been good for women performers? “The pressure on these young women is just unbelievable,” she says. “They have to look like actresses, sound perfect, go through adjustment committees for their clothes, for their voices, for everything they say, their political opinions, their home lives, everything.” “I feel so lucky I came out in the generation I came out in, because we didn’t have that kind of pressure. All we had to do was sing really good and be on the radio, and go out and do shows.” No question Heart is the standout female-led classic rock group, and they’re beginning to get industry recognition for that. The Wilson sisters were inducted into the Rock and Roll Hall of Fame this year. While Ann mentions it as one of the
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Nancy and Ann Wilson
special for Heart, since they’re touring and performing with John Bonham’s son Jason Bonham as part of the Led Zeppelin Experience. But their allegiance to the songs of Zep goes much deeper. Heart has released many recordings of covers of the band’s songs – and in their new book Kicking and Dreaming, they write about their earliest incarnation as a cover band, where they gained followers with their solid set of Zeppelin covers. (In 1975, they write, they “I just don’t get it. I don’t get were covering “Stairway to Heaven” why women still do not get equal when the members of Led Zeppelin walked into the club, fresh from a pay. It just makes me really, set at the Pacific Coliseum.) In those early days – days when really angry.” they were being refused entry into Indy clubs – Wilson wasn’t think— ANN WILSON ing much about taking care of her legendary voice, likened to the growl of Robert Plant. “I used to smoke cigarettes, drink, sit most memorable moments of their career, around with the guys and party,” she says. another ceremony that took place just a “Then I’d go up and sing four sets and be few months before tops it. hoarse at the end of every night. I learned “One of my most proud moments has over time if I wanted to have a clear voice, to be the Kennedy Center Honors [in the clear voice that was on the records, I tribute to Led Zeppelin] that happened had better make some changes.” last December,” Ann says. “It was classy Of course, that didn’t exactly stop the and we were being asked to sing one of partying. Ann – who has been upfront our most holy songs of all time. It was about her struggles with addiction – wrote really, really something. I’ll never forget of a night of excess with Stevie Nicks, who that as long as I live.” didn’t take kindly to the name-check. The Wilsons performed “Stairway to “Stevie Nicks turned out to be pretty Heaven” at the ceremony, which included the living members of Led Zeppelin. It was grumpy about our party night together,” 22 MUSIC // 07.24.13 - 07.31.13 // 100% RECYCLED P APER // NUVO
Ann says. “We just put it in there because it wasn’t anything, really. It was just a pretty typical party night in the ‘80s that rockers would have. But she was pretty sensitive, so perhaps we should have spared her.” Ann may have spared the Nicks story, but she certainly wouldn’t un-write the whole book, which she describes as “cathartic” to pen. “It was kind of like being in therapy. It was great, because now that the book has been out for a while, people are looking at us differently,” she says. “You can tell when we do a show, they’ve read it. You can see there’s a lot more tears in the eyes of the audience, because they feel they know us better.” But back to that club in Indianapolis. I asked Ann if this is where she thought the state of women’s rights would be in 2013, thinking back to when the Wilson sisters were on the cover of Ms. Magazine in the ‘80s. “How can you be a thinking woman and not be upset?” she says, about challenges to women’s rights. “Why are people not understanding that if abortion goes down, things will go back to the way they were — [things] that were so brutal and so awful. … And that’s just one aspect. I just don’t get it. I don’t get why women still do not get equal pay. It just makes me really, really angry. For Wilson, who describes her sister, mother and herself as “strong women,” in her book, this is a personal topic. “I have a 22-year-old daughter who has two babies,” she says. “We have had the
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most incredibly wildfire debates about the topic of choice. All through her teenage years, I demonstrated what it was to be a single mom, working, coming home, being with the kids, having a family. “And she now blames me for not being there enough, for working. She believes that the ultimate right way is the 1950s nuclear family. You know, a dad, a mom, 2.5 kids. It’s just amazing to me that she and many of her friends are so, so — not just pro-life — they’re anti- choice. Antianti-anti-choice.” Ann conquered the male-dominated world of rock, her sister at her side. She beat addiction, brought her band back to the top of the radio charts after a few free-falls and raised two kids as a single woman. So, I’m inclined to listen to her when she says this: “When you’re bringing up kids, you tell them and tell them and tell them, ‘Don’t do this. Don’t do this.’ But the only way they will learn is by doing it. And the I would hate to see this [not fighting for reproductive rights, equal pay, etc.] be one of those times for young women.”
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KAZZABE’S INFECTIOUS DANCE
he Garifuna people of Central America represent one of the world’s most unique cultural traditions. It’s so unique, in fact, that in 2001 UNESCO proclaimed the language, dance and music of the Garifuna as a Masterpiece of the Oral and Intangible Heritage of Humanity in Nicaragua, Honduras and Belize. A blend of African and indigenous Caribbean ancestry, the Garifuna people have become famous for their vibrant form of music and dance called punta. The intensely percussive sound of punta exemplifies one of the best–preserved African music traditions in the Americas. On July 27, Indianapolis will have a rare opportunity to experience punta music live, as one of the genre’s top groups Kazzabe visits the Westside. Formed in San Pedro Sula, Honduras in 1996 Kazzabe rose to fame with a series of joyful infectious dance hits like “El Coco” and “Te Extraño Amor.” I spoke with the Kazzabe percussionist and vocalist Victor Goza to discuss the roots of punta music and the historic marginalization of Garifuna culture in Central America. NUVO: Can you give me a brief description of how punta music developed? VICTOR GOZA: Punta music is prominent in three Central American countries: Guatemala, Belize and Honduras. The music started spreading internationally because of groups like Banda Blanca who had a huge hit in 1991 with the song “Sopa de Caracol.” Punta music is now heard across Latin America, but originally it thrived only in small towns where the Garifuna people lived. NUVO: How would you describe the sound of punta to someone unfamiliar with the genre? GOZA: It sounds like merengue, but it’s a more joyful rhythm. There’s a lot of percussion in punta. It’s a rhythm that the whole world can learn very quickly. It makes people very happy, because it forces you to move your whole body. NUVO: How important is punta music to the identity of the Garifuna people? GOZA: It’s very important to our community. This music contributes strongly to our heritage and it forms a big part of the perception of who the Garifuna are. It’s essential that all Garifuna people know about punta music because it plays a big role in our cultural traditions. For example if someone in our community dies, the Garifuna don’t get sad. The people rejoice. When there is a death, the drums are brought out. The people are singing, dancing and celebrating, out of pain of course. But it’s our way of paying respect to a life that has been lived to its full potential. We only do this when an adult passes away though. With children, it’s different. In that situation, no drums or instruments are brought out. These traditions might sound strange to people outside our community, but this is how it is. It’s part of the culture and no one is shamed for participating.
A CULTURAL MANIFESTO WITH KYLE LONG KLONG@NUVO.NET Kyle Long’s music, which features off-the-radar rhythms from around the world, has brought an international flavor to the local dance music scene.
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Kazzabe
NUVO: Historically the Garifuna have faced a lot racism in Central America. Is this still an issue? GOZA: These days the government is pushing the Garifuna to assimilate into the mainstream culture. I think that in itself is a form of discrimination. We Garifuna people are suffering from a lack of resources that we need in our communities. Sadly our government is not helping us to address these needs. The politicians are fully aware that racism is prominent. It’s everywhere. But it’s not always right in your face. It’s being covered up by the politicians, which makes it worse. We feel like we’re being held back by being marginalized. We’re being prevented from moving forward from where we’re at and our community is not able to thrive or reach its full potential. Because of these problems many of us have been forced to immigrate to the United States. In this way, the United States has been a huge help to the Garifuna. But it’s bittersweet, because we hate to leave behind our land, our people, our food and our culture. The whole culture of Garifuna and punta music is a very deep subject for our people. It’s hard for some to understand our customs and our way of life. But I hope that talking about these issues like we are today provides a starting point to develop an understanding. Everything I told you is coming straight from my heart, it’s genuine and true. Thanks to Karla Lopez-Owens for translating this interview.
> > Kyle Long creates a custom podcast for each column. Hear this week’s at NUVO.net NUVO // 100% RECYCLED PAPER // 07.24.13 - 07.31.13 // MUSIC 23
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Curt Kirkwood has seen it all, played it all and come back for more. His band, The Meat Puppets, hit their stride in the ‘90s with a namecheck by Kurt Cobain and a legendary MTV Unplugged performance together. Alt-radio success came after, and the band enjoyed the beginnings of a cult following. Soon, Curt saw his brother, Cris, take a twisted path through the tangles of drug addiction in the ‘90s and early ‘00s (resurfacing during a 2007 reunion tour). And that was just the first 30 years. New album Rat Farm, released in this, the 33rd year of Meat Puppets, is a bit of an exception to the Puppets’ trend. It, more, than any other recently released Puppets album, harkens back to those days on SST Records, where the Puppets released a combination of Americana-twinged punk and alt-rock. Kirkwood, the principle songwriter, wrote a batch of what he calls, “real, blownout folk music.” We call it a return to form for the Arizona rockers. NUVO spoke with Kirkwood by phone before their Friday date at Radio Radio. NUVO: How have things changed since you added your son to the band? CURT KIRKWOOD: Well, it’s just a little bit more of that unconscious communication. I think the whole band kind of has it, and I think it has to be there, in my case. I’ve always played with my buds; I’ve never done a tryout or something like that just to play with someone on merit. It has to be people I get on with. I don’t know whether it’s because it’s something I started doing when I was a teenager — playing with my friends — or because the first few bands I was in, I just kind of got hired, and then they would fire me when they didn’t really like my personality or my personal habits. So I got the clue there. Maybe I just feel a little safer. But it is a pretty personal experience and it is good to be able to play with people that you’re close to; you don’t have to make excuses. NUVO: I was thinking about all of these bands, and all of these bands your band has been such a huge influence on. Some of those are my favorite bands, like Pavement,
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Dinosaur Jr. It must be an odd experience — if this is true — to listen to these bands and hear a bit of yourself in them. KIRKWOOD: You know, honestly I don’t. It always kind of puzzles me. Maybe it’s because I’m too close to my own stuff or I’m not too analytical. It’s hard for me [to hear] unless it’s clear cut, like, “That sounds like country music, or that sounds like hard rock.” Every once in a while, I can hear it in others, think, those people were way into The Beatles, or something like that. But I can’t tell [when it comes to me]. NUVO: I was at a festival this weekend and walked by a stage and thought immediately, “Oh, he thinks he’s Bob Dylan.” KIRKWOOD: Right! That’s always a good one. Bob Dylan, Lou Reed. Someone with an idiosyncratic voice, you can trace it pretty easily. I guess, in that way, I would say, “Oh, they can’t sing. That sounds like me!” NUVO: I guess it would be a lot harder [to pinpoint yourself as an influence to a specific band] because The Meat Puppets have gone through so many different genre transitions. You’ve just done whatever you want, really. So, you would have to say, “That sounds like me in 1987,” or something like that. KIRKWOOD: That is a really good point. A point people don’t make a lot. I hear a lot of, “I was way into ‘90s music,” and I’m like, how about ‘80s? They’re trying to reference us through the ‘90s. But that’s just one decade. How about our cow punk era? Or when we were thrown in with Americana? Or when we did our Def Leppard rip-off? We have done what we wanted and have been indiscriminate about sticking to some sort of format and trying to define ourselves that way. I always thought it was, held together with pretty crummy singing. And I thought that was the touchstone.
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Steep Canyon Rangers
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FRIDAY
Rabbit Rabbit A little bit My Brighest Diamond + a little bit Joanna Newsom. Rabbit Rabbit is Carla Kihlstedt (Tin Hat) and Matthias Bossi, who make an eclectic pair. Their first LP is all breathy vocals and lush violin, with Bossi’s trippy beats.Their first record, Radio, Volume I, is out August 6. Radio Radio, 1119 E. Prospect St. 8 p.m., $5, 21+
FESTIVAL Mayhem Festival Despite the name, Mayhem’s quite the organized fest. The touring festival comes through each summer with a rotating cast of mostly metal bands. This year’s festivities includes: Amon Amarth, Attika 7, battlecross, Born of Osiris, Butcher Babies, Chidren of Bodom, City in the Sea, Emmure, Five Finger Death Punch, Rob Zombie, Job for a Cowboy, Thrown Into Exile and Mastodon. We have interviews with Five Finger Death Punch and Motionless in White available on NUVO.net and plan to send an intern into the mosh pits for a full report. Klipsch Music Center, 12880 E. 146th St.1 p.m., prices vary, all-ages
Susan, Indianapolis Arts Garden, all-ages Carol Harris, Jazz Kitchen, 21+ Jazz and Jokes, Latitude 39, all-ages Lily Rouge, Birdy’s, 21+
THURSDAY Laney Willson, Chef Joseph’s at The Connoisseur Room, all-ages Finest Grain, Biergarten at the Rathskeller, 21+ Dave and Rae, Holliday Park, all-ages Indianapolis Municipal Band, Garfield Park MacAllister Amphitheater, all-ages Davy Knowles and Paul Reed Smith Guitars Party, Hard Rock Cafe Michael Kelsey, Royal Theater, all-ages ISO After Party, Beirgarten at the Rathskeller, 21+ Rawkzilla, Birdy’s, 21+ Carrie and The Clams, Melody Inn, 21+ The Handsome Family, Danny Barnes, The Bishop, 21+ (Bloomington)
FEST Super Mega Slam Fest II There is an insane amount of awesome bands scheduled for the second annual Super Mega Slam Fest, so we’ll only give you the Hoosier-based ones: Wounded Knee, Coma Regalia, Male Bondage, Winslow, Indian City Weather, Bleach Drinker, Some Times and Air Hockey. Is that not enough to entice you? A note: Per NUVO policy, we don’t print the address of house shows. Address unlisted, $10 per day, $15 for weekend, all-ages FESTIVAL MojoStock It’s a weekend to remember for Indy festival lovers, and we have another locally organized fest to add to your list. Indy Mojo presents Mojostock, a two-night music festival with camping featur-
ing a variety of music from jam band funk to electronica DJ sets. This year’s headliners include Terravita, a LA dubstep group from Firepower Records, VibeSquad. Mochipet and Mojo Stock will also feature many of the best local bands, hip-hop groups and DJs from around the Midwest and Indy area, including The Twin Cats, Bad Dagger, Midwest Hype, Eumatik, Shy Guy Says, Funky Junk, Kodama, Magnetic and Hollow Point. Some other acts to lookout for are MC Sparkplug, a rap duo from Muncie, Ind. whose on stage chemistry is something you don’t want to miss and Indy DJ The Dub Knight, who recently played at the Snake Pit at the Indy 500, throwing down dirty beats that will keep the fest vibin’. Come watch genre boundaries be overstepped and experience a weekend of groovin’ to drumstep, funky-electro and psychedelia music while enjoying local art — LACY BURSICK Sleepybear Campground, 13231 E. 146th St., times vary, prices vary, all-ages TRIBUTE Karen Irwin From one of our favorite local theater vets comes a show devoted to one of our favorite ladies in rock and roll. Karen Irwin presents a tribute to Janis Joplin in a musical journey this weekend at the Cabaret at the Columbia Club. The Cabaret at the Columbia Club, 121 Monument Circle, Ste. 516, times vary, prices vary, all-ages HIP-HOP Mac Miller, Chance the Rapper We’re cool with Mac Miller, but to be honest, we prefer Chicago wiz-kid rapper Chance the Rapper who blazed onto the scene with new album Acid Rap this year. Check out “Favorite Song,” featurNUVO // 100% RECYCLED PAPER // 07.24.13 - 07.31.13 // MUSIC 25
SOUNDCHECK
FUNDRAISER Canceling Out Cancer City Market will be taken over this Saturday for an event featuring performances by The Escapist, The Old Thyme Eskimos and Coup de’ Tat. All proceeds from the event will go towards helping the Kelso family in the fight against breast cancer. Bring your wallets and your appetite – both will come in useful at this fundraising event.
ing Community kid slash rapper in his own right Childish Gambino (Donald Glover). Another favorite: “Juice,” which has the catchiest chorus we’ve heard all year. Egyptian Room at Old National Centre, 502 N. New Jersey St. 8 p.m., $30, all-ages ROCK Bad Veins, Public Blog-popular indie pop duo Ben Davis and Jake Bonta turns up at DO317 Lounge on Friday for a set with PUBLIC. DO317 Lounge, 1043 Virginia Ave. #215, 9 p.m., $10, 21+ Meat Puppets, Radio Radio, 21+
City Market, 222 E. Market St. 5 p.m., prices vary, all-ages
SUBMITTED PHOTO
Chance the Rapper
Rob Dixon and Trilogy Jazz, Jazz Kitchen, 21+ Polka Boy, Biergarten at the Rathskeller, 21+ Jan Aldridge Clark, Chef Joseph’s at the Connoisseur Room, all-ages The Lacs, 8 Seconds Saloon, 21+ Landon Keller, Tiki Bob’s Cantina, 21+ Luke Austin Daugherty, Pine Room Tavern, 21+ 19Clark25, Birdy’s, 21+
SATURDAY FESTIVAL NUVO’s Best of Indy Party We assume you’ve heard enough about the party we’ve been planning all summer, but we’ll run it down for you one more time. Our lineup for the day includes: Rusty Redenbacher, Recoil, Devil To Pay, Gay Black Republican, Talbott’s Ladies of Legends, Rob Dixon and DJ Matt Allen, who will hit the stacks all day. We’ll be filling the area between Capitol Ave. and Illinois Street. Haven’t had a chance to check out Georgia Street yet? Our Best of Indy party is the perfect time. Any more info? Turn to the
insert in the middle of the NUVO you’re holding at this very moment and browse all the BOI info you want. Georgia St., 2 p.m., prices vary (discount online ahead of time at NUVO.net), all-ages FEST Indiana Living Green Presents Recycle Fest After weather thwarted our previous attempt to check out Recycle Fest, we’re finally back on. This combination of the promoting efforts of MOKB, the green space provided by Indy Parks and our very own sister pub Indiana Living Green is the flagship concert for the Indy Parks Concert Series. A collection of green living orgs will be on hand to educate and demonstrate. They’ll be food, beer and, of course, music. The music will also be “recycled,” – i.e. cover songs – by bands including KO, The Main Squeeze, KO, The New Old Cavalry, Hotfox, The Pro Letarians, Rodeo Ruby Love, Blue Moon Revue and The Bonesetters. Garfield Park, 2345 Pagoda Dr. noon, $10, all-ages
9am-4pm Be A Vendor Applications can be obtained on the website or by calling 317-431-0118.
UPCOMING EVENT:
An Artisanal Flea Market Aug. 31 - Sept. 2
Saturday, Aug. 3rd
Glendale Town Center • 6151 N. Rural Street 26 MUSIC // 07.24.13 - 07.31.13 // 100% RECYCLED P APER // NUVO
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Be A Shopper Rain or Shine.
at Broad Ripple Park in partnership with WARMfest www.iavmindy.com
The Weeks, Scott Lucas and The Married Men, Jr. Astronomer, DO317 Lounge, 21+ 317 Techno’s PRIMED with The Black Madonna, Nate Manic, Ryan Hornsby, Dunaway’s, 21+ Big Country, 8 Seconds Saloon, 21+ Jazz in the Park, Watkins Park, all-ages Beneath the Destruction, Emerson Theater, all-ages Blake Shelton, Easton Corbin, Jana Kramer, Klipsch Music Center, all-ages Indiana Music Festival Honors Concert, Indianapolis Arts Garden, all-ages
Your Northside Destination for Daily Specials and Parties!
$5 Admission Join a select group of invited purveyors of vintage, antique, junque, artisans, craftspersons, stylemakers and stylebreakers for a monthly celebration of all things unique, indie & stylish.
BANJO Steve Martin and The Steep Canyon Rangers Martin is maybe the most famous comedian ever, and an award-winning banjo player? We could go on forever about Martin’s various accomplishments as a writer and performer, but we’ll focus on his musicianship for now. He picked up the banjo around the age of 17, integrated it into his act in the ‘70s and released a half stand-up, half-banjo album in 1981. Now he’s touring with The Steep Canyon Rangers, a bluegrass band out of North Carolina that won a Grammy last year. Murat Theater at Old National Centre, 502 N. New Jersey St. 8 p.m., prices vary, all-ages
Free Texas Hold’em Poker
Fri - 8pm
CASH & Prizes C
Sunday – Thursday 7 pm and 9 pm
CASH PRIZES Smokers Welcome!
Friday & Saturday F Night Karaoke at 10 pm to 3 am
1772 E. 116th St., St C Carmell • 317 317-818-9980 818 9980 | N NIPPERS2.COM RS2.COM M
SOUNDCHECK Clang! Concert, College Avenue Library, all-ages Hombres Sin Nombres, Jazz Kitchen, 21+ Attakulla, The Marks, Melody Inn, 21+ Cousin Roger, Biergarten at the Rathskeller, 21+ Born Under Burden, Indy’s Jukebox, 21+ Enanitos Verdes, Egyptian Room at Old National Centre, all-ages Steve Allee Quartet, Jazz Kitchen, 21 + 3 to 1 and Friends, Mousetrap, 21+
SUNDAY ROCK Chris Isaak Singer-songwriter, actor and Sun
Records love Isaak will perform again in Indy at the Palladium. We’re big fans of his 2011 record Beyond the Sun, a collection of songs famously recorded by Sun Records artists including Cash, Orbison, Carl Perkins, Presley and Jerry Lee Lewis. Isaak recorded the collection in Sun Studio in Memphis. Of course, he has a career-full of other records too. Isaak’s a favorite of American filmmakers David Lynch and Stanley Kubrick — a variety of his tracks have been picked up for soundtracks. Palladium at the Center for the Performing Arts, 355 City Center Dr. 7 p.m., prices vary, all-ages David Ramirez, DO317 Lounge, 21+ The Horde, Indy’s Jukebox Michael Kelsey, Birdy’s, 21+
FESTIVAL FORECAST INDIANA
Green Stock Music Festival, Aug 9-10, Nashville Experience the beautiful Indiana outdoors with a weekend of music from Shaggy Wonda, The Chicago Afrobeat Project, The Giving Tree Band, The New Old Calvary boys an other local acts.
ILLINOIS
North Coast Music Festival, Aug. 30-Sept. 1, Chicago This Labor Day weekend, Union Park in Chicago will host a variety of names that will get you grooving, like Big Gigantic, Afrojack and WuTang Clan.
MAIN EVENT NEIGHBORHOOD PUB & GRILL Fishers 842-8010 Main Event on 96th | 8932 E. 96th St.
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OHIO
Rootwire, Aug. 15-18, Logan, Oh. Hosted by the electronic rock band Papadosio, this festival mixes visual arts, music and workshops in Kaeppner’s Woods. Acts include Dopapod, Jimkata, ESKMO and The Main Squeeze, as well as multiple sets from Papadosio.
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ADULT
RELAXING MASSAGE Advertisers running in the Relaxing Massage section are licensed to practice NON-SEXUAL MASSAGE as a health benefit, and have submitted their license for that purpose. Do not contact any advertisers in the Relaxing Massage section if you are seeking Adult entertainment.
ADULT SERVICES
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The Adult section is only for readers over the age of 18. Please be extremely careful to call the correct number including the area code when dialing numbers listed in the Adult section. Nuvo claims no responsibility for incorrectly dialed numbers.
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NUVO // 100% RECYCLED PAPER // 07.24.13 - 07.31.13 // CLASSIFIEDS 29
CLASSIFIEDS
C Complete l t Classifieds listings available at NUVO.NET
PAYMENT & DEADLINE
TO ADVERTISE:
Phone: (317) 254-2400 | Fax: (317) 479-2036 E-mail: classifieds@nuvo.net | www.nuvo.net/classifieds Mail: Nuvo Classifieds 3951 N. Meridian St., Suite 200 Indianapolis, Indiana 46208
EMPLOYMENT Restaurant | Healthcare Salon/Spa | General To advertise in Employment, Call Kelly @ 808-4616 PAID IN ADVANCE! MAKE up to $1000 A WEEK mailing brochures from home! Helping Home Workers since 2001! Genuine Opportunity! No Experience required. Start Immediately! www.mailing-station.com (AAN CAN) HELP WANTED! Make extra money in our free ever popular homemailer program, includes valuable guidebook! Start immediately! Genuine! 1-888-292-1120 www.easywork-fromhome.com (AAN CAN)
CAREER TRAINING AIRLINE CAREERS begin here – Get trained as FAA certified Aviation Technician. Housing and Financial aid for qualified students. Job placement assistance. Call Aviation Institute of Maintenance 877-492-3059 (AAN CAN) EARN $500 A DAY Airbrush & Media Makeup Artists For: Ads - TV - Film - Fashion Train & Build Portfolio in 1 week Lower Tuition for 2013 www.AwardMakeupSchool.com (AAN CAN)
SALON/SPA HAIRDRESSERS & NATURAL NAIL TECH! Commission space available. Email resume to signofthetymes@gmail.com BOOTH RENT SPACE AVAILABLE Private and shared room. Stylist, NailTech, Esthetics or Massage. Private or Shared Spaces. Scaled rent. Northeast Side. Call Suz 317-490-7894
REAL ESTATE
All ads are prepaid in full by Monday at 5 P.M. Nuvo gladly accepts Cash, Money Order, & All Major Credit Cards.
POLICIES: Advertiser warrants that all goods or services advertised in NUVO are permissible under applicable local, state and federal la ws. Advertisers and hired advertising agencies are liable for all content (including text, representation and illustration) of advertisements and are res ponsible, without limitation, for any and all claims made thereof against NUVO, its officers or employees. Classified ad space is limited and granted on a first come, first served basis. To qualify for an adjustment, any error must be reported within 15 days of publication date. Credit for errors is limited to first insertion.
NUVO and Indiana Living Green are growing once again! Would you like to join our growing team of talented and passionate professionals who are building a conscious and sustainable media enterprise in Indianapolis? Don’t want a desk job? Are you energetic? Want flexible hours? Are you a self-starter? Want to be active all day using your marketing and sales skills while being in contact with customers and implementing our point of purchase strategies? Have a knack for mechanical things and like to be physically active? Do you enjoy people and the opportunity to supervise a diverse group of independent contractors? Then you will love being our Distribution Manager. 25 hours per week with flextime except Wednesdays, our distribution day. Supervision of 15 drivers on 20 routes handling 40,000 weekly papers through 1,100+ stops throughout Indianapolis. We also have two additional free titles that are monthly and quarterly. Must have a reliable vehicle and a good familiarity with the Indianapolis community. Please reply if you have a strong appreciation for NUVO and Indiana Living Green. We look forward to talking to you. Please send cover letter and resume to kflahavin@nuvo.net. No phone calls please.
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DRIVERS
Tired of corporate greed & social injustice? Get paid to fight back!
Be a part of the solution! Citizens Action Coalition is hiring Full Time Community Organizers:
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Call (317) 205-3535 to schedule an interview
benefits & advancement opportunities | permanent & summer positions available
DRIVERS NEEDED
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Necessary requirements: -Valid Chauffer’s license or higher -DOT physical form -Hard working -Reliable -Enjoy good pay
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Homes for sale | Rentals Mortgage Services | Roommates To advertise in Real Estate, Call Kelly @ 808-4616
RENTALS DOWNTOWN COTTAGE HOME TOWNHOUSE Newly Rehabed. 548 N. Oriental St. 2BR/ per unit, LR, DR, new W/D, Off-street parking, Urban Garden Next Door, $725/mo. Call 317-201-0602.
RENTALS NORTH BROAD RIPPLE 5149 N. College. 3bdrm, 1ba. Bsmt, AC, Appliances, . hrwd flrs. $825/mo + Dep. 803-736-7188 317-937-6858 PIKE TOWNSHIP Crooked Crk Subdiv. Newly renovated. 4011 Westover Dr. 2BR/1BA AC APPL W/D $725 plus deposit 803-736-7188 or 317-937-6858
RENTALS 3 BEDROOM HOUSE with fenced yard, hardwood floors, central AC. 1102 Newman. $Best odder over $750. jwrpvacancies.blogspot.com 636-6234
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23,442 NUVO READERS PLAN TO BUY A HOME IN THE NEXT TWO YEARS SOURCE: MEDIA AUDIT MAY-JULY 2012
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BODY/MIND/SPIRIT Certified Massage Therapists Yoga | Chiropractors | Counseling To advertise in Body/Mind/Spirit, Call David @ 808-4607
PRO MASSAGE Top Quality, Swedish, Deep Tissue Massage in Quiet Home Studio. Near Downtown. From Certified Therapist. R U STRESSED? Breaking your back at work or Paul 317-362-5333 gym? Jack tackles it! Light or ISLAND WAVE deep sports massage. Aft/Eve. State Certified in Indiana. Jack, 645-5020. WILL TRAVEL Mobile Massage Therapy. Couples 1hr Massage. Call Rex @ 765-481-9192 CERTIFIED
MASSAGE
Advertisers running in the CERTIFIED MASSAGE THERAPY section THERAPISTS have graduated from a massage therapy school associated with one GOT PAIN OR STRESS? of four organizations: Rapid and dramatic results from a highly trained, caring professional International Massage American Massage Therapy with 14 years experience. Association (imagroup.com) Association (amtamassage.org) www.connective-therapy.com: Chad A. Wright, ACBT, COTA, CBCT 317-372-9176 International Myomassethics Association of Bodywork Federation (888-IMF-4454) and Massage Professionals MASSAGE IN WESTFIELD By Licensed Therapist. $40/hr. (abmp.com) Call Mike 317-867-5098 Additionally, one can not be a member of these four organizations but instead, take the test AND/OR have passed the National Board of Therapeutic Massage & Bodywork exam (ncbtmb.com).
ADOPTION
PREGNANT? ADOPTION CAN BE YOUR FRESH START! Let Amanda, Kate or Abbie meet Advertise your business you for lunch and talk about your or product in alternative papers options. Their Broad Ripple across the U.S. for just $995/ agency offers free support, living week. New advertiser discount expenses and a friendly voice 24 “Buy 3 Weeks, Get 1 Free” hrs/day. YOU choose the family www.altweeklies.com/ads from happy, carefully-screened (AAN CAN) couples. Pictures, letters, visits & open adoptions available. Listen MISC. FOR SALE to our birth mothers’ stories at www.adoptionsupportcenter.com CASH FOR CARS VIAGRA FOR CHEAP Any Car/Truck. Running or Not! 317-255-5916 317-507-8182 Top Dollar Paid. We Come To The Adoption Support Center You! Call For Instant Offer: ANNOUNCEMENTS 1-888-420-3808 www.cash4car.com (AAN CAN) Car To Be Sold 1999 Chevrolet Tahoe C15. CASH FOR CARS VIN#1GNEC13R2XJ305430. We buy cars, trucks, vans, Sale Date: August 9th, 2013. Sale runable or not or wrecked. Open 24/7. 317-709-1715. Price: $1500.00. 317-679-9538 FREE HAUL AWAY $ OPPORTUNITIES $ ON JUNK CARS. TURN-KEY SALON FOR RENT! Shop includes equipment and some staff. $3000/month OBO. Private and shared spaces. Established for 10 years on Northeast side. Call Suz at 317-490-7894
PAYING $325 And Up For Complete Cars! FREE TOWING! Call Us Direct Today At 317-662-2527
PSYCHICS Emily Watts, God-Gifted Love Psychologist. Reunites Lovers. Stops Unwanted Divorce. Helps all problems. 2 Free Questions by Phone. 1-630-835-7256 (AAN CAN)
HOME IMPROVEMENT
MARKETPLACE Services | Misc. for Sale Musicians B-Board | Pets To advertise in Marketplace, Call Kelly @ 808-4616
EMPEROR MASSAGE Stimulus Rates InCall $38/60min, $60/95min (applys to 1st visit only). Call for details to discover and experience this incredible Japanese massage. Northside, avail. 24/7 317-431-5105
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FREE WILL ASTROLOGY © 2013 BY ROB BRESZNY ARIES (March 21-April 19): “I have tried in my way to be free,” sings Leonard Cohen in his song “Bird on a Wire.” In other words, he has done the best he can to liberate himself from his unconscious patterns, bad habits, and self-delusions. He hasn’t been perfect in his efforts, but the work he has done has earned him a measure of deliverance from his suffering. I recommend you follow his lead, Aries. Do your best to bring more relief and release into your life. Get rid of things that hold you back. Overthrow a pinched expectation and ignore a so-called limitation or two. By this time next week, I hope you will be able to say sincerely, “I have tried in my way to be free.” TAURUS (April 20-May 20): “There are some things you learn best in calm, and some in storm,” wrote the novelist Willa Cather. According to my reading of the astrological omens, Taurus, you’re in a phase of your cycle when storm-learning isn’t your priority. The educational experiences you need most will unfold when you’re exploring the mysteries of peace and serenity. In fact, I suspect that the deeper you relax, the more likely it is that you will attract life-changing teachings -- lessons that can transform your life for the better and fuel you for a long time. GEMINI (May 21-June 20): Is there a message you’ve wanted to deliver for a long time but haven’t been able to? Are you bursting with thoughts or feelings that you’ve been longing to express but can’t find the right way to do so? Have you spent months carrying around a poignant truth that you have felt wasn’t ripe enough to be revealed? If your answer to any of those questions is yes, I believe the time will soon be at hand to make a move. But it’s important that you’re not impulsive or melodramatic as you initiate your breakthrough communications. For best results, be full of grace and balance. CANCER (June 21-July 22): Bees and other insects can see ultraviolet light, which is invisible to humans. When they look at flowers, they detect designs on the petals that you and I cannot. For example, the evening primrose appears completely yellow to us, but it calls seductively to bees with a flashy star pattern at its center. Many of the secret signs that flowers offer the pollinators are meant to guide them to where the pollen and nectar are. Let’s use this as our metaphor of the week, Cancerian. I am not predicting that you will be able to perceive a broader spectrum of light. But I do believe you will discern cues and clues that are hidden from most people and that have been imperceptible to you in the past. LEO (July 23-Aug. 22): “I was six years old when my parents told me that there was a small, dark jewel inside my skull, learning to be me.” So said the Leo science fiction writer Greg Egan in his story “Learning to Be Me.” Let’s pretend that you, too, have a small dark jewel inside your skull that’s learning to be you. It’s a good metaphor for what I believe has been happening all these years: You have been gradually mastering the art of being the best Leo you can be. It hasn’t been easy. You weren’t born knowing how to be your beautiful, radiant, courageous self, but have had to work hard to activate your potentials. Now you’re moving into an especially critical phase of the process: a time when you have the chance to learn how to love yourself with greater ingenuity. VIRGO (Aug. 23-Sept. 22): “Dear Astrology Guy: Please tell me why I have to work so hard -- meditate, reflect, read, analyze, poke, prod, investigate -- to discover truths about myself that must be obvious to others. Why is it so hard for me to see where I need healing and where I need to let go? Why is it such an ordeal to grasp what is interfering with my wholeness when I can quickly pinpoint what other people’s issues are? -Overworked Virgo.” Dear Overworked: I’m happy to report that you Virgos will soon be offered a gush of revelations about who you are, how you can heal, and what strategies will best serve your quest to minimize your anxiety. Are you prepared to absorb some intense teachings? For best results, make yourself extra receptive.
LIBRA (Sept. 23-Oct. 22): One of the world’s best race car teams is McLaren. It wins about 25 percent of the events in which it competes. Its skilled drivers account for much of its success, but its technicians are also pretty sensational. During a pitstop in the middle of a race, they can change all four tires on the car in less than three seconds. Do you have helpers like that, Libra? If you don’t, it’s time to intensify your efforts to get them. And if you do, it’s time to call on them to give you an extra boost. SCORPIO (Oct. 23-Nov. 21): Let’s try an experiment. It’s risky, but I’m hoping you will do it with such flair that there will be no karmic blowback. What I propose, Scorpio, is that you have fun expressing more confidence than usual. I invite you to strut a bit, even swagger, as you demonstrate your command over your circumstances. Enjoy acting as if the world is your plaything ... as if everyone around you secretly needs you to rise up and be a bigger, bolder version of yourself. The trick, of course, will be to avoid getting puffed up with grandiose delusions. Your challenge is to be more wildly devoted to embodying your soul’s code without lapsing into arrogance. SAGITTARIUS (Nov. 22-Dec. 21): I suspect that you are longing to take a quantum leap of faith, but are also afraid to take that quantum leap of faith. You sense the potential of experiencing a very cool expansion, while at the same time you hesitate to leave your comfort zone and give up your familiar pain. In light of the conflict, which may not be entirely conscious, I suggest you hold off on making a gigantic quantum leap of faith. Instead, experiment with a few bunny hops of faith. Build up your courage with some playful skips and skitters and bounces that incrementally extend your possibilities. CAPRICORN (Dec. 22-Jan. 19): Hoaxes exposed! Bluffs called! Secrets revealed! Whitewashes uncovered! Curses banished! Taboos broken! Those are the headlines I expect to see emblazoned in your Book of Life during the coming weeks. Can you handle that many holy disruptions? Will you be able to deal with the stress that might come from having so much raucous success? These are important questions, because if you’re not up to the challenge, you may scare away the transformations. So steel your resolve, Capricorn. Mobilize your will. Do what’s necessary to harvest the unruly blessings. AQUARIUS (Jan. 20-Feb. 18): The French novelist Flaubert declared that if you hope to write a book, you should first read 1,500 books. A Roman author named Petronius believed that the imagination does not work at its peak power unless it is inundated with reading material. I suggest you adopt their advice and apply it to your own field, Aquarius. Whatever skill or subject you want to master, expose yourself lavishly to the efforts of other people who have already mastered it. Flood yourself with well-crafted inspiration. PISCES (Feb. 19-March 20): Should you be worried that a venomous spider has crawled into your shoe while you were sleeping? Just in case, should you flip your shoe upside-down before putting it on each morning? My studied opinion: hell, no. The chances of you being bitten on the foot by a venomous spider lurking in your shoe are even less than the possibility that you will be abducted by an alien who looks like Elvis Presley and forced to sing a karaoke version of Beyonce’s “Single Ladies” at an extraterrestrial bar. And if you are going around filled with delusional anxieties like that, you will definitely interfere with life’s current predilection, which is to give you a cleansing respite from your fears as well as immunity from harm.
Homework: What do you want so badly that you’re driving it away? How can you fix the problem? Testify at Freewillastrology.com. NUVO // 100% RECYCLED PAPER // 07.24.13 - 07.31.13 // CLASSIFIEDS 31
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