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ANDY WOODHULL OCT. 31 OCT 31-NOV. NOV 2 SPECIAL EVENT
Freshly squeezed – and mobile, too. By Katy Carter
IT’S HALLOWEEN
Behind the scenes at Indy Scream Park – plus D.I.Y. tips. on scaaaaary makeup. By Sarah Murrell
JOHNNY MARR AT THE VOGUE MUSIC P. 26 He was a huge part of The Smiths – and played with Paul McCartney and Beck and The Talking Heads and The Pretenders and on and on – now he’s solo. By Katherine Coplen
TOMMY DAVIDSON NOV. 29-DEC. 1
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BILL BELLAMY DEC. 5-7
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WHAT’S ONLINE THAT’S NOT IN PRINT?
LEGALIZE IT! Indiana State Sen. Richard Young Jr., D-Milltown, calls for the legalization of hemp in the Hooiser state.
GRANGER INJURED
By Rebecca Townsend
Includes a podcast from our two resident hoop-heads By The Miller Time Podcast
EDITORIAL POLICY: NUVO Newsweekly covers news, public issues, arts and entertainment. We publish views from across the political and social spectra. They do not necessarily represent the views of the publisher. MANUSCRIPTS: NUVO welcomes manuscripts. We assume no responsibility for returning manuscripts not accompanied by a stamped, self-addressed envelope.
THE ILLOGIC OF HJR-6 VOICES P. 4
JUICE TRUCKS FOOD P. 22
STAFF EDITORIAL // EDITORS@NUVO.NET MANAGING EDITOR ED WENCK // EWENCK@NUVO.NET NEWS EDITOR REBECCA TOWNSEND // RTOWNSEND@NUVO.NET ARTS & ENTERTAINMENT EDITOR SCOTT SHOGER // SSHOGER@NUVO.NET MUSIC EDITOR KATHERINE COPLEN // KCOPLEN@NUVO.NET LISTINGS EDITOR SARAH MURRELL // CALENDAR@NUVO.NET FILM EDITOR ED JOHNSON-OTT COPY EDITOR GEOFF OOLEY CONTRIBUTING EDITOR DAVID HOPPE CONTRIBUTING ARTISTS WAYNE BERTSCH, MARK A. LEE CONTRIBUTING WRITERS TOM ALDRIDGE, MARC ALLAN, WADE COGGESHALL, STEVE HAMMER, ANDY JACOBS JR., SCOTT HALL, RITA KOHN, LORI LOVELY, PAUL F. P. POGUE, JULIANNA THIBODEAUX EDITORIAL ASSISTANTS JORDAN MARTICH, JENNIFER TROEMNER EDITORIAL INTERNS DAVID GURECKI, PAIGE SOUTHERLAND, DAVE CEROLA, RYAN HOWE, LACY BURSICK, CHELSEA HUGUNIN, JIM EASTERHOUSE, STEPHANIE DUNCAN, JOEY MEGAN HARRIS
BRINGING COMEDY TO INDY FOR 32 YEARS
Critiquing the arguments in favor of the amendment banning same-sex marriage. By Doug Whitinger
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Vol. 24 Issue 32 issue #1130
WTF?
SLIDESHOWS Catch KIB’s Tricks or Trees event and the Ice winning at home.
WHAT YOU HAVE TO SAY ABOUT WHAT WE HAD TO SAY
Letters to the editor should be sent c/o NUVO Mail. They should be typed and not exceed 300 words. Editors reserve the right to edit for length, etc. Please include a daytime phone number for verification. Send email letters to: editors@nuvo.net or leave a comment on nuvo.net, Facebook and Twitter.
Hoppe on healthcare Although he’s critical of the Affordable Care Act’s rollout, David Hoppe takes Gov. Mike Pence to task for Indiana’s role in Obamacare at the state level in his column “Making Healthcare Unaffordable” at NUVO.net. Hoppe says in the column, “Pence refused to set up an insurance exchange in Indiana, opting instead to send everyone who lives here to the federal government’s website.” We received the following comment in response:
You fail to mention the other outrageous part of Pence’s agenda: He has declined to accept federal funds for the expansion of Medicaid. In this, too, he departs from the model offered by both Ohio and Kentucky. Pence has placed himself at the leading edge of the Republican strategy to do its damndest to deny decent healthcare to poor and middle-class Americans. — Bill Watts/online NUVO // 100% RECYCLED PAPER // 10.30.13 - 11.06.13 // THIS WEEK 3
VOICES THIS WEEK
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ILLOGIC AT THE ROOT OF HJR-6
s a gay man (and lifelong Hoosier) considering marriage to my spouse of nearly 11 years, I’ve been exposed to my share of arguments against marriage equality. HJR-6 would create an amendment to our state constitution banning gay marriage (or anything “substantially similar”, like civil unions). Since its introduction, these discussions have grown louder and more frequent, but no more logical. Let’s take a common sense look at a few of these stances:
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DOUG WHITINGER EDITORS@NUVO.NET Doug Whitinger is a native Hoosier and advocate for the LGBT community in Central Indiana.
two individuals which requires consent. Animals and children cannot give consent, though bestiality IS legal in 15 states. If your main argument against marriage equality is it might allow a man to marry his favorite goat, perhaps you should spend less time ogling sexy goats. 3. “Gays have a right to marriage, so long as they marry someone of the opposite sex.” This is by far the most ridiculous argument I hear, to which I usually respond: Do you have a rich, yet sexually frigid daughter that I could marry? I say rich, because after our inevitable divorce I’ll need some money to get back on my feet. And I say sexually frigid because… well… gross.
1. “According to the Bible, marriage is meant to be between one man and one woman.” Genesis 2:24 states: “Therefore a man leaves his father and his mother and cleaves to his wife, and they become one flesh.” But the Bible also states that marriage is between a rapist and his vicConsider the Orthodox Jewish tim (Deuteronomy community: as a part of their faith, 22:28-29), and if a woman gets married they are unable to consume pork, but who is not a virgin, she should be put to they haven’t endorsed a constitutional death (Deuteronomy amendment banning bacon. 22:20-21). My personal religious views notwithstanding, it seems It’s maddening to hear that someone that there is more than one version of “traditional marriage” cited in the Bible. would rather I live a lie, to conform to a narrow idea of what marriage is, Why do people tout the man/woman without considering the effect that such endorsement while ignoring the others? a sham marriage would have on my Also, using your religion to deny me emotional well-being, as well as that of my civil rights is as ridiculous as it is un- my intended wife. So it’s better to be American. It’s like me telling you that miserable and conform than happy and YOU can’t have a donut because I’M on go against the grain? a diet. Consider the Orthodox Jewish As a non-religious man with absocommunity: As a part of their faith, lutely no intention of marrying a goat, they are unable to consume pork, but a child OR a woman, none of these they haven’t endorsed a constitutional arguments apply to me. My impending marriage will have no effect on amendment banning bacon. any other person in the world, save 2. “Allowing gay marriage is a my husband-to-be. These arguments, ‘slippery slope’ that will lead to and the laws and amendments they bestiality and marriages between influence, harm millions of American adults and children.” citizens. Isn’t it time to start thinking Marriage is a legal contract between logically? n 4 VOICES // 10.30.13 - 11.06.13 // 100% RECYCLED PAPER // NUVO
VOICES THIS WEEK
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ROCKY RIPPLE’S PLEA FOR ACTION AGAINST FLOOD RISK Dear Indianapolis, It is likely that a home can no longer be sold in Rocky Ripple (providing it involves a loan) because of the increased flood insurance associated with its purchase. According to the Biggert Waters Flood Insurance Reform Act of 2012, all “non primary” residences (e.g. rental homes) will see their flood insurance rates rise by 25 percent per year until they reach the effective national market rate. If a new owner buys a home in a floodplain, the flood insurance rates rise to the market rate. To give you an idea of what this market rate would look like, we know of an instance where a person tried to buy a house in Rocky Ripple for $112,000 but had to back out when he found out that his annual flood insurance premiums would be around $7,000 per year for said house. Think about this for a moment: The prospective owner would be paying as much in flood insurance as he would for his mortgage. The troubling part is that this insurance rate could be much more if the house were worth more. Following this logic, a $250,000 home would have flood insurance costs around $15,000 per year. We are asking for support from the broader community in fighting for fair and equal flood protection. Please comment on the U.S. Army Corps of Engineers Final Supplemental Environmental Impact Study with regards to the Indianapolis North Flood Reduction Project. If we get the USACE to include us in their flood project, this whole flood insurance business will largely go away and the Rocky Ripple housing market will remain strong. If we don’t get flood protection, we are both literally and
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Comments regarding Rocky Ripple flood protection should be addressed to: Army Corps of Engineers Colonel Luke T. Leonard District Commander US Army Corps of Engineers, Louisville District PO Box 59 ATTN: CELRL-PM-P-E Louisville, KY 40201 or indynorthfseis@usace.army.mil Additional Important Contacts: Mayor Gregory Ballard City of Indianapolis 2501 City County Building 200 East Washington St. Indianapolis, IN 46204 figuratively sunk. If the floods don’t get us, the flood insurance surely will. The ACE could choose the so-called Rocky Ripple alignment, which includes our town behind 300-year floodwall protection. With this option, both our houses and our flood insurance will be protected. The comment period for the FSEIS ends on Thursday. A couple of sentences are a thousand times better than nothing at all. Here are some points to consider: • Butler University’s Board of Trustees continues to oppose options that exclude Rocky Ripple. Citizens’ Water has also voiced their opposition to the ACE’s current recommendations. • As taxpayers, Rocky Ripple residents should expect (and receive) the same level of flood protection as other tax-paying citizens. • In the event of a flood warning, the proposed sandbag closures of the 52nd and 53rd Street bridges would prevent any and all traffic into and out of Rocky Ripple, including emergency vehicles. Rising flood insurance rates are affecting communities nationwide as the federal government tries to adjust its risk exposure to a post-Katrina world. THE TIME FOR ACTION IS NOW!!! Sincerely, — Brad Barcom, Rocky Ripple Town Board President
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WHAT HAPPENED? Hell yes, hemp! Marijuana, more elusive. Maybe as lawmakers scramble to counteract an administrative error that led to the state losing $63 million in payments from the multi-state Master Settlement agreement with tobacco companies, they will begin to see the economic promise of industrial hemp. State Sen. Richard Young Jr. on Oct. 18 renewed his call to legalize hemp for industrial use, but so far his colleagues have been slow to key into the substantial economic and environmental benefits to be gained. Indiana Farm Bureau delegates recently got on board with the move toward hemp, though, like the senator’s, their support is limited to the legalization and production of industrial hemp. The quest to responsibly grow marijuana for medicinal and recreational use remains a distant dream for legalization advocates in the [not-so-free, drug cartel controlled] Hoosier marketplace. A Gallup poll of Oct. 22 says the majority of poll respondents - for the first time since they began asking the question in 1969 — favors marijuana legalization. A call for old yearbooks The good people of the Indy Public Library are in the midst of a major strategic re-visioning in which they are requesting widespread public input. The keepers of our local stories also need assistance to complete their digital collection of Indianapolis high school yearbooks. Most editions are already viewable online at indypl.org, but several remain M.I.A. and librarians would love to borrow copies of the following for scanning. See NUVO.net for a list of missing schools and years. To help provide missing information, contact digitallibrary@indypl.org or 275-4704. Northern Long-eared Bat flirts with endangered status White-nose syndrome has killed an estimated 5.5 million cave-hibernating bats in the Northeast, Southeast, Midwest and Canada, according to the U.S. Fish and Wildlife Service. The epidemic has been particularly severe for northern long-eared bats in the Northeast, which have declined by an estimated 99 percent since 2006 when observers first began noting white-nose symptoms. The USFW on Oct. 2 kicked off a 60-day public comment period on a proposal to protect the northern long-eared bat as endangered. Widespread in the East, the fungus that causes white-nose is now establishing a foothold in the Midwestern caves. To comment on the proposal, visit regulations.gov and enter Docket No. FWS–R5–ES–2011–0024 in the keyword box, then click “Proposed Rules” under the “Document Type” heading. Comments can also be mailed to the following address: Public Comments Processing, Attn: FWS–R5–ES–2011–0024; Division of Policy and Directives Management; U.S. Fish and Wildlife Service; 4401 N. Fairfax Drive, MS 2042–PDM; Arlington, Va., 22203. 6 NEWS // 10.30.13 - 11.06.13 // 100% RECYCLED PAPER // NUVO
NEWS DREAMING BIG FOR NEAR EASTSIDE BROWNFIELD THIS WEEK
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NoBO’s solar farm idea incorporated into revitalizing vision
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Near Eastside community taskforce is investigating ways to redevelop a 39-acre brownfield at 21st and Olney streets, the former site of a factory that manufactured battery containers, bedsprings, and car parts. The taskforce, headed by property-owner Laurie Klinger, formed early this fall with the intention of turning Ruby Park into a solar farm that could power homes in the neighborhood. Graduate students from Ball State’s College of Architecture and Planning presented their ideas for the site and the adjacent residential neighborhood, based on input from taskforce members at a public charette on Oct. 15 at the Brookside Park Community Center. IU Bloomington Director of Sustainability Bill Brown and his policy administration students also contributed to the charette. The brownfield, known as Ruby Park, is owned by Connecticut-based Chemtura Corp., which ceased operations at the site in 2008. According to the Indiana Department of Environmental Management the site contains soil contamination from lead, as well as chlorinated volatile organic compounds. Chemtura is involved in a remediation program with IDEM, but has not yet begun cleanup. Remediation concerns notwithstanding, students at the charette spent the day brainstorming and sketching out visions of what could be possible, planning as far as 40 years into the future. Ruby Park sits in the neighborhood north of Brookside Park, known as NoBO. Bounded to the west by Oxford Street, to the north by I-70, to the east by Sherman Drive, and to the south by Brookside Park, NoBO is a low-income neighborhood blighted by abandoned houses and empty lots. At the charette, students incorporated the taskforce’s main concerns for the neighborhood in their drawings: crime, housing, and employment, and explored how to leverage existing resources. Much of what
The view from the northwest corner of Ruby Park, looking at Olney Street from 21st Street.
CHARETTE The intense final effort made by architectural students to complete their solutions to a given architectural problem in an allotted time or the period in which such an effort is made. SOURCE: merriam-webster.com
PHOTO BY ANDREA MURASKIN
the site. “We started looking at the surrounding businesses, and what jobs are there. You guys actually have a battery manufacturer in this area that does large-scale industrial-type batteries,” Glascock said during his group’s presentation. “You guys have a place that already distributes solar, geothermal, HVAC-type materials. And you also have an electrical training institute, the IEC. And then you also have Martin University just to the north. So you already have some educational opportunities for technology-type jobs.”
they came up with was more complex than the taskforce’s original ideas for the site, though all of the plans incorporated the solar farm idea in some form. The students were “If we get it right we’ll have new divided into three teams. One group focused on neighbors, and all these empty green energy, a second examined recreation and houses won’t be empty any more.” residential use, and the third focused on indus– BRUCE RACE, trial and employment ARCHITECT AND BALL STATE PROFESSOR uses for the site. “Each of these is a story about the future,” said Ball State professor and Glascock said his group estimated that architect Bruce Race, addressing the covering the entire Ruby Park site with community members at the charette. solar panels could generate electricity for “And what we’d like to know, is what nearly 2,000 homes. (There are currently part of these stories do you like, and about 600 homes in the NoBO neighborwhat don’t you like.” BSU student Travis Glascock’s team worked on possible industrial uses for S E E , B R O W N F I E L D , O N P A G E 08
THIS WEEK
GET INVOLVED Epic Dance Party — Talbott Street “Built,” a dance benefit to support an effort to recognize and preserve sites significant to local LGBT heritage is part of a week-long string of top-shelf soirees held in conjunction with the National Preservation Conference, which is underway Downtown through Nov. 2. See NUVO.net for more details. Wed., Oct. 30, 9 p.m.-1a.m., Talbott Street, 2145 N. Talbott St. $25, $20 for Indy Pride and Indiana Landmarks members Deep thoughts on design The world-renowned architect who developed New York City’s Ground Zero master plan, Daniel Libeskind, will discuss the “The Language of Places,” musings, organizers say, “on how memorable, well-designed places are important tools for a community’s economic development strategy.” Mon., Nov. 4., 7 p.m. Ball State University, Pruis Hall. FREE REVENT event celebrates Indiana Recycling Coalition Throw on some cocktail attire (perhaps vintage style would give a nod to the evening recycling theme) and support the efforts of the Indiana Recycling Coalition. Catered by Duos with Monarch Beverage hosting the drinks, the event will also feature a silent auction with artwork, travel opportunities and more. To donate, contact jean@indianarecycling.org. Sat., Nov. 2, 6-9 p.m. Big Car’s Service Center, 3819 Lafayette Road. Tickets $75 for IRC members, $95 for non-members.
THOUGHT BITE If you are kicked out of your club, are you dismembered? – ANDY JACOBS JR.
NUVO.NET/NEWS Ed board appointee takes to the road by NUVO Editors Ed board members ask Ritz to drop lawsuit by The Statehouse File Indiana senator calls for hemp legalization by Rebecca Townsend Climate change law changes little ... by Theodoric Meyer OUCC offers winter conservation tips by The Statehouse File History buffs to do week of epic parties by Rebecca Townsend
VOICES • Lawsuit raises serious Open Door questions by Lesley Weidenbener • Ten Questions for Glenda Ritz by Abdul-Hakim Shabazz • Indy Chamber: HJR-6 would weaken Indiana by John Thompson and Michael Huber 8 NEWS // 10.30.13 - 11.06.13 // 100% RECYCLED PAPER // NUVO
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BROWNFIELD , FROM PAGE 06 hood). But he said that building a solar farm does not create many long-term jobs. If the rooftops of nearby industrial buildings were covered with solar panels, the group estimated that the amount of electricity generated would be virtually identical, freeing Ruby Park for other uses. Glascock’s group also proposed digging up baseball fields to the south in Brookside Park to install geothermal technology, which could be fed into the site or the neighborhood. Uses students proposed for the site ran the gamut from warehousing and industrial salvaging to an orchard, greenhouse and garden with an adjacent grocery, to houses. One resident expressed concern about food production on a contaminated site. “The lead contaminants are concentrated on the southern side of the site, so the orchard would be not on top of that area,” Ball State student Erin Roznik responded. “There are other plants that could be planted to remediate some of those issues, it’s called phytoremediation. Sunflowers are another thing that could be planted to soak up some of that,” she said. Roznik’s group drew a parking area with a solar-paneled canopy over the lead-contaminated area at the southeast corner of the site, a use that would most likely be permitted if the area were capped to prevent lead leaching into other areas. Crops could be planted in raised beds on top of the foundations of buildings that were demolished in 2011, Roznik explained, preventing contamination from volatile organic compounds that have been found in Ruby Park. In perhaps the most creative imagining, the group working on residential uses drew a series of circular green spaces surrounded by houses that were connected by roads on the western half of the site. These shared-yard developments could be a solution to the taskforce’s desire to have a safe space for children to play, BSU student Jessica Krates explained. Professor Bruce Race called this cluster-based residential plan “fanciful.” However, he said that while building houses on a site next to a neighborhood with so many distressed and abandoned homes seems impractical now, it makes sense when you take the long view. “In the long term, we’re gonna add over half a million people to [the] greater Indianapolis area by the time this is drawn,” Race said. “So, if we get it right, we’ll have new neighbors, and all these empty houses won’t be empty any more.”
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Graduate students from Ball State’s College of Architecture and Urban Planning draw up plans for Ruby Park.
A drawing by the Ball State student team focusing on potential sources of employment at Ruby Park, looking north. The buildings drawn on the north end of the site along 21st Street would be a grocery with solar panels on the roof and a co-working space. The southeast corner of the site, which contains lead contaminants, is drawn with a parking lot covered by a solar-paneled canopy. The northeast corner of the site is drawn with an orchard and greenhouse.
The students also re-envisioned the NoBO neighborhood, with plans including turning Olney Street into a treelined boulevard that would connect to Brookside Park, turning a historic building into a co-working space, and developing mini-parks on intersections. “I am so thrilled by this experience,” organizer Laurie Kingler said after the presentation. “It kind of switched the direction I wanted to go, but that’s OK.” According to a Chemtura representative, the company plans to submit an updated remediation plan to IDEM
on Oct. 31. Chemtura plans to complete the remediation, and monitor the success of the cleanup, a process that is expected to take about three years. After the remediation process is complete, Chemtura will look to sell Ruby Park. Policy administration students working under Bill Brown at IU Bloomington are researching the political and legal challenges to redeveloping Ruby Park, as well as possible sources of funding, for a class project. They will present their findings to the taskforce on Dec. 10. n
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, L L A E M R E W d the scenes at A D H E R E
Marcus Poulin (center, left) and Mark Bremer (center, right), and the entire Indy Scream Park crew, along with artist Jodi Morgan (left) and a few of the Brickmore inmates.
Behin
arcus Poulin, Indy Scream Park’s creative director and manager, and Mark Bremer, attraction manager, cut their teeth as masters of terror working on movie sets in Los Angeles. So you could say that they’re used to lots of screaming and unhinged personalities. But what drew two Hollywood set designers away from The Hills? “The scale,” said
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Bremer, without hesitation. Indy Scream Park is, indeed, immense, housing five separate (and sizable) attractions, three indoor and two outdoors, plus a “fairway” with carnival games and concessions. For the last year, the guys have been planning Indy Scream Park’s newest attraction, The Brickmore Asylum, down to the last severed head. “We did the survey and the
highest percentage was the insane asylum,” said Poulin. “He drew one haunted house and I drew two. Then we put them all together and thought, that’s gonna cost a lot of money.” So they took what they liked from all their ideas, and mashed them up until they had a solid design and concept that they liked and was feasible on their budget.
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W H E R E : 5 2 11 S . N E W C O L U M B U S R O A D , ANDERSON W H E N : O C T . 30 - 31 A N D N O V . 1 - 2 I N F O : 4 89 - 3732 ; I N D Y S C R E A M P A R K . C O M T I C K E T S : $2 2 - 36 A D V A N C E , $2 2 - 4 5 G A T E PHOTOS BY MARC A. LEE
The incredible sinking table, donated from a real morgue, plus hundreds of jarred specimens, medical tools, an embalming machine, and the kindly old Warden Stockmeyer “helping” a patient “relax.” (left) A real bathtub Poulin picked up from a hospital, perfect for nurses who want to bathe patients without getting wet—or ripping off patients’ heads in the cleanest possible way. (center) The Brickmore Asylum’s kitchen features genuine vintage kitchen paraphernalia from the ‘60s, plus lots of very realistic-looking bodies in various states of dismemberment, plus a 400 lb actor in a diaper who savagely munches on the body parts as you pass through. (right)
Brickmore Asylum’s faux crumbling facade looms over the waiting crowds below, appearing three stories tall. They took full advantage of that monumentality when designing the rooms, which vary in ceiling height from a claustrophobic eight feet to twenty feet in other areas. It’s just one of the thousands of tiny details designed to scare the living daylights out of you. “We did scents for numerous rooms, and [Bremer] came up with amazing sound in each room. Through our eight different zones you’ll hear a similar soundtrack…One room has flies and it’ll sound like flies are buzzing by your ears. Another room has pipes and toilets making noises,” said Poulin. “Everything you see was designed and made by me with help from someone else.” But unlike most of us, Poulin and Bremer don’t have someone they can call to fix their malfunctioning fire-shooters or make the streams of blood squirt out just so. According to their job descriptions, Poulin manages the attractions and Bremer is in charge of the actors in all five haunts. But as anyone working for a small organization knows, there’s never enough of anything. “You feel like there’s so much time in the day, and him being in charge of all the actors and me being in charge of everything, you get pulled everywhere,” Poulin said. “So we have to stay up till two in the morning doing stuff, you know
from ten at night to ten in the morning to actually get stuff done.” They spend hours tweaking things like the swing of certain doors or a “scare panel” that isn’t sliding up and down properly. They have to walk a careful line between making sure everyone stays safe — pertaining to fire codes, installing uneven surface markings and exits every 50 feet — while inducing a genuine sense of danger. Whatever Poulin couldn’t make was donated or purchased with authenticity in mind, from to the vintage Quaker Oats cans in the kitchen, to the antique iron locks, to the real, used morgue table. “This is a real [embalming] table, weighs about six hundred pounds maybe,” said Poulin in the operating theater, pointing to the hulking, twopiece table with a shallow porcelain pan in which the “body” lays. The room also features real specimen jars, tools and an embalming machine. “The bottom took four people just to move. It’s actually so heavy that it’s slowly sinking into the ground.” But realistic-looking gore doesn’t come cheap, not even in bulk. “This blood is something we get from Fright Ideas, [for] ninety-seven dollars a gallon,” said Poulin, pointing at the vinyl shine of the puddles of blood all around the kitchen, which was strewn with truly horrifying, real-looking dismembered body parts. “And if you feel it, it feels slick,” he said,
smiling like a proud parent. The realistic scenery is ultimately what gets under your skin; those sheetcovered bodies lying around are just as creepy when they don’t move. Even without anyone jumping out at you or the lifelike quivering dummies hanging by nooses turned off, the flickering lights in the beige-and-blue hallways lull your disbelief into suspension. The whispering echoes of voices that follow you the whole way make you wonder if they’re coming from inside or outside of your head. Then you enter Brickmore’s straight-from-the-movies padded cell, and you hear something even more disturbing: nothing. What’s more, some of the most frightening actors are the ones dressed in regular(ish) clothes, who stare at you with disquieting, unblinking gazes, standing just a little too close for comfort. It’s the rooms where you see the actor first that start to make your skin crawl. Bremer wants the park’s actors to engage with the audience not just as blood-soaked psychos giving chase, but as characters in an intricate and distorted narrative. But none of that could measure up to the most amazing part of the attraction: the Tesla coil, complete with a dummy “patient” in a wheelchair next to the machine. It’s hard to describe being present when that much current slices through the air in glowing purple. Inside
the rest of the attraction, the hair only stands up on the back of your neck. Next to a Tesla coil, the charge makes the hair stand up all over your body. Poulin and Bremer had been keeping the coil a secret all summer. Because it puts out so much electrical charge, they had to do their homework on the machine, creating a way to ground the coil so that they could have the visual effect of the charge arcing around the room. “The small [inner] cage is called the Faraday cage,” Poulin said. “Actually what it does is stops the electricity from coming through, and it’s grounded by that rod right there. The wire goes all the way around, and there’s another grounding rod behind it. If you bought that online or from somebody you’d probably have about twentyfive to thirty thousand dollars.” Poulin and Bremer have taken every precaution — and because they’d like to keep building sets, rest assured that you’ll be safe (unless you stick a solid copper rod through the bars, which the guys politely ask you not to do). Poulin and Bremer beamed when I emerged from the house with a look of wide-eyed bewilderment. They’d once more fulfilled their vision of total system overload for Scream Park ticket holders. After you’ve snaked through hellish scene after hellish scene, the Tesla feature shorts out your brain for a second, and exiting feels like waking up from an alltoo-real nightmare. n NUVO // 100% RECYCLED PAPER // 10.30.13 - 11.06.13 // COVER STORY 11
E L I S V U E N T S O H H G
Ghoulish Garfield
Built: Dance Party to Benefit LGBT Heritage
Put on your costume a day early and make your way to Garfield Park for a little early family fun. Enjoy games and treats at the Burrello Family Center, creepy crafts at the Arts Center, and take a tour of Garfield’s Haunted Conservatory! $1 For Haunted Conservatory; all other activities are free.
Come early for a short program honoring national LGBT heroes before the DJ takes over and everyone heads to the dance floor. Iconic LGBT Halloween costumes are encouraged, and organizers want you to know that everyone is invited to this party. A portion of proceeds will benefit an Indianapolis LGBT heritage project that will be announced at the event.
Garfield Park, Oct. 30, 6 p.m, all-ages
Talbott Street, Oct. 30, 9 p.m., 21+
Frightful: Silent Halloween
Erotic Exotic Ball
Lon Chaney stars in the Hunchback of Notre Dame (1923), screened in the Grand Hall at Indiana Landmarks Center with spooky live organ accompaniment by Mark Herman. For lighter fare, also on the bill are Laurel and Hardy’s 1928 Habeas Corpus and a 1928 cartoon by pioneer Max Fleischer. Door prizes will be given out throughout the evening, costumes are encouraged for party goers. Bring cash for the bar, too. Indiana Landmarks Center, Oct. 31, 7 p.m., $12 general, $10 member
Bartini’s is giving away $500 for the best costume, plus plenty of drink specials. Bartini’s, Oct. 31, 9 p.m., FREE, 21+
Halloween Party at the Vogue The Vogue is always a trusty source for Halloween debauchery, and this year is no exception. It’s all going down in Broad Ripple, with DJ Marcus spinning all the best in EDM and hip-hop, plus a best and worst costume contest with cash prizes. The Vogue, Oct. 31, 9 p.m., $5, 21+
Yelp’s Black Magic Bash
Let Yelp treat you to a fabulous Halloween celebration, where everything’s free except the bartender tips. Head down for craft cocktails, Hitchcock’s The Birds, nostalgic candy, Talbott Street performers, music, palm readers and a burlesque troupe. Please take note: you must RSVP on the Yelp event website to be allowed in! The Sanctuary on Penn, Oct. 31, 7:30 p.m., FREE, 21+
Flat As Hell
The brewers over at Flat 12 are taking you through nine circles of hell, with beer brewed with nine different peppers, served in flights. There will also be pumpkin carving, food, special glassware, and of course, costumes. Flat 12 Bierwerks, Oct. 31, 4-8 p.m., $12 per flight of nine pepper beers, 21+
Hasenpfeffer’s ‘Gravest Hits’
The Muncie Brothers are bringing their unique flavor of musical debauchery to White Rabbit, along with plenty of your favorite dances with the ladies of Hasenpfeffer. Enjoy the traditional Halloween parties, and then extend the fun all weekend. No one says you have to slow down just
because October is technically over.
White Rabbit, Nov. 1, 8 p.m., $10, 21+
CataCOMA
Check out all the entertainment at this terrifying underground party on Nov. 2 in the historic City Market catacombs. CataCOMA will feature live entertainment, Electronic Dance Music DJs, Sun King beer and food provided by City Market merchants. Costumes are appreciated, but you won’t get kicked out for not wearing one. The event is open to people 18 years of age or older and features music from Dead Man’s Grill, Alyda Stoica, Secret Priest and Sitar Outreach Ministry. City Market , Sat., Nov. 2, 9 p.m.-1 a.m., $15 advance, $20 door, 18+
Unwrap Your Candy
From the guy who wrote Quills (about the Marquis de Sade) comes a collection of four scary stories. “Baby Talk” sounds creepy: “A woman is unwound when her precocious baby begins to speak early while still inside her womb.” Theatre on the Square, through Nov. 16, $12-25, all-ages
M A D MAD R E V I E W S The Asylum at Hannah House q Indy mainstay Asylum House moved to a new venue this year, the historic Hannah House. As it turns out, the team-up is a perfect, if unexpected, match. Hannah House’s Victorian charm, secret tunnels and general atmosphere are the ideal complement to Asylum’s longstanding tradition of relentless, up-close-and-personal Grand Guignol. As wild as, say, their Phantom of the Opera or Jack The Ripper set pieces have been in the past, they take on a decidedly different tenor on authentic Victorian grounds. The Zombie Paintball event returns from last 12 COVER STORY // 10.30.13 - 11.06.13 // 100% RECYCLED PAPER // NUVO
year, and it’s a longer and more in-your-face experience than last time around. Anyone who’s ever bragged they could survive the zombie apocalypse gets the chance to back up their big talk, and trust me when I say it’s not as easy as you think to protect your behind from walkers that pop out of the dark. The event careens outdoors and well beyond the limits of the Hannah House itself. Indy’s best haunted house, despite a smaller new home, is still as sprawling and epic as ever. —PAUL F. P. POGUE 3801 Madison Ave., 919-9347; open Oct. 3031; tickets $20 general, $27 VIP, group discounts available; theasylumhouse.com
Fright Manor q Fright Manor has been a reliable local haunt for three decades, but there have been predictable, even generic, years. Not so in its current incarnation. For the past few years, the house has excelled at making a deceptively ordinary warehouse seem decidedly bigger on the inside. The chaos starts off with a “zombie shooting gallery” scene that — despite being mostly light and sound effects — that conjures the visceral, primal terror of prowling through a post-zombie urban landscape. And that’s just the first ten minutes. After that you get an insane asylum (which opens on a genuinely unnerving moment even for someone who’s
been through plenty of these), a shrine to real-life serial killers and a long, freakishly unhinged jaunt through redneck-hillbilly-torture territory. And the clowns — ah, yes, the clowns. If you’re the kind of person who wonders why some people are freaked out by clowns, Fright Manor will certainly teach you why. Myself, I’m not particularly bugged by clowns, but I’m going to be hearing redneck chainsaw sounds in my nightmares for a while yet. Fright Manor is better than it’s ever been. Highly recommended. —PAUL F. P. POGUE 2909 S. Meridian St., 883-7666; open Oct. 30-31, Nov. 1-2; tickets $20 general, discounts available; frightmanor.com
SUBMITTED PHOTO (LEFT) & PHOTOS BY MARC A. LEE (CENTER & RIGHT)
Time Warp visitors go on an adventure through the decades at the Children’s Museum. (left) Corpses stand ready to guard their Manor even in their wedding best. (center) Edge of Insanity: still pretty gross no matter how close. (right)
Indy Scream Park q Anderson’s Indy Scream Park is well worth both the drive and the price. Six attractions are included with a ticket, and I’d recommend paying the extra $10 online for a VIP ticket, which gives you front of the line access to all of the attractions. Their newest attraction is the Brickmore Asylum, where attention to detail is astounding, and the actors take their job very, very seriously. Out of all of the attractions, the one that probably freaked me out the most was Bedlam 3D. You’re given 3D glasses to wear, which have a tendency to disorient you in the first place. Then they add in a bunch of scary clowns. Thankfully, emergency exits are within 50 feet at all times. (I did not make use of any of the emergency exits! But I may have told a zombie or two that my female friend had more meat on her bones than I do.) The outdoor Infected attraction takes a close second in terms of its fear factor. Flames light up the sky as you approach the home of a demented woman who is looking forward to making you her next meal. There’s also a Monster Midway, where you can play Casketball, or have your photo taken with your favorite monster. Plus food, beer and Tarot card readings. —MARK A. LEE 5211 S. New Columbus Road, Anderson, 4893732; Oct. 30-31 and Nov. 1-2; tickets $22-36 advance, $22-45 at gate; indyscreampark.com
Haunted Angelus w Haunted Angelus follows up a spectacular first year by nearly tripling the size of the event and adding plenty of splatter and chaos to an already blood-soaked 45-minute spectacle. You’ll find yourself groping through one of the more baffling series of blackout mazes I’ve encountered (including one outdoors; still not sure how
they made it so damn dark) and face-to-whatever with a wide variety of classic style scares, including an extensive medical-themed set, plenty of edgy clowns and a variety of rooms so well-designed that even the ones with no actors and no moving parts still did a hell of a job putting me on edge. And the ones that do have actors are incredibly edgy; this crew does a particularly standout job with the makeup and close-up views. Incidentally, Angelus is fully ADA- and wheelchairaccessible, with broad doors and no cramped ceilings or steep ramps. All the more impressive, then, that it still feels like a claustrophobic hell and they still managed to pack in as much horror as they did. Haunted Angelus has made a powerful mark already, and it could well takes its place among the city’s greats. —PAUL F.P. POGUE 8829 E. Washington St., 500-4746; open Oct. 30-31 and Nov. 1; tickets $20 adult, $10 ages 5-10, free for 4 and under; 500grim.com
Nightmare on Edgewood e Formerly known as Southside Massacre, Nightmare on Edgewood breaks down into four feature haunts: Old School Fright, Pandemonium, Schizophrenia and Southside Massacre. Actors and actresses are dedicated to their roles as living horrors, and each attraction lives up to its name. You’ll be chased by chainsaw maniacs, cleaver-wielding cannibal butchers and chain-dangling harlequins. In Pandemonium, you’re thrust into a pitch black maze full of ghouls and who knows what else. Southside Massacre is a terrifyingly intimate experience with blood-covered actors getting right in your face to scare you senseless. The madness relents on kid-friendly nights Oct. 26 and Nov. 2. —ERIC ELLIS 6004 Camden St., 627-7576; open Oct. 31 and Nov. 1; tickets $20 regular, $30 VIP; nightmareonedgewood.com
Children’s Museum: Time Warp e The Children’s Museum Guild celebrates 50 years of frightening with this year’s Time Warp, offered in three flavors: family-friendly lights-on hours, lights-off “frightening” hours and the newly offered X-treme Scream hours late Friday nights. The theme takes visitors on a trip through the ages. With references to great movie scares of the ‘70s, thrilling music videos of the ‘80s, digital scares of the ‘90s and more, the haunt offers a cohesive and clever experience. Be sure to keep your 3-D glasses on to enjoy excellent 3-D painting throughout, including ghoulish manikins, fun video game rooms and two psychedelic spinning tunnels. —KATELYN COYNE 3000 N. Meridian St., 334-3322; open Oct. 3031; tickets $7; childrensmuseum.org
Corpse Manor e Corpse Manor is, above all, a chance for local actors to strut their stuff. Like the historical reenactors you might find at Conner Prairie, Corpse Manor’s crew never breaks character while giving you a “not-so-living” history of dead people. Plenty of people jump out and scare you along the way, but you also have plenty of fun along the way. And like at Indy Scream Park, the attention to detail is almost incredible. And also in keeping with Indy Scream Park, the actors are, thankfully, prohibited from touching any guests. Once you make your way through the first attraction, Corpse Manor, you enter into Night Shadows. It’s a moment that, if it were in a film, would be the part when you yell at the screen, “Don’t go in there!” or “Hey idiot! Use a flashlight! Don’t you hear the creepy ass music playing in the background?” There are reasons to be afraid of the dark, and Night Shadows reminds you of all of them. Provided you make it out alive,
you are then invited to Sinister Woods. All of the attractions are geared towards a slightly younger crowd, but there are plenty of things to scare older folk as well. —MARK A. LEE 4700 N. Post Road, 897-7908; open Oct. 30-31, Nov. 1-2; tickets $15 for Corpse Manor and Night Shadows; $20 for all three attractions; VIP passes $28; corpsemanor.com
Hanna Haunted Acres r It’s easy to make a night of this dynamic attraction with uniquely themed haunted houses, a corn maze and a kid-friendly haunted hayride. Each attraction looms in a corner of the grassy lot that also includes a bonfire, concession stand and gift shop. The first building holds four micro-haunts. You won’t run into Freddie, Jason, or any other celebrity monsters, except the ghost of Mary Shaw (she had no children, only dolls). You will find a gaggle of black light-illuminated demon clowns and a dizzy vertigo-inducing scare fest brought to you via 3-D glasses. Next up, you’ll dash into a towering maze of corn with just enough moonlight to see the pair of chainsaw-wielding maniacs about to chase you down. Though the first attraction wins for frequency of frights, the maze might come closest to a “real” scare. Don’t get hung up on trying to solve the puzzle of the maze — you’ll have more fun if you play along. You might be surprised how much fun it is to scream “No, don’t get me!” while traipsing down the muddy rows. If a trip to Saw wasn’t already included in the price of admission, I’d tell you to skip it. Though I appreciate the trouble someone went to to secure the required licensing from Lionsgate, this one just doesn’t deliver. —KATE FRANZMAN 7323 E. Hanna Ave., 357-0881; open Oct. 30 -31, Nov. 1-2; tickets $29, or $40 VIP; hannahauntedacres.com NUVO // 100% RECYCLED PAPER // 10.30.13 - 11.06.13 // COVER STORY 13
Bronwyn Doebbeling, a 7th grade student at Eastwood Middle School and IRT actor, goes from bare-faced, to a little freaky, to downright terrifying with the help of makeup artist Jenifer Ring, who freelances as The Putrid Parlor and does outreach programming with the Indiana Repertory Theatre. See the full step-by-step slideshow at NUVO.net.
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Indiana Repertory Theatre’s Artistsin-the-Classroom (AIC) outreach programming gives the public a little taste of the professional skills of their performers and backstage craftsmen. One of those artists is Jenifer Ring, who also does professional Special FX makeup under the moniker The Putrid Parlor. Ring’s ideas come from a variety of inspirations, from demented dolls like the one she showed me backstage at the IRT, to the full masque recreation of her dog she did on herself, which appears as the profile image on The Putrid Parlor’s Facebook page. Even though Ring’s skills are LA-quality, her tools and supplies are not: that rag doll and dog face can be pulled off with drugstore accessories and costume shop grease paint, plus a few insider secrets. Ring started by using a plastic palette knife and pressed Ben Nye Scar Wax onto the face of model Bronwyn Doebbeling, one of the IRT’s talented youth actors. She smoothed the edge along the jawline and forehead, to create 14 COVER STORY // 10.30.13 - 11.06.13 // 100% RECYCLED PAPER // NUVO
the texture of a ragged doll’s “seam.” Over that, she dabs on a few layers of liquid latex to keep the wax from sliding as it warms to body temperature. Ring has had some disasters on that front, “I skipped this step once, and this huge wax mask melted and just slid right off [the face].” Latex is key. After 3-4 layers of liquid latex had dried completely, Ring dabbed spirit gum on the back of the buttons and on the spot on the wax she planned to stick them. The key with spirit gum is letting it dry a little and get really tacky, and only then, joining the two surfaces together with a firm press. Next she used a regular makeup sponge and greasepaint wheel to paint the face three different shades, in order to differentiate between the different “fabrics” covering the doll’s face. She filled in the smaller details using dollar store paint brushes. For hygienic purposes, as Ring works long hours at area haunted houses doing makeup on hundreds of actors, everything she uses is cheap and disposable, like big packs of dollar-store paintbrushes and
Q-tips. “You can get this stuff anywhere,” she says about her supplies. Once the base colors were applied, Ring used a small brush to outline the eye sockets with a contrasting color of dollar-store eye shadow, then filled it in by dabbing on small amounts of powder for more even coverage. She also made soft contour lines with the same shade under the cheekbones and above the nostrils, “buffing” over the outer edges of the eyes in light circles to soften the lines. She lightly applied red cream around the eyelids to get a good contrast against the whites of the eyes, — “You want her to really look kind of sick.” — and then drew on stark black doll eyebrows with a thin, flat brush. With the same black color, she drew the “buttonholes” on with a thin brush on either side of the buttons. Finally, she drew messy lines around the edges of the wax “fabric” with dark red cream, then dabbed shiny red blood all over the same edges, to achieve maximum depth of color and gore. “You always want to finish with plenty of really red blood at the end.” Ring
prefers to mix her own fake blood, but says that the store-bought version works great. What does she prefer? “KY jelly. Yes, I like that KY. I mix it with some blood powder and it stays really shiny.” Doebbeling, an Eastwood Middle School student in the seventh grade, managed to avoid looking in the mirror to preserve the surprise. And boy, was she surprised. “Oh my —” was all that came out she almost touched her face in a reflex of surprise before IRT Outreach Programs Manager Millicent Wright grabbed her hand. But even before she could fully absorb her new look, Doebbling and Wright were dressed for their rehearsal and hustling out the door, a pretty normal occurrence for Ring as a haunted house makeup artist. “You don’t have time to sit and get it perfect, so you learn to do it fast. They’ll be in the dark anyway.” In that way, Ring and area parents have the same goals in common: create convincing special effects makeup on a budget, with actors that are hard to keep sitting still in a chair for very long. n
Join The Center’s Young Professional Group today!
GRETCHEN WILSON THURSDAY, NOV. 7, 2013 AT THE PALLADIUM FOLLOWED BY THE SCENE’S KEEPIN’ IT COUNTRY AFTER PARTY
We’ve set up all the elements of an extraordinary country-inspired night out ... all you have left to do is reserve your ticket! Gretchen Wilson’s hard-working hard-partying country songs like “Redneck Woman,” “Here For The Party,” and “Homewrecker” are so gorgeously rough-edged, it’s no wonder why she resonates strongly with fans of country and Southern rock. Enjoy the show and then party with The Scene!
Sit in The Scene’s reserved seating section at the show Mingle with other young professionals • Strike a pose at the photo station • Nosh on hors d’oeuvres • Enjoy a cash bar • Try out The Scene’s specialty drink • •
Memberships and tickets on sale now! BeInTheScene.org or call 317.843.3800. MEDIA PARTNER
SEASON PRESENTED BY
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@BeInTheScene
PERFORMANCES Frank Basile Emerging Stories Festival For 13 years, Storytelling Arts has annually awarded a Frank Basile Emerging Storyteller Fellowship to an Indiana storyteller, helping each winner to develop a long-form story/monologue. Eleven of those winners are coming back this weekend to present hour-long shows at the IndyFringe Theatre. The lineup includes Deborah Asante (as her blues singer alter ego, Suki Lue Ambers), ‘60s civil rights activist Sandra Harris, Navy vet John Robertson and poodle lover Sally Perkins. IndyFringe Basile Theatre, Nov. 1-3, each show $5, storytellingarts.org ISO: Venzago Returns With a new CEO at the ISO and those labor issues pretty well resolved, the pieces are in place to bring back former music director Venzago, who left the orchestra in 2009 under not-so-amicable circumstances. He’ll conduct Mahler’s Totenfeier, Glazunov’s Violin Concerto and Schumann’s Symphony No. 4.
STAGE Dance Kaleidoscope’s Liberty Harris
D
Rancho Mirage r Playwright Steven Dietz has become a favorite of the Indy theater community, and in the Phoenix’s latest production it’s clear why. His script offers many twists, turns and reveals in a story brimming with endearing characters and delightful humor. Six long-time friends enjoy a last meal, of sorts, in the gated community of Rancho Mirage, each bringing baggage to the table. Each could be written off for his or her privilege and hubris, but Dietz characters are lovably imperfect. This Indiana premiere features tight ensemble work from of some of Indy’s finest actors and a few newer faces as well. Director Bryan Fonseca cast a solid group and elicited finely crafted performances from each. Through Nov. 14 at Phoenix Theatre
— KATELYN COYNE
NUVO.NET/STAGE Visit nuvo.net/stage for complete event listings, reviews and more. 16 STAGE // 10.30.13 - 11.06.13 // 100% RECYCLED PAPER // NUVO
NEWS
ARTS
MUSIC
CLASSIFIEDS
Programs in Nov. 1-10 festival include collaboration between Dance Kaleidoscope and Bosma Enterprises
PHOTO CREDIT TAG HERE
REVIEWS
Through Nov. 10 at Theatre on the Square
VOICES
SPIRIT & PLACE EXPLORES CONCEPT OF RISK
Hilbert Circle Theatre, Oct. 30-Nov. 2, times and prices vary, indianapolissymphony.org
At Home At the Zoo y Edward Albee’s At Home at the Zoo builds on his better-known The Zoo Story (1959), in which two strangers in a park, Peter and Jerry, talk about isolation, miscommunication and dehumanization, among other nihilistic tropes. The problem is that Acting Up Productions treats Albee’s piece — often associated with the Theater of the Absurd — as if it was realist theater. Director Scot Greenwell takes the characters at face value, and while actors Joshua Ramsey (Peter), Allison Reddick (Ann) and Scott Russell (Jerry) give deep performances, this superficial treatment of Albee’s work doesn’t come close to investigating the play’s core themes and concerns.
THIS WEEK
It’s not about dancing. It’s about the human interaction. — LIBERTY HARRIS, DANCE KALEIDOSCOPE DANCER
BY K A TEL Y N CO Y N E EDITORS@NUVO.NET
ance Kaleidoscope and Bosma Enterprises are taking a risk for this year’s Spirit and Place Festival. Their joint enterprise, Moving Vision, pairs 11 blind participants with 11 DK company members. The pre-history of the project starts in 2005 when DK dancers worked with teenage girls in juvenile detention on a program called Turning Point. “These girls wrote their story of how they got to where they are and we choreographed a dance. We made this challenging story into beautiful art,” says Liberty Harris, a 14-year DK vet. Using similar methodology, Dance Kaleidoscope will share the challenges, risks and achievements of the project with Bosma’s blind participants. “The majority of the Bosma people want to be part of the final product,” explains Harris. “They have their own vision, interestingly enough, of what they want to put out there for Spirit and Place.” Harris clicked with her dancing partner in the show, Rhonda Chapman, right away. “She is an amazing woman, and within 30 seconds of meeting her, I adored her,” says Harris. “When two people risk putting themselves out there, it doesn’t matter who you are. Once you’ve sensed that the other person is being vulnerable enough to expose themselves, and they know that you are doing the same, it just happens naturally that you bond.” Chapman picked their song and is leading the storytelling elements of the performance. Harris has been working on teaching choreography in a different way. “I tell her: ‘I’m watching you and doing what you’re doing,” explains Harris. “Or I’ll try to explain a pivot turn; we communicate with words and sometimes it works and sometimes it doesn’t. But I trust her and she trusts me. I can touch her foot and say ‘keep it here,’ and I turn her body. It’s so simple, but to work with somebody that can’t see—to be able to physically interact with her that way as we use movement as vocabulary, it’s been fun.”
DANCE
SPIRIT & PLACE: MOVING VISION
W H E N : N O V . 6, 7 -8 P . M . WHERE: ATHENAEUM THEATRE COST: DONATIONS REQUESTED MORE SPIRIT & PLACE PROGRAMMING: • $20K: A COMPETITION ABOUT RACE: Nov. 1, 7-9 p.m. at Indianapolis Museum of Art, $10. Four presenters vie for $20k to realize a proposal for “reshaping notion of race in Central Indiana.” • CHOOSE YOUR ADVENTURE, MAP YOUR RISK: Nov. 2, 10-11 a.m. at Superior Market (3702 N. Mitthoefer Road), FREE. The challenge was for 170plus residents to gauge their tolerance for risk, then complete assignments based on their risk levels (low: talk with someone who doesn’t speak your language; high: panhandle). See the results Saturday. • THE PUZZLING HISTORY OF WILL SHORTZ: Nov. 3, 3-4:30 p.m. at Central Library, Clowes Auditorium, FREE. NYTimes crossword dude Shortz, who graduated from IU with a degree in enigmatology, tells some puzzle-making and table tennis adventures. • THE HUNGRY GAMES: Nov. 4, 6:30-8:30 p.m. at Athenaeum Theatre, $10. NoExit, Q Artistry and the Anthenaeum Foundation band together to spoof the The Hunger Games. • TOUCHY SUBJECTS: ART, SEX AND HUMOR: Nov. 6, 6-8 p.m. at Indianapolis Art Center, FREE. The key artists and curators behind an exhibition at the intersection of sex and humor talk about their work and lead tours.
As Harris follows her partner’s lead, the story that emerges is one of rising above defeat. “The character that I play in her story, I’m supposed to be the object of defeat that she rises above,” Harris says. “She will be strong; she will conquer; she will be an amazing human being that is not affected by losing her vision.” For Harris, this project has come to be more than just another artistic endeavor. As she forges a connection with Chapman, she sees the value in taking a risk to build new relationships, to reach out more. “It’s not about dancing,” Harris says. “It’s about the human interaction. The beauty that comes from 22 coming together to expose themselves to anyone willing to watch is inspiring.” n
EVENTS Inside Out Art Project Installations under the umbrella of the Inside Out project have been displayed in Korea, Pakistan, Rio De Janeiro, Los Angeles, New York City, Chicago — and, now, Indianapolis. Artist Jon Ford is wheat pasting huge portraits of IndyGo drivers on the side of the Central Library, starting on Nov. 1, in part to show support for viable public transit. Central Library, opening Nov. 1, insideoutproject.net, FREE People for Urban Progress’ Five-Year Celebration Urban “do” tank People for Urban Progress is celebrating its fifth birthday Nov. 1 with a concert at Do317 Lounge headlined by Ezra Furman and BoyFriends. A few updates: PUP has installed 9 of its PUPstops, with 22 more in the works. That puts PUP 11 away from its goal of installing 42 of the bus stop “benches” made from repurposed Bush Stadium seats. The organization was an Indiana Innovation Award Winner this year. And PUP is offering a new handbag: The Clerk, which can be carried in six, count ‘em, six ways. Do317 Lounge and People for Urban Progress (Murphy Art Center), Nov. 1, from 6 p.m., FREE CIRCA Kyle Ragsdale is back with his annual Harrison solo show this month. Called Enchanters, it’s based on his recent trip to his boyhood home of New Mexico. The name comes from the New Mexico state motto “The Land of Enchantment.” Ragsdale spent time in the state at Ghost Ranch, taking in the same seemingly-mystical landscapes that inspired the work of Georgia O’Keefe. Also opening is The Reunion Project, featuring works from Herron graduates from 1902 to present. Harrison Center for the Arts, opening Nov. 1, 6-9 p.m. Positive World, Neutral Culture: Assassin Series Indy native Bryan Moore’s series focuses on fictional assassins that people the artist’s imagination. Moore describes one of his works thusly: “‘Geisha Assassin’ features a woman robed in prismatic purple silk listening to the sound of koi swimming and an elephant trumpeting, when in reality she is hearing the death throes of her decapitated body of her victim at her feet.” Indy Indie Artists Colony, opening Nov. 1, 6-9 p.m.
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MATISSE: BEYOND COLOR
The IMA’s Matisse exhibition largely succeeds in presenting classics in a fresh way
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atisse: Life in Color, curated by the IMA’s Rebecca Long, includes more than a hundred works borrowed from the Baltimore Museum of Art’s extensive Matisse collection. It focuses on the working habits of the monumentally important French artist, and begs the question: Is this borrowed body of work, by an artist with whom many have at least a passing familiarity, packaged in a fresh and engaging way? Per the exhibition title, Matisse wasn’t an artist overly enamored with earth tones. But, for Matisse, it was never just about the color. Take a look at his painting, “Ballet Dancer Seated on a Stool,” which shows a bored looking woman wearing a tutu with a white skirt. The skirt is dotted with clumps of dried white paint set against a deep blue background. If the white shock of the skirt resembles at all a splash in the water, then the clumped paint is the foam. The bored, abstracted face of the ballet dancer is far from the center of attention. The tutu pops off the canvas, and the wavelets of paint, rising above the canvas, have a sculptural quality. “Paint not the object but the effect it produces,” wrote French poet Stéphane Mallarmé. In this portrayal of a ballet dancer, Matisse took this dictum to heart. Matisse was certainly aware of the rich physicality of oil paints. And through its abundant assortment of prints and sculptures — often sharing the same subjects across the 2D/3D divide — the show appropriately makes the case for his mastery of many different media. Matisse: Life in Color is divided by subject. Under “Nudes,” you see dozens of photographs charting the evolution of the iconic painting “Large Reclining Nude” (a.k.a The Pink Nude), from realistic to abstract treat-
REVIEW
MATISSE, LIFE IN COLOR WHEN: THROUGH JAN. 12 WHERE: INDIANAPOLIS MUSEUM OF ART TICKETS: $18 ADULT, $10 STUDENT, FREE UNDER 6 MORE INFO: IMAMUSEUM.ORG e “Ballet Dancer Seated on a Stool” (1927), left, and “Large Reclining Nude” (1935) are on loan from the Baltimore Museum of Art for Matisse: Life in Color. SUBMITTED PHOTOS
ments. And in the same room, you see Matisse’s bronze sculpture “The Serf.” Matisse made the piece using the same well-endowed nude male model employed by Rodin, which speaks to the size of Matisse’s ambition. My favorite painting here is a land-
scape. In “Large Cliff with Fish,” you see the shoreline jutting in elliptically from the right. Compositionally, this is mind-blowing when you think about it. Matisse’s landscapes, less renowned than other facets of his work, are a particularly welcome part of this exhibition. What comes across most is Matisse’s restless exploration of many artistic mediums. So it seems appropriate that this exhibition employs the iPad as a canvas as well as a teaching tool. That is to say, in the “Inspired by Matisse” contest you can try to outMatisse Matisse by drawing something on an iPad. There’s no doubt that Matisse would’ve leapt at a chance to use an iPad. At least for a moment, that is, before moving onto the next big thing. n
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OPENING About Time r Director Richard Curtis (Love Actually) offers a likable blend of comedy, romance, drama and fantasy in this tale of Tim Lake (Domhnall Gleeson), who learns at age 21 that the men in his family are capable of hopping though time to various points in their life and tweaking things. The story seems gimmicky at first and the film takes a while to get its footing, but eventually kicks in and delivers a fine third act. The cast is fine, with standout turns by Bill Nighy and Lindsay Duncan as Bill’s parents. Those willing to hang in and adjust to the film’s quirkiness will be rewarded. — ED JOHNSON-OTT R, Opens Friday at Keystone Art Free Birds Time-traveling turkeys. In color. PG, Opens Friday in wide release and 3D Ender’s Game An adaptation of raging homophobe and climate change denier Orson Scott Card’s YA sci-fi novel about a boy training to kill aliens. PG-13, Opens Thursday in wide release Last Vegas The Hangover for old people. Starring Michael Douglas, Robert de Niro, Morgan Freeman and Kevin Kline. PG-13, Opens Friday in wide release
FILM EVENTS Blood Brother An audience winner at this year’s Heartland (tying for favorite documentary), Blood Brother tells the tale of Rocky Braat, who moved from the U.S. to India in order to care for a group of HIV-infected children. Indiana State Museum IMAX, Nov. 1-2 and 7-9 Bobcat Goldthwait Absurdist standup turned blacker-than-black comedy director Goldthwait is headed to IU Cinema to present his two most recent films — God Bless America (2012), about a serial murdering duo out to get airhead celebrities; and Willow Creek (2013), a foundfootage horror film about a couple out to find Bigfoot. IU Cinema (Bloomington), screenings Oct. 31, lecture Nov. 1 Histoire(s) du Cinema A marathon screening of Jean-Luc Godard’s 266-minute video essay on film history. IU Cinema’s Godard mini-retrospective gets going in earnest Nov. 7 when Godard expert Richard Brody gets in town.
FILM O
ver the course of a few weeks, this fall has brought three high quality “you are there” movies. Gravity puts viewers in the boots of a stranded astronaut. Captain Phillips depicts the experience of a captain kidnapped by Somalian pirates. Now 12 Years a Slave travels back to the 1800s, where we share the nightmare of a New York man snatched away and taken to Louisiana, where he is made a slave. Director Steve McQueen’s (Shame, Hunger) film, based in part on the true story of Solomon Northup, presents an unsparing look at the musician and family man’s forced odyssey, including a series of brutal images. Some of you may ask why you should subject yourself to the cruelty and inhumanity of one of America’s most shameful periods. Rest assured that 12 Years a Slave is as touching as it is horrific. By adopting the point of view of a free Northerner forced into slavery, the film offers a unique look at the practice. We share Northup’s disbelief at his change in circumstances, his outrage and anger, his efforts to mentally separate himself from his fellow prisoners, his eventual acceptance — not surrender by any means, simply acceptance — of his situation. Northup does what is necessary to survive. He learns the importance of hiding his sophistication from his captors — they may appreciate his skills with a fiddle, but their determination to view slaves as less than human would be threatened by a prisoner who is clearly more erudite than they are. Chiwetel Ejiofor (Chidren of Men, Kinky Boots, Dirty Pretty Things) plays Northup.
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12 Years a Slave is as touching as it is horrific
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Chiwetel Ejiofor (center) should be a Best Actor contender at next year’s Oscars for his performance in 12 Years a Slave. REVIEW
12 YEARS A SLAVE
RATED: R w
I hope he has a clear mantle, as he will need space for his Best Actor trophies come awards season. Because Northup is forced to suppress his emotions, Ejiofor must express himself through subdued inflection and with his amazingly expressive eyes. He is as good here as Daniel Day-Lewis is in Lincoln. Lupita Nyong’o offers a stunning performance as Patsey, a woman torn from her loved ones and stuck between her demented rapist “master” (Michael Fassbender) and his jealous wife (Sarah Paulson).
Fassbender and Benedict Cumberbatch are effective as two different types of slave owners, as is Paul Dano as a plantation whack job fueled by rage. Paul Giamatti and Alfre Woodard do fine work in cameos, but the appearance of Brad Pitt as a Canadian abolitionist took me out of the story for a moment. Pitt’s performance is spot on, but it was still jarring to see a big time movie star pop into the story. 12 Years a Slave is the clearest view of slavery I’ve seen onscreen. We see what is involved in trying to oversee a group of captive people and make them do what you want. And through the eyes of Solomon Northup, we see what it’s like to be kidnapped and forced to do the bidding of others. n
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Wadjda e The first film shot entirely in Saudi Arabia is also the first feature film made by a female Saudi filmmaker. Haifaa Al Mansour offers an empowerment story about a young girl (newcomer Waad Mohammed) who wants to buy a bicycle. Not a big deal, except riding a bicycle is one of the many things the repressive Saudi culture reserves for boys. Women are subservient, keeping their bodies and faces covered with fabric. Expressions of their individuality seems limited to their feet – some brightly colored toenails here, a pair of sneakers there. While realistic, the film isn’t grim, thanks largely to the spirited portrayal of Wadjda by the gifted young actor.
IU Cinema (Bloomington), Nov. 1, 6:30 p.m.
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The Counselor i The Counselor sucks. I say that upfront because the film is directed by Ridley Scott (Blade Runner), written by Cormac McCarthy (No Country for Old Men) and stars Michael Fassbender, Penelope Cruz, Cameron Diaz, Javier Bardem, Brad Pitt and Breaking Bad’s Dean Norris, and you may be tempted to go. Don’t. Screw the plot summary, this is just a failed film with lousy dialogue (it’s McCathy’s first screenplay). I took a bullet for you by sitting through this dog. Don’t let my suffering be in vain. R, In wide release
Gravity w Gravity is so intense that I developed a tension headache by the time it ended. Affonso Cuaron masterfully directs the mesmerizing story of two astronauts that end up stranded in orbit with no contact with mission control. Don’t look for a love affair between stars Sandra Bullock and George Clooney. This is a “you are there” survival experience. While there are reflective, spiritual moments, the gravity of the situation never lightens up. The special effects are simply amazing. See it in the best theater you can, and keep some aspirins handy in case you react like I did. Whew. PG-13, In wide release, 3D and IMAX 3D — ED JOHNSON-OTT
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BEER BUZZ
BY RITA KOHN
Kansas City-based Boulevard Brewing, whose beers are available in Indianapolis, has been purchased by Belgium-based Duvel/Moortgat, whose beers are also available locally. “I don’t really anticipate any changes in those products for our Indiana market, but there are some interesting elements to note about the deal,” noted Bob Mack, web designer at World Class Beer. “Old World and New World brewing come closer with this deal. Steven Pauwels at Boulevard is a Belgian born brewer with a great deal of respect for the Belgian brewing tradition. There are not many Belgian born brewers in the American craft scene.” Mack points out “Boulevard Brewing will no longer be considered a ‘craft’ brewer since the Brewer’s Association does not count foreign owned breweries as a ‘craft” brewer. The concept of ‘craft’ brewer versus ‘crafty’ or ‘non-craft’ brewer gets murkier. Is Boulevard no longer worthy because of the ownership change? Should we be thinking differently about what constitutes ‘craft’ beer?” Ted Miller introduced Belgian beer to the Indiana craft industry with the opening of Brugge, and the style has proliferated across the State. But the tag is “Belgian style” because only beers made in Belgium, using the traditional methods of second fermentation can be labeled as authentic “Belgian.” Nevertheless, craft beer patrons savor Belgians in any form because of its layered taste profile, described as a kaleidoscope of fruit and spice flavors. After hearing about Boulevard’s sale a craft beer patron asked me “Will this happen to say Three Floyds, Upland or Sun King?” His concern was beyond semantics or recipes. “Our craft breweries are great community partners. What happens to the causes they support when they are bought by a foreign company?” I’ll keep watch over Kansas City and report. News, notes RAM downtown and Fishers are celebrating their 2013 Silver Medal Anaheim IPA at a special event Oct. 30. Also on tap: Bavarian Sun, Big Horn Hefeweizen and Pumpkin Pie in a Glass. Sun King will kick off Movember on Oct. 30 at their Taproom, 6-9:30 p.m. with a costume party and the tapping of the official beer of the prostate cancer fundraiser. Their notice reads: “100 percent of the proceeds (draft only at the event) will go towards Movember Indy to support men’s health awareness.” Easley Winery has been named one of 10 North America’s Best Urban Wineries by Yahoo! Travel. “While the urban winery concept is growing in popularity, Easley Winery has flourished in downtown Indianapolis for 40 years,” said secondgeneration owner Mark Easley. “Located in the historic Cole-Noble district, the Easley team conducts the entire wine-making process from grape to glass in a 90-year-old converted ice creamery.”
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Juice veterans Laura and Corey Beatus launched their truck after closing Natural Born Juicers’ City Market location.
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he juice bar has been around for years, but the juice truck? Maybe it was a no-brainer, but it took two companies — the well-established Natural Born Juicers and the brand-new Twenty Two — to make the leap. Laura and Corey Beatus started Natural Born Juicers in New York City 11 years ago, after Lucky’s Juice Joint, the juice bar they’d managed in Soho, closed its doors. The couple eventually made a move to Indianapolis, Laura’s hometown. “We wanted to have a backyard and kitchen counter, and were kind of ready to have a quieter lifestyle,” Laura explains, adding that ironically things didn’t become all that quiet (they haven’t had a vacation in four years). After launching at the Indy Winter Farmer’s Market, the couple opened a stand at City Market in February 2011, where they sold centrifuge-extracted fresh juices and smoothies to a loyal following.
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Trucks launched by Natural Born Juicers and Twenty Two are meeting mobile juice needs
JUICE TRUCKS
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But soon, they didn’t have the space to keep up with a pressed-and-bottled juice service. Natural Born Juicers closed down the City Market space Oct. 11 and signed a lease on a new space on Mass Ave (opening TBD). And in the meantime, Laura and Corey are selling fresh drinks on a food truck launched Oct. 23. “I love the sense of being nomadic, so the truck has always appealed to me,” Laura says. The Beatuses plan to keep the truck in motion even after the Mass Ave store opens. They’re joining a juice truck scene that includes Twenty Two, founded by central Indiana natives Ross and Leslie Hanna. The couple got the idea for
the truck after a weekend getaway to Asheville, N.C. had them visiting a coffee shop located in a double-decker bus. “We were really into the whole vintage canned-ham, Shasta trailers vibe, so when we lucked upon one in Illinois we just said, let’s jump on this,” Leslie explained. The two had been juicing in their home for a couple years before they made the aforementioned jump. The Twenty Two juice trailer has been in operation just two months, with a big early presence at WarmFest. They serve organic cold-pressed juices and smoothies, as well as acai bowls (acai berries blended with banana and almond milk, topped with hemp granola, fruit, and raw honey). The business is expanding quickly, and the Hannas will open a storefront in City Market on December 2, offering an expanded menu which will include more acai bowls, cold-pressed juices and coldbrewed coffee. “I think the great thing about Indy is that it’s an untapped market on a lot of things,” Leslie said. n
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CELEBRITY WINERY #45,362: DAVE MATTHEWS’ DREAMING TREE WINES
F
all is wine shipping season. That means if you buy wine online or direct from a winery several states away, now is the time to get it shipped to your wine rack at home. That also means it’s wine “sample” time for wine media. Yes, wineries and marketing firms ship wine to wine writers hoping they write about their product. Several packages arrived already this fall with a ‘wine for the holidays’ theme. Over the next couple of months let’s take a Dave Matthews look at the stories and wines which seem worthy of your wine dollar. There are plenty of celebrity wines on the market and, all too often, when you see the name of a musician, athlete, movie star you should run. But there are exceptions. Baseball great Tom Seaver makes great cabernet. Mario Andretti’s Napa wines are reasonably priced and worth your money. It would take the entire column to run all the celebrities who own wineries but the list includes: Brad Pitt and Angelina Jolie, Mike Ditka, Francis Ford Coppola, Dan Aykroyd, A.J. Foyt, Madonna, Charles Woodson, Greg Norman, Nancy Pelosi, Tommy Smothers, Dick Vermeil and Sting. Singer, songwriter, and musician Dave Matthews is also in on the rich-andfamous wine boom. Matthews owns Blenheim Vineyards in Charlottesville, Va. The 46-year-old musician got involved in 2000 helping design the winery building. More recently, he wanted a California presence to make wine from sustainably farmed grapes and sell it with environmentally friendly packaging. Like the other smart celebrity wine owners, he went out and found a great partner, teaming with Steve Reeder in early 2011 to form Dreaming Tree Wines. Reeder is VP and winemaker at
GRAPE SENSE
BY HOWARD HEWITT
Simi Winery, and previously winemaker at Chateau St. Jean, and Kendall-Jackson. The Dreaming Tree label comes from a song title on the 1998 Mathews’ album Before These Crowded Streets. The two are serious about their affordable and easily approachable wine. They’re also serious about sustainability. The wine bottles are half the weight of most, featuring sustainable cork and recycled paper for the labels. Just for fun, Matthews’ song lyrics are printed on each closure. So far they’ve produced five wines. Their red blend Crush, Cabernet, and two Chards — a central and north coast version — sell for $15. They also do a Central Coast reserve cabernet with a suggested retail of $35. I tasted three of their wines. The best of the lot was the Crush red blend which is mostly Merlot with smaller amounts of Syrah and Zinfandel. It had a rich texture with hints of spice and was a nicely balanced glass of wine. I would recommend it to a novice or serious wine drinker at that price. I was intrigued by the Everyday white blend for its complexity. It’s a blend of Gewurztraminer, Riesling, Albarino, and Viognier. I’ve never been a fan of the hugely floral Gewurztraminer nor Viognier. But the more I drank this wine the more I liked it. It’s not much of a food wine but a great sipper. I could see this as a big seller. The Central Coast Cabernet just didn’t work for me. I didn’t like the fruit nor the balance. The wines are widely available and be good value picks for the holidays at $15. The first two will please most palates and are better than many at that price point. It’s not unusual to find these wines around $12 in bigger retail outlets. n Howard W. Hewitt writes about value wine every other week for 23 Midwestern newspapers. Read his blog at howardhewitt.net.
NEW RELEASE LILY AND MADELEINE S/T ASTHMATIC KITTY
MUSIC
— KATHERINE COPLEN
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• White Denim — by Seth Johnson
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BAND MAN GOES SOLO
e Envy the push behind harmonizing sister duo Lily and Madeleine. They have the full attention of some of Indiana’s most admired musical figures — note Paul Mahern as their manager/”discoverer,” Kenny Childers as their songwriting partner and Asthmatic Kitty as their label. At last count, they’ve premiered new videos on more than five different outlets in the last few weeks, briefly toured Europe and had their full album streamed on The New York Times’ website. At this point – just one short year into making music together – they’re poised to do just about anything they want. And what they seem to want is to move very slowly, very deliberately. Any other group garnering as much buzz would have played dozens of shows in their hometown by now. But I can count the number of headlining shows the duo has played on both hands. That slowness, that low gear setting, shows on their first album, too. Opener “Sounds Like Somewhere,” begins with the most gentle instrumental opening in recent memory. (In fact, I maintain that you could listen to the first 30 seconds without even knowing the music has started playing in the room. That’s how light Madeleine’s touch is.) The album’s tracks are slow, but not labored. They’re gentle, but not weak. And, like they sing on the excellent “Nothing But Time,” they’ve got time to move slow if they want. Standouts include first single “Devil We Know” and the swinging “Come To Me.” Listen all the way through, as perhaps the best track on the album is the broody bonus track tacked on at the end. As on their EP, The Weight of The World, the girls’ singular talent – their harmonies – shine brightest against spare, quiet instrumentation. And a final note on that significant promotional push: there’s a major difference between hyped and hype-worthy, and I truly believe Lily and Madeleine are the real deal. Earlier this week, fellow Asthmatic Kitty-er Sufjan Stevens quipped “Lily and Madeleine 4EVR” on his Tumblr page, which is otherwise used for Miley Cyrus open letters and releases of old demos. That’s the same Sufjan that the sisters wondered in our September cover story if they’d ever get to meet. Things are moving fast for Lily and Madeleine. But, as their latest album shows, they’re content to take it slow.
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Johnny Marr brings “The Messenger” to the Vogue
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ohnny Marr and I are a star-crossed pair, at least in terms of phone calls. My early October call with the guitar legend has been disconnected upwards of five times. Luckily, his very accommodating PR assistant has dutifully dialed him back up every time I lose him on the line. There’s an ocean and five hours between us; he on a tour bus winding its way through Northern Scotland after a show (“I don’t really sleep much on tour,” he deadpanned, when I asked why he’s scheduled our chat for the wee hours); me, holed up in our office on 38th and Meridian. But I’m a bit happy about all these dropped calls. It gives me a moment or two in between questions to quietly hyperventilate, gather myself and select my next question in short order. I confess, I’m not nearly as cool, calm and collected as my teenage self would hope to be when on the phone with Marr. But the guitarist and songwriter looms so large in my teenage listening years that I can’t really help myself. A brief refresher: Marr smashed into the public consciousness in the mid-’80s as the guitarist and co-songwriter of The Smiths. (As a sidenote: I was asked very clearly not to ask about the former Smith’s relationship with Moz, who later that week released his Autobiography. The book, which is by all accounts genuinely strange, details their feuding.) After his ‘87 departure, Marr spent time in sessions with Paul McCartney, Beck, The Talking Heads, Billy Bragg and numerous others. He participated full-time in groups The The, The Pretenders and The Electronic and kept side projects like The Cribs and Johnny Marr and the Healers on the side. For a brief, wondrous few years, Marr toured and recorded with Modest Mouse, relocating with his family to their home base of Portland to stay involved.
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But it was back to Manchester, The Smiths’ old stomping grounds, where Marr found the time and inspiration to record The Messenger, his first true solo record. It’s a bit unimaginable that it took almost 30 years for Marr’s solo debut, but he’s just so damn good at being part of a group. Marr will perform with his band at the Vogue on Monday, November 11. A full transcript of our conversation can be found online at NUVO.net. NUVO: Can you tell me briefly what your setlist looks like for this tour? JOHNNY MARR: Well, I don’t want to give too much away! … When I was making the new record, it was very important that it worked live, and that might seem like an obvious thing to say, but it isn’t always
necessarily the case. You want to make a good record, and that’s it really. You usually just think about the studio and the making of the record. But it was important that every song work live. The new stuff has been going down very well everywhere we’ve played it and that’s partly the reason – because we had that in mind when we did it. I went out and road-tested a few songs and that was a little scary, playing songs that no one had played before. But it was worth it, because you end up with all the arrangements being a little tighter and tempos being up. So, that’s one of the reasons why there’s a lot of new songs in the set. When you play nearly the entire new album, it makes the really old songs more fun and more of a, sort of, celebration. People like hearing songs they know, of course. It would be a bit boring if it was just a greatest hits kind of set, at this point in my musical life. I wouldn’t want to just be up there playing old songs; it’s very important to play songs you’re excited about and that represent where you’re at in your life now. That’s the general picture, really. It’s a mixture of telling the story of where I’m at in my musical life, but also being aware that I want people to walk out the door feeling like they’ve had a really good night. NUVO: Over how long of a period of time did songs for The Messenger come together? What’s the oldest song on this record? MARR: It’s not very old at all. The first song I wrote is the one that closes the record, “Word Starts Attack,” and that was written maybe nine months before the album was finished. I didn’t have any songs written when I went in the studio to write it. I just had lots of ideas and theories about subjects and my fingers crossed.
S E E MARR, O N P A G E
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MARR: Yeah! Obviously, “Dashboard” was very important to me, and is an obvious answer because it was so popular. No one could resist going into a riff and enjoying a riff when the entire audience starts punching the air and the kick drum starts coming in on the [floor]. That was always such an enjoyable moment for me; it was such a popular song. But I think that song “King Rat” would be my favorite [from 2009’s No One’s First and You’re Next]. Or the song “Fly Trapped In A Jar,” just because it’s so unusual of a structure. I have to really dig deep to come up with all the different riffs on that. I found that I was playing a lot like how I was playing in my bedroom when I was a teenager. None of the guitar on “Fly Trapped In A Jar” sounds like anything like what I did with The Smiths or Electronic. It reminded me mostly of experimentation, when I was at my parent’s house just trying out all these different styles, you know? NUVO: You’ve said of those early days with The Smiths that songs were just
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pouring out of you. Did you have that experience on The Messenger? How has your songwriting ease changed? MARR: It happened on The Messenger and I’m really – I don’t want to jinx it – but it’s happening now. Of course it’s doubly exciting now because I’m writing the words as well, at this point. I always wrote words when I first started out, but to have words and music coming really fast is just an exciting thing for anyone who is creative. One doesn’t know whether they’re successful – you never do, until you get the record and play in front of people in a hall, or get feedback from friends or whatever. I didn’t really, in honest truth, expect for the album The Messenger to be as well-received as it was or to get as much attention, to put it that way. I’m trying not to over think what I’m doing now. My songwriting has changed in that [I] know more so [I] can be a little more self-conscious. I’ve heard it said that things get more difficult as you get older, as you’ve been around longer. To me, [maybe] that’s the case because you have distractions in your life. In my case, I’ve been very lucky because I have not had all the distractions in my personal life. My family life and personal life have just kind of followed whatever band I’m in or whatever country I’ve chosen to live in or whatever record I’m making at any time. That’s continued now. The only real difference from when I was writing in The Smiths is that I’m singing it. And in a lot of ways that’s more work – obviously, it’s twice the work – but it’s more satisfying. NUVO: What’s your setup like? Do you have that signature Fender Jag with you now at every tour stop?
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NUVO: What was your favorite song to play live when you were touring We Were Dead Before the Ship Even Sank with Modest Mouse? That’s such a fun album; I can only imagine the experience of playing it live.
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MARR: It’s an amazing thing to have your own signature guitar. Particularly, the way we went about it with Fender, they let me take as long as I wanted to make my guitar entirely bespoke, so to speak, and perfect. If I had another six months or one day to work on it, I wouldn’t change a thing on it. We didn’t put it out until I considered it perfect. So I don’t need to use anything else. I wish I had this guitar 20 years ago. I use that through a Fender Deluxe Reverb and a Fender Super Reverb. It’s a really, pretty big sound. For the song “The Messenger,” I use what’s called a Nashville tuning, or a high-strung tuning, to give it a really, super high-string, ring-y thing. And that’s it – I get everything I want out of this guitar. n
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LEARNING FROM LOU
used to sit up late at night with a boom box clutched tightly in my hands, feverishly scanning the radio dial in desperate hope of finding musical inspiration. Mostly I would spin the knob in vain, taking more interest in random patterns of AM static than anything masquerading as music on the perpetually commercial Indianapolis airwaves. But, on occasion, I got lucky. It’s easy to forget how rare and magical it once was to discover a favorite new song or work of art. With the Internet, seemingly any experience we’re seeking is just a click away. But the process of acquiring information used to be a bit more random and there was an element of luck at play. It was like looking up at just the right moment to see a shooting star flitter across the night sky. I’ll never forget the first time I heard Lou Reed’s voice. It was 1990 and I was in the sixth grade. Up hours after bedtime on a school night with radio in hand, I laid awake restless, slowly turning the dial. I paused for a moment on Q95 to hear the last few seconds of a lifeless slab of arena rock fade out, bracing myself for the next blast of macho guitar riffing. But instead I was confronted with a bubbling jazz bass line and the droll delivery of Reed’s voice rising from the speakers.
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of my suburban hometown. In this way, Lou Reed’s voice has been ushering listeners into the underground of American counterculture for decades, and it will continue to do so for decades to come. Brian Eno once famously mused that although Reed’s first Velvet Underground record only sold a few thousand copies, everyone who bought it formed a band. I was fortunate to see Lou Reed in a rare Indianapolis appearance, a brief performance for 1990’s Farm Aid benefit at the Hoosier Dome. I also had the privilege of spinning a night’s worth of Lou Reed tunes at the Indianapolis Museum of Art for the opening of Andy Warhol Enterprises in 2010. Reed was a restless innovator throughout his career, constantly challenging his audience’s expectations. My favorite work from his catalogue, is his most experimental: the 1975 double LP I’ll never forget the first time Metal Machine Music. There’s a I heard Lou Reed’s voice misconception that Reed conceived the abrasive hour-long instrumental composition as a “fuck you” to his label or fans, but, to “Holly came from Miami, F.L.A. my ears, it’s Reed’s purest and most Hitch-hiked her way across the U.S.A. transcendent musical expression. Plucked her eyebrows on the way I put the LP on my turntable Shaved her legs and then he was a she” after hearing news of Reed’s I sat transfixed, intensely absorbing each word as the song grew stranger and death Sunday afternoon and let the waves of ecstatic noise wash over stranger. At eleven years old, this was the room. The fourth side of Metal the most powerful encounter I’d ever Machine Music ends with a locked had with a work of art. I’d never heard groove, causing the music to play in sex, drugs, androgyny and race disendlessly until the listener chooses to cussed in such a free and open manner. remove the needle from the vinyl. It “Walk on the Wild Side” provided me seemed like a fitting way to acknowlwith a brief glimpse into an exciting edge Reed’s legacy - living on and on underground world that I never knew in a blast of eternal noise. n existed, but had somehow been longing for. Reed’s lovingly rendered portraits of the song’s broken characters > > Kyle Long creates a custom suggested an alternative to the banal podcast for each column. lifestyles and restrictive moral codes Hear this week’s at NUVO.net touted by the dry mainstream culture
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Blu Haunted House If you haven’t already been celebrating Halloween since last weekend, we’d say that this event at Blu is the perfect time to kick off your long weekend of festivities – but we saw you at the bars on Saturday. DJQik and DJ Slater Hogan bring the heat on the stacks at this free event. Organizers say to wear your scary and sexy costumes, so we expect a lot of sexy zombie nurses lined up at the door. Blu Lounge, 240 S. Meridian St., 10 pm., FREE, 21+ Burlesque Bingo Bango Show, Hollywood Graveyard Edition, White Rabbit Cabaret, 21+ Glow Blacklight Halloween Party, Vogue, 21+ Blue Moon Revue, Melody Inn, 21+ Bela Fleck, Indiana University Musical Arts Center, 21+ The Family Jam, Mousetrap, 21+ Big Broadway Sing-Along, Chef Joseph’s, all-ages Dance Party To Benefit LGBT Heritage, Talbott St., 21+
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Matt Wilson Band, Jazz Kitchen, 21+
THURSDAY SPOOKY Downtown Creepy Crawl The nice people at Sensu and other South Meridian clubs are giving away $4,000 in costume contest cash, so this is one where your costuming creativity can really pay you back. The crawl officially starts at 9, but make sure you get down early to win a costume contest prize and enjoy the DJ sets. The crawl hits Tiki Bob’s, Social, Ike and Jonesy’s and Blu. Sensu, 225 S. Meridian St., 7:30 p.m.,. $15, 21+ SPOOKY Scary Costumes and Spooky Tunes Join Count Sean Bakula, the Music Makula and Morticia Gregory for some frightening Halloween fun at Chef Joseph’s. Head downtown for a different kind of spooky celebration, with all the smoothness of a night of cabaret singing, plus plenty of ghoulish fun. Chef Joseph’s, 115 E. Ohio St., 7 p.m., all-ages SPOOKY Satanic Panic Don’t panic! Just get down to The Mel this Halloween
for some hard rock and metal, local-style. Costumes are encouraged (as long as you can still do some thrashing in there) and there are lots of local favorites filling out the bill, like We are Hex, Coffinworm and special guests Coppertop, She Are Hex, Hellhammer and Krazy Karoline. Melody Inn, 3826 N. Illinois St., 9 p.m., $10, 21+ SPOOKY Halloween Party You can go wild at the Vogue party with DJ Marcus, but don’t forget to bring your best costume game – the Vogue always has sweet prizes for their contests. Plus, we hear they’re setting up a cash balloon drop for the night. Make some bucks this Halloween. The Vogue, 6259 N. College Ave., 9 p.m., $5, 21+ SPOOKY Thriller Thursday Hosted by Gabby Love and DJ Helicon, come out and see a performance by Oreo Jones and his new side project White Moms. Drink specials and tunes by DJ Action Jackson as well, and the winner of the costume contest will receive an allinclusive VIP package from Social. Social, 245 McCrea St.,10 p.m., FREE, 21+ SPOOKY Halloween Rock and Roll The Irving Theatre is hosting an evening for folks who want to have their Halloween and bring the kids, too. Enjoy music from three incredible bands: Modoc, Halfmoon Mad and Shelby County Sinners. Stay warm and dry with a
Do You Drink Alcohol? We want to know how your brain reacts to reaction time tasks while under the influence of caffeine, alcohol, or antihistamines. Participants will stay at the Indiana Clinical Research Center for 1 1/2 days for an intravenous administration of alcohol, caffeine or antihistamines and an MRI scan. For completing these procedures, you will be compensated $325. You must be 21-27 years old to participate. We will also ask about your: drinking history, family members who drink, use of any drugs, and general health.
TO SEE IF YOU QUALIFY, AND FOR MORE DETAILS, CALL (317) 963-7220 INDIANA UNIVERSITY School of Medicine David Kareken, Ph.D. Study Principal Investigator IU Hospital 550 University Blvd.
Break the Habit! Model in photo is for illustrative purposes only.
If you’re ready to quit smoking … If you are a smoker and are part of the adult population who suffer from a mental illness or disorder, you may be interested in a research study which is being conducted to evaluate the use of the drugs varenicline and bupropion as aids to smoking cessation. To help you quit, smoking cessation counseling sessions will be included as part of the study.
We are looking for people who are: • Between the ages of 18–75. • Current smokers who smoke ten or more cigarettes per day. • Motivated to quit smoking. Qualified individuals will receive varenicline, bupropion, transdermal nicotine patch or placebo (an inactive substance that looks like the study drug). After 12 weeks of treatment, there is an additional 12 week non-treatment follow-up phase. Smoking cessation counseling and all study related medical care will be provided at no cost. You may also be reimbursed for time and travel. FOR MORE INFORMATION, PLEASE CONTACT:
GOLDPOINT CLINICAL RESEARCH Call 317-229-6202 • or Visit Goldpointcr.com
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SOUNDCHECK musical party, and get something even sweeter than candy: some badass rock ‘n roll. The Irving, 5505 E. Washington St., 7 p.m., $5 advance, $8 at door, all-ages COUNTRY Merle Haggard Instead of chasing ghosts, you could spend your Halloween with one of country music’s living legends. Merle Haggard is hard to describe as anything but a legend, whose honky tonk tunes continue to inspire modern musicians across all genres, from punk to folk, and of course, country. Consider Haggard the shot of room-temperature whiskey that the modern sugar-laden pop country desperately needs. This is definitely one for country purists, and definitely worth skipping the trick-ortreating for. Palladium at the Centre for the Performing Arts, 355 City Center Dr., 7:30 p.m., price varies, all-ages SPOOKY Nikki’s Nightmare Ball This Halloween jamfest features DJ Cool Hand Lex. Dress up, get weird, bring your costume A-game. NYX Nightclub, 6283 N. College Ave., 9 p.m., 21+ SPOOKY Scared Shipless Do good this Halloween by stopping over at the Sinking Ship, where raffles, contests and food and brews will be on hand. All proceeds go to the Brilliant Birdie Foundation, which supports education initiatives for children in developing countries. Sinking Ship, 4923 N. College Ave., 8 p.m., donations accepted, 21+ The Jimmys, Phoebe and The Mojo Makers, Slippery Noodle Inn, 21+ Noche Latina Halloween Edition, Jazz Kitchen, 21+ Scare in the Square, Fountain Square, all-ages Rooftop of Horrors Halloween Party, Regions Bank Tower, 21+ Average Joe’s Halloween Festivities, Average Joe’s, 21+ Animal Haus Halloween Edition with Slater Hogan and Stewbot, Blu, 21+ 32 MUSIC // 10.30.13 - 11.06.13 // 100% RECYCLED PAPER // NUVO
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City and Colour Trick and Treat with Breakdown Kings, Chicago Loud 9, DJ Lockstar, DJ Indiana Jones, Tin Roof, 21+ Altered Halloween with Richie August, The Mousetrap, 21+ Frightful Silent Halloween, Indiana Landmarks Center, all-ages Flat as Hell, Flat 12 Bierwerks, 21+ Red Rum Halloween Party, The Red Room, 21+ Halloween Night Bash, Rock Lobster, 21+ Erotic Exotic Ball, Bartini’s, 21+ Yelp’s Black Magic Bash, The Sanctuary on Penn, 21+
FRIDAY ROCK City and Colour For a half-dozen years, Dallas Green did double duty in two very different musical settings. He was the guitarist, keyboardist and a main songwriter in Alexisonfire, a post-hardcore band playing hard-hitting rock, while he also had an acoustic-based singersongwriter solo project called City and Colour that had steadily gained popularity. One night in 2010 in Boston, he realized the effect his musical double life was having on him and decided his future needed to involve only City and Colour. “I was in Boston and I had just played a City and Colour show,” Green recalled in an early September phone interview. “It was in the middle of a little tour
that we had squeezed in between two Alexis tours. I remember being completely exhausted, and I do remember the show being really fun and good, but I didn’t enjoy any of it.” Green got back to his hotel and called his long-time managers with a simple message. “I just said ‘I can’t do both anymore,’” Green said. “That was it. That was when I knew. I knew when I got to the point where I was living such a wonderful life that I should have been the happiest guy in the world, but I had no idea how to enjoy any of it.” Green is now touring behind The Hurry and The Harm with a road band that includes bassist Jack Lawrence (Raconteurs, Dead Weather), guitarist Dante Schwebel (Hacienda), drummer Doug MacGregor (Constantines) and pedal steel/keyboard player Matt Kelly. “They’re all great players, and not only are they doing the new songs justice, but I’m sort of revisiting the old catalogue,” Green said. “So it’s really, really been some of the best moments I’ve had on stage, probably in my life.” — ALAN SCULLEY Read the rest of our interview with Green online at NUVO.net. Egyptian Room at Old National Centre, 502 N. New Jersey St., 8 p.m., $30, all-ages ROOTS The New Old Cavalry They’ll play with Glostik Willy and Funky Junk The Vogue, 6259 N. College Ave. 8 p.m., $5, 21+ Delta Duo and Friends, Underground 9 Studio, all-ages First Friday Halloween Edition, Fountain Square Brewing Co., 21+ Totally Bitchin’ 80s Prom with Andy D, Social, 21+ Hero Jr., Captain Ivory, The Hawkeyes, Radio Radio, 21+ Boo Ya, Bartini’s, 21+ DJ Android, Indiana City Brewing Company, 21+ The Crawpuppies, Ale Emporium, 21+ An Evening with Jorge Pardo, The Alexander, all-ages Dos Equis Masquerade, Cadillac Ranch and Bartini’s, 21+ Bro Safari, ETC!ETC!, CRNKN, Deluxe at Old National Centre, all-ages The Watchmen, Rock House Cafe, 21+
SOUNDCHECK Chad Michaels, Talbott Street, 21+ Freddy Cole Quartet, Jazz Kitchen, 21+ Eight Miles High, Rathskeller, 21+ HalloWeird Weekend, Sensu Indy, 21+ Circle City Athletics Halloween Bash, Rock Lobster, 21+ Chris McShay, Chef Joseph’s, all-ages Hasenpfeffer’s Gravest Hits, White Rabbit 21+
are expected to come out. Wear something you don’t mind getting …. colorful. Indiana State Fairgrounds 1202 E. 38th St., 8 p.m., $40, 17+
second full-length, Hard 2 Love, which was released this August. Egyptian Room at Old National Centre, 502 N. New Jersey St., 8 p.m., $26 in advance, $30 at door, all-ages
DANCE
CataCOMA Check out all the entertainment at this terrifying underground party on Nov. 2 in the historic City Market catacombs. CataCOMA will feature live entertainment, DJs, Sun King beer and food provided by City Market merchants. Costumes are appreciated, but you won’t get kicked out for not wearing one. The event is open to people 18 years of age or older and features music from Dead Man’s Grill, Alyda Stoica, Secret Priest and Sitar Outreach Ministry. Indianapolis City Market, 222 E. Market St., 9 p.m., $$15 advance, $20 at door, 18+
Laidback Luke Most compelling fact from Laidback Luke’s Wiki page? The DJ and producer practices Kung Fu – even going as far as to participate in the World Championship in 2013 in China where his team won 23 gold metals. Jeez, Luke. It’s a wonder he finds time to tour as a DJ with all those leg kicks (our grasp on kung fu terminology only goes so far). He excels in that area too – in fact, the Dance Music Awards nominated him for best European DJ last year. Vogue Theater, 6259 N. College Ave., 9 p.m., $20 advances, 21+
SATURDAY DANCE Life In Color: World’s Largest Paint Party You won’t even have to bring a costume to this Halloween weekend event – it’ll be thrown all over you at this paint party. The touring fest features Carnage and David Solano, along with locals Slater Hogan and The Dub Knight. Come for the DJs, stay for the stilt walkers, fire breathers, aerialists and contortionists. This event is huge: more than 3,000
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POP Kate Nash English singer-songwriter Kate Nash may be similar to legendary British songstress Kate Bush in name, but she’s much more like fellow Brit popstar Lily Allen musically. And, of course, she’s occasionally
a lot like your middle school bullies in lyrics for songs like “Dickhead.” Her new album, Girl Talk, adds a bit more rock to her straight-talking pop style. Deluxe at Old National Centre, 502 N. New Jersey St., 8 p.m., $15, $17, all-ages
SPOOKY COUNTRY Lee Brice You’ll know sweet talkin’, country-singin’ gent Lee Brice from his blow-up-the-charts track “Love Like Crazy.” He’s touring his
Hoosier Dome’s Annual Halloween Party Halloween may be over, but everyone knows that the weekends before and after Halloween count as official holiday weekends, right? Right. So
fluff your costume in the dryer and try to spot-clean the spilled drinks, because it’s time to head down to Fountain Square and get weird all over again. Ten bucks gets you in the door, but the night is up to you after that! Hoosier Dome,1627 Prospect St, 7 p.m., $10, all-ages HIP-HOP Beats and Burlesque II Is there anything better than bras and bars and beats? Name a better combo. We dare you. This iteration includes performances from Sirius Blvck, Peteyboy, Ajene tha.God, Grxzz and The Rocket Doll Revue (plus a special appearance by Alabaster Betty). White Rabbit Cabaret, 1116 Prospect St., 8 p.m., $8, 21+ Punk Rock Halloween Show, Melody Inn, 21+ Ezra Furman, Rah Rah, Shannon LaBrie, Daniel Romano, DO317 Lounge, 21+ Devil To Pay, The Cocaine Wolves, Dead Birds Adore Us, Radio Radio, 21+ Party Lines, Verdant Vera, Shadeland, Dell Zell, Audiodacity, Rock House Cafe, 21+
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NOVEMBE SATURDAY, “a moody alt-country original” – Nashville Scene
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SOUNDCHECK Luke Austin Daugherty solo, Muddy Boots Cafe, all-ages Yvonne Allu, Chef Joseph’s, all-ages Rock-It To A Cure with Black Stone Cherry, Athenaeum Theatre, 401 E. Michigan St., all-ages Tonos Triad, Matt Turk, Midwest Rhythm exchange, Irving Theater, all-ages Distal Down, Birdy’s Bar and Grill, 21+
SUNDAY POP Annie Moses Band, Selah The members of this 9-piece group are all related (and most are Julliard-educated) and led by Robin Wolaver, – who’s also the mother of six of the group’s members. Even the name is a family affair – they write, “[Annie Moses Band is] named after their great grandmother who prioritized musical education for her children, even in poverty stricken times.” They’ll play with Selah at this benefit for Midwest Food Bank. College Park Church, 2606 W. 96th St., 6:30 p.m., $20, all-ages Full Monte, The Dictionary Scene, Hoosier Dome, all-ages Cocoanut Grove Lounge Night Halloween Show, Melody Inn, 21+ Dynamite!, Mass Ave Pub, 21+
Patti LuPone, Center for the Performing Arts, all-ages Dan Godlin, Todd Carey, Curtis Peoples, Birdy’s Bar and Grill, 21+ Industry Halloween, Blu Nightclub, 21+
MONDAY Smith, Weakley, and Clark Trio, Jazz Kitchen, 21+ Brett Dennen, Old National Centre, all-ages Church of Misery, Bloody Hammers, Against the Grain, Beale St., 21+ America’s Got Talent, Murat Theatre at Old National Centre, all-ages
WEDNESDAY, NOV. 6TH The Features, Faux Paw, DO317 Lounge, 21+ Glow Wednesdays, Vogue, 21+ Family Jam, Mousetrap, 21+ Art Reiner, Christel DeHaan Fine Arts Center, all-ages Steve Val, Egyptian Room at Old National Centre, all-ages Leagues, Radio Radio, 21+
CHICAGO
Chicago Symphony Orchestra Symphony Center, Oct. 31 Drive-By Truckers Vic Theatre, Oct. 31 Fidlar, The Orwells Subterranean, Oct. 31 John Vanderslice Apollo Theatre, Oct. 31 Night Beats Empty Bottle, Oct. 31 The Polish Ambassador Bottom Lounge, Oct. 31 Sleepy Sun Beat Kitchen, Oct. 31 Mr. Blotto The Cubby Bear, Nov. 1 Pure Prairie League Mayne Stage Theatre, Nov. 1 The Black Crowes Riviera Theatre, Nov. 2 Cactus, Reggies Music Joint, Nov. 2 Cold War Kids Vic Theatre, Nov. 2
LOUISVILLE Dr. Dog Headliners Music Hall, Nov. 2 Natalie Merchant Whitney Hall, Nov. 2 Sarah Lee Guthrie & Johnny Irion Zanzabar, Nov. 2 City and Colour W.L. Lyons Brown Theatre, Nov. 3
CINCINNATI
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BEYOND INDY
Ezra Furman Motr Pub, Oct. 31 Kim Taylor The Monastery, Nov. 1 The Pretty Reckless Bogart’s, Nov. 1 Broncho, Denney And The Jets, Motr Pub, Nov. 2
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120 East Walnut St. Indianapolis, IN 46204 Indianapolis Public Schools is hiring the following positions:
Bus Drivers/Substitute Bus Drivers • • Elementary Teachers & Secondary Teachers • • Special Education Teachers & Assistants • • Substitute Teachers • • Cluster School Support Specialists • •
GENERAL
EXPERIENCED FLORAL DESIGNER NEEDED Part-Time to (possible) FullTime. Apply after 1pm with BARTENDERS & SERVERS - Debbie. Sierra Flowers 925-4585 ALL SHIFTS Immediate openings. Apply in HEALTH CARE person, Weebles, 3725 N. Shadeland. HHA/PCA NEEDED Home Health Agency hiring for in-home care employee. Apply in person. 5226 Southeast Street. suite A9. Indianapolis, IN 46227. Via fax: 317-405-9045 or email attentivehome@gmail.com
All interested applicants need to apply online at the following link: applitrack.com/IPS/onlineapp
Looking for experienced CDL class A company drivers and owner operators to haul dry freights over all 48 states. REQUIREMENTS: • Must Have a Class A CDL with clean record.
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RENTALS DOWNTOWN
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HISTORIC DOWNTOWN Small Studio & 1Bdrm. 212 E. 10th St. Clean. A/C. Free parking. From $400/mo. Call after 10am 443-5554 LOVE DOWNTOWN?
DRIVERS NEEDED
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THE GRANVILLE & THE WINDEMERE 1BR & 2BR/1BA Apartments in the heart of BR Village. Great Dining, Entertainment & Shopping at your doorstep. On-site laundries & free storage. RENTS RANGE FROM $575-$625 WTR-SWR & HEAT PAID.
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DRIVERS
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CLASSIFIEDS
Homes for sale | Rentals Mortgage Services | Roommates To advertise in Real Estate, Call Kelly @ 808-4616
FINANCIAL Bedel Financial Consulting, Inc. is seeking a full-time Associate Portfolio Manager in Indianapolis, IN to monitor and report on due diligence calls, provide research analysis reports, update client materials, coordinate preparation of asset allocation analyses, assist with account reviews, trades, correspondence and other requests, assist with maintaining portfolio database, assist Portfolio Managers with trading and order executions, work with operations department, and provide assistance to investment team. Contact Cassi Vanderpool at 317-843-1358 or cvanderpool@bedelfinancial.com
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BODY/MIND/SPIRIT Certified Massage Therapists Yoga | Chiropractors | Counseling To advertise in Body/Mind/Spirit, Call Marta @ 808-4615
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Advertisers running in the CERTIFIED MASSAGE THERAPY section have graduated from a massage therapy school associated PRO MASSAGE Top Quality, Swedish, Deep with one of four organizations: Tissue Massage in Quiet Home Studio. Near Downtown. From International Massage American Massage Therapy Certified Therapist. Association (imagroup.com) Paul 317-362-5333 Association (amtamassage.org) Association of Bodywork and Massage Professionals (abmp.com)
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Services | Misc. for Sale Musicians B-Board | Pets To advertise in Marketplace, Call Kelly @ 808-4616
MISC. FOR SALE VIAGRA FOR CHEAP 317-507-8182
ADOPTION
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FREE WILL ASTROLOGY © 2013 BY ROB BRESZNY Libra
ARIES (March 21-April 19): Once when I was hiking through Maui’s rain forest, I spied a majestic purple honohono flower sprouting from a rotting log. As I bent down close, I inhaled the merged aromas of moldering wood and sweet floral fragrance. Let’s make this scene your metaphor of the week, Aries. Here’s why: A part of your life that is in the throes of decay can serve as host for a magnificent bloom. What has been lost to you may become the source of fertility. Halloween costume suggestion: a garbage man or cleaning maid wearing a crown of roses. Aries
Pisces
Virgo
Virgo
Aquarius
Capricorn
Sagittarius
Leo
Cancer
Gemini
Scorpio
Aquarius
Capricorn
Sagittarius
Leo
Cancer
Gemini
BEAUTY
UNIQUE BOUTIQUE Welcoming hairdresser Toya Richardson to our staff. Schedule today and receive $20 off any service of $40 or more. Sign Of The Tymes Salon & Boutique 317-251-0792. 2750 E. 62nd Street signofthetymessalon.com
LICENSE SUSPENDED? Call me, an experienced Traffic Law Attorney,I can help you with: Hardship Licenses-No Insurance Suspensions-Habitual Traffic Violators-Relief from Lifetime Suspensions-DUI-Driving While Suspended & All Moving Traffic Violations! Christopher W. Grider, Attorney at Law FREE CONSULTATIONS www.indytrafficattorney.com 317-686-7219
Virgo
Aquarius
Leo
Capricorn
Cancer
Aries
Sagittarius
Scorpio
Aquarius
Capricorn
Sagittarius
Leo
Cancer
Gemini
Libra
Virgo
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Leo
Virgo
like if you were among the one-percent-wealthiest people on Earth? Would you demand that your government raise your taxes so you could contribute more to our collective well-being? Would you live simply and cheaply so you’d have more money to donate to charities and other worthy causes? This Halloween season, I suggest you play around with fantasies like that -- maybe even masquerade as an incredibly rich philanthropist who doles out cash and gifts everywhere you go. At the very least, imagine what it would be like if you had everything you needed and felt so grateful you shared your abundance freely. Aries
SCORPIO (Oct. 23-Nov. 21): What if you had the power
to enchant and even bewitch people with your charisma? Would you wield your allure without mercy? Would you feel wicked delight in their attraction to you, even if you didn’t plan to give them what they want? I suspect these questions aren’t entirely rhetorical right now. You may have more mojo at your disposal than you realize. Speaking for your conscience, I will ask you not to desecrate your privilege. If you must manipulate people, do it for their benefit as well as yours. Use your raw magic responsibly. Halloween costume suggestion: a mesmerizing guru; an irresistible diva; a stage magician. Scorpio
Libra
Taurus
Aries
SAGITTARIUS (Nov. 22-Dec. 21): I had a dream that you
were in the film O Brother, Where Art Thou? You were like the character played by George Clooney after he escaped from a prison chain gang. Can you picture it? You were wearing a striped jailbird suit, and a ball and chain were still cuffed around your ankle. But you were sort of free, too. You were on the lam, making your way from adventure to adventure as you eluded those who would throw you back in the slammer. You were not yet in the clear, but you seemed to be en route to total emancipation. I think this dream is an apt metaphorical depiction of your actual life right now. Could you somehow use it in designing your Halloween costume?
CANCER (June 21-July 22): Are you ready to be amazed? Now would be an excellent time to shed your soul’s infantile illusions ... to play wildly with the greatest mystery you know ... to accept gifts that enhance your freedom and refuse gifts that don’t ... to seek out a supernatural encounter that heals your chronic sadness ... to consort and converse with sexy magical spirits from the future ... to make love with the lights on and cry when you come. Halloween costume suggestion: the archetypal LOVER.
lowing exercise. Imagine the most powerful role you could realistically attain in the future. This is a position or niche or job that will authorize you to wield your influence to the max. It will give you the clout to shape the environments you share with other people. It will allow you to freely express your important ideas and have them be treated seriously. Let your imagination run a little wild as you visualize the possibilities. Incorporate your visions into your Halloween costume.
Gemini
Taurus
Aries
Pisces
Capricorn
Cancer
Sagittarius
Gemini
Scorpio
Taurus
Aquarius
Capricorn
Leo
Cancer
Libra
Aries
Pisces
Virgo
Pisces
LIBRA (Sept. 23-Oct. 22): What do you think you’d be
Libra
GEMINI (May 21-June 20): Are you up for an experiment? Not just on Halloween, but for a week afterwards, be scarier than your fears. If an anxious thought pops into your mind, bare your teeth and growl, “Get out of here or I will rip you to shreds!” If a demon visits you in a nightly dream, chase after it with a torch and sword, screaming “Begone, foul spirit, or I will burn your mangy ass!” Don’t tolerate bullying in any form, whether it comes from a critical little voice in your head or from supposedly nice people who are trying to guilt-trip you. “I am a brave conqueror who cannot be intimidated!” is what you could say, or “I am a monster of love and goodness who will defeat all threats to my integrity!” Virgo
Pisces
Taurus
TAURUS (April 20-May 20): What don’t you like? Get clear about that. What don’t you want to do? Make definitive decisions. What kind of person do you not want to become and what life do you never want to live? Resolve those questions with as much certainty as possible. Write it all down, preferably in the form of a contract with yourself. Sign the contract. This document will be your sacred promise, a declaration of the boundaries you won’t cross and the activities you won’t waste your time on and the desires that aren’t worthy of you. It will feed your freedom to know exactly what you like and what you want to accomplish and who you want to become. Halloween costume suggestion: the opposite of who you really are. Taurus
Virgo
Pisces
Scorpio
Libra
Pisces
LEGAL SERVICES PREGNANT? ADOPTION CAN BE YOUR FRESH START! Let Amanda, Carol or Brandy meet you for lunch and talk about your options. Their Broad Ripple agency offers free support, living expenses and a friendly voice 24 hrs/day. YOU choose the family from happy, carefully screened couples. Pictures, letters, visits & open adoptions available. Listen to our birth mothers’ stories at adoptionsupportcenter.com 317-255-5916 The Adoption Support Center
GOT PAIN OR STRESS? Rapid and dramatic results Scorpio Aquarius Capricorn Sagittarius from a highly trained, caring professional with 14 years experience. www.connective-therapy.com: Chad A. Wright, ACBT, COTA, Taurus Gemini Cancer Leo CBCT 317-372-9176
Pisces
Additionally, one can not be a member of these four organizations but instead, take the test AND/OR have passed the National Board of Therapeutic Massage & Bodywork exam (ncbtmb.com).
MARKETPLACE
MASSAGE IN WESTFIELD By Licensed Therapist. $40/hr. Call Mike 317-867-5098
Aquarius
Capricorn
Sagittarius
Scorpio
Aquarius
Leo
Libra
LEO (July 23-Aug. 22): Some people in your vicinity are smoldering and fuming. The air is heavy with emotional ferment. Conspiracy theories are ripening and rotting at the same time. Hidden agendas are seeping into conversations, and gossip is swirling like ghostly dust devils. Yet in the midst of this mayhem, an eerie calm possesses you. As everyone else struggles, you’re poised and full of grace. To what do we owe this stability? I suspect it has to do with the fact that life is showing you how to feel at home in the world no matter what’s happening around you. Keep making yourself receptive to these teachings. Halloween costume suggestion: King or Queen of Relaxation. Leo
Cancer
Gemini
Taurus
Aries
Pisces
Virgo
Pisces
Aquarius
Capricorn
Sagittarius
Scorpio
theme for you in the coming weeks. Anything you do that promotes splicing and blending and harmonizing will get extra help, sometimes from mysterious forces working behind the scenes. The more you work to find common ground between opposing sides, the stronger you’ll feel and the better you’ll look. If you can manage to mend schisms and heal wounds, unexpected luck will flow into your life. To encourage these developments, consider these Halloween disguises: a roll of tape, a stick of Krazy Glue, a wound that’s healing, a bridge. Leo
Cancer
Gemini
Taurus
Gemini
Scorpio
Libra
Taurus
Aries
CAPRICORN (Dec. 22-Jan. 19): I invite you to try the fol-
Capricorn
Sagittarius
Cancer
Gemini
Scorpio
Libra
Taurus
Aries
AQUARIUS (Jan. 20-Feb. 18): In the course of earning a living, I have worked four different jobs as a janitor and six as a dishwasher. On the brighter side, I have performed as a songwriter and lead singer for six rock bands and currently write a syndicated astrology column. According to my analysis of the astrological omens, you Aquarians are primed to cultivate a relationship with your work life that is more like my latter choices than the former. The next eight months will be a favorable time to ensure that you’ll be doing your own personal equivalent of rock singer or astrology columnist well into the future. Halloween costume suggestion: your dream job. Aquarius
Capricorn
Sagittarius
Leo
Cancer
Gemini
Scorpio
Libra
Taurus
Aries
Libra
VIRGO (Aug. 23-Sept. 22): Unification should be a key
Virgo
Sagittarius
Aries
PISCES (Feb. 19-March 20): Author Robert Louis Stevenson loved the work of poet Walt Whitman, recommending it with the same enthusiasm as he did Shakespeare’s. Stevenson also regarded Whitman as an unruly force of nature, and in one famous passage, called him “a large shaggy dog, just unchained, scouring the beaches of the world and baying at the moon.” Your assignment is to do your best imitation of a primal creature like Whitman. In fact, consider being him for Halloween. Maybe you could memorize passages from Whitman’s Leaves of Grass and recite them at random moments. Here’s one: “I too am not a bit tamed, I too am untranslatable, / I sound my barbaric YAWP over the roofs of the world.” Pisces
Virgo
Aquarius
Capricorn
Sagittarius
Leo
Cancer
Gemini
Scorpio
Libra
Taurus
Aries
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