TECHNE 2022-2023

Page 1


2022-2023

2022-2023

TECHNE

2022-2023

Published by

Architectural Technology Department at NYC College of Technology City Tech, CUNY

TECHNE is the annual print/ digital publication of faculty-selected student work from the New York City College of Technology.

STUDENT EDITORIAL TEAM

Osaruyi Amadasun

Briana Carrasco

Vincent Cheung

Kaylynn Daoud

Alyssa Duran

Carrie Mendoza

Vladislav Molchanov

Ziani Rodriguez

Jeremiah Reilly

Pierre Theodat

Cheriyah Wilmot

SOCIAL MEDIA DIRECTOR

Farzana Ramnath

FACULTY ADVISOR

Elena M’Bouroukounda

Jieun Yang

TYPEFACES

Franklin Gothic Book

IMAGE CREDITS

Casual photography has been provided by membes of the City Tech Community.

For more information, please write, call, or visit us at:

Department of Architectural Technology City Tech, CUNY Voorhees V-817 / 186 Jay Street Brooklyn, NY 11201

+1 718 260 5263

©2024 Architectural Technology Department at City Tech, CUNY

All rights reserved. No part of this book may be reproduced in any form without written permission from Architectural Technology Department at City Tech, CUNY.

TABLE OF CONTENTS

B.ARCH THESIS STUDIO

5112_Architectural Design IX

5212_Architectural Design X

INTRO

1101_Intro to Architecture

1101_College Now Summer 2022

DESIGN STUDIO

1112_Architectural Design I

1212_Architectural Design II

2312_Architectural Design III

2412_Architectural Design IV

3512_Architectural Design V

3612_Architectural Design VI

4712_Architectural Design VII

4812_Architectural Design VIII

BUILDING TECHNOLOGY

2331_Building Technology II

2431_Building Technology III

3531_Building Technology IV

ELECTIVES

3590_Parametric Computation

3592_Intro to Rendering

3609_Integrated Software

4709_Advanced Modeling Rendering

4781_Structures III

STUDENT LIFE

Summer 2022 Study Abroad

Student Clubs

Fall 2022 Building Blocks

EDITOR’S NOTE

In this relaunch of TECHNE, the editorial team sought to reset and reflect on the department’s trajectory and achievements through coursework from the 20222023 academic year. The publication also includes snippets of student life outside the classroom, including study abroad, student-run events, mentorships and preinternships, and other department-wide organized events.

This book is an archive of architectural stories, ideas, and experiments. We hope that TECHNE continues to capture the work of current students and recent graduates with the immediacy to meet the challenges and architectural discourse of the moment.

April 2024

FOREWORD

Founded in 2016, this seventh issue of TECHNE serves as a celebration of the remarkable achievements of our students and faculty. Amidst the backdrop of pressing global concerns, the Department of Architectural Technology remains steadfast in its commitment to cultivating an innovative, inclusive, and nurturing community. In an era defined by a growing awareness of social inequities and escalating climate crises demanding sustainable solutions, our department endeavors to equip students not only for architectural practice but also for leadership roles in shaping a more equitable and resilient built environment. Over the past year, I have had the privilege of witnessing the determination, creativity, and spirit that our students exhibit in pursuit of this vision.

Throughout their academic journey, our students delve into the intricacies of architecture, exploring the nuanced interplay between concept and form while navigating through the realms of theory, history, technology, and practice. They confront the contemporary challenges of climate change and social justice, while more recently, beginning to grapple with the ethical implications of emerging technologies, such as artificial intelligence. This past year has highlighted the importance of considering the ethical dimensions of technological advancement, signaling a crucial step forward in our collective understanding and approach to the ever-changing practice of architecture.

Within these pages, you will encounter a diverse array of projects that exemplify the talent and vision of our students. From conceptual designs to tangible solutions, each project offers a unique perspective and a compelling narrative. Whether reimagining urban landscapes, revitalizing existing buildings, or embracing innovative technologies, our students demonstrate a profound understanding of the power of architecture to inspire, connect, and transform.

Each project is a testament to the passion, dedication, and ingenuity of our students, as well as the guidance and mentorship provided by our faculty. I am immensely proud of our students and faculty for their unwavering commitment to excellence. Together, we strive to inspire, educate, and empower the next generation of architectural leaders.

To all the students whose work is featured in this publication, I extend my sincere congratulations. Your perseverance has not gone unnoticed, and I have no doubt that you will make significant contributions to the field of architecture in the years to come.

5112 AND 5212

ARCHITECTURAL

DESIGN IX AND X

B.ARCH THESIS

Design IX and X are yearlong thesis studio working closely with a faculty advisor. Students assemble comprehensive research on a pre-approved topic. Research includes user needs, precedent studies, site analysis, along with social, cultural, historical and technical implications of a proposed architectural intervention. Thesis research clearly focuses on the selected area of study presenting well-formed arguments to advance student approaches to architectural design and methodology. Students prepare a comprehensive document that includes their research and analysis, a written project statement along with all design methodology as part of their final presentation.

Selected Works by:

PROF. PHILLIP ANZALONE

PROF. JILL BOURATOGLOU

PROF. MICHAEL DUDDY

Kada Clyne

Jessica Herrera

Reymond Jimenez

Josh Kampin

Lukasz Kostecki

Rachel Mercedes

Jeanpaul Montano

Julia Prokop

Farzana Ramnath

Luisa Ramirez

Joshua Rodriguez

Patrick Sy

Dolma Tsering

Leny Vargas

Roy Yang

Zoey Yip

Kada Clyne

The design is based on six principles: Functionalism, Innovative Technology, sustainable Architecture, high energy efficiency, health & nature as a reflection of mental and physical stimulus.

The Tech Center is designed for the people of San Juan, especially for the younger Generations that is out of school and do not have jobs. The center is the place to get them out of the streets and bring the freedom of the streets to the center. The center is designed for every generation, but with a focus for the younger ones.

Concept

Concept Diagrams showing the development of the design intent.

Concept Diagrams showing the

Concept Diagrams showing the

Diagrams showing the development of the design intent.

San Juan has around 17 seasonal rivers, 10+ schools, and 20 parks.

What if Schools were more than Schools

OUTDOOR SPACES EDUCATIONAL FACILTIY

RE: Art Center

MI: Music Center

Sport Complex

TI: Open Spaces

Open Spaces

LA:

SO: Sport Complex LA:

Letters are not only a form of language but also an identity. The people of this neighborhood only exist to this day because they stuck to their identity. The purpose of this project is to turn Hebrew letters into architectural forms in Jerusalem, Israel. The letters are used to design spaces that give back to the community. Two of the most important components are the loan free fund center (GEMACH) and the new light rail station.

LUKASZ KOSTECKI

Victory Museum

After the end of the war, Ukraine will eventually join the European Union and this will cause the growth of the country’s economy by attracting international investors to open their businesses there. Ukrainian people would also want to move away from the past Soviet architecture that symbolizes the oppressor. Therefore, I believe that instead of rebuilding the buildings the same as it was before; a new mixed-use building complex including a museum to commemorate war victory, and a new European Union Peace Center will be necessary for the city of Kyiv to

RIVERFRONT CULTURAL CENTER

RACHEL MERCEDES

SUGARCANE

ZONE EXPANSION

Raise the standard of living of Barrio Blanco as well as preserve the cultural aspect of the San Pedro de Macoris and promote the economic growth. San Pedro de Macorís is known for its role in the development of the Dominican sugar industry. This province has most of the country’s sugar mills that turned its provincial capital into an important economic bridge for the Dominican Republic from the end of the 19th century to the beginning of the 20th.

SUGARCANE EXHIBITION BASEBALL MONUMENT

SUGARCANE EXHIBITION / MUSEUM

GULOYA

SUGARCANE EXHIBITION

FREE ZONE EXPANSION

RIVERFRONT CULTURAL CENTER

SUGARCANE EXHIBITION
SUGARCANE/ CLUSTER

JEANPAUL MONTANO

The Bridge between Us

The Bridge Between Us

The How

La Conexion del Renacimiento was born out of the idea of turning a physical barrier, the Peruvian Wall, into a symbol of hope and unity. Through a commitment to sustainability and community, the project aims to create a more livable environment for the residents of Ancon, Peru. The master plan, section, and exterior render of the agriculture center featured on this poster showcase the project’s vision for green areas and public spacesdesigned to bring the community together and foster a sense of connection. With La Conexion del Renacimiento, we are building a more sustainable and connected future for all who call it home.

A Masterplan For Prosperity In Peru

Et omni nobitiur, omnimagnat voluptatur, omnim quatem debis moloribus mos velis doluptatur?

La Conexion del Renacimiento was born out of the idea of turning a physical barrier, the Peruvian Wall, into a symbol of hope and unity. Through a commitment to sustainability and community, the project aims to create a more livable environment for the residents of Ancon, Peru. The master plan, section, and exterior render of the agriculture center featured on this poster showcase the project's vision for green areas and public spaces designed to bring the community together and foster a sense of connection. With La Conexion del Renacimiento, we are building a more sustainable and connected future for all who call it home.

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Main Public Spaces
The Renaissance Connection pg. 40
The Renaissance Connection pg. 40

Building A Better Future For Peru

La Conexion del Renacimiento is more than just buildings and public spaces, it's a vision for a sustainable and connected future. With green spaces, an agriculture center, and outdoor venues, we'll foster social and environmental growth, encourage healthy living, and promote education and job training. Parks and sports facilities will provide a safe and inviting space for residents to enjoy. The project prioritizes the well-being of the community and will create a resilient and thriving Ancon for generations to come.

Masterplan Program Axon Site Boundary

WEST ELEVATION
EAST ELEVATION

FARZANA RAMNATH

Grown over the Tracks

community of West Harlem, also known as Manhattanville is one of the many diverse communities in New York City. Being a commuter city, we find that there many above ground train tracks in many neighborhoods. While the train is a necessity, there is much space that is lost and inaccessible to the people in the community. Propsing an elevated park to be built over the West Harlem 1 train line creates a space for people to use and call theirs.

The community of West Harlem, also known as Manhattanville is one of the many diverse communities in New York City. Being a commuter city, we find that there are many above ground train tracks in many neighborhoods. While the train is a necessity, there is much space that is lost and inaccessible to the people in the community. Propsing an elevated park to be built over the West Harlem 1 train line creates a space for people to use and call it theirs.

The Barrios Bajos Rebirth

STREET TYPE 1

Barrios Bajos are defined as the informal settlements that occur in the highly populated areas of a city. These informal settlements consist of densely packed housing units that are usually made of weak materials due to the poverty status people live in. The infrastructure in the Barrios Bajos are very deteriorated, sometimes even incomplete and most of them lack urban planing, secure land tenure paved sidewalks and roads, local job opportunities and last but definately not less important, safe spaces for bike users and pedestrians. Curently, the Barrios Bajos consist of a complicated and unsuccessful city grid. Additionally, as a cause of all the informal settlements and lack of urban planing in the past years, now there is an overpopulated situation where most houses have squalid living conditions, poor structural quality and a terrible land distribution among all the housing units.

STREET TYPE 1

STREET TYPE 1

TERMINAL + CENTRAL PLAZA

BUS TERMINAL + CENTRAL

STREET TYPE 3

TYPE 1

STREET TYPE 2

BUS TERMINAL + CENTRAL

STREET
STREET TYPE 1

The Final Model

Module “S”

Module “L”

Module “XL”

As the largest source of open land in the country, national parks are critical to the quality of life for all Americans. National Parks also serve a crucial role in maintaining ecological biodiversity, which support the economy and provide us education and cultural preservation. While the parks have critical environmental and economical benefits, it is important to acknowledge the challenges that our parks are facing. This thesis exploreshow architecture can aid in the preservation and conservation efforts done to help our parks in hopes of protecting and enhancing America’s national parks for present and future generations.

As the largest source of open land in the country, national parks are critical to the quality of life for all Americans. National Parks also serve a crucial role in maintaining ecological biodiversity, which support the economy and provide us education and cultural preservation. While the parks have critical environmental and economical benefits, it is important to acknowledge the challenges that our parks are facing. This thesis explores how architecture can aid in the preservation and conservation efforts done to help our parks in hopes of protecting and enhancing America’s national parks for present and future generations.

The goal for my thesis project is to create a spiritually influenced transit hub for believers in buddhism and visitors that wish to learn. I will be proposing an airport that provides direct connections to monasteries in the region. This journey serves as a transition from my site to various monasteries .The orientation center will serve as a starting point providing an introduction to buddhism and is also where you can choose the journey you wish to take.

The proposal will provide Kora (a full journey) around the site reinforcing the theme of an endless knot. Traveling throughout the site you will be able to encounter connections back to the natural environment , a sermon hall , cave temples , and spiritual connections with people. With a capacity for 4,000 visitors in the airport and 1,000 room keys, believers and visitors alike will be able to explore their spirituality and learn about a new culture comfortably.

RUNWAY VIEW

DOLMA
Kopan Monestery
Shechen Monestery
Boudhanath Monestery
Swayambhunath Complex
Lumbini
Ganden Monestery
Drepung Monestery
Sera Monestery
TIBET (China)

El Cerro San Cristóbal Pilgrimage - Peru

The goal for the El Cerro San Cristóbal is to redefine an existing significant landmark.Which is the pilgrimage of San Cristóbal, by providing provocative pavilions throughout the site.It allows the people to Interact, reflect and connect

El Cerro San Cristóbal Pilgrimage

Opportunity Community Regenerate

This thesis investigates, illuminates, and redefines the atmospheric pathway to understand the pilgrimage influence on the experience of moving through the community of San Cristobal for locals and tourists alike. The goal for the El Cerro San Cristóbal is to redefine an existing significant landmark, which is the pilgrimage of SanCristóbal, by providing provocative pavilions throughout the site. It allows the people to Interact, reflect and connect . When walking through a city or a community that has a built environment, we are often oblivious to the collage of rich history in front of us. Yet these spaces and spaces in between can be underestimated to influence an individual’s everyday life.

access to programs to improve their increased outside presence which can to allocate space inside of the sea level rise is consuming the and putting these already at risk further danger. This project introduces (Non-Governmental provide assistance through the station to reach hard-hit isolated is modular and deployable, where needed across the world. uses a method of engaging the of aquatic wildlife as a create an aquatic architecture environment to deliver aid to

During harvesting season, the weight of the shellfish will pull the end of the building down. causing the building to tip up.

Pod Energy Harvesting Pod
Retractable/ adjustable solar harvesting panel of Energy Harvesting Pod
Shell fish and seaweed farming in top, middle and bottom sec) tion of the water column.
Vertical coral farming
Double Skin Facade
Coral Aquariums

ZOEY YIP

ECO - VILLAGE CHANGCHUN,

ECO - VILLAGE CHANGCHUN,

Eco Village

Zoey S. Yip

Zoey S. Yip

CHINA

CHINA

The idea of sustainability and emphasizes the transformation of existing structures into ecological systems. The project will convert the unfinished shell building into an eco-friendly sustainable community through readopting and repurposing with a goal of reducing environmental pollution and employing environmentally sustaining.

community through

The idea of sustainability and emphasizes the transformation of existing structures into ecological systems. The project will convert the unfinished shell building into an

and repurposing with a goal of reducing environmental pollution and employing environmentally sustaining.

China

As the human population rapidly increases and the availability of suitable land for development decreases, architects must embrace sustainable solutions and provide affordable housing in the emerging climate crisis. Creating a sustainable future in architecture means repurposing existing structures for new uses. The idea of sustainability and emphasizes the transformation of existing structures into ecological systems. The project will convert the unfinished shell building into an eco-friendly sustainable community through readopting and repurposing with a goal of reducing environmental pollution

EXISTING SITE

China
Changchun
Jinshi

CHANGCHUN, CHINA

The idea of sustainability and emphasizes the transformation of existing structures into ecological systems. The project will convert the unfinished shell building into an eco-friendly sustainable community through readopting and repurposing with a

Changchun
SOLAR PV PANELS
TURBINE FOUNTAIN
LIVING BIOPHILIC

1101 INTRODUCTION TO ARCHITECTURE

Understanding architecture is achieved by developing a visual literacy of New York City’s built environment. Using the city as a living laboratory, students explore concepts of design, composition, and construction by sketching and writing about their direct experience of buildings. Focus workshops on freehand drawing techniques, basic drafting skills, graphic standards, 2D and 3D composition, writing about buildings and their construction, and reading architectural drawings are central to this course. Students develop graphic skills and the basic foundation to talk, write, and graphically express architecture and its construction.

Selected Works by:

PROF. KENNETH CONZELMAN

Kevin Hernandez

Mariela Tuetle

PROF. LYNN GERNERT

Abeni Chen

Dayana Navarro

Karen Yascaribay

PROF. DANIEL KIDD

Sherlyne Sibri

Elio Hasani

PROF. NAOMI LANGER-VOSS

Sofia Bilbao

Corey Pullutasic

Taspia Sultana

PROF. DAMYANTI RADHESHWAR

Ardjolo Shuko

PROF. ANTHONY ROMEO

Daniel Rendon

Gladys Vigil

PROF. ROBERT ROTHBLATT

Avril Garcia

Arkadiy Mardakhaev

Stacy Mendoza

Anh Tran

1. Daniel Rendon (Romeo)
2. Gladys Vigil (Romeo)
3. Gladys Vigil (Romeo)
1. Sherlyne Sibri (Kidd)
2. Elio Hasani (Kidd)
1. Abeni Chen (Gernert)
2. Danyana Navarro (Gernert)
3. Karen Yascaribay (Gernert)

1.

Avril Garcia (Rothblatt)
2. Anh Tran (Rothblatt)
3. Stacy Mendoza (Rothblatt)
4. Avril Garcia (Rothblatt)
5. Ardjolo Shuko (Radheshwar)
6. Arkadiy Mardakhaev (Rothblatt)
1. Sofia Bilbao (Langer-Voss)
2. Mariela Tuetle (Conzelman)
3. Kevin Hernandez (Conzelman)
4. Corey Pullutasic (Langer-Voss)
5. Taspia Sultana (Langer-Voss)

Objects/ Rectilinear Building

1101 COLLEGE NOW SUMMER 2022

ARCHITECTURE & URBAN DESIGN IMMERSION PROGRAM

College Now at City Tech guides well-qualified high school students interested in pursuing architecture degrees through exploring concepts of design, composition, construction, and advocacy in the context of the city through their direct experience of buildings and sites. The program uses New York City as a living laboratory to contextualize and comprehend forms and experiences of different neighborhoods and communities through the cultural lens – of architecture being influenced by cultural complexity and how it can shape our environments. The course frames these issues through multiple layers of documentation and representation learned from lectures, workshops with guest lecturers, laboratory work, and hands-on fieldwork/ weekly trips.

It is assumed that students entering this class have no architecture background and no drawing experience. Therefore, drawing assignments begins with simple exercises that become more complex as the weeks progress. Students are evaluated by their determination and improvement during the program and their ability to grasp an understanding and represent the built environment graphically, verbally, and in writing.

Selected Works by:

PROF. NAOMI LANGER-VOSS

PROF. JIEUN YANG

Keturah Allen

Jordyn Bankston

Salma Fajardo

Yawen Lin

Valerie Pena Loyola

Micah Mark

Pamela Nunez

Evelyn Gomez Ortiz

Fatima Sheikh

Mariah Sooknanan

Rosario Vazquez

Clockwise from top left:

1. Keturah Allen, Valerie Pena Loyola, Micah Mark (Langer-Voss/Yang)

2. Jordyn Bankston, Salma Fajardo, Yawen Lin, Pamela Nunez (Langer-Voss/Yang)

3. Evelyn Gomez Ortiz (Langer-Voss/Yang)

4. Valerie Pena Loyola (Langer-Voss/Yang)

5. Fatima Sheikh, Maria Sooknanan, Rosario Vazquez (Langer-Voss/Yang)

6. Yawen Lin (Langer-Voss/Yang)

sites had paths only just in the places such as had a path leading leading out of it. While Hunger Memorial also

Valerie Pena Loyola
Evelyn Gomez Ortiz 2

1112 ARCHITECTURAL DESIGN I

A first-year foundational course that increases students’ ability to perceive visual cues, create visual design, formulate concepts, and render ideas in two or three dimensions. Students use a combination of hand and digital skills to aid in the creation and interpretation of three-dimensional objects and space, and the delineation of the same using standard projection systems. The Visual Studies component of the course equips students to make aesthetic evaluations and translate information into graphic representations and visual designs.

Selected Works by:

PROF. ELENA M’BOUROUKOUNDA

Andrew Aucanzhala

Abeni Chen

Noelia Lazo

Leandro Manrique

Sherlyne Sibri

Anh Tran

1. Abeni Chen (M’Bouroukounda)

2. Noelia Lazo (M’Bouroukounda)

3. Andrew Aucanzhala (M’Bouroukounda)

1.

Anh Tran (M’Bouroukounda)
2. Leandro Manrique (M’Bouroukounda)
3. Sherlyne Sibri (M’Bouroukounda)
DIAGRAM
DIAGRAM
DIAGRAM
DIAGRAM
DIAGRAM
DIAGRAM
DIAGRAM

1212 ARCHITECTURAL DESIGN II

A first-year foundational course that advances students’ ability to perceive visual cues, create visual design, formulate concepts and render ideas in two or three dimensions. Students use a combination of hand and digital skills to aid in the creation and interpretation of three dimensional objects and space, and the delineation of the same using standard projection systems. The Visual Studies component of the course builds on the student’s knowledge of architectural representation and visualization and focuses particularly on: precise crafting of physical and analogue models, architectural presentations, analogue and digital rendering techniques.

Selected Works by:

PROF. CHRISTIAN CAMACHO

PROF. LI LIAN TAN

Aaron Acosta

Andrew Aucanzhala

Mohamed Hassan

Carmen Herranz

Kenneth Ly

Aaron Verdugo

PROF. IOANNIS OIKONOMOU

PROF. EIRINI TSACHRELIA

Omneya Aboelkasem

Ruben Hernandez

Jeremyah Herrera

Lorenzo Jeremie

Anthony Ramos Nabor

Adrian Nunez

PROF. JASON O’KOREN

Arbenita Berisha

Mildred Miranda

Oltjana Palluci

Pierre Theodat

Jennifer Toribio

PROF. AMMR VANDAL

Jorge Aguilar

Abeni Chen

Elisabet Tolentino

ginning from end main framed
Many
Highline clusion
Interior View
Final Model
Interior View
Final Model
1. Pierre Theodat (O’Koren)
2. Mohamed Hassan (Camacho/Tan)
3. Jennifer Toribio (O’Koren)
1. Elisabet Tolentino (Vandal)
2. Jorge Aguilar (Vandal)
3. Abeni Chen (Vandal)

Based on the geometry from the performance diangram, I created a grid system that would help me create different veriations of this model

1. Adrian Nunez (Oikonomou/Tsachrelia)

2. Anthony Ramos Nabor (Oikonomou/Tsachrelia)

3. Omneya Aboelkasem (Oikonomou/Tsachrelia)

4. Jeremyah Herrera (Oikonomou/Tsachrelia)

also contains dark and narrow passageway creating a feeling of fear, But at the end theirs always light

Triangular folds has small triangular folds that emit light through the bridge, even through the darkest paths
The bridge
1. Oltjana Palluci (O’Koren)
2. Mildred Miranda (O’Koren)
3. Arbenita Berisha (O’Koren)

1. Carmen Herranz (Camacho/Tan)

2. Lorenzo Jeremie (Oikonomou/ Tsachrelia)

3. Ruben Hernandez (Oikonomou/ Tsachrelia)

4. Andrew Aucanzhala (Camacho/ Tan)

BRIDGING SURFACES

The bridge is designed to incorporate several levels, offering visitors different experiences as they cross. The lower level is the primary pathway, providing a direct link between the buildings. The upper levels are designed as observation decks, providing visitors with expansive views of the surrounding area.

c.

2312 ARCHITECTURAL DESIGN III

An exploration of abstract architectural design theory in the expression of three-dimensional space. The creation of comprehensive architectural design projects are developed following a building program and incorporating elements of site, enclosure, structure, material and technology. Design concepts and vocabulary are introduced and strengthened through design projects. A juried presentation takes place at the completion of each project.

Selected Works by:

PROF. PAUL COUGHLIN

Aixa Gutierrez

Allan Mateo

Nasir McIntosh

PROF. PAUL COUGHLIN

PROF. TING CHIN

Norah Abraham

Ludje Henry Anadeli Lora

PROF. IAN GORDON

Aaron Acosta

Ziani Rodriguez

Aaron Verdugo

PROF. IAN GORDON

PROF. TING CHIN

Pamely Abreu

Kezang Dorji

Emmanuel Tejada

PROF. JOSEPH VIDICH

PROF. TING CHIN

Fatima Ikhmais

Aia Mahmoud

Ash Robertson

PROF. YAN WANG

Jeremy Ozoria

Adam Pepere

Anthony Phung

PROF. YAN WANG

PROF. TING CHIN

Nayeley Chimborazo

Fareda Elsherif

Mohamed Hassan

1.

Pamely Abreu (Gordon/Chin)
2. Kezang Dorji (Gordon/Chin)
3. Emmanuel Tejada (Gordon/Chin)
1. Fatima Ikhmais (Vidich/Chin)
2. Ash Robertson (Vidich/Chin)
3. Aia Mahmoud (Vidich/Chin)
WOOD MODEL
PAPER MODEL
WOOD MODEL
PAPER MODEL
WOOD MODEL
PAPER MODEL
Interior view looking North
Interior view looking East
1. Ludje Henry (Coughlin/Chin)
2. Anadeli Lora (Coughlin/Chin)
3. Norah Abraham (Coughlin/Chin)
CIRCULATION MODEL
1. Adam Pepere (Wang)
2. Anthony Phung (Wang)
3. Jeremy Ozoria (Wang)
1. Aaron Acosta (Gordon)
2. Aaron Verdugo (Gordon)
3. Ziani Rodriguez (Gordon)
NASIR McINTOSH
1. Nasir McIntosh (Coughlin)
2. Allan Mateo (Coughlin)
3. Aixa Gutierrez (Coughlin)

1. Nayely Chimborazo (Wang/Chin)

2. Fareda Elsherif (Wang/Chin)

3. Mohamed Hassan (Wang/Chin)

BASEMENT LEVEL FLOOR PLAN

2412 ARCHITECTURAL DESIGN IV

The course emphasizes the architectural process involved in designing small to medium size projects for specific building types. The process includes initial research and analysis, program development, flow diagrams, schematic design, and massing studies, the development of schematic 3D models, plans and sections, through final presentation. Students propose a specific theme and content for “A Museum of Culture”, imagining the new museum as an exciting destination for local, regional, national, and international visitors. The curatorial theme draws from a particular culture or cultural phenomena, ranging from a topic directly related to the student’s own identity to a particular area of interest shared by a group of people.

Selected Works by:

PROF. CLAUDIA HERNANDEZ

PROF. TING CHIN

Saida Akbarova

Jeremy Ozoria

Adam Pepere

PROF. ELIZABETH PARKS

Alyssa Duran

Irving Flores

Fatima Ikhmais

Ash Robertson

Yiyi Zhong

PROF. JIEUN YANG

Briana Carrasco

Kaylynn Daoud

Reham Khalil

Joseph Okyere

Anthony Phung

Enmanuel Ortiz

RENDERING VIEWS

1. Yiyi Zhong (Parks)
2. Alyssa Duran (Parks)

The intention of this model is to express broken system.  speech.

throughout corruptive systems the population.

INTEGRATED SECTION VIEWS:

, Museum of Culture, Design IV
Alyssa Duran | Prof. Parks | D4 | FALL 2022

Clockwise from top left:

ASSIGNMENT 01 1- RESEARCH AND CONCEPT NOTATIONS AND MODELS

1. Joseph Okyere (Yang)

AFRICAN DESIGN PHILOSOPHY

ASSIGNMENT 01 1- RESEARCH AND CONCEPT NOTATIONS AND MODELS

AFRICAN DESIGN PHILOSOPHY

2. Reham Khalil (Yang)

3. Kaylynn Daoud (Yang)

that Africans took to construct their structures during the pre-colonial era. These built for ms were indigenous to the people of the could address regional environmental conditions. The construction techniques and materials employed are different across counsame. The forms are geometric in nature, the designs have little openings, the surfaces are not smooth but textured, vast floor to These are some qualities that characterize African Design philosophy

design approach that Africans took to construct their structures during the pre-colonial era. These built for ms were indigenous to the people of the method that could address regional environmental conditions. The construction techniques and materials employed are different across counemains the same. The forms are geometric in nature, the designs have little openings, the surfaces not smooth but textured, vast floor to pigments. These are some qualities that characterize African Design philosophy

BIBLIOGRAPHY

BIBLIOGRAPHY

https://www.designindaba.com/articles/creative-work/celebration-african-vernacular-architecture

https://www.designindaba.com/articles/creative-work/celebration-african-vernacular-architecture

• https://www.archdaily.com/889350/why-african-vernacular-architecture-is-overdue-for-a-renaissance?

• https://www.archdaily.com/889350/why-african-vernacular-architecture-is-overdue-for-a-renaissance?

• http://www.africavernaculararchitecture.com/

• http://www.africavernaculararchitecture.com/

CULTURE

ASSIGNMENT 01 1 - RESEARCH AND CONCEPT NOTA

by a layering of similar ideas”.

ASSIGNMENT 01 1 - RESEARCH AND CONCEPT NOTATIONS AND MODELS

DESIGN PHILOSOPHY

• “However, the forms are sometimes

AFRICAN DESIGN PHILOSOPHY

ARCH 2412_DESIGN IV_PROF JIEUN YANG_FALL 2022

• “Nevertheless, the minimal

• “Nevertheless, the minimal openings project a mysterious interior these massive forms”.

• “However, the forms are sometimes articulated by a layering of similar ideas”. theless, the minimal openings project a mysterious mood in the interior”.

MUSEUM OF AFRICAN DESIGN PHILOSOPHY

• “Nevertheless, the minimal openings project a mysterious mood in the interior”.

are woven patterns materials in such a ways that they interlock with eachother”.

• “Some of the articulations are woven patterns that bend materials in such a ways that they interlock with eachother”.

JOSEPH
JOSEPH OKYERE
JOSEPH OKYERE
JOSEPH OKYERE
JOSEPH OKYERE
1. Adam Pepere (Hernandez/Ting)
2. Saida Akbarova (Hernandez/Ting)
3. Jeremy Ozoria (Hernandez/Ting)

1. Irving Flores (Parks)

2. Fatima Ikhmais (Parks)

3. Ash Robertson (Parks)

FLOOR PLAN 4TH FLOOR

A MUSEUM OF DRAWING

MUSEUM OF DRAWING

1. Briana Carrasco (Yang)
2. Anthony Phung (Yang)
3. Enmanuel Ortiz (Yang)

3512 ARCHITECTURAL DESIGN V

An investigation of the adaptive reuse of buildings with a focus on projects involving the redesign and expansion of existing structures. Research, documentation and redesign of an existing structure from concept to design development are integral to the course. Addresses the integration of structure, lighting, interior materials, finishes, space programming and furniture layout. Students are required to meet current design and functional needs of the design problem’s program as well as code requirements.

Selected Works by:

PROF. LIA DIKIGOROPOULOU

Jennifer Camas

Kawall Jagmohen

Javon Morgan

Paloma Nunciato

Ravendra Ramnarace

Lindsey Tlahuextl

Luka Vardoshvili

PROF. ELIZABETH KIM

Khadija Akther

Youngyu Chen

Yousif Nasr

PROF. MIGUEL MALDONADO

Alyssa Duran

Reham Khalil

Yiyi Zhong

PROF. BAILEY STOCKER

Evyatar Man

Cody Smith

Kevin Valencia

EXTERIOR RENDERINGS

1. Yousif Nasr (Kim)
2. Youngyu Chen (Kim)
3. Khadija Akther (Kim)
ARCH 3512 DESIGN V | PROF.ELIZABETH KIM | FALL 2022 | YONGYU CHEN
SCALE: 1" = 20'
CHEN
SCALE:

1. Paloma Nunciato (Dikigoropoulou)

2. Kawall Jagmohen (Dikigoropoulou)

3. Jennifer Camas (Dikigoropoulou)

4. Javon Morgan (Dikigoropoulou)

1. Kevin Valencia (Stocker)
2. Cody Smith (Stocker)
3. Evyatar Man (Stocker)

Clockwise from top left:

1. Luka Vardoshvili (Dikigoropoulou)
2. Ravendra Ramnarace (Dikigoropoulou)
3. Lindsey Tlahuextl (Dikigoropoulou)

The Garden Hotel

1. Yiyi Zhong (Maldonado)

2. Reham Khalil (Maldonado)

3. Alyssa Duran (Maldonado)

3612

ARCHITECTURAL DESIGN VI

This is an advanced design studio where the significance of public housing will be examined. The studio will research, evaluate analyze and investigate multi-family housing and urban redevelopment, and propose an exploratory approach to the planning and delivery of housing. The final project will consist of designing high density mixed –use housing and public space with community amenities.

Selected Works by:

PROF. PHILLIP ANZALONE

PROF. JILL BOURATOGLOU

PROF. MICHAEL DUDDY

Vincent Cheung

Kawall Jagmohan

Javon Morgan

PROF. JILL BOURATOGLOU

PROF. FREDERIC LEVRAT

Erickson Diaz

Jorbin Mendez

Lydia Richardson

PROF. FREDERIC LEVRAT

Yousif Nasr

Luis Rendon-Vazquez

Mariela Saavedra

PROF. JASON MONTGOMERY

Vanessa Gallego

Carlo Enriquez Rafael Lukasz Zawojek

2.

3.

1. Lukasz Zawojek (Montgomery)
Carlo Enriquez Rafael (Montgomery)
Vanessa Gallego (Montgomery)

GROUND FLOOR PLAN

1. Lydia Richardson (Bouratoglou/Levrat)

2. Erickson Diaz (Bouratoglou/Levrat)

3. Jorbin Mendez (Bouratoglou/Levrat)

ELEVATION

Clockwise from top left:

1. Vincent Cheung (Anzalone/Bouratoglou/Duddy)

2. Kawall Jagmohan (Anzalone/Bouratoglou/Duddy)

3. Javon Morgan (Anzalone/Bouratoglou/Duddy)

CONTOUR SHIFTER

AFFORDABLE HOUSING

1. Luis Rendon-Vazquez (Levrat)
2. Mariela Saavedra (Levrat)
3. Yousif Nasr (Levrat)

4712 ARCHITECTURAL DESIGN VII

This design course covers a range of urban and architectural design issues and the cultural aspects in the development of cites. As an advanced design class, this course incorporates previous studio and lecture coursework to tie together topics of urban planning, architectural design, environmental sustainability, urban infrastructure and historic preservation.

Selected Works by:

PROF. KEVIN HOM

Debora Tzunun

Renard Wagstaff

Janan Yu

PROF. VESSELIN MILEV

Ariela Abreu

Carlo Enriquez Rafael

Nurridin Nazirvoz

Yammarly Martinez

Lina Torrez

Lukasz Zawojek

1. Renard Wagstaff (Hom)
2. Janan Yu (Hom)
3. Debora Tzunun (Hom)
1. Ariela Abreu (Milev)
2. Nurridin Nazirvoz (Milev)
3. Yammarly Martinez (Milev)

PLAN

STACKING DIAGRAM

1. Lina Torres (Milev)
2. Lukasz Zawojek (Milev)
3. Carlo Enriquez Rafael (Milev)

4812

ARCHITECTURAL DESIGN VIII

Environmental sustainability is explored as the focus of the studio to benefit both occupants and the environment while investigating material consumption, thermal comfort, and energy practices. A bioclimatic design approach is assumed to tie how we interact with the microclimate and pursue thermal comfort and delight with lowcarbon solutions. To determine the bioclimatic performance, the studio incorporates quantitative methods throughout the design process, especially concerning the site, building form, spatial organization, and façade system. Students, as a team, work through a series of design reviews and workshops to develop a project that addresses performance criteria. Students integrate their full knowledge of life safety systems, structural systems, environmental control systems, and envelope systems and assemblies, while adopting the measurable outcomes of building performance in the course.

Selected Works by:

PROF. JIHUN KIM

Farouk Fares

Katya Golovatch

Albijon Hoxhaj

Alexander Karasavidis

Hannah Pak

Lizbeth Ramos

Ying Ren

Yuliang Xiao

Zong Hao Zhu

1. Albijon Hoxhaj, Alexander Karasavidis, Lizbeth Ramos (Kim)
2. Farouk Fares (Kim)
Clockwise from top left:
1. Katya Golovatch, Hannah Pak (Kim)
2. Ying Ren, Yuliang Xiao, Zong Hao Zhu (Kim)

2331 BUILDING TECHNOLOGY II

A study of the basic materials of construction as well as the theory and practice of building technology. The course includes investigation of the assembly of building components and methods of construction while developing proficiency in both analog and digital drawing techniques, and professional level construction drawing.

Selected Works by:

PROF. ALEXANDER APTEKAR

Nicholas Conway

Jean Flores

Mohamed Hassan

Ziani Rodriguez

PROF. EBAN SINGER

Kezang Dorji

Michelle Morales

Yenifer Rivera

1. Mohamed Hassan (Aptekar)

2. Mohamed Hassan (Aptekar)

3. Nicholas Conway (Aptekar)

4. Jean Flores (Aptekar)

5. Jean Flores (Aptekar)

6. Ziani Rodriguez (Aptekar)

7. Ziani Rodriguez (Aptekar)

1. Yenifer Rivera (Singer)

2. Yenifer Rivera (Singer)

3. Kezang Dorji (Singer)

4. Kezang Dorji (Singer)

5. Michelle Morales (Singer)

SIDING

5

SIDING WOOD

STUDS

2X2 BATTENS PLYWOOD

SIDING WOOD

INSULATION BOARD

2X6 @ 16'' STUDS

BOARD

2X2 BATTENS PLYWOOD INSULATION BOARD

BOARD 2X6 @ 16'' STUDS 2X4 @ 16'' STUDS

01 FRAMING MODEL

2X4 @ 16'' STUDS

2X6 @ 16'' STUDS

5 8 GYPSUM BOARD

5 8 GYPSUM BOARD

2X4 @ 16'' STUDS

5 8 GYPSUM BOARD

WALL
WALL

2431 BUILDING TECHNOLOGY III

This is the third in the required sequence of four building technology courses. This course studies the development of building systems & their assembly as they occur during the design development phase of architecture with a focus will be on steel construction. A series of studio lab assignments will develop an understanding of steel building assembly while introducing the students to the use of Building Information Modeling (BIM) software. Using case study research methods students develop a comprehensive drawing set and using materials and assembly research, students will develop façade studies.

Selected Works by:

PROF. PAUL KING

Osaruyi Amadasun

Alyssa Duran

Yirong Li

Aaron Verdugo

PROF. JUSTIN SHERMAN

Ekaterina Cherlova

Brandon Martinez

Keti Xhaferi

PROF. NICHOLAS SONIPRASAD

Reham Khalil

Yanfang Liang

Ravendra Ramnarace

Hilary Yang

1. Ekaterina Cherlova (Sherman)

2. Brandon Martinez (Sherman)

3. Keti Xhaferi (Sherman)

ALUM.COPING

TERRACLAD COPING

ALUM.COPING W/DRIP EDGE

WOOD NAILER ATTACHED TO SUBSTRATE

WOOD BLOCKING

WOOD NAILER ATTACHED TO SUBSTRATE

5/8" DENSGLASS EXTERIOR SHEATHING

FIBERGLASS BATT INSULATION

8" CMU WALL

WAUSAU VERTICAL

WAUSAU VERTICAL MULLION

5/8" DENSGLASS EXTERIOR SHEATHING

1/4" SPANDREL GLASS

1/4" SPANDREL GLASS

Z-GIRT

WATERPROOFING MEMBRANE

TERRACLAD PANEL

HALFEN TOOTHED ANCHOR CHANNEL

HALFEN TOOTHED ANCHOR CHANNEL

3" LW CONCRETE ON 2" METAL DECK

3" LW CONCRETE ON 2" METAL DECK

3" LW CONCRETE ON 2" METAL DECK

VERTICAL STUD FRAMING

WAUSAU HORIZONTAL

WAUSAU HORIZONTAL MULLION

DOUBLE GLAZED VISION

W12X26 BEAM (APPLIED WITH INTUMESCENT FIRE PROTECTION PAINT)

DOUBLE GLAZED VISION GLASS (IGU)

W12X26 BEAM (APPLIED WITH INTUMESCENT FIRE PROTECTION PAINT)

W12X26 BEAM (APPLIED WITH INTUMESCENT FIRE PROTECTION PAINT)

WAUSAU OUTSIDE CORNER MULLION

WAUSAU OUTSIDE CORNER MULLION

DOUBLE GLAZED VISION GLASS (IGU)

5/8" GWB

DOUBLE GLAZED VISION GLASS (IGU)

AIR/VAPOR BARRIER METAL STUD

JUSTIN SHERMAN

WAUSAU HORIZONTAL MULLION

WAUSAU HORIZONTAL MULLION

ARCH.2431 BUILDING TECHNOLOGY III

RIGID INSULATION

1/4" SPANDREL GLASS

TERRACLAD PANEL

1/4" SPANDREL GLASS

HALFEN TOOTHED ANCHOR CHANNEL

SECTION: E046

HALFEN TOOTHED ANCHOR CHANNEL

3" LW CONCRETE ON 2" METAL DECK

3" LW CONCRETE ON 2" METAL DECK

LEVEL 1 - GROUND STRUCTURAL

WAUSAU VERTICAL MULLION

W12X26 BEAM (APPLIED WITH INTUMESCENT FIRE PROTECTION PAINT)

STEEL COLUMN W10x49

WAUSAU OUTSIDE CORNER MULLION

DOUBLE GLAZED VISION GLASS (IGU)

PRESSURE PLATE

ENLARGED ISOMETRIC VIEW @ KNEE WALL

1/4" SPANDREL GLASS

3" LW CONCRETE ON 2" METAL DECK

HALFEN TOOTHED ANCHOR CHANNEL

WAUSAU VERTICAL MULLION

WAUSAU HORIZONTAL MULLION

PANEL NEW

1. Yanfang Liang (Soniprasad)

2. Ravendra Ramnarace (Soniprasad)

3. Hilary Yang (Soniprasad)

4. Reham Khalil (Soniprasad)

1. Alyssa Duran (King)
2. Osaruyi Amadasun (King)

METAL CAPPING

WOOD BLOCKING

5/8" GYPSUM BOARD (TYP.)

5/8" PLYWOOD SHEATHING (TYP.)

CONC. SLAB (TYP.)

METAL TRACK (TYP.)

STEEL BEAM (TYP.)

STEEL COLUMN (TYP.)

5/8" GYPSUM BOARD (TYP.)

METAL STUD (TYP.)

3.5" RIGID INSULATION (TYP.)

METAL Z GIRT (TYP.)

STONE PANEL VENEER (TYP.)

INTERMEDIATE VST-7 (TYP.)

T SHAPE VERTICAL PROFILE (TYP.)

METAL CORNER CONNECTION ALGLE (TYP.)

SUPPORT METAL ANGLE BRACKET (TYP.)

1/4"X2" METAL SCREW (TYP.)

1/4"X1" METAL SCREW (TYP.)

3531 BUILDING TECHNOLOGY IV

The final course in a four-part sequence. Using digital technologies, the student explores the mechanics of building enclosures and structures and creates a set of working drawings. Emphasis is on communication and collaboration skills necessary in the professional office. Building information modeling (BIM) techniques and tools emphasized this course.

Selected Works by:

PROF. PAUL GURDAK-WARCHOL

Xianjun Cao

Youngyu Chen

Ekaterina Cherlova

Brandon Martinez

Bryan Pagan

Danny Salamanca

PROF. BLAKE KURASEK

Jennifer Camas

Vincent Cheung

Valeria Garcia

Javon Morgan

Tylee Rivera

Mariela Saavedra

PROF. TOMÁS QUIJADA

Khadija Akther

Alyssa Duran

Brandon Hernandez

Erica Hernandez

Lukas Klertiashvili

Yousif Nasr

Anissa Ramadini

Debora Tzunun

Jayda White

Keti Xhaferi

Hilary Yang

1. Mariela Saavedra, Tylee Rivera (Kurasek)

2. Jennifer Camas, Valeria Garcia (Kurasek)

3. Vincent Cheung, Javon Morgan (Kurasek)

1. Khadija Akther, Yousif Nasr, Jayda White (Quijada)

2. Alyssa Duran, Brandon Hernandez (Quijada)

3. Anissa Ramadini (Quijada)

4. Debora Tzunun (Quijada)

5. Lukas Klertiashvili, Erica Hernandez (Quijada)

6. Keti Xhaferi, Hilary Yang (Quijada)

1. Yongyu Chen, Xianjun Cao (Gurdak-Warchol)

2. Bryan Pagan, Danny Salamanca (Gurdak-Warchol)

3. Ekaterina Cherlova, Brandon Martinez (Gurdak-Warchol)

3590 PARAMETRIC COMPUTATION, MATERIALS AND

FABRICATION

Computational design has revolutionized the design of buildings and structures. It has enabled us not only to design complex forms, but to build them. This course is an introduction to parametric computational design and digital fabrication. Grasshopper, a Rhino plug-in, is used as a primary digital modeling tool. Students learn how to use the tools and software to execute their architectural design projects. The course also explores qualities of basic materials such as paper, wood, concrete, and plastics in the context of computational design and digital fabrication thinking and techniques. The projects provide students with opportunities to explore and learn the concept and techniques of parametric rule-based design, digital fabrication tools, assembly of fabricated parts.

Selected Works by:

PROF. YEVGENIY KORAMBLYUM

Ariela Abreu

Paloma Nunciato

Milena Peralta

Javier Sarmiento

Emmanuel Tejada

Jayda White

Passage Pavillion

Location: 300 Jay Street

1. Jayda White (Koramblyum)

2. Ariela Abreu, Paloma Nunciato (Koramblyum)

3. Emmanuel Tejada (Koramblyum)

Passage Pavillion

4. Milena Peralta, Javier Sarmiento (Koramblyum)

The primary goal of this design is to provide people with a walkway that includes some seating. I was primarily focused on how I might create an experience that offers both mobility and immobility when I was constructing this project. It was crucial to incorporate a corridor into a straightforward seating area because of this.

Location: 300 Jay Street

This pavilion provides seating where people may relax and a 14-foot-long pathway that creates interesting shadows.

This model of a path of planes that shifts at its apex served as the inspiration for this massing.
Project 1- Pavillion
Jayda White
This model of a path of planes that shifts at its apex served as the inspiration for this massing.

GRASSHOPPER PROCESS / MAIN STRUCTURE

GRASSHOPPER PROCESS / MAIN STRUCTURE

STEP 1 - Brep creation

STEP 1 - Brep creation

STEP 2 - PLANE SURFACE / BREP I BREP / EXTRUDE

STEP 2 - PLANE SURFACE / BREP I BREP / EXTRUDE

GRASSHOPPER PROCESS / MAIN STRUCTURE

STEP 1 - Brep creation

STEP 2 - PLANE SURFACE / BREP I BREP / EXTRUDE

STEP 3 - Creation of surface from brep iso curve extraction, for connection of panels. SPLIT BREP MULTIPLE / DECONSTRUCT BREP / AVERAGE / PROJECT / BREP

STEP 4 - BREP (step 3) EXTRUDE/ SOLID DIFFERENCE

STEP 5 - Strips creation. CURVE (step 3) / DIVIDE / CULL / FLIP / INTERPOLATE CURVE / DISPATCH / EDGE SURFACE

STEP 6 - Labels. BREP (step 4) / DECONSTRUCT BREP / PROJECT / AREA / LIST LEGHT / CONCATENATE / CONSTRUCT POINT / TEXT TAG 3D

GRASSHOPPER PROCESS / MOCK UP

STEP 1 - Section selection

STEP 2 - Rebuild surface for divition. MULTIPLE SURFACES / EDGES / LENGTH / SORT / ARC / EDGE SURFACE / TRIM

STEP 3 - Creation of holes for connection with panels. SURFACE / ISO CURVE / FLIP / EVALUATE LENGTH / MERGE / SPHERE / TRIM / SPLIT MULTIPLE / TIRM

STEP 4 - Creation of staggering strips for construction. SPLIT SURFACE / SHIFT / PARTITION/ JOIN / COMBINE / TRIM

STEP 5 - Strip labels. UNROLL / LIST LENGTH / SERIES / DECONSTRUCT BREP / AREA / TAG

STEP 3 - Creation of surface from brep iso curve extraction, for connection of panels. SPLIT BREP MULTIPLE / DECONSTRUCT BREP / AVERAGE / PROJECT / BREP

STEP 3 - Creation of surface from brep iso curve extraction, for connection of panels. SPLIT BREP MULTIPLE / DECONSTRUCT BREP / AVERAGE / PROJECT / BREP

STEP 4 - (step 3) EXTRUDE/ SOLID DIFFERENCE

STEP 4 - BREP (step 3) EXTRUDE/ SOLID DIFFERENCE

STEP 5 - Strips creation. CURVE (step 3) / DIVIDE / CULL / FLIP / INTERPOLATE CURVE / DISPATCH / EDGE SURFACE

STEP 5 - Strips creation. CURVE (step 3) / DIVIDE / CULL / FLIP / INTERPOLATE CURVE / DISPATCH / EDGE SURFACE

STEP 6 - Labels. BREP (step 4) / DECONSTRUCT BREP / PROJECT / AREA / LIST LEGHT / CONCATENATE / CONSTRUCT POINT / TEXT TAG 3D

STEP 6 - Labels. BREP (step 4) / DECONSTRUCT BREP / PROJECT / AREA / LIST LEGHT / CONCATENATE / CONSTRUCT POINT / TEXT TAG 3D

GRASSHOPPER PROCESS / MOCK UP

GRASSHOPPER PROCESS / MOCK UP

STEP 1 - Section selection

STEP 1 - Section selection

STEP 2 - Rebuild surface for divition. MULTIPLE SURFACES / EDGES / LENGTH / SORT / ARC / EDGE SURFACE / TRIM

STEP 2 - Rebuild surface for divition. MULTIPLE SURFACES / EDGES / LENGTH / SORT / ARC / EDGE SURFACE / TRIM

STEP 3 - Creation of holes for connection with panels. SURFACE / ISO CURVE / FLIP / EVALUATE LENGTH / MERGE / SPHERE / TRIM / SPLIT MULTIPLE / TIRM

STEP 3 - Creation of holes for connection with panels. SURFACE / ISO CURVE / FLIP / EVALUATE LENGTH / MERGE / SPHERE / TRIM / SPLIT MULTIPLE / TIRM

STEP 4 - Creation of staggering strips for construction. SPLIT SURFACE / SHIFT / PARTITION/ JOIN / COMBINE / TRIM

STEP 4 - Creation of staggering strips for construction. SPLIT SURFACE / SHIFT / PARTITION/ JOIN / COMBINE / TRIM

STEP 5 - Strip labels. UNROLL / LIST LENGTH / SERIES / DECONSTRUCT BREP / AREA / TAG

STEP 5 - Strip labels. UNROLL / LIST LENGTH / SERIES / DECONSTRUCT BREP / AREA / TAG

ARCH 3590 | Parametric Computation, Fabrication
Emmanuel Tejada
ARCH 3590 | Parametric Computation, Fabrication
ARCH 3590 | Parametric Computation, Fabrication
ARCH 3590 | Parametric Computation, Fabrication
Emmanuel Tejada
ARCH 3590 | Parametric Computation, Fabrication
ARCH 3590 | Parametric Computation, Fabrication

INTRODUCTION TO PHOTOREALISTIC RENDERING

AND ANIMATION

Space visualization using a combination of photo-realistic renderings, animations, and interactive 360-degree panoramic renderings. Creation of computer-generated scenes that can be viewed and explored as virtual and augmented reality.

Selected Works by:

PROF. ESTEBAN BEITA SOLANO

Jacqueline Aguilar

Saul Arizaga

Bryan Pagan

Isaac Mendez

Tylee Rivera

Cody Smith

Lukasz Zawojek

Chunpu Zhang

1. Jacqueline Aguilar (Beita Solano)

2. Bryan Pagan (Beita Solano)

3. Saul Arizaga (Beita Solano)

Mid Night Renders

4. Tylee Rivera (Beita Solano)

5. Lukasz Zawojek (Beita Solano)

6. Cody Smith (Beita Solano)

7. Chunpu Zhang (Beita Solano)

8. Isaac Mendez (Beita Solano)

INTEGRATED SOFTWARE IN THE ARCHITECTURAL OFFICE

The course is designed to introduce the student to the variety of software that is being used in a design firm. The students are provided with the guidelines for a better understanding of the integration of specialized software into all aspects of the architectural profession. The course focuses on managing a computerized office and understanding and using the latest technologies in a design firm.

Selected Works by:

PROF. ESTEBAN BEITA SOLANO

Dahrel Cadore

Jennifer Camas

David Cen

Jessica Herrera

Keren Lucero

Isaac Mendez

Rachel Mercedes

Karen Moreno

Jaeyoung Park

Tylee Rivera

Patrick Sy

Vincent Zheng

Yiyi Zhong

2. Karen Moreno, Jaeyoung Park, Tylee Rivera (Beita Solano)

3. Rachel Mercedes, Patrick Sy, Vincent Zheng (Beita Solano)

4. Dahrel Cadore, Jennifer Camas, David Cen, Yiyi Zhong (Beita Solano)

1. Jessica Herrera, Keren Lucero, Isaac Mendez (Beita Solano)

ADVANCED 3D MODELING AND RENDERING

This elective course focuses on 3D modeling, rendering, lighting and animation techniques. Most advanced aspects of the rendering software are explored through a series of exercises designed to acquaint the student with the various commands found within the program used.

Selected Works by:

Yongyu

Albijon

Ying

Lina

PROF. ESTEBAN BEITA SOLANO
Chen
Hoxhaj
Ren
Danny Salamanca
Torres
Jason Ventura
Barcelona Pavilion - Day & night, Snow & Rain
1. Ying Ren (Beita Solano)
2. Lina Torres (Beita Solano)
3. Jason Ventura (Beita Solano)
4. Danny Salamanca (Beita Solano)
5. Yongyu Chen (Beita Solano)
6. Albijon Hoxhaj (Beita Solano)

4781 STRUCTURES III

The course focuses on the student’s mastering of the structures curriculum through an integrated design problem incorporating the fundamental materials of wood, steel and concrete into a single building structural package. The package includes all drawings, details and calculations to resolve a simple building with a long-span structure. Students utilize Building Code based performance criteria such as live and dead loads, wind load, snow load and seismic load to develop accurate structural components, connections and systems.

The assignments during the course of the class are designed such that they build upon each other, progressing from simple sketches and rule-of-thumb calculations to the complete structural package. During the first half of the semester, each week students attend a lecture and demonstration of the drawing and calculations by the professor, and the students complete a similar exercise as assigned homework. During the second half of the class the students design a simple building and incorporate the material learned in the first half of class into the components of the design, culminating in the development of a structural package that describes and calculates all of the necessary components of the building footings and foundations, columns, beams, frame, roof structures and any other necessary elements.

Selected Works by:

PROF. PHILLIP ANZALONE

Michelle Guzman Estevez Mukhammadmurod Ibragimov

Armanda Kalavaci

Nurridin Nazirov

Anthony Ortega

Cristian Rodriguez

Renard Wagstaff

Cheriyah Wilmot

Janan Yu

Clockwise from top left:

1. Armanda Kalavaci, Nurridin Nazirov, Renard Wagstaff (Anzalone)

2. Michelle Guzman Estevez, Mukhammadmurod Ibragimov, Cheriyah Wilmot (Anzalone)

3. Anthony Ortega, Cristian Rodriguez, Janan Yu (Anzalone)

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