mag_
nยบ 7 artist
Jill Greenberg
Editor: José Manuel Bejarano_
Director: Isidre Estévez_
Editor gráfico y maquetación: Óscar ferrer_
Jefe de Redacción_ Rubén Romero._
Redacción: Jordi Muro_ Sílvia Micolau_
Colaboradores: Adrián de Alfonso_ Albert Duat_ Antonio Baños_ Boko_ Carles Riu_ Chabela Díaz _ Christian Barranco_ Cristian Campos_ Cristina Ros_ Desirée de Fez_ El Negociador_ Federico Navarro_ Ferran Llauradó_ Gonzalo del Castillo_ Guido Reyna_ Guillem Clua_ Half Nelson_ Íñigo M. Möller_ Iban del Campo_ Iván Caparrós_ Jaime Casas_ José Sánchez_ Laura Folguera _ Laura Sales_ Luis Escudero_ Marc Prades_ Marc Piñol_ Matías Corea_ Marga Durá_ Mónica Artigas_ Noemí Zapata_ Oriol Rossell_ Óscar del Pozo_ Quim Pérez_ Ramón Vendrell_ Rubén Mayoral_ Rubén Romero_ Salvador Santó_ Sebastià Roig_ Sylvia Patterson_ Valentín Roma_ Vicenç Batalla_ Xavi Ayén_
Fotografía:
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Ángela Bonadiés_ Anna Ripoll_ Biel Capllonch_ Cès DeVilallonga_ Corinne Day_ Daniel Riera_ Darius Dombek_ Jack Ristol_ José Manuel Bejarano_ Jack Ristol_ Julian Broad_ Julio Garcia_ Kevin Westenberg_ Marc Goodwin_ Misha Kominek_ Nacho Juárez_ Natalia_ Nico_ Onofre Bachiller_ Ronnie Black_ Simbolek_ Tristan Macherel_ Udo Hess_ Xevi Muntané_
Ilustración: Bernat Lliteras_ Berto Martínez_ J. Carrasco_ Jordi Ferrera_ Juanjo Sáez_
Informática: David Portillo_
agradecimientos: Rubén Bruque _Montserrat Fernández de Arroyabe _ Lali Almonacid_Mati Barbero_Isa Isla_Carmen Frutos_ Marc Salinas_ Misha Kominek_ Mónica Cuende _Toni López_ Susana Baldó_
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Photo_OFFmag
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jillgreenberg.com Jill Greenberg (born July 1967) is an American photographer and artist. She is known for her portraits and fine art work. Since the age of 10, Jill Greenberg has staged photographs and created characters using the mediums of drawing, painting, sculpture, film and photography. She is known worldwide for her uniquely human animal portraits, which intentionally anthropomorphize her subjects, as well as her infamous series, “End Times” which struck a nerve in its exploration of religious, political, and environmental themes exploiting the raw emotion of toddlers in distress. Her newest work marks a return to the postmodern feminist theory that inspired her senior thesis, “The Female Object” as an art student at RISD in the 80’s: “The disciplinary project of femininity” and the predetermined failure of all women who attempt to “succeed” at it. As a working photographer she travails to straddle the line between assignment work and her own personal work. On one notable occasion, a conflict arose when she was assigned to photograph the Republican candidate for presidency in the summer 2008, at the height of his popularity; after delivering the assignment exactly as requested, she chose to speak out in the form of agit-prop outtakes on her own website, which she was legally allowed and morally compelled to do. The violent backlash from her political art has informed this return to the question of what is tolerated by women in our culture.
Jill Greenberg
TIME ON YOUR SIDE
Hermes.com