The Creators of N.C.
The Lost Treasure of Home Jonas Pate and his runaway hit Outer Banks
By Wiley Cash
While there is plenty
of mystery in the breakout Netflix smash hit Outer Banks — everything from a father lost at sea to a legendary treasure — the mystery that director and co-creator Jonas Pate seems most intent on exploring is the age-old mystery of what divides people along class lines. It worked for Shakespeare with his Montagues and Capulets, and 370 or so years later it worked again for Bernstein’s and Sondheim’s Jets and Sharks. Pate’s rival groups are similarly aged, sun-kissed teenagers living and partying along North Carolina’s Outer Banks, where a group of working class kids known as the “Pogues” continually find themselves marginalized and dismissed by the “Kooks,” who are the children of wealthy residents and seasonal tourists. Fists and hearts certainly fly, but despite the show’s use of cliffhangers and action-packed
28 O.Henry
sequences, at its core Outer Banks investigates the emotional and experiential threads that pull some of us together across class lines while invisible barriers push others of us apart.
According to Pate, the divide between the haves and the have nots is “the oldest story in the world. It cuts across everything,” which he believes explains the show’s broad appeal. Broad indeed. In the late spring of 2020, just as the people of the world were settling into the pandemic and the realization that they did not want to see or hear another word about Tiger King and Joe Exotic, Outer Banks debuted in mid-April and quickly became one of Netflix’s The Art & Soul of Greensboro
