INTERLACING HIDDEN STRATA & PHASES Ohjin Jo l Selected Works l 2019 - 2021
1
01
OHJIN JO
SHELL WE?
Graduation Work / Korea University Annual Exhibition 2020 The Excellence Award
ojin1031@hotmail.com
P. 03 - 11
112 Valentine Place, Ithaca, NY, 14850
02
+1 607.882.4403
FLUID STATE
EDUCATION Cornell University AAP, Ithaca, United States Department of Architecture, Master of Science in Advanced Architectural Design
Korea University, Seoul, Republic of Korea Department of Architecture, B. Arch (GPA : 3.71 / 4.5)
JUNGLIM Architecture Award for Students The Grand Prize
P. 12 - 14
09.2021 -
02-1
FLUID STATE I
03. 2013 - 02.2021
: Tidal Force
P. 15 - 17
02-2
AWARDS / HONORS Korea University Annual Exhibition 2020
10. 2020
JINGLIM Architecture Award for Student 2020
04. 2020
Young Architects Competition 2019
10. 2019
The Excellence Award, Graduation Work 'Shell We?'
Grand Prize, as a Team Leader of 3 Members
Finalist, Individual Work
FLUID STATE II : Stagnancy P. 18 - 20
02-3
FLUID STATE III : Velocity
P. 21 - 22
EXHIBITION Korea University Graduation Exhibition
10. 2020
JINGLIM Architecture Award for Student Winner Announcement Exhibition
04. 2020
Korea University, Seoul
JUNGLIN Architecture Headquarters, Seoul
03
WHIRLING STRIPS Young Architects Competition Finalist
P. 23 - 26
04
ACTIVITIES Korea University - Columbia GSAPP International Workshop Design Workshop for 'I shop, therefore I am'
Korea University - NBBJ Los Angeles International Workshop Design Workshop for 'Re:connect DTLA'
Korea University Graduate School Urban Lab Graphic Design & Part Time Work
THE KINETIC FRAME Dismantled Barrier
10. 2019
P. 27 - 30
05
01. 2019
ASHES TO ASHES
07. 2018 - 08. 2018
Anthropocene Temporality
P. 31 - 35
06
PROFICIENCY
THE INTERWOVEN
English , Korean , Japanese
Architecture + Ecology
Rhinoceros 6, Grasshopper, RhinoPython, V-Ray, Adobe CC, AutoCAD 2018, Electric Guitar
P. 36 - 39 2
01
SHELL WE? Therefore, We Shell
Date : 2020. 03 - 10 Location : Seoul, Korea Type : Urban Design & Building Reuse Instructor : Chungyeon Won, Sejin Kim Category : Academic Graduation Work Role : Individual Work
Architecture begins its life as a system that proposes our lives. The built building cannot last forever (despite the immutable nature belied by the completed image), so it changes when the system that was first proposed becomes unable to meet the needs of users – us. There are various ways in which buildings change. We make ceaseless efforts to replace, section, add, inflate, leave scars, and try to keep the scar out of sight. When our demands differ beyond the means of such change, the building is eventually demolished and handed over its ground to the next generation. Buildings are expendable. We are living on an archaeological land called the "City," where such scars and superimposed layers are piled together. However, our perspective for 'traditional architecture' seems to be somewhat passive. Although much of the life systems they had do are not easily applied to us today - even in most cases at all, we pay the entrance fee with all our heart and soul, stuffed them up and surrounded by fences. Otherwise, sell the image to the media, leaving only the remnants. Either way, we willingly take the trouble to see those mummies. This project is about Hanok, one of the most pervasive Korean traditional architectures in our lives. I don't want to just list what our hanok look like. But with the obvious weaknesses of its physical entity, there are certain relationships they have that can make this city more prosperous. Although they were built by our own hands, Hanoks seem to have hidden their own special offers of relationship from us. Unfortunately, the 'modern' methods we used to stuffed this particular type of building have invaded and filled all the small alley networks that had been stretched out long under the eaves. Now, the approach to hanok should be different. I want to find the answer in Shell – extra outer layer. With a new layer of extra outer layers, we can solve environmental problems that have forced us to fill those alleys with thickened walls. At the same time, we also are able to use various networks inside and outside. With Shell, we can get a glimpse of the original look of the city that we've forgotten, and the new direction it should take.
3
Hanok I Korea Traditional Architecture
Ik-Sun I New Revival Hanok
Our perspective for 'traditional architecture' seems to be somewhat passive. Although much of the life systems they had do are not easily applied to us today - even in most cases at all, we pay the entrance fee with all our heart and soul, stuffed them up and surrounded by fences. If not, sell the image to the media, leaving only the remnants. Either way, we willingly take the trouble to see those mummies.
Architecture begins its life as a system that proposes our lives. The built building cannot last forever (despite the immutable nature belied by the completed image), so it changes when the system that was first proposed becomes unable to meet the needs of users – us. There are various ways in which buildings change. Hanoks in Ik-Sun area shows some of those methods.
Intrinsic Environmental Weaknesses
This project is about Hanok, one of the most pervasive Korean traditional architectures in our lives. There are some areas where whese typical type of architecture are remains - clustered. We use these remain mummies with various programs. Many people consider only the skins they have rather than the quality of spatial aspects these vessels can contain. The reason is simple. It lucrative much more. People tend to seek places where have beautiful 'photo spots' and fancy interior. Now, it is our responsibility to find ways to make these old reamins more prosperous and fit to the relationship urban spaces have.
Insulation
Roof Insulation & Waterproof
Urban Hanok Villages in Seoul 0
1
2
Joint Leakages Volume - Suface Ratio
3 Km
Hye-Hwa
1940's
Compromised Space I - In Between Gap
Buk-Ak Mountain
Chung-Ryang Gap Space Type I Gap Space Type II (1600 mm) (750mm)
Buk-Chon
Seo-Chon Insa-dong
Naturally Formed Street
Alley Between Hanoks
Intrinsic Garden
Compromised Garden
Chang-Sin
1980's
Ik-Seon
Compromised Space II - Garden (Ma-dang)
Type I
Nam Mountain
Type II
Type III
Insa-Dong
2000's
Gallery, Artlier, Craft Shops
Woon-Hyun School, Academic Institutions
Site Location I Regional & Programical SITE Jong-Myo Area Housing
Ik-sun Area Food & Beverage, Cafe, Jewelry
Jong-Ro 3 Avanue Jong-Ro District
Jong-Ro 3 Avanue
Ik-Sun
Main Avanue, Retail Shops, Offices
4
Unit Cells of Each Programs
Intrinsic Madang & Gap Interactions
• each cells occupies 3000 x 3000 This project is about Hanok, one of the most pervasive Korean traditional architectures in korea. I don't want to just list what our hanok look like. But with the obvious weaknesses of its physical entity, there are certain relationships they have that can make this city more prosperous. Although they were built by our own hands, Hanoks seem to have hidden their own special offers of relationship from us. Unfortunately, the 'modern' methods we used to stuffed this particular type of building have invaded and filled all the small alley networks that had been stretched out long under the eaves.
Ameliorating contemporary hanok should be accompanied not only by environmental but also by spatial organization. Eclectic programs from surrounding context were set and classified. By studying, I found that there are some standards which used in general. Next, I applied those foundings with a little modification to fit in hanok's cells.
Gallery
Craft & Artlier
Housing
Education
Cafe & Food
Retail
Storage
Working Space
Room (Per 1)
Preparing
Kitchen
Selling Space
Exhibition
Storage
Toilet (Per 1)
Toilet
Storage
Exhibition & WorkShop
Kitchen (Per 1)
Classroom
Toilet
By classifying cirulation and network relationship hidden in hanok, I found there are three types of connection between them. If we fully take an advantage of it, we can revive not only natural and organic but also powerful network that can bound whole area together, which composed of this particular type of architecture. Because hanok's spatial organization is based on cells, multifarous types of the network can be set just simply by organizing those cells' placing.
Close
Distant
Distant
Close
Close
Distant
Close
Distant
Adjacent
Close
Distant
Close
Seat
Living Room
Program Cluster Networks with Madangs We are living on an archaeological land called the "City," where many scars and superimposed layers are piled together. This is why spontaneous network and cluster system is the key of these kind of village rehabilitation project. The important point is that hanok is conceiving intrinsic garden, which have a portential to be a nod point of network.
Gallery
Craft
Little SOHO
Artlier
Housing
Cultural Cluster
Education
F&B
Cafe
Food
Housing Complex
Retail
Dormitory
5
The Shell Unfortunately, the 'modern' methods we used to stuffed this particular type of building have invaded and filled all the small alley networks that had been stretched out long under the eaves. Now, the approach to hanok should be different. The answer is the shell. With a new layer of extra outer layers, we can solve environmental problems that have forced us to fill those alleys with thickened walls. At the same time, people also can able to enjoy multifarious networks inside and outside.
Ridge
Stair Deck
Middle
Walkways
Wing
Stair
Active Deck
Green
Walkway & Stair
Walkway & Green
Active Panels
Green
Shell We
Ridge
Middle
Wing
Generation Process
Roof Components
Shrinkage To Original
Roof Shell
Envelope Shell
Environmental Improval
Envelope Components
Type I
Type II
Type III Angle Control
Summer Sun Hour
Winter Sun Hour
Summer Sun Hour
Winter Sun Hour
Summer Sun Hour
Winter Sun Hour
Gap Control
Madang Space
Flat Roof Part
Ceiling Window
Low Deck for Sunhour
Courtyard
High Deck For programs
6
Tectonics
A. Attached Structures
The key is how to make it feasible. To preserve hanok's reminiscent atmosphere, The Shell shuld be constructed without compromising its original structures. Because The Shell is built without demolish exsisting hanoks, design of its construction is one of the most important parts of this project. Bolstered by existing structures - columns, beams and girders, tectonic of the shell is complete. By designing roof shell members into three parts, versatility of the shell is imroved with various roof components. With double glazed window and exterior shading components, users can get gratifying privacy they want even without any walls. These shading envelope also manage its multifarious internal programs.
Pre-fabricated Waterproof
Extraction
A
B. PC concrete modules with mutual joints
1. Original Structure
B-1
2. Attached Structure To Existing
B-2
3. Beam, Rafter and Ridge
B-3
B-1. Wing
B-2. Middle
C. Shading Louver 4. Roof Shell Wing Parts
5. Roof Shell Middle Parts
6. Roof Shell Ridge Parts
C
7. Double Glazed For Insulation
8. Envelope Shadings
9. The Shell 7
B-3. Ridge
Mullion Plan Detail
1. PC Concrete Ridge Blocks
50
2. PC Concrete Blocks with Insulation Layer 4 28 4
3. T-Shape Steal Rafter 4. Steel Structure With Speacial Joints 5. Steel Fabricated Mullion 6. Double Glazed Window 100
7. Laminated Wood Board
20
Roof Blocks Tectonic Section 180
60
180
60
180
1
60
35
60
6
60
240
120
2
300 180
3
180
4 Attachments Section Detail
180
95
Facade Mullion Section
5
6
4
4
100
150
150
300
300
7
8
The project is compsed through series of shells. Shells are defined to two parts, ground and roof. We can redefine the most fundamental aspects of network relationship and circulation. Multifarious roof components can make very different roof relationship. Therefore, solitary shells are weaved to produce huge networks.
Roof Network Hanok has it value not only on the ground networks but also on the roofs. With the shell, their sky networks can expand infinetely to adjecent other roof shell. By designing roof shell members into three parts, versatility of the shell is improved with various roof components.
Type I
Type II
Type III
Sloped parts to interaction
Sloped parts to interaction
Sloped parts to interaction
Flat parts to interaction
Flat parts to interaction
Flat parts to interaction
Sunblock deck for internal
Sunblock deck for internal
Sunblock deck for internal
9
Interlaced Strata
Roof Networks
Hanok has it value not only on the ground networks but also on the roofs. With the shell, their sky networks can expand infinetely to adjecent other roof shell. By designing roof shell members into three parts, versatility of the shell is improved with various roof components.
Selective Masterplan 1.5 3
Spatiral Cells
Garden Network
Ground Networks
10
6
9m
Therefore, We Shell
With a new layer of extra outer layers, we can solve environmental problems that have forced us to fill those alleys with thickened walls. At the same time, we also are able to use various networks inside and outside. With Shell, we can get a glimpse of the original look of the city that we've forgotten, and the new direction it should take.
11
02
FLUID STATE
In-between Every Border
JUNGLIM Architecture Award for Students 2020 Grand Prize Date : 2019 . 12 - 2020 . 01 Location : Han River, Korea Type : Landscape Architecture & Experiential Passage Theme : Vision of Han River in The Age of Peace Jury : Minsuk Cho, Changmo Ahn Category : Idea Competition / Personal Role : Collaborative Work as a Team Leader of 3 Members / Main Designer
Fluid State is an architecture of experience that liquefies various boundaries revealed by the Han River through the possibility of water itself. National boundary is liquefied by the principles of tidal force by using tidal differences at the downstream of Han River. Social boundary is liquefied by the principle of stagnancy by using artificial lake conditions at the middle reaches of Han River. At the boundary of the generation, upstream, the boundary is liquefied by the principle of the velocity by using the flow by the dam. We believe that by accumulating experiences blurring boundaries, architecture can promote complete peace in the distant future.
12
Han-River, At the Age of Peace The Han River was divided through the Korean War. The downstream of the Han River near the West Sea is where the Han River meets the Yeseong River and the Imjin River. Before the division of Korea, one could reach Kaesong by following the Yeseong River, and one could reach Cheorwon, the capital of Taebong. This waterway was blocked by division and war. With the recent improvement in inter-Korean relations becoming more visible than before, expectations for "unification" are rising even higher. At the same time, various blueprints such as the DMZ's peace zone, development issues, and the formation of an inter-Korean industrial belt are mentioned. Contrary to popular hopes, however, the road map of "unification" is not only impossible to specify the time, but the deep wounds planted by the division over a long period of time will be a major obstacle to realizing the blueprint of the era of peaceful unification. What is noteworthy here is the Han River. Although it is difficult to draw a detailed blueprint roadmap due to the unpredictable timing of unification, if the tension between the South and the North is eased and the passage is guaranteed to be a joint-use area rather than a neutral zone, the mouth of the Han River will be a base to be connected to Pyongyang and Sinuiju via the Yeseong River. Today, we have time to draw a completely different Han River from the previous generation. At the age of peace and cooperation, what vision can our Han River and Seoul have? "History is what people remember longer, history is completed when they remember together."
13
Ideal Future
Korean War National Division 1950
1953
Regional Division
Social Division 1983
1961
1995
2009
Unification of Korea
Fluid State
Overland Opening
Han River Connection
2030
2050
History of Division
An Era of Reconciliation
Historic Events
A Proposal to Liquefy the Boundary of The Han River With Water Itself
Junghee Park Regime
Gangnam Development Project
Wicheon Complex Incident
The Properties of Water Liquefying The Boundary
Armistice Agreement
The Downstream of Han River Status l Border Region of South Korea, North Korea, Eurasia Environment l Natural Water Level Change
: Tidal Force
Blurring National Border
Tidal Force
The Middle Reaches of Han River Status l The Center of Seoul / Border Region Between Gangbuk and Gangnam Environment l Artificial Lake Condition
02-2
FLUID STATE II
: Stagnancy
Blurring Social Border
Stagnancy
The Upper Reaches of Han River Status l Border Region Between the Metropolitan Area and the Local Area Environment l Dam-induced velocity changes
Yong-san Disaster
02-1
FLUID STATE
Velocity
14
02-3
FLUID STATE
: Velocity
Blurring Regional Border
Reconciliation
02-1
FLUID STATE I : Tidal Force 15
Water - Integrated Space I Tidal Foce
North Korea
Water freely changes its own form, and hide every objects below the surface. It is difficult to experience this fluidity in the still water. However, in the downstream of the Han River, there is a high water level change of up to 9 meters depending on the difference between natural tidal waves. With tidal force, not only spaces but also circulation and following experiences shall change. Despite the immutable nature belied by the completed image, architecture cannot exist forever. Here, architecture adapts to the environment which have forced it to perish.
DPRK Zone
Intermediate
2. Floating Park
ROK Zone
Civic Zone
South Korea
DPRK Zone ROK Zone
Neutral Zone
Civic Zone
4. Aquarium
Intermediate
Civic Zone
5. Observatory & Islands
High Tide +4300
Program Timeline
Neutral Zone
ROK Zone Neutral Zone
3. Waterside & Boat Pier
International Zone
DPRK Zone
ROK Zone
1. Strip Hall
DPRK Zone
Eurasia
Boat Circulation
Neutral Zone
7. Swimming Pool & Sky Box
Intermediate
Civic Zone
8. Auditorium & Stage
Boat Circulation
Low Tide -4700 9. Connecting Bridge
Adaptive Spaces High Tide
Highest / Lowest Tide
16
10. Promenade & Follies
11. International Harbor
Mid Tide +0 6. Sunken Bridge
Civic Zone Civic Zone
12. Tidal Power Station
Low Tide
Aquarium
Swimming Pool & Sky Box
Parallel Strips
Neutral Zone
Indoor Pond
Connecting Bridge
Indoor Pool
Auditorium & Lake Lounge
Sunken Bridge
Fishing Deck
Observatory
Auditorium & Stage
Blurring National Borders
Masterplan a
0
h
j
i
i
f
Neutral Zone
a
Green Area
Residential
Commercial
a Waterside Park
a e
b ROK Area
Con. Bridge
2.5 km
The future we dream of 100 years from now is a lasting peace in Northeast Asia. In other words, it is an imagination of the moment when the border becomes meaningless. However, the moment will not come at one day radically. What we need first is the accumulation of "experience" that the boundary of borders can be blurred. Here, I propose a liquefied zone above the inter-Korean joint waters utilizing the location of the Han River's downstream and environmental characteristics.
f
h
Mid tide
1
DPRK Area
Eurasia Area
Strip Hall
0.5
g Observatory
A'
b
b Aquarium h International Harbor
c Boat Pier
d Culture Park
i Refugee Camp
e Conference Hall
f Delegation Government
j NGO Office
A
g Civic Area d
c
c
Section A - A'
Boat Peer
External Promenade
Connecting Bridge
Strip Hall
17
Low Passage
Waterside Park
02-2
FLUID STATE II : Stagnancy 18
Water - Integrated Space I Stagnancy The water shakes everything that is reflected, twists everything that is sunken. Of course, there are many physical constraints on the experience of being surrounded by water. Especially in harsh environments we usually live with, it is difficult to experience the stagnancy of water. However, the middle of the Han River is close to a giant artificial fishing port that has been completed over a long period of time. Now, the middle stream is quiet enough to be filled with high-end apartments near the riverside.
Sight Connection Vague Interaction Bridge Circulation Vertical Circulation Vertical Circulation
Rooftop Deck
Itaewon is cultural melting pot. Everynight, multifarious people are gathering in the area.
Rooftop Deck
Stagnant Pond
Observatory
Mapo has one of the highest land value in Seoul. Water blurs its border with adjacent Hong Ik Art Univ. The key is Art.
Stagnant Pond
Aquarium & Bridge
Touching every axises with converging them into waterside park. In the end, the axis
The axis reaches the town where every desire melts in. With crossing the river, water pacifies cosmopolitan people.
Follies
Aquarium
Theater
Strip Connection
Jong Ro Axis I Land Mark, Art, Follies, Community
Observatory
Stage
Street Aquarium
Yeong Deung Po Axis I Land Mark, Experience, Education
Street Gallery
Follies
Auditorium
Prism Hall
Mapo Axis I Experience, Commercial, Art
Street Aquarium
Pop-Up Stores
Aquarium
Stage
Courtyard
Sky Bridge
Observatory
Aquarium
Playground
Observatory
Theater
Itaewon Axis I Culture, Park, Community
Observatory
Sunken Gallery
Sky Bridge
Tunnel
19
Cultural Center
Park
1. Yeong Deung Axis
Selective Circulation Experience 0 50 100
200
2. Overlapped Axis
From right opposite side of Jong Ro, The axis strip starts. The axis consists of triangular shape spaces including experiential spaces and educatial activites, which are draged from the characterstic of the area.
400 m
Special activities begin at the cross points of axises. Various people from different depatures meet here. To accomodate them, follies and pavilions are blended.
A
4
3 1
A'
3. Mapo Axis
4. Jong Ro Axis
6 5
2
Passing the stagnant pond, one finally arrives Jong Ro axis. With folly park and observaroty, people will enjoy whole view of Han River as well as the ground level.
Consists of square shape spaces, multifarious level sequences cross together on and above. The stages face stagnant pond, inducing people to vague interaction with different axises.
5. Connecting Bridge
6. Itaewon Axis, Landing
Small Bridges connect axises with Itaewon axis in the middle of journey. Itaewon axis is the most distant destination from Han River. On Bridges, one can pacify himself with vast view of waterside urban.
Itaewon axis will carry people to the most distant destination. As the center of melting desires and aspiration, the axis can embrace cultural activities and be the vessle of culture. After landing point, one will enter the riverside park.
Blurring Social Borders
SECTION A - A'
The future we dream of 100 years from now is a fair and equal world without people who have lost their existence and voice have disappeared. In other words, it is an imagination of the moment when the boundary of class becomes meaningless. However, the moment will not come at one day radically. What we need first is the accumulation of "experience" that the boundary of class can be blurred.
Sunken Passage
Aquarium
Stagnant Pond
20
Cultural Center
Stage
Han River
02-3
FLUID STATE III
: Velocity
21
Water - Integrated Space I Velocity The water flows. The water flows in and then disappears. Pal-dang Dam exists in the upper reaches of the Han River. The dam poured out a great deal of water, repeating stop frequently. The future we dream of 100 years from now is a world where generational conflicts and regional gaps have disappeared. In other words, it is an imagination of the moment when the boundary of the region becomes meaningless. With the wall of water controled by the velocity of water flow, the accumulation of "experience" that the boundary of region can be blurred will happen.
120m /s 145m /s 160m /s 182m /s
Water Curtain Screen
Grand Lounge
Waterfall Cafeteria
Swimming Pool
Dam Opened, Wall of Water On
Calm & Simmer
Program Matrix
Buffer Zone
Stage
Sports Lounge
Swimming
Barbeque
Dam Closed, Wall of Water Off
Touch Exhibition
Changing
Club Lounge
22
Dam Opened
Stage & Entrance
Dam Closed
Corridor / Party Room
Stage & Wating Room
Bathhouse / Gym
Pond & Pool
Cafeteria / Party Room
Barbeque
Praying Room / Library
Touch Exhibition
Cafeteria / Game Lounge / Gym
Sports Lounge
Theater / Basketball Court
Club & DJ Booth
03
WHIRLING STRIPS Sports Citadel
Young Architects Competition 2019
Finalist
Stadiums, indoor and outdoor sport arenas are much more related to their Greek and Latin precursors than any other architecture ever built by human hands. This is because sport is a metaphor for life, and life has always been a sequence of challenges and battles, victories and defeats. Competitiveness is one of the key characteristics of human biology: life itself is a competition to survival. For this reason, any architect’s gesture designing a sport arena is an ancient gesture. It is a gesture, which is balanced between function and theatricality. All over the world, it continues to inspire and generate some of the most magnificent architectures of our time. Here, thousands of hearts can be turned on in unison by one of the passions that has always been inflaming men and women of all times: sport.
Date : 2019 . 08 - 2019 . 09 Location : Mappano, Italy Type : Sports Facility Theme : Sports Citadel Jury : Peter Eisenman, Hitoshi Abe, Gianluca Mazza Category : Idea Competition / Personal Role : Individual Work
23
Whirling Strips I Undulating Layers Backbone Alps Superga Hill
Observatory
Roof Way
Stiffen
Main promenade is whirling up the main arena. At the top, observatory exists. Strips have long been a pervasive motif in the field of architecture. Space arangement and a crossing geometry were enough to satisfy architect's craver to physical entity. However, limit of them is clear. They make every space balanced. The dynamics in interaction is distilled and vanished. Now, The new solution has to come up with: whirling strips.
Whirling
Interlacing
Grandstand
Extracted Strips Residence
Commercial
Mixed - Use
Mixed - Use
Main Promenade
Openings
Open Space
Openings
Open Space
Soleness
Density
Soleness
Density
Str. Gorre
Penetration
Sports
Mixed - Use
Soleness
Turin
Residence
Stadium / Arena
Mixed - Use
Openings
Mappano
Density
Penetration
Open Space
Openings
Density
Soleness
Open Space
Commercial
o Torin
High
way
Site
ne
Str. Cuorg
ta
Penetration
Each strip has gradual level of program's density. As density goes higher, strips start to interweaved.
Density Penetration
Sports
Program Convergence Hospital
Running
Eating
Tennis
Alone
Sleeping
Alone Meditation Shopping
Swimming
Bantering
Sharing Meeting
Basket Exhibition
Gathering
Bazaar
Concert
Soccer
From the Beginning, mankind has dreamed of sky, rise of his conceptual body. And consequently, his architecture got through the same process of his mind. He wondered and had curious about the world above him as it couldn’t be understood to him soley. So, He move. He run. He jump as those movement made him a little more closer to his crave. It is not just about a kind of religion. It’s not only just an act of consolation but also an instintively radical solution for passion to rise. Maybe he understood that. Sports is an warm welcoming colsolation for unaccomplishable reckless. Humankind used it - even so now. In Sports, there are people. They interact and share there feeling through there flesh and blood. That kind of noble ritual needs each other. So does archicture. They need each other feel closer. A tree alone stood on heel will wither someday. So I whipped these programs to become closer there pristine essence. Spaces come aross each other to interact and nourish themselves. Not only cross on land, but also in the air.
Gathering
The new program system of the physical body has become more flexible and orderly. People can naturally experience multifarious states : From alone to gathering. Because each person may have different needs, they can have multiple choices to visit and enjoy with whirling strips, not only at the ground level but also on the roof gardens. 24
Space Arrangement To someone, it become a tree to provide a shelter from rain. To someone, it will be used for mankind’s noble act of praisal. Accomodating all of these needs, three stips are whirling toward the central arena. Each strip has intrinsic spatial characterstic, various spatial organization. The key is whirling. From the end to the central arena, spaces and programs are interacting with each other in various ways. Through those interactions, various people can see each other, touch and hear. There are six typologies in interacting spaces. Transfixion, carved hole, winding up, paraellel, infusion and open crossroad. Various bridges and lounge halls are placed on the ground and air both. Here, an impetus of Horizon meets a craver of vertical force and become a constellation of affinity. a Promenade d Front Chamber
b Embracing Penetration e Auditorium
g Residence Passage j Sky Bridge
I
II
II. Box Hole
III. Winding Up
Carved hole on the residence strip grants sky lounge to residents. Bridge connecting sports.
Strips meet the main premonade with winding up. Arena can accomodate various activities.
a
c
f
d
b
a
IV. Paraellel
V. Infusion
VI. Open Crossroad
Although they apart each other, halls and bridges connect each other, controlling programs.
Sports museum infuse residence lounge in with organic shape, controlling privacy of residents.
Two axises are superimposed with open sight. Each bridge has different orientation.
e
c Sky Box
k
e
h
f Gallery Entrance
h Shopping Mall Skyway
k Sports Museum
III IV V VI
I. Transfixion Bridge acrosses through two strips, embracing them and landing on the main premonade.
l Sky Bridge
Residence Strip Housing
Meditation Forest
Lounge
Grand Terrace
Dining
Auditorium
Sky Box
Commercial Strip Hspital
Resturant
Shopping Mall
Pop-Up Store
Exhibition Gallery
Sports Strip Running Track
Small Courts
25
Swimming Pool
Hall
Basketball Court
Residence Passage
Sports Museum
l
Whirling Strips I Sports Citadel In Sports, there are people. They interact and share there feeling through there flesh and blood. That kind of noble ritual needs each other. So does archicture. They need each other feel closer. A tree alone stood on heel will wither someday. So I whipped these programs to become closer there pristine essence. Spaces come aross each other to interact and nourish themselves. Not only cross on land, but also in the air.
15 11
17
12 10
16
18 1
5
3
13
2
8
19
14
9
Acrossing different strips, connecting bridge go toward the main arena. By embracing them, the bridge lands on the main premonade.
4
7
Ground Floor Plan 1 Player Room 2 Media Zone 3 Player Entrance 4 Arena Entrance / Kiosk 5 VIP - Welcome Zone 6 Housing 7 Meditation Forest 8 Dinning 9 Sports Museum 10 Hospital 11 Restaurant 12 Shopping Mall 13 Pop-up Zone 14 Exhibition 15 Courts 16 Pool Entrance 17 Sunken Auditorium 18 Basement Parking Entrance 19 Mechanical 20 Parking Lot
0
25 50
100
6
20
The new program system of the physical body has become more flexible and orderly. People can naturally experience multifarious states : From alone to gathering. They can have multiple choices to visit and enjoy with whirling strips.
200 m
26
04
THE KINETIC FRAME Dismantled Barrier
2nd Floor Plan
Year : 2019 . 09 - 2019 . 12 Location : Seoul, Korea Type : Multi-use & Building Reuse Instructor : Fabio Daccaro, Taek Hong Category : Academic Work Role : Individual Work
Repair shop Gallery Crafthouse Pop-up Store Rental Studio Restaurant Studio Coffee Shop
What building is need for Jong-Ro? Especially, themarket is not just a traditional market but old instunment market. As an architect, do we have to make a space with a great atmosphere? At least is there any fascinating space for that kind of market existing? In addition, the project is not just a typical building but a re-use project of old retail building. Even from starting, there are no any flashing intuition or inspiration for beautiful architecture. Everything seems like problem, devastated, and feels like there are no hopeful blueprint for this site. But what if change a point of view a little bit. There is no need to provide beautiful masterpiece for withered market street. Maybe they need a little more sanitation solution, a little more broad street, and the place for people. The place where people are entangled from here to there, where unexpected encounter or event happen just like in our real life, where activities of people pop-up everywhere. That’s what I want to accomplish.
4th Floor Plan Rental Studio Exhibition Artlier Private Institution Workspace Music Gallery
Let’s explain more simply. Why the place is important? It seems that the power of space is become weak more and more. It’s only existing in the architecture. When space face the real world, real people’s activities, It’s initial pure lose its color. People’s act are so many, so unpredictable, so changable. There is no garantee that the need in today will be same in the day after tommorrow.
7th Floor Plan Artlier Rental Office Administration Housing
27
Dismantling Urban Barrier Placing on the crossing point of three urban waves, Nak-Won market acts as an urban barrier for blocking pedestrian axises. This old and traditional building has been told to have a historic value, only to be beliying the truth that it hinder urban flourish. There are two important reason for this phenemenone. First, the building is built on a roadway, covering the road above. As a result, it cause not only a constant traffic jam but also a divorce between urban blocks. Second, the mass of building is huge. Because its shape forms along the street, the building itself act as a wall. Now, the solution is simple. Dismantle the wall.
Existing
Dismantling
Shuttle
Premonade
Kinetic Frame
Urban Wave From Jong-Ro Avenue
Nak-Won Market / Apartment
Chung-gye River Myung-dong
Funnel
Bosin Temple
Traditional urban central since Joseon dynasty is now fully commercialized. Filled with offices and retails.
Jong-ro Avenue
Tap-gol Park
Gran Seoul
Nak-Won Market has unique charactorstic in its spatial organization and interacting with surroundings. 1. On ground level, the building consists of only piloti structure which is used for driveway. This is an obstacle for pedestrian. 2. The building locates in between urban blocks, following the shpae of street. It is an urban deadspot. 3. Contrasting this aspect, there is a strict shaped squre apartment is placed on the upper part of market. Apartment
Insa-dong
Jong-Myo
Ssamji Road Iksun-dong
Site
Culture Consumed for Commercial Desire
Kyung-Hoon School Tap-gol Gallery
Bridge
Historic places have been combusted to fit public's taste. It is recoverble though.
Market
Axis of Cultural Reminiscence
Driveway
North Village
Basic Strategy
Hallway
Urban Deadspot
Dismantling
Influx of Context
28
Combined with policies, a craving for artistic culture still remains. However, gentrification is now ongoing.
MMCA
The Kinetic Frame Designated supporting bracket and pre-fabricated wall can accomodate various programs and spaces.
Each cell has different facade, allowing multifarious atmosphere.
1. Wall Supporting Bracket 1 2 3
Cultural Cell
4
Cultural Cell Office Cell
2. Commercial Cell Steel frame Clay brick Double-glazed
3. Cultural Cell Wood frame Gypsum board Double-glazed
3. Office Cell Steel frame Gypsum board Protective facing
800
1. Garden Cell Steel frame Woodboard louver Fabric wire
2. Pre-fabricated Wall
The kinetic frame can endow revitalized modern usage to the old-fashioned plug in space, integrated with selective programs and promenade circulation.
550
5
Closed roof garden is now opened to public, integrated with premonade.
Garden Cell Commercial Cell
550
350
Spatial Program 11
00
60
0
Shared Garden
Garden
Full Occupied
Shared Courtyard Each Gardens
00
Studio
Culture Commer
Work
Vertical Stack
58
Exhibition
00
116
Area 135m2
0
Single Cell
00
Area 135m2
580
Area 34m2
58
Full Empty
2800
00
116
Cluster
2800
58
5600
2800
The main objective of the kinetic frame is embracing diverse spaces and programs from surrounding context. For the purpose, the kinetic frame is designed to be flexible sandbox. Existing structure which is the frame works for setting the grid system. By dismentling existing walls and slabs, the frame can have various spatial organization typologies, including use of garden cells. The kinetic frame can satisfy expansion in horizon and vertical both.
Multi Layers
0
60
11
Double Cell
Area 68m2
Exhibition
Food & Beverage
Culture Commer
Small Retail
Single Office
Work
Garden
Commercial
Artrium
Workspace
29
The project focus on the embracement of transition. It is nothing, can be anything. The wall is finally cave in.
Selective Section 0
5000 10000
20000 mm
+59190 +55800 +52200 +48920 +45450 +42000 +38550 +35100 +31650 +28200 +24750 +21300 +17700 +13900 +10200 +6500
The kinetic frame can endow revitalized modern usage to the old-fashioned plug in space, integrated with selective programs and promenade circulation. The main objective is embracing diverse spaces and programs from surrounding context. For the purpose, the kinetic frame is designed to be flexible sandbox. The project focus on the embracement of transition. It is nothing, can be anything. Finally, The wall is dismentled.
30
05 ASHES TO ASHES
ANTHROPOCENE TEMPORALITY
Date : 2021.12 Location : Ithaca, NY Type : Landscape Architecture & Water Treatment Facility Instructor : Jeremy Foster Category : Cornell AAP. Architecture + Discourse Role : Group Work of 4 Members
“We therefore commit this body to the ground, earth to earth, ashes to ashes, dust to dust; in sure and certain hope of the resurrection to eternal life,” Sitting within a toxic coal ash pile, a remnant of the Cayuga Coal Power Plant near Ithaca, NY, this project explores inhabitation of toxicity through a speculative provocation. The coal burning plant and the accompanying coal ash dump have caused incredible damage to the ecosystem and Cayuga Lake, and will continue to do so for the foreseeable future. As toxins are leached into the water, they infiltrate the water table and pollute Cayuga lake. Removing the ash and implementing a water-filtration system would still require decades before the groundwater would be free from ash pollution. The site will never be able to return to its pre-coal factory condition. However, by nestling a filtration system into the very pile that necessitates its existence, new potentials for the site are created as it becomes cleaner and safer. As time passes, the coal-ash pile will be removed, and safely sequestered in usable materials, revealing a monument beneath which documents the mistakes of the past, while marching on to a better future. Eventually, a constructed wetland replaces the ash pile, offering the land some semblance of safety without falsifying an untouched site. Each volume houses one step of the water filtration process. Human circulation follows the path of the water, while each space experientially explains each mode of filtration. Ashes to Ashes is a site strategy with the goal of promoting chronologically-inclusive interventions that reconnect the land to Ithaca’s ecological and social fabric.
31
Cayuga Power Plant & Coal Ash Landfill In July 2012, Cayuga Operating Company notified the Commission that it intended to mothball the facility, based on “current and forecasted wholesale electric prices in New York that are inadequate for the Cayuga Facility to operate economically.” Since then, Cayuga has been operating only through ratepayer subsidies of approximately US$4 million per month. In February 2016 the New York Public Service Commission (PSC) rejected Cayuga’s proposal for an additional US$145 million in ratepayer funds to repower the plant with coal and gas, choosing instead electricity transmission upgrades that will make the plant unnecessary. In May 2018 Cayuga Operating Company submitted an air permit modification application for the conversion of one of the plant's two burners to natural gas. After widespread public opposition, in May 2019 the Cayuga plant operator told the Lansing Town Board that the plant would be converted into a clean energy data center by 2020. The Cayuga Operating Company filed a deactivation notice with the New York Independent System Operator (NYISO) and the New York Public Service Commission (NYPSC) on June 28, 2019. The plant will be retired within 90 days of the day of filing, meaning the plant will close before October 1, 2019. The plant stopped generating power after running out of fuel on August 29, 2019, and officially retired in October 2019.
Inadequate lining underneath and atop the ash dump allows rain water to seep directly into the groundwater supply, poisoning over 92% of nearby wells. The adjacent drainage pond, filled with untreated water from the ash pile, also regularly overflows into Cayuga Lake. By repurposing the ash for use in building materials, the site can be regraded to foster the regrowth of wetlands. A water filtration system will treat the polluted groundwater at the source, and distribute it back into the aquifer and the existing stream system.
ASHES TO ASHES The incredible amount of damage done by the coal burning plant and its accompanying coal ash dump will be affecting the ecosystems of the site, the nearby properties, and Cayuga Lake for the foreseeable future. Removing the coal and implementing a water treatment facility would still require decades before the groundwater would be free from ash pollution. The site will never be able to return to its pre-coal factory condition. However, by nestling this water filtration system into the very pile that necessitates its existence, new potentials for the site are created as it becomes cleaner and safer. These objects would be memorials for the landscape that existing before the coal ash, reminders of the horrific damage people have inflicted upon the environment, and symbols of a possible pollution-free future. After analyzing the site forces, materiality, and atmospheres of the site, our team designed a site strategy with the goal of promoting chronologically-inclusive interventions. Through this process, our team was introduced to strategies that combat landscape toxicity, practiced temporally-sensitive design, and expanded our knowledge base regarding atmospherically inspired design. By negotiating the spatial requirements of a water filtration system with the site forces, our team designed a facility that is at once atmospherically provocative, environmentally supportive, and temporally sensitive. 32
Water Circulation Visitor Circulation
1
2 1. Bio-Filteration
2. Settling
3. Aeration
4 3 5
4. Filteration
Screen
Bio-Filteration
5. Distribution
Settling
Aeration
Settling
Filteration
Disinfection
Impurities Organic carbon Carbon Dioxide Methane Alkalinity Bacteria Trace Elements
Water purification is a multi-step process, each removing a specific pollutant or chemical. These steps inspired the series of spaces within the project. Simultaneously, coal ash is removed from the site to be locally re-purposed and sequestered in materials such as concrete. The volumes are composed corresponding to the filtration sequence on a slope, so that gravity can move the water minimizing the amount of energy needed to pull the water through the filtration system. Human circulation follows the path of the water throughout the facility. Each step of the water filtration process is housed in a volume that best suits the environmental requirements. These requirements also foster unique atmospheres that allow visitors to reflect both on the horror of why the facility is needed and the beauty of its cleansing ability. 33
Bio-Filteration
Bio-filtration utilizes the innate filtering capabilities of soil and plants. Stepped wells and sunlight foster a sense of tranquility.
Settling
The settling stage allows oils to float to the surface to be skimmed off, and solids to sink to the bottom. Human circulation spirals around the tank.
Aeration
The aeration stage agitates the water through a fountain system allowing harmful gases to be released. Glass encloses the interior space to protect the breathed air. This space visually presents the most dynamic movement of water, though the glass enclosure keeps it quiet. 34
Filteration
The filtration room is a multi-step process within itself. Each of the six levels of filtration target a specific element in the water. The echo of the crashing waterfalls surrounds onlookers, with slivers of light revealing the near-fit relationship above.
Distribution
Final water distribution space provides visitors the only glimpse of the outside since entering the facility. Dark except for a sliver of light from the west, and quiet except for water trickling out through the gap, this space for contemplative reflection before the final exit.
“We therefore commit this body to the ground, earth to earth, ashes to ashes, dust to dust; in sure and certain hope of the resurrection to eternal life.”
35
06
THE INTERWOVEN Architecture + Ecology
Date : 2021. 09 Location : Ithaca, NY Type : Folly Design & Building Reuse Instructor : Felix Heisel Category : Academic Work Role : Group Work of 4 Members
Starting from thinking about the traditional balcony, it is a spatial medium for one to observe the exterior from the interior. Away from this notion, this balcony folly rethinks the interior and exterior relationship and reverses the direction of visual interaction. Thus, it enables one to see the interior from the exterior from each balcony. Interior does not only mean typically enclosed spaces; instead, it exposes the hidden materiality. Repeating the interweaving typology of the materials is the method of material reuse in this approach. Primary reused materials are wood, concrete, and steel, which are structural elements hidden in the buildings. The folly exposes these materials to the exterior and creates them into various balconies. Materials and balconies are interwoven and make the sequence of views that are interwoven. This “Interwoven” folly will be even disassembled and sent to the next destination compared to lots of projects using a significant amount of energy and materials despite its short lifespans; this “Interwoven” folly will be even disassembled and sent to the next destination. The components of the folly will be utilized to modular assembly for playscape settings for the public realm. These will be turned into playground structures such as see-saw, jungle gym, swing seats, tables, and climb walls. “Interwoven” folly follows the circular economy principles that one person’s waste can be another’s resources. These environmentally conscious approaches will make us spend less and waste less and thus upcycle the materials.
36
UNBUILD.DESIGN //// ArchitecturexEcology ArchitecturexEcology UNBUILD.DESIGN ARCH7111 MS AAD Studio Module // Instructor: Felix Heisel
Material Recycle Recycle Process Process Material
ARCH7111 MS AAD Studio Module // Instructor: Felix Heisel
The Interwoven
Material Recycle Process
UNBUILD.DESIGN // ArchitecturexEcology
Material Recycle Process
Interwoven Exterior Wall Wall to to Balcony Balcony Exterior
ARCH7111 MS AAD Studio Module // Instructor: Felix Heisel
Starting from thinking about the traditional balcony, it is a spatial medium for one to observe the exterior from the interior. Away from this notion, this balcony folly rethinks the interior and exterior relationship and reverses the direction of visual interaction. Thus, it enables one to Ohjinthe Jo interior Haoyuan Wang see fromWang the exterior from each balcony. Interior does not Ohjin Jo Haoyuan Somin Lee Lee Tongbi Li Li Somin Tongbi only mean typically enclosed spaces; instead, it exposes the hidden Exterior Wall to Balcony materiality. Repeating the interweaving typology of the materials is the Ohjin Jo method of material reuse Haoyuan in this Wang approach. Primary reused materials Somin Tongbi Li Starting from thinking aboutLee the traditional balcony, it is a spatial medium for one to observe the Starting from thinking about the traditional balcony, it are is a spatial mediumelements for one to observe the are wood, concrete, which structural exterior from the interior. Awayand from steel, this notion, this balcony folly rethinks the interior andhidden exterior exterior from the interior. Away from this notion, this balcony folly rethinks the interior and exterior relationship and reverses the direction of visual interaction. Thus, it enables one toexterior see the interior in the buildings. The folly exposes these materials to one the and relationship and reverses the direction of visual interaction. Thus, it enables to see the interior from the exterior from each balcony. Interior does not only mean typically enclosed spaces; infrom the exterior from eachvarious balcony. Interior not only mean typically enclosed spaces; increates them into balconies. Materials balconies Starting from thinking aboutdoes the traditional balcony, it and is a spatial medium for are stead, it exposes the hidden materiality. Repeating the interweaving typology of the materials isone theto observe the stead, it exposes the exterior hidden materiality. Repeating the interweaving typology of therethinks materials the and exterior from the interior. Away from this notion, this balcony folly theis interior interwoven and make the sequence of views that are interwoven. method of material reuse in this approach. Primary reused materials are wood, concrete, and steel, method of material reuse in this approach. Primary reused materials are wood, concrete, and steel,
Interwoven
relationship and reverses the direction of visual interaction. Thus, it enables one to see the interior
which are structural from elements hidden from in theeach buildings. The folly exposes these materials to the exte- spaces; inthe exterior balcony. does not onlymaterials mean typically which are structural elements hidden in the buildings. TheInterior folly exposes these to theenclosed exterior and creates them into itvarious balconies. Materials and balconies are interwoven and make the stead, exposes the hidden materiality. the interweaving of the rior and creates them into various balconies. Materials andRepeating balconies are interwoventypology and make thematerials is the sequence of views that are interwoven. method of material reuse in this approach. Primary reused materials are wood, concrete, and steel, sequence of views that are interwoven. which are structural elements hidden in the buildings. The folly exposes these materials to the exte-
This “Interwoven” folly will be even disassembled and sent to the next destination compared to lots riorwill and them into various Materials and balconies are interwoven This “Interwoven” folly becreates even disassembled andbalconies. sent to the next destination compared to lots and make the of projects using a significant amount of energy and materials despite its short lifespans; this “Insequence of views that are interwoven. of projects using a significant amount of energy and materials despite its short lifespans; this “Interwoven” folly will be even disassembled and sent to the next destination. The components of the terwoven” folly will be even disassembled and sent to the next destination. The components of the This “Interwoven” folly for will playscape be even disassembled and to the next destination compared to lots folly will be utilized to modular assembly settings for thesent public realm. These will be folly will be utilized to modular assembly for playscape settings for the public realm. These will be of projects using a significant amount energy andseats, materials despite short lifespans; this “Inturned into playground structures such as see-saw, jungleofgym, swing tables, and its climb walls. turned into playground structures aseven see-saw, jungle gym, swing tables, and climb terwoven” follysuch willeconomy be disassembled andone sent toseats, the next destination. Thewalls. components of the “Interwoven” folly follows the circular principles that person’s waste can be another’s “Interwoven” folly follows thebe circular economy principles that one person’s wastefor can bepublic another’s folly will utilized to modular assembly for playscape settings the resources. These environmentally conscious approaches will make us spend less and wasterealm. less These will be resources. These environmentally conscious approaches will make us spend less and waste lessand climb walls. into playground structures such as see-saw, jungle gym, swing seats, tables, and thus upcycle theturned materials. and thus upcycle the“Interwoven” materials. folly follows the circular economy principles that one person’s waste can be another’s resources. These environmentally conscious approaches will make us spend less and waste less and thus upcycle the materials.
Concept & Strategy Concept & & Strategy Strategy Concept
401 E State St 401 E State St
Concept & Strategy
Size
Size 401 E State 7.8’x4’x8’St
7.8’x4’x8’ 25.5’x4’x8’ 25.5’x4’x8’ 40’x4’x8’ 40’x4’x8’ 55’x4’x8’ 55’x4’x8’ 90.4’x4’x8’ 90.4’x4’x8’ 115’x4’x8’ 115’x4’x8’ 143.75’x4’x8’ 143.75’x4’x8’ 263.5’x4’x8’ 263.5’x4’x8’
BALCONY ? BALCONY ? BALCONY ?
BALCONY ? BALCONY ? FLOOR FLOOR
BALCONY BALCONY FLOOR
BALCONY ?
BALCONY ? BALCONY ? BALCONY
REGULAR FORM: BALCONY - BLOCKING / INSIDE&OUTSIDE / OBSERVING REGULAR FORM: BALCONY - BLOCKING / INSIDE&OUTSIDE / OBSERVING
206 College Ave & 302 College Ave 206 College Ave & 302 College Ave
BALCONY ?
NEW FORM: BALCONY - TRANSLUCENT / FLIPPED / OBSERVED NEW FORM: BALCONY - TRANSLUCENT / FLIPPED / OBSERVED
REGULAR FORM: BALCONY - BLOCKING / INSIDE&OUTSIDE / OBSERVING
Scalability -- “Playscapes!” “Playscapes!” Scalability Scalability - PLAYSCAPE! Scalability - “Playscapes!”
# # 4 4 2 2 9 9 8 8 1 1 5 5 8 8 3 3
I-Beams I-Beams
Size
#
7.8’x4’x8’
4
25.5’x4’x8’
2
Size # Size # 36’x0.25’x1.25’ 42 36’x0.25’x1.25’ 42 40.2’x0.25’x1.25’ 45 40.2’x0.25’x1.25’ Size45 60.5’x0.25’x1.25’ 21 60.5’x0.25’x1.25’ 36’x0.25’x1.25’ 21 117.6’x0.25’x1.25’ 20 117.6’x0.25’x1.25’ 40.2’x0.25’x1.25’ 20
40’x4’x8’
9
55’x4’x8’
8
90.4’x4’x8’
1
115’x4’x8’
5
143.75’x4’x8’
8
263.5’x4’x8’
3
# 42
# 1
19.75’x1’x33.75’
1
60.5’x0.25’x1.25’
21
21.75’x1’x40.45’
1
117.6’x0.25’x1.25’
20
CMU Blocks CMU Blocks
Steel Roof | Corrugated Metal Sheet
26’x1.5’x3.5’ 8 36’x1.5’x3.5’ 61 36’x1.5’x3.5’ 61 Size 38.5’x1.5’x3.5’ 25 38.5’x1.5’x3.5’ 26’x1.5’x3.5’ 25 46.5’x1.5’x3.5’ 95 46.5’x1.5’x3.5’ 36’x1.5’x3.5’ 95 54’x1.5’x3.5’ 104 54’x1.5’x3.5’ 38.5’x1.5’x3.5’104 60’x1.5’x3.5’ 34 46.5’x1.5’x3.5’34 60’x1.5’x3.5’ 68’x1.5’x3.5’ 2 54’x1.5’x3.5’ 2 68’x1.5’x3.5’ 75’x1.5’x3.5’ 97 60’x1.5’x3.5’ 97 75’x1.5’x3.5’ 91’x1.5’x3.5’ 75 68’x1.5’x3.5’ 91’x1.5’x3.5’ 75
Wood Studs & Rafters Wood Studs & Rafters
CMU Blocks
#
Size
# 206 CollegeSize Ave & 302 College Ave 26’x1.5’x3.5’ 8
45
Steel Roof | Corrugated Metal Sheet Steel Roof | Corrugated Metal Sheet I-Beams
Size # Size # 18.2’x1’x31.75’ 1 18.2’x1’x31.75’ 1 19.75’x1’x33.75’ 1 19.75’x1’x33.75’ 1 Size 21.75’x1’x40.45’ 1 21.75’x1’x40.45’ 1 18.2’x1’x31.75’
75’x1.5’x3.5’ 91’x1.5’x3.5’
# 8 61 25 95 104 34 2 97 Wood Finishing 75Wood Finishing
Wood Studs & Rafters
Size Size 4’x0.25’x42’ 4’x0.25’x42’ 10’x2.5’x96’ 10’x2.5’x96’ Size 10’x2.5’x77.6’ 10’x2.5’x77.6’ 4’x0.25’x42’
# # 27 27 4 4 # 4 4 27
# Size # Size 1 13.5’x6.5’x69.5’ 1 13.5’x6.5’x69.5’ 26.625’x6.5’x53.875’ 1 26.625’x6.5’x53.875’ # 1 Size 1 31.25’x6.5’x69.75’ 31.25’x6.5’x69.75’ 1 1 13.5’x6.5’x69.5’
10’x2.5’x96’
4
26.625’x6.5’x53.875’
1
10’x2.5’x77.6’
4
31.25’x6.5’x69.75’
1
Fire Escape Stairs Steel Gratings Fire Escape Stairs Steel Gratings
Wood Finishing
Fire Escape Stairs Steel Gratings
NEW FORM: BALCONY - TRANSLUCENT / FLIPPED / OBSERVED
Embodied Cabon Calculations Calculations Embodied Cabon Embodied Carbon Calculation Embodied Cabon Calculations Steel | I-Beams Steel | I-Beams
0.21 m³
Steel | I-Beams0.21 m³
3.26% 3.26% Volume Volume Percentage Percentage
0.21 m³
3333.4 kgCO2 3333.4 kgCO2
3.26% Volume Percentage
42.79% 42.79% Total Total Carbon Carbon Emission Emission
42.79% Total Carbon Emission
Steel | Fire Escape Stairs Steel Gratings SteelStairs | Fire Escape Stairs Steel Gratings Steel | Fire Escape Steel Gratings 738.84 kgCO2 0.06 m³ 0.06 m³
1.01% 1.01% Volume Volume Percentage Percentage
0.06 m³ 738.84 kgCO2
0.56% 0.56% Volume Volume Percentage Percentage
9.49% Total Carbon Emission
Emission Emission
0.56% 22.43% Volume 22.43% Total Percentage Total
Carbon Carbon Emission Emission
1431.55 kgCO2
51.18% 51.18% Produc�on Produc�on Carbon Carbon Emission Emission
51.18% Produc�on Carbon Emission
441.18 kgCO2
9.49%
1747.47 kgCO2 1747.47 kgCO2
1431.55 kgCO2 1431.55 kgCO2
738.84 kgCO2 441.18 kgCO2 441.18 kgCO2
1.01% 9.49% Total Volume Total Carbon Percentage Carbon
SteelMetal | Corrugated Steel | Corrugated Sheets Metal Sheets 0.04 m³ Steel | Corrugated Metal Sheets 0.04 m³ 0.04 m³
3333.4 kgCO2
1747.47 kgCO2
22.43% Total Carbon Emission
37
15.77% 15.77% Produc�on Produc�on Carbon Carbon Emission Emission
247.71 kgCO2 247.71 kgCO2
8.86% 8.86% Produc�on Produc�on Carbon Carbon Emission Emission
15.77% Produc�on Carbon Emission
247.71 kgCO2
8.86% Produc�on Carbon Emission
168.42 kgCO2 168.42 kgCO2
168.42 kgCO2
Wood | Wood Studs & Rafters Wood | Wood Studs & Rafters
16.92% 16.92% 16.92% Construc�onConstruc�on Construc�on Carbon Carbon Carbon Emission Emission Emission
29.14 kgCO2
29.14 kgCO2 29.14 kgCO2
112.79 kgCO2 112.79 kgCO2
39.05% 39.05% Volume 39.05% Volume Percentage Volume Percentage Percentage
12.13% 12.13% Total 12.13% Total Carbon Total Carbon Emission Carbon Emission Emission
4.03% 4.03% Produc�on 4.03% Produc�on Carbon Produc�on Carbon Emission Carbon Emission Emission
0.44 m³ 0.44 m³ 0.44 m³
259.81 kgCO2 259.81 kgCO2 259.81 kgCO2
104.97 kgCO2 104.97kgCO2 kgCO2 104.97
6.77%6.77% 6.77% Volume Volume Volume Percentage Percentage Percentage
3.34% 3.34% 3.34% Total Total Total Carbon Carbon Carbon Emission Emission Emission
2.52 m³
54.91% 54.91% Construc�on54.91% Construc�on Carbon Construc�on Carbon Emission Carbon Emission Emission
51.9 kgCO2 51.9 kgCO2 51.9 kgCO2
944.7 kgCO2 944.7 kgCO2
2.52 m³ Wood | Wood Studs & Rafters 2.52 m³
Wood | Wood Floorings | Wood Floorings WoodWood | Wood Floorings
Concrete | CMU Blocks - Recycled Concrete Aggregate Concrete | CMU Blocks - Recycled Concrete Aggregate 3.19 m³ 765.18 kgCO2 Concrete | CMU Blocks - Recycled Aggregate 3.19 Concrete m³ 765.18 kgCO2 3.19 m³
9.50%
Construc�on 9.50% 9.50% Construc�onCarbon Construc�on Emission Carbon Carbon Emission Emission
944.7 kgCO2
49.35%
Volume 49.35% 49.35% Percentage Volume Volume Percentage Percentage
765.18 kgCO2 9.82%
Total 9.82% 9.82% Carbon Total Total Emission Carbon Carbon Emission Emission
112.79 kgCO2
3.75% 3.75% 3.75% Produc�on Produc�on Produc�on Carbon Carbon Carbon Emission Emission Emission
459.11 kgCO2
459.11 kgCO2 459.11 kgCO2 16.41%
Produc�on 16.41% 16.41% Carbon Produc�on Produc�on Emission Carbon Carbon Emission Emission
1.98 kgCO2 1.98 kgCO2
1.98 kgCO2
0.64% 0.64%
Construc�on 0.64% Construc�on Carbon Construc�on Carbon Emission Carbon Emission Emission
20.82 kgCO2
20.82 20.82kgCO2 kgCO2
6.79% 6.79% 6.79% Construc�on Construc�on Construc�on Carbon Carbon Carbon Emission Emission Emission
34.43 kgCO2
34.43 kgCO2 34.43 kgCO2 11.23% Construc�on 11.23% 11.23% Carbon Construc�on Construc�on Emission Carbon
Carbon Emission Emission
UNBUILD.DESIGN
// ArchitecturexEcology ARCH7111 MS AAD Studio Module // Instructor: Felix Heisel
Reversible Construction Reversible Connection Details Detail
Deconstruction
Ohjin Jo Somin Lee
ny
lco
Ba
Haoyuan Wang Tongbi Li
B
01
09
Ba
lco
ny
Joint 1
C
02
Joint 2
Wood Structure
Interwoven Exterior Wall to Balcony
ng
ori
Flo
06
er
dd
La
”x
am
02
Be
.A
yp dT
o Wo
.5 B2
ort
pp
10”
Su
07
03
yA
n lco
Ba Ga
bio
01
nW all
ny
lco
Ba
03
A Me
tal
Joint A
Flo
04
Joint B
ori
ng
10 08
Ba
.B
yp dT
o Wo
ny
lco
n
lco
Ba
yE
am
Be
A1
”x .75
eam
5”
I-B
3.7
D
”
4
8 ”x
02. D DE LO
P
EX
05
07
Joint A
01. W IE LV
Joint I
38 Section North-South
10
Joint II
Mixture
09
04
East-West Section
08
Joint B
L
RA
E OV
06
Joint B
Steel Structure
05
Joint A
This “Interwoven” folly will be even disassembled and sent to the next destination compared to lots of projects using a significant amount of energy and materials despite its short lifespans; this “Interwoven” folly will be even disassembled and sent to the next destination. The components of the folly will be utilized to modular assembly for playscape settings for the public realm. These will be turned into playground structures such as see-saw, jungle gym, swing seats, tables, and climb walls. “Interwoven” folly follows the circular economy principles that one person’s waste can be another’s resources. These environmentally conscious approaches will make us spend less and waste less and thus upcycle the materials.
East - West Section East-West Section
North - South Section North-South Section
Corrugated Metal Floor Decking Panels Steel Grating Panels
Reused Wood Joist Wood Clamp Beam Fastener
Stainless Steel C Clips 1-1/2” x 3-1/2” Reused Plywood Stud Metal Pipes for Gabion Baskets
4”x 8” Steel I-beam
Recycled Concrete Aggregate (RCA)
39
Joint II
Mi
Joint I
INTERLACING HIDDEN STRATA & PHASES
40