Design Portfolio - Johnson, O

O LI VIA

JOH NSON

I N T ER IOR DE SIG N P OR TF OLIO V I RG I N I A TEC H 2 02 0 - 2 02 1

TA B L E O F C O N T E N T S

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04 — 13

The NEXT Hub

14 — 19

CHARM RECORDS

20 — 25

Pit Stop

26 — 29

The Compass

30 — 33

Additional Work

post-covid office

stadium skybox

basic needs shelter

light fixture design

KSA Interiors internship hand sketches marker renderings

Page 0 5 of 3 4

THE EXT HUB tech company office location: Atlanta, Georgia individual project | Fall 2020 F INISHE S SELE C TION

N E X T Hu b , a t e c h n o l o g y c o m p a n y, i s l o c a t e d i n At l a n t a , Georgia. Known for its cosmopolitan and fast-paced lifest yle , Atlanta invites many visitors with its diverse cultural attractions. One of the many top sights include the Georgia Aquarium, the largest aquarium in the western part of the world.

The technology company is inspired by the formation of a pearl, where in that process a grain of sand (or new a n d u n k n o w n s u b s t a n c e ) e n t e r s t h e o y s t e r. I n r e s p o n s e , the oyster builds up layers of calcium carbonate around the element which forms something of value and b e a u t y, t h e p e a r l . T h e p e a r l f o r m a t i o n i s r e f l e c t e d i n the philosophy and culture of NE X T Hub where different ideas and perspectives are embraced to bring together t r e asu r e d c o nt r i b u ti o ns to t h e c o m p a n y ’s su c c e s s .

The design of NE X T Hub intends to draw inspiration of the concentric layering form and structure of an oyster as well as embody the value and beauty given to the space. The tex tures and materials selected for the space highlight tone and shadow that is reflected in the appearance of a pearl. The color selection is inspired by the natural pearl colors of white, beige and cream with ex tended hues of pink , orange, and blue.

MEETING SPACE

1

5 spac e t y p ologies create a

SOCIAL SPACE

in the workplac e

N.I.C RESOURCE + SUPPORT DN

8 FIRST LEVEL SPACE TYPOLOGY

7

N.I.C

8

2 3 4

4

5

FIRST LEVEL FLOOR PLAN NTS

FIRST LEVEL PARTI DIAGRAM

INSPIRATION IMAGE OUTSIDE SHELL STRUCTURE OF OYSTER

tailore d e xp erienc e

6

1

RECEPTION + LOWER ENTRY

5

PRIVATE OFFICE

2

IN-BETWEEN SPACE

6

PROJECT TEAM SPACE

3

MEDITATION ROOM

7

RESOURCE CENTER

4

QUIET ROOMS

8

PUBLIC RESTROOMS

IN-BETWEEN SPACE

REJUVENATION SPACE

env ironment

Page 0 7 or 3 4

WORKSPACE

MEETING SPACE

6

t y p ologies create a

11

SOCIAL SPACE

RESOURCE + SUPPORT

3 SECOND LEVEL SPACE TYPOLOGY

7 10 4

2

10 8

12

9 5

NTS

5

5

5

5

1

MAIN RECEPTION + LOBBY

7

CLASSROOM

2

VIDEO CONFERENCE

8

OPEN OFFICE

3

INSPIRATION SPACE

9

WORK CAFE

4

PRIVATE ENCLAVES

10

MEETING SPACE

5

PRIVATE OFFICE

11

OUTDOOR PATIO

6

PROJECT TEAM SPACE

12

RESOURCE CENTER

SECOND LEVEL PARTI DIAGRAM

INSPIRATION IMAGE INSIDE SHELL STRUCTURE OF OYSTER

tailore d e xp erienc e in the workplac e

1

SECOND LEVEL FLOOR PLAN

5 spac e

LOBBY

REJUVENATION SPACE

env ironment

Page 0 9 of 3 4

WORKSPACE

Page 11 of 3 4

MAIN RECEPTION

INSPIRATION ZONE

Philips TrueLine direct/indirect suspended linear pendant XAL MINO 60 direct/indirect suspended linear pendant Custom Light surface mounted diffused luminaire

SECOND LEVEL RCP NTS

Flos IC S1 pendant light

Flos Aim pendant light

Focal Point ID+ 2.5” recessed downlight

Supply

Fluxwerx Portal 5.5” pendant light

Return

INSPIRATION ZONE SECTION VIEW NTS

Page 13 of 3 4

OPEN OFFICE

PRIVATE ENCLAVES

POST-PANDEMIC WORKPLACE GUIDELINES Physical Distancing

OPEN OFFICE ELEVATION NTS

WORK CAFE ELEVATION NTS

The op en o ff ic e spac e ac c ommo date s four te en

Work c afe that create s a d y namic ,

emplo y e e s wi th p e rs onal storag e spac e,

multi-func tional hub, where

ac c e s s to natural daylight, and physical

emplo y e e s have a plac e to eat , me e t ,

barrie rs b e t we en indi v iduals wi thou t s acri f ic ing

fo cus , and c ollab orate . Spac e s in

c omfor tab ili t y. O ffic ebrick mob ile p o ds are

the work c afe zone include s high top

lo c ate d wi thin the op en o ff ic e for eas y transi tion

seating , a small me e ting ro om, and t wo

to a di fferent work mo de .

p er son fo cus area.

furni ture arrangement must pro v ide

De ns i t y

ade quate distanc ing to ac c ommo date

enc ourage phy sic al distanc ing o f at

p er sonal sphere

least 6 fe e t

Circulation Patte rns

Ge ometr y

s afe c irculation through and around

arrange and re - orient work stations

share d spac e s c an b e addre s se d

away from a standard linear

through ade quate wid th, dire c tional

approach

traff ic or addi tional shie lding Di v ision Spatial Contex t under standing spatial c onte x t is re quire d to adapt and de sign share d spac e s to sol ve for phy sic al distanc ing and c irculation patterns

add scre ens or pane ls e sp e c iall y when phy sic al distanc ing is not p o s sible

Page 15 of 3 4

stadium skybox location: Springfield, Ohio individual project | Fall 2020 F INISHE S SELE C TION

C ontemp orar y R&B music f ir st emerge d in the U.S. earl y 1980s. It has evolved from traditional rhy thm and blues with elements of soul, funk , and pop.

Th e d ri v i n g c o n c e p t is b as e d u p o n r i ffs a n d r u ns , a vocal signature in contemporar y r&b music, that is carried out to deepen the emotion and expression in a song. Understanding the note patterns of vocal riffs and runs guided the spatial organization of the stadium skybox .

The design of the stadium skybox , Charm Records, is i n sp i re d b y Jo h n L e g e n d . L e g e n d ’s c re at i v e p ro c e s s i s about finding the music and chords first and then letting t hat d ri v e t h e l y ri c s . Im i t at i n g L e g e n d ’s p ro c e s s i n sp a c e plan, guests will arrive in intimate social spaces - small lounge, high top seating, and booth seating. As guests have settled in, they will experience more open spaces that highlight moments of conversations among one a n o t h e r.

The use of color and sustainable finishes derives from L e g e n d ’s m i n i m a l i st a n d s i m p l e fash i o n s t y l e . Th e c o l o r pink is seen at the entrance and continued in different parts of the space to create sense of unity. It also re p re s e n t s t h e l o v e a n d ro ma n c e i n L e g e n d ’s s o n gs .

SMALL LOUNGE

5 4

FIRST LEVEL PARTI DIAGRAM

2

3

N.I.C

N.I.C

10

6

VIEWING PLATFORM

2

HIGH TOP SEATING

7

CATERING KITCHEN

3

BOOTH SEATING

8

STORAGE

4

ENTERTAINMENT + BAR

9

COAT CLOSET

5

MAIN LOUNGE

10

UNISEX RESTROOM

MANUFACTURER

Arper

Andreu World

Arper

Davis Furniture

COLLECTION

Loop - Modular

Rhonda

Colina

Luca

SUSTAINABILITY

GREENGUARD Gold

ISO 14001 Environmental Mgt. System Level 2 Certified FSC Certified

Recycled content

Level 1 Certification Indoor Advantage Gold

FURNITURE TAG

L-1

BS-1

L-2

T-1

9

7

8

SMALL LOUNGE

1

FURNITURE IMAGE

FIRST LEVEL FLOOR PLAN NTS

OPEN TO BELOW

1

5

1

RESIDENTIAL SLEEP SPACE

5

RESIDENTIAL LOUNGE

2

RESIDENTIAL CLOSET

6

STUDIO A

3

RESIDENTIAL BATH

7

STUDIO B

4

CONFERENCE AREA

8

MINI BAR

SECOND LEVEL PARTI DIAGRAM

2

4

N.I.C

N.I.C

6 3

SECOND LEVEL FLOOR PLAN NTS

7 8

MANUFACTURER

Andreu World

COLLECTION

Flex Corporate

Sachet

Inform

Arlo

SUSTAINABILITY

ISO 14001 Environmental Mgt. System Level 2 Certified

Level 1 Certified Indoor Advantage Gold

Level 1 Certified Indoor Advantage Gold

Indoor Advantage Gold Contribute to LEED and WELL Recycled Content Red List Free

FURNITURE TAG

CH-2

CH-3

T-2

L-3

FURNITURE IMAGE

Davis Furniture

High Tower

Page 1 7 of 3 4

6

1

Page 19 of 3 4

HIGH TOP SEATING

The name Charm R e c ords is deri ve d from the origin o f John L e gend ’s name . Originall y name d, John Stephens , L e gend was c alle d ‘ the L e gend ’ for his old scho ol charm vo ic e .

The lo go de sign c onsist s o f the le tter s ‘C ’ and ‘R ’ and forme d to ge ther to what app ear s to b e repre sente d as a music note .

LOGO DESIGN

The custom shap e o f the bar draws from the par ti d iagram which is a simple vo c al ri ff and run note patte rn. The e x tende d bar c ounter top allows for plent y o f seating for large so c ial gathering.

Attache d to the bar is a buil t-in b o oth seating on the opp o si te side which will pro v ide for a more intimate so c ial gathering.

CUSTOM BAR

ENTERTAINMENT + BAR

Page 2 1 of 3 4

PIT STOP basic ne e ds she l ter lo c ation : R oanoke , VA group pro je c t wi th Haile y Patter son | Fall 2 01 9

Pit Stop is a basic needs shelter for people experiencing homelessness in Roanoke, Virginia. The design of the shelter draws inspiration from the Virginia Museum of Tra ns p o r tati o n , wh i c h p la y e d a s i g n i f i c a n t ro l e a n d i m p o r t a n c e to t h e c i t y o f R o a n o ke ’s g ro w t h. In t h e s a m e perspective, the shelter will provide guidance to each i n d i v i d u a l ’s o wn j o u r n e y o f g r ow th t h ro u g h s e r v i c e s a n d resources.

The shelter is designed for all individuals from various walks of life with hope and comfort in mind. It is critical to ensure that people using the space have a sense of privacy, dignity and independence in order for them to thrive.

The finishes and color selection derives from the natural landscape of the railroads in the Roanoke area. Contrast of materials and tex tures parallel to the rough foundation of the land and smooth rail tracks.

OUTDOOR PATIO

KIDS PLAYGROUND

KIDS AREA PET PARK

PET AREA BATHROOMS

ADMIN AREA

JANITOR

SHOWERS WAITING AREA

LAUNDRY RECEPTION + ENTRY

BLOCK DIAGRAM

SHOWER SUPPORT LOCKERS

PARTI DIAGRAM

F INISHE S SELE C TION

B ATH R O O M 10

grab bar s

8

ADA bath sink

9

7

changing station 6

4

12

non- slip f lo or

5

2

SHOWER

3

le ver do or handle non- slip f lo oring 1

ADA bath sink

11

FLOOR PLAN

handhe ld shower head

NTS

1

RECEPTION + ENTRY

5

SHOWERS

9

PET PARK

2

SALON + WAITING AREA

6

PET AREA

10

OUTDOOR PATIO

3

LAUNDRY

7

KIDS AREA

11

LOCKERS + COFFEE BAR

4

BATHROOMS

8

KIDS PLAYGROUND

12

ADMIN AREA

zero -thre shold shower w/ grab bar s and seat

grab bar s

Page 2 3 of 3 4

B ARRIER-F REE DE SIG N

319

p e ople e xp erienc ing home le s sne s s on a gi ven night in the R oanoke re gion.

3 8% B la ck 51% Whi te

11 % L ati no

Top 5 Reasons for Homelessness

ABOVE | RECEPTION + LOBBY

1

i nsu ff i c i e nt inc om e (1 7.5%)

4

f le e ing dom e stic v iolenc e (11.4%)

2

sub sta n c e use (1 5 . 8% )

5

heal th is sue s (7 %)

3

fa mi l y c onf lic t / s ep a rati on ( 14 .9 % )

ABOVE | KIDS AREA

BELOW | KIDS PLAYGROUND

Experiential Research | Rescue Mission in Roanoke, Virginia Pe ople wi th p e t s have ac c e s s to the p e t supp or t area that include s temp orar y housing and bath/shower stalls . There fenc e d-in backyard for p e t s .

digni t y and indep endenc e

PET AREA

L o cker s are pro v ide d to store and se cure

temp orar y c omfor t

p e rs onal b elongings during the day when indi v iduals are ou t side the she l ter.

C o ffe e and tea station is lo c ate d near

clear way f inding

the entr y to pro v ide a sense o f c omfor t up on arri val.

LOCKERS + COFFEE AREA ELEVATION

supp or t and re sourc e s

ke y t akeaway s

is eas y dire c t ac c e s s to a de signate d

Page 25 of 3 4

Households Experiencing Homelessness (2019 HUD report)

bus she l ter light f i x ture de sign indi v idual pro je c t | Spring 2 02 0 submi tte d to R ob er t Bruc e Thomp son L ighting De sign C omp e ti tion

T h e c o n c e p t ‘c o m p a s s ’ r e p r e s e n t s t h e b u s p a s s e n g e r s getting from location A to location B and at times, back to L o c at i o n A . R e ga rd l e s s o f e a c h p as s e n g e r ’s p at h of travel, they are all moving in a directionality of f o r w a r d n e s s . To a c h i e v e t h e d e s i g n o f t h e l i g h t f i x t u r e , the fix ture ser ves as a functional element to enhance the space of the bus shelter both during the day and t h e e v e n i n g. Th e g o a l i s to e l e vate t h e i n d i v i d u a l ’s experience to his or her journey at the bus shelter rather t ha n i t b e i n g a t y p i c a l wa i t i n g p la c e f o r t h e b us ’s a rri va l.

The light source is located under the fix ture, which i l l u m i n a t e s t h e b u s s h e l t e r. T h e e y e s a r e d r a w n u p t o the light source which creates a greater connection of b e i n g u n d e r t h e s a m e s k y , w h e t h e r n e a r o r a f a r. T h e s a m e action of drawing the eyes up parallels back in histor y when sailors would look up at the stars to help guide t h e i r j o u r n e y.

The curved LED light profile is connected by a suspension rod that is mounted to the top of the bus s h e l t e r. T h e l u m i n a i r e u t i l i z e s s o l a r p o w e r t h r o u g h t h e photo-voltaic panels placed on the shelter roof.

Page 2 7 of 3 4

The Compass

susp ension ro d

3’ - 0” lighting pro f ile

TOP VIEW

ISOMETRIC VIEW

LED light sourc e lo c ate d under the lighting e lement . The f i x ture is p owere d through the susp ende d c able which attache s to the LED pane l. The main p ower sourc e for the f i x ture are the solar pane ls on top o f the bus she l ter.

On non- sunny day s , the light s use the store energ y from the batter y.

ELEVATION - DAY

LED dri ver

rigid susp ension ro d

LED strip lighting aluminum frame

p ol y c arb onate lens - 1/8” MATERIAL STUDY MODELS

ELEVATION - EVENING

DETAIL SECTION

Page 2 9 of 3 4

3’ - 0”

Page 31 of 3 4

KSA Interiors Internship Space planned and selected material options for United Real Estate coworking space. The client wanted the design of the space to be collaborative and bring in a sense of community into the workplace.

WORKROOM

TELLER AREA

1011

1002 VAULT

1003

TOILET

1009

JAN CLOSET 1010

VESTIBULE

1008 LOBBY

HP PRIV CUBE

1001

1004

PRIV CUBE 1013

TELEPHONE CLOSET 1015

Room 1014

COAT CLOSET

1012

OFFICE

OFFICE

1007

1006

BOARD ROOM VEST.

1000

1005

EXISTING PLAN NTS

F INISHE S SELE C TION

9

2

3

UNISEX BATH

RECEPTION

2

OPEN BENCHING

3

COLLABORATIVE SPACE

4

WORK CAFE

5

IN-BETWEEN SPACE

6

PRIVATE OFFICE

7

MEETING ROOM

8

CONFERENCE AREA

9

OUTDOOR PATIO

6

DATA

4 W.C.

1

JAN. CLOSET

6 5

7 1

6

6

8

FURNITURE PLAN NTS

DEMO PLAN NTS

Marker Rendering

Selected hand sketches from a range of basic spatial studies, material and tex ture studies, perspectives, and urban sketches.

Selected works from a range of conceptual to finished interior including furniture and material stimulations.

Page 3 3 of 3 4

Hand Sketches

LAYERING STUDIES

Giacometti Drawing Not Held by Gravity | Spatial Perspective

CUBE RENDERING STUDIES

Interior View | One Point Perspective

Urban Sketch | Two Point Perspective

Paper Bags | Composition Study

MATERIAL STIMULATION Fabric | Material & Texture Study

INTERIOR RENDERING

THAN K

YO U

email

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linkedin

o l.j o hnso n52 @g mail.c om

80 4 . 9 08.8 515

www.lin ke d in.c om / in /oljohnso n 52 /