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T H U R S D AY, F E B R U A RY 3 , 2 0 1 1
VOL. 94, NO. 19
“Covers the campus like the magnolias”
Greeks handle change Efforts rejuvenate Deacon Blvd. Student Life, said. “It was a long, grueling process where we had to investigate and hold hearings for 10 separate Greek organizations.” According to Hirst, the Office of Judicial Affairs and several other administrators interviewed over 100 students in order to piece together what had occurred during the weekend of Pledge Night. After Graphic by Amanda Barasha/Old Gold & Black the investigations in early February, Judicial Affairs informed organizations of their respective charges and held panel hearings with their executive members and faculty advisers. “The charges were fairly conBy Calais Zagarow and Patrick Kelly sistent, but there was variance in Staff writers every group regarding the level and scope,” Hirst said. “It was consistently After the Greek community aiding and abetting, underage consumpfaced a moment of crisis just tion and hazing. Yet, every group and every one year ago, it seized the circumstance was unique.” opportunity to prove Hirst recalled that some of the organizathat students can play tions that had hearings did not see anything just as responsibly as wrong with their behavior or the fact that they work. their members were in danger as a result of The spring 2010 semestheir activities that night. ter was a period of real“Working with groups like that didn’t feel ization for the univervery collaborative, but the sentiment was sity. In January, largely dependent on the understanding the tradition of of the leaders within the organization Pledge Night on the severity of the event and magat the Millennitude of what could have happened,” nium Center reached Hirst said. “We could have seen student an unprecedented level of chaos and danger. In April, a junior deaths, and we were lucky not to.” member of Sigma Chi was nearly killed in However, for the most part, Hirst noted a hit-and-run while attempting to leave an how the judicial process seemed to be a off-campus party. cooperative one with the student leaders “All of this was a wake up call,” Ken Zick, accepting responsibility for their mishaps vice president of Student Life, said. “The and preparing to move toward improving events of last spring certainly do not rep- Greek and campus culture as a whole. resent who we are as a community. And it “The framework of our judicial system wasn’t just Greek life; it was off-campus and the fact that we were able to have a housing, the safety of students being off- diverse panel hearing the cases is reflective campus and partying at other locations. of the university’s commitment to helping It’s a larger question of how to provide safe the Greek organizations,” Hirst said. and healthy activities that draw students Senior Connor Swarbrick, the former to campus.” president of Pi Kappa Alpha fraternity, feels In order to accomplish this, the admin- as though the changes occurring in Greek istration and students opted to declare a life are positive despite the harsh sanctions cultural revolution on campus. However, that his chapter received. before the university could rebuild the com“The university restricted us from having munity, it had to diagnose the student body a spring 2011 pledge class, but we have and use its judicial process to purge it of a great group of interested guys who are whatever disease had infected student life. determined to stick with us,” Swarbrick said. “Last spring was really spent adjudicating “It says a lot when you can find a group of the behaviors that we saw on the weekend of Pledge Night,” Steve Hirst, director of See Greek, Page A2 This article appears as the third in a four-part series that addresses the dialogue and changes surrounding the university’s drinking culture. These features cover the following topics: • Jan. 20: An investigation into last year’s Pledge Night and progress for this year (Appeared two weeks ago) • Jan. 27: An examination of the events of this year’s Pledge Night (Appeared last week) • Feb. 3: An inside look at the ability of Greek organizations to cope with changes • Feb. 10: A review of the reactions from across campus
Dealing with Drinking
By Hunter Lostan | Staff writer
An asphalt desert separates University Parkway from BB&T Stadium and Joel Coliseum. On the corner of that barren patch of concrete stands a sign that reads “Tailgate Town,” welcoming visitors to a modern day ghost town where only a few functioning businesses can be spotted in the distance. But looks can be deceiving, and while students may expect to soon see dust bowls rolling down Deacon Boulevard, that stretch of asphalt is actually the location for the university’s budding land development project. The goal is to establish an eclectic village that will attract students, faculty, staff and the neighboring community, according to university officials. The village could possibly include a number of shopping and dining options, including restaurants and bars, to liven up the night scene, and retail stores and offices to promote
Clare Stanton/Old Gold & Black
The Last Resort is situated on the hub of Deacon Boulevard serving as a bar, restaurant and venue. commerce during the day. Developers are also considering the addition of a nearby residential space, which would allow people to live right in the heart of the anticipated village. Though some onlookers may be suspicious about the lack of restaurants and buildings popping up along the strip, as they say, “Rome wasn’t built in a day.” University developers are taking a careful and precise
approach to the project. “The worst thing that can happen for the university and the image of the area,” said Ken Basch, executive director of university properties, “is to begin developing buildings and then just have them sit there, vacant.” So while the patch of land may sit relatively empty for now, and while
See Deacon Blvd., Page A2
Student promotes sustainability By Hilary Burns | Asst. life editor
The newly initiated “Choose to Reuse” Campaign aims to reduce the use of plastic water bottles on campus. Senior Frannie Speer has taken it upon herself to educate the university community on the repercussions of bottled water consumption. Speer was first introduced to the concept of sustainability in a creative entrepreneurship class and realized the disposal of billions of plastic water bottles is harmful to the environment. Speer also became aware of the fact that students on campus do not drink enough water on a daily basis. “I found I was only drinking water when I was at the pit or when I bought a bottle of water at the Sundry,” Speer said. Healthy, active adults should consume one and a half to three liters of water a day, according to most respected nutrition studies. Last August, Speer brought her concerns to Dedee DeLongpré Johnston, sustainability director, who has helped with the campaign.
Speer believes having water filling stations of purified, chilled water around campus would encourage students to hydrate and use reusable water bottles. Reusable water bottles would dramatically reduce disposal rates on campus. “One in five plastic water bottles are actually recycled,” Speer said. She explained that bottles that are thrown away go into streams and rivers, thus harming the environment. S p e e r a d d re s s e d t h e common misconception that bottled water is safer than tap water when in reality, studies show it is no healthier. According to storyofstuff.org, half a billion bot-
See Bottles, Page A7
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History of Prints class curates dreams of Picasso, Goya and Miro
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Prints from three Spanish artists — Pablo Picasso, Francisco Goya and Joan Miro — grace the walls of Hanes Art Gallery. By Mandy Emma | Contributing writer Curated by Art History Professor Bernadine Barnes and fellow professor David Faber’s class History of Prints, the exhibit Los Sueños — “The Dreams” — is on display in Hanes Art Gallery until Feb. 6. The exhibition features
the artwork of world-renowned artists Picasso, Goya and Miro. A Cuban art exhibit in the fall of 2009 inspired this year’s class to feature prints by Spanish artists. Though the university possesses Picasso and Goya originals, the artwork depicted in the exhibit are high quality prints,
organized by students in the aforementioned class. Kara Peruccio talked about the time and effort that goes into organizing an exhibit. “We had recently studied Goya prints in class and felt Picasso and Miro’s works tied in with ‘The Dreams’ concept,” Peruccio
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said. The artwork is organized chronologically, from Goya to Picasso and ending with Miro. Miro’s prints occupy the center of the exhibit, each surrounded by a glass case. The glass case helps to preserve the artwork, since they are as delicate as pages from a magazine. The Picasso and Goya prints are black, white and gray while Miro’s works contain spontaneous spurts of color. The class took care to balance the shades of black and white so that the exhibition would not seem too dark or too light in certain areas. Aside from the variations of color, the artwork is ordered in a particular manner. For example, the Goya prints end with a bullfight, where the Picasso prints begin with one. “It was a great collaborative effort and my classmates and I worked really well together,” Peruccio said.
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“The class broke up into three groups to make the process more efficient. Each group worked with one printmaker to compose a collection of images representative of the artist.” Barnes explained the complex process of printmaking. Los Sueños is composed of two types of prints: lithographs and etchings. Lithography produces a picture on stone with a type of greasy or oily substance. After the substance is applied, ink impressions are taken. Etching produces a picture on a metal plate by using acid. One can clearly distinguish a lithograph from an etching by the smoothness of the line. Lithographs have broad, smooth strokes and often have the appearance of a crayon drawing. In contrast, etchings are highly detailed with thin, rough lines. In the exhibit, all of Miro’s featured works are lithographs, Picasso’s
collection contains both lithographs and etchings, and Goya’s are exclusively etchings. Many of the students had never studied print before. “The university print collection is larger than most students realize,” Peruccio said. “The prints that we had read about the night before were in our classroom the next day.” She further explained how it is a common misconception that prints are merely reproductive works, and how the three artists in the exhibition definitely show that printmaking is an art form. The prints were produced by the artists. Each artist created their own original lithograph or etching for the purpose making a print. “While it’s not as highly glorified as painting,” Peruccio said, “printmaking makes art accessible to the masses.” She urged other students to take the class.
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