July/August 2017 Omaha Home

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JULY/AUGUST 2017

ALWAYS LOCAL, ALWAYS BEAUTIFUL

HOME IS

Where the Oven Is

A FRESH

HOMEMADE KITCHEN

SANDY'S DIY

Vintage chair restoration



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OMAHA HOME opener Sandy Matson Contributing Editor, OmahaHome

W

HEN SUMMERTIME ARRIVES, my husband and I have a tradition of inviting friends and family to our lakeside property to share food, sip cocktails, and watch fireworks. Summer get-togethers would not be the same without a favorite beverage, and we thought our July/August issue would be the perfect time to incorporate a cold drink with my yearlong makeover project (to help the DIY article fit with the issue’s food theme).

H132 H105 OMAHA HOME OPENER H108 SANDY’S DIY Vintage Chair Restoration H110 SPACES

Stephen and Joy Abels’ Dream Patio

H116 NEIGHBORHOODS

The Roots of the Bryant-Fischer Family Reunion

H120 AT HOME

Home is Where the Oven Is

H126 FEATURE

The Next Generation of Family Farming

H132 ARCHITECTURE

A Fresh Homemade Kitchen

H138 HARVEST

Living with Livestock in Omaha

H146 TRANSFORMATIONS

That’s how I decided to have a friendly competition to see who can make the best pink grapefruit martini! My friend Mark Kitson, from Louie’s Wine Dive, was in for the challenge. He hosted the contest. The winning drink (mine) is featured in the photo of my project. Also inside this issue is the Abels family’s dream grill. Years of planning culminated in their perfect outdoor space for entertaining. And take a peek into owner and chef extraordinaire Nicola Shartrand’s many kitchens. We show you her personal home kitchen, where some of Omaha best pasta recipes originated, along with the story behind her newest culinary adventure. Other fun food-themed stories range from a lawyer raising livestock at his home in the Ponca Hills, to the old farmhouse that has supported generations of farmers (who drive into Omaha for farmers markets every weekend), and more. From Omaha Home to your home, we hope you have a safe and happy summer!

Sandy OmahaHome

Integrating a Sunken Bar and Sports Theater

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DIY story by Sandy Matson // photography by bill sitzmann // design by Mady Besch

BREATHING NEW LIFE INTO OLD CHAIRS s

T H E SAY I NG GOES, one woman’s trash is another woman's treasure. Last year, I struck gold with two vintage chairs that I uncovered during a thrifting trip.

The find just goes to show how little things can bring the greatest joys in life. Looking at these chairs in the thrift shop, I could already see how to revive them with a little work and creative thinking. Normally, I have a rule for thrifting: Always designate space for a piece of furniture before dragging it home. But these chairs were an exception. Home with me they came.

They sat in a spare bedroom until I decided how to incorporate them into my year-long Omaha Home room remodeling project. With this particular installment of the project, I wanted to achieve a classic look (with a little glamour added, of course). That’s where the white and gold paint came into play for the color scheme. Choosing the right fabric would either make or break the look I was trying to achieve. Just throwing any old material on them was not going to work. I wanted something timeless, classic, and durable enough to stand the test of time. I have many different pieces I’m bringing together for this entire year-long project. Each component will bring something unique stylistically to the room. Don’t be afraid to mix and match different styles and textures; it adds more interest to the room. OmahaHome

DIRECTIONS: There are several steps that you need to get right when staining or painting wooden furniture. These steps ensure that all of your hard work pays off, and you can then proudly display your piece. You cannot skip the important prepping steps.

Prepping Step 1—If you have a seat cushion on your chair, remove that first. Save the old fabric and cushion for later. Step 2—Sand the chair until you remove all the glossy finish. This will allow the paint to better adhere to the chair. Step 3—Use a tack cloth to remove all the sanded paint/material from the surface.

Step 4—Prime. I used a spray primer, which was easier to get in all of the detailed parts of this chair. Make sure each coat of primer is a light layer, almost dusting it. This way, your chair won’t suffer from paint runs. You may want to sand between coats if you are seeking a super-smooth finish. Also, using the correct paint is very important. Latex paint worked best for me. Step 5—Use your hand sponge applicator to get your paint in all the hard-to-access areas and detailed spots. Once you have done this, you can take your foam

July/August 2017 • omahamagazine.com

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roller to cover the entire piece. Go over the chair several times (or until you feel there is good coverage). Step 6—If you are doing a detailed accent color, first make sure all your paint is dry. Then tape off the selected area and use a small brush for all detail work. I used what I had on hand—gold spray paint—but I sprayed it into an old cup and dipped my brush into that. You can also buy a small bottle from a craft store if you require a smaller amount. Step 7 (optional)—Apply a top coat to seal the paint on the chair. I skipped this step and used a semi-gloss finish instead. Step 8—Now for your cushion. Remove all the old staples from your chair cushion. You can use a flathead screwdriver and then pull them out with needle-nose pliers. Once the old fabric is off, determine if you need to replace the batting material or foam cushion. Mine was still intact, so I went to the next step. Step 8—Cut out a piece of new fabric large enough that will wrap around the seat of your chair; leave about three inches of material (you will trim it off later). Or you can use the old piece of material as a template, allowing a few inches all the way around. Lay the seat cushion facedown on your material. Starting on one side, grab the material in the middle and wrap it around the cushion, pulling tightly, and place a staple in the middle.

Then do the opposite side, pulling tightly to the middle and placing a staple. Work your way around each side until you just have the corners left. Step 9—Grasp one corner of your cover and pull the point toward the center of the seat cushion, staple. Arrange the remaining unstapled corner fabric into small even pleats, pulling tightly, and staple. Repeat this until all corners are complete. Make sure you don’t staple over the screw holes. At this point, you could add a piece of liner or dust cover (a dust cover is a black fabric that is generally seen under “store bought" chairs, concealing springs, nails, staples, etc.). Adding the dust cover is optional. Step 10—Attach the cushion back on the chair, and you are done. Note: I watched several tutorials for “chair restoration" and "chair refurbishment" on YouTube before beginning this vintage chair project. I suggest doing the same video tutorial research before beginning your own project as this can be very helpful. Good luck! Sandy’s yearlong DIY remodeling series began with an introduction to the room in the January/February issue. The first of five projects, a coffee filter lamp, debuted in the March/April issue. Rustic wall vases followed in May/June. Stay tuned for the next installment. Visit readonlinenow.com to review back issues.


ITEMS NEEDED: • Two vintage chairs (or upholstered seat dining chairs), 1/2 yard fabric per seat cushion, and 1/2 lining per seat cushion • Scissors, tape measure, staple gun, staples, screwdriver, safety glasses • Sandpaper (in medium and fine grit)

• Four cans of primer (I used Rustoleum Painters Touch 2X paint and primer), two cans per chair • One quart of latex paint (I used White Dove paint from Benjamin Moore elsewhere in the room, and Home Depot staff helped match the latex paint for the chairs)

• Sponge roller • Several hand sponge applicators (different sizes) • One can gold spray paint (or a small bottle of gold paint from a craft store would suffice) • Fabric of choice


Spaces story by Charlie Litton photography by Bill Sitzmann / design by Mady Besch

From left: Christian, Cameron, Stephen, Chelsea, and Joy Abels

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OmahaHome July/August 2017



Spaces IF THERE WERE but one thing to consider

before building your very own epic backyard party central, equipped with all the essential grilling and barbecue fixtures, it is this: Your guests don’t have to live with whatever outdoor Franken-kitchen you cobble together from your inner Cro-Magnon desire for fired meats. No, they rub their bellies, hopefully thank their gracious hosts, and go home. It’s you who must live with what remains. The better approach, it appears, is the path Stephen and Joy Abels took on their West Omaha home. “Be patient,” Joy says. “The best design is probably not going to be your first or second design.” The Abels thought long and hard about what they wanted their backyard to be. They hosted regular gatherings, a tradition they knew would continue. They like pizza about as much as anyone else, but not so much that an outdoor pizza oven made a lot of sense. And they knew they enjoyed hosting friends and family, but that didn’t mean they wanted to be a caterer—just grill some fine meats, maybe smoke the occasional brisket or prime rib roast. That would be sufficient. From a practical design perspective, they most desired a space to spend comfortably warm afternoons and evenings with their guests. But the Abels also knew their kitchen table overlooked the backyard from large facing windows. They didn’t want an expansive gray slab of concrete (with a few deck chairs anchored together by some sort of monstrous outdoor fire pit) to mar their daily view. So they saved. They scratched out ideas on napkins and random scraps of paper. And they spent countless hours stalking the internet for other inspirations on websites like houzz.com. They began planning three years ago, when Stephen went for an evening stroll through the neighborhood. A few doors down, he noticed a neighbor’s impressive backyard fireplace. Stephen had no idea who the neighbor was, but in that moment, he turned up the driveway and knocked on the door. > / H112 /

OmahaHome July/August 2017

The Abels thought long and hard about what they wanted their backyard to be. They hosted regular gatherings, a tradition they knew would continue.



SPACES < “I introduced myself, said, ‘Love your fireplace, tell me about it.’ He said, ‘Come on in.’ And he gave me Hugh’s name,” Stephen says, referring to Hugh Morton, co-owner of Sun Valley Landscaping, the company that would eventually redevelop the Abels’ backyard. The Abels wanted to create a space that felt “like Nebraska.” Morton was happy to listen and accommodate their wishes. The finished product fits perfectly in place. Morton’s design includes native trees and bushes in the landscaping, brickwork resembling quarried limestone from Ashland, and even the calming white noise of a stepped water feature. Everything seems a natural fit. Perhaps the neater trick is the elegant flow into the style of the house. Although built years apart, the outside living area transitions seamlessly with the style of the indoors. “The challenge for Hugh was I wanted it to feel comfortable for four people or 40,” Stephen says. “And I think he did a good job.” There’s plenty room for the epic backyard barbecue, if the mood strikes; or a tranquil afternoon of quiet study for the family’s four home-schooled children; or just another one of their weekly church group nights of about two dozen people. It’s exactly what they need it to be, when they need it. As it should be. They put in the time, making sure the space was just right. “And whatever you think it’s going to cost,” Stephen says, “round up.” OmahaHome Visit sunvalleyomaha.com for more information about the company responsible for the Abels’ backyard space.

Diane Hayes wears magnifying glasses while working on some art projects. / H114 /

OmahaHome July/August 2017


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NEIGHBORHOODs story by Leo Adam Biga / photography by Bill Sitzmann / design by mADY BESCH

Always present is a star-studded menu of fromscratch American comfort and soul food staples: ribs, fried chicken, lasagna, collard greens, blackeyed peas, mac and cheese, potato salad, and more.

Monique Henry / H116 /

OmahaHome July/August 2017


THE ROOTS OF THE BRYANT-FISHER FAMILY REUNION

T

HE BRYANT-FISHER FAMILY reunion celebrates an important milestone in 2017—its 100th anniversary. The three-day reunion event will conclude with a final day of festivities in Elmwood Park.

The family’s different branches provide tents under which they set up their family feasts. Monique Henry belongs to the Gray tent and says everyone waits for her first cousin Danielle Nauden’s peach cobbler to arrive on the table.

The “Dozens of Cousins,” named for the 12 branches of the prodigious African-American family, will gather in Omaha on Sunday, Aug. 13, to eat, converse, and renew bonds of kinship while reinvigorating ties to local neighborhood roots.

The meals may be the highlight, but the day also includes games, foot races, a dance contest, and a pie/cake baking contest, which Henry says is mainly for the teenagers. The baking contest garners between 20 and 50 entries, depending on the size of the reunion.

The first reunion was a picnic in 1917 held at Mandan Park in South Omaha, where family roots run deep. Mandan hosted the picnic for 74 years. Its trails, gardens, and river views offered scenic backdrops. The park is also near the family’s homestead at 15th Street and Berry Avenue, and Graceland Park Cemetery (where many relatives are buried). The picnic, which goes on rain or shine, relocated to Carter Lake in the 1990s and has since gone to various locales. It is coming to Elmwood Park for the first time this year. Hours before the picnic, a dawn fish fry kicks things off. With bellies full of fried food, the descendants of Emma Early head for a family worship service followed by the picnic. Always present is a star-studded menu of fromscratch American comfort and soul food staples: ribs, fried chicken, lasagna, collard greens, blackeyed peas, mac and cheese, potato salad, and more.

Competitions are an intense part of the picnic gathering. Film-television actress Gabrielle Union, the star of hit BET drama Being Mary Jane, is a descendant who grew up with the reunions. She understands what’s at stake. “Having a chance to compete against your cousins in front of your family is huge,” Union says. “Some top athletes are in our family, so the races are like the Olympics. Each section of the family is like a country sending their best athletes. You trained for it.” Union vividly recalls her most memorable race: “I wore my hair in braids but tucked under a cap. I won the race, and then somebody shouted, ‘That’s a boy,” thinking this fast little dynamo couldn’t possibly have been a girl, and I whipped off my cap like, ‘I’m a girl!’” >


NEIGHBORHOODs

“There's nothing I can complain about [in terms of facing] adversity [that] someone in my family has not only experienced but fought through, and not just survived but thrived,” Union says. “I come from a long line of incredibly strong, powerful, and resilient strivers, and I pull from that daily.”

< Although the large family has expanded and dispersed across Omaha and nationwide—and descendants of Emma Early Bryant-Fisher now number in the thousands—the picnic has remained in Omaha the second Sunday of August as a perennial tiesthat-bind feast. Union returns as her schedule allows. The actress grew up in northeast Omaha, attending St. Benedict the Moor. She often visited relatives in South O, where the home of matriarch Emma (a street is named after her) remained in the family. Union introduced NBA superstar husband Dwyane Wade to the reunion last year. “It was important for me for Dwyane to come experience it,” she says. “No one I know has a family reunion of the scale, scope, and length we have. It’s pretty incredible. It says a lot about the endurance and strength of our family. It’s a testament to the importance of family, sticking together, and the strength that comes out of a family that recognizes its rich history and celebrates it.” A tradition of this duration is rare for African-Americans given the historic struggles that disrupted many families. Bryant-Fisher descendant Susan Prater James says, “The reason for celebrating the 100th is that we’re still able to be together after everything our ancestors went through.” “There’s nothing I can complain about [in terms of facing] adversity [that] someone in my family has not only experienced but fought through, and not just survived but thrived,” Union says. “I come from a long line of incredibly strong, powerful, and resilient strivers, and I pull from that daily. / H118 /

OmahaHome July/August 2017

We recognize our uniqueness and specialness, and we never take that for granted. I think with each passing year it just gets stronger and stronger.”

as this one include a Saturday parade. Headquarters for the 2017 reunion will be situated at the Old Market Embassy Suites.

The family tree gets updated with a new history book every five years. “Dozens of Cousins” social media sites keep the grapevine buzzing. The family migrated from South Omaha to North Omaha many years ago, and also once had its own North O clubhouse at 21st and Wirt streets. The Dozens of Cousins, Inc. became a 501c3 in 2016.

The reunion’s Friday night formal banquet means new outfits and hairdos. But renewing blood bonds is what counts. “It’s a way for young and old to reconnect with their roots and find a sense of belonging,” Prater James says.

A centur y of gatherings doesn’t just happen. “We get together all the time, and anytime we get together it’s a celebration,” says Bryant-Fisher descendant Sherri Wright-Harris. “We love on one another. Family has always been instilled as the most important thing you have in this life. This is a part of the fabric that makes us who we are.” “We don’t know anything different,” says Henry, another BryantFisher descendant. “That’s ingrained from the time you’re born into the legacy,” family historian Arlett Brooks says. “My mother committed to her mother, and I committed to her to carry this tradition on. This is my love, my passion. I just think it’s important to share your history, and I want our youth to know the importance of this and to treasure what we have because this is not a common thing.” The reunion has evolved from a one-day picnic to include: a river boat cruise, skate party, memorial ride (on a trolley or bus) to visit important family sites, banquet dinner-dance, and a talent showcase. Milestone years such

Representing the various branches of the Bryant-Fisher family takes on added meaning over time. “No matter how old you are, no matter how down you get, on that day everything seems to be looking better,” Marc Nichols says. Cheryl Bowles says she “felt sick” the one reunion she skipped. Arlett Brooks says she has never missed a reunion, and she’s not about to miss the 100th. “You only get the centennial one time,” Brooks says. New this year will be a family history cookbook complete with recipes, stories, and photos. Catfish, spaghetti, greens, and cornbread are faves. The history cookbook is expected to be printed and ready for sale at the reunion. Union says fun and food aside, the real attraction is “hearing the stories—the important stories, the silly stories—and learning the history before people are gone.” OmahaHome Visit bryantfisherreunion.com for more information.


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AT HOME story by Carol Crissey Nigrelli photography by Bill Sitzmann design by Mady Besch


HOME IS WHERE THE OVEN IS FOR THE OWNERS OF NICOLA’S, A WORN-OUT KITCHEN MEANS HAPPINESS

W

HEN NICOL A SH A RTR A ND decides to

spend a lazy summer morning with her two young children in their home near Lake Manawa, odds favor the happy trio baking sheets of cookies before noon in their newly renovated kitchen. When she drives deeper into Council Bluffs to the family’s bakery, often with kids in tow, she makes handpainted macarons, tortes, breads, cookies, and dozens of cupcakes, which then fill space in the display case, ready for public consumption. And when John Shartrand takes the family across the Missouri to their restaurant that bears Nicola’s name, they no doubt top off the meal with Nicola’s award-winning Italian lemon cream cake. The Shartrands’ life revolves around the food created in three different kitchens. The family travels back and forth along the routes that connect the points in their life: Nicola’s Italian Wine and Fare at 13th and Jackson streets in Omaha’s historic Old Market; Stay Sweet, Nicola’s— their bakery at 805 S. Main St. in Council Bluffs; and their gracious home in hues of gray on a quiet cul-de-sac. The restaurant represents 15 years of ambition, hard work, and faith rewarded; the bakery, which opened in December, symbolizes dreams fulfilled; the new home kitchen has its own story, one with deep meaning for the family. “John knew I had been putting in all these hours all these years at the restaurant, and he said, ‘You’re going to wake up one day and the kids will have graduated high school, and you will have missed the whole thing,’” Nicola recounts. “He said, ‘You love baking, you’re really good at it, why don’t you practice while you’re at home? Let me run the restaurant at night.’” And so the original home kitchen became a laboratory for perfecting and tweaking popular dishes served at Nicola’s Italian Wine and Fare, creating new dishes, and developing recipes for baked goods. Nicola experimented for six months on the lemon cake “because Martha Stewart said every restaurant should offer something lemony.” Once perfected, the light, moist, not-too-sweet lemon cake exploded on the scene. As a result, demand for all her baked goods exploded.

From left: Stavros, Nicola, and Gigi Shartrand

So did the family kitchen. >

July/August 2017 • omahamagazine.com

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AT HOME

< “I pretty much destroyed it from overuse,” Nicola says, laughing as she proceeds to list a litany of problems. “We went through every single major appliance. The cabinet doors fell off from constant opening and closing. The stove went out. We needed a bigger refrigerator. And it was a really cramped working space.” For Nicola’s birthday two years ago, John announced he would build her a new kitchen. “I wear many belts,” he quips. The couple used a computer program offered by an assemble-it-yourself home furnishings store to measure, design, and order the materials for the new kitchen. The transaction could have gone better. “They told us our plans were too ambitious, that we were out of our league,” John says. And when it came time to lug 279 flat boxes out of the store, “they said they wouldn’t help me.” Undeterred, John loaded a U-Haul truck by himself, drove home, and emptied every little chrome knob and handle, every shelf, drawer, door, and cabinet from the containers. It only took a month to transform the culinary space. They painted the new cabinetry gray to match the wall coloring. The cabinetry—above and below the long kitchen counter—helps provide 50 percent more storage space than before. A narrow floor-to-ceiling pantry pulls out shelves and drawers to hold foodstuffs categorized by cans, bottles, and paper, “so nothing gets lost inside it,” Nicola says. Two bottles of industrial-size Worcestershire sauce appear prominently in front, as does a gallon of olive oil, which she affectionately refers to as “the best stuff on earth.” A backsplash made of off-white, 3-by-6-inch glazed subway tiles provides a simple, clean, classic look. The couple complemented the backsplash tile by placing an off-white, solid slab of quartz on top of the kitchen island, located in the middle of the open floor plan. Underneath, a cabinet with 20 drawers of different depths neatly holds everything from dozens of spatulas (Nicola keeps breaking them) and half-used bags of fennel seeds to large pots and pans. >

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OmahaHome July/August 2017


The doting husband’s wish for his wife, to spend more time with Stavros, 9, and Gigi, 7, has resulted in personal growth for Nicola. Her stay-at-home baking experiments proved so popular she now supplies other restaurants and coffee shops with her sweets. She also takes special orders.


AT HOME

< A two-door stainless steel KitchenAid refrigerator shares the kitchen’s color scheme with its gray interior, and the double-oven stove “makes cooking Thanksgiving dinner for the family really easy,” Nicola says. The doting husband’s wish for his wife, to spend more time with Stavros, 9, and Gigi, 7, has resulted in personal growth for Nicola. Her stay-at-home baking experiments proved so popular she now supplies other restaurants and coffee shops with her sweets. She also takes special orders. The extra income enabled John and Nicola, who both grew up in Omaha, to purchase a brick-and-mortar commercial space in Council Bluffs last November, which handyman John transformed into a full-service coffee bar and bakery. With its commercial-grade mixers and appliances, Stay Sweet, Nicola’s has taken over as the primary baking site. John now works 14-hour days. He opens the bakery to start the espresso machine and bake muffins, intersects with Nicola and the kids in the afternoon, then crosses the bridge to oversee the restaurant. The reward for all this hard work: a happy family. OmahaHome Visit nicolasintheoldmarket.com and staysweetnicolas.com for more information about Nicola Shartrand’s culinary enterprises.

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OmahaHome July/August 2017

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S

URROUNDED BY TOMATO seedlings, purple carrots, and

strange-looking peppers—whatever’s freshest at Theilen Produce Gardens—Kristy Theilen is a blonde-dreadlocked ambassador for a farm that has been in her family since the 1800s. The cheerful 36-year-old and her veggies can be found at summertime farmers markets in the Omaha area, including Saturday in the Old Market and Sundays at the Florence Mill. Back in Schuyler, Nebraska, an old farmhouse anchors Theilen Produce Gardens’ home base. Kristy’s great-grandfather built the farmhouse in 1910, but it has been renovated and remodeled several times over the years. Kristy and her mother both grew up in the home. After returning to Nebraska from Arizona in 2013, the two generations are back under one roof on the family’s 1,200-acre farm. “When I was living in Phoenix, I came across a mask-maker who had mask-making traditions in their family for thousands of years,” Kristy says. “I thought about that—and how people in the city were surprised to hear I grew up on a farm—and got to thinking how important it is not to break that occupational chain. Farming has been on both sides of my family since forever.” Her parents, Linda and Eldon, moved into the farmhouse in the late 1980s after they were married. “It used to be white wood panel siding,” says Linda, whose grandfather (John Bailey) built the home. Asbestos siding replaced the wood during her childhood; Eldon added the olive-green vinyl siding when they overhauled the structure. Kristy’s older brother, his wife, and their children live on the other side of a creek, in a residence that previously housed their grandparents (near the original Bailey family homestead, which burned down and was rebuilt in the early 1900s). Her maternal ancestors in the Bailey family passed through Nebraska during a cross-country cattle drive to California in 1853. “We have a journal written by someone on the trip,” Linda says. “When they passed along the Platte River, they thought it was heaven, so they came back.” After Linda’s father, Tom Bailey, assumed leadership of the family farm, he raised four kids in the old house. Linda was one of them. They farmed corn and alfalfa, and they sold eggs from Rhode Island red hens. Eldon grew up on a farm north of Columbus. For the 33-some years since he and Linda took charge of the farm, they have continued the family’s agricultural tradition under their married name of Theilen.

“When I was living in Phoenix, I came across a mask-maker who had maskmaking traditions in their family for thousands of years,” Kristy says. “I thought about that—and how people in the city were surprised to hear I grew up on a farm—and got to thinking how important it is not to break that occupational chain. Farming has been on both sides of my family since forever.” — Kristy Theilen

At peak pork production, Eldon raised 3,000 hogs. Then, the market fell out just prior to the turn of the millennium. “There were so many hogs that packing houses couldn’t process them all,” Eldon says. Today, they focus on corn and soybeans (but “mostly corn,” Eldon says). Kristy’s brother, Jeremy, helps manage the crops. Meanwhile, Kristy takes care of their smaller quantities of diversified livestock: chickens, goats, sheep, pigs, rabbits, and more. She is also in charge of the garden-fresh produce, starting seedlings in outdoor greenhouses (built by her father), and caring for the plant nursery. (The nursery was an addition to the home, also built by her father.) After a 10-month stint with the Peace Corps in Macedonia, three semesters studying abroad in Austria, and several years working as a community organizer in Phoenix and Tucson—including gardening in a vacant lot next to a Phoenix artist commune—Kristy returned to the family farm with the goal of implementing the latest sustainable agriculture trends. Kristy and her fiancé, Fernando Castorena, have helped Theilen Produce Gardens expand into community-supported agriculture. Their CSA sells shares that entitle customers to receive weekly supplies of fresh produce and eggs, which are delivered in the Schuyler area and to farmers market pick-up points in Omaha. “We were planning to be the world’s youngest snowbirds, but I didn’t want to leave my chores to my brother,” Kristy says, adding that 2017 was (almost) her first full year back in Nebraska, minus two months when they traveled to Arizona. >

July/August 2017 omahamagazine.com

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FEATURE

Some of the family (from left): Kristy Theilen, Fernando Castorena, Brennen Settles, Jacquie Theilen, Linda Theilen, and Eldon Theilen with the family’s dogs.

< Other new initiatives that Kristy has developed include programs for kids and eco-tourism: Easter egg hunts, a Halloween pumpkin patch, hosting campers from the website Hipcamp, and welcoming boarders with the Worldwide Opportunities on Organic Farms (volunteers who work in exchange for room and board, also known as “WOOFers”). During the Halloween pumpkin patch, Linda tells real-life horror stories of the criminals hanged at the old Colfax County courthouse. Her father (Tom Bailey) bought the old jail cell at an auction to protect irrigation pumps. Now, the jail cell is a historical relic tucked away in the back of their property. On the edge of bountiful cornfields, a tall signpost points to the farm’s various attractions: Shell Creek Path, corn maze, pumpkin patch, horses, animal barn, Bunnyville, and Coffee Quonset. In Linda’s childhood, the “Coffee Quonset” was a storage barn for corn and machinery. She remembers playing on the piles of corn. Later, her husband built a new barn for the modern combine and larger machinery. The old barn was going under-utilized when Kristy suggested making a little shop for coffee and tea.

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OmahaHome July/August 2017


“These new things are all Kristy’s doing. I think they’re great,” Linda says. “I think we need to be diversified in future years with grain prices the way they are.” Linda and Eldon tell the story of their land and farmhouse from a dining table, with a spread of fresh vegetables and hard-boiled eggs. When they moved in, Eldon personally replaced all of the walls, installed new electrical wiring, added central air conditioning, and made subsequent upgrades to the home over the years. Eldon has always encouraged his daughter to think outside of the box, because that’s how he looks at the world. He designed and constructed a “chicken tractor” that allows him to move chickens over cropland while replenishing nitrogen in the soil with their manure. Last year, he also hand-built their chicken “gypsy wagon,” a mobile hen house trailer. Inside the house, he rearranged the floor plan of the traditional farmhouse. It’s now a four-bedroom home, with three bathrooms. The old master bedroom on the main floor became an office with the latest computer tech. >

"These new things are all Kristy’s doing. I think they’re great,” Linda says. “I think we need to be diversified in future years with

The Theilen family’s ancestors by the (burned-down) farmhouse.

grain prices the way they are.”

July/August 2017 omahamagazine.com

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FEATURE < “In the ’80s, I had the first computer in Colfax County,” Eldon says. “I always try to stay on top of technological developments.” Kristy’s fiancé has meanwhile brought crucial Latin cultural perspective and Spanish language skills to the family farm business. Fernando grows vegetables common in traditional Mexican dishes—huitlacoche (a corn fungus that was a delicacy in Aztec cuisine), squash blossoms, and tomatillos—and he helps sell goats and other animals to local Spanish-speaking residents. Before moving to the area, he didn’t know what to expect. But he was surprised by the large Hispanic population working in local agricultural industries and living in Schuyler and Fremont. He quickly found himself perfectly at ease in the rural Nebraskan setting, he says: “About 40 percent of our customers [who come to the farm] are Guatemalan or Mexican.”

Brennen Settles

Fernando’s dream is to launch a farm-to-table restaurant and/or food truck that could service the Schuyler area. His family works in the food industry in Phoenix, so he is confident that he could make it work. The future is ripe with potential on the Theilen family farm. Who knows? Nebraska’s first farmto-table Mexican restaurant might just sprout 75-minutes northwest of Omaha. Kristy also has several other ideas for the future of the farm: expanding into wine production, hosting weddings, and growing their goat herd. “Wine, weddings, and goats, that’s my dream,” Kristy says with a laugh. OmahaHome Visit theilenproduce.com for more information.


“Wine, weddings, and goats, that’s my dream.” — Kristy Theilen

July/August 2017 omahamagazine.com

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ARCHITECTURE story by Alex Priest / photography by Bill Sitzmann / design by mADY BESCH

A fresH HomemadE KitcheN ARCHITECT KYLIE VON SEGGERN UPGRADES HANSCOM PARK HOME / H132 /

OmahaHome July/August 2017


o

U T OF A L L the genius quotes

from world-renowned architects and designers, Kylie Von Seggern’s favorite comes from a celebrity chef. Her profile on Alley Poyner Macchietto Architecture’s website lists the words of Anthony Bourdain as her favorite quote: “Find out how other people live and eat and cook. Learn from them—wherever you go.” The mantra manifests itself throughout the architect and interior designer’s professional work and private life. Von Seggern prefers adaptive reuse to high-profile mega projects, and she embraces community engagement and activism. Her responsive ideology is likewise evident in the renovation of her home in the Hanscom Park neighborhood. While house shopping in 2015, she wanted to find an older home with built-in character. That’s exactly what she found in her current residence, built in 1908. The previous owner had lived there for 50 years. The warm gray interior featured dense wood trim, exquisite detailing, and the creek of wood floors. It was the perfect combination of good bones and room for updates. For the interior remodel, she proposed “more of a modern upgrade” than a total overhaul. The kitchen, however, lacked the rest of the house’s inherent character. She recently renovated the kitchen to achieve a crisp, airy gathering space. She replaced the limited cabinetry and floors. But she kept the kitchen’s existing plaster walls. For Von Seggern, the kitchen is important because everyone is always there— regardless if there’s a party or not. Part of the reason stems from her roommate being a chef. Throughout and beyond her home, Von Seggern’s approach to design and architecture resonates with creative culinary instincts: Like a great homemade meal, “It tastes so good because you made it,” she says.

For the interior remodel, she proposed “more of a modern upgrade” than a total overhaul. The kitchen, however, lacked the rest of the house’s inherent character.

Growing up in Lincoln, design-oriented interests eventually led her to the architecture program at the University of Nebraska-Lincoln. While at UNL, she participated in a 2010 study abroad program to Guatemala where she learned vernacular cinder-block building techniques. In Guatemala, she began hypothesizing the duplicitous meanings of a home. Von Seggern ultimately realized, “Not everyone wants a McMansion,” and more importantly, “functionality over aesthetics” takes precedence. She also studied abroad in Germany before completing her degree in Nebraska. >

Kylie Von Seggern


ARCHITECTURE

Throughout and beyond her home, Von Seggern’s approach to design and architecture resonates with creative culinary instincts: Like a great homemade meal, “It tastes so good because you made it.” — Kylie Von Seggern

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OmahaHome July/August 2017

< With such international experience, her attraction to the Bourdain quotation becomes obvious. The preceding sentence of the full direct quote is: “If you’re [young], physically fit, hungry to learn and be better, I urge you to travel—as far and as widely as possible. Sleep on floors if you have to.” She began working at Alley Poyner Macchietto Architecture after completing her Master of Architecture in 2013, and she began lending her voice to local architectural advocacy efforts as a volunteer at Restoration Exchange Omaha.

Von Seggern’s volunteer work allows her to have a direct impact in Omaha while developing skills in navigating city bureaucracy and finding ways to remain responsive to older architecture instead of reactively always looking for the new. Back in her home on the edge of Hansom Park, her kitchen is a perfect example of her finding this balance on her own terms. OmahaHome Visit alleypoyner.com/kylie-von-seggern for more information.


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HARVEST story by Patrick McGee & Doug Meigs photography by Bill Sitzmann design by MADY BESCH

Eggs, sausage, and bacon havested from the farm / H138 /

OmahaHome July/August 2017


LIVING WITH LIVESTOCK IN OMAHA NICK BATTER’S PONCA HILLS FARM

H

UNGRY FOR A taste of the simple

life? You don’t have to sacrifice the convenient luxuries of living in the Omaha metro. Nick Batter, a lawyer who raises livestock in the Ponca Hills area, knows how to get the best of both worlds. Batter owns five acres near Hummel Park, just outside of the city limits. He says he can't imagine any other place where a young professional can raise a pig or shoot a shotgun in his or her front yard, and then drive 10 minutes to have sushi or see a Broadway show. Urban Logistical Hassles After first determining whether barnyard animals are allowed in your neighborhood, Batter says there are some challenges to raising livestock in the Omaha metro. “There's not many people to buy livestock from,” he says. He has to go on road trips to get animals. He must be selective about breeds due to space limitations: He raises a more docile breed of pig and a shorter-legged sheep (it runs slower). He doesn't have space to overwinter animals either. Batter's livestock selection changes throughout the year to accommodate his space. He gets baby animals in spring and slaughters them after the first frost. By the end of April, he already had sheep, lambs, goats, rabbits, laying hens, and was expecting four pigs to arrive soon. Limited access to feed stores presents another logistical challenge in the Omaha metro, he says. For a variety of reasons (including his professional schedule), he has to buy feed on Sundays, and only one store is open when he’s available—and it’s in Irvington. Nevertheless, he says the perks of animal husbandry outweigh any hassle.

Perks of Residential Livestock Batter says his animals mostly “live off the land,” and their diet is only supplemented by feed. His rabbits and sheep eat grass. “Goats eat everything green,” he says. He pens the pigs under mulberry, walnut, and oak trees. So, the pigs eat plenty of berries, nuts, and acorns. Batter finishes fattening them on black walnuts, a “very American walnut,” he says. Batter doesn't need to mow the lawn. The sheep do it. His two border collies make sure the sheep don’t leave the property. He says the animal pens are near his home due to space limitations. His window faces the pens, so if predators are in the area—and his animals are distressed—he knows quickly. Batter eats fresh eggs and chicken. “Keep them warm, keep them watered, keep them fed,” he says of the chickens. “They really do the rest.” He gets two to three dozen eggs a day. “They're producing eggs like crazy,” Batter says. “I'm not even feeding them.” The chickens eat bugs and grass, which they prefer. Batter enjoys sharing eggs. “Sharing eggs is expressive,” he says. “Time goes into it. It's a way to share your personal time with somebody.” Batter practices ethical husbandry and reaps the rewards, both in food and in spirit. “I'm not divorcing myself from the process [of processing animals],” Batter says. He knows his animals have a good life. “Every day of their lives is terrific except for the last day,” Batter says, adding that it pains him to waste meat: “You realize it came from a life.” And in the case of his backyard farm, a life that he nurtured and raised. >

Batter says his animals mostly “live off the land,” and their diet is only supplemented by feed.


HARVEST HARVEST Do It Yourself < Before investing in urban livestock, would-be farmers must research the zoning of their neighborhood. Circumstances are different all across the Omaha metro. To be safe, the University of Nebraska's Douglas-Sarpy County Extension Office encourages homeowners to check with neighborhood associations or county planning and zoning offices. “There are so many different situations, SIDs, acreages, in city limits, out of city limits,” says Monte Stauffer, an educator with the county extension office. “The person who can make that decision is at the county courthouse; you just have to give them an address.” For advice on raising chickens, Stauffer suggests reaching out to Brett Kreifels, an extension assistant with a master’s degree in poultry production. Meanwhile, Stauffer (an animal sciences and animal husbandry expert) can answer any questions about pigs, calves, horses, sheep, and goats. Kreifels and Stauffer are available by phone at 402444-7804. A receptionist at the Douglas-Sarpy County Extension Office directs queries to the relevant experts on staff. “You can do it for several reasons: to try to generate additional income, to produce your own food, or provide an educational opportunity to young people— giving them some chores to do, some responsibility that they may not get them in trouble,” Stauffer says. OmahaHome Visit extension.unl.edu/statewide/douglas-sarpy for more information.

From left: Nick Batter and Jill Stigge


Before investing in urban livestock, would-be farmers must research the zoning of their neighborhood. Circumstances are different all across the Omaha metro. To be safe, the University of Nebraska's DouglasSarpy County Extension Office encourages homeowners to check with neighborhood associations or county planning and zoning offices.


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Transformations story by

Stacie Muhle, Allied ASID, Artistico photography by

Tom Grady

A GLAMOROUS, FUNCTIONAL BASEMENT REMODEL INTEGRATING A SUNKEN BAR AND SPORTS THEATER


MEET THE DESIGNER

Stacie Muhle

Transformations is a regular feature of Omaha Home that spotlights a recent project by a local ASID interior designer. Text and photos are provided by the designer.

S

EEKING A GRAND basement remodel,

a client came to me with hopes of creating a unified space with smaller intimate areas instead of an open floor plan. The original space felt very disconnected with no visual interest. My solution focused on two separate spaces of the f loor plan. Both sections of the basement would feature multiple functions: one area revolved around a sunken kitchenette/bar, and the other was an empty space transformed into a theater/display area. >

July/August 2017 • omahamagazine.com

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Transformations < The first part of the challenge was to create a properly lit display while providing storage within the bar area. We needed to add a dynamic visual element without altering the integrity of the existing brick veneer. Our solution was to add horizontal reclaimed wood panels that pull the whole space together while providing a pub-like entertaining area. The resulting contemporary space makes use of layers of depth and dimension to provide a central focal point for social gatherings. The asymmetrical design of the sunken bar area is enhanced with LED lighting, which further enhances the sophisticated environment. Bespoke finishes infuse rustic charm into the modern basement, forming the perfect union of domestic utility and alluring elegance. Displayed sentimental objects stand in harmonious contrast with timeBoth sections of the basement worn salvaged would feature multiple functions: materials and the interplay of light one area revolved around a sunken and shadow. kitchenette/bar, and the other was A large circle an empty space transformed into on the bar wall a theater/display area. offers a crucial design element unif y ing t he space. The scale of the circle balances the weightiness of the massive bar. Radiant light offsets and enhances the circle, giving the illusion that it is f loating in air. The circle's LED under-lit shelves provides plenty of space for the liquor bottles, and the offset shelving allows for additional personal items to be displayed.

I really wanted the sports theater walls to properly light their jersey collection—which changes annually—while not interfering with the theater environment.

By adding the walnut shell and lights to the existing metallic wood console table, it became repurposed and connected to the bar area. Two guitars on an adjacent wall, mounted on a wooden circle, became a piece of art grounding the empty space leading to the guest bathroom. To satisfy the clients, who are avid sports fans, the most challenging part of the basement’s theater space was to showcase their collection of jerseys while allowing the ability to watch multiple televisions at once. At the center of this design, I strived to cultivate a sensory experience that transcends the utilitarian functionality of the theater setting. Contemporary aesthetics find a careful balance of personal whims and fancies in the second of the basement’s main spaces. Relaxing here, the homeowners feel like they are in a high-end Las Vegas casino private suite while watching their favorite teams play. The design conceptualization for the theater and display area stems from a faithful adherence to well-defined boundaries. JaDecor wall covering offers remarkable appearance with excellent acoustical properties. The round custom fiber optics and the dark-oak Melinga panels in the ceiling add spectacular visual interest to the space that once was a rectangle tray. I really wanted the sports theater walls to properly light their jersey collection— which changes annually—while not interfering with the theater environment. Backlighting the twelve individual panels with LED strip lights cleverly works into the overall aesthetic. The picture lights illuminate the symmetry of the jerseys and provide a side drop for the TV wall. >

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OmahaHome July/August 2017



Transformations < The purposeful ornamentation of the jerseys provides a dramatic display satisfying even the most discerning homeowner. The experience of the finished project is such an amazing space to entertain and enjoy life with family and friends. From the bar to the theater, and across the entire basement, the overall design embodies simplicity and modern functionality, leaving a lasting impression that makes you want to enjoy the space in good company. The end result achieves the client’s goal of balancing personal expression and functional glamour with youthful exuberance. It is a welcoming space for any time of the day—and any season—for many years to come. OmahaHome Visit artisticodesign.net to see more of the designer’s work.


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