Omaha Magazine July/August 2024 Arts and Culture Issue

businesses you know and love we invite you to read the special Campaign section in this issue to learn more. Voting runs from July 1 to August 20.

For a voting experience more convenient than ever, we’ve moved everything to one place this year: Omaha Magazine's website! Share your opinions with us and vote for your favorites at bestofomaha. com. Every year, our winners list is a comprehensive guide for dining, shopping, and selecting the best businesses for your health, home, and auto services.

Let the stories of the artists, dancers, and community leaders in this issue inspire your own journey. Whether you're visiting a gallery, attending a performance, or participating in a local arts event, Omaha’s brilliant creative scene awaits you.

Natalie Veloso Associate Editor, Omaha Magazine natalie@omahapublications.com

*Note: The hotel edition of Omaha Magazine has a different cover and does not include all of the editorial content included in the magazine’s full city edition. For more information on our city edition, visit OmahaMagazine.com.

TABLE

of

056 062 KEEPER OF THE CASTLE

Amy Richardson Leads Joslyn Castle & Gardens into a New Era FRONT ROE FRESH

Nebraska City's Salmon

THE USUAL SUSPECTS

001 From the Editor Arts & Culture

004 Between the Lines

005 Calendar of Events

048 Adventure Deb Koesters

050 History Olympian Morton Kaer

081 Obviously Omaha Independent Art Galleries

097 Explore!

104 Not Funny 20 Things to do if your kid wants to become an artist

ARTS + CULTURE

012 Film Maher Jafari

016 Visual Nick Rivers

020 Music Big Wade & The Black Swan Theory

022 Theater Omaha Mobile Stage

PEOPLE

054 Gen O Kennedy Wallman

070 Profile Pianist Matt Mayer

060 Sports Pas de Deux

GIVING

068 Calendar 066 Spotlight Radio Talking Book Service

Meet Amy Richardson, Joslyn Castle and Gardens’s executive director, who is keeping the landmark’s legacy while making it a cultural gathering hub for today’s Omaha community. The keys Richardson is holding were generously loaned to Omaha Magazine by Keymasters Locksmith.

Photography by Bill Sitzmann Design by Rachel Birdsall

Pâté En Bone Marrow, Nick's Quorum & Supper Club

THE LINES Between

A LOOK AT THREE OMAHA MAGAZINE CONTRIBUTORS

ALLYSON PROSKE AKA "DINING COMPANION" Contributing Writer

Allyson Proske leveraged a burgeoning college love affair with wine into a life-long adventure and career. A 15-year veteran of the wine industry, she spent a decade in Napa Valley immersed in all aspects of the industry. Her first five years were spent working in the cellar during harvest filling barrels, sampling grapes, running lab analyses, and learning from some incredible winemaker mentors. Her next five years were spent running a wine club and managing events for a well-known Napa Cabernet Sauvignon producer. Now she can be found in Dundee, working remotely for a winery software company supporting and training wineries across the world. When not working, she loves sharing a cocktail or her favorite wines with friends and neighbors over a beautiful meal, sweating it out in a hot yoga class, finding the perfect vintage handbag, and watching horror movies snuggled up to her sweet partner, pup, and two cats. She loves Russian River Pinot Noirs, brambly Howell Mountain, or cheerful Oakville Cabs, and she strongly feels Champagne should be served with every meal.

RENEE LUDWICK Senior Graphic Designer

Graphic designer Renee Ludwick is an integral part of Omaha Magazine’s art department. In addition to designing multiple stories in Omaha Magazine, she also handles design for publications such as B2B and ONYX Magazine, among other key projects. A bornand-raised Omaha native, Renee graduated from Concordia University in Seward, Nebraska, with her degree in graphic design. When not putting her creative spin on Omaha Publications, she enjoys playing guitar, gaming, and needle felting. (Her mini felted animals are in high demand!). While Renee is known in the office for her graphic t-shirts and eclectic playlists, her two dogs, Alice and Ariel, keep her in check.

SAMANTHA INGERSOLL Contributing Writer

Born and raised in California’s Central Valley, Samantha moved to Sacramento, California, where she attended California State University at Sacramento and obtained a bachelor’s degree in English with an emphasis in journalism in 2009. She moved to Omaha with her husband in 2013 to pursue a better way of life. They share a 7-year-old son together. Samantha currently works in banking and has more than 15 years of experience in the industry. When she isn’t working, she enjoys photography, writing, painting, and reading, but her real passion is gardening, as evident from her snapdragons. Being blessed with the gift of having a “green thumb,” she and her husband spend a lot of time growing and harvesting their own produce. One of her favorite things to make with her cucumbers at the end of the season is her home-made spicy pickles to give as gifts to family and friends.

JULY/AUGUST 2024

EDITORIAL

Editor-in-Chief

KIM CARPENTER

Associate Editor & Staff Writer

NATALIE VELOSO

Assignment Editor & Staff Writer

CLAUDIA MOOMEY

Editorial Intern

BELLA MCATEE

Contributing Writers

TAMSEN BUTLER · KYLE EUSTICE · JULIUS FREDRICK

DAISY HUTZELL-RODMAN · BRANDI LONG-FRANK

HOLLY MCATEE · CHRISTOPHER MCLUCAS · NATALIE

MCGOVERN · CAROL NIGRELLI · KARA SCHWEISS

DOUGLAS “OTIS TWELVE” WESSELMANN

CREATIVE

Creative Director

RACHEL BIRDSALL

Senior Graphic Designer

RENEÉ LUDWICK

Graphic Designer II

NICKIE ROBINSON

Graphic Designer I

JOEY WINTON

Photo Editor

SARAH LEMKE

SALES DEPARTMENT

Executive Vice President

Sales & Marketing

GIL COHEN

Branding & Digital Specialists

DAWN DENNIS · GEORGE IDELMAN

GREG BRUNS · TIM McCORMACK

FRANCINE FLEGG

Publisher’s Assistant & OmahaHome Contributing Editor

SANDY MATSON

Senior Sales Coordinator

ALICIA HOLLINS

Sales Coordinator

SANDI M cCORMACK

OPERATIONS

Business Manager KYLE FISHER

Ad Traffic Manager

DAVID TROUBA

Digital Manager

LUIS DE LA TOBA

Distribution Manager

DAMIAN INGERSOLL

EXECUTIVE

Executive Publisher TODD LEMKE

Associate Publisher

BILL SITZMANN

STAY IN THE KNOMAHA!

The metro is jam packed with tons do—art, concerts, theater, festivals—we’ve got you covered with our comprehensive list and highlighted picks!

COMPILED BY NATALIE VELOSO

Music Art Festival

GIN BLOSSOMS & TOAD THE WET SPROCKET

The Astro August 2, 6:30 p.m 8302 City Centre Dr. theastrotheater.com

Rock bands Gin Blossoms and Toad the Wet Sprocket team up with special guests Vertical Horizon to bring the ultimate fusion of '90s alternative rock nostalgia to The Astro in La Vista. Audiences can expect energetic performances that capture the essence of each band's unique sound, from the Gin Blossoms' infectious hooks and poignant lyrics to Toad the Wet Sprocket's introspective melodies and evocative storytelling. The bands have gained significant popularity through music that remains as resonant and relevant as ever. Whether you're reliving cherished memories or discovering their music for the fi rst time, this tour offers an unforgettable experience fi lled with camaraderie, nostalgia, and the enduring power of rock 'n' roll. Hits like "Hey Jealousy,” “Everything You Want,” and "Walk on the Ocean" will transport fans back to the golden era of the '90s for a night of pure musical bliss as the musicians deliver one unforgettable performance after another. 402.345.7569

FRIDA

KAHLO

AND THE BLUE HOUSE

El Museo Latino

July 27

4701 S 25th St. elmuseolatino.org

Dive into the world of “FRIDA KAHLO and the Blue House” at this unique exhibition, which showcases over 60 color photographs capturing the architecture and interior of the Blue House, created by Cristina Kahlo, the great-niece of Frida Kahlo herself. Alongside these vibrant images, discover vintage black-and-white photographs by iconic artists such as Diego Rivera, Antonio Kahlo, Lola Álvarez Bravo, Florence Arquin, and Juan Guzmán. As one of only 17 Latino museums in the United States, El Museo Latino, a vital resource and center for Latino studies in the Midwest, continues to celebrate and preserve the rich cultural heritage of the community. 402.731.1137

OUTLANDIA

Falconwood Park

August 9–10 905 Allied Rd. outlandiafestival.com

Join the excitement as Outlandia Music Festival returns to Falconwood Park, a short drive from downtown Omaha, for its third year. The 2024 lineup is a musical extravaganza featuring Th e Flaming Lips, Th e Head and Th e Heart, The Revivalists, Men I Trust, Dinosaur Jr., The Faint, Flipturn, Vacations, Buff alo Tom, Real Estate, Devotchka, Kelsey Waldon, Twinsmith, and The Eye. Dive into the festival spirit with on-site camping options, while VIP and Ultra VIP packages off er exclusive perks like bar and food access, private air-conditioned bathrooms, and VIP viewing areas. Camping passes, ranging from $100 to $500, are available separately. Th is premier outdoor music event unites music enthusiasts worldwide for a weekend of live performances across genres from rock and pop to country and hip-hop, all set amidst great food and a vibrant community atmosphere. 402.210.4747

A N R L D C E

» Exhibitions «

PLANT FOLK BY ANNE NEWMAN

rough July 9 at Lauritzen Gardens, 100 Bancroft St. "Plant Folk" by artist Anne Newman is an enchanting upcoming exhibition at Lauritzen Gardens. Newman's captivating series depicts anthropomorphic plant portraits, vividly portraying plants in expressive motion. Inspired by the rich folklore surrounding mandrakes, the project evolved into an exploration of various plant species attaining consciousness and mobility. Each artwork invites viewers to contemplate the dynamic relationship between humanity and the botanical world, off ering a whimsical, yet thought-provoking perspective on the interconnectedness of all living beings within the natural realm. 402.346.4002

—lauritzengardens.org

PLANTS THAT MAKE ME HAPPY

BY

MEGAN LOUDON SANDERS

rough July 9 at Lauritzen Gardens, 100 Bancroft St. Th is showcase presents a charming collection of portraits capturing the artist's cherished houseplants alongside vibrant paintings inspired by flowers from her garden. Sanders' artistry unfolds in a blend of grayscale and full-color compositions, inviting viewers to immerse themselves in the beauty and tranquility of nature. Th rough her artwork, Sanders celebrates the simple joys and profound connections found within the world of botanicals, off ering a refreshing perspective on the harmony between humans and plants. 402.346.4002

—lauritzengardens.org

FROM A NATURALIST'S SKETCHBOOK TO A CATHEDRAL WINDOW BY ALLISON BORGSCHULTE

July 12–August 18 at Lauritzen Gardens, 100 Bancroft St. Discover Allison Borgschulte's enchanting exhibition, which encapsulates the artist's inspiration drawn from her childhood experiences in backyard forests and local nature centers. Th rough her skilled use of glass as a medium, she brilliantly captures the essence of her subjects, enhancing their beauty through the transmission of light and vibrant colors. A naturalist, storyteller, and artist, Borgschulte's collection is a testament to her fascination with the natural world, inviting viewers to share in her passion for nature's wonders. 402.346.4002

—lauritzengardens.org

PHOTO EXHIBITION: MULEHEAD RANCH

rough July 14, at e Durham Museum, 801 S 10th St. During the early 20th century as westward settlement surged, South Dakota witnessed the onset of the Second Dakota Boom. It was during this period that brothers Ernest, Graydon, and Frank Jackson, Jr. ventured into Rosebud Reservation territory and initiated their business venture, Mulehead Ranch. Showcasing its legacy, this exhibition features nine images sourced from the institution's photo archive, illustrating the profound impact of the ranch on the local landscape and culture. Th is exhibition is curated by Creighton University graduate and intern at The Durham Museum, Eve Aspinwall. 402.444.5071 —durhammuseum.org

A BALM IN QUIET BEAT BY JORDAN ACKER ANDERSON

August 21–September 19 at Lauritzen Gardens, 100 Bancroft St. Lauritzen Gardens presents an exhibition by artist Jordan Acker Anderson, featuring new paintings inspired by the botanical wonders found within the gardens. Anderson's work is a reflection of her unique style, characterized by abstract symbolism, repetitive mark-making, and vibrant colors. Each painting serves as a visual meditation on themes of impermanence, our relationship with cyclical time, and the profound connection we share with nature. 402.346.4002

—lauritzengardens.org

POSTHUMOUS COMMENTARY BY GABRIELLA QUIROZ

August 21–September 19 at Lauritzen Gardens, 100 Bancroft St. Experience a new collection of artworks by Nebraska-based artist Gabriella Quiroz, showcasing symbolic depictions of flora and fauna brought to life through oil paints and colored pencil. Quiroz's pieces are rich with symbolic imagery, inviting viewers into a world where nature's beauty is vividly portrayed. 402.346.4002

—lauritzengardens.org

BYRON REED EXHIBITION: EXPRESSIONS IN WRITING

rough August 25 at e Durham Museum, 801 S 10th St. Over his lifetime, Byron Reed amassed a diverse collection of documents penned by historical fi gures and eyewitnesses to significant events. These authors range from royalty and explorers to early colonists. Th is upcoming Durham exhibition will showcase a curated selection of documents from Reed's collection, accompanied by detailed historical and biographical narratives. Furthermore, visitors will delve into the realm of "graphology," a study suggesting that handwriting reflects personality traits. Local handwriting analyst Rolando Garcia will provide insights into each document, offering brief observations gleaned from analyzing the writing styles. 402.444.5071

—durhammuseum.org

RAVEN HALFMOON:

FLAGS OF OUR MOTHERS

rough September 15 at Bemis Center for Contemporary Arts, 724 S 12th St. Th is exhibition showcases a curated selection of both new and borrowed works spanning the past fi ve years, off ering a unique glimpse into Raven Halfmoon's evolving creative exploration. Halfmoon's artistic practice encompasses a range of stoneware sculptures from torso-scaled to colossal-sized pieces, some reaching heights of nine feet and weighing over 800 pounds. Drawing inspiration from ancient Indigenous pottery, Moai statues, and land art, Halfmoon delves into the intricate interplay among tradition, history, gender, and personal narrative. 402.341.7130 —bemiscenter.org

PAUL

STEPHEN

BENJAMIN: BLACK OF NIGHT

rough September 15 at Bemis Center for Contemporary Arts, 724 S 12th St. Discover "Black of Night," an exhibition by artist Paul Stephen Benjamin featuring new and recent video installations, paintings, text-based works, and sculptures. Th is collection serves as a conceptual exploration of identity, race, and patriotism, with a particular focus on the connotations of the color black in society. Benjamin skillfully weaves together history, text, imagery, and sound from popular culture to engage in a dialogue about the absence and presence of color. Th rough his thought-provoking work, Benjamin invites viewers to join him in an ongoing investigation of Blackness. 402.341.7130 —bemiscenter.org

BECOMING JANE: THE EVOLUTION OF DR. JANE GOODALL

rough October 13 at e Durham Museum, 801 S 10th St. Renowned English primatologist and anthropologist Dr. Jane Goodall has dedicated over six decades to studying the intricate social dynamics of wild chimpanzees, earning her the esteemed title of the world's foremost expert on these creatures. Th is multimedia exhibition pays homage to Dr. Goodall's remarkable life and groundbreaking work. Encountering a lifesized hologram of Dr. Goodall and stepping into a replica of her research tent, visitors will gain a fi rsthand understanding of her tireless dedication to conservation. 402.444.5071 —durhammuseum.org

Concerts

PORTUGAL. THE MAN: THE KNIK COUNTY TOUR

July 7, 7 p.m., at Steelhouse Omaha, 1100 Dodge St. Portugal. The Man is an American rock band that has left a mark with their distinctive sound. Featuring John Baldwin Gourley, Zach Carothers, Kyle O'Quin, Jason Sechrist, Eric Howk, and Zoe Manville, the band's roots trace back to their high school days at Wasilla High School where Gourley and Carothers fi rst connected in 2001. Their 2017 album, "Woodstock," draws inspiration from '60s political protest music. The album's standout track, "Feel It Still," earned the band a Grammy for Best Pop/Duo Performance, solidifying their status as influential musicians.

402.345.0606

—steelhouseomaha.com

THE KID LAROI: FIRST TIME TOUR

July 10, 7:30 p.m., at Steelhouse Omaha, 1100 Dodge St. Steelhouse Omaha welcomes Australian rapper and singer The Kid LAROI for the fi nal stop of his North American tour, The First Time Tour 2024, joined by special guests glaive and Chase Shakur. Th is Australian artist is known for his chart-topping hits like "Thousand Miles." Originally recognized for his collaboration with the late Juice Wrld during the rapper's Australian tour, The Kid LAROI, whose real name is Charlton Kenneth Jeff rey Howard, continues to engage audiences with his dynamic performances. 402.345.0606

—steelhouseomaha.com

BRYAN BIELANSKI LIVE

July 12, 7 p.m., at Dubliner Pub, 1205 Harney St. Bryan Bielanski, a singer-songwriter based in Charlotte, North Carolina, is racing toward indie rock stardom. With music described as a blend of Nirvana and the Beatles in acoustic rock form and inspiration drawn from rock legends like Tom Petty and REM, Bielanski's music is uniquely his own, fi lled with thought-provoking lyrics that stir deep emotions. Th is acclaimed singer-songwriter has been on the road, touring the US and beyond since 2012, spreading his infectious energy and catchy tunes. Don't miss this free show for ages 21 and up, where Bielanski promises an evening of pure entertainment. 402.342.5887

—dublinerpubomaha.com

CHEVELLE

July 21, 7:30 p.m., at Steelhouse Omaha, 1100 Dodge St. Multi-platinum rock band Chevelle will be hitting the stage in Omaha this summer, presented by 89.7 The River. Originating from Grayslake, Illinois, Chevelle has been a powerhouse since their formation in 1995. The Chicago rockers have amassed nearly half-a-billion streams, secured seven No. 1 hits, and rocked sold-out shows across the globe. Their impressive discography includes the double-platinum album "Wonder What's Next," featuring the hits "The Red" and "Send The Pain Below." Their latest release, “NIRATIAS,” is now available, showcasing Chevelle's continued dominance in the rock scene. 402.345.0606

—steelhouseomaha.com

AJR: THE MAYBE MAN TOUR

July 21, 7:30 p.m., at CHI Health Center, 455 N 10th St. As they embark on their fi rst arena tour, AJR promises an unforgettable musical experience fi lled with their signature sound and infectious energy. The American indie pop band was founded by the talented Met brothers: Adam, Jack, and Ryan. Th is trio, known for their expertise as vocalists, multi-instrumentalists, and songwriters, spent their formative years in New York City, honing their craft through busking and cover songs. Their journey from a boy band to indie pop stars led to the creation of "The Maybe Man," their fi fth studio album. 402.341.1500

—chihealthcenteromaha.com

STRAIGHT NO CHASER SUMMER: THE

‘90S July 21, 7:30 p.m., at e Astro, 8302 City Centre Dr. Th is summer, the RIAA-certified Gold a cappella sensation, Straight No Chaser, invites you on a nostalgic journey through the 1990s with their latest tour, "Straight No Chaser Summer: The ‘90s." Founded as a student group in 1996 at Indiana University, Straight No Chaser has evolved into a professional American a cappella group. The show promises to take audiences on a musical time travel adventure as they pay homage to the iconic music of the ‘90s. 402.345.7569 —theastrotheater.com

MAREN MORRIS: RSVP REDUX TOUR

July 23, 8 p.m., at Steelhouse Omaha, 1100 Dodge St. Experience the dynamic talents of American singer and songwriter Maren Larae Morris as she takes the stage. Morris, whose music is rooted in country with blends of pop, R&B, and hip hop, has garnered numerous accolades including a Grammy Award, an American Music Award, and fi ve Academy of Country Music Awards. Th is tour marks the 5th anniversary of her acclaimed second album "Girl," with each show featuring a special setlist curated by fans. 402.345.0606

—steelhouseomaha.com

A DAY TO REMEMBER: THE LEAST ANTICIPATED ALBUM TOUR

July 24, 6 p.m., at e Astro, 8302 City Centre Dr. A Day To Remember's "The Least Anticipated Album Tour" takes center stage in arenas and amphitheaters across North America this summer, soon making a stop in Omaha. Joining them on this electrifying tour are special guests The Story So Far and Four Year Strong. Originating from Ocala, Florida, A Day to Remember was formed in 2003 by guitarist Tom Denney and drummer Bobby Scruggs. Renowned for their unique blend of metalcore and pop-punk, this American rock band promises an unforgettable experience for fans old and new. 402.345.7569

—theastrotheater.com

COLLECTIVE SOUL

July 24, 8 p.m., at Steelhouse Omaha, 1100 Dodge St. Hailing from Stockbridge, Georgia, Collective Soul is an American rock band now based in Atlanta. The group includes the Roland brothers, Ed and Dean, along with Will Turpin, Johnny Rabb, and Jesse Triplett. Their breakthrough came in 1993 with the smash hit "Shine," a fuzzy, quasi-spiritual anthem that swiftly climbed from college radio to the top of mainstream rock charts. 402.345.0606 —steelhouseomaha.com

LUKE BRYAN: MIND OF A COUNTRY BOY TOUR

July 26, 7 p.m., at CHI Health Center, 455 N 10th St. Five-time Entertainer of the Year and American Idol celebrity judge Luke Bryan brings his highly-anticipated "Mind Of A Country Boy Tour" to CHI Health Center Omaha. Th is tour is aptly named after a track from Bryan's upcoming album release. Th roughout his career, Bryan has attracted over 14 million fans with his energetic performances, including headline tours like "Crash My Playa," "Luke Bryan: VEGAS," and "Farm Tour." 402.341.1500

—chihealthcenteromaha.com

BARRY MANILOW: THE LAST OMAHA CONCERT

July 30, 7 p.m., at CHI Health Center, 455 N 10th St. Don't miss the chance to witness music legend Barry Manilow's fi nal concert at CHI Health Center Omaha. With a career spanning multiple genres and producing numerous chart-topping hits, Manilow has been a prominent fi gure in the music industry. Secure your tickets now for this one-night-only event, where you'll experience the legendary singer-songwriter, whose career spans six decades, performing his iconic songs live. 402.341.1500

—chihealthcenteromaha.com

RUMOURS OF FLEETWOOD MAC

July 31, 7 p.m., at Steelhouse Omaha, 1100 Dodge St. See the magic of "Rumours of Fleetwood Mac,” hailed as the world's premier Fleetwood Mac tribute concert. With a mesmerizing performance history that has enthralled over one million fans worldwide, this tribute act has garnered over 120 million views on YouTube and solidifi ed its reputation as the ultimate go-to show for Fleetwood Mac enthusiasts. 402.345.0606

—steelhouseomaha.com

CHARLEY CROCKETT: $10 COWBOY TOUR

August 4, 8 p.m., at Steelhouse Omaha, 1100 Dodge St. Country artist Charley Crockett’s latest album, "A $10 Cowboy," bears a timeless title track as its fi rst single. Explaining the title, Crockett describes it as "a country singer who made himself on a street corner in America." Known for his diverse musical talents in blues, country, and Americana, Crockett, also known as Matthew Charles Crockett, has released an impressive 12 studio albums since 2015. 402.345.0606

—steelhouseomaha.com

PESO PLUMA: ÉXODO TOUR

August 6, 8 p.m., at CHI Health Center, 455 N 10th St. Prepare for an unforgettable night as the international record-breaking music sensation, Peso Pluma, makes a stop at CHI Health Center Omaha during his highly anticipated 2024 tour. At just 24 years old, Hassan Emilio Kabande Laija, professionally known as Peso Pluma, is a talented Mexican singer. His musical journey began in his early teens when he learned to play the guitar, honing his skills by crafting songs inspired by regional Mexican music. 402.341.1500

—chihealthcenteromaha.com

FIVE FINGER DEATH PUNCH

August 21, 6:30 p.m., at CHI Health Center, 455 N 10th St. Experience an explosive show this summer as multi-platinum hard rock powerhouse  Five Finger Death Punch takes the stage with Marilyn Manson and Slaughter To Prevail. Known as 5FDP or FFDP, Five Finger Death Punch is an American heavy metal band hailing from Las Vegas, Nevada, formed in 2005. The band's original lineup included vocalist and keyboardist Ivan Moody, rhythm guitarist Zoltan Bathory, lead guitarist Caleb Andrew Bingham, bassist Matt Snell, and drummer Jeremy Spencer. 402.341.1500

—chihealthcenteromaha.com

STYX & FOREIGNER: RENEGADES & JUKE BOX HEROES TOUR

August 26, 6:45 p.m., at CHI Health Center, 455 N 10th St. Get ready for a powerhouse collaboration as two legendary classic rock bands hit the road together! STYX and FOREIGNER, continuing their two-year Farewell Tour, join forces this summer for the "Renegades & Juke Box Heroes" co-headlining trek, produced by Live Nation. Adding to the lineup is the iconic British rocker, John Waite, renowned for his #1 hits "Missing You" and "When I See You Smile." Th is tour promises an unforgettable night fi lled with a lineup of hits from these celebrated rockers. 402.341.1500

—chihealthcenteromaha.com

THE DOOBIE BROTHERS: 2024 TOUR

August 27, 7 p.m., at CHI Health Center, 455 N 10th St. Four-time GRAMMY Award winners and Rock & Roll Hall of Famers, The Doobie Brothers, will stop at CHI Health Center during their 2024 Tour in 38 U.S. cities. Joining them on this epic tour is the GRAMMY Award-winning artist Steve Winwood. Formed in 1970 in San Jose, California, The Doobie Brothers are renowned for their versatility in crossing genres and their captivating vocal harmonies. Don't miss this incredible opportunity to experience two legendary acts on one stage. 402.341.1500

—chihealthcenteromaha.com

STAGE PERFORMANCES

OMAHA SYMPHONY’S PATRIOTIC PERFORMANCE WITH FIREWORKS FINALE

July 4 at Gene Leahy Mall, 1001 Douglas St. Don't miss the dazzling fi reworks display following a free concert of patriotic classics at this special event. The RiverFront is hosting its third annual Independence Day celebration, featuring a partnership with the Omaha Symphony at the Gene Leahy Mall Performance Pavilion. Join in the patriotic spirit as the Omaha Symphony performs beloved tunes like "God Bless America" and "America the Beautiful." 402.599.6565 —theriverfrontomaha.com

PLAYING WITH FIRE–FREE CONCERT SERIES

July 11–13 at Gene Leahy Mall, 1001 Douglas St. Omaha's “Playing with Fire” concert series returns for the summer, now at the Performance Pavilion at Gene Leahy Mall. Th e Thursday lineup showcases King King from Scotland, iconic bluesman Walter Trout, and Australian talent Lachy Doley. The free music series continues with Bywater Call and Blackburn Brothers from Canada, alongside Omaha's own Little Joe McCarthy & Big Trouble. On the fi nal day, Saturday's concert features Omaha's BluesEd youth development program, followed by local favorite Kris Lager and the electrifying Aynsley Lister from the UK. As a 501(c)3 non-profit, Playing with Fire is committed to supporting local non-profits and creating global connections through the magic of free live music concerts. 402.599.6565

—playingwithfi reomaha.net

CLYDE’S

August 18–September 17 at Omaha Community Playhouse, 6915 Cass St. Straight from Broadway, "Clyde's" brings fi re and ferocity to the stage. Th is unique play revolves around a restaurant, "Clyde's," known for its famous sandwiches and dedication to second chances. Here, individuals previously incarcerated, as part of a transition program, work with pride and resilience, all while honoring the art of sandwich-making. Filled with dark humor, "Clyde's" explores the idea of a fresh start, revealing that it comes at a price. Directed by Alex Rodriguez, this production contains adult language and content. 402.553.0800 —omahaplayhouse.com

LEASHES AT LAURITZEN

July 1 & 8, August 5 & 12, at Lauritzen Gardens, 100 Bancroft St. Join Lauritzen Gardens for another special event catered to your best friend, and bring your leashes to Lauritzen! Accompany your furry companion on a leisurely stroll through scenic grounds, embracing the great outdoors together. It's a relaxed and enjoyable opportunity for the whole family to explore 100 acres and miles of trails. Water and treats will be provided at various stations throughout the garden, ensuring a delightful experience for all. 402.346.4002  —lauritzengardens.org

HEARTLAND PRIDE FESTIVAL

July 13, 12:30–10 p.m., at CHI Health Center, 455 N 10th St. Celebrate love, equality, and diversity at the vibrant Heartland Pride 2024 gathering, following the exciting parade. With over 150 vendors and local groups, immerse yourself in a spectrum of LGBTQ+ pride merchandise, step into the karaoke ballroom to sing your heart out with friends, or explore the exclusive 19+ area, featuring adult-focused vendors, demos, and performances from local LGBTQ+ groups and allies. Heartland Pride is a series of community-based celebrations, including the Downtown Council Bluff s Pride parade, an annual Pride Pageant, the Omaha Pride Festival with a vendor and organizational fair, and various fundraising events throughout the year. Enjoy a day fi lled with pride, joy, and unity! 402.341.1500 —chihealthcenteromaha.com

BARBIE SKATE NIGHT

July 19, 6–10 p.m., at Heartland of America Park at e RiverFront, 800 Douglas St. Step into the world of Barbie and Ken at the Skate Ribbon of Heartland of America Park! Embrace your inner Barbie with a night of fun, including photo ops, giveaways, food trucks, and music from DJ Cale. Dress to impress in your best Barbie attire and head to Gene Leahy Mall at dusk for a free showing of the hit 2023 movie, "Barbie." Roller skates are available for rent at $5 for adults and $4 for youth, so you can glide and dance the night away. 402.346.8003  —theriverfrontomaha.com

GRRRL CAMP

July 19–20 at Falconwood Park, 905 Allied Rd. GRRRL Camp, a festival celebrating and empowering women in music, art, and business from diverse backgrounds, returns for two days this summer. Located at Falconwood Park, just 10 minutes from Downtown Omaha, the event features artists like Indigo De Souza, Hurray for the Riff Raff, Shannon and the Clams, and other touring and emerging talents. 1% Productions, known for the Outlandia music festival at Falconwood Park, supports the curation of GRRRL CAMP's 2024 music lineup. Th is genre-bending, gender-inclusive festival aims to enlighten and excite attendees through artistic expression, representation, and creative diversity. 402.210.4747 —falconwoodpark.com/grrrlcamp

ZORINSKY LAKE PARK 5K: HEAD FOR THE CURE

July 20 at Zorinsky Lake Park, 3808 S 156th St.

Enjoy the beauty of Zorinsky Lake Park while getting your exercise and Vitamin D at the 11th Annual Head for the Cure 5K. Th is event off ers something for everyone, with a kids' 100-meter dash and the option for dogs to join their owners on the 5K run. Register your whole family and support the fi ght against brain cancer, as proceeds from this event benefit the Fred & Pamela Buff ett Cancer Center, raising funds, awareness, and hope for the Omaha brain tumor community! 816.709.5918

—give.headforthecure.org

TIME TRAVELERS VINTAGE EXPO

July 27, 10 a.m.–5 p.m., at CHI Health Center, 455 N 10th St. Step into the past with Time Travelers Vintage Expo, one of the largest vintage markets in the U.S., off ering a treasure trove of vintage and retro-inspired clothing, home goods, handmade items, accessories, and more! Whether you're a seasoned vintage enthusiast or just starting your retro journey, don't miss this opportunity to explore a world of timeless style and nostalgia. 402.341.1500 —chihealthcenteromaha.com

BEER ON THE BOARDWALK 2024

July 27, 6–9 p.m., at Fontenelle Forest, 1111 Bellevue Blvd. It’s time for Beer on the Boardwalk! Take this unique opportunity to stroll the Fontenelle Forest Riverview Boardwalk, enjoying music and scenic forest views. Sample an array of fantastic beers from local breweries stationed along the fi rst two loops of our ADA-accessible Boardwalk. The event promises fun swag, cool prizes, and a live DJ to keep the evening lively. 402.731.3140 —fontenelleforest.org

NEBRASKA BALLOON AND WINE FESTIVAL

August 16–17 at Ta-Ha-Zouka Park, 905 Elkhorn Dr. Join the 18th Annual Nebraska Balloon & Wine Festival at Ta-Ha-Zouka Park, located north of 204th & Dodge, with convenient free parking at Elkhorn High School. Th is festival is your opportunity to savor award-winning wines, witness hot air balloons launching and glowing (weather permitting), and indulge in delicious foods and live entertainment. Experience the Nebraska Wine Showcase, featuring some of the fi nest award-winning wines available for tasting, or enter the KidZone for family fun. Experience live entertainment and sample wines from local wineries and around the world, all in a festive atmosphere suitable for all ages. 402.599.6565 —theriverfrontomaha.com

NEBRASKA RENAISSANCE FAIRE & MIDLANDS PIRATE FESTIVAL

August 24–25 at Elkhorn Shores, 233rd & West Maple Rd. Experience Nebraska's longest-running weekend Renaissance festival, established in 2003 and formerly held at Bellevue Berry Farm. Combining the 18th Nebraska Renaissance Faire and the 13th Midlands Pirate Festival this year, this event is the region's largest Renaissance celebration. Enjoy jousting knights, pirate encounters, and four stages of entertainment. Explore artisan goods, feast on Amos Foods' famous turkey legs, and visit the beer garden. Kids' activities and living history displays are sure to add to the fun! 402.953.4731 —nebfaire.com

DUNDEE DAY 2024

August 24, 8 a.m.–10 p.m., at Dundee Neighborhood, 5007 Underwood Ave. Celebrate the vibrant Dundee neighborhood at this free and family-friendly Dundee Day street festival! Join the 31st annual event featuring a parade, 5k run, art and craft vendors, book sale, pancake breakfast, food trucks, live music, spoken word performances, live art drawing, and a lively beer garden. What began in the 1950s as a sidewalk sale has evolved into a beloved tradition since its offi cial inception in 1992. Over the years, Dundee Day has hosted events like the "Prettiest Baby" contest, appearances by local artists such as cartoonist Jeff rey Koterba, and the iconic relocation of the Dundee Dell from Dodge Street to Underwood Avenue.

—dundeeday.org

LUNCH FOR THE GIRLS

August 27, 11:30 a.m.–1 p.m., at CHI Health Center, 455 N 10th St. Renowned poet, educator, and bestselling author Nikki Giovanni will be the keynote speaker for Girls Inc.'s 24th annual Lunch for the Girls. Revered as a "living legend" by Oprah Winfrey, Giovanni's literary legacy spans over 30 volumes of poetry and prose, including beloved children’s books. Among her numerous accolades are Woman of the Year Awards from Ebony and Mademoiselle magazines, Governor’s Awards from Tennessee and Virginia, and the prestigious Ruth Lilly Poetry Prize from the Poetry Foundation. With her distinguished career also marked by several award-winning spoken-word albums, Giovanni's presence at the fundraising event is a true honor. All proceeds from Lunch for the Girls directly benefit Girls Incorporated of Omaha, a 501(c)(3) nonprofit organization dedicated to empowering girls aged 5 to 18 through educational, cultural, and recreational programs, fostering their strength, intelligence, and boldness. 402.457.4676 —girlsincomaha.org

L “A Really Weird Job”

TV, Film, & Digital Producer Maher Jafari

eaving the halcyon days of college and starting a full-time job can be like getting hit by a truck. Unfortunately for Maher Jafari, producer and development consultant for TV and film, that’s exactly what happened.

The then-recent George Washington University graduate was on his way to meet a Screen Actors’ Guild (SAG) agent in 1997 when he was swiped, just behind the passenger side door, by a truck, causing him to spin around and go backwards on the freeway. A couple of inches to either side of where the truck hit the car, and Jafari, who came away from the incident unharmed, would have been hospitalized or dead. That same day, Alexandria Productions, where he was working as an intern, offered him a position as an associate producer.

Working for a small company allowed Jafari to do a wide variety of jobs, from pitching story ideas to sitting in on financial meetings often closed to associate producers at large production companies. After a year and a half, he had a good understanding of the development process of TV production.

What he didn’t have was a solid knowledge regarding the streets of Hollywood, but he quickly learned how to navigate them during his first job as a production assistant for SAG Awards, driving around to pick up directors, producers, and the occasional A-lister and Hollywood star.

While many people spend years waiting tables while hoping for a break, Jafari was, within months, hired as an agent’s assistant at William Morris Agency, which boasts clients such as Whoopi Goldberg, Ben Affleck, Jake Gyllenhaal, Kate Hudson, Hugh Jackman, and Omaha’s The Faint.

“[It] was kind of luck, that I got in, because it's not very easy,” Jafari said. “They were changing over the computer systems and had hired temp floaters to cover for the full time assistants while they were learning the system.”

"He’s so smart, and he understands budgets and how to make it so that we see what we want on the screen. I trusted his tastes so much that if he told me [a script] was great, I would read it. If he told me something was not, I didn’t."

-Melissa Gelineau

Because he wasn’t full-time, Jafari was again able to perform a variety of jobs, learning along the way that he preferred TV over film, as film production can take years.

He also discovered he preferred working in development. When Bruce Helford’s Mohawk Productions hired him as development director, Jafari handled the development of more than 350 TV episodes for early-2000s comedies such as the Emmywinning show “George Lopez,” “Freddie,” “The Drew Carey Show,” and “Wanda at Large.” The job involved scouting comedians to see if they fit into the mold for the production company.

Melissa Gelineau, the co-producer on “Freddie,” described Jafari as “a former bossturned-friend-turned sometimes producing partner,” who was indispensable to her.

“He’s so smart, and he understands budgets and how to make it so that we see what we want on the screen,” said Gelineau, now an executive at Laurence Fishburne’s Cinema Gypsy. “I trusted his tastes so much that if he told me [a script] was great, I would read it. If he told me something was not, I didn’t.

“While he knew, and saw, several of the shows’ lead performers and other Hollywood A-listers, he never got star-struck.”

“They’re just people,” Jafari said. “I’d hear them talking on the phone, and they're talking about their kids and, you know, [television and film] is their job, just like we have a job. It’s just a really weird job.”

That weird job can lead to weird incidents.

“On the second day on a job (after he had left Mohawk) I found myself at an FBI training center, holding a computer-connected Glock, and immersed in a large-screen raid simulation with an audience, including my new boss,” Jafari recounted. “I later dined with a group of badass female agents… It’s part of the development process.”

He also discovered there’s plenty of monkey business to be had in Hollywood literally.

“I showed up for work one day with police cruisers and the Humane Society surrounding my parking spot,” Jafari said. “And a giant ape [also] in the spot. They were testing an animatronic ape for “Zookeeper” (the 2011 movie starring Kevin James), but our office was in a residential neighborhood. That freaked some people out.”

Around 2015, having worked for “the industry” for more than 20 years, Jafari, his wife, and their then 2-year-old son moved back to Omaha, where Jafari worked more on consulting and developing writers, flying back to Los Angeles when necessary.

These days, Jafari’s working in film and living full-time in Omaha. He premiered his short film “Damned If You Do” in March at the Omaha Film Festival, with the West Coast premiere taking place at Grauman's Chinese Theater in Hollywood as part of the Dances With Films Festival in late June. He also has a feature-length film in post-production and hopes to produce a new project in the fall.

The switch was intentional, as TV requires development and production people to be more in-person than film. That’s one reason he thinks the burgeoning local film scene in Omaha is happening at the right time, and Jafari has been instrumental in elevating it, speaking in March to the legislature about the potential economic impact. He has also been coaching and educating young filmmakers, as he has for years.

That was good, if not surprising, news to Gelineau.

“There isn’t anything he cannot do, in my opinion,” she said. “If anyone can bring Omaha into more of a film center, like Atlanta or Canada, it would be Maher.”

For more information, visit voyagemedia.com/ producer/MaherJafari.

“There isn’t anything he cannot do, in my opinion. If anyone can bring Omaha into more of a film center, like Atlanta or Canada, it would be Maher.”

—Melissa Gelineau

A+C VISUAL

STORY BY CHRISTOPHER MCLUCAS // PHOTOGRAPHY BY BILL SITZMANN // DESIGN BY RACHEL BIRDSALL ILLUSTRATION BY NICK RIVERS

The Art of Nick Rivers

“Your art style is learning how to identify and manage your mistakes. It’s not about how long it takes, it’s about your patience. When working on something for yourself or the client, you have to challenge yourself— challenges keep you hungry."

–Nick Rivers

t was difficult not to geek out while sitting in Nick Rivers’ studio. It wasn’t just the action figures, “Ghost In Shell” playing on mute, the art on the walls, and the work on the desk. It was the creative energy of his home studio, kinetic yet calm. The irony of his namesake, “Rivers,” isn’t lost on me, smooth in one moment, a rush of creative energy in the next. Owner and operator of Black River Studio, he sat at his desk clutching a pen in his hand.

“My patience comes from my dad. A lifelong comic book fan, he’d come home with a stack of comics every Wednesday, and my brothers and I would read them. I learned one day that people were behind these writers, artists, colorists which inspired me to make my own. I would draw them and take them to Kinko’s and Office Max to print and staple them together.”

His work surrounded him paintings he’d done in his teens, at art school, images of his professional and commercial work cycled on his

computer screen. At the forefront of his gaze, photos of his family and small, vital keepsakes acquired at comic-cons and gifts from friends.

“Black River Studio’s designs strive to have maximum visual impact," the illustrator said. "By focusing on that, the collaboration of the client and the artist will create a product both parties can be happy with. From murals to children’s books, we believe you have to enjoy what you’re creating if you want others to enjoy it as well.”

We leafed through previous works, a comic book titled “Tyrannosaurus Hex,” which Rivers wrote, drew, and did everything but, as in his Kinko's days, staple the book together, as well as a copy of “Omaha Comix Anthology” that he was in, and a collection of portfolios.

“Your art style is learning how to identify and manage your mistakes," Rivers reflected. "It’s not about how long it takes, it’s about your patience. When working on something for yourself or the client, you have to challenge yourself challenges keep you hungry.”

His fiancée, Chyna, popped into his studio. Not feigning embarrassment, she greeted me, checked in with Rivers, and exited the room.

“When I'm not sure about a hand or another design element, I check with her and she usually sets me straight by telling me that a pinky doesn’t bend that way or push me to try that cross hatching technique I’ve been wanting to try," he shared admiringly. "I’m grateful for her.” He insisted that we have an earlier interview so they could go on a date. Take notes, men.

Rivers shares with me a preview of a video he’s about to post on his Youtube channel, “Art of Nick Rivers.” A time lapse piece, he narrates how he came to create the character and how technically he constructs the composition using pencil or as it’s called now, “traditional,” to draw an original character of his named “Dig.” The artist’s speech is similar to his pen work: slow, methodical, his words and his art both imbued with intention.

“My hands come from my mom," Rivers said. "She crocheted closets full of blankets and rooms full of stuffed animals, characters, and creatures, which is why when I have a pen in my hand, it feels like home.”

The pen he’s clutching and twirling has not satiated his hunger for drawing. The man has a date. I scooped my phone, notebook, and pen off his desk. We finish the interview while slowly walking to his front door. I asked him what his dream projects would be.

“I love to do album covers doing musically-inspired art is a love of mine," Rivers said. "The musician can bring in sketches or have me listen to the album and give me free rein, whatever. That kind of work would go to the top of my list.”

One of the couple's two cats cycles in between my legs, slowing my exit. Rivers tells me the other one is hiding. His focused daydream stare is familiar, the artist probably drawing in his mind. Yet his faint, powerful smile shows he’s remembered not to let the things he wants get in the way of the things he has. Chyna comes into the living room to say good-bye. I do my best Columbo and turn before opening the door to ask the artist one last question.

“I want myself and the client to feel how I felt on those Wednesdays when my dad brought comics home that excitement to crack it open and engage with art and people,” he smiled.

To learn more, follow @artofnickrivers on Instagram and Art of Nick Rivers on Facebook and YouTube.

"I learned one day that people were behind these— writers, artists, colorists—which inspired me to make my own. I would draw them and take them to Kinko’s and Office Max to print and staple them together.”

—Nick Rivers

If I Got It, You Got It

Big Wade & The Black Swan Theory

(L-R) Brad Meyer, Mariole Sanders, Jay Shannon, Big Wade, GW, Jonathan Brooks

he door to Big Wade’s music studio on 3634 Lake Street is wide open. I’m not using purple prose here; I mean this literally. This isn’t because Lewade "Big Wade" Milliner knows this is the day we are scheduled to meet; it’s a reflection of who he is to the musicians on the local scene and to the citizens of Omaha.

The studio space is Omaha’s own “Electric Lady Land,” where a Wurlitzer, a Yamaha keyboard, and a slew of other keyed instruments were surrounded by microphones and computers. There was the cream orange drum kit with gold trim demanding to be played, a church organ next to it, and in front, standing bongos and conga drums. At the back of the studio sits a booth for vocals and the engineering room, where Big Wade coordinates with an artist for an upcoming studio time via text.

“My first studio was in the basement of Reggie Clark’s house he kept it simple, ‘You help me, I help you,’” Big Wade said. “He was starting a company called Versatile Entertainment. He gave me the key to his house, and I was in there every day making music.”

Big Wade sat back in his chair, then propelled forward by his laughter, his body a metronome for the natural beat of our conversation. He produces music not just technically, from the typing taps on his phone, spinning in his chair all of Big Wade’s existence is making music, consciously and unconsciously.

“Mr. Lovegrade, the music teacher at Northwest, inspired and encouraged me," Big Wade recounted. "Once I got on the Omaha music scene, I met the O.G.s who inspire me: Preston Love, Luigi Weights, Duke Riggs, Grover, Lipkins, Leeland Nickels, Craig Franklin, Greg Bouey. Omaha is my biggest influence.”

Big Wade kept his phone in his left hand, scanned the screen dutifully, and quickly shifted to his desktop to manage the music programs. He’s excited for the musician who’s coming in today. Nothing too serious just a touch up, he said in and out.

“More music venues are needed in this town, and promoters need to invest in the local scene,” he opined. “Enjoli Mitchell, Josh Hoyer, Black Swan Theory, Chad Stoner, Satchel Grande you could shut the city down four times a year if you booked local talent. It helps build the scene and makes Omaha feel good too.”

Big Wade rocked his head, sighed, and shrugged in a groovy rhythm.

“The scene loses a lot too. We lose up-and-coming musicians to other cities, because there’s no outlet here yet," Big Wade lamented. "We just lost music history as well Curly Martin passed away last year. He had all the old school 24th Street and the jazz scene knowledge. More needs to be done to preserve and maintain Omaha’s music scene.”

“We’re like little kids on stage; we’re having more fun than the crowd, and they’re having a ball. Jonathan Brooks, who plays organ in Black Swan Theory, stayed on me about doing something," he shared. "I was away from the scene back in 2016, and a group of all-stars came together as a band, which reminded the five of us, when you get gifts from God, it comes with responsibilities.”

Big Wade sat up, planting his feet on the ground. He now sat

‘Ifyouhaveadream,goforit. Ifyoudon’tgo100%you’llregret something.Giveiteverything.” -BigWade

Big Wade played the intro track to Black Swan Theory’s upcoming album, “Live at The Jewell,” for me. The band’s sound is gospel funk. I seamlessly became a part of the crowd as the music shook me a sound engineer’s speakers are meant to shake your soul and bones. When the track was over, I wasn’t just listening to an album; I was part of that crowd. When the music stopped, it was no different than being kicked out of the venue. Big Wade spun in his chair while his shoulders shimmied, and he turned to face me. He had a smile as warmly encompassing as the sun.

still, reminding me that music is silence just as much as it is melodies. He stared at me and took what seemed to be the deepest breath he’d taken all day.

“If you’re likable, it’s worth more than talent. I went to school for drums but now I play piano. I didn’t go to school to learn sound engineering, and there wasn’t YouTube to teach you back then, which is me telling you, ‘If you have a dream, go for it. If you don’t go 100% you’ll regret something. Give it everything.'”

To learn more, visit bigwadeandblackswantheory.com

Collaboration For Community

Omaha Mobile Stage Brings Performing Arts to the Metro

"IT'S FOR ARTISTS, FOR CITY GOVERNMENTS, FOR YOU." -JESSICA SCHEUERMAN

story by Claudia Moomey

photography By Bill Sitzmann design by joey Winton

“Because the stage can go anywhere and do anything, it can adapt to the community it’s in; we can develop content that’s important to specific neighborhoods.”

-Jessica Scheuerman

o neighborhood should have to perform their culture on the ground just because they don’t have access to staging or equipment.”

Partners for Livable Omaha, a 501(c)(3) organization dedicated to “the educational and charitable support of the live performing arts,” has a new project under its wing: the Omaha Mobile Stage (OMS). With the purchase of an 18-foot box truck and an unyielding desire to bring performances to as many communities as possible, the Omaha Mobile Stage was born. Community programming includes celebrations for events such as Earth Day, Cinco de Mayo, and cultural arts displays.

“We came up with the concept of [Omaha Mobile Stage] during the COVID-19 pandemic,” said Jessica Scheuerman, co-designer for OMS and founder and executive director for Partners for Livable Omaha. “If you remember life back in 2020 and 2021, all the venues were closed and life was at a standstill. There was this urgent need in the performing community to change what the options were so shows could still go on. Virtual content was emerging as the solution, but I thought, ‘Why don’t we have an alternate option?’”

Outdoor staging allowed the show to go on. The first big project under Partners for Livable Omaha, the Omaha Mobile Stage puts on anything from musical performances to children’s magic shows. The stage is also available to rent for block parties, neighborhood celebrations, or any outdoor staging needs. “We’ve staged all sorts of musical performances, spoken word poetry, hip-hop, kids’ magic shows really all genres,” Scheuerman reflected. “Because the stage can go anywhere and do anything, it can adapt to the community it’s in; we can develop content that’s important to specific neighborhoods.”

The 16-foot wide, 12-foot deep stage, which two stagehands can set up in 30 minutes or less, is able to travel, so it alleviates the common problem of audiences not having transportation to theater events, bringing culture to people who may not otherwise have access to the arts. The stage hosts programs like “Show Wagon,” a youth talent show, and “Pull Up and Vibe,” an open mic series. Begun by Kieria Marsha, who

is in charge of programming for the mobile stage, “Pull Up and Vibe” has grown into a popular festival with several performers and vendors.

“Our mission is to give a safe space to artists and creatives to be able to showcase their talents,” Marsha said. “I’m a singer-songwriter. Before this project, I didn’t have a safe space for myself as an artist to create or to give out to the world what I felt was my talent. So I created ‘Pull Up and Vibe,’ because I felt that I needed to create that space for artists who couldn’t get booked because of the type of artists they are.” The event usually lasts through the Spring, but this year there will be events throughout the summer, visiting places like Millwork Commons and the Gene Leahy Mall.

“The overarching goal [of the Mobile Stage] was to create something that could help build community,” Scheuerman said. “We want to have this out in every community. This is a stage that people can rent; it’s a great way to activate a vacant lot or parking lot. We have a sliding scale rental program, so if a community group, neighborhood, or group of artists wants to rent it, we can help them plan ahead, with capacity building, fundraising, and anything else they need.

“It’s a regional asset,” she continued. “We’ll go about an hour away from Omaha. It’s for artists, for city governments, for you.”

The stage not only caters to artists and performers, but also provides ample opportunities for students. “We work with the UNO school of music to recruit interns,” Scheuerman explained. “We also work with the Metro Career Forward program; the end goal is accessibility. It’s a great teaching venue for students.”

The conception of “Pull Up and Vibe” has brought communities together, as well as the two women who make it possible. “It’s blossomed into this beautiful partnership we have now,” Marsha said of her collaboration with Scheuerman. “Over the years I’ve learned a lot from Jessica, and I really value this partnership we’ve developed.”

For more information, visit livable.org and omahamobilestage.org.

W TIME TO VOTE

e are proud to announce our new Best of Omaha voting site. Besides a clearer, faster system, we have also installed a QR system to find the business you want to receive recognition. Since 1992, our Best of Omaha contest has been a local favorite. Best of Omaha was established to be a true award businesses cannot buy their way into th is contest.

Through the years, the contest has grown, and with it, so too the number of voters. Best of Omaha is highly competitive with tens of thousands of votes counted each year, and voter participation remains pivotal to the outcome.

In order to become a “Best of Omaha,” restaurants, retailers, and businesses depend on your vote. You can feel good about voting in Best of Omaha, because we are the city’s legitimate “best of” contest.

Like the local businesses you love, our voting system is fair, convenient, and free from manipulation. We use a verified email system for all voters. We only accept one ballot per verified email to avoid vote-stuffing. The ballots are free of advertising and sponsorships. It doesn’t take much time to vote, and, although there are lots of fun categories from which people can choose ’Household’ and ‘Dining’ are among the favorites around here the minimum number of votes is five. We also leave the category fields blank so voters are not steered toward certain businesses.

To encourage voting and say thank you, many local businesses offer discounts that the public can obtain simply by showing their proof-of-voting certificate. Anyone who completes the Best of Omaha voting ballot will receive the certificate and discounts that come with it. Who you vote for does not show or affect your ability to receive the discounts.

Please take a few minutes and vote July 1st through August 20th at bestofomaha.com. Results will be published with our annual Best of Omaha Results Guide on November 1. The following pages are campaign ads requesting your vote. When you see a yellow QR code, it will take you directly to their voti ng category.

Thank you for your participation in the Be st of Omaha,

TODD LEMKE Publisher Omaha Publications

Local businesses are the cornerstone of what makes Omaha a great place to live and work. From someplace new to an old favorite you go back to again and again, there’s something special about the businesses that serve our community. Every day KETV works with local business owners to highlight the great work they’re doing and their positive impact.

That’s why KETV is proud to be a part of Omaha Magazine ’s Best of Omaha campaign. Your votes help shine a light on the amazing local businesses making a difference in Omaha. From the nominees to the winners, thanks for making Omaha such a unique and fun city.

SHAWN OSWALD General Manager KETV

alnut Media is honored to once again partner with Omaha Magazine as a media sponsor of the Best of Omaha campaign! As the area’s only locally owned and operated broadcast company, we recognize how important the connection to local c onsumers is!

Being recognized by consumers as the top businesses in their category is a great accomplishment! We are excited to spread the word to our listeners and continue to encourage active participation in the vot ing process.

We happily support Best of Omaha on our radio stations, which include: Boomer Radio, playing the hits from the ’60s and ’70s; KCRO 660AM, The Heartland's Christian Voice; and through our digital divisions, Performance Digital, and Performance Podcasts!

Omaha Magazine continues to do an outstanding job of making the Best of Omaha the premier program in the country.

We encourage you to support the businesses and sponsors throughout the coming year.

PATRICK COMBS President/CEO Walnut Media

STORY BY KIM CARPENTER

YOUR VOTE MATTERS AND LOCAL BUSINESSES

riving around Omaha, you can’t help but notice them the bright, round, gold emblems that proudly proclaim a business has won a prestigious “Best of Omaha” award. These eye-catching signs indicate clients and customers have been so impressed with a product or service, they took time to share their positive experiences with other members of the public.

Their votes matter, and so, too, does yours. Just ask local business owners.

Kim Ahlers, owner of Kajoma's Boutique in Papillion, displays her Best of Omaha win in the “Women’s Boutique” category prominently on her website. “Being voted Best of Omaha for the past 16 years in a row has really driven new clients to our shop,” Ahlers shared. “Thank you for putting a spotlight on Kajoma’s and other r ecipients!”

When The Home Company took the top spot four years ago, they were similarly thrilled. “Home Company clients and fans, thank you for your loyalty and appreciation! You gave us another great year of building homes in 2020! In addition you voted us FIRST place in the custom home builder category for Best of Omaha! You’ve voted

us Omaha’s best six years in a row, we love building homes for such a fantastic group of people! Thank you!!!” Two years later, they won again and said: “We’re so proud to announce that The Home Company is a first-place winner in the Best of Omaha 2022 Awards, sponsored by Omaha Magazine! ” They said. “The company took home ‘Best Home Builder’ and has been a Best of Omaha award-winner for the past seven years! We’re so thankful to our customers, prospects, trade partners , and team.”

Certified Transmission was also appreciative when they nabbed Best of Omaha for transmission repair and service last year. A website post stated: “Certified Transmission would like to thank those of you in the greater Omaha Nebraska area who have voted for and recognized

our transmission shops…it is our goal and pledge to continue to offer our customers the same quality of service and repair that has enabled us to earn this recognition year after year. Thank you!”

When UNICO was named the Best of Omaha for independent insurance agencies, the win was so important, they issued a press release in November 2023. “UNICO Group, a client-focused insurance broker headquartered in Nebraska, is thrilled to announce that it has been named one of the Best of Omaha winners in the Independent Insurance Agency category. This prestigious recognition is a testament to UNICO’s commitment to excellence and dedication to providing exceptional services to its clients,” stated the company.

Fri: 9:00am-5:00pm 15475

ST, Suite 111 Omaha, NE 68116 www.advanceartofink.com

“The Best of Omaha awards, conducted annually by Omaha Magazine since 1992, aim to identify and celebrate the best local businesses across hundreds of categories. With over 28,986 unique businesses in the Omaha metropolitan area, winning a Best of Omaha title is a remarkable achievement. Out of the 393 categories in Best of Omaha 2023, less than 3 percent of businesses are selected as winners.”

Blue Moon Fitness, which operates four locations in the Omaha area and focuses on community and comfort to serve everyday people has a website page devoted to its Best of Omaha wins. The company said of last year’s win in the “Fitness” category: “Blue Moon Fitness is a 29-time winner of this prestig ious award.”

Legacy School, founded in 2008 as am independent private school offering preschool through 5th-grade education, felt the same of its recent win. “Every year, Omaha Magazine asks local residents,‘Who are the best companies in town?’ There are several categories from restaurants to services to retail,” it said on its website.

“This year, Legacy School and Camp Legacy were recognized as the best in three categories: Preschool (Our 5th win); Private Elementary School (Our 2nd win); [and] Youth Summer Camp (Our 10th win). We love what we do and are grateful it shines through for others to see. Thank you to everyone who voted for us. We will continue to make you proud.”

These testimonials underscore just how meaningful Best of Omaha recognition is to local businesses. It means the world to them when voters like you take the time to recognize the work they do. It’s about community members supporting community members, and it’s what makes O maha “home.”

This year, we’ve made voting even easier, quicker, and more convenient. From July 1 through August 20, you can cast your “Best Of” ballot on bestofomaha.com. Results will be announced in our annual Best of Omaha Results Guide , which publishes i n November.

Thank you to all the Best of Omaha voters, who support local businesses!

BEST OF OMAHA: SHARE THE LOVE

or over three decades, Omaha Magazine’s Best of Omaha contest has been the best way for consumers to demonstrate their love for local businesses.

And that love is real!

“Nicole at Creative Hair Design kept my length and took me to my natural gray. So unbelievable—no 1-2-year grow out!,” wrote “Voter #61914” last year. “Soaring Wings is a delightful spot to relax, listen to live music, and catch up with friends over some delicious wines!” enthused “Voter #353497.” And “Voter 36522” stated: “Village Pointe Oral Surgery go above and beyond to care for their patients. Very easy to get in and quick as well.”

There are even more examples that showcase just how much voters' voices matter. "Hello Garage did an amazing job on my ultimate 'She Shed,'" averred "Voter #32785." "They were great to work with and fantastic at helping me with my vision." When it came to their love of their favorite restaurant, "Voter #19931" was eager to share their opinion: "Guaca Maya. Fantastic Mexican buffet! Authentic 'Grandma' cooking. Handmade flour or corn tortillas. Great staff. Very reasonable prices." "Chef Alfaro is incredible. Get sauced, baby!" wrote "Voter # 36720," invoking the restaurant's famous catchphrase. "Barocco Wine Bar is a gorgeous space unlike anything in Omaha," stated "Voter # 36109." "it's dark, romantic, quiet, no TVs, excellent bartenders, and amazing wine list and cocktails!"

These voters demonstrate just how much they love their local businesses. When you cast a vote, you share your experiences and feedback and make a difference for local businesses in categories as far-ranging as dining, health, beauty, home, retail, automotive services, and more. Omaha Magazine’s annual “Best Of” publication then serves as a guide for our readers to rely on and use all year long to find the best of the best in the city. It’s a valuable consumer resource that you’ll turn to time and again.

There is only one “Best Of” contest in Omaha, and we are proud to present the longest standing—and most trusted—voting event of this kind, not only in the city but also in the country. Voting begins July 1 and runs through August 20 on bestofomaha.com. Every vote matters, and we encourage you to vote for your favorite Best of Omaha categories every year. It’s quick, easy, and convenient.

Thank you, let the voting begin, and share the love!

Kim Carpenter Editor-in-Chief

Omaha Publications

With Omaha Magazine’s annual Best of Omaha contest, readers know that they can rely on a publication that will serve as their definitive annual guide for finding the best of what they’re looking for in the metro whether that involves pinpointing the best place in town to order the perfect Bloody Mary or deciding on the best orthodontist for a new se t of braces.

Reliable, trusted, accurate that’s what the Best of Omaha contest delivers year after year. And that’s thanks to voters like you, who take the time to recognize their favorite local businesses. Without you, for example, we wouldn’t know where to find Omaha’s most dependable home service providers. The Best of Omaha takes the stress out of finding a plumber, electrician, or home builder all the listings are at your fingertips.

Voting starts July 1 and runs through August 10 on bestofomaha.com. Every vote is unique. Every vote counts. Every vote matters.

As our way to thank voters for taking the time to share their top business recommendations with the community, we are gifting a complimentary subscription of six free issues of Omaha Magazine, which will include the Best of Omaha Annual Results Magazine. You won’t miss a single story about the people who make Omaha a spectacular place to live, work, and play and you’’ll also receive the most comprehensive resource available for finding the best businesses that make all th at possible.

JOSH QUINN –

Omaha’s Music Man

t age four, Josh Quinn beheld the grandeur of his first opera–Rigoletto at the Metropolitan Opera, and his path was set.

“I knew that opera was going to be my life. I didn’t know to what capacity, but I knew,” he reminisces. “I had been listening to opera at my grandma’s house since birth. When I started taking voice lessons, I only wanted to sing opera, even though I was only 8 years old. I also remember taking opera scores to my piano lessons around age 9 and working

on technique through playing the piano/ vocal scores, singing along because I already knew how the music went.”

Through his lifelong evolution as a singer, pianist, vocal coach, and conductor, Josh’s dedication to artistic exploration landed him as the Head of Music at Opera Omaha.

For Josh, opera isn’t just a cultural artifact; it’s a lifeline, pulsating with the essence of emotion and experience. “It portrays humanity in a unique way,” he reflects. With

the Omaha community in mind, Josh and the Opera Omaha team curate opera titles, recital programs, and musical events in the community that seek to speak to the soul, balancing classics with contemporary gems that challenge and invigorate.

As the Director of the Opera Omaha Chorus, comprised of local singers, he finds inspiration in the mosaic of voices that echo Omaha’s diverse landscape.

“As I’m standing at the podium leading a rehearsal, I see a doctor, a pastor, or an elementary school teacher. The fact that they all bring their unique lived experiences and their individual voices together to create something magical is extremely inspiring to me. Their enthusiasm and drive feeds mine.”

But Josh’s mission extends beyond the Orpheum stage. From seasoned patrons to wide-eyed children, he believes in the transformative power of music to bridge divides and ignite imaginations. “The passion that I had for music when I was a child is at the exact same level now, if not more.” Regardless of the audience, Josh’s approach hasn’t wavered.

“I believe the music reigns supreme. When I was little, it was the music that drew me in, the storytelling conveyed in each note, and the emotions that speak through the music. If I can deliver the music as an authentic vessel, opera can and will bring anyone in. From a six-year-old to someone who has seen 100 operas, my job is the same: to be a conduit for the composers and the magic written into the music.”

For Josh, opera isn’t just an art form–it’s a beacon of hope, a sanctuary where souls find solace and imagination elevates. “Opera can be an outlet to discover things about yourself –or just have two hours of imaginative discovery, and peace,” he shares, inviting all to experience the magic of opera.

In the symphony of Omaha’s Arts and Culture scene, Josh stands like a maestro with a heart that beats in harmony with the city’s pulse, weaving a melody of passion, purpose, and possibility, ensuring that all of Omaha has a chance to listen.

Opera Omaha

185 0 Farnam St. Oma ha, NE 68102 402.346.7372 op eraomaha.org

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KIOS’S COVERAGE OF ARTS AND CULTURE IS FOCUSED ON LOCALLY PRODUCED SHOWS THAT CONSIDER HOW OUR COMMUNITY LIVES.

R Omaha Public Radio

adio profoundly changed the American culture by exposing more people to new ideas, music, news, and entertainment. Today, Omaha Public Radio continues to play a vital role in spreading information, educating and enlightening people, and it helps make listeners in our pluralistic society more responsive, informed human beings and intelligent responsible citizens.

Omaha Public Radio brings the world to the Omaha community and beyond 24 hours a day the world of politics, science, culture, and music. Through our daily lineup of fact-centered reporting, insightful conversations, and strong community focus, KIOS provides connections to the heartbeat of Omaha in ways no one else does.

In addition to national and regional programming, KIOS’s coverage of arts and culture is focused on locally produced shows that reflect how our community lives. This is reflected in jazz, blues, adult alternative, ambient and retro music shows, live interviews

on a diverse range of cultural topics and film, and conversations on how to live well physically, mentally, emotionally, and spiritually across fields and disciplines. KIOS also amplifies the voices of local nonprofits in a daily intervie w segment.

Full program lineup at kios.org

Tenaska Center for Arts

Engagement opens in 2026

Classes, workshops, and camps for all ages and experience levels coming soon!

Check o-pa.org/Tenaska for updates!

MAKING WAVES BEYOND THE CONCERT HALL

With 70 contracted musicians in its 2023-24 Season, the Omaha Symphony is one of the largest artist corps i n Nebraska.

Together, those musicians not only perform the highest caliber of orchestral music in Nebraska, but they also teach, play, volunteer, and liv e in Omaha.

You’ll see them buying groceries, jogging through your neighborhood, and often planting roots and raising thei r families.

Rosario Galante, who joined the Omaha Symphony full-time in September 2023 as Assistant Principal Clarinet and Eb Clarinet, was born and raised in Omaha. His father, Carmelo Galante, settled here in 1988 after joining the Omaha Symphony as Principal Clarinet, a post he holds in the orchestra t o this day.

“I grew up coming to concerts here all the time. After pretty much every concert, [my father] would have me come up on stage and say hi to him and a bunch of people who are now my colleagues,” Rosario said. “Hearing him in the orchestra and how the clarinet sounds–it always made me interested and want to follow that path.”

Rosario said he knew he wanted to play the clarinet for a career after his first rehearsal with the Omaha Area Youth Orchestra as a high schooler. After studying clarinet and

landing a job as 2nd/Eb Clarinet with the Dayton Philharmonic Orchestra, Rosario left to take the spot that opened next to his father in the orchestra that he grew up listening to.

Now, both Carmelo and Rosario work to continue the classical tradition, teaching lessons to students of their own and playing educational concerts with the Omah a Symphony.

Anne Nagosky, a long-time violinist with the Symphony, leads one of the largest music studios in Nebraska. Her 60 violin and viola students range from 4-year-olds just learning to hold a bow to young adults polishing their skills for the big stage.

Even as students, they take that stage annually at the Physicians Mutual Omaha Symphony Christmas Celebration, when they join dancing Santas, Broadway singers, and, of course, the Omaha Symphony at the Holland Center to play hol iday music.

“A few of my former students are professional performing musicians and others are music teachers, at least one is a music therapist, and many are lifelong music lovers and supporters,” Na gosky said.

Endeavors like Nagosky’s are built on top of Omaha Symphony-sanctioned initiatives like Forte, a community programming division that aims to amplify the strengths of the Omaha community.

Forte annually provides over 50 free-to-attend events at schools, gathering places, and parks like the Gene Leahy Mall, where thousands gathered in Fall 2023 to watch "Sounds of the City," a diverse concert featuring the Nebraska Chinese Association, Mariachi Rey Azteca, and more partner performers.

Omaha Symphony President and CEO Jennifer Boomgaarden Daoud said she sees the Gene Leahy Mall as a conduit that bridges the gap between the Symphony and the people it is meant to serve.

“We want to let people in Omaha know that this is their Omaha Symphony,” Boomgaarden Daoud said. “We exist to promote and perform music in this city, and we want everyone here to be able to experience the extraordinary impact of an orchestral perf ormance.”

Om aha Symphony 1905 Harney St ., Suite 400 Oma ha, NE 68102

4 02.345.0606 omahas ymphony.org

So SoPlacesMany PlacesMany

Deb Koesters is a seasoned traveler with merely one U.S. state left to visit (Alaska), and only Australia left to experience among the seven continents. She’ll mark those off the list at some point in the not-too-distant future, Koesters said, but her travels are really about seeing the everyday lives of people in other cultures and the remarkable places off the beaten path that don’t necessarily cater to tourists. Through her new venture, So Many Places Travel Co., she’s now bringing that kind of immersive travel to other women.

“There’re only so many places you get to go in your lifetime. And there’re only so many people you get to meet. You know, when you get to meet people all over, you find out that they are so different and they are so much the same,” Koesters said. “You don’t get to know about people until you really go in and visit and see wh at they do.”

Koesters’ concept for So Many Places was emerging by 2020, but then came the COVID-19 pandemic. While it temporarily halted international travel, it also made Koesters even more appreciative of the opportunity to see the world and spurred her efforts to create a small-group travel company. In 2023, she took So Many Places’ first group, 10 women, to Oaxaca, Mexico. She’s returning with another group of women later this year, October 29 through November 6, to celebrate the Mexican holiday Day of the Dead.

Koesters was known in the community, along with her husband, Dick, as a longtime owner of SBT Hair Specialists (formerly Salon Bon Ton). Hairstyling is itself an art of sorts, and Koesters has also long expressed her creative talent as, naturally, a fiber artist. She’s fascinated, she said, with the work of artisans from around the globe who work in the s ame medium.

“There’re a lot of fiber artists out there doing different things,” she said. “I’ve met people from all over becaus e of fiber.”

It makes sense that Koesters also integrates art into her So Many Places trips, not only through local art and artisans, but also by guiding travelers in crafting their own pieces that serve as one-of-a-kind keepsakes. Last year’s activities included creating and dyeing felted scarves and making paper from natural fibers. A cooking activity, such as hand making tortillas, was also part of the experience.

“It’s really about bringing home your own souvenirs that you experienced during the trip,” Koesters explained. “When I say ‘arts and culture,’ it’s eating the food that you are making in the cooking classes and going to the market and buying the food. It’s meeting the people and actually going in and creating.”

“The reason I do that is because that’s how I like to travel,” Koesters said. “I like to be with people and then I like to be on my own.”

“Deb is detail-oriented and is laser-focused on giving her clients experiences that they’d be hard-pressed to have on their own,” said Chris Christen, a participant in So Many Places. “Her itinerary was well-mapped out with local guides taking us by van to various points of interest in and around Oaxaca. If I had planned my own trip, it would not have been as fun, enriching, or fulfilling. I learned a great deal about life in this part of Mexico from the local guides, made new friends in my travel companions, and came away enlightened about a part of the world that I had not visited before.”

Family influenced her love of travel, Koesters said. Not only did her parents enjoy traveling around the U.S., as a child she admired the souvenirs and stories an uncle collected in his three trips around the world.

“He had things from Africa, he went to Papua New Guinea, he went to Afghanistan. He’d been to all of these places, and I was like, ‘Really, people can do that!’” she said. “I grew up with that.”

In turn, Koesters and her husband have gifted each of their grandchildren a trip with them to the lower 48-states location of their choice upon eighth grade graduation. After high school graduation, it’s a trip outside the U.S. The most recent grandparents and grandchild destination was Uzbekistan.

“I want to teach the grandkids the value of travel,” Koe sters said.

There’s more ahead for So Many Places, Koesters said, in addition to the 2024 women’s trip to Oaxaca. Future trips may not all be women-only, and she’s considering a European destination for 2025.

“The next place that I’m looking at is possibly Prague (Czech Republic) and Budapest (Hungary),” she said, adding that both communities, of course, also boast a richness of fiber art.

“They do some fantastic work,” Koest ers said.

"When you get to meet people all over, you find out that they are so different— and they are so much the same. You don’t get to know about people until you really go in and visit and see what they do.”

-Deb Koesters

Experiencing Art and Culture Through Travel Adventure

In addition to group activities and tours, Koesters builds in time for participants to explore by themselves. She also prices the travel packages for single occupancy lodging, knowing that some travelers like having time to reflect and relax away from the group.

To learn more, visit somanyplacest ra velco.com.

STORY BY KARA SCHWEISS

PHOTOGRAPHY BY BILL SITZMANN

DESIGN BY RACHEL BIRDSALL

Pentathlete, Heisman Trophy-winner, All-American, NFL halfba ck Olympian.

Of all Morton A. Kaer’s accomplishments, which extraordinarily even included rooming and playing football with John Wayne at the University of Southern California he spoke most affectionately of being born in Omaha. Nicknamed “Devil May Kaer” for his derring-do athleticism and chiseled movie-star good looks, the Nebraska native lived a storied life well worth remembering. As we celebrate the 2024 Summer Olympics in Paris, it’s fitting to look back at a man who medalled for the United States 100 years ago during the 1924 Olympics in the ver y same city.

Kaer stemmed from Danish roots. His father, Andrew, immigrated to the United States from Denmark in 1869, settling in Omaha, where he eventually owned a grocery store. Shortly after, he married Ellen Armour from Pottawattamie County, Iowa. Their son, Mortan, was born on September 7th, 1903, as the youngest of four children.

When Mort was 8 years old, the Kaers moved to Red Bluff, California, where the elder Kaer ran a peach farm and served as a preacher. In an oral history interview with the LA84 Foundation in November 1987, Kaer shared, “It seems like I was always running. There was a lot of wide open land where we lived. I remember chasing jackrabbits, jumping hedges, and so forth. Then one day I lost a race to two other guys, and that kind of made me mad. So the next time we raced, why I won. And I don’t remember losing many races after that. I was pretty much a natural athlet e, I guess."

This natural athleticism led young Mort to become part of Bluff High School athletics. There, he played football and ran track, breaking records as he raced, hurdled, and jumped. Regarded as one of the best student athletes ever to have attended the school, Kaer still holds the broad jump record at 23 feet and 2 and three-qua rter inches.

In 1923, Kaer attended USC, where he pledged Sigma Chi. “At our fraternity initiation, they took us way out somewhere in the hills above Santa Monica, and we had to get back to school somehow. Well, I had hidden some money in my sleeve and got on one of those red cars and was back at school in no time,” he mischievously confessed. “I slept over on Bovard Field [on USC’s campus], because I knew if I showed up that quick, they’d send me right back out.”

Sigma Chi aside, Kaer’s defining experience at USC was playing on the varsity football team in several positions, including quarterback, running back, and defense. One of his teammates was John Wayne. “He played on the offensive line,” Kaer remembered. “He was then known as Marion Morrison. I remember running into John years later; he was real glad to see me, a real nice guy. But all these men around him, his guards, I guess, made it hard to get through to see him.”

Before his sophomore year, Kaer tried out to participate in the 1924 Olympics in Paris, France, and quickly secured a spot on the US team. This was the final year that the Classic Pentathlon was an Olympic event, and Kaer’s brother sent him a “good-luck” telegram that pithily said: “Go get ‘em, Sparky!” He later recalled that numerous passengers (save him) became violently seasick on the way across the Atlantic and that a French man accidentally electrocuted himself while attempting to repair the wiring at the chateau where Kaer and his teammates were staying. Everyone chipped in some money for the m an’s family.

Kaer took the bronze medal for America in the five-event competition. (Events included long jump, javelin throwing, discus throw, 200 meter dash, and 1,500 meter run). He later shared that

he had competed with extreme dental pain, noting, “I always figured I might have done better without that ulcerated tooth.” Still, he enjoyed interacting with the Japanese team, who congratulated him on his discus throw, and the British athletes, who, he averred, “showed the best sportsmanship; they would cheer for whoever won, not just their own athletes. I was real impressed with that.”

Kaer was less impressed with Parisian nightlife, which he experienced with teammate Lee Barnes. “We went to a show one night, but something happened and we didn’t get to go in. Then a guy came, and he said that his show was better. When we got inside, we saw that is was a strip show. Well, I told Lee I didn’t want to stay,” Kae r chuckled.

“Lee said, ‘We’re here; we might as well stay.' I said, ‘I’m going to go.’ And then Lee agreed and said, ‘Okay.’ Then, as we were leaving, this girl at the door tried to make us stay. Anyway, she finally le t us leave.”

After his victory in the Olympics, Kaer returned first to Red Bluff, where a band was waiting to welcome the Olympic hero, and then returned to USC. In 1925, Kaer became an All-American tail back with 576 yards rushed and 19 touchdowns. In 1926, he played the first USC-Notre Dame game, recalling that “it seemed that all the people in the Coliseum were rooting for Notre Dame. They were the smartest team we ever played; they seemed to know our plays as well as we did.” USC lost that game to Notre Dame 13-12, and Kaer was hit hard out of bounds. “Ever since then I’ve had this bent rib,” he lamented.

Injury aside, Kaer’s athletic prowess prompted Los Angeles sports writer Braven Dyer to coin the “Devil May Kaer” moniker, an apt nickname for such an athlet ic phenom.

“You’d be surprised what you can do with some kids if they really want to work hard…I think you can’t let up — you may have the talent, but you still have to work hard.”

–Morton Kaer

MORTON “DEVIL MAY KAER”

OMAHA’S OWN OLYMPIAN

PHOTOGRAPHY

STORY BY SAMANTHA INGERSOLL WITH CLAUDIA MOOMEY

BY BILL SITZMANN

DESIGN BY RENEE LUDWICK

Opening in September:

History

By the end of his three-year football career at USC, he had rushed a total of 1588 yards, a record broken only by Heisman Trophy winner O.J. Simpson in 1968. Kaer’s 41 touchdowns via running and passing remain in USC’s archi v e d records.

After graduating from USC in 1926, Kaer went on to participate twice in the East versus West Shrine Game in San Francisco, played amateur and semi-pro football, and spent two years with the Philadelphia Yellowjackets (now the Philadelphia Eagles) in 1931 and 1932. Kaer, who by then had married his wife, Vera, didn’t much care for all the travel involved with playing professional football. Then there was the salary issue: “Towards the end of the season, we weren’t getting paid, so everyone went home,” he confided. “The next year, they came back as the Philadelphia Eagles; they did that because they owed us money and would have had to pay us if they were still called the Yel lowjackets.”

Following his illustrious athletic career, Kaer went on to accept a coaching position at the University of Nevada, leading the freshman team in an undefeated season. He then tried his hand at coaching at the high school level for Weed High School in Weed, California. This is where his coaching passion flourished. Equality among players was paramount to Kaer, and he kept this philosophy until he retired from coaching in 1972. “I have but one system,” Kaer would say, “that is to treat each individual the way he believes he should b e treated.”

Asked what his piece of advice would be to both athletes and coaches, he responded: “You’d be surprised what you can do with some kids if they really want to work hard…I think you can’t let up you may have the talent, but you still have to work hard.” Kaer, who himself had worked hard his entire life, was inducted into the College Football Hall of Fame and the USC Athletic Ha ll of Fame.

Retirement was peaceful, with Kaer spending his time traveling, hunting, and fishing all the things he loved outside sports. He and Vera shared a son and daughter and eight grandchildren. Son Mort Jr. followed in his father Devil May

Kaer’s cleat steps and attended USC on a football scholarship. A diagnosis of atherosclerosis caused cardiac dysrhythmia, which eventually led to cardiac arrest. Kaer passed away in 1992 at the age of 89, but his legacy lives on, and in 2014 he was inducted into the Northern California Sports Association H all of Fame.

“He is often forgotten because so much time has passed since he was known to the world,” said Samantha Ingersoll, Kaer’s great granddaughter, who today lives in Omaha. “He was an amazing man and should be remembered for all he accomplished at his young age. He was a small boy from Omaha who moved west to make the American Dr eam real.”

For more information, visit olympics.com/en/ athletes/morton-kaer.

Did you know the increasing amount of screentime is causing children to develop myopia/ nearsightedness. Children ages 5-19 are most at risk for myopia progression earlier in life. We offer specialized contact lenses that control myopic progression and eliminate the need for glasses.

A Self-Propelled Creative Rocket

Kennedy

GEN O

Wallman,s

Path from Art

Student

to Curator

Kennedy Wallman has already made an indelible mark on Omaha as both a multidisciplinary artist and a visionary curator. Currently a student within the Art and Art History Department at the University of Nebraska at Omaha (UNO), the 20-year-old’s artistic journey was ignited during her childhood and came into full bloom during her te enage years.

"I always loved art class, but high school was when I started taking art more seriously," Wallman reminisced, attributing much of her early development to the guidance of her Bellevue West High School art teacher, Mrs. Paula Yoachim, whose unwavering support and encouragement nurtured Wallman's budding talent. It was during her junior year that Wallman's artistry garnered wider recognition, receiving an honorable mention in the prestigious Scholastic Art and Writing Awards for a self-portra it project.

Despite initially pursuing art education at UNO, Wallman's trajectory shifted upon encountering the world of curating through an art history course. This revelation prompted Wallman to pivot her major to Art History with a minor in Studio Art, marking the genesis of her journey toward a career in cura torial work.

“Once Kennedy has her blueprint and commits to it, she's amazingly diligent she’s like a self-propelled creative rocket,” Dr. Adrian Duran, Wallman’s art history thesis advisor and professor, said. “You don't have to lay the bricks with Kennedy. Kennedy already has the walls bui lt for you.”

Off campus, Wallman often works with other artists around town. Internships at the Bemis Center for Contemporary Arts and BFF Omaha have also been major influences on her growth. Through BFF, for example, Wallman developed curatorial experience working with Omaha artists on "Shout, Speak, and Scream Queer." This exhibition, which showcased the works of local LGBTQIA+ artists, was a bold statement against discriminatory legislation and a celebration of que e r identity.

“For me, creating art is more personal, whereas curating is meant to be more of a collaborative and educational process,” Wallma n explained.

However, it’s Wallman's now-annual exhibition, "Experiences of Femininity," that truly encapsulates the growth of her curatorial expertise, originating from an impromptu exhibition in her living room with her dorm

roommate. The show has since expanded to UNO’s Criss Library and features the work of other student artists acr oss campus.

With encouragement from her former sculpture professor, David Helm, Wallman and classmate Miranda Knofczynski brought the show to the library in the spring of 2023. For this year's show, Wallman worked

“She's one of those that will sneak up on you. It's a competitive world out there, but if this is any indication, we're gonna be hearing a lot more about Kennedy Wallman in the future.”

-Dr. Adrian Duran

alongside her classmate Toni Parker. The co-curators put in more marketing work than ever before, resulting in double the artists and artwork.

"The goal of the show is to showcase the various aspects of femininity, which means something different to everybody," Wallman explained. "Our job as curators isn't just to showcase the art, but to educate and shed light on cer tain ideas.”

“She's a huge engine for other people,” Duran said. “She’s helping other students get their work into exhibitions and turning the library into a more active art space. This show will likely carry on beyond Kennedy and her team into the future for as long as we keep giving it energy.”

Wallman's own artwork explores themes of personal narrative and societal commentary. One standout piece of hers, "Growing Pains," is a collage that juxtaposes cutouts from a Nebraska nature magazine with cutouts from a Life magazine about the tumultuous events of 2020. The collage features imagery of protestors, white nationalists, N95 masks, and funerals. There are also beaches, mountains, farm workers, and a multitude of colorful, blooming flowers. The piece leaves viewers no choice but to take a moment to reflect.

Wallman frequently explores her identity as a woman in her art. A piece exemplifying this is "Just A Girl," where two recurring elements in her repertoire, bows and magazine cutouts, take center stage. A personal narrative piece titled "Ellie," a large-scale painting standing about four feet tall, commemorates her transition from teenager to adulthood with imagery of bows, a birthday cake, a childhood photo, and a stuffed elephant. "It's one of my favorite pieces," Wallman reflected w ith a smile.

A handmade tiger rug garnered attention at the 2023 UNO art show. Inspired by tattoo imagery, the tiger-shaped rug is a testament to Wallman’s dedication and craftsmanship. "Every single loop on that rug is from an individual punch with the needle," she explained. "It was an all-summ er project."

Wallman is poised to graduate in Spring 2025, with aspirations of pursuing graduate studies in art history and finding curatorial work at the museum level. The 2025 "Experiences of Femininity” show is set to be three months long rather than two weeks, and has already secured a dedicated gallery space in the Osborne Fam ily Gallery.

“She's one of those that will sneak up on you,” Duran said. “It's a competitive world out there, but if this is any indication, we're gonna be hearing a lot more about Kennedy Wallman in the future.”

For more information about UNO’s Art and Art History pro gram, visit unomaha.edu/college-of-communication-fine-art s-and-media.

Keeperof the Castle

Amy Richardson Leads

Joslyn Castle & Gardens into a New Era

The Seventh Generation Principle, rooted in an ancient philosophy of the Haudenosaunee Confederacy (Iroquois), encourages stewardship by compelling us to consider our intergenerational impact. It urges us to live and work for the seventh generation that follows us and to honor the seventh generation that preceded us. With its rich 120-year history, Joslyn Castle & Gardens stands as a testament to the significance of thoughtful preservation, embodying the essence of this timeles s principle.

Completed in 1903, Joslyn Castle remains a reflection of its original owners, George and Sarah Joslyn. As Omaha's first millionaires and philanthropists, the Joslyns believed in the power of wealth as a force for good, shaping and funding the city's arts scene with their generosity. Today, the Scottish Baronial mansion’s meticulously preserved 30+ rooms and sprawling gardens are a reminder of the Joslyns’ enduring impact on the community.

As stewards of the iconic Midtown property, the Castle's current staff maintains a rigorous schedule of diverse arts and cultural programming under the leadership of Executive Director Amy Richardson. From musical performances and art shows to educational lectures and tours, the Castle's calendar reflects the Joslyns' belief in the power of cultural engagement, honoring their legacy while embracing the opportunities of today.

“We maintain the Castle and its beautiful green space the same way the Joslyns did everyone is welcome, whether you’re a farmer wearing overalls or dressed in a mink coat,” Richardson said. “The key to ensuring the succession and sustainability of the Castle is making sure our community engagement is on all levels.”

The new Castle and Cathedral Arts District is the most recent initiative reflecting their commitment to engage with the surrounding community. Much of the Castle’s programming is based on direct feedback from people expressing what they want to see, Richardson said. Today, the Castle holds the prestigious status of being an Omaha Landmark Historic Structure, listed on the National Register of Historic Places for its national significance, while its grounds are recognized as part of the Nebraska Statewid e Arboretum.

“When Sarah Joslyn died, she left this house with a mandate that it wouldn’t be a private family home or business, but rather, serve a greater civic purpose,” Kelli Bello, director of development and outreach, said. “When we design programming, we always think of ways we can engage with our neighbors and our city the wa y she did.”

Bello added that a majority of today’s programming reflects the Joslyns’ interest in music, art, theater, literature, and environmental stewardship, now hosted across the property and its 5.75-acres of gardens. Other initiatives cater to children and families, all in line with the spirit of community and fellowship that the Joslyns championed.

The gardens, Bello said, are a picturesque green space with great historical significance. Open daily for public enjoyment, visitors can stroll along curved paths, admire seasonal floral displays, and relax under majestic old trees. Families and friends can gather for picnics on the wide lawns, maintaining the naturalistic charm of the property.

“We’re very intentional about maintaining this green space,” Richardson said. “Without its liveliness, the Castle could potentially be one of those places that gets boarded up and opens only a few times a year but this space has a much greater purpose.”

Bello expressed how remarkable it is for garden maintenance to be entirely run by volunteers, considering the nearly six acres of grounds they have to cover. “We work so hard to not only make this a thriving destination, but to also physically keep it standing. The property is over 120 years old; it's aging. We have old house problems, and they get expensive.”

Joslyn Castle's involvement in the Castle and Cathedral Arts District, spanning from Cuming to Dodge streets and Saddle Creek Road to 38th Street, echoes this goal to build partnerships with its surrounding neighbors. Teaming up with Cali Commons, the Cathedral Arts Project, and the Joslyn Castle Neighborhood Association, the Castle is part of a collaborative effort to promote economic growth and cultural vitality through the arts. Alongside Benson, it stands as the only other certified creative district in the area.

FEATURE // STORY BY NATALIE VELOSO // PHOTOGRAPHY BY BILL SITZMANN // DESIGN BY RACHEL BIRDSALL

For expanded content, open the camera on your smart device and hover over the QR code above.

“We’re different from other arts districts I've seen across the state in that we’re not only a historic district we’re also residential,” Richardon said. “We're not a bunch of galleries or bars and restaurants, and we love that difference.”

“The district is a way of encouraging more local artists to stay in the area,” John Paul, community engagement liaison and liaison for the Creative Arts District, explained. “It also encourages other creatives to move in, because they want to be part of this vibrancy, as do businesses who’d like to strengthen their civil par ticipation.”

“When Sarah Joslyn died, she left this house with a mandate that it wouldn’t be a private family home or business, but rather, serve a greater civic purpose. When we design programming, we always think of ways we can engage with our neighbors and our city the way she did.”

Supported by a $250,000 grant from the Nebraska Arts Council, initiatives like the artist-in-residency program, spearheaded by its first artist, Watie White, are bringing more art to the heart of the neighborhood. White's residency, centered on creating hand-drawn portraits of community members, serves as a catalyst for future endeavors within the district. These portraits will be displayed throughout various establishments across t he district.

“Portraits are a way of immediately engaging with people,” remarked White, who will host both a district-wide art show and a show at the Castle by the end of the year. “In the end, I’ll be able to give the drawings to all the people who have modeled for them, which means they walk away with a tangible thing that connects them to this area.”

White encountered some of his black-andwhite portrait subjects at a local cafe, while others were visitors of Joslyn Castle, where he works from a naturally-lit room on the second floor. The smiling face of a neighborhood mailman, alongside others he has met while walking the neighborhood, is one of many on the portrait-covered wall in White’s studio. “He was so thrilled to pose for me and be part of this project,” said White, smiling, of the post al carrier.

“What Watie has done is given the community a human face by immortalizing and beautifully capturing people who might not have been noticed before,” Paul added.

Moreover, the Castle's transformation of its carriage house into a gallery and visitor center further enhances the district's offerings, providing another platform for local artists, authors, and more to showcase their

Kelli Bello

work. The district aims to preserve cultural heritage by leveraging partnerships that promote collaborations like these.

“Being the heart of the arts district, I think we're living the history that the Joslyns were major supporters of,” Paul said. “I feel in my heart that we're making them happy by building a sense of community through the arts and having people gather for an art show, a thought-provoking talk, or a musical p erformance.”

The Summer Fête, a grand summer garden party that pays homage to a similar event hosted by the Joslyns in 1897, is a major key to maintaining this legacy long term, Paul noted. The Fête is the Castle’s main annual fundraiser, providing crucial funding to sustain year-round public access since 2017.

Inspired by archived Omaha World-Herald reports detailing the original festivities, the Fête recreates the ambiance of the past with activities like Russian tea tasting, a live brass band, tarot card readings, and outd oor dining.

“Attendees get to see what makes this Castle the prized jewel of Midtown,” Richardson said. “Every year, it's a chance to show people what our major endeavors are, which encourages them to donate and keep our programm ing alive.”

Beyond the fundraising aspect, the Fête fosters a sense of community and historical appreciation, inviting guests to engage with the Joslyns’ legacy while supporting the Castle’s longevity, securing its maintenance for their own descendants to enjoy.

The 2023 Fête marked the 120th anniversary of the Castle, honoring its early days while moving toward the future under Richardson’s direction. With a promise of maintaining and spearheading more innovative programming, strategic partnerships, and a commitment to sustainability, Richardson aims to propel the Castle into its next chapter, ensuring it remains a vital asset to Omaha for another 120 years and beyond.

“Amy’s background is one of deep social service, so her leadership is driven by a humanistic factor,” Paul said. “We have this beautiful architecture and art, but it’s really about how we use these things to create safe spaces and break down social barriers, class barriers, racial barriers, and gender barriers, which Amy has been a big part of.”

With extensive experience with nonprofits and a passion for history and women's stories, Richardson is uniquely suited for her role. Her previous experience at the Dr. Susan La Flesche Picotte Center in Walthill, Nebraska, where she worked to preserve the legacy of the first Native American physician in the United States, underscores her commitment to historical preservation and community engagement.

“There are many parallels between Dr. Susan and Sarah Joslyn; these women both came from humble beginnings and were incredibly charitable to their fellow man,” Bello noted. “Amy's done such great work [in Walthill], and she's taken that energy and done the same with the Castle.”

Under Richardson's leadership, the Castle has fostered growing ties with the Indigenous community, particularly the Omaha nation, Paul said. “We found out through some of Sarah Joslyn’s descendants that the Joslyns held a powwow here every year, and she really appreciated Native arts and culture,” Richa rdson said.

The Castle holds similar Indigenous Peoples' Day celebrations annually to celebrate the history and heritage of Omaha's First Nations People, as well as maintaining an Indigenous garden in the northeast corner of the property. Officially titled the Unceded Collective Indigenous Garden, overseen by Omaha tribe member, Mi’oux Stabler, it was planted by the Omaha tribe and is cared for by volunteers.

“To me, the Castle is a wonderful open book, and the future is bright with Amy,” Bello

FEATURE

said. “It’s had several chapters over 120 years, and it feels like we're at the start of the next one.”

Keeping the Castle relevant and engaging for the next 120 years is an endeavor majorly fueled by the community’s interest, B ello noted.

Participation in recurring events are part of this, such as "Architecture on Tap," a happy hour lecture series in partnership with Infusion Brewing, making history and architecture more approachable. The organization also hosts "Once upon a Time at the Castle," a free storytime series in collaboration with the Omaha Public Library, where children can dress up in fairy tale costumes and enjoy activities in t he gardens.

“We are also the site of many special private events; people can rent the Castle for weddings, bar mitzvahs, birthdays, and baby showers,” Bello added. “This is a site for a lot of beautiful fami ly moments.”

“The ‘Castle’ title can make people hesitant to approach us sometimes, so our goal is to ensure the community knows that the Castle is the public's home as well,” Paul said. “Anyone can come enjoy the grounds or participate in public and community p rogramming.”

Additionally, partnerships with Opera Omaha, FolkHouse, and the Creative District continuously bring exhibitions, author readings, music, and festivals to the Castle’s grounds. Public tours are another cornerstone, offering seven regular tours weekly, as well as opportunities for school, bus, and private group tours, ensuring that the Castle remains access ible to all.

“The world can be chaotic and full of challenges, and to see a structure like the Castle still standing brings a certain sense of hope and resiliency,” Paul noted. “We invite anyone to propose additional uses for this space. We're charting that future together.”

Richardson envisions the Castle enduring as a beloved landmark in Midtown that will proudly continue to preserve the legacy of George and Sarah Joslyn, serving its community for at least anothe r 120 years.

“We have mapped a future for this place, and its history is a big part of it. It is a privilege to be able to touch something that will live on in Omaha for the next seven generations and beyond.”

For more informa tion, visit josly ncastle.com.

2024 First Place

Tattoo Parlor

ou might not be able to distinguish an eff acé from an écarté or spot the difference between a jeté and a croisé, but most people watching ballet understand just how physically demanding the performing art form is. American Midwest Ballet (AMB) dancers Marsalis Anderson-Clausell and Alexandra Hoff man are prime examples of the athleticism behind the art. AndersonClausell has put his ineff able spin on roles such as the Wizard in “The Wizard of Oz” and the handsome Prince in “Snow White,” whereas Hoff man has pirouetted, been en pointe, and plied plenty of pliés as both the Snow Queen and Sugar Plum Fairy in “The Nutcracker.”

The Athleticism Behind American Midwest Ballet

The duo has been training since they were young children to become professional dancers. Anderson-Clausell, who has performed for two seasons as a principal dancer with AMB and is originally from Roswell, Georgia, started at age 7, attending school by day and ballet classes at night. Hoff man, who is in her ninth season with the company and hails from Cleveland, Ohio, began ballet at 3 and also trained as a gymnast. She became so devoted to the art form that she didn’t attend football games or prom, the usual rites of passage most teens experience. Instead, she spent her time at the ba llet studio.

Th at intensive training has transformed AndersonClausell and Hoff man into not only highly skilled dancers, but also impressive athletes. “They are really strong and also have agility, speed, and precision in their dancing,” said Erin Alarcón, AMB’s ballet master. “Their strength combined with all of these attributes are undervalued in athletes. In addition to athleticism, they need mental stamina and fortitude.”

The dancers’ schedules speak to that discipline. Each morning, Anderson-Clausell and Hoff man begin their routines with physical warm-ups. When the former arrives at the studio, he stretches and rolls out any tightness or soreness in his calves. Hoff man typically heads straight to physical therapy since she nurses an old injury. (She had knee surgery eight years ago.) Unlike her colleague, she wears toe shoes, which contain a sturdy box that allows her to dance on the tips of her toes. Th at means she must often combat the pain that accompanies performing en pointe. Both often turn to analgesic topical balms such as Tiger Balm and Biofreeze, which help reduce inflammation. The dancers also cross-train: Hoff man likes to swim, while Anderson-Clausell frequents the gym three to four times a week. Both enjoy Pilates. “You have to be strong and also have the flexibility,” Anderson-Clausell explained of the additional physic al training.

Just as athletes use visualization techniques to focus and achieve higher performance levels, so, too, do ballet dancers. To master the art of ballet, posture, which involves maintaining an open chest and elongated neck, is crucial.

From relevé (rising en pointe) and pirouettes (turns) to petit allegro (quick, small jumps) and ballon (bouncing steps), each movement requires extreme control. “We are creating shapes and lines,” Hoff man explained. “It’s part of our technique as ballet dancers.”

Anderson-Clausell is a virtuoso when it comes to turns, with pirouettes being his performance piece de la resistance. He can execute over 30 in succession on one leg, all the while maintaining the other at a 90-degree angle. “I love doing turns; I’m in my happy place,” he shared. “I do 32 [turns], because back in my training days, they had us do them with a clean double or triple fi nish. Since I also do a lot of jumping and my variation solos all focus on footwork, when I get into rehearsal, I hone in on that. When I do it, I’m ready.”

For her part, Hoff man executes jumps that can match the height of male dancers, who on average execute 5-foot jumps alongside lightning speed footwork during petite allegro combinations. “You have to build up a lot of stamina and strength,” she said. “I’m known for jumping wit h the men.”

Partnering together is one of the duo’s greatest strengths. They’ve danced pas de deux in productions like “Cinderella” and “The Wizard of Oz.” “You have to present yourself in your artistic energy but also make sure that you are still performing as you are dancing with [your partner]. It becomes second nature,” AndersonClausell explained. “Partnering is just as athletic and more so in contemporary partnering,” Hofmann added. “There’s a big level of trust that goes into it, but so much strength from both parties…of course, the men have to lift us when we’re doing really sc ary lifts!”

Audiences, naturally, don’t see that scary side. Instead they see magnificent athleticism translated into majestic dance. “When paired together, Marsalis and Alexandra communicate to create a beautiful unit,” Ala rcón said.

For more information about American Midwest Ballet, visit amballet.org.

FEATURE

STORY BY JULIUS FREDRICK

PHOTOGRAPHY BY BILL SITZMANN // DESIGN BY JOEY WINTON

Th e Vanderveen Family For expanded content, open the camera on your smart device and hover over the QR code above.

almon are hardy animals. They’re among the few families of anadromous fi sh, ones that transition between fresh and salt water biomes throughout their lifecycles, migrating from the sea to rivers to spawn. Most species migrate to the lake or river from which they spawned to breed anew, enduring miles of downstream currents, eluding marine and backwater predators, and even scaling waterfalls if demanded by instinct. Yet, despite waterways carving nearly 80,000 miles of the state, no variety of salmon can survive the fitful seasons and gallery forests of triple-landlocked Nebraska.

With one notable exception: Nebraska City.

Situated a few miles south of downtown, the ribs of a sprawling greenhouse adjoin a large, spare assemblage of bolts and steel. Beneath its gabled roof, along repurposed catwalks choked with pipes and hoses, a marvel of engineering churns with life. Silvered scales fl ickering and sinuous in the wake of electric pumps; fanning gills jockeying for flow and feed above rippling plains. Here, Atlantic salmon are a keystone species for a novel ecosystem—and a fresh approach to Nebraska a griculture.

One of two cold-water farms to produce both salmon and leafy greens in the Midwest, Nebraska Vegetable and Protein (NVP) utilizes a recirculating aquaponics system for a land-based, climate-controlled environment. Advanced bio-fi lters in tandem with the roots of 1,600 heads of lettuce ensure that pristine, ammonia and nitrite-free water reaches the fi sh, who in turn, nourish the greens. Of course, no system is perfect— careful observation and specialized knowledge remains crucial, especially for juveniles.

“My main thing here is watching fi sh behavior, because I think it’s the most important [consideration] for fi sh health,” said marine biologist Kelly Scammon, a shoal of inchlong alevins (the earliest stage of salmon development) bobbing gently beneath her gaze. “I’m also looking at ammonia and nitrogen levels daily, your pH, your temperature—and it’s telltale when you get eyes on your fi sh when something’s out of balance.”

Her partner, aquafarmer Alan Kapitany, inspects a pea-green amalgam of tanks, tubes, and gauges—an oxygen concentrator, one sequence of a ‘polishing system’ that utilizes ozone to eliminate contagions at the molecular scale (with excess ozone removed by ultraviolet irradiation prior to reachin g the fi sh).

“Everybody builds their farm diff erently,” Kapitany noted, his voice vying for decibels amid humming machines and sluicing tail

fi ns. “Their nuances, their own processes— what kind of fi sh they’re growing, what kind of equipment they’re using or not using. There are a lot of similarities, but many differenc es overall.”

Their fields have propelled Scammon and Kapitany from coast to coast, including stints in Florida, New Hampshire, Vermont, Nevada, and Hawaii. Intrigued but understandably incredulous of the heartland fi sh farm, the intrepid 20-somethings scheduled a visit prior to accepting their roles as assistant production manager and facility manager, respectively.

“Th at skill set is not so common around here. Alan and Kelly applied, and they flew out three days later for an interview. We showed them around the area and really, really took a lot of time to show them how great life is here in Nebraska,” admitted Nebraska Vegetable and Protein Co-Owner, Kiel VanderVeen. “And then, six or seven days later, they moved across the country […] they’ve been here for six months, and it’s been incredible.”

While ‘The Good Life’ initially required some convincing, the VanderVeens’ dedication to sustainability and organic aquaculture was never in question.

“I’m really proud of our fi sh feed,” said Mimi VanderVeen, who co-owns and runs media for NVP with her husband. “A lot of fi sh farms get their fi sh ‘big and happy’ off a fi ller food, and that is one of the off-putting fl avors that come through when you’re buying farmraised fi sh. Fish keep a metabolic memory in their muscles of what they’ve consumed […] so when people are eating fi sh, often some people do have fi sh allergies, but a lot of people are actually having issues with the feeding ingredients in the fi shery rather than the fi sh itself. So, I’m really proud we’re not using dye; it helps with our organ ic question.

“Also, whatever we give the fi sh will end up with the plants, and whatever we give the plants will end up with the fi sh. So we need to be kind to both of them.”

Therein lies the secret of the VanderVeen fi sh chow…really, it’s proprietary. No red her rings here.

“We can’t disclose a lot [about the feed], but it’s proven in peer-reviewed studies to push the off-fl avors out of the fi sh so we don’t have to take them off feed. We don’t have to starve our fi sh,” Kiel added, alluding to the common industry practice of reducing off-fl avor by withholding feed for weeks prior to harvest.

However, the curious circumstances that led a young Nebraska City family to farm salmon are freely dispelled. Kiel, a certified fi nancial planner by profession but a naturalist at heart, had joined a Sherwood Foundation ‘Commuty Catalyst’ cohort, designed to explore and exchange ideas for the betterment of towns and cities statewide. When it came time for Kiel’s proposal, one concept in particular resurfaced time and again during weekly meetings: “We’ve got a shed and an old farrowing house…wouldn’t it be neat to raise fi sh?”

Th e doldrums of COVID-era lockdowns proved fertile ground for Kiel’s imagination, tempered only by Mimi’s foresight as the due date of their fi rst daughter, Sylvia, fast approached.

“I was very, very pregnant at the time, otherwise we might be raising dinosaurs,” laughed Mimi, alluding to the sturgeon Kiel initially had his sights on—a truly prehistoric genus of fi sh, clad in bony scutes and averaging 7 to 12 feet in length.

The VanderVeens found equanimity with the Atlantic salmon—a high value fi sh, more demanding to raise than trout or tilapia. Between dialing up hundreds of experts, touring an aquaponics facility in California, and absorbing countless hours of DIY YouTube footage, Kiel and Mimi transformed their humble acreage into Nebraska’s fi rst, and thus far only, salmon-based aquaponics farm. Just as remarkable, all but the electrical system has been salvaged, auction-won, and self-installed since breaking ground in 2020.

“We just auger out our growout feed. Th at’d be about 1,200 pounds a day of feed, rather than carrying in the bags,” explained Kiel, gesturing toward a pair of 10-ton capacity feeders attached to the main facility won from a c attle ranch.

Plant life is also eating well. The nitraterich fi sh water serves as a potent fertilizer, circulating beneath floating ‘beaver boards’ of lettuce that pack the 4,400-square-foot geothermal greenhouse. After three weeks of incubation, nursery-grown seedlings emerge as flotillas of lettuce—with seven varieties, including Romaine, Lolla Rosa, and Red Bibb—unfurling in succession until ripe for harvest.

“...whatever we give the fish will end up with the plants, and whatever we give the plants will end up with the fish. So we need to be kind to both of them.”

– Mim i Vanderveen

“We are an FDA-registered food-processing facility; fully licensed and compliant to process our fi sh onsite. Then we have USDA approval for the lettuce side of the operation, fully washed, sanitized, and ready to eat,” Kiel said, NVP planting 2,000 seeds and yielding approximately 1,000 pounds of salmon (fi nished product) per week. “The fi sh, you obviously have to cook…”

Despite Mimi describing the current facility as a “MacGyver episode,” it’s a testament to the VanderVeens’ patient ingenuity and work ethic. Kiel still works full-time as a CFP while Mimi has her hands full with a toddler and a newborn. In fact, this backyard experiment may soon exchange the title of “R&D facility” for “dedicated hatchery” if all go es to plan.

“We do have aspirations for growth. We are working on a pretty significant expansion with hopes of breaking ground in September, October, or November,” Kiel said, noting the involvement of six engineering fi rms “piecing together” a massive facility in a yet undisclosed location. “If we’re able to successfully build this, each one of the buildings are 888-feet long and 200-feet wide. Fifteen acres under roof, producing 6.6 million pounds of Atlantic salmon per year, along with byproducts—I think it was 2,000 tons of solid fi sh fertilizer for local farmers, about 150,000 gallons of high quality fi sh oil, and give or take 50 tons of fi sh emulsion for other farms per month.”

Once operational, NVP’s fi llets will travel far beyond area farmer’s markets and small-batch orders. Both locally sourced salmon and employment opportunities are expected to be more plentiful.

“We’re targeting 52 jobs,” Kiel added. Though a seismic shift in scale, organization, and production, the original family farm will always be a source of inspiration for the VanderVeens, one of growth. Not only is it a microcosm for their business’ future, but their children’s. Th ree-year-old Sylvia is already described as NVP’s “mini-manager” by her parents, and baby McCartney is poised to join the “crew” once she has a handle on walking, talking, and solid foods. Their backyard not only provides the VanderVeens with healthy plates, but a wellspring of topics for developing minds: biology, botany, engineering, sustainability, operations , economic s, and more.

While the full curriculum may be years away, Sylvia has already gleaned valuable business lessons during her oversight of NVP: to take pride in one’s work…and how to size up the ‘competition.’

“She loves it—she’s the boss,” declared Mimi, softening with materna l pride

“We’ll go to the Henry Doorly Zoo and she’ll go to the aquarium and say: ‘My daddy’s fi sh is bigger than this daddy’s fi sh!’”

For more information, visit facebook.com/ Nebraskavegetableandprotein/. To view exclusive video, scan the QR code.

GI VING PROFILE

Story by Claudia Moomey | Photography by Sarah Lemke | Design by Joey Winton

ADIO TALKING BOOK SERVICE

Newspapers are no longer only for the visually privileged; Nebraskans who are blind or visually impaired can rely on Radio Talking Book Service to deliver daily news via volunteer voices.

According to their website, Radio Talking Book Service’s (RTBS) mission statement is “to provide human-voiced information choices to individuals who are blind, visually impaired, or have physical disabilities which prevent them fr om reading.”

Formed in 1974, RTBS celebrates its 50th anniversar y this year.

“It’s kind of extraordinary to think about how far we’ve come in those 50 years,” said Bekah Jerde, executive director at RTBS. “The early folks laid an amazing foundation for us,” she continued. “But something happened in 2011 or 2012—they had to switch from analog television to digital television, which aff ected us greatly. We experienced a huge drop in numbers at that point. Th ey tried really hard to get everybody switched over, but it really caused a dent in li stenership.”

Th at dent has since been repaired. “When I came on in 2015, we had 574 documented listeners. We now have 12,197. One of the reasons for that big jump is in 2016 we added internet streaming,” Jerde explained. “Th at made a really big diff erence in our listenership, because then we were able to better serve care facilities and rural areas. In 2017, we started doing podcasts of our more local stuff ; newspapers, department store ads, grocery store ads—those sorts of things. We started off ering those up on demand instead of having to tune in at 10am or 6pm for the replay.”

With over 80 regular volunteers who provide over 90 hours of programming a week, RTBS has a solid team who enjoy recording readings of the publications that the organization off ers. “Th ey are the heart and soul of it all,” said Jerde. “We have one woman who just hit 30 years with us, and a gentleman who just retired with us after 32 years. So I think people really enjoy it.”

RTBS is always accepting volunteers, especially for their “listener liaisons,” during which volunteers call listeners “just to check in,” get a survey of which shows they’re listening to, if their equipment still works, and have conversations with the listeners. “The radio reading service is all over the nation. Actually getting feedback from our listeners is one of the most challenging things,” Jerde said. Listener liaisons is one of the ways RTBS is aiming to remedy that lack of feedback.

Ryan Osentowski, program director for RTBS, keeps things rolling in his big, comfy chair in the live reading room. “My job is basically to make sure all the programming gets up and running and on time,” he said. “[Th e readers] have a schedule they read through, so they take turns reading from each paper on the schedule. So for instance, they start with national news, and about 20 minutes in, they shift to local news, then about 12 minutes ’til, it’s editorials. Th en there’s a break and they come back with obituaries, living, business, and sports.”

Besides reading newspapers and magazines aloud, RTBS also provides audio description for plays and community events. “It has just been phenomenal,” Jerde said of the audio description program. “We have set dates with the Rose Th eater, Omaha Community Playhouse, and the Orpheum Th eater…additionally, we’ve done Christmas light shows, ballets in Lincoln—I got to do Drum Ta o this year.

“We’re super excited to be partnering with the Joslyn this year to describe 10 of their permanent collection pieces,” Jerde continued. “So when they reopen, people will have the option to listen to descriptions about pieces in the museum.”

Another program the RTBS has begun is called “Good News.”

“We read a lot of news, whether it be in the newspapers or the magazines that we read, and it can be really heavy,” Jerde explained. “So we have half an hour on Fridays that

are dedicated to mostly online publications that just focus on good news—the feelgood stories, you know, breakthroughs in medicine, cute dogs, things like that. We kind of miss the good news because we get lost in all the r est of it.”

The good news at RTBS is that they’re expanding and reaching more people every day.

To learn more, donate, or volunteer, visit rtbs.org.

"We have one woman who just hit 30 years with us, and a gentleman who just retired with us after 32 years. So I think people really enjoy it."

-Bekah Jerde

GIVING CALENDAR

JULY/AUGUST 2024

COMPILED BY

CLAUDIA MOOMEY

July 2

NEBRASKA POETS READING SERIES: BONNIE JOHNSON-BARTEE

Benefits: Nebraska Poetry Society

Location: Virtual Event —nepoetrysociety.org/readings

July 6

PERRY’S PLACE GOLF TOURNAMENT

Benefits: Make-A-Wish Foundation

Location: Tara Hills Golf Course —wish.org/ nebraska/2024-perrys-place-golf-tournament

July 8

BLAND CARES GOLF OUTING

Benefits: Angels Among Us

Location: Champions Run —myangelsamongus.org

July 8–12 FARM CAMP

Benefits: Gifford Farm Education Center

Location: Gifford Farm Education Center —esu3.org

July 13

July 8

19TH ANNUAL LINCOLN FEDERAL SAVINGS BANK GOLF TOURNAMENT

Benefits: Make-A-Wish Foundation

Location: Hidden Valley Golf Club in Lincoln —wish.org/nebraska/19th-annual-lincolnfederal-savings-bank-golf-tournament

July 21

August 1

TEE IT UP FOR THE TROOPS

Benefits: Tee It Up for the Troops

Location: Tiburon Golf Club —teeitupforthetroops.org

Tee It Up for the Troops supports veterans all around the country, of all eras, through charity golf events around the nation. The change from the battlefront to homefront can be particularly challenging for combat veterans, who are often working through war related PTSD, depression, anxiety, and more. Proceeds from this charity golf event go to veterans support organizations that direct support towards critical areas of need, including suicide prevention, veteran employment, PTSD and traumatic brain injury rehabilitation, family and caregiver support, housing and homelessness, and golf and sports rehabilitation. A portion of the proceeds also supports Tee It Up for the Troops outreach program, REUNION, which reunites battle buddies who were separated during combat, often due to battlefield injuries. REUNION brings these veterans together for a time of camaraderie and healing, helping veterans transition to fulfilling civilian lives.

To register, visit teeitupforthetroops.org/event/omaha-charity-golf/.

YOUTH TALENT SHOW FINALS

Benefits: Omaha Mobile Stage

Location: Gene Leahy Mall —omahamobilstage.org/events

July 23

JULY 2024 HEALTH & HOUSING COALITION

Benefits: The Wellbeing Partners Location: Virtual Event —thewellbeingpartners.org/events

July 24

MENTAL HEALTH ROUNDTABLE

Benefits: The Wellbeing Partners Location: Virtual event —thewellbeingpartners.org

July 27

NFOA 20TH ANNIVERSARY BANQUET CELEBRATION

Benefits: Nebraska Firearms Owners Association Location: Beardmore Event Center of Bellevue —eventbrite.com/e/sponsornfoas-20th-anniversary-banquetcelebration-tickets-865986869037?aff =ebdssbcategorybrowse

July 28

IRONHAWK JUNIORS TRIATHLON CLUB

Benefits: Ironhawk Juniors Triathlon Club

Location: College of Saint Mary —ironhawkjuniors.org

July 29—August 2

MINDFULNESS COMMUNITY COLLABORATION CAMP

Benefits: Wisdom House Collaborative

Location: Carol Joy Holling Swanson Retreat Center —wisdomhouseomaha.org

August 6

USA BOCCIA NATIONAL CHAMPIONSHIPS

Benefits: Omaha Sports Commission

Location: Iowa West Fieldhouse —omahasports.org

August 6

NEBRASKA POETS READING SERIES: HANNAH WILKINSON

Benefits: Nebraska Poetry Society

Location: Virtual Event —nepoetrysociety.org/readings

August 17

PRISCILLA’S WAY ECONOMIC DEVELOPMENT, EMPOWERMENT, AND ENTREPRENEURSHIP PROGRAM FUNDRAISER

Benefits: Room for Roots

Location: Virtual Event —roomforroots.org/events

FEATURED

August 20

AIM HEARTLANDS DEVELOPERS CONFERENCE

Benefits: AIM Institute

Location: CHI Health Center —aiminstitute.org

August 22

2024 SUMMER LEADERSHIP ETHICS LUNCHEON

Benefits: Business Ethics Alliance

Location: Charles Schwab Field —members.businessethicsalliance. org/events

August 24

IRREVERENT WARRIORS SILKIES HIKE

Benefits: Irreverent Warriors

Location: Gate 25 Bar in Lincoln —irreverentwarriors.com

August 24

[GLAMP!]

Benefits: Girl Scouts Spirit of Nebraska

Location: Camp Catron —glampnebraska.com

August 24

PLCS FOUNDATION GALA: BACK TO SCHOOL SOIREE

Benefits: Papillion La Vista Community Schools Foundation

Location: Beardmore Event Center —plcsfoundation.org/events

August 24–25

50 MILE MARCH

Benefits: 50 Mile March Foundation

Location: Nebraska State Capitol —50milemarch.org

August 28

GOLF CHALLENGE

Benefits: Nebraska Ataxia

Location: Tiburon Golf Club —e.givesmart.com/events/A5I

August 29

2024 CHARITY GOLF EVENT

Benefits: SAC Foundation

Location: Tiburon Golf Club —sac foundation.net

August 31

AVIATION STEM DAY

Benefits: Aviation stemAHA

Location: Millard Airport —aviationstemaha.org

Pianist Matthew Mayer’s Ongoing Solo Journey

erched on a barstool at Lola’s inside the old Dundee Theater on 50th and Dodge, pianist Matthew Mayer sits unassumingly, sipping a cup of coffee. By all accounts, he looks like any other Omaha native—until he opens his mouth. As soon as he speaks, his South Dakotan accent comes flying out, and it’s immediately clear he’s not from a round here.

Born in Canistota, a desolate town with a population of less than 700, Mayer—with encouragement from his grandfather—discovered he had a gift for playing piano at 12 years old. Soon, he started taking formal lessons from his neighbor Art Cooper, who had a profound effect on the burgeoning young talent. After graduating from Canistota Public High School in 1996 alongside 12 of his classmates, his passion for the piano blossomed, and by age 20, he’d put out his fi rst solo CD. Mayer never would have imagined he would end up in Hollywood one day or with an album on the Billboard charts, even though he was always a big dreamer.

In 2000, Mayer earned a business degree from the University of South Dakota (USD) and spent the following year in nearby Vermillion, where he taught music at St. Agnes Catholic Elementary School. With his ambition bursting at the seams, a mentor suggested he apply for an internship at Access Hollywood in Los Angeles—“the next logical step,” he joked— which he got. With barely enough money to pay fi rst month’s rent, Mayer packed up his car and made the trek, eager for a taste of the Hollywood glitz and glam. Once there, he rose up the ranks quickly, fi rst as a researcher, then as associate producer.

“I had this urge to push myself, like how far can I go?” he said. “I had this amazing support system at USD, but I just knew I had to do it. I knew if I didn’t do that, I would regret it for the rest of my life.”

Mayer spent two years at Access Hollywood and has fond memories of the experience, although it wasn’t exactly lucrative.

in 1998. Titled “Crossing the Bridge,” it marked his fi rst solo piano project and reinforced everything he cherished about the piano. It also illustrated just how beneficial being from a small tow n truly is.

“My friends saw me so excited about something, and they wanted to help, so they would buy a CD for $10. People will rally behind you if you’re passionate about something. They basically helped me pay for it.”

Mayer has continued pumping out solo albums and touring the world with his music. As of 2023, he’s released more than a dozen records. His 2018 album, “Beautiful You,” landed at No. 1 on Billboard’s New Age Albums chart, 2022’s “Piano Lullabies” has been streamed more than 60 million times on Amazon Music, and the single “When Flowers Grew Wild” has been used in more than 90,000 Insta gram Reels.

Ijusthaveto remindmyself otherpeople don’tplaymy styleeither.I’m one of one.

-Matthew Mayer

“I’d be driving my ’92 Grand Prix into the parking lot, and literally right behind me would be Jay Leno,” he recalled. “I was working 50 hours a week, and it was this combination of, ‘Okay, I’m dirt broke and I am working my tail off.’ But then at night, you’re literally backstage with a band or talking in the same room with Tom Hanks. It was insane.”

Armed with an intimate look at Hollywood and the “celebrity lifestyle,” Mayer realized a move back to the Midwest wa s in order.

“Hollywood can be very distracting if you’re not grounded,” he said. “I left on my own accord because I was like, ‘Wait a minute. My music isn’t advancing like I want it to because I’m pouring everything into Access Hollywood,’ but what it gave me was c onfidence.”

In 2003, Mayer returned to USD in pursuit of a Master of Business Administration degree. But he wasn’t satisfied and instead relocated to Omaha, where he’d previously recorded music at the now-defunct Warehouse Studios.

“Coming back from Hollywood, from a quality-of-life perspective, I knew I wanted to be in the Midwest,” he explained. “I wanted to be close enough to home. I literally got an apartment here and didn’t have a job, so I went to Von Maur and said, ‘Do you guys need a piano player?’”

Fortunately, they did, and Mayer became the department store’s resident musician between 2004 and 2007. Meanwhile, he continued recording albums. His fi rst album, which he self-funded and recorded in Omaha, arrived

Story by Kyle Eustice // Photography by Bill Sitzmann // Design by

“Though charting on Billboard was exciting, it never gave me a feeling of ‘success’ per se,” he said. “Th at said, having a Billboardcharting album can defi nitely help establish you more in the industry. It also gave me the needed boost to keep going on this solo journey. These milestones can really help give the psychological support for your creative muse to keep pressing on.”

Of course, the industry has drastically changed since Mayer released his debut album. With the rise of social media platforms such as Twitter (X), Instagram, and TikTok, fans have the power to make (or, in some cases, brea k) careers.

“When the single ‘When Flowers Grew Wild’ started to trend on Instagram, that was a diff erent type of excitement—mainly because it started showing up on reels all over the world,” Mayer said. “It was being used in reel coverage from Queen Elizabeth’s death to chefs baking cakes. It showed me the true power of social media and the reach it can have.”

As for “Piano Lullabies,” he calls it “another lesson in the power of DSPs, playlisting, and having a great team.” He added, “I never foresaw that kind of exposure. I released that album with the label Tiger Turn, and I credit them with a lot of the success for that album. The reaction is a combination of a deep sense of excitement, quickly followed by the urge to keep moving forward and doing the simple things day in and day out. I just have to climb the next mountain.”

And he’s climbed several. In 2000, Mayer founded his own niche website, SoloPiano. com, home to more than 600 solo pianists, who upload their music for listeners and

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fellow pianists to discover. Artists include Grammy Award-winning pianist and one of Mayer’s inspirations, George Winston, and Croatia’s most notable solo pianist and composer, Matej Mestrovic.

He also launched his own podcast, “Going Solo with Matthew Mayer,” in 2015. One of his most recent episodes, recorded in March 2024, features former “The Price is Right” model Gwendolyn Osbourne, who is recognized as “the longest-running woman of color on a daytime game show.” Th rough each conversation—whether it’s with Emmy Award-winning actor and television personality Tony Potts, or Windham Hill Records founder Will Ackerman—Mayer’s love for music, people, and his craft shines through.

Mayer translates that love into his new record label, Solo Mountain, which he founded last year. Continuing the “solo” theme, Mayer hopes to use the imprint to develop other artists in the genre. When asked if he was ever concerned that going after such a small, specific market would be a challenge, he said he found the courage by simply taking “a leap of faith.”

“One-hundred percent, it was like my own version of “Field of Dreams:” build it, and you just hope they’ll come,” he explained. “Over time, that’s how I met Matej Mestrovic, a huge mentor of mine. He signed up on SoloPiano.com in 2012. We became great friends, and then he invited me to open for him. We’ve done three tours in Croatia. He could have picked anybody, but he picked me.”

As Mayer reflects on his fruitful career, he does it with a sense of bewilderment, almost as if he can’t believe it himself.

“I was this chubby kid growing up,” he said with a laugh. “It was like, just give me a Snickers bar, and I’m happy. When my grandpa introduced me to the piano, I think he was saying, ‘We got to help this kid out.’ Then when I heard George Winston’s ‘Th anksgiving Song’ on the radio one day, it gave me goosebumps. I just knew I loved it.”

Still, imposter syndrome rears its ugly head on occasion. As he explained, “It’s still a struggle, especially when I do those Croatia tours, because I compare myself to how Matej plays. The truth is, I don’t think I’ll ever get to a point in my life where I’m like, ‘I deserve this.’ I just have to remind myself other people don’t play my style either. I’m one of one.”

For more information, visit matthewmayer. com. His music can also be streamed on Spotify.

Omaha is a city of culture, a melting pot of many people from different backgrounds and countries. It’s therefore fitting that the city houses venues built specifically for celebrations of cultural traditions and community events. Some of Omaha’s best, however, no longer stand proud.

The Civic Auditorium, for one, hosted many significant events, including one of Elvis Presley’s final concerts. It was also a haven for sports, being the home of Creighton Bluejays Men’s Basketball, Creighton Bluejays Women’s Volleyball, University of Nebraska Omaha’s Hockey Team, and the Kansas City-Omaha Kings NBA basketball team. Now, nothing stands in its place at 1804 Capitol Avenue. Demolished in August of 2016, the site is now home to plans for a residential block that will include a grocery store. Concerts, sporting events, and consumer shows moved to the CHI Health Center and the B axter Arena.

The Baxter Arena is part of the Aksarben area of Omaha today known for its shopping center and numerous restaurants. In the early 1900s, however, the term “Aksarben” held different connotations. Built in 1919, the Ak-Sar-Ben thoroughbred racetrack’s original purpose was to fund the activities of the Knights of Ak-Sar-Ben, a 501(c) (3) philanthropic organization. An article in the Ordway New Era , published in September of 1914, describes the Knights of Ak-SarBen as “organized on a sound fundamental basis, fostered with the one thought in view of developing the state, Ak-Sar-Ben has come from its toddling clothes to an institution that today stands for all that is good in the present days of progr essiveness.”

The Coliseum was constructed 10 years later, providing an ice rink for International Hockey League, Central Professional Hockey League, and National Hockey League games, as well as an auditorium for events such as boxing fights and com edian shows.

Glory days of the racetrack saw an attendance ranking of 10th in the United States, with up to 25,000 people betting $2 million per day on horse races. These events pulled punters from nearby states like Iowa and Kansas where such betting was illegal. Patrons of the racetrack will also remember “Omaha,” the 1935 Triple Crown thoroughbred winner, making promotional appearances during the 1950s before his natural de ath in 1959.

One cultural hall, however, is still standing and presenting strong: the Orpheum Theater. Listed on the National Register of Historic Places, the theater was built in 1895 and originally called the Creighton Theater. It was eventually added to the Orpheum Circuit, a chain of vaudeville and movie theaters, and Creighton’s name was dropped from the building in favor of the Orpheum title.

The decline in popularity of vaudeville and an expansion in 1926 saw the Orpheum screening films through 1971 before the Knights of Ak-Sar-Ben purchased the building and turned it once again into a performing arts hall. Today, the theater boasts several updates and new accommodations for modern audiences, such as an electronic marquee, LED posters in the lobby, and more comfortable seating. The theater now presents live musical entertainment, including operas with Opera Omaha, Broadway musicals with Omaha Performing Arts, and ballets with American Mid west Ballet.

Jeff Brown, Assistant Production Manager for Omaha Performing Arts, said of the Orpheum, “It’s just an absolute pleasure to give tours and open houses. Just getting to go here every day for work is insane. It’s that thing where if you do what you love, you don’t work a day in your life. That’s how I feel.”

For more information on Omaha and Nebras ka history, visit /history.n ebraska.gov.

STORY BY CLAUDIA MOOMEY DESIGN BY RENEE LUDWICK

OF YORE That Are

NO MORE Cultural Halls

Revisiting Omaha’s Creative Hubs

Toll Bells For Whom the

Rick Richards and the River City Ringers of Omaha

At the helm of the River City Ringers of Omaha is Rick Richards, who possesses a passion for handbell choirs that rings loud, clear, and resounding. The director of the choir since 2018, Richards has a story that is one of dedication, growth, and the transformative powe r of music.

“I jumped in with both feet and loved it right away. A handbell choir director is the coolest thing in the world,” Richards shared while reflecting on his introduction into the world of handbells. For him, the role as handbell choir director is not just a profession, but a calling through which he channels his love for music and community.

“Being the director, you have to choose music repertoire for the semester, know the scores inside and out, and know what all 15 ringers should be doing,” Richards explained, shedding light on the multifaceted responsibilities that come with directing this unique group of musicians. It’s a role that requires not only musical expertise, but also a deep understanding of each ringer’s strengths and abilities.

Richards’ journey to becoming the director of the River City Ringers of Omaha was marked by a desire for growth and understanding. “I felt like I knew what I was doing, but I still hadn’t received much...I kind of need to understand what it’s like to be on the other side of the table,” he recalled. It was this quest for knowledge that led him to reach out to Joyce Miller, the choir’s former director, and embark on the journey of mentorship and learning.

“We were practicing in the basement of a nursing home. We didn’t do concerts that spring of 2020 as well as over the summer because everything was still closed [due to COVID-19]. I asked Pastor Jan Peterson at Augustana Lutheran Church if River City Ringers of Omaha could come in, and they allowed us to. We continue to rehearse there because it’s home to us,” Richards reminisced, highlighting the resilience and adaptability that have come to define the River City Ringe rs of Omaha.

As the organization’s director, Richards has the privilege of curating the choir’s musical repertoire, one he approaches with precision and passion. “That’s one of the perks of being the director. I get to pick the music.

I lean towards classical transcriptions or original pieces composed for a handbell choir,” Richards revealed. Among the choir’s repertoire, one piece stands out as a signature favorite. “There’s an arrangement of ‘The First Noel’ by Handbell Choir Director Kim Bell the composer is named Cathy Moklebust. That has become our signature piece,” Richards sha red proudly.

Richards’ dedication to his craft extends beyond the rehearsal room, encompassing a commitment to lifelong learning. “I’ve gone to national and international handbell conferences to take classes and ring in mass ringing groups. That’s been useful for my professional development,” he said, underscoring the importance of continuing education in the ever-evolving landscape of handb ell choirs.

For Richards, the River City Ringers is more than a musical ensemble it’s a community united by a shared love for handbells. “We are an auditioned choir, and we hold auditions generally sometime in June every year. We want to make sure that people know what they’re getting themselves into and what the expectations are,” he explained. The choir’s doors are always open to newcomers, with Richards and his team actively recruiting new ringers to join t heir ranks.

As the River City Ringers of Omaha gears up to celebrate its 35th anniversary, Richards reflects on the journey that has brought them to this momentous occasion. “Our upcoming concerts are going to be a celebration of those 35 years,” he said, excitement evident in his voice. In addition to their anniversary celebrations, the choir has been selected as one of the guest groups for the Nebraska Music Educators Conference in November a testament to their enduring impact on the local music scene.

Looking ahead, Richards and the River City Ringers have no plans of quieting their clarion concerts. With each note and melody they ring, the River City Bell Choir continues to leave an indelible mark on the hearts of audiences fa r and wide.

Richards reflects on the group’s legacy one built on a foundation of passion, dedication, and the transformative power of music. As the choir continues to flourish under his guidance, Richards remains steadfast in his commitment to fostering a community where all are welcome to experience the joy of handbel l harmony.

To learn more, visit rivercityringers.com.

“I jumped in with both feet and loved it right away. A handbell choir director is the coolest thing i n the world.” -Rick Richards

Spreading Kindness One Stitch at a Time

60+ Profile

STORY BY CAROL NIGRELLI // PHOTOGRAPHY BY SARAH LEMKE // DESIGN BY RENEE LUDWICK

My grandson named us. He had to come to knitting that first summer because I was babysitting him. He was 10 at the time. One day, he wanted tape. He had made this sign ‘Knit Wits’ and taped it to the door at the church.

-Verna Peterson

60+ PROFILE

n any given Wednesday at 1:00 in the afternoon, a small group of retired women meet at the Millard Branch of the Omaha Public Library. They enter a conference room and take one of the chairs assembled around a long rectangular table, putting their various bags and totes on the floor. They reach down into their stash and draw out several balls of yarn and large met al needles.

For the next two hours, as the women talk and “solve all the problems of the world,” their fingers stay limber, stitching various items like wool hats, scarves, mittens, and baby blankets cold weather necessities that will eventually find their way to people who need the m the most.

Meet the Knit Wits, a clever play on words that has nothing to do with silliness and everything to do with selflessness. The women donate all handmade articles to nonprofits throughout Omaha, concentrating on organizations in the Millard area where they live. Even the thought of accepting money for their work or soliciting monetary donations meets with a resou nding, “No!”

They do, however, gladly accept and largely depend upon donations of yarn.

The Knit Wits formed in 2012, an offshoot of an already existing circle of knitters based at Rejoice! Lutheran Church near 138th and Cent er Streets.

“There were four of us who decided we didn’t want to go to the evening knitting group because of family commitments. It worked better for me in the daytime,” said Verna Peterson, one of the Knit Wits founders. She’s also indirectly responsible for the humorous moniker bestowed upon her fellow knitters.

“My grandson named us,” said Peterson. “He had to come to knitting that first summer because I was babysitting him. He was 10 at the time. One day, he wanted tape. He had made this sign ‘Knit Wits’ and taped it to the door at the church.” It’s safe to say all the women who have joined the Wednesday knit-athon through the years have proudly taken ownership of the name.

When COVID-19 forced the closure of Rejoice! Lutheran Church, the Knit Wits, determined to maintain their companionship, bounced around from one location to another. They even mastered knittingby-Zoom until they found a new home at the Millard library in 2022 and decided to stay. For its part, the library enjoys the community outreach and once displayed their wool hats by the front door.

“We got a lot of yarn donations from that display,” said Diane Wulf, a longti me Knit Wit.

Wednesday attendance varies from five to eight members, most of whom are former teachers or librarians. Like their knitting,

their stories follow a pattern: they learned to knit as a child or young woman, gave it up during their careers or while raising their family, then took it up again in retirement. Except for Char lotte Karre.

“I tried to learn once when a friend showed me how to knit a scarf,” said Karre. “It was very wide and very long, and she didn’t know how to cast off, you know end it. So I stopped a nd gave up.”

Karre heard about the Knit Wits through church and joined them years ago. Under their patient tutelage, she has come a long way. “I’m proud to say I make the same hat pattern over and over again. But I use different colored yarn,” s he laughed.

On this particular Wednesday, Karre joins Peterson and AnnaMarie Otteman in knitting hats, the most popular item to make because they take only two or three Wednesday sessions to complete. “Of course, it depends on how much we talk,” cracke d Peterson.

Kathy Markin stays busy making a soft pink baby blanket that she will donate to Lydia House, the women’s section of Omaha’s Open Door Mission. Wulf has her needles through a dish cloth.

A dish cloth?

“These are for the kids who age out of the foster system and go live on their own,” explained Wulf. “We’ve been making dish cloths, potholders, and hot pads for about a year now.”

The household items go to Youth Mart, a donation center on the campus of the Omaha Home for Boys in North Omaha where young adults can shop free of charge for their new a partments.

“We used to give Youth Mart hats, but they told us they really need the dish cloths and hot pads, so we switched over for them,” ad ded Markin.

Every year, the Knit Wits craft 500 to 700 items in various sizes. Otteman stores what

they make in bins at her house and distributes when a nonprofit calls with a need. Many have found their way to the Millard School District, including the Language Learning Program, “when the schools had a big influx of refugees from Afghanistan a couple of years ago,” explained Markin. “We also gave lots of hats to the parents of the students who came to t he schools.”

Project Harmony in Millard, which supports and protects victims of child abuse, understands all too well what a simple act of kindne ss can mean.

“When we receive handmade items like hats, scarves, and mittens, it provides an extra level of comfort to our kids,” said Gabby Hogan, Project Harmony’s community engagement coordinator and an enthusiastic fan of both knitting groups associated with Rejoice! Lutheran. “It makes them feel like there’s someone out there who really cares about them and made something jus t for them.”

A shared desire to help others through what can often be a solitary hobby has made the Knit Wits a close-knit group. Several times a year, they go out to lunch or take day trips to places of interest like the International Quilt Museum in Lincoln. While a social life is a great perk, the women believe there are other, less visible benefits of their craftiness.

“Knitting is good for our arthritis, and it keeps our brains going,” said Otteman with conviction.

Anyone who observes how each woman keeps mental track of the number of rows and stitch patterns while simultaneously carrying on several conversations would not disagree.

Who knew Knit Wits could be so inspiring?

The Knit Wits are always looking for new members yarn donations. You don’t have to be a skilled knitter, just an enthusiastic one. Contact stegenv1@cox.net for more information.

Artistic Escapes in Omaha

Six Intimate Galleries for Every Art Enthusiast S

prinkled throughout our city are a handful of small art galleries, each offering a special glimpse into Omaha’s lively artistry. Supporting these local galleries isn't solely about acquiring artwork, but investing in the creative heartbeat of our community. Each unique space serves as a platform for emerging regional and national artists to showcase their talents, providing them with invaluable exposure and recognition. For an enriching experience where every corner tells a story, these six local galleries are worth paying a visit.

PETSHOP

2725 N 62nd St., Omaha, NE | bffomaha.org/petshop

Petshop is a shared creative space in Benson that includes galleries, studios, offices, and event spaces. Founded in June 2012, Petshop took over the remnants of a defunct exotic pet store, inspiring its name. Since 2015, the space includes another gallery and live music venue next door, formerly known as Sweatshop. This collaborative venture, born from the merging of Petshop and Sweatshop, expanded further in 2018 to encompass additional space. With community support, monthly artist exhibitions grace Petshop’s walls, their openings timed perfectly for Benson First Friday art walks.

GALLERY 1516

1516 Leavenworth St., Omaha, NE | gallery1516.org  Gallery 1516 is committed to showcasing the finest regional art, music, literature, and architecture. As a nonprofit organization, it provides a vital platform for area artists, offering exhibition opportunities without charging commission fees. Gallery 1516 has collaborated with museums, educational institutions, and performing arts organizations to host traveling exhibitions, lectures, and music performances. Originally constructed in 1883 as a livery horse stable, Gallery 1516 has evolved into a premier creative venue, encouraging appreciation for art and serving as a launching pad for emerging talent.

ANDERSON

O’BRIEN FINE ART

3220 Farnam St. #2101, Omaha, NE| aobfineart.com

GARDEN OF THE ZODIAC

1042 Howard St., Omaha, NE | gardenofthezodiac.com

Nestled within the Old Market Passageway, Garden of the Zodiac is a tranquil artistic haven. This inviting sculpture garden and gallery space embodies its commitment to showcasing the work of local, regional, and international artists. Visitors strolling through the intimate gallery will encounter rotating themed exhibitions of contemporary artworks. Beyond the gallery lies a serene outdoor garden adorned with sculptures by Eva Aeppli representing the 12 signs of the zodiac, a unique feature that adds to the allure of this hidden gem in the historic Old Market District.

5 2

MODERN ARTS MIDTOWN

3615 Dodge St., Omaha, NE | modernartsmidtown.com

Anderson O’Brien Fine Art in Midtown Crossing is dedicated to the promotion of regional and national visual artists. With over 30 years of service, the gallery boasts a diverse collection of modern and contemporary art, sculpture, fine art, and photography. The space continuously highlights new works from Midwest artists, including sculptures, pottery, blown glass, jewelry, and more. Anderson O’Brien Fine Art also offers comprehensive services, including project design, estate management, and installation consultations for both corporate and residential clientele.

4 6

ROBERTA & BOB ROGERS GALLERY

1806 Vinton St, Omaha, NE | rbrg.org

Roberta & Bob Rogers Gallery (RBR G), a not-for-profit 501(c)(3) organization, showcases modern and contemporary fine art prints in Omaha. Founded from the legacy of Gallery 72, established in 1972 by Roberta and Bob Rogers, RBR G honors their original vision to uphold the significance of fine art prints and fine crafts through educational programs and an on-site printmaking studio. By providing training workshops and studio space for artists, RBR G remains dedicated to advancing arts education and culture in Omaha by continuously partnering with the community. 1 3

Modern Arts Midtown (MAM) is a top destination for local contemporary fine art. Representing established artists of the region, MAM curates an expansive collection showcasing abstract and traditional artworks, including paintings, sculptures, photography, and textiles. The gallery offers other comprehensive services, including project consultation, delivery, and installation. With exhibitions featuring both globally renowned artists and emerging local talents, MAM provides visitors with a compelling insight into Omaha’s modern art landscape, whether they’re buying or just admiring.

TABLESIDE PRIME RIB TO DELICATE PASTRIES

Wedge Salad

ynthia Long, executive chef for Nick’s Quorum Bar & Supper Club, has always had a love of food and cooking; in her family, cooking was a way to show love.

Long grew up in a tiny town in Pennsylvania called Jenkintown, which is a half-squaremile. Cooking came naturally to her. “Both of my sets of grandparents cooked. Everyone in my family loves to cook, and they love to eat. I have recipes from the moms of the kids I went to high school with. We always ate no matter what house we were at. I never thought I would do anything else,” Long said.

supper clubs that had similar roadside signs. The Quorum name is inspired by Omaha’s Saint Nicholas Claim House of 1854, which was a restaurant inside the Saint Nicholas Hotel in dow ntown Omaha.

Woods describes the Quorum as a “Classic steakhouse with a Midwest comfort. We have oysters Rockefeller. We have some old-school dishes. We are trying to do classic food with a new spin.”

The music sets the mood, making the dining experience fully immersive. DJ Josh One created a unique mix of music that changes throughout the night from jazz to more eclectic and upbeat mixes, adding to t he ambiance.

Cynthia Long of Nick’s Quorum Bar & Supper Club

STORY

Holly McAtee

PHOTOGRAPHY

Sarah Lemke

DESIGN

Joey Winton

At 17, Long attended culinary school at Johnson & Wales University in Providence, Rhode Island. After graduation, she went to school at New York Institute of Technology for Hotel Restaurant Management. She cooked in New York, Russia, and Atlanta at hotels and restaurants, eventually becoming a culinary director in New York. When COVID-19 hit, she shifted gears, becoming a personal chef. Th is was out of necessity; restaurants were closed, and one of her good friends was in the office all day with no food options. So, she started meal prepping for her friend and ot her clients.

Long’s passion for cooking has set her on a journey that’s involved learning many different techniques. “A lot of people want to get into cooking because of celebrity chefs on TV, but it’s hard work and a skill. Culinary school isn’t necessary for everyone, but if you love the craft, you can be good in the field. The passion needs to be there. There must be an appreciation for the fundamentals of cooking,” said Long.

In the fall of 2023, she was asked to become the head chef of Nick’s Quorum by Culinary Director Marvin Woods, who was impressed by Long’s vast knowledge of different elements of cooking.

“Cynthia embodies the full defi nition of ‘Chef d’ Cuisine.’ The translation of the word chef is ‘chief.’ You can’t be a chief unless you can master the position,” Woods explained. “She is far superior to most chefs. She’s a master in pastry and cake design. She’s also a master in savory food, including gluten free, vegetarian, vegan, and a fantastic bar mixologist, who makes bitters and fl avorings from scratch. She’s a rare breed, and few are like her.”

Nick’s Quorum is tucked inside the Hilton hotel across from the CHI Health Center. The Quorum is fashioned after Wisconic supper clubs, which were popular during Prohibition and often situated on the outskirts of towns. Since it was a club, they required memberships so they could serve alcohol—the loophole being that they weren’t technically selling it, but giving it to the members. There isn’t a membership needed at the Quorum today— but hints of nostalgia like the “Immediate Seating” neon sign out front pay homage to

Seated for dinner, a relish tray of pickled vegetables is served with trout dip like those at the supper clubs of yore. Although the relish tray is a fl ash from the past, it’s also a more modern approach, appealing to those with a gluten-free diet.

Long’s favorite menu item is the prime rib. “We have a rolling guéridon cart, and we slice prime rib table-side. All the prime rib comes with Yorkshire pudding and horseradish. The Yorkshire pudding is bone butter made from bone marrow,” Long said.

Broaster chicken is another popular item. A 24-hour salt brine preps the poultry, then it’s dropped in a broaster until crispy and moist and served with an Asian-influenced slaw and Korean dipping sauce.

Nick’s Quorum also has a fi sh fry every day, using Brickway beer for the fi sh batter.

Everything at the Quorum is hand-crafted and made in-house, including vegetable stock for soups. The au jus is made from freshly roasted bones that cook overnight, and all the sauces are made from scratch. The béchamel for the oysters is made from scratch with Absinthe.

The Quorum has an elevated brunch every day of the week that includes items like shrimp and grits, chicken and waffles, steak and eggs, breakfast tacos, Butterfinger waffles, and many more sweet and savory items.

Desserts are Long’s passion. “My strength is in pastries. We have a chocolate torte, a sweet potato crème Brulé, and a Profiterole Cream puff with strawberries, blackberries, raspberries, and blueberries in a pastry cream. Butter brickle ice cream was invented in Omaha, so we wanted to create a homemade butter brickle here. The butter brickle ice cream tops the apple crumble,” Long said.

Long takes pride in cooking for her customers at Nick’s Quorum. “I enjoy feeding their souls and taking care of people,” she said.

Nick’s Quorum Bar & Supper Club is located in the Hilton Omaha at 1001 Cass St. For more information and reservations, visit Nicksq.com.

The cast of characters who are among the “regulars” at Lemon Tree Café in Ralston are a dedicated group. There’s the mom who drives 25 minutes all the way from Elkhorn, passing a variety of other eateries, simply because she loves the food and finds it a friendly place to bring her kids to eat. There’s the gentleman who eats at Lemon Tree Café every Saturday, but then returns on Sunday to fulfill the “order envy” he feels when he sees what everyone else eats on Saturday. There are also the students in a weekly yoga class who all rush to the café together after class. Then there’s the group of retired fellows who visit every morning and have been known to shovel the walkway when it snows in the winter.

And when the April tornadoes hit, the owners and the regulars all checked in with each other in an active group chat. They’ve all become a happy, ersatz family. “Some people are there every day of the week,” co-owner Deniz Botkin said. “They’re very endearing.”

The regulars have all gotten to know owners Meghan McLarney, Jennifer Farris, and Botkin, though Omaha is already fairly familiar with McLarney and Farris, who are essentially Omaha food scene royalty as the daughters of Lisa Radial Café’s Lisa Schembri. McLarney also owns Gravy Train and Omaha Soup Company–although she has since closed the brick-and-mortar restaurant of Gravy Train to focus on farmers markets and Lemon Tree Café.

Farris continues to run Lisa’s Radial Café with her brother, Jacob Schembri.

How McLarney, Farris, and Botkin joined forces to open the popular café is an interesting story of luck, circumstance, and a labor of love. Botkin, who owns the building and runs the Ralston Repeat Boutique upstairs, was notified that the previous tenant of the café, which used to be Sojourn Café, was ready to move on and do something else. Before it closed, the establishment had grown a roster of its own regulars, too.

Botkin reached out to her local contacts to find out if there might be someone looking to open a café in historic Downtown Ralston. It was a good restaurant space with a nice kitchen and was ready for a tenant. The building, on Main Street between 72nd and 77th streets, is more than 100 years old and has a charming look and feel.

“I wanted to make sure the people who went to Sojourn had somewhere to eat after it closed,” said Botkin.

After Botkin spoke with the folks at Long Walk Farm in Council Bluffs, word got to McLarney and Farris that a café space would soon be available. Having grown up spending a great deal of time at Lisa’s Radial Café and having already established themselves in the Omaha food scene, the sisters’ interest was piqued. They reached out, and everything went into motion.

Things moved quickly after that, as the three met up in what Botkin called a “business blind date.”

“We easily fell into step with each other,” Botkin added. “All of us aren’t afraid of working hard.”

And work hard, they did. They originally met in January of 2023, Sojourn Café closed in the end of March, and Lemon Tree Café opened for business on April 12. It was a whirlwind of activity. The three women joke that they canvassed the streets of Ralston searching for serving staff, though in reality, they brought in some family members to help out until they were able to staff the café fully.

The three women were convinced it would take weeks before the café “took off,” but luckily it was an immediate smash.

McLarney was surprised and delighted by how quickly the Ralston community embraced Lemon Tree Café. “Our first week, the people just showed up and showered us with support. I can’t tell you how much that means.”

“It took us three to four weeks before we even had time to answer the phone when it rang,” added Botkin with a laugh. She said they were so busy running the café in the beginning that they’d hear the phone ring, momentarily feel giddy that someone was calling, but then had to get back to running the café.

What’s the secret to the rapid success of Lemon Tree Café? While some might argue that it’s the friendly, welcoming nature of the three owners, many will assert that it’s the food. They serve both breakfast and lunch foods, and when asked to describe the style of food they serve, McLarney started listing some descriptions after a brief pause: “Traditional diner food, elevated. Inspired. Americana.”

“It’s an amalgamation of the traditional feed we learned from our mom. And growing up, our family adventures always centered on food. Jen and I are lucky that we had food creativity gifted to us by our parents.”

After more consideration, she added, “It’s not branding. We cook what we want to eat and cook. It’s the stuff we’d make if you came over for brunch at our house.”

Farris and McLarney’s mother’s influence on the menu is undeniable and indelible.

“Our pancakes are great, but we don’t tell anyone, because they’re big and they take up the whole grill,” they joked. Pancakes are a favorite at Lisa’ Radial Café, so it’s no surprise they would appear on the Lemon Tree Café menu.

McLarney tells the story of how her mother used to “bribe” her to bus tables at Lisa’s Radial Café with promises of her stuffed French toast. Not surprisingly, that same item is a signature dish at Lemon Tree Café—but now it’s Farris’ turn to put her own spin on the dish.

“Jen’s stuffed French toast is amazing,” McLarney said. “She has this strawberry and lemon curd combination that uses pure, real fruit. It’s real flavor.”

They also serve salads and burgers that are quickly becoming favorites among the regulars. Their chicken salad stands out as a favorite, and one regular discovered that if he adds chicken salad to his BLT, the flavor combination is next-level.

The chicken salad, which features grapes, was inspired by Farris and McLarney’s style of cooking. “Businessmen will come in, order the chicken salad, and get excited about the grapes. It’s a mom thing,” said McLarney, explaining that the little touches in the menu items remind many of their customers of home cooking.

The staff at Lemon Tree Café makes their own sauces and patties for their burgers by hand. They don’t try to be something they’re not. Instead, they serve good food that they themselves want to eat–and that customers clamor for and enjoy.

As for Botkin, who is new to the restaurant business, she’s quickly discovered that her favorite part of her day is visiting with the customers. “We have a fabulous crew of regulars,” she said. She also enjoys having been “adopted” by her new “sisters,” Farris and McLarney.

The three owners agree that opening Lemon Tree Café has been a “labor of love,” but it has been well worth the effort. They brought something back to Downtown Ralston that was obviously wanted and needed by the community: a neighborhood café.

“We’re feeding our family and friends,” said McLarney. “We don’t know how to do anything but awesome.”

Lemon Tree Café is located at 7614 Main Street in Ralston. For more information visit facebook. com/p/Lemontreeneb-100091305221236.

The Lemon Tree Café

STORY BY TAMSEN BUTLER // PHOTOGRAPHY BY SARAH LEMKE // DESIGN BY RENEE LUDWICK

“Joy ful Notes” The Committee Chophouse Continues Maki

ng History

STORY BY KIM

CARPENTER // PHOTOGRAPHY

BY SARAH LEMKE // DESIGN

RENEE LUDWICK

Clockwise from bottom: Brussels Sprouts, Whiskey Strip, Pommes Aligot, Caesar Salad, Roasted Mushrooms, Fromage Board; Center: German Chocolate Cake

TDining Review

here is something absurdly charming about settling into a booth at the Committee Chophouse. Located in the lower level of the Kimpton Cottonwood Hotel in the heart of the Blackstone district, the restaurant boasts warm leather, dim lighting, and plenty of history. United States presidents have dined here, including Truman, Kennedy, and Nixon, and this illustrious guest list lends to the thrill of experiencing an evening out in such a storied setting. The name stems from the group of the Blackstone’s original movers and shakers, the men who gathered weekly during the 1920s and ‘30s to play poker and dine together. They formed the “committee” that made major decisions, and over a century later, the moniker still distinguishes this as a place to see and be seen.

And eat—eat very, very well, that is. When my dining companion, wine expert Allyson Proske, and I arrived for dinner in early April, we were in for a culinary tour de force that made for a truly remarkable repast, one made all the more delightful by our cheerful and extremely well-informed server, who knew exactly when to check in and when to let us simply chat.

We began with glasses of Rémy champagne—crisp, cleansing, and perfect for preparing palates for a serious dining experience. We then moved to a 2021 bottle of 100% Napa Valley Shiraz from Darioush Winery. Elegantly complex, pungently smooth, and teasing on the tongue, this wine, contained in a ridiculously heavy bottle with an extremely deep punt, was perfect for the courses we had coming our way. “It just tastes like Napa!’ Allyson enthused, nodding her approval.

For a shared starter, we opted for the fromage board, which included a solid selection of artisanal cheeses imported from France. It’s vital that cheeses of this caliber be brought to room temperature at least a half hour to 45 minutes before serving. As cheese softens when removed from the refrigerator, our taste buds can better access the fatty flavors. Nothing ruins a world-class cheese more than serving it cold. This cheese board was perfectly tempered and offered an ideal sampling of cheeses, from creamy and mild to unapologetically forceful, with blueberries and crushed pistachios making for perfect taste-enhancing accompaniments.

There was a deliciously smooth and creamy triple-cream brie, always a delightful start to any fromage board. Then came a buttery, nutty Saint Nectaire, an “Appellation d'Origine Protégée,” or “protected origin” cheese from France’s Auvergne region. A semisoft Port Salut had a nice mild flavor, with Allyson thoughtfully observing: “Texturally, it’s very beautiful.” The fi nal cheese was a Forme d’Auberge bleu, or cow's milk blue cheese, which is one of the oldest produced in France with a maturation process that lasts between two and three months. Given its strong flavor, this is a cheese best reserved for last so it doesn’t overpower its milder board companions. A nibble of this bleu followed by a sip of the Darioush was sublime. “It’s very beautiful with an earthy after taste,” Allyson remarked. “After a sip of the wine, it’s like, ‘Well, hi!’ It’s kind of like a truffle—nutty but funky.”

GERMAN CHOCOLATE CAKE

Dining Review

Next we moved on to salads—a classic wedge and Caesar, both of which seemed apropos given the setting. A whisper of fresh dill and oregano enlivened the wedge, as did the pickled onion and warm, crispy lardons. The bleu cheese dressing was creamy and had just the right pungency to enliven the humble iceberg lettuce. “I just love a wedge!” Allyson proclaimed smiling. “It’s my favorite salad in a steakhouse!” I felt the same about the Caesar, crisply flavorful with its garlic-anchovy dressing that was tart and round. The confetti of pecorino Romano cheese shaved over the Romaine added just the right texture and complemented the anchovies beautifully.

Our primary courses included an 8-ounce bone-out short rib Denver Steak and the Whiskey Strip, a 16-ounce bone-out short loin marinated for 12 hours in Woodenville Bourbon. This smallbatch whiskey has a toasted oaky flavor and notes of dark chocolate, vanilla, and caramel that paired gorgeously with my medium-rare steak. Served with the house-made creamy horseradish, it fairly melted in my mouth. It’s the kind of steak you eat with your eyes closed, so your taste buds can better savor every nuance.

Allyson stated emphatically that her steak was “perfect.” Th is was no perfunctory pronouncement to be polite. “One of the things a lot of fi ne dining establishments get wrong is they refuse to cook my meat the way I want it,” she explained. “The most important part of ordering a steak is knowing they are preparing it precisely like you want it, and I often I don’t get what I want. But this restaurant listened and gave me exactly what I wanted.”

What did Allyson want? “As rare as the chef is comfortable preparing it.” Chef Jason Sirois delivered—and then some. It was bloody, red, and Allyson’s knife still sliced through it like it was butter. (Fun note: the Committee Chophouse provides Laguiole knives for its steaks. Originally designed in the French village of the same name during the late 1820s as a sturdy peasant knife, some believe that the famous bee that adorns the cutlery was conferred by none other than Napoleon as a an Imperial stamp of approval. Whether true or not, Laguiole still produces some of the world’s finest knives, and we appreciated this thoughtful touch of practical luxury for our meal.)

For sides, we started with the Brussels sprouts, perfectly crisped and kissed with a sprinkling of lardons and almonds. They were

utterly delectable. We also ordered the Truffle Frites, crisp on the outside, fluff y inside, and utterly challenging to stop nibbling—“The best I’ve ever had in my life,” stated Allyson as she dipped another fry into the tangy lemon aioli. Not content with one form of potatoes, we also ordered a side of the Pommes Aligot, potatoes whipped with decadent amounts of cream, butter, and Gruyère cheese and decorated with snipped chives. “These are really good potatoes. I could eat these in the bathtub,” Allyson dreamily sighed, prompting luxurious visions of solid silver spoons, bubbles, and more champagne.

For dessert, we couldn’t resist having a coffee, sourced from the nearby Archetype, and cutting a wide swath across the menu, opting for a triple-chocolate mousse, the PBJ cheesecake, and the butter brickle ice cream. The cheesecake was smooth and an ideal amalgamation of peanut butter and cheesecake with a jammy compote of fresh berries. In addition to the famous Reuben sandwich, butter brickle ice cream also originated in Omaha, so this not-too-sweet take on this classic was a nice nod to local culinary history. As for the torte with its highlight of a rich chocolate ganache? “Oh my God,” Al lyson said.

Really, is any more of a description required?

As we completed our meal, Allyson, my ever game dining companion, smiled and sighed: “I have joyful notes! Th at meal was a revelation.”

I agree. Committee Chophouse delivered one of the most superior meals I’ve had in years, a rare five-star blockbuster of a gustatory experience. It was fi ne dining at its absolute fi nest, an indication that the restaurant isn’t just honoring its legacy, it’s establishing one of its own.

In keeping with its commitment to providing diners with the best beef available, Committee Chophouse is offering a "Summer of Steak" with special steak flight menus from local ranches. July will include selections from Piedmontese Steaks from Lincoln, while August will feature Morgan Ranch from Burwell. September stars Plum Creek Wagyu from Seward. For more information, to view the menu, and make reservations, visit thecommitteechophouse.com.

WEDGE SALAD

DINING GUIDE

AMERICAN

DJ’S DUGOUT SPORTS BAR - $

Seven Metro Area Locations:

Bellevue - 10308 S. 23rd St. - 402.292.9096

Miracle Hills - 777 N. 114th St. - 402.498.8855

Downtown - 1003 Capitol Ave. - 402.763.9974

Aksarben - 2102 S. 67th St. - 402.933.3533

Millard - 17666 Welch Plaza - 402.933.8844

Elkhorn - 19020 Evans St. - 402.315.1985

Plattsmouth - 2405 Oak Hill Rd. - 402.298.4166

Voted Omaha’s #1 Sports Bar, DJ’s Dugout is locally and Vietnam Veteran owned. DJ’s Dugout features delicious burgers, wings, wraps, salads, sandwiches and an impressive drink menu. Plus, DJ’s has huge media walls full of HD TVs and projector screens. Catch all the action at DJ’s seven Omaha-area locations. Dig In... At The Dugout! —djsdugout.com

JAMS MODERN AMERICAN- $$

7814 Dodge St. - 402.399.8300

17070 Wright Plz, Ste. 100 - 402.810.9600 1101 Harney St. in the OldMarket - 402.614.9333

Jams is an Omaha restaurant legacy, an “American Grill” that offers a melting pot of different styles and varieties. The dishes are made with high-quality ingredients that pair well with award-winning wines or creative cocktails. —jamseats.com

DINING

$=$

LE PEEP - $

69th & Pacific - 402.933.2776

177th and Center St. - 402.934.9914

156th St. & W. Dodge Rd. - 402.408.1728 120th and Blondo St. - 402.991.8222

Le Peep puts a wholesome perspective on your favorite neighborhood breakfast and lunch spot. Fresh. Simple. Elegant. Inviting. We put the emphasis on people, both patrons and staff. We focus on providing each of our guests the fresh food and friendly service that they have come to expect. Open daily 6:30 a.m.-2 p.m. —lepeepomaha.co m

LET IT FLY SPORTS BAR - $$

1080 Capitol Ave. - 402.504.1082

Let It Fly West: 1311 S. 203rd St.

Let It Fly Sports Bar is your elevated sports bar experience! Voted Best of Omaha with two locations downtown and in west Omaha. Guests experience a unique brand of hospitality with multiple bars, expansive outdoor patios, hundreds of seats, 80 plus TVs, a 50-foot LED screen, and in-house podcast studio. The best place to watch a game and enjoy incredible food and hand-crafted cocktails! — letitflyomaha.com

OOH-DE-LALLY - $$

4916 Underwood Ave, Omaha, NE 68132 - 402.698.8333

Ooh De Lally is more than a restaurant; it's a beacon of hope. Nestled in Dundee, Ooh De Lally serves up new American cuisine while providing opportunities for formerly incarcerated individuals through a groundbreaking partnership with Metropolitan Community College's 180 Re-Entry Assistance Program. Ooh De Lally is great food made by great people. —oohdelally.org

We have developed our menu inspired by all that touches the Pacific Ocean. Starting with fresh fish flown from Honolulu, locally sourced steaks and natural chicken with an Asian flare and pairing our dishes with tiki libations and Pacific coast wines. —pacificeatinghouse.com

We opened in March of 2023 to bring a family owned bistro to the community, serving local steaks and fresh seafood. We offer a wide variety of Pacific Northwest wines, local beers, and craft cocktails. Pinot Noir translates to Pine & Black, our name originates from our love of wine.

—pineandblackbistro.com

SAND POINT - $$$ 655 North 114th Street Omaha, NE 68154 —531-466-1008

Sand Point ‘New England Fare’ brings their favorite and unique dishes from New England to the Omaha food community. Freshest seafood, from seared crab cakes, lobster arancini, whole belly clams, New England clam chowder, lobster bisque to charcuterie boards and Angus beef tips and steak burgers, to be topped off with Boston cream pie, blueberry pie or Lemon canna cotta. Full bar to include, specialty cocktails, extensive wine lists, as well as beer and non-alcoholic drinks.

–sandpointomaha.com

Since 1936, we’ve been making our world-famous Stella’s hamburgers the same way. The family secrets have been handed down to each owner, ensuring that your burger is the same as the one you fell in love with the first time you tried Stella’s. And if it’s your first time, we know you’ll be back! Monday-Saturday 11 a.m.-9 p.m., closed Sunday. — stellasbarandgrill.com

Come experience the true taste of homemade ice cream in the Old Market. Since 1986, we’ve created gourmet ice cream flavors in small batches using rock salt and ice. We offer your favorites, plus unique flavors like margarita, green tea, Guinness, and French toast. Special orders available. Mon.-Thurs. 11 a.m.-10 p.m., Fri.- Sat. 11 a.m.-11 p.m., Sunday. Noon-10 p.m. —tedandwallys.com

DINING GUIDE

VARSITY SPORTS CAFE - $$

Ralston - 9735 Q St. - 402.339.1944

Bellevue - 3504 Samson Way - 402.932.1944

Millard - 14529 F St. - 402.505.6660

Ralston, Bellevue and Millard. We are truly grateful to have been welcomed into each of these communities and welcome you in for good food, a cold drink and a comfy seat to enjoy the sport of your choosing! Determined to bring only the freshest ingredients, homemade dough and our specialty sauces to the table, we have worked hard to perfect our craft for you. Our goal is to bring the best food service to the area and show the best sports events that you want to see. Pick up and Delivery availalble. Please check website for hours of operation. —varsityromancoinpizza.com

ITALIAN

S PEZIA - $$$

3125 S. 72nd St. - 402.391.2950

Choose Spezia for lunch or dinner, where you’ll find a casual elegance that’s perfect for business guests, get-togethers, or any special occasion. Exceptional food, wine, and service, with a delectable menu: fresh seafood, certified Angus steaks, innovative pasta, risotto, gnocchi, cioppino, lamb, entrée salads, Mediterranean chicken, flatbreads, and fresh salmon daily. Enjoy a full bar, Italian and California wines, Anniversary/Lovers’ Booth (call to reserve), private dining rooms, and wood-fired grill. Open Monday-Sunday. Cocktail hour 4-6 p.m., when all cocktails, glasses of wine, and beers are half price. Evening reservations recommended. —speziarestaurant.com

MEXICAN

FERNANDO’S - $ 7555 Pacific St. - 402.339.8006. 380 N. 114th St. - 402.330.5707

Featuring Sonoran-style cooking made fresh daily. Catering and party rooms also available. Monday-Thursday 11 a.m.-10 p.m., Friday-Saturday 11 a.m.- 11 p.m., Sunday 4-9 p.m. —fernandosomaha.com

$=$ 1-10

• $$=$ 10-20 • $$$=$20-30 • $$$$=$30+

Alessandro Rotella 1930s

Rotella

OUR STORY IS A STORY OF FAMILY.

THINGS RELATED, BUT DIFFERENT. NATIONS, NORTH AND SOUTH. WE ARE AMERICAN-GROWN WITH MEXICAN ROOTS, PROUDLY CHICANO. FLAVORS, TRADITIONAL AND NEW. WE EVOLVE MEXICAN FAMILY RECIPES WITH OUR OWN MODERN TWIST. CITIES, EAST AND WEST. WITH ROOTS IN COUNCIL BLUFFS AND OMAHA, OUR MEMORIES AND DEDICATION TO THIS COMMUNITY SPAN THE MIGHTY MO. OUR STORY IS A STORY OF COUSINS. OR AS OUR ANCESTORS SAY, PRIMOS. WHERE FAMILY, FLAVOR AND COMMUNITY COME TO THE TABLE.

PRIMO’S OMAHA 5914 Center Street | Omaha, NE 68106 402-322-8141

PRIMO’S COUNCIL BLUFFS 930 5th Ave. | Council Bluffs, IA 51501 712-256-5200 Both locations are open for BREAKFAST AT 7 A.M.

PRIMO’S OMAHA OFFERS THE LARGEST OUTDOOR HEATED PATIO IN OMAHA

DINING GUIDE

LA MESA - $$

158th St. and W. Maple Rd. - 402.557.6130

156th and Q streets - 402.763.2555

110th St. and W. Maple Rd. - 402.496.1101

Fort Crook Rd. and Hwy 370 - 402.733.8754

84th St. and Tara Plaza - 402.593.0983

Lake Manawa Exit - 712.256.2762

Enjoy awesome appetizers, excellent enchilada’s, fabulous fajitas, seafood specialties, mouthwatering margaritas and much more at La Mesa! Come see why La Mesa has been voted Best of Omaha’s 20 Years in a Row! Friday-Saturday 11 a.m.-10 p.m., Thursday-Sunday 11 a.m.-9 p.m. —lamesaomaha.co m

PRIMO’S MEXICAN RESTAURANT - $$

5914 Center St., Omaha, NE

- 402.322.8141

930 5th Ave., Council Bluffs, IA - 712.256.5200

Family owned and operated since 2010, Primo’s Modern Mexican utilizes the freshest ingredients to bring both authentic Mexican and Southwest-style dishes to life with flare and unrivaled flavor. With recipes passed down over four generations, a familyfriendly atmosphere, and plates to satisfy cravings at every hour—with breakfast, lunch, and dinner menus offering a variety of Mexican staples—Primo’s Mexican Restaurant is proud to serve the people of Omaha and Council Bluffs no matter the occasion. —primosmodernmexican.com

Greek cuisine with specials every day at reasonable prices. We are well-known for our gyro sandwiches and salads. We cater and can accommodate a party for 65 guests. Carry-out and delivery available. Monday-Thursday 11 a.m.-9 p.m., Friday-Saturday 11 a.m.-10 p.m., Sunday 11 a.m.-7 p.m. —greekislandsomaha.com

DINING GUIDE

ZEN COFFEE COMPANY - $

West - 132nd and Center

Downtown - 25th and Farnam

One Pacific Place

- Drive Thru Kiosk next to Trader Joes

Zen features over 50 popular drink options including Butter Beer, Honey Bee, Lavender Lady and Sunshine Daydream. Choose from hot or iced lattes, blenders, fruit smoothies and teas! Grab a flight or double cup to try the seasonal features! Delicious pastries and toasts made in house daily. —zencoffeecompany.com

CASCIO’S - $$

1620 S. 10th St.

Cascio’s is Omaha’s No. 1 steakhouse. We have been serving Omaha for 69 years. We feature steaks, chops, seafood, and Italian specialties. We have seven private party rooms, seating for up to 400 people, and plenty of parking. —casciossteakhouse.com

THE DROVER RESTAURANT & LOUNGE - $$$

2121 S. 73rd St.

Famous for the original Whiskey Steak. Truly a oneof-a-kind Midwestern experience. Excellent food, wine, service, and value. Rare...and very well done. LUNCH: Monday-Friday 11 a.m.-2 p.m., DINNER: Monday-Friday 5 p.m.-10 p.m., Saturday 4:30 p.m.-10:30 p.m., Sunday 4:30 p.m.-9 p.m., LOUNGE: Monday-Friday Cocktails only 2 p.m.-5 p.m. —droverrestaurant.com

explore. LET’S PLAN A ROAD TRIP! come and

BY Claudia Moomey

NEBRASKA

4TH OF JULY FLEA MARKET

July

4–6 at Fairbury City Park in Fairbury Experience hundreds of vendors at this antique paradise with free admission and fireworks. —fairburyfleamarket.com

PLATTE RIVER CRUISE NIGHT

July

5–7 in North Platte Calling all car buffs, enthusiasts, and admirers. Rev up your engine and show of what you got at Platte River Cruise Night. Or just come to admire all the cars. There’s going to be music, food, kid’s activities, live music, and more! —platteivercruise.com

JEFFERSON COUNTY FAIR July 10–14 at Jefferson County Fairgrounds in Fairbury Come to Jefferson County Fairgrounds for a Rodeo, Garry Moore Amusements, USAC Races, Live Music Concerts, Grandstand Shows, Downtown Parade on Sunday, Horse related activities, and much more the whole weekend! —jeffcofair.us

NORTH PLATTE POW WOW July

19–21 at Buffalo Bill State Historical Park in North Platte The North Platte Pow Wow will showcase the culture and tradition of Native Americans with dancers, singers, special guests, and many

vendors! Everyone is welcome! —visitnorthplatte.com/ north-platte-pow-wow/

NORTH PLATTE RAIL DAYS

August 2–4 at Golden Spike Tower in North Platte The Golden Spike Tower and Visitor Center invites you to North Platte to experience the region’sincredible railroad heritage held annually in early August. Rail Days is the one and only time throughout the year when visitors can experience Bailey Yard upclose-and-personal with a motor coach tour through the yard. —goldenspiketower.com/events/ northplatteraildays/

CELEBRATE AMERICA AT ARBOR LODGE Through August 11 at Arbor Lodge State Historical Park in Nebraska City In celebration of America and to honor veterans, Nebraska City Blue Star Mothers will host a display of Quilts of Valor throughout Arbor Lodge Mansion. View this beautiful collection while also learning about Morton Family veterans and their patriotic service. —arbordayfarm.org/activities/ events.cfm

HOZIER August 14 at the Pinnacle Bank Arena in Lincoln Hozier finds harmony and melody in the midst of chaos. The GRAMMY® Awardnominated Diamond-certified

Irish singer, songwriter, and multiinstrumentalist tunes into raw blues spirit, unrestrained soul, rock energy, and folk eloquence. At 22, he delivered a generational anthem in the form of “Take Me To Church.” It reached 13x-Platinum status and earned a rare Diamond certification from the RIAA, climbed to #2 on the Billboard Hot 100, became one of the Top 30 “Most-Streamed Songs on Spotify,” and notched a GRAMMY® Award nomination in the category of “Song of the Year.” —pinnaclebankarena.com/events/ detail/hozier

HEART WITH SPECIAL GUEST CHEAP TRICK August 18 at the Pinnacle Bank Arena in Lincoln Cheap Trick’s perfect blend of ‘60s guitar pop, hard rock, and punk rock, combined with the infectious sound of HEART’s powerful melodies, is sure to make for an unforgettable evening of live music. —pinnaclebankarena.com/events/ detail/heart

STATE FAIR MARATHON RACE SERIES August 24 at Nebraska State Fairgrounds in Grand Island

The Nebraska State Fair Marathon Race Series begins and ends on the Nebraska State Fairgrounds with the after party celebration right amidst the festivities of the fair. The course is known for being one of the "fastest and flattest" in the nation. Participants

COMPILED

DAYTRIPS IN NEBRASKA, IOWA, KANSAS, AND MISSOURI

run on city streets, on the hike & bike trail, through beautiful parks, and winding through treelined residential neighborhoods. —statefairmarathon.org

IOWA

JUNCTION STREET PARTY July 3 at Historic Valley Junction in Des Moines Celebrate Freedom in Valley Junction! Live music, food, beverages, adult and kids activities will all be available during and after the West Des Moines July 3rd Parade. —valleyjunction.com/ upcoming-events/

PORCH FEST 2024 July 7 at Thomas Jefferson Gardens in Jefferson Enjoy an afternoon of music at Porchfest, featuring four porches with four different performers. This free event welcomes all and will have wine shushes available. Feel free to bring your own beverages as well! —experiencejeffersoniowa.org

WEAVING ON A LOOM July 12 at Legacy Learning Art Studio in Webster City Are you curious about learning to use a floor loom to weave a rug? Thanks to a donation of a floor loom, Legacy Learning is bringing Marilyn Anderson of Two Cedars Studio to teach an introductory workshop. She will be providing an overview of the kinds of projects you can make, a brief demonstration on easy beginning techniques, and a chance to try your hand at making a rug! —traveliowa.com/calendar/ weaving-on-a-loom/1650032/

HILLSDALE GARDEN LILY FEST

July 13 at Hillsdale Lily Garden in Glenwood Come spend time in Southwest Iowa looking at over an acre of blooming day lilies. This includes 230 varieties to view, crafters from 9am—2pm, food by Fremont County Cattlemen Association, and live music from 11am—4pm. —hillsdlaelily.com

STARS OF TOMORROW CONCERT

July 20 at Sheslow Auditorium in Des Moines Discover opera’s rising stars at one unforgettable concert! The members of Des Moines Metro Opera's Frank R. Brownell III Apprentice Artist Program take the stage for one night only to perform opera’s greatest

duets, trios, and ensembles. —desmoinesmetroopera.org/ AAPevents/

2024 IOWA IRISH FEST

August

2–4 at Lincoln Park in Waterloo

August 2-4

Entering its 18th year, the Iowa Irish Fest is an open-air event held on the first weekend of August in Waterloo, Iowa. The Fest provides nearly 50,000 annual attendees the opportunity to participate in a premier cultural event that broadens their global perspective and introduces them to experiences and lifestyles far beyond the Midwest, while acknowledging and celebrating the history of the Irish community. —iowairishfest.com

IOWA STATE FAIR August 8–18 at Iowa State Fairgrounds in Des Moine The Iowa State Fair is Iowa’s largest event featuring food entertainment, livestock shows and contests, and more! —iowastatefair.org

BIKE RIDE OF IOWA COUNTY

July 12

August 10 at Amana Colonies in Amana The annual Bike Ride of Iowa County, also known as ‘BRIC’, begins and ends in the village of Amana. Bring the family, some friends, or any other bike lovers for a day full of fun and open-air. The route travels through the northern portion of Iowa County and includes numerous interesting stops with picturesque views along the route to Marengo and back. —amanacolonies.com/things-to-do/ events/themed-weekends/bric/

KANSAS

18TH ANNUAL HEARTLAND ART GUILD INTERNATIONAL MINIATURES ART SHOW July 1–26 at Miami County Kansas Historical Museum in Paola This mini art show will feature almost 200 small works of art by artists from all across the United States, Europe, and South Africa. —travelks.com/event/18th-annualheartland-art-guild-internationalminiatures-art-show/31198/

COFFEYVILLE SUMMER CELEBRATION July 6 at Walter Johnson Park in Coffeyville This free, all-day event will feature vendors, a car show, live music, food, kids’ games, and more. Stay for the biggest fireworks display in Southeast Kansas! —travelks.com/event/coffeyvillesummer-celebration/31750/

CELEBRATION OF PETS & VETS

July 6 at Cedar Bluff State Park in Trego County Providing a “quiet option” for Independence Day weekend, this Celebration of Pets & Vets recognizes that sometimes fireworks and loud noises are not the best fun for many. This event will feature a flag raising ceremony, American Flag display that lines the entire North Shore Park, pet parade, and more. —travelks.com/event/ celebration-of-pets-&-vets/27585/

SAUCERS

& ALIENS: KANSAS UFO DAY July 6 at Geneseo City Museum in Geneseo Experience Saucers & Aliens at the only UFO celebration in the state of Kansas. Aliens and spacecraft exhibits will be in the museum and full sized metal sculptures of Klaatu and Gort, the iconic images of visitors “From the Stars” seen in the 1951 sci-fi movie, “The Day The Earth Stood Still” will be dedicated on the museum grounds. Investigate the mysterious Roswell Compass while enjoying UFO/Paranormal speakers, vendors, beer garden, and parade. Come dressed as an alien! —travelks.com/event/saucers-&aliens:-kansas-ufo-day-in-dimension-g/31927/

LEGENDS OF WHISKEY FESTIVAL July 13 at Children’s Mercy Park in Kansas City Meet the biggest names in the whiskey industry while sampling some of their highly-acclaimed whiskey and other specialty spirits. —legendsofwhiskeykc.com

DAM JAM July 19–20 at Lake Afton in Goddard Kansas’ biggest lake party, Dam Jam will feature live outdoor music paired with camping, a corn hole tournament, car show, and more. —thedamjam.com

SUNFLOWER FESTIVAL August 18 at KC Pumpkin Patch in Olathe There's something truly spectacular about the transition between Summer and Autumn when the colors of Kansas scenery create the ideal backdrop for outdoor fun. You're invited to join as Kansas celebrates their agriculture for the KC Wine Co Sunflower fest! —kcpumpkinpatch.com

MISSOURI

ST. CHARLES RIVERFEST July 4–5 at Frontier Park in St. Charles Saint Charles Riverfest is the City's premier Fourth of July Festival featuring live music, great food and drinks, children's activities, a carnival, and more. This year will feature a fireworks display on both evenings! —stcharlescitymo.gov/1037/ Riverfest

RIVERFRONT DAY KAYAK RACE

July 13 at 0 Front Street in Osceola Whether you’re looking to earn a medal or enjoy a day on the river, this is the event for you. Paddlers will enjoy a great ride through this scenic waterway from Roscoe to Osceola that’s just waiting to be explored! Boats launch in Roscoe and riders will enjoy the river as you paddle the river to Osceola. First, second and third place men, women and tandem will earn a medal all others will enjoy a day on the river and all it has to offer. — visitmo.com/events/ riverfront-day-kayak-race

PEACH

FESTIVAL July 20 at Kirkwood Farmer’s Market in Kirkwood to downtown Kirkwood will enjoy seasonal produce and peach sam ples from local farmers as well as peach related treats and seasonal menu items at Kirkwood Farm ers' Market. Local farmers will be competing in a contest for the best locally-grown peach, the Kirkwood Public Library will be providing activities, and a live band fill the market with music. The Downtown Kirkwood Sidewalk Sale will also be taking place from 10 am—5 pm. —greatriverroad.com/stl-events/ kirkwood-peach-festival

HEROES FOR KIDS COMIC CON July 20–21 at Perry Park Center in Perryville Heroes for Kids Comic Con is a charitable event focusing on comic book culture and raising funds for local and regional organizations in need. This fun-filled, family-friendly event will feature over 80 vendor booths, costume contests, panels, and special guest speakers. —visitmo.com/events/ heroes-for-kids-comic-con

Sure, there are a million ways to get down a river. It just so happens that out here we use cattle tanks. It may not be the most conventional choice, but that’s what makes it genius. That, and the fact that they have room for everyone and a giant cooler.

A leisurely mosey down the river; paddling optional. That’s why float trips down the Platte River with Dusty Trails gets Buffalo Bill’s Buffalo of Approval.

TASTE OF THE GREEK FESTIVAL

July 20–21 at St. Nicholas Family Life Center in St. Louis Join in on this fun filled event for the whole family! Delicious Greek food & pastries available for dine-in or carry-out. There will be live Greek music, Greek dance performances, Greek wine, olive oils to sample and buy, a gift shop, and more. —greatriverroad.com/stl-events/ taste-of-the-greek-festival

2024 KC BREW FEST August 3 at Union Station in Kansas City This event will feature over 50 breweries, 125 beers, music, and Kansas City’s best food trucks. Admission includes beer, and food is sold separately. This event is 21+. —allevents.in/kansas%20 city/10000741110881597

45TH ANNUAL ETHNIC ENRICHMENT FESTIVAL

August 16–18 at Swope Park in Kansas City The Ethnic Enrichment Commission of Kansas City is proud to present one of the largest gatherings of multiculturalism—focusing on the traditional cultures found in Kansas City and its surrounding metro area. The Ethnic Enrichment Commission of Kansas City is 501(c)(3) nonprofit supporting over 60 cultural organizations and communities. —eeckc.org/ethnic-enrichment-fest

PRISON BREAK August 24 at Missouri State Penitentiary in Jefferson City

This isn’t your typical fun run! The Prison Break will challenge you with every step, but you’ll cross that finish line with a renewed sense of endurance. Runners will set out on a 3+ mile course that will test every facet of their athleticism. They will face wall climbs, mud pits, army crawls, and more. Breaking out of prison isn’t easy, and this course won’t be, either. Are you ready to be pushed beyond your limits? —visitjeffersoncity.com/ prison-break/

TWENTY THINGS TO DO IF YOUR KID WANTS TO BECOME AN ARTIST

1. Panic.

2. Don’t Panic. It’s probably just a phase.

3. No, it’s not a phase.

4. Panic again and lie awake all night.

5. Prepare a long lecture about how cruel the world is and how artists starve and suffer and live in substandard housing set in neighborhoods where people walk all the time because they can’t afford SUVs amid the omnipresent scent of patchouli oil candles being manufactured next door to the vegan bakery and the Neo-Realist coffee shop.

6. Realize in the middle of delivering your advice that the aforementioned kid is doodling instead of listening and the doodle is more than a passable surrealist portrait of your stern face with a Salvador Dali mustache added.

7. Remember how you once wanted to be an artist. Drag your old easel out of the attic and paint a seascape à la Bob Ross.

8. Panic.

9. Try to get some sleep, but you can’t because you can’t stop thinking about how unhappy Kirk Douglas was in “Lust For Life,” and just thinking about it in the dark makes your ear hurt.

10. Can’t sleep because you hear your child, behind closed doors down the hall, working on the soundtrack of that stop-action film the kid is making based on Japanese manga.

11. Start work on the sequel to your first lecture entitled, “The odds are against you.”

12. Start googling statistics on “Average salary of an artist in America.”

13. Shudder when you see the answer is “between $9.50 and $21.39 per hour.

14. Fill out a FAFSA.

15. Poet. The kid mentioned becoming a poet?

16. Panic.

17. Suggest they become a jet pilot? It’s the career of the future… but your kid took two years to master a bicycle…so…

18. Spend a whole afternoon feeling embarrassed for bringing up the whole jet pilot thing.

19. Stop being realistic. Realism is overrated.

20. Share some ramen. The kid is hungry.

Listen to Otis Twelve host “Morning Classics,” Mondays, Tuesdays, Thursdays, and Fridays 6AM—10AM, on KVNO, Omaha Classical Radio, 90.7 or kvno.org.

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