Apariencia Desnuda

Apariencia Desnuda Bb Clarinet, Viola, Violoncello 2010 Omar Fraire

Program Notes Tension and attention as parameter on various levels through the piece.

This energy breaks the boundary between the musical performance, the choreographic gestion of meaning and the theatrical aspect of the production of sound.

Apariencia desnuda

Score q = 90 - 94

Bb Clarinet

& 45

3

œœ œ >> > Ï

slap

‰

xj ‰ Œ œ fl

Ó

≈

œ œ w > Ï ∏

B 45 ‰ Œ ‰ Ó bœ œ œ œ. œ. >> > Ï

Cello

15

Bb Cl

? 45 * ≈ Œ bœ œ œ >> > Ï

j x Œ Œ & œ‰ Œ F P

Vla

Vlc

B Œ ˙˙ .. ?

F ∑

˙˙

4 4 w

≈ j bœ . w > Ï tenuto

Ó

w

s.v.

44

∑

5

∑

w

..

Ó

˙-

..

∑

..

X5

∑

..

∑

..

molto oscil.

ord.

w

Ó

˙

bisb. irreg.

Œ ˙.

P

ord.

∑

Ó Ó

‰ jŒ œ.

P ∑ ∑

*) Silent scenic actions: Soundless actions are notated inside these line dotted boxes, only intention and physical gesture with no sound, will be present when these boxes appear.

5 5

Ó Ó

‰

Œ

œ. œ. π P œ œ ‰ J

w

w

∑

écrasé

ord.

b˙ > Ï

∑

∑ w

˙ ∑

P ** w œ ˙˙ .. w F ∑

flz.

æ w > Ï

æ œ

ww

∏

∑

∑

**) Mute strings with the hand, without producing harmonics.

The bow pressure is ordinario, with no air sound.

Ó.

ww

∏ ∑

4

s.t.

∑ w

4

IMMOBILE

w w ∑

IMMOBILE

∑

s.t.

Í

Œ

w

..

rebow when necessary

m.v.

3

Viola

44

breath when necessary

ord.

Omar Guzmán

∑ ***) Without movement

∑

..

4

∑ X 13

∑

..

.. ww

..

..

..

∑

10

IMMOBILE

10 10

***

4

3

IMMOBILE 39

Bb Cl

&

?

Vlc

58

Vla

3

* B j‰ Ó . bœ fl Î

Vla

Bb Cl

∑

&

3

∑

w

œ œœ & J ‰ Œ ≈ ≈ Œ ?

‰ jÓ. bœ fl Î

∑

Ó ˙ ∏

w

pizz.

ord. s.v.

∑

∑

˙ œ

s.p.

Ó.

∏ ∑

.. w

j‰ Œ w bœ fl π

Ó

w

π

Vlc

∑

œ

.. w

.. w

.. ∑ ..

Œ ‰B j bœ > Î

&

w

Oœ Ow

∑

*) Silent scenic actions: Soundless actions are notated inside these line dotted boxes, only intention and physical gesture with no sound, will be present when these boxes appear.

.. w ∑

œ w x œ > Øp ç Ï m.s.p. œ

.. ∑ .. w

.. w

∏

∑

œ

raise the bell

X4

∑

w ∑

w

w

w

w

∑

w

. Œ ˙ π

w

punta irreg.

w ∑

œ ˙. æ ∏ ∑

bisb. irreg.

w

π

∑

π

w ∑

w

w

w w Øp

w æ

∑

˙ Ó æ Ø ∑

w

sul I

&

œ ‰ J Ó. π

∑

∑

raise the bell

w

w

Øp

blow through the F holes

Ow ∑

œ

Ó.

w

ord.

Ow ∑

˙ ˙

∏

.. w

.. ∑ ..

Ow

w

bisb. irreg.

∑

raise bow

∑

∑

j h- ‰ Œ Ó ç ƒ b>œ J‰Œ Ó Î

∑

∑

∑

∑

∑

∑

(bell raised) 70

Bb Cl

X4

w & ..

.. .. w

X3

.. w

blow into and arround the clarinet (let some air to escape)

w

Ó

·

IMMOBILE

Œ

& ..

Vlc

? ..

∑ ∑

.. ..

en el puente

)

.. ..

∑

..

)

..

) ∑

B

·.

‚

[SH--]

j‰ Œ Ó bœ > Î

∑

simile

p

p

[SH--]

Vla

Ó.

∑

∑

Ó.

∑

Bb Cl

& ..

X5

∑

..

meanwhile walk to the back of stage and stay there

Vla

Vlc

w & .. ? ..

∑

.. w ∑

.. >¿ ‰ Œ >¿ ‰ Œ J J Ï

∑ ∑

Œ

ord m.v.

- > Z- ‰ œ œJ ‰ Œ J ƒ ß ƒ

cut the air with the bow

Œ Œ ‰ >¿ ‰ >¿ J J

Œ œ œ œ F p

∑

.. w ..

X4

IMMOBILE

∑

Œ ‰¿ ¿‰Œ JJ fF

.. Œ

≈ œJ

(cepillado)

..

∑

. ˙

m.v.

π

.. ‰ j j ‰ Ó –– –– p f

Øp ∑

5

Knock the viola with knuckles

j ≈ Ó .. œ ≈ x .  œ > F

w

5

j‰ Œ ‰ j j‰ Œ bœ bœ œ > >> Î Î ∑

raise the bell

5

∑

back to the front give the cue on measure 92 87

5

ord.

..

∑

.. w ..

..

..

m.s.p.

w

∑

..

w

..

∏

.. w

∏

∑

.. w ∑

w

bw

&

∑

X7

w

X 10

..

∑

..

w

Øp

∑ b œ ‰ . Z ‰ ≈ ¿ ¿ ≈ Œ R J ƒ ç F Knock the viola with knuckles

∑

– ≈ >¿ >¿ >¿ ≈ – ≈ Œ J F f

Œ

..

6 96

?Œ

Vlc

102

Bb Cl

Vla

Vlc

6 4

∑

&

Vla

46

∑

&

Bb Cl

Œ

& ≈ j ‚æ . f B Œ bœ ? J

ƒ

¿¿‰ Œ

F

r ‰. æ ‚ œ f

‰ Œ

46

.. ≈

∑ ∑

B

..

≈ xj ≈ ≈ j æ œ ‚. > [SH--] ç f écrasé >œ œ J ‰ J ‰ ß j r ‰ –æ –æ ‰ .

– – F

·æ

.. Ó

&

.. Ó

f

≈ j ≈ ≈ j œx ‚- . · > [SH--] ç f >écrasé œ ‰ >œ ‰ Ó J J ß

Œ

‰

bœ

.. Œ .. œJ´ f

∑

r ‰. œ. œ. œ. œ. œ. f 5

‰

r ‰. ‚

Œ

≈ œ œ œ Œ >>> f

écrasé

b >œ ‰ Œ J f pizz.

44

‰ jÓ œx > F Œ

&

∑

4 Ó 4 44 Ó

Œ ≥j œ ‰ ƒ>

Ó

·

Œ

..

∑

j‰ Œ œx > F

b >œ J ‰ Œ F

.. ‰ >¿ Œ J F

≈

.. Ó .

≥ b >œ ‰ Ó . & J f

∑

∑

pizz.

j j ‰ Ó –- – ƒ > X3

r ‰. ‚

F

>¿ ‰ Ó J f

Œ

..

∑ Ó.

>– >– >–

pizz.

bœ F

.. Œ Ó bœ P

>¿ ‰ ..

J f

pizz.

∑

Ó

bœ p

Ó ∑

Ó. ∑

B

≥ b >œ ‰ J f

?

∑ Œ

Ó

bœ p ∑

?

7 109

Bb Cl

Vla

Vlc

& ..

Vla

Vlc

w

& BΠ?

w

π

≥ B .. j ‰ Ó bœ > Ï pizz. b>œ ? .. J ‰ Ó f 117

Bb Cl

w

∑

Œ >≥œ J ‰ Ï

Ó

‰ >¿ Ó J P ∑

∑

Ó

∑

Œ

. œ ‰ J .. p

∑

∑

..

∑

-–

P

Œ

.. Ó

‰ – – J P

w

pizz.

Ó.

œ Œ œ Œ F F ≥ b >œ Œ J ‰ Ó Ï

≥ b >œ Œ J ‰ Ó Ï

∑

w

X3

Œ

– ‰ Ó J

∑

¿ ‰ .. Œ J P Œ

.. Œ

-H

F

cut the air with the bow

‰ Z> Ó J f

w

∑

œ P

. .. ‰ œJ Ó P

∑ Ó

w

Œ

F

[SH--]

‚ · J ‰

[SH--]

-H

∑ 3 b >œ >œ >œ

m.v.

..

∑

ƒ

-‚ ‚ ‰ J

X4

[SH--]

Ó

‚ œ. .

J ‰ ‰ J .

P

‰ Z ‰ >¿ j ‰ -h J J bœ > ç F Ï F F f m.v. >œ >œ b >Z ‰ Œ J ‰ ˙ J ‰ Œ J ƒ F Ï f

‰ >¿ .. ‰ j Œ J bœ > Ï F .. Œ

..

Ó

œ p

∑

-‚ ‚ ‰ J ..

. ‰ œJ Œ p

.. Ó

.. ..

8

œ. œ. œ.

J ‰

124

Bb Cl

Vla

Vlc

& Ó B h

P Œ

? >¿ – – F

1. œ & 43 R ≈ ‰ Œ

Vla

Vlc

Œ

bw æ

44 44 Œ

B 43 h f

Ó

.. 42 .. H f

? 43

∑

.. 42 ..

∑

43

∑

.. 42 .. œR ‰ . Œ f 2.

3 ˙.

4 p

w

≥ ‰ j ‰ ¿ H >¿ Ó bœ J Œ J ‰ > Ï F F ≥œ b ≥œ b˙. ‰ J ‰ J Œ æ Ï p

130

Bb Cl

Œ

˙.

44 Œ

∑

.. j ‰ ‰ j Œ œx œx > > F ∑

.. b˙ f

3 4 b œj ‰ Ó > f

.. Œ

∑ ∑

‰ Ó

∑

3

bœ œ œ >>> Ï

pizz. œ 4 . . . . & 4 J f

Œ

‰

j ‰ ‚

r ‚ ‚ â [SH--] f

Œ

B ≈

. 4 . >> – – – . 4 . ≈ ¿ ¿ ≈ Œ â â â F f

‰

écrasé

œœœ‰ Ó >>> Ï 3

.. 44 .. ‰ .

3

3 œ. œ. œ. . ‰ . j ‰ j ‰ Œ x x œ œ f > > F

Ó.

Ó.

3

bœ œ œ >>> Ï

.. Œ

Œ

j j –– –– ‰ - > f

∑

Œ

∑

–– –– Œ â â f

∑

écrasé

‰

43

j ≈ Œ bœ f

Œ

.. æ ˙- . f

∑

œ. œ. 3 ‰ 4 f

3

3 4

9 137

Bb Cl

& j‰ j‰ Œ œ œ > F > écrasé

B ˙æ f

Vla

146

Bb Cl

Vla

Vlc

∑

ord

m.v.

˙ π

w

>≥œ b 3 Œ – – J ‰ Œ – – â â Ï f

? Œ

Vlc

Œ

X9

& ..

∑

..

∑

.. w

w

w

? ..

m.v.

P

..

w

≥ simile b>œ œ J ‰ Œ J ‰

give the back to audience Wait for the end

B .. w

∑

∑

∑

˙F

# -˙

F

walk out the scenario

Ó Ó

..

X3

..

∑

.. w

.. w

bœ .. J ‰ Ó .

..

∑

46 ..

∑

46 ..

∑

46 .. N w P m.v.

∑

∑

w

∑

w

w

≤ ≥ simile b>œ b>œ œ œ œ b œ œ œ ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J Œ Ï

Ó.

∑

∑

X6

∑

..

∑

∑

∑

..

∑

∑

˙

.. wæ P

U

˙æ

U

IMMOBILE

∑

∑

bw P w

10 ' 35 '' ca.

Oct 2010 Aguascalientes, Ags.