sffz
0:00 q = 60 cymbal
tom snare P 1 k.drum
feroce
still
metal ceramic glass P 2kick pain
bell woodblock P 3 gong
∑
still
ffff
still
prep vib. feroce
hard mallets
f ppp tenuto fff
still
pppp
crot.
‰ ‰≈
mallets
parlando sempre
tap the text on the head of p1
ff
ppppp ppppp feroce
solo
cymbal
tom snare P 1 k.drum
Oä ∑∑
mf
mp
ppp
rub *3)
∑∑ ∑ ∑ ‰ œœ œ œ
∑ œ œ œ mallets æ∑ ∑ ffff tutta forza n
p still
& b Ϸ
#œ ≈œ≈œœ ≈ † ∑ 3
0:50
ppp
3
morendo P ≈ œ∑∑œœœ ‰ œ∑ ≈ œ∑ . XMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM ,
still
1:00
∑
*4) fingers sempre
n fff feroce 3 squeeking *2) inosservato ma mallets con presenza
bow
gong tom P6 gran cassa
0:40
∑ œœœœ œ œœ œ œœœ ‰ œ
n feroce
n
cymbal woodblock P 5 floor tom
transduce | privilege
0:20
rub *1) fingers sempre
inosservato ma con presenza cymbal P4 wood
0:10
œ œœ œ œ œh ‰ œœ -o
mallets no snares
hard mallets
inosservato ma con presenza
(rim shot) 3
mallets
inosservato ma con presenza
∑ œ
fff secco *4) fingers sempre inosservato ma parlando tap con presenza the text sempre
( o )&
add nail
∑ ∑∑ ∑ ∑∑ ∑∑ ∑∑ ¿∑ ¿ ¿ ¿∑ ¿ ¿ ÿ ÿ ÿÿ
tension rods
ppppp possibile
œ
∑ ¿ÿ∑
vary repeat very sparsely
œÿ œÿ œÿ œÿ œÿ ppppp possibile
, P ,
accelerando
1:20
1:30
metal ceramic glass P 2kick pain
1:40
1:36
repeat gesture change its lenght and apparition
all no nails /nails
o
,
n p
,
morendo
ppppp tenuto
1:10
morendo
listen and repeat the gesture but slower œ œ
1:50
mp / pppp
∑ œ.
sfffz fff bell
woodblock P 3 gong
cymbal P4 wood
staccato disperato
*5) cymbal woodblock P 5tom floor
[INMGR!] fff
Repeat gesture in dialogue change its lenght and apparition
gong tom P 6cassa gran
2:00
2:10
2:20
2:30
2:40
cymbal
tom snare P 1 k.drum
, ( o )œ
pppp
parlando sempre *4) tap the text while rubbing
( o)
rub *1)
2:50
metal ceramic glass P 2kick pain
bell
woodblock P 3 gong
cymbal P4 wood
cymbal woodblock P 5tom floor
,
gong tom P 6cassa gran
3:00
,
cymbal tom snare P1 k.drum
3:10
3:11
3:20
ppp
,
Œ -o
3:30
( o)&
n (pppp)
tap the text on the head of p1
metal ceramic glass P 2kick pain
3:38
( o)
Œ
Œ
Œ
3:48
3:40
,
mp (pppp)
3:50
3:53
( o ) &n
bell woodblock P 3 gong
parlando sempre *4) cymbal P4 wood
tap the text on the head of p3
fingers sempre
,
cymbal woodblock P 5tom floor
*4) gong tom P 6cassa gran
fingers sempre tap the text on the head of p5
,
*1) rub the surface starting with the tip of one finger (and adding more eventually, if required), in a circular motion. Achieving a stable hissing sound. Use both hands when possible *2) rub the surface with the tip of the snare drum's stick, with the necessary pressure to achieve a squeeking unstable sound *3) rub the cymbal very fast and without producing a striked attack *5) all text in crochets means spoken text *4) read the text in silence and percute each syllable, always with the fingers (unless mallet be indicated), use both hands when possible
parlando sempre tap the text on the head of p6
œ
tap the rhythm from your head
,
*4) fingers sempre
Œ
Œ
Œ
rub while tapping *1)
o-
n pppp
,
Œ o nail ( )&
add
n
4:00
4:10
,
cymbal tom snare P1 k.drum
*6) , ..................................................................... n tap read œ the text text
4:20
4:18
metal ceramic glass P2 pain kick
[sh]
*5)
[sh]
..............................................................................
*5)
[sh]
...................................................................................................
[sh] pppp
ppp
soft mallets
n
ppppp
Z MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM n
read text
...................................................................... ,
tap the text on the head of p2
n
..................................................................... n, tap the text œ
ff ppp subito read text
,
5:10
5:05
n
ppp
P,
*6)
fingers sempre
ff ppp subito
mf
œ œ
tap the rhythm from your head
*6) , .....................................................................
, *6) read ..................................................................... ..................................................................................................................................... text n tap the text œ fingers sempre
gong tom P6 gran cassa
5:00
read text
ff ppp subito
pppp
cymbal woodblock P5 floor tom
4:50
ff ppp subito ppp *6)
pppp cymbal P4 wood
n
*6)
ff ppp subito
pppp bell3 P woodblock gong
4:40
..................................................................... , ...................................................................... read text ppp
mf
*5)
4:30
4:27
5:20
n
5:30
n
mp
ppp
5:40
5:50
5:54
5:55
5:59
, P
cymbal tom
snare P 1 k.drum
, ,
metal ceramic glass P 2kick pain
read text
n
mp
P MMMMMMMMMMMMMMMMMMMMMMMMM ,
ff/pppp subito
ϫ
mallets
,
cymbal P4 wood
∑ ∑ œÿ ∑ œ∑∑œ∑∑œÿ ∑
∑∑ œÿ ∑œÿ ∑
accel.
morendo
,
œœ
œ
,
mallets
mf
ϫ
ϫ
ϫ ϫ
listen and repeat the gesture
œœ
œ
pppp read text
,
∑ œ∑
pppp cymbal P5 woodblock floor tom
ϫ ϫ
morendo
bell P 3 woodblock gong
mallets
ϫ
listen and repeat the gesture
6:01
mallets
secco tap the text
œn
ord.
secco tap mallets the text
œ
6:10
,
6:15
6:11
,
6:19
, ......................................................................................................................., cymbal tom
tap the text
snare P 1 k.drum
staccato e cerimoniale
metal ceramic glass P 2kick pain
secco
mp
œ
tap the text
n
mf
mallets
snares
n
œ
ord. shout text
œ
tap the text
still
p tenuto
one word per second
staccato e cerimoniale
, ....................................................................................................................... bell one word ppp
6:20
æ
n
>
œ. œ
æ
....... ,
ord. shout still text ffff ord. shout still text
ffff
........,
O
h ‰∑ ‰ ∑ ffff3 ffff ∑ œ
sfffz
+ tap , ................................................................................................................. the text cymbal tom snare 5 P1 k.drum solo 7:10 ord. (read text)
7:00
mallets
7:20
n
ff/pppp subito
6:50
.........................................................................................
ppp
œ ∑ mp
still
............................................................
read text whispering ppp
∑ œ
3
whispering read text
mp
.......
ppp
..................
read text whispering ppp
œ. œ.
P
2p
*8)
**************************************************************************************************************************************************************************************************
∑ œ
sfffz
>
still
............................................................
read text whispering
squeek *7) fingers sempre
ppp
simile
œ. œ. œ. œ œ œ œ œ œ œ œ œ
ppppp tenuto ffff tutta forza
7:30
................................................................................. œ œ œ œ
read text whispering ppp
7:40
( o)
,
7:50
rub
, ........................................................................................................................ ord. morendo ed esspresivo n
mf
P ,
read text whispering
still
ffff mallets
6:40
rub *3)
‰œ ‰ still ffff ∑ ffff ppp staccato 3 e cerimoniale ord. ∑ , ......... , ........................................................................................................................ cymbal shout O one word ‰ P4 still text still per second wood œ‰ ffff ffff ppp mallets secco tap ∑3 tap tap center the the text the text text crot. mallets ∑ rub *3) # œ mallets ∑ , , , P œ cymbal œ œ O woodblock ‰œ‰ P 5tom still still floor † œæ œ p tenuto mp n mf n ∑ n ffff pppp secco tap tap tap ord. the text the text the text 3 , mallets shout ....... gong æ œ ‰ ∑‰ , œ , , tom œ œ œ P 6 still text gran cassa œ. œ. œ. œ. n mf n ffff mp p tenuto ∑ mp n ffff P woodblock 3 per second gong
6:35
6:30
6:23 6:24
P ,
ff/pppp subito
ord.
n
6:08
mp
pppp
œ
6:06
mp
.......................................
pppp
6:00
.....................................
read text
&-
gong tom P 6cassa gran
mp
pppp
,
morendo
......................................
mf
metal ceramic glass P 2kick pain
mp
n
p
pp
œ
ppppp
nedded) , [s] ................................................................................................................................................................................................................................................................................................................................................................................ œ bell woodblock P 3 (breathe when
gong
, ..................................................................................................................................... cymbal mp
P4
accel.
wood
disperato
ppppp
n
ppp
(breathe when nedded)
[sh]
.......................................................................................................................................................................................................................................
ppppp
ord. brushes rub äO ................................................................................................................................................................................................................................................................................................................................................................................ cymbal woodblock P5 floor tom œ œ œ œ œ œ œ œ œ œ œ œ œæ œ œ oæ o∑ p ppppp p mp pp ................................................................................................................................................................................................................................................................................................................................................................................ gong tom P6 gran cassa œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ mp
mallets
accel.
mp
(ppppp)
*6) different sections of the text are required to be read by each percussionist *7) rub the tom with the necessary pressure to get a squeeking almost stable and low sound. Fingers could be moist *8 the dotted squares mean silent scenic actions. Should be interpreted as an theatrical gesture, from the given musical action, in a very exaggerated manner and strictly without any sound production
8:00
8:07
,
cymbal tom snare P1 k.drum
œ´ P ∑ff
metal ceramic glass P 2kick pain
mallets snares
mallets
mallets
bell woodblock P 3 gong
, ............................................................... cymbal
mallets center
.................................................... ,
8:20
Ͼ
œ
p
œ
p
, P ..................................................... , cymbal woodblock P5 floor tom
, ........................................................................................................................................................... ,
,
read text
, ∑ ...................................................................................................................................................................... œ
n tap mallets the text secco metal mallets
n
cymbal
tom snare P 1 k.drum
,
metal ceramic glass P 2kick pain
n
œ
mp tap the text
...................................................................................................................... , read
œ
n
ÿ
∑ œ
flp
cymbal woodblock P 5tom floor
œ œ œ œ
P6
10:00
ppppp
hard mallets
prep vib.
9:20
soft mallets
prep vib.
œ. œ œ &œ. œ œ f
orgoglioso molto
&b œ . mp
bœ
œ nœ
nœ
,
n
n
9:30
9:40
9:50
inosservato ma fingers crescendo sempre ed molto gradualmente con presenza squeek *7) ppppp possibile ******************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************** 1'06'' ca. cerimoniale [We must abandon the idea of installing an American citizen in the Mexican presidency, as that would only lead us, maestoso once again, to war. The solution requires more time: we must open the doors of our universities to young, ambitious
2-
Mexicans and make the effort to educate them in the American way of life, in our values, and in respect for the leadership of the United States. Mexico will need competent administrators, and over time, these young people will come to occupy important positions and will eventually take posession of the presidency itself. And without the United States having to spend a single cent or fire a single shot, they will do what we want, and do it better and more radically than we ourselves would have done.]
Z MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
ppppp crescendo sempre ed molto gradualmente possibile inosservato ma *2) con presenza MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM
Z
ppppp possibile inosservato ma fingers squeek *7) con presenza
2-
crescendo sempre ed molto gradualmente
**************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************
crescendo sempre ed molto gradualmente
ppppp possibile inosservato ma fingers con presenza squeek *7)
P
æœ
n
pp
text
inosservato ma con presenza
cymbal P4 wood
n
mf
pp
n
f bell woodblock P 3 gong
fl
, read............................................................................................................................................. , text
pp
8:50
n
hard mallets
pp
9:10
n
pp
n
pp
gong tom P 6cassa gran
9:00
,
8:42
pp
n
n read text
tap the text
œÿ
8:40
, ....................................................................................................................................... read , text n
tap the text
tap the text
8:30
n
ppppp
..............................................................., P4 wood
8:10
2
**************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************
crescendo sempre ed molto gradualmente
ppppp possibile
10:10
10:20
10:30
10:40
10:50
cymbal tom snare P 1 ********************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************* k.drum
,
metal ceramic glass P2 pain kick
simile
06'' ca.
,
ffff possibile
[El presidente]
ffff possibile
MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM , ffff possibile
cymbal MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM P4 wood
,
ffff possibile
ffff possibile
This piece is about migration of energies from one realm to another. The notion of transducer allows to transform a text material into its different outputs. Of course this processes are inherent with political power exercises Performance of the piece Before the performance of the piece, and before audience comes in, an announcement must be made: Only people with a non-US passport is allowed to enter. After the piece ends, all people should come in. The announcement should be made by the staff of the venue.
Signs of specific techniques on sound production are expained on score, in each case. Different lines serve to prolong the sound or gesture over time. The used text is provided on the score. The reading of it, should always begin in a different part and every percussionist should choose a different starting point. If the percussionist ends reading, he/she should repeat the process. Vibraphone is prepared. Big pieces of foil must be placed loose over the keys to achieve a white-noised colored sound material each time one key is hit. The ideal printing size for this score is 56.9 x 44 cm. (4 letter size or 2 tabloid size)
still
orgoglioso molto [El presidente]
still
ff
********************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************* ,
Program Notes
,
ff
[El presidente]
gong tom P 6cassa gran
Time is divided in pieces of 5 seconds. The score is written in two ways. When precise rhythmic patterns are required, quarter will be always equals 60 bmp. The other way is proportional to the context and placement of the sounds. When precise synchronization is required, it will be pointed with a vertical arrow.
still
orgoglioso molto [El presidente]
,
ffff possibile
transduce | privilege
,
ff
[El presidente]
cymbal woodblock P5 floor tom *********************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************************
(The text to be read)
still
ff [El presidente]
bell P woodblock 3 gong
Performance Notes
U
orgoglioso molto
[Mexico is an extraordinarily easy country to dominate, as it necessary to control only one man:] piu f
orgoglioso molto
orgoglioso molto still
ff orgoglioso molto
ff
still
u
, , , , omar fraire 2015 | connecticut