André Casey Design Portfolio by André Casey

andré casey GRAPHIC DESIGN

The Bleed Magazine | Editorial Design & Leadership I worked on two volumes of The Bleed Magazine, a graphic design publication out of Lane Community College produced entirely by students. The Bleed is published once a year in the Spring and produced within roughly 7-weeks from concept to completion, which includes content creation and getting bids from printers.

Publication: The Bleed – Volume 7 Role: Pre-press Manager Contributions: Wrote and designed an article; and worked with the printer to get it produced.

Publication: The Bleed – Volume 8 Role: Co-Editor-in-Chief Contributions: Led a staff of 12 on content from concept to completion; Wrote and designed an two articles; and worked with printers to get bids.

CREAT IVE CONV ERGE NCE André Casey Words & Design

Get inspired and learn new skills at conferences around the world As a working professional in the design industry, attending conferences can be a great way to learn new skills and get inspired. These events often attract well-known and respected experts that are happy to share what they’ve learned, and the mixers allow opportunities for valuable networking with all types of creatives. For those who want something more structured or are more on the introverted side of the social spectrum, most offer workshops or other small group events. This curated list should give you plenty to choose from that will leave you excited and inspired to create, which is well worth the price of admission.

spring 2017 | The Bleed | volume eight

TYPOGRAPHY

Legend

Typographics

OREGON BASED Design Week Portland Who should attend: Designers of all kinds who want a week-long of city-wide programs exploring the process, craft, and practice of design across all disciplines. This conference connections designers and makers that embody the Northwest creative scene. Portland, Oregon April $$ designweekportland.com

Who should attend: Anyone who uses or makes type. Typographics is not only a conference, but is also bookended by a larger festival devoted to contemporary typography. It is also the first U.S.-based conference for typography that is not industry specific. New York, New York June $$ typographics.com

TypeCon Who should attend: Graphic designers and typographers, type designers, and anyone who loves the minutia of type. While fitting for all lovers of letterforms, this conference dives deep into the development of typefaces and fonts. Boston, Massachusetts August $$ typecon.com

WeMake Celebrates Who should attend: Designers and creatives who want to explore the process of making. This conference touts “designin-action,” and connects creatives across the Pacific Northwest. Portland, Oregon October $ wemakepdx.com/wemake-celebrates

UX Immersion: Interactions Who should attend: Graphic designers, web developers, and user experience engineers who want to learn new practices and techniques. Portland, Oregon May $$$ uxi.uie.com For more conferences in each category, checkout the web version at: thebleedmagazine.wordpress.com

*Conference details subject to change. Be sure to check the conference website for up-to-date info.

SPECIALIZED ICON Who should attend: Illustrators, designers, publishers, advertisers, and academics who want to explore the future of the Illustration industry. Austin, Texas July $$ theillustrationconference.org

INTERNATIONAL

Brand New Conference

What Design Can Do

Who should attend: Designers involved in corporate and brand identity. Despite the name, this conference is in it’s eighth year and is one of the only branding-specific events in the U.S. Chicago, Illinois September $$

MULTIDISCIPLINARY

underconsideration.com/brandnewconference

Who should attend: Designers who want to change the world. This conference showcases design as a catalyst of change and as a way of addressing the societal questions of our time. Amsterdam, Netherlands May $ whatdesigncando.com

HOW Design Live

The Dieline Conference

Webstock

Who should attend: Designers who want to stay on the cutting-edge of the industry. This high-end conference brings together the best-of-the-best. Boston, Massachusetts May $$$ howdesignlive.com

Who should attend: Designers who work on brands and packaged products. This is the largest and most comprehensive packaging design event of its kind. Chicago, Illinois May $$$ thedielineconference.com

Who should attend: web designers, frontend developers, and anyone interested in user experience design and the future of the web. Wellington, New Zealand February $$$ webstock.org.nz

Bend Design Conference Who should attend: Visual artists, trade professionals, entrepreneurs, city officials, students, or just curious and passionate citizens. Bend Design seeks to explore the processes and practices that enable design thinking and embrace creativity in everything. Bend, Oregon October $ benddesign.org

$ = <$300 $$ = $400-700 $$$ = $800+

Adobe MAX Who should attend: Creatives that want to learn the skills needed to stay competitive in the design industry. This conference has different tracks depending on your specialty and obviously focus on how to utilize Adobe software to the max. Las Vegas, Nevada October $$$ max.adobe.com

Creative Pro Week Who should attend: Designers who want to improve software specific skills. This unique conference consists of four separate conferences that focus on InDesign, Photoshop and Illustration, Print and ePublishing, and developers who make software for creatives. Atlanta, Georgia May $$$ creativeproweek.com

Offset

WEB & USER EXPERIENCE Who should attend: Designers, developers, and digital dreamers that are interested in the future of the web. Los Angeles, California June $$ conference.awwwards.com

Who should attend: Graphic Designer, Photographers, Animators, Illustrators, Artists and other creative types. Despite the name, this is a multidisciplinary conference inviting the most interesting and exciting practitioners from across the design industry. Dublin, Ireland March $ iloveoffset.com

An Event Apart

Design Indaba Festival

Who should attend: Interaction designers, graphic designers, developers, and strategists in the web industry. An Event Apart is a travelling conference that currently has five separate conferences in different U.S. cities. San Francisco, California May-Dec $$$ aneventapart.com

Who should attend: Designers and creatives of all kinds will love this. This multidisciplinary conference brings together the world’s best creative minds to share new perspectives and universal solutions and get inspired. Cape Town, South Africa March $$ designindaba.com/festival

Awwwards Conf

spring 2017 | The Bleed | volume eight

(top opposite page) Much of Alessio’s work is created for and shared on Instagram and other social platforms.

Alessio’s lettering appears on unsual objects, including The Wooden Boombox and a violin. Both were limited releases.

really foster a healthy relationship with them,” Alessio said. “That was really valuable. Just getting along with brothers and sisters, you know.” Alessio often creates illustrations that involve some musical influence, including lettering a quote about music being the “soul to the universe” on a violin in a decorative, script-inspired style. All of that time spent learning music with his family has taught him valuable skills that carry over into his career as a lettering artist. “The principles of practice have helped a lot,” Alessio said. “Just the hours spent honing things ... translates very well to something like lettering where it’s also very tedious and you want to invest in the minutiae.” Having worked professionally as a designer and illustrator for four years, he has benefited greatly from the recent popular interest in hand lettering. Search trends for hand lettering have increased 85 percent since 2011, according to Google Trends, and Alessio has been riding the wave. It may have even strongly influenced the trajectory of his entire career. “I probably would not have seen the possibilities with the more illustrative approach to lettering,” Alessio said regarding the cultural phenomena. “But the great thing about it is that

when you think about design history, lettering has always been there whether it’s a trending topic or not.” Art and illustration is nothing new to Alessio, who’s been drawing since he was a small child. One of his earliest memories involved drawing a picture for his mother with crayons, and bringing it to her while she was cooking. “I set it up on the stove over my head and started a little fire there,” Alessio said. “My piece of art was ruined, but thankfully the house did not burn down.” Despite a strong illustrative bent, he believed at first that web design was the best practical application of his art and design skills. He worked for a while as a web designer at a small agency, but described the work as “soul sucking.” Continuing to explore his passions, he transitioned into a career of illustrated typography and design. “I didn’t realize that you could actually build a career out of it,” Alessio said. “Being self-taught I didn’t really get a lot of career information. I don’t think even people who go to school get enough information about building a career. Everybody kind of figures it out as they go.” He has not always been comfortable with that uncertainty. There are often aspects of creative careers that develop in unexpected ways or through mere happenstance. Being a

When you think about design history, lettering has always been there whether it’s a trending topic or not.

The Bleed

bit of a perfectionist, Alessio craved order. He wanted to know where his life was headed, and to be able to predict where he would end up. He wanted to know the destination. This inner struggle led Alessio to create one of the first typographic posters that he shared publicly. It incorporated the following phrase: “Choose your road with care but always choose a destination first.” This idea of having the end in mind is something made popular by Stephen Covey in his book “The 7 Habits of Highly Effective People.” Covey’s theory was that you needed to visualize where you want to go, and then make a plan to get there. You can see how tantalizing this prospect would be for a pedantic creative. “I was actually kind of crippling myself with that mindset at one point,” Alessio said, describing how he learned the way he tends to operate over time. “I’ve accepted … that there is a lack of control in everyone’s life and you have to be cool with that, and be able to grow along the way without having everything figured out.” Accepting that uncertainty can be hard. Add on depression and anxiety and it gets harder. Alessio’s personal struggle with depression led him to create a particularly symbolic piece. “When I made ‘Write A New Chapter’, I wasn’t in a very healthy place,” Alessio said. He created the piece around the 2015 New Year, in an effort to overcome negative influences and invest more in himself. “The old books with the pages torn out and the large type brushed over the already existing story felt like a powerful metaphor to me as I set about these goals.” The career he’s built since includes an array of notable clients including the FYI Television Network, Target, and Walt Disney World. Alessio’s work has been moving more

towards animation, in the form of highly shareable GIFs. Yet, even in a digital medium, he hangs on to his analog roots. “I have a very lo-fi process,” Alessio said, relating his process to that of a scrappy and resourceful member of a garage rock band. “You use what you have at hand. For me it was just take pictures and stick them together in Photoshop.” Even when Alessio is playing with animation, he is first and foremost focusing on the craft of lettering, which is quite different than simply typing out the phrase on a computer. A key distinction between lettering, calligraphy, and typeface design is in how it is created. Calligraphy involves letters that are created in a few strokes using a specific tool, such as a broad nib pen or a brush. The calligrapher uses a ductus, or sequence of steps, to create a specific style of writing. Type design, on the other hand, involves

creating a font, which is a set of interchangeable letters that are meant to work together as a system. Originally, letters were carved into wood or metal, while today they are digitized using vector tools. Every letter in the font is exactly the same, which allows the typesetter—nowadays, anyone with a computer—to recombine them in any order and have them still be functional and appealing. Lettering is an entirely different animal. It involves drawing each letter, often building up the shape of the letterform using many strokes. The craft of lettering often deviates from the everyday appearance of letters, taking on elements that are more illustrative. Phrases or words take on a whole new graphic form. Letters begin to swirl and curve, or take the shape of objects. Alessio often uses real life objects to create his typographic illustrations, everything from snow to literal nuts and bolts.

Interest in Hand-Lettering Over Time based on search data from Google

100

0 2006

2011

2016

The Bleed

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Typographicsâ&#x20AC;&#x201A; |â&#x20AC;&#x201A; Event Branding Typographics is a design festival out of New York City for type nerds of all kinds. This conference likes to push the boundaries, so for the main graphic I used a computer programing language called Processing to create a mandalalike icon uses type as imageâ&#x20AC;&#x201D;literally.

Class Project: Typographics Event Rebrand Role: Designer Deliverables: Event branding, poster, and conference swag

t yp ogr aph ics JUNE 2017 a design festival for

people who use type

The event series takes place June 12â&#x20AC;&#x201C;22, 2017 and is devoted to contemporary typography, with talks, workshops, and tours that focus on

where typography is today and looks to its future.

The Cooper Union â&#x20AC;˘ New York City

Logo

Typography

Bernina Sans ExtraBold

Forum Regular

Colors

Headline Text Subhead Text and Secondary Information

Body Copy

Bernina Sans Regular

Scriptina Pro

Torn Paper Asset

Supporting Text

Nimmo Bay | Resort Branding & Web Design Nimmo Bay is a wilderness resort in British Columbia that caters to affluent explorer and outdoorsy types. The logo hints at the bay front cabin atmosphere, and the colors and assets speak to the richness and texture of the environment.

Class Project: Nimmo Bay Wilderness Resort Rebrand Role: Designer Contributions: Created the logo and identity system, along with physical products to fit within the brand.

Primary C: 75 M: 58 Y: 61 K: 48 PMS: 175-16 C Hex: #334140

Secondary C: 70 M: 32 Y: 60 K: 10 PMS: 144-12 C Hex: #51816F

Accent C: 0 M: 18 Y: 70 K: 0 PMS: 10-6 C Hex: #FFD167

From the beginning, we had the environment in mind. We installed a hydroelectric system, powered by a Pelton wheel within one of the nearby waterfalls. We have nine private intertidal chalets, can accommodate up to 18 visitors, and have room for several boats and our A Star helicopters. We have expanded into a full wilderness adventure resort with a host of other activities such as, whale watching, heli-hiking, beachcombing, kayaking, paddle boarding, glacier trekking, wild life viewing, and much more.

Explore your surroundings; West Coast like you’ve never seen it. See our activities.

You wont want to come inside, but when you do, you’ll love it here. See our cabins.

Complement your day with fresh flavours from land and water. See our menus.

10 lodges and resorts that not only provide superb fly-fishing but also offer an extensive selection of life’s finer pleasures… Nimmo Bay is thrilled to…

Creative Summitâ&#x20AC;&#x201A; |â&#x20AC;&#x201A; Event Branding & Web Design Creative Summit is staged as being a high-end international event on creativity & cognition. Our job was to create the branding and associated materials for the event as part of a 4-person team.

Class Project: Creative Summit Branding Role: Team Member Contributions: Logo, collaborated on poster design, and wrote the graphic standards.

thetorch

Back to School Edition

stories that matter

thetorch // www.lcctorch.com

Monday, Sept. 28, 2015

News

next issue on Wednesday, oct. 14

The independent student newspaper of Lane Community College S e p t. 2 8 , 2 0 1 5

volume 51, edition 1

euGene, oRe.

indie Game Con pg4

Win streak grows pg8

theTorch stories that matter

The independent student newspaper of Lane Community College

Weed banned on campus

O C T. 1 4 , 2 0 1 5

vOlume 51, ediTiOn 2

euGene, ORe.

Marijuana may be legal but not here

Strictly prohibited

niek Sprakel / Flickr creative commons

what’s inside

Oak Hill Fire

Marijuana was legalized in Oregon on July 1, 2015, but continues to be prohibited on campus in all forms, both consumption and possession, for either medical or recreational use. This also includes devices used to consume it. Storing any items involved with the use of marijuana in your car while parked in a Lane parking lot is also not allowed. Policy on this issue is guided by the fact that Lane is federally funded, according to Public Safety. Since marijuana is illegal according to federal law, Lane must follow this policy in order to stay eligible for federal funding.

Oregon’s Marijuana Law

• Must be 21 or over to possess and purchase • Can possess up to: • one ounce of usable marijuana in public places, except campus • eight ounces of usable marijuana in private spaces • up to four plants per residence • 25 percent tax on weed sales begins Jan. 4, 2016. • Marijuana sales are banned in Junction City, Creswell and Coburg. Starting on Oct. 1, 2015 Adults 21 or over can buy: • Up to ¼ oz per day at medical marijuana dispensaries • Marijuana seeds for planting • Up to four non-flowering plants

nature bounces back

A look inside the renovation of the Center Building

FEC expands focus on fitness

page 2

‘Free’ college opportunities debated

page 2

Titans shutout Ospreys

page 8

Getting close to the Center’s Punch list

page 4

buiLding

uring this past summer’s high fire season, a fire burned near Lane’s main campus off Eldon Schafer Drive on July 31, 2015. Lane Public Safety was the first responder on the scene near Oak Hill School. The Oregon Department of Forestry was called in to battle the fire. Spots in the surrounding forest to the south also caught fire, burning a total of eight acres. After an official investigation to identify the cause, ODF Deputy Fire Marshal Kristina Deschaine said the cause could not be determined. Recently, the Torch spotted new growth in the area damaged by the burn. The Torch will be documenting the regrowth throughout the year.

check www.lcctorch.com for more

Courtesy of Sgt. lisa Rupp / Lane Public safety

A group of interested Lane students and employees toured the Center Building on Sept. 9, 2015 while it was in the midst of construction. At that point, many areas were far from finished, especially areas of the Learning Commons such as the Library. As of the beginning of Fall Term, departments have been allowed to move back in, though not all to full capacity. Those involved with the project advise patience as there is still a long punch list of work left to be done. Above: a visitor snaps a photo of the view within the Library while on a tour of the center building construction on sept. 9, 2015. middle: campus community members explore the Food Court before it was finished. Bottom left: etched bricks wait to be placed in the cement of the plaza floor. Bottom right: a construction crew member sands the cement floor on an upper floor of the Center Building.

André Casey / thetorch

Aftermath of UCC Administration strives for middle-ground By Cairo Smith News Director In the hours since last Thursday’s shooting at a community college in Roseburg, Lane has struggled to find its position. “I don’t know what the answers are,” Lane Board of Education Chair Tony McCown said during an address at the vigil held at Lane on Friday, Oct. 2, 2015 for Umpqua “The nature of the threat Community College. McCown, environment is changing.” who experienced a similar tragedy at his high school 17 years — Jace Smith ago, shifted his message into a Public Safety Chief call for gun regulation. “I urge you to heed [President Obama’s] advice,” said McCown. “Our hopes and prayers are not enough.” Within minutes, Interim V.P. of Academic and Student Affairs Dawn DeWolf brought the ceremony back to neutral ground. “Our sympathy,” DeWolf said, “our prayers, our caring is enough for now.” According to V.P. of College Services Brian Kelly, every community college in Oregon has fallen under see UCC, page 3

illustration by André Casey / theTorch

photos by André Casey / thetorch

The Torch Newspaper | Editorial Design & Web Design I worked with The Torch Newspaper at Lane Community College for 3-years in various roles. As the student-run news source with a small staff, everyone was forced to wear many hats. My roles ranged from design, editorial leadership, writing, art direction, web design, and sales.

Year: 2015 Role: Design Editor Contributions: Produced an 8-page newspaper weekly, introduced tools to improve efficency using Google Drive, wrote the occasional article

Year: 2016 Role: Editor-in-Chief Contributions: Lead a staff of 15 student journalists, provided art direction on layout, wrote articles, expanded distribution, and redesigned the website

Year: 2017 Role: Business Director Contributions: Overhauled advertising department, designed media kit, art directed on ads for clients, created in-house advertisements for recruiting staff and clients.

Too close to home pg6

Ingredients: Milk Chocolate. (Sugar. Cocoa Butter. Milk. Chocolate. Soya Lecithin (Emulsifier). Barley Malt Powder. Vanillin (Artificial Flavoring)). Vegetable Oil. (Coconut. Palm Kernel). Sugar. Chocolate. Cocoa Butter. Milk. Soya Lecithin. Barley Malt Powder. Vanillin. Caramel Flavoring

Creamy milk chocolate and truffles create an irresistibly smooth center

Allergy Information: May Contain Nuts. Mfd. by Hahner Chocolate Co. A division of See’s Candy Shops Carson, CA 90810

Questions and comments? 800-555-5555

STORE IN A COOL DRY PLACE

Nutrition Facts Amount Per Serving Calories 220 Calories from fat 150 % Daily value* Total Fat 17g 26% Saturated Fat 12g 60% Trans Fat 0g Cholesterol 5mg 2% Sodium 25mg 1% Total Carbohydrate 16g 5% Dietary Fiber 1g 4% Sugars 15g Protein 2g Vitamin A 2% Calcium 6%

Vitamin C 0% Iron 2%

* Percent Daily Values are based on a 2,000 calorie diet. Your daily values may be higher or lower depending on your calorie needs: Calories: Total Fat Less than Sat Fat Less than Cholesterol Less than Sodium Less than Total Carbohydrate Dietary Fiber

2,000 65g 20g 300mg 2,400mg 300g 25g

2,500 80g 25g 300mg 2,400mg 375g 30g

Milk Chocolate Truffles

Hahner Chocolates | Packaging Design This project required working within the company’s graphic standards to create new packaging that reflected the quality of the chocolate, and would work well on a supermarket shelf.

Class Project: Hahner Chocolate Packaging Role: Designer Deliverables: Identity system, physical chocolate boxes

Hahner Fine Chocolates

Serving Size: 1 Square Serving per Container: 8 Calories per serving: 220

Milk Chocolate Truffles

www.hahnerchocolates.com

Milk Chocolate Truffles

Europes Finest Chocolate Since 1895

ähner Fine Chocolates™ is a Swiss chocolate maker that has been making fine confections since 1895. Hähner has always maintained that if there is a way to make chocolate more delicious, it will be done by Hähner. We guarantee the highest quality and taste. For more information, please visit our website at hahnerchocolates.com

Hahner Fine Chocolates

Exquisitely creamy chocolate and artistic mastery combine to create our Hahner Truffle with an irresistibly smooth center guaranteed to melt the heart of every chocolate lover.

Europes F inest NET WT. 3.5 OZ. (100G)

Calories: Total Fat Less than Sat Fat Less thanv Cholesterol Less than Sodium Less than Total Carbohydrate Dietary Fiber

2,000 65g 20g 300mg 2,400mg 300g 25g

2,500 80g 25g 300mg 2,400mg 375g 30g

Europes F inest NET WT. 3.5 OZ. (100G)

Amount Per Serving Calories 190 Calories from fat 80 % Daily value* Total Fat 9g 14% Saturated Fat 6g 30% Trans Fat 0g Cholesterol 15mg 5% Sodium 75mg 3% Total Carbohydrate 27g 9% Dietary Fiber 1g 4% Sugars 23g Protein 3g Vitamin A 0% Calcium 8%

Vitamin C 0% Iron 0%

2,000 65g 20g 300mg 2,400mg 300g 25g

2,500 80g 25g 300mg 2,400mg 375g 30g

Europes F inest NET WT. 3.5 OZ. (100G)

Dark Chocolate Toffees

Dark Chocolate & Almond Caramels

Milk Chocolate & Roasted Hazelnut

Rich dark chocolate with delicate pieces of crunchy toffee

Allergy Information: May Contain Nuts. Mfd. by Hahner Chocolate Co. A division of See’s Candy Shops Carson, CA 90810

www.hahnerchocolates.com

Serving Size: 1 Square Serving per Container: 8 Calories per serving: 190

Dark Chocolate Toffees

Questions and comments? 800-555-5555

STORE IN A COOL DRY PLACE

Nutrition Facts Serving Size: 1 Square Serving per Container: 8 Calories per serving: 180 Amount Per Serving Calories 180 Calories from fat 70 % Daily value* Total Fat 11g 17% Saturated Fat 8g 40% Trans Fat 0g Cholesterol 5mg 2% Sodium 90mg 4% Total Carbohydrate 23g 8% Dietary Fiber 1g 4% Sugars 21g Protein 2g Vitamin A 0% Calcium 4%

Vitamin C 0% Iron 6%

2,000 65g 20g 300mg 2,400mg 300g 25g

2,500 80g 25g 300mg 2,400mg 375g 30g

Hahner Fine Chocolates

Vitamin C 0% Iron 4%

* Percent Daily Values are based on a 2,000 calorie diet. Your daily values may be higher or lower depending on your calorie needs:

Nutrition Facts

Ingredients: Bittersweet Chocolate. (Chocolate Liquor (Processed with alkali). Sugar. Cocoa Butter. Butteroil. Milk. Soy Lecithin (Emulsifier). Natural Flavor). Milk. High Fructose Corn Syrup. Invert Sugar. Evaporated Milk (Vitamin D). Sugar. Heavy Cream. Partially Hydrogenated Palm Kernel Oil. Brown Sugar. Cocoa Butter. Salt. Natural Flavor. Soy Lecithin

Hahner Fine Chocolates

Vitamin A 0% Calcium 10%

www.hahnerchocolates.com

Amount Per Serving Calories 230 Calories from fat 100 % Daily value* Total Fat 15g 23% Saturated Fat 7g 35% Trans Fat 0g Cholesterol 5mg 2% Sodium 40mg 2% Total Carbohydrate 21g 7% Dietary Fiber 1g 4% Sugars 19g Protein 4g

Questions and comments? 800-555-5555

STORE IN A COOL DRY PLACE

Dark Chocolate Toffees

Serving Size: 1 Square Serving per Container: 8 Calories per serving: 230

Hahner Fine Chocolates

Nutrition Facts

Mfd. by Hahner Chocolate Co. A division of See’s Candy Shops Carson, CA 90810

Dark Chocolate & Almond Caramels

www.hahnerchocolates.com

Questions and comments? 800-555-5555

STORE IN A COOL DRY PLACE

Milk Chocolate & Roasted Hazelnut

Dark Chocolate & Almond Caramels Delectable creamy caramel wrapped in dark chocolate and roasted almonds

Allergy Information: Contains Nuts.

Dark Chocolate & Almond Caramels

Mfd. by Hahner Chocolate Co. A division of See’s Candy Shops Carson, CA 90810

Ingredients: Dark Chocolate With Caramel: Semisweet Chocolate (Sugar, Chocolate, Chocolate Processed With Alkali, Cocoa Butter, Milkfat, Soy Lecithin, Natural And Artificial Flavors),Caramel (Corn Syrup, Hydrogenated Palm Kernel Oil And/Or Palm Oil, Sugar, Skim Milk, Milkfat, Lactose, Salt, Potassium Sorbate To Maintain Freshness, Artificial Flavor).

Dark Chocolate Toffees

Europes Finest Chocolate Since 1895 Indulgent hazelnut flavor blended with our premium milk chocolate

Allergy Information: May Contain Nuts.

Europes Finest Chocolate Since 1895

Milk Chocolate & Roasted Hazelnut

Europes Finest Chocolate Since 1895

Ingredients: Sugar, Cocoa Butter, Hazelnuts, Milk, Chocolate, Skim Milk, Soya Lecithin, Barley Malt Powder, Artificial Flavoring, Milk Chocolate

Dark chocolate with delicate pieces of crunchy toffee for a rich taste experience you won’t soon forget.

Hahner Fine Chocolates

Creamy caramel wrapped in deeply flavored Hahner dark chocolate and topped with roasted almonds. Simply delectable!

Hahner Fine Chocolates

Our classic squares provide the perfect introduction to our original Swiss chocolate recipes, focusing on the Swiss tradition and heritage. Enjoy this indulgent hazelnut flavor blended with our premium milk chocolate.

Europes F inest NET WT. 3.5 OZ. (100G)

Milk Chocolate & Roasted Hazelnut

CONGRATULATIONS & THANK YOU to the Imperial Sovereign Court of the Willamette Empire on 40 Years of Incredible Dedication to Our Community and Congratulations to Your New Monarchs!

HIV Alliance | Marketing Materials & Event Branding Every year, HIV Alliance holds a large fundraiser they call “Big Night,” and it always has a different theme. This year they went with Disco as the theme, and I had the privilege of designing the brand identity and associated marketing materials.

Agency: Design and Media Center Client: HIV Alliance Role: Graphic Designer Contributions: Designed event branding for Big Night and created the invitation postcards and other marketing materials, created ads for various publications for other events

Please join us for an evening of fun & big heart at Big Night! May 20, 2017, 4:30 pm at Vahalla Winery, Veneta For more information visit: www.hivalliance.org

Media Arts Department | Web Design & Poster Lane Community College’s Media Arts department needed a slight upgrade on their website. I worked within the existing Drupal framework to cut the clutter and provide a modern landing page for the department. I also helped develop the “Be a Maker” campaign posters and graphics.

Agency: Design and Media Center Client: Media Arts Department at Lane Community College Role: Graphic Designer Contributions: Worked on a team to develop the concept for the “Be a Maker” campaign, created mockups for the website refresh and coded the page in Drupal.

Personal Workâ&#x20AC;&#x201A; |â&#x20AC;&#x201A; Conceptual Photography Photography has always held a special place in my heart, and in these pieces I chose to take a more experimental approach. Unanswered Questions involved an intimate interview process before staging the shot. Breaking Away used zero Photoshop manipulation, involving several shots and clay to get the desired effect.

Works: Unanswered Questions (left) & Breaking Away (right) Medium: Digital Photography

Thank You hello@andrecasey.com // www.andrecasey.com