PART OO week one
introduction of writter
Yufei Du
International student from China Bachelor in Environment, major in Architecture Never heard about digital architecture, never use computer to design and even hardly use computer software, but interested in digital architecture and happy to learn digital architecture technologies.
personal project This is my project for virtual communication in second year: a sculpture which inspired by clock, located in the park of CBD and served as a resting area. This different heights produced various shading when sun rise. At the same time, people could climb the sculpture and this made it playful.
PART 01 week one
architecture as discourse
“SHORT HISTORY OF DIGITAL ARCHITECTURE”
The “first wave” of digital architecture broke in the mid nineties. 90 percent of masters projects presented at Chris Bosse’s faculty were digital. At that time, most architects used computers only as drawing tools that had no impact on the form or the construction of their building. However, the postmodern theories of Robert Venturi initiated a ‘new wave’ of digital architecture and deconstructionism made architects explore digital technologies out of sheer practical necessary. Frank Gehry’s Fish sculpture for the Villa Olympic complex in Barcelona was a landmark in the history of digital construction technologies, and his work was achieved by CATIA, a software which used by the aeronautic industry.
ORGONE REEF
Author: Philip Beesley Location: University if Manitoba, Winnipeg, Manitoba, Canada, 2006 Orgone Reef’s reflection to landscape though environmental, structural and material performances is one important feature of discourse. More specifically, Orgone Reef is an artificial reef that could support a living skin. This project is a hybrid geotextile, a new class of materials used for reinforcing landscapes and buildings. The details of this structure are designed to catch and hold the thing they contact, accumulating a thick, porous mass. The project functions with aggression, clamping and cutting into neighbor, draining and digesting the things contacted and converting this material into fertile soil. This structure would help a scarified landscape heal and grow new layer. In my point of view, this design could make full use of the land which once could not be built by traditional technologies. Besides, according to AD magazine 2010 ‘s New structuralism issue, I assume that Orgone Reef is a good example of what is called new structuralism rather than modernism.
JERRY TATE ARCHITECTS
Waterfront hotel
Dubai Waterfront Hotel re-conceives the arrangement of high rising hotel and construction of a skyscraper through the understanding and reworking of structure and systems in nature. The forms of individual modules were derived from studies of insect exoskeleton and wing structure. The multifarious ranges of “alternative” spaces which satisfy various function of hotel are transformed smoothly from complex natural ecosystem. Digital design process of Waterfront hotel could be divided into two systems: “generative” in terms of bottom-up production of space and “operative” in terms of organizational effect. For “generative” elements, what raise my interest is this proposal is constructed from three distinct modules each associated with different program activities. Generally, it is impossible to distinguish three module types within one proposal as there is a smooth transition. In order to make all transitional states between three modules remain tectonically navigable space, a series of exploratory diagrams and MEL-scripting were used. For the “operative” parts, they refer to those which are used to steer “generative” system. A three dimensional dynamic fluid-field was created and linked to transitional states of generated modules. Personally, this study shares little similarity with modern movement. Modernism suggests a free façade with no ornamentation like the horizontal glazing in Mie’s glasshouse. To be contrast, façade of Waterfront Hotel is structural and at same time providing ornamentation for building itself. At the same time, this practice of Jerry Tate architects indicates a level of dexterity and put Tate in a small group of international practitioners.