APPEAL FA L L 2 0 1 8
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FEATURES
INTERIOR LAKE NONA NIRVANA
The picturesque and prestigious golf community in the perfect location lured a couple to purchase a second home in Lake Nona Golf & Country Club. Their longtime designer Kristen Mengelkoch turned it into a welcoming, comfortable abode.
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FAMILY FOCUS
STEPHEN ALLEN PHOTOGRAPHY
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A transitional home in Baldwin Park filled the bill for a busy couple with three young children — and their team, including builder Carmen Dominguez and designers Susan Pridgen and Shona Binkowski, delivered exactly what was ordered.
CO N T E N TS
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VACATION VILLA
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PERSONAL EFFECTS
This jewel box home in the heart of Winter Park had to please more than just 2018 Parade of Homes visitors. It was designed to be the personal residence of the builder and designer duo Zane and Emily Williams, of Z Properties.
cover: The dining room of a Lake Nona home with design by Kristen
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JACK EDWARDS PRODUCTIONS
STEPHEN ALLEN PHOTOGRAPHY
Mengelkoch and photography by Stephen Allen. Story on page 68.
JEFFREY A. DAVIS PHOTOGRAPHY, INC.
Interior designer Suzanne Nichols created an exquisitely modern and glamourous interior with clean-lined luxury, charming focal points and architectural details in a large new vacation home in Reunion Resort.
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FALL 2018
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APPEAL
36 INSIDE
INTERIOR
ART BY MARK PULLIAM
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RICKIE AGAPITO
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FA L L 2 0 1 8
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JAN KALÁB, SCULPTURE
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WELCOME
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TRADE SECRETS
Pillows, drapery and upholstery have everything to look forward to with these material trends curated by designer Jose J. Cabrera, C L Studio.
16 ARTIST’S STUDIO
With styles ranging from urban contemporary to traditional landscapes Mark Pulliam is not afraid of trying new things and pushing his boundaries.
22 DESIGNING MINDS
An exceptional team collaborated on the award-winning home Minnehaha Modern including architect Michael Wenrich, Keesee Associates, M. Lahr Homes and Ted Maines Interiors.
26 INSPIRING SPACES
Karen LeBlanc discovers the latest design concepts in offices and work environments that create a home away from home with innovative features and furnishings.
34 WHAT’S COOKING
A new cooktop line from Thermador provides more means of control, flexibility and performance in the kitchen.
36 EYE ON ARTS
A sneak peek of fall exhibits from the Albin Polasek Museum & Sculpture Gardens, Cornell Fine Arts Museum, Downtown Arts District, Mennello Museum of American Art, Orlando Museum of Arts and Snap! Orlando.
26 46 DESIGN EVENT
Industry professionals gathered at Lightstyle of Orlando for an evening of education, including top trends, food, and special prizes.
48 ENTERTAINING
Chef Jamie McFadden gets us ready for the season with some background and recipes to elevate your tailgate.
54 ON THE MARKET
Highlights from real estate properties around Central Florida.
60 ROOM BY ROOM
Eight designers showcase their work and discuss the details and inspirations behind these stunning spaces.
96 LAST LOOK
The Rogers Kiene Building will be the new home of the Downtown Arts District.
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INTERIOR APPEAL | ORANGEAPPEAL.COM
WELCOME
happy home
V V
isions of a clean, more contemporary
décor
filled my head as I imagined my new home. It
was a blank slate. Although built in 2007, it had few traditional, or dated, details. Minus crown molding with walls bathed in a soothing café au lait, the canvas afforded all kinds of modern possibilities. Out with the old… Then, I moved in and was paralyzed as I realized what I thought I wanted was just not me. I truly love embellishments, layers and textures. I rarely do smooth and sleek. I live for color — and lots of it. I called my friend deeply disturbed and she convinced me that traditional is not a dirty word or boring descriptor. But she also added what really describes my style — boho. So, with a personality diagnosis of boho traditional, I started filling rooms with everything that makes me happy. I am a big fan of nail heads, mixed metals, distressed thrift store finds, velvet, funky accessories, and painted furniture with
show home was filled with murals, faux painting techniques
glossy or waxy finishes. No plain Jane here; I adore the rooms of
and big, brown furnishings. Sometimes it worked — sometimes
Miles Redd and find myself drawn to elaborate bullion fringes
it didn’t make sense. You don’t have to follow every movement.
and richly embroidered fabrics.
Do what moves you.
I have a great appreciation for a modern aesthetic and under-
So, whether you adore mid-century, cottage chic, modern
stand why it is so appealing to some. It is very current and in
farmhouse, go with what makes you happy. There is nothing
vogue. And it’s not for everyone. I relate this to the Mediterra-
better than coming home to a place that reflects who you are and
nean-Tuscan movement of the late ’90s and early aughts. Every
how you live.
Follow us on 4
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@OrangeAppeal.
E D I TO R & P U B L I S H E R
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INTERIOR APPEAL | ORANGEAPPEAL.COM
TRADEsecrets
trending textiles Pillows, drapery and upholstery have everything to look forward to with these material trends curated by designer Jose J. Cabrera, C L Studio.
I LOVE HUE MOOR
“We’re seeing a lot more global fabrics like these Moorishinspired examples. People want more ethnic designs, whether it’s Indian, Moroccan or Spanish, with inspired motifs.”
Clockwise from top left: Vervain, silk velvet in Turquoise S. Harris, Drake in Citron Vervain, Pascal damask in Peacock Scion, Kateri in Tangerine S. Harris, Ankara Mohair in Pear GP & J Baker, Sampul in Peacock Harlequin, Bella Stripe in Denim/Turquoise/Aqua/Willow/Ochre (Center) Beacon Hill, Mosaic Velvet in Indigo Manuel Canovas, Leila in Aqua James Hare, Quartzite in Yellow 8
INTERIOR APPEAL | ORANGEAPPEAL.COM
TRADEsecrets
BOLD INTERSECT “This is all about graphic patterns with a 1920s, deco feel. Designer Miles Redd is leading the way with bold geometrics.”
Clockwise from top left: Brunschwig & Fils Murlo in Blanco/Onyx Clarke & Clarke Madison in Ebony RM COCO Kabuki Fret in Black/White Schumacher Octavia Velvet in Emerald Brunschwig & Fils Faenza in Blanco/Onyx Schumacher Miles Redd V Step in Loden Schumacher Miles Redd Tumbling Blocks in Black Schumacher Ming Fret in Emerald 10
INTERIOR APPEAL | ORANGEAPPEAL.COM
TRADEsecrets
EMBELLISHED & EMBROIDERED “You can really see the workmanship in these examples with hand-stitched details. These remind me of Tory Burch’s designs with a worldly flair.”
Clockwise from top left: Beacon Hill Handira Stripe in Tourmaline Schumacher Marguerite Embroidery in Sky Beacon Hill Sea Queen in Oasis Green Schumacher Marguerite Embroidery in Blossom Schumacher Under The Sea in Multi
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INTERIOR APPEAL | ORANGEAPPEAL.COM
TRADEsecrets
TRIBAL EFFECTS “Subtle patterns and solids are taking the place of animal prints. Tone on tone with lots of texture makes a bold statement.”
Clockwise from top left: Schumacher Mary McDonald Bora Bora in Black S. Harris Habitas in Flannel Schumacher Sonora in Natural Schumacher Topi in Black S. Harris Trybal Sheer in Goldstone Schumacher Mary McDonald Samoa Diamond in Sea Oyster Schumacher Kasai in Black Schumacher Mary McDonald Moorea in Lava Black Sanderson Ionia in Jet/Linen 14
INTERIOR APPEAL | ORANGEAPPEAL.COM
aRTIST’S sTUDIO
MARK PULLIAM
by Christi Ashby
oils and mixed mediums; but he also does drawings and watercolors. And to enhance the art, he is also an experienced framer, having owned a chain of frame shops when he was still in college. “Since I have been doing this, some pieces are good with the gallery wrap on canvas and no frame. What’s super popular now is the float frame. I’m a less-ismore guy when it comes to real contemporary art, especially if it’s over a certain size. This gives it a nice, crisp edge. Sometimes it’s a real thin metal surrounding the canvas. But a lot of artists can’t afford
W
to frame, and I understand that,” he says.
alking into his gallery and
made him a better artist. “I see so many
studio you might think sev-
artists who struggle because they don’t
eral artists are represented
understand you have to make a living and
in the light, open space. The
then you can blend that with what you
styles range from urban contemporary to
want to do. Even the great Picasso, the
traditional landscapes. Mark Pulliam is
first half of his career, his life, he had to
not afraid of trying new things and push-
accept commissions. Many of his great
ing his boundaries.
works, he had to suck it up and paint for
“My work has so much variety, but it’s a
somebody,” he adds.
product of the interior designers because
He admits he does have some leeway
you never know what they will want.
with the commissions and shows me the
They will come in and say, ‘Mark, I need
back studio where he is replicating a piece
some abstracts, but I don’t know what I
a client already owned. They wanted a dif-
want. Here’s the floor plan, some fabrics,
ferent version for another room of their
the feel, the vibe. Do your thing.’ Or they
home in Key West. “It was a female oriole
definitely want something specific. They
building a nest and there are eggs in it. It
may see those flowers [he points to pieces
had a solid white background. So, we
on the wall] and ask, ‘Can you do one of
came up with a lime and a coconut in that
those gigantic for me?’ About a year ago I
same style, on that same white back-
got a request for a piece about 10-feet wide
ground. There are now so many themes in
and 6-feet high. It was huge,” he says.
what I call the white series,” he explains.
While requests to alter their work
As part of his technique, he puts oil
might offend some artists, Mark wel-
paint over layers of acrylic for a smooth,
comes the challenges and feels it has
very white finish. His works are in acrylics,
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INTERIOR APPEAL | ORANGEAPPEAL.COM
aRTIST’S sTUDIO His broad art background has served him well. He knew at age 3 he wanted to be an artist, yet, his “Southern, practical parents” — his father was a NASA engineer and his mother was a nurse — were afraid he would starve. A chance discovery of his childhood collection of comic books after a relative’s death led to a large sale, and he took the nearly $15,000 to open his first frame shop while still in college. It was making a profit within six weeks and led to a small chain of stores. “At 30 I sold them all and tried to figure
a full-time artist and make a good living at
for me. I loved working with them because
out what I was going to do. I went back to
it. I have a good reputation, which I like.
they always gave me creative challenges.
school and got closer to graduating. But
But I have worked hard for it,” he adds.
My wife and I created a business plan and
then I got published and there was a
He is currently in his seventh gallery
decided we would cater to a select number
snowball effect. I realized I had the means
but decided to shift the focus that would
of interior designers — not go crazy with
to be a full-time artist. I incorporated
afford him the time for personal projects.
too many pieces — never can get it done
myself and never looked back. There were
“I’ve always been in the industry and over
on time. We wanted personal service and
a lot of peanut butter and jelly sandwiches
the years, a few designers started buying
I wanted to be able to paint at least three
along the way, but I am so fortunate to be
and collecting my work. A light came on
to four days a week,” he says.
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INTERIOR APPEAL | ORANGEAPPEAL.COM
aRTIST’S sTUDIO Mark does not mind creating a piece
through framing. And abstract can work
going into those because with a basic
for a specific space and knows not all art
really well over an antique buffet. Or tak-
studio or warehouse look you never know
works in all places. “Sometimes you have
ing a contemporary piece and putting a
what you are going to discover. They usu-
a need for a piece of art or painting that
big, gilded frame on it,” he explains.
ally have a bunch of young, up-and-com-
fits the space well. You can love and col-
He gets inspiration from nature as
ing artists versus the more high-end,
lect art from certain artists. But if your
much as urban settings and does not hesi-
bedroom is going to fight it, don’t put it
tate to try new things or techniques. “I
Mark Pulliam Fine Art is a working
there. You can have a nice eclectic art col-
always loved going to visit cities that have
studio, gallery space, office and framing
lection and put it together nicely. You’d be
what I call a Soho vibe. There’s always
area. “The gallery is by appointment only,
surprised how we can pull it together
that one street with a lot of galleries. I love
but everyone is welcome. You just have to
established galleries,” he adds.
call first. I’m always painting but I like to clean up and change before meeting someone. It’s been very successful. This concept is about three years old and I’m loving life,” he says.
MARK PULLIAM FINE ART 807 S. Orlando Ave. Suite N. Winter Park 32789 407-636-9286 | markpulliam.com
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INTERIOR APPEAL | ORANGEAPPEAL.COM
designingMINDS
Creative Collaboration:
MODERN ON MINNEHAHA CENTRAL FLORIDA’S ANNUAL PARADE OF HOMES, PRESENTED BY THE GREATER ORLANDO BUILDERS ASSOCIATION EACH SPRING, SHOWCASED THE BEST OF HOME DESIGN THROUGHOUT ORANGE, SEMINOLE AND OSCEOLA COUNTIES. THE WINNING ENTRY FOR CUSTOM HOMES $1.4 – $1.8 MILLION WAS THE MINNEHAHA MODERN. Photos by Rickie Agapito
A
talented team collaborated on the modern home. The architecture was designed by Michael Wenrich Architects and Keesee Associates and the home was built by M. Lahr Homes. All of the interior selections were made by the contemporary design team at Ted Maines Interiors.
This modern home features five bedrooms, including two master suites, and four and a
half baths. The living and dining areas are open and adjacent to the kitchen and family area offering flexibility and flow for entertaining. The large floor-to-ceiling windows and sliding doors allow an abundance of natural light and sensational views of Lake Minnehaha. As they entered the state-of-the-art kitchen, visitors were impressed with the exquisite cabinetry with inserts for ultimate organization; Bosch stainless steel appliances, including 36" gas cooktop, custom built-in refrigerator, freezer and dishwasher; Compaq Quartz countertops, Kohler Artisan plumbing fixtures; and an island with casual bar seating. Two master suites — one on each floor — with spa-inspired baths feature walk-in closets with custom-built systems, frameless glass shower enclosures, dual showerheads, porcelain tile and dual vanities. The outdoor oasis is equipped with a shower, summer kitchen, shellstone pavers and saltwater pool with water features. A modern luxe casita frames the pool end, featuring a living space, bedroom and full bath. Other highlights of the home include rectified porcelain tile, white oak hardwood floors, three tankless gas water heaters, recessed LED lighting, 10’ ceilings, 15 Seer Carrier HVAC units and programmable NEST thermostats.
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INTERIOR APPEAL | ORANGEAPPEAL.COM
We had a few questions about the project and asked Julie Koran at Ted Maines Interiors.
TELL US ABOUT YOUR COLLABORATION WITH M. LAHR HOMES AND BOB O’SHAUGHNESSY. HOW DID YOU COME TO WORK TOGETHER ON THIS PROJECT? Bob was our client on his personal home in Winter Park. That home was also done with Michael Wenrich, so this was Bob wanting to do it again with his dream team. M. Lahr was great. It was our first time working with them and we were impressed with their professionalism and attention to detail.
FALL 2018
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designingMINDS THE HOME IS STAGED BY SCAN DESIGN. WHAT DO YOU LIKE ABOUT THE FURNITURE AND HOW IT COMPLEMENTS THE SPACE? The karma was good on this one. We went to Scan Design one day and chose the furniture — they had everything we needed, and the pieces fit in effortlessly with our organic, modern concept. From the wood materials and leather sofa to the doublesided island sofa in the family room, everything was perfect.
SNAP! ORLANDO ARTISTS HAVE DISPLAYED THEIR ART IN THE HOME. WHAT IS YOUR FAVORITE PIECE? TELL US ABOUT ANY SPECIAL RELATIONSHIPS YOU HAVE WITH SNAP! OR THEIR ARTISTS. Again the karma… Patrick and Holly, who are the Snap! Gallery owners, answered our call with an affirmative when we asked if they were interested in celebrating art with us. It’s a win-win for everyone to showcase fine art in a Parade home and we were thrilled to have their talented eye. They chose everything from their inventory after we sent our concept book and toured the house with them. My personal favorite is the bright blue one in the living room, “7/11” by Reine Paradis, a female artist based in LA.
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INTERIOR APPEAL | ORANGEAPPEAL.COM
WORKSCAPES
iNsPiRiNG sPACEs
Working It:
The New Face of the Workplace
The latest design concepts create a home away from home by Karen LeBlanc
t the headquarters of Gus-
to innovate and collaborate. Rather than
to, a billion-dollar payroll
rows of isolating cubicles, loft-like, residen-
and benefits management
tial-style spaces sprang up with playful
company, employees wear
décor, plenty of natural light, ping pong and
slippers or socks in lieu of shoes. The no-
pool tables, and coffeehouse amenities.
shoes mandate from Gusto Founder Josh-
Progressive commercial designers nixed
ua Reeves keeps the corporate culture
all that fluorescent tube lighting with its
grounded, literally and metaphorically.
annoying hum and those sterile break
“We started the company in a house
rooms with their lone coffee pots and vend-
where we were raised to take off our
ing machines. The evolution of the office
shoes. When we moved into our office, we
space is in full swing and with it a new way
kept that tradition,” says Joshua, who also
of thinking about the way we work.
invites visitors to walk around shoeless.
“The workplace is becoming more
Today’s workplace is full of quirky cus-
adaptable and integrated. We look for home
toms and idiosyncrasies aimed at creating
in our office environments that provide
a place that feels like home and balances
comfort, movement, function, nature and
earning a paycheck with building a com-
identity,” says Soledad Amarante, creative
munity. Silicon Valley startups were the
director, Workscapes. The full-service office
first to reimagine the workplace as a space
dealership notes a departure from conven-
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INTERIOR APPEAL | ORANGEAPPEAL.COM
Below: Employee break room in the downtown Orlando headquarters of First Green Bank, designed by Ted Maines Interiors, resembles a residential kitchen and features the company’s signature green colorscape.
UNEEK PHOTOGRAPHY
A
Above: Today’s office space is more social with living rooms for employees to congregate and collaborate in, creating a home away from home at work as in this design by Workscapes.
iNSPiRiNG sPACEs
Left: This employee lounge designed by Workscapes blends together cafe and residential kitchen design elements. Above: A mini putting green in this office space designed by Workscapes is an example of the types of playful amenities showing up in the workplace. Below: Ted Maines Interiors converted a bank vault into a sitting area as part of its overall design of First Green Bank’s downtown headquarters.
tional, business-style spaces and private offices to warm, inviting lounge/living room areas with workplace kitchens and cafés. “Workers choose to belong to open areas rather than isolate themselves in private settings. Space no longer responds to a vertical hierarchy, it responds to a dynamic organizational system in which everyone has the freedom to choose where and how to work,” Soledad says. At NeoCon 2018, the annual commerUNEEK PHOTOGRAPHY
cial design industry trade show, experts gathered in a defacto brain trust to discuss ideas driving workspace design. The buzz was all about two concepts influencing modern workplace design: humanistic and biophilic principles together supplanting tired notions of office design. Studio TK, a NeoCon exhibitor, succinctly captured the gist of the collective
NeoCon prominently featured prod-
areas,” says Ted Maines, a residential and
ucts that promote connections to nature,
commercial interior designer. In one of his
employee well-being, and creative, collabor-
latest projects, First Green Bank headquar-
ative spaces balanced with private places.
ters in downtown Orlando, Ted repur-
conversation on a sign that read: “Social
“Most workplace environments have
spaces that create connections, prioritize
become much more casual and relaxed,
well-being and express a point of view
both in attire and design. Many businesses
This new face of the workplace also
have a work culture that empowers peo-
prefer open, collaborative spaces to private
recognizes the power of design in foster-
ple to do the same.”
offices, sometimes with comfortable lounge
ing company culture, an idea some of the
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INTERIOR APPEAL | ORANGEAPPEAL.COM
posed a large walk-in bank vault into an informal, lounge-style meeting room.
iNSPiRiNG sPACEs “If you want to build a magical brand, you
Biophilic Design to Build Human-Nature Connections:
can’t fake culture. Without a positive cul-
Taking a deep dive into this new face of
All In One Decorating Solutions inte-
ture, people doing customer service won’t
the workplace, let’s first break down this
grates biophilic design elements in commer-
have that joie de vivre that customers can
idea of biophilic design. In simplistic
cial spaces with indoor plants, wood accent
feel,” says Andy Dunn, founder of mens-
terms, it’s about counterbalancing all of
walls and natural lighting. “This declut-
wear brand Bonobos.
the time we spend indoors by strengthen-
tered and minimalistic design approach
The challenge for architects and design-
ing our connection to the outdoors. Bio-
creates a clean, organized office that fos-
ers is to channel this trifecta of commer-
philic design elements, such as living
ters productivity and better time manage-
cial design—humanistic, biophilic and
walls (plant walls), natural materials,
ment while minimizing stress because
work culture into a workspace that feels
grounded color palettes and textured sur-
the spaces promote clarity of thought and
like home yet structured for productivity.
faces, can stimulate the parasympathetic
imagination,” Francia explains.
most successful companies take to heart.
light and touches of nature to enhance productivity, creativity and morale.
“Technology has allowed companies to
system. The idea is rooted in Japan where
Ted Maines Interiors, in a recent com-
create a more casual and unconventional
the popularity of forest bathing, and tak-
mercial project, used repurposed wood as
work environment that enhances creativ-
ing walks outside among trees and nature
flooring material in a shared workspace
ity and productivity,” says Francia Fusik,
to lower stress levels prevails.
and a live-edge wood surface in a confer-
interior designer and founder of All In
“We encourage the use of wood, natural
ence room in lieu of a laminated table to
One Decorating Solutions. Francia recently
fibers and interior green living walls to
create a warmer feel. “The ability to incor-
created pet spaces for employees in a work-
generate cohesive spaces that keep our cli-
porate natural finishes can serve to pro-
place design project. “Some of our clients
ents closer to nature,” Soledad explains.
vide a more sustainable environment,
ask employees what they want, and we cre-
Workscapes believes clients are becoming
especially when we are able to repurpose
ate the space accordingly,” she adds.
more mindful of the benefits of natural
materials in unexpected ways,” Ted says.
Right: Ted Maines Interiors specified this live edge table for the conference room at First Green Bank’s downtown Orlando headquarters to bring warmth and natural elements into the space.
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INTERIOR APPEAL | ORANGEAPPEAL.COM
UNEEK PHOTOGRAPHY
Above: Biophilic Design elements such as living plant walls create connections with nature in this commercial space designed by Workscapes.
UNEEK PHOTOGRAPHY
iNSPiRiNG sPACEs
UNEEK PHOTOGRAPHY
Both images: First Green Bank’s reception area was designed by Ted Maines Interiors to communicate its eco-friendly corporate identity and company culture. The project won a Golden Brick Award for sustainability from the Downtown Development Board.
Humanistic Design for Employee Health and Well-Being
users to opt for choices that enable physi-
fosters a sense of security. Shades of green
cal activity as we know this sets off a
and brown can ground employees by con-
healthy lifestyle,” Soledad adds.
necting them with nature, creating a
Humanistic design promotes employee
Biophilic and humanistic principles
well-being by encouraging physical activ-
also embrace sustainability, in particular
From adaptive furnishings to living
ity and sustainability. “Workers are no
healthy materials that improve air quality
walls and privacy pods, today’s office is
longer tethered to a traditional desk.
by reducing off-gassing (the release of vol-
where employees feel at home to do their
Height adjustable worktops and chairs
atile organic compounds). These environ-
best work. “Productivity and quality of
afford the flexibility of being able to stand
mentally “clean” materials can comprise
work is always better when the team is in
or sit, sometimes as directed by a user’s
surfaces, furnishings, wall coverings and
a happy place,” Ted says.
personal device,” Ted says.
more. “It’s important today to be more
To encourage physical activity, Francia
responsible and avoid the use of dispos-
designs workspaces with printers located
able furniture. With the assumption that a
at a distance from employee desks to
company is going to be around for the next
encourage walking. “We plan the space to
five to 10 years, it’s best practice to use
maximize movement such as locating the
materials that will last a long time. It
break room on another floor or including
makes a statement about a business that
a small gym; locating employee parking
is planning on being here to stay,” Ted says.
spaces further from the building; and
Understanding
the
psychological
assigning smoking areas in uncomfort-
effects of color in the built environment is
able, unattractive spaces,” Francia says.
another manifestation of humanistic
In client meetings, Workscapes encour-
design. “Using the right color palette is
ages discussions on ways to provide health-
very important because color can affect
ier working experiences through a series
the way you act. Blue is ideal because it
of space plan exercises. “We encourage
can lower blood pressure by one point and
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INTERIOR APPEAL | ORANGEAPPEAL.COM
more relaxed ambience,” Francia notes.
Karen LeBlanc is host of The Design Tourist series. She travels the globe attending some of the world’s premiere design events in search of the latest trends, tastemakers and unique finds. Learn more at thedesigntourist.com.
wHAT’S cOOKING MORE FREEDOM with LIBERTY INDUCTION Thermador has launched the Liberty
date pots and pans from four inches to 10
ware, with the cooktop automatically
Induction Cooktop, an innovative luxury
inches, as well as teppanyaki grills that
adjusting the heat when a pot or pan is
appliance that provides more means of
can measure up to 16 inches long.
moved from one zone to another.
The cooktop features include:
MoveMode (shown below) permits the easy
control, flexibility and performance in the kitchen. The cooktop features 11 oval inductors divided into three cooking
HeatShift allows control of the induction
zones, with each zone able to accommo-
power level simply by moving your cook-
transfer of settings when moving cookware from one position to another across the cooktop by individually recalling settings for each of your pots and pans.
CookSmart offers five preset temperature levels to effortlessly pan fry a wide range of foods.
PanBoost delivers technology that provides 30 seconds of maximum power, then automatically lowers heat to continue cooking.
Stopwatch Timer counts upward rather than counting down to indicate how much time has passed since a meal has begun cooking.
Touch Control is an illuminated panel that features 17 highly precise power settings. With a sleek, modern aesthetic, the cooktop features a new beveled glass design that allows for a variety of options for kitchen customization. It is available with or without frames, and in a Titanium Gray glass or soon-to-be released Silver Mirror glass. The glass cooktop sits seamlessly on top of a stainless steel frame — making it easier than ever to clean the area where the glass and the stainless steel meet. 34
INTERIOR APPEAL | ORANGEAPPEAL.COM
EYEonARTS
&
UPCOMING EXHIBITIONS EVENTS Zen Tales: The Art of Jon J Muth, Orlando Museum of Art August 4 – October 28 This exhibition will feature 69 works by Jon J Muth, an American comic book artist and children’s book illustrator, known for his painted artwork. Muth studied stone sculpture and shodo– (brush calligraphy) in Japan; and studied painting, printmaking and drawing in England, Austria and Germany. His works include J. M. DeMatteis’ graphic novel Moonshadow, Grant Morrison’s The Mystery Play, Neil Gaiman’s The Sandman: The Wake with Michael Zulli and Charles Vess, and Mike Carey’s Lucifer: Nirvana and Swamp Thing: Roots. He received a Gold Medal from the Society of Illustrators in 1999 for his illustrations in Come On, Rain! by Karen John J Muth, I Will Hold You ’Til You Sleep
Hesse.
American Youth: Our Future and Our Orlando: Making Sense of Our World, The Mennello Museum of American Art August 24 – October 7 American Youth: Our Future is an exhibition to support and foster the creativity of Orlando’s talented teen artists. In this exhibition’s second year, the Mennello Museum of American Art will hold a juried art show open to Orange and Seminole County high school students. American Youth: Our Future aspires to empower rising artists and give them a space to engage in conversations through their art. These exhibitions are curated by Katherine Navarro, associate curator of education. Our Orlando: Making Sense of Our World will feature the work of four rising local artists: Sarah M. Bender, Peterson Guerrier, Boy Kong, and Kelly Joy Ladd. In this exhibition human experience is depicted, varied as it is in its accounts, through figuration and form, in two and three dimensions.
Jan Kaláb, Broken Rainbow
The Soul of Graffiti: Jan Kaláb, The Albin Polasek Museum & Sculpture Gardens August 28 – December 2 Contemporary Prague artist Jan Kaláb is known internationally for his innovative 3-D graffiti. Born in Czechoslovakia in 1978 at a time when graffiti was a form of protest in Eastern Europe, he made a name for himself in the 1990s as the country was opening itself up to Western influences. Since 2007 Kaláb has experi-
Boy Kong, First Flower Tiger Pelt, 2016, acrylic, oil, and horse hair on wood, 60 x 36 in. Courtesy of artist and Gitler &_____ gallery 36
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mented with abstractions on canvas, earning him solo exhibitions in Argentina, Germany, Paris, London, New York and Miami. The Polasek Museum exhibit will include sculptures, 3-D
canvases, select new works and an original installation, and will be held in partnership with the Embassy of the Czech
Jamilah Sabur, Untitled (rhombus: above Lake Apopka North Shore), Video still, 2017, Courtesy of the artist
Republic to commemorate the 100th anniversary of Czechoslovakia.
Jan Kaláb
Jamilah Sabur: Ibine Ela Acu/Water Sun Moon, Cornell Fine Arts Musuem September 8 – December 12 Jamilah Sabur: Ibine Ela Acu/Water Sun Moon is the Miami artist’s first solo exhibition at a museum. Sabur’s art-making is shaped by family history and postcolonial theory. She repeatedly mines historic texts and family histories in imagining both utopic spaces and specific places, such as her grandmother’s home in Jamaica. For her installation at the Cornell, Sabur decided to focus on the lands of Central Florida. She has been traveling to the Lake Wales region, Lake Apopka and St. Augustine, thinking about residue, and how the historical past of these lands interacts with the present.
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Fred Tomaselli, Jan 26, 2013, Gouache printed on printed watercolor paper, 2013, © Fred Tomaselli. Image courtesy of the artist and James Cohan Gallery, New York/Shanghai, Cornell Fine Arts Museum, 2013.34.060
Fake News? Some Artistic Responses, Cornell Fine Arts Museum September 8 – December 12 Fake News? Some Artistic Responses explores the way artists respond to and react against the barrage of news. From information taken out of context and twisted truths to unreliable sources and outright propaganda, inflammatory reports compromise reputable journalism and trust in democracy. Though the phrase “fake news” has been coined only recently and is amplified by easy access to a neverending newsfeed, similar attacks on the media have existed in the United States for over a century. The exhibition features American artists from the Cornell Fine Arts Museum’s permanent collection and contemplates the way we consume, perceive and transmit information in society.
Dangerous Women: Selections from the John and Mable Ringling Museum of Art, Cornell Fine Arts Musuem September 8 – December 12 This exhibition invites visitors to rediscover Renaissance and Baroque paintings
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through a feminist perspective in the age
civic responsibility. The exhibition will
of the #MeToo movement. Organized by
feature a large projected video in which
The John and Mable Ringling Museum of
the Soundsuits come to life, worn by danc-
Art, the State Art Museum of Florida,
ers — often the artist himself — who
Florida State University, Sarasota, FL, in
dance to original music composed for
partnership with the Patricia & Phillip
Cave. This exhibition was organized by
Frost Art Museum (Florida International
the Frist Art Museum, Nashville.
University) and the Cornell Fine Arts Museum (Rollins College), Dangerous
Nick Cave, Soundsuit 001, 2012
Women features 16th and 17th century artists such as Pietro da Cortona, Pordenone, Giovanni Andrea Sirani, Fede Galizia, and Francesco Cairo, among others. A modern coda, Robert Henri’s sumptuous, sensuous Salome, serves as a reminder of the tenacity of the appeal of dangerous biblical women.
Pietro da Cortona, (Italian, 1596–1699), Hagar and the Angels, Oil on canvas, ca. 1643, Courtesy of the John and Mable Ringling Museum of Art, Bequest of John Ringling, SN 132
Nick Cave: Feat., Orlando Museum of Art September 14 – December 30 Nick Cave’s work is a seamless combination of sculpture, dance and fashion, reflecting his experience as a trained visual artist. Cave is best known for his elaborate “soundsuits,” human-shaped, wearable sculptural forms composed of a wide variety of repurposed commonplace materials. A deeper look reveals that they speak to issues surrounding identity and social justice, specifically race, gun violence and
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EYEonARTS Shifting Gaze: A Reconstruction of the Black & Hispanic Body in Contemporary Art; Contemporary Art from the Collection of Dr. Robert B. Feldman, The Mennello Museum of American Art October 19 – January 13, 2019 Dr. Robert B. Feldman’s extensive collection of contemporary art. The artists gathered in the exhibition have all drawn upon art history, American history and popular culture to create powerful works that, independently and collectively, present a broad range of concepts about identity, beauty, belonging and religion, as well as work with deep gravitas around poignant issues of race, sexuality, violence, displacement, vulnerability, erasure and visibility. The power of this collection is the result of the extraordinary vision and passionate quest of the Winter Park collector Dr. Feldman. Nina Chanel Abney, #33, 2018, © Nina Chanel Abney. Courtesy of the artist and Jack Shainman Gallery, New York.
Dia de los Muertos & Monster Factory, CityArts Factory October 18, 6-11pm Dia de los Muertos & Monster Factory, a Golden Brick award-winning event, was developed to create a unique celebration featuring art themed for Dia de los Muertos (Day of the Dead) and Halloween. Now in its ninth year, the annual event is something the whole family can enjoy. More than 150 artists exhibit pieces for CityArts Factory’s largest submission show of the year. In addition to the seven exhibit spaces, an outdoor block party takes over Pine Street, from Court Street to Orange Avenue. Guests enjoy an exciting evening of live performances, music, stunning costumes, art vendors, great food, and prizes. This event, inspired by the traditional Mexican holiday, brings together families of all cultures for one artistic evening. For more information, visit ddlm2018.eventbrite.com.
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November 24-25 Fashion, design and “we wear our culture” pride play a colorful part in the new FusionFest celebration of diversity planned for November 24-25 in downtown Orlando. While the festival falls on the weekend after Thanksgiving, the deadline is September 17 to participate in the Fashion Showcase & Contest.
This exhibition presents a selection of works from
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FusionFest, downtown Orlando
Both a Heritage Runway Showcase and a Fusion Fashion Contest are planned as part of the two-day festivities that encourage interaction with both the design community as well as residents who have made their home in Central Florida from different parts of the world. The guidelines and entry form are available at fusionfest.org. The Heritage Runway Showcase will welcome a parade of participants wearing traditional costumes or culturally significant pieces of clothing from their heritages. The Fusion Fashion Contest offers more challenge and a $1,000 first prize. Designers are asked to create an original design that highlights or is inspired by elements from at least two different parts of the world. A map of the 10 designated world regions can be found on the entry form. Paula Wyatt is serving as FusionFest’s “Prime Minister of Style,” overseeing the showcase and contest. Paula is the Chief Excitement Officer at Anything is Posh Able, her boutique image building and event planning firm, celebrating 10 years in Central Florida. Other key offerings at FusionFest are the “MYgration” Film Pavilion, the International Food Court and Marketplace, the Diversitastic! Parade and Diversitastic! Choir, as well as the Global Street Dance Party. Fusion Fest is a project of the Downtown Arts District with support from Orange County Government and a growing grassroots movement. Learn more at fusionfest.org.
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CITY UNSEEN, SNAP! ORLANDO
Digital Art by Turkish artist Can Büyükberber, part of a projection mapping performance.
In October 2018, Snap! Orlando will unveil CITY UNSEEN, an ongoing public art project with locations across Orlando that will ignite the local landscape.
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Experiences will include murals com-
THIS PROJECT WILL OPEN ARTISTIC BORDERS by launching the city and
ing to life, a projection mapping finding
its visitors into Augmented Reality (AR)
permanence into the virtual world, and a
experiences, which will captivate the
teleport bringing the viewer into a
audience with brilliant fusions of works
360-degree visit of the artist’s Los Ange-
by internationally renowned artists and
les studio. Artists include Miami multi-
cutting-edge AR technology.
disciplinary artist Felice Grodin, Turkish
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digital artist Can Büyükberber, Los Ange-
each installation site. CITY UNSEEN will
be celebrated on October 5 at Snap! Space
les artist Nancy Baker Cahill, German
position Orlando as a pioneer with a new
Gallery. The reveal of various site-specific
street artist Mark Gmehling, Central
vision for the fusion of art and technology
experiences around Orlando, including
Florida installation artists Mark Gerstein
in the 21st century and serve as a platform for
Downtown, Mills 50 and Winter Park,
and Synthestruct, among others.
discussion about social, cultural and envi-
will take place on October 6. For more
ronmental issues affecting those around us.
information, visit snaporlando.com.
A CITY UNSEEN App will be available for users to enjoy the full range of art instal-
Produced and curated by Snap! Orlando,
lations and immersive AR experiences at
the opening night of CITY UNSEEN will
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Left: Augmented Reality Art by Los Angeles artist Nancy Baker Cahill; right: Mark Gerstein ‘Little Boxes’ projection mapping installation.
design EVENT
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EnTERTAINING
Elevate Your Tailgate As fall approaches and the “Friday Night Lights” begin to glow, we are quickly reminded that football season is upon us. Saturday and Sunday afternoons begin to take on a life of their own as folks of all ages travel to alma maters and professional stadiums to ramp up a favorite American pastime... tailgating! by Chef Jamie McFadden
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A
tradition around for countless years, but how did the idea of celebrating prior to a sporting event (pre-gam-
ing) even come about? The first tailgate celebration is believed to have occurred near the start of the Civil War. Civilians traveled out from Washington DC to witness the first Battle of Bull Run in 1861. Enjoying picnic baskets full of food, they cheered on their “team” from distant areas surrounding the battle sites. This is one of the first documentations in American history of people cheering at an event while sharing food and company. The tradition of team spirit and celebrating athletes has grown immensely since those early days and is alive and well here in the United States and around the globe. These pre-game celebrations are not just enjoyed by the younger set either — in fact often these game-day traditions are passed down generation to generation and attract all ages. On game days, stadiums and stadium parking lots around the country have become the site of progressive lunches and dinners as fans, who often wear identifying colors, set up portable kitchens and BBQs and to some degree create a competition of their own. What was once simply hotdogs and brats served out of the back of one’s pickup truck or RV has turned into moveable feasts all in the “spirit of the game.” From Bloody Mary bars to brisket sliders, and of course any type of taco you can imagine, there is now an art to tailgating. In this spirit, I thought it would be fun to share with you some delicious and “competitive” recipes for you to share this football season. Whether you’re a sporting fan or not, excellent eats always brings folks together and may even get you “the extra point.” As always… Entertain Deliciously!
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EnTERTAINING Red Sangria
Grilled Corn Salad
SERVES 10
SERVES 8
2 750-ml bottles red wine blend
1/2 red onion, finely diced
1 cup blueberries
1 red chili, seeded and chopped
1 cup raspberries
1/4 cup fresh lime juice
1 cup blackberries
1 tablespoon olive oil
1 cup sliced strawberries
1 tablespoon fresh garlic, chopped
2 oz fresh lemon juice
2 teaspoons each Kosher salt and black pepper
8 oz light rum
6 ears fresh corn, shucked
8 oz simple syrup
3/4 cup fresh cilantro, chopped
8 oz Campari
1/2 cup chopped scallions
In a large punch bowl or pitcher, stir the wine with the rum, simple syrup, Campari and lemon juice. Add in the fruit and refrigerate until chilled, about 45 minutes or up to 48 hours. Serve in tall glasses filled with ice and garnish with fruit from the pitcher.
1/4 cup chopped parsley 4 oz queso fresco, crumbled (about 1 cup) Heat grill to medium. Toss together red onion, chili, lime juice, oil and garlic in a bowl. Season with salt and pepper. Grill corn, turning occasionally, until charred, 10 – 12 minutes. Let cool, then cut corn from cobs. Add to onion mixture and toss to combine. Fold in cilantro, scallions, parsley and queso and serve. Can be made up to one day in advance and will hold in the refrigerator for up to three days.
Chili Rubbed Prawns with Roasted Pepper and Mango Salsa SERVES 4 – 6
PRAWN SEASONING RUB 3 tablespoons brown sugar 5 teaspoons chili powder 4 teaspoons salt 1 1/2 teaspoons ancho chili powder 1 tablespoon smoked paprika 3/4 teaspoon dried mustard 1/2 teaspoon chipotle chili powder Zest of 1 orange 24-30 large shrimp, peeled and deveined with tail on In a small mixing bowl, combine seasoning rub ingredients. Add shrimp and toss until all shrimp are completely coated. Place in refrigerator until ready to grill, (can be done one day in advance).
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ROASTED PEPPER AND MANGO SALSA 2 cups small diced fresh mango 2 cups small diced roasted red pepper 1 tablespoon minced shallot 1 teaspoon red wine vinegar 1/4 cup chopped fresh basil 1/2 cup diced green onion 1/2 cup mango nectar Zest of 1 lemon 1 teaspoon honey 2 limes for garnish In a small mixing bowl, combine above ingredients except limes. Gently mix as to not mash the delicate mango. Divide salsa between 4 – 6 midsize plates, set aside. To Grill: Prepare your barbecue grill. After appropriate preheating, place shrimp directly on the grill and cook for approximately 2 minutes on each side. Remove shrimp and divide among prepared plates. Cut remaining limes in half and squeeze the juice of each over the shrimp.
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EnTERTAINING Game Day Spicy Cheese Spread SERVES 8 – 10 1/2 cup Hellman’s mayonnaise 1 (4 oz) jar diced pimentos, drained 2 canned chipotles in adobo, finely chopped 2 scallions, chopped 2 teaspoons Worcestershire sauce 1/2 teaspoon chili powder 1/2 teaspoon ground cumin 12 oz Monterey Jack cheese, coarsely grated (about 3 cups) 8 oz queso fresco cheese, finely crumbled 2 teaspoons each Kosher salt and black pepper
Chocolate Pecan Pie 1 pie crust shell The filling: 1/2 stick unsalted butter, room temperature 2 oz unsweetened chocolate 3 large eggs 1 cup sugar 3/4 cup sugar cane syrup (recipe on page 53) 1/2 teaspoon pure vanilla extract 3 tablespoons chocolate liqueur 1/4 teaspoon sea salt 1 1/2 cups pecan halves 1/2 cup high-quality chocolate chips, melted (for the drizzle)
1 lime Stir together mayonnaise, pimentos, chipotles, scallions, Worcestershire, chili powder and cumin in a bowl. Mix in cheeses until combined. Season with salt and pepper and a squeeze of lime. Serve with tortilla chips or French bread crostini. Cover and chill at least 4 hours for up to three days.
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Preheat the oven to 350 degrees. Take your pie crust out of the freezer, if frozen. In a small saucepan, melt the butter and chocolate over medium-low heat; once melted remove from heat to cool. In a large mixing bowl, beat the eggs until lemon colored and frothy; blend in the sugar. Stir in the sugar syrup, vanilla, chocolate liqueur, salt, and the melted butter and chocolate mixture. Keep stirring until well blended.
Cane Syrup Recipe YIELD: 1 CUP SYRUP 1 1/4 cups granulated sugar 1/4 cup hot water Bring the water to boil, dissolving the sugar completely. Cool, add appropriate quantity to recipe, replacing 1:1 for corn syrup.
Arrange the pecans on the bottom of the pie crust, carefully pour the chocolate mixture over it. Bake until the filling is set, lightly puffed and crisp looking, approximately 45 minutes. Test for doneness by inserting a small knife into the center of the pie. Cool on a rack completely, and drizzle with melted chocolate before serving.
Jamie McFadden, Cuisiniers founder and executive chef, credits his culinary education and travels throughout Europe and the United States for enabling him to build his successful business in Central Florida based on a fresh-approach cooking style. After graduating from Baltimore’s International Culinary College and the La Varenne Cooking School in Burgundy, France, Jamie worked abroad under Master Chef Petter Timmins at the Park Hotel in County Cavan, Ireland. His latest venture is Cuisiniers Celebrations, a special event space at the East End Market. He is the co-founder of The PEAS Foundation, which provides food-insecure households with fresh fruits and vegetables.
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ONtheMARKET
HOT HOMES
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ONtheMARKET
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ROOM by ROOM
Area designers share details about some of their favorite rooms.
L I V IN G R O OM The expansive lake views greet you as soon as the front door opens upon this beautifully detailed grand living room overlooking a spacious lakefront in Winter Park. The architecture is reminiscent of homes in the Hamptons. The owners desired a formal/informal environment with a refined tailored look yet comfortable enough to relax and enjoy time with family. Generous room proportions and ceiling heights allow for great entertaining spaces.
Builder: CHARLES CLAYTON CONSTRUCTION | Architect: MCCAIN NORRIS DESIGN Interior Designer: SOCO INTERIORS Photo by Eric Cucciaioni Photography 60
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DI N I N G R O OM In this beautifully curated space, I combined modern and traditional styles. The classic grass cloth wallcovering provides a perfect backdrop for the striking eucalyptus veneer cabinet, custom made in the manner of architect Lucian Rollins’ original design. The space is framed by stenciled velvet draperies and well-appointed architectural moldings, both complementing the pièce de résistance, a hand-painted 18th century-inspired Chinoiserie wall panel by the house of de Gournay. A faceted crystal lamp floats in front of the panel and a floral filled geometric vase adds an unexpected edge.
JOSE J. CABRERA, C L STUDIO, INC. Photo by Stephen Allen FALL 2018
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ROOM by ROOM
K I TC H E N The client came to us knowing they needed to remodel their kitchen. The cabinetry was not old or outdated but did not fit the classic style of this 1920s Mediterranean home. The transformation in this space, without changing any walls, is incredible. The kitchen is now larger, functional and conducive to entertaining. The microwave is hidden in a special base cabinet, easy to use, but undetectable, and the old dishwasher was reused but now paneled to give better continuity to the overall space. Corner accessory cabinets and hidden trash means the space is accessible and organized.
KRISTA AGAPITO, S&W KITCHENS Photo by Rickie Agapito 62
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GA L L E RY This gallery space that can also be used for entertaining is a focal point and serves as a transition from the original part of this remodeled home to the new spaces. What makes this room unique is the mirror-image X designs on the floor and ceiling and the use of mixing materials, such as reclaimed oak flooring and porcelain tile on the floors, and painted custom beams and stained tongue-and-groove pine on the ceiling. Extensive use of trim, wainscot and moldings highlight the openings and create warmth, so the room is not too stark.
Builder: FARINA & SONS, INC. | Interior Designer: GRANT GRIBBLE, GRIBBLE INTERIOR GROUP Architecture: NASRALLAH ARCHITECTURE GROUP Photo by Jeffrey A. Davis Photography, Inc. FALL 2018
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ROOM by ROOM
GUE ST BE D R O OM We designed this guest bedroom to have the luxury feel of a hotel room, with calming colors and decadent bedding, but none of its features are too masculine or feminine. Relaxing colors, mixing texture and patterns, plus great bedding, make this guest room feel like a vacation, and keeps the design timeless.
ANNE RUE, ANNE RUE INTERIORS
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WIN E R O OM Situated in an exquisite oceanfront home, this warm, sophisticated wine space offers a luxurious and relaxing retreat. The pass-through wine feature opens the space and showcases unique vertical wine storage. The spectacular ocean backdrop serves as a focal point to the lounge seating. A rich, contemporary wood-veneer built-in accents the wall and provides functionality. The oversized glass doors and custom tile gives an elegant visual and enhances the grandness of the room.
MASTERPIECE DESIGN GROUP
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ROOM by ROOM
K I TC H E N We worked together to create a modern, sleek kitchen with a mix of organic woods for warmth and to create contrast with the high-gloss lacquer finish of the cabinets as well as the polished chrome accents. We wanted to infuse the kitchen with light and create a glowing backdrop with the back-lit, semi-precious Puro stone from Caesarstone on the back focal wall.
KRISTEN LESCHANDER, LESCHANDER INTERIORS, INC. DAVE STANLEY, BUSBY CABINETS Photo by Stephen Allen
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DI N I N G R O OM This dining room is set off by Mark Pulliam’s Shades of Pink abstract. The custom acrylic and organic wood dining table is flanked by custom seating benches for the perfect space for gathering.
ABBY RIZOR AND HATTIE WOLFE, WOLFE-RIZOR INTERIORS Photo by Stephen Allen
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Lake Nona
nirvana
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
by Interior Design:
Christi Ashby
Kristen Mengelkoch, Daybreak Interior Design
Photography by
Stephen Allen Photography
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THE CASUAL DINING ROOM FEATURES A LARGE PAINTING BY AUDREY PHILLIPS AND STRIKING CHANDELIERS BY CRYSTORAMA. OPPOSITE: IN THE DRAMATIC FOYER THE DARK TONES ARE ENHANCED BY THE CUSTOM RUG BY FABRICA AND TABLE BY MACKENZIE-DOW.
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The picturesque and prestigious golf community in the perfect location lured a couple to purchase a second home in Lake Nona Golf & Country Club. Since it was only 10 years old — and they were only the second owners — no extensive remodeling was needed, but they called on their longtime designer Kristen Mengelkoch to turn it into a welcoming, comfortable abode.
• • • • • • • • • • • • • • • • • • A CORNER OF THE LIVING ROOM ILLUSTRATES THE OVERALL STYLE OF THE HOME WITH A PAINTING BY LINDSY HALLECKSON; PATRICIA EDWARDS FURNITURE SOFA; THEODORE ALEXANDER COFFEE TABLE AND ROBERT ABBEY LAMP.
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• • • • • • • •
ANOTHER VIEW OF THE LIVING ROOM SHOWCASES COMFORTABLE CHAIRS BY TAYLOR KING, ANOTHER LINDSY HALLECKSON PAINTING, AND THE BEAUTIFUL FIREPLACE.
“i
have worked with the homeowners for more than 20 years. They have a home in Minneapolis and this one in Florida is their second home. I have done lots of remodeling, furnishing and finding art for them over the years. When they started to think seriously about doing this second home, they wanted to bring me along. I
did not mind coming down in the winter,” Kristen says. The project consisted of some minor cosmetic work — replacing the wood floors and
some carpeting and building a custom cabinet in one of the rooms — but mainly it was a furnishing job. “There’s a little bit of a story as to why they chose this location. The husband is a semiretired golf course architect and a bit of a golf nut, so he enjoys running into some of the pros in the neighborhood. She is a partner with KPMG which is putting a training center in Lake Nona, a project she is overseeing,” she explains. FALL 2018
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cifically wanted it to be good for entertaining as they host guests often. It is a little more contemporary and lighter in keeping with the Florida setting. The wife works in Manhattan during the week and comes home on weekends, spending half the year in Minnesota and half the year in Florida. “We pretty much started from scratch. There’s an accessory or two or piece of art that were pre-owned and one or two things they kept, but most everything is new. What really inspired me in the house, oddly enough, was the dark stair treads and handrail. They kind of gave me license to add darker touches in the woods and some of the metals that hint at the old Florida feel because they do like traditional. I wanted to stay light and airy overall, but mixing all the white with some darker tones,” Kristen adds.
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• • • • • • • • •
The owners wanted the house to look different than their primary residence and spe-
SUBTLE COLORS IN THE FAMILY ROOM INCLUDE UPHOLSTERED CHAIRS BY HIGHLAND HOUSE AND THE ROUND WOODBRIDGE COFFEE TABLE.
Because there was not any renovation or remodeling involved, it was a fairly fast project that started June 2017 and was finished by January 2018. “They were anxious to use it. That’s pretty quick as it’s about a 5,000-square-foot house and we did every room,” she says. There were a couple of challenges along the way that Kristen was able to successfully navigate. “One was in the kitchen with the white cabinetry — it’s a really large kitchen — and it comes across as very contemporary. Yet the rest of the house wasn’t quite there. It was a little tricky to bring all the light [to the rest of the house] to make that area not stand out in a negative way. We wanted it to feel integrated with the rest of the spaces,” she explains.
• • • • • • • • • • • • • • • • • • THE HOME OFFICE LOCATED JUST OFF THE FOYER IS FURNISHED WITH A MYKE REILLY PAINTING, SETTEE BY JESSICA CHARLES, AND ELK LIGHTING CHANDELIER.
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Another one was the entry from the garage, which is through the laundry room and “it really looked like it didn’t belong in a really nice house. So, we dressed it up quite a bit. And there isn’t actually a coat closet anywhere. Again, we used large furniture to fill that need,” she adds. Because the home is so large, Kristen wanted to make sure it was inviting. “We wanted to warm up the details in the house as there are very high ceilings. The beauty of the architecture is all in the columns and things, but it’s not really detailed. So, it was a bit of a trick to choose the right scale for all the furnishings and yet, not make it feel too grand — not too formal,” she says. The owners have happily enjoyed the redefined spaces and are right at home in the transitional setting. And Kristen is pleased with the outcome as well. “I really like the art and fabric we chose have kind of a watercolor feel to them. And I like the way it softens such a grand space. It is more casual so when they are entertaining it fits their style. I wanted to help them convey a welcoming feel without being ostentatious,” she explains.
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foyer and master bedroom in particular. It’s almost not even being aware of it, but the THE STUNNING WALLPAPER BY MATTHEW WILLIAMSON MAKES A BOLD STATEMENT IN THE BATHROOM.
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IN THE MASTER BEDROOM, THE STRIKING PURPLE-GRAY WALLS ARE COMPLEMENTED BY THE PINDLER DRAPERY FABRIC AND TUFTED BED BY DINO HOME COLLECTION. • • • • • • • • • • • • • • • •
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family focus The chic dining room is furnished with a Lexington Chateau table, Fourhands Selena sideboard, Bernhardt Interiors chairs, and custom drapes in a Trend fabric with Stroheim decorative trim.
BY Christi Ashby ARCHITECTURE:
Larry Brown, Brown + Company Architecture BUILDER:
Carmen Dominguez Construction with Hanover Capital Partners, LLC INTERIOR DESIGN:
Susan Pridgen and Shona Binkowski, PB Interiors Photography by
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In the living room the Gramercy sectional in Bennett Moon fabric is joined by Bernhardt Interiors nail head trimmed chairs and Leathercraft leather ottoman.
A
transitional home in Baldwin Park filled the bill for a busy couple with three young children — and their team delivered exactly what was ordered. “The
owners were very concerned with the home being family friendly, emphasizing open spaces and durable materials. They also wanted the house to be casually elegant, and not overly formal or stuffy,” says builder Carmen Dominguez. Carmen had worked with the couple before on other real estate projects. “I have had the opportunity to do several other spec homes with the owners, who are involved in the real estate industry, and it was somewhat of a natural fit given our prior business dealings,” she adds. For designer Susan Pridgen, it was her design for a Parade of Homes entry that attracted the couple to her services. “I got an email from the husband one day after the Parade of Homes two years ago. They had seen the house, but I had never met them. They said they were thinking about building in Baldwin Park and were trying to work out the lot situation. Then I did not hear from them for months. So, I just let it go,” Susan shares. But when the couple was ready they reached out.
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A modern, more contemporary aesthetic was at the top of the wish list, but the setting — a more traditional neighborhood — and situation — mobile young children, dictated a bit of a compromise. “The exterior elevation ended up being more transitional as a result of the Baldwin Park architectural requirements. The phrase modern farmhouse was used in concept meetings. The owners did not have a predisposition on square footage but wanted ample room for a growing family of five. The home ended up being right at 5,000 square feet, with additional outdoor living areas,” Carmen explains. “They really liked the clean, modern aesthetic, but they thought it was too nice because they have three young children. But they also wanted more of a transitional look, not as stark as some contemporary designs can be,” Susan adds. For the interiors, it was pretty much a blank slate. Susan quickly caught on to the wife’s style — some added feminine touches — through the exchange of photos. “They brought a handful of things but most everything is new. She had some really specific ideas — like the nursery which she wanted gray and white. In the kitchen she wanted an island with color and had brought us a photo of one in a gorgeous eggplant color. She predominantly wanted light colors with accents. They did have some artwork and we added more. Several pieces
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A Century Monroe writing desk, Anthropolgie desk chair and PB Interiors custom designed built-in and window seat by Don Bova-Regallion Custom Cabinetry. Opposite: The client wanted a bold color in the kitchen and the deep teal blue island hit the spot. Cabinetry designed by PB Interiors was built by Don Bova- Regallion Custom Cabinetry. The barstools are by Sunpan; custom hood by EJM Cooper. The breakfast nook includes a Dovetail Talbot table, Crate & Barrel Miles bench and Regina Andrew light fixture.
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Opposite: The light-filled master bedroom features a Fourhands bed, Bernhardt Interiors black leather bench, Bontempi Casa white night stands, Leftbank Art pieces, Restoration Hardware lamps and custom motorized drapes. The client chose the gray, cream/white and gold color scheme for the sweet nursery. The crib and glider were exisiting pieces and the bookshelf is from Moe’s Home Collection.
are by [local artist] Paul Scarborough. He and I have worked together a lot so pretty much every house I do has works by him,” she explains. Technology was important to the husband, so the latest advancements were incorporated. “He wanted to future-proof the house. The garage is hardwired for a Tesla Rapid Charger and battery wall. The home features CAT-6 structured wiring throughout and has significant integration of Apple Homekit for home automation. The house also features full-spray foam insulation, a whole-home water filtration system, and saltwater pool,” Carmen adds. Everyone is pleased with the final results. “The kitchen is my favorite space. I love it — it’s so pretty. She told me I could do whatever I wanted as long as it was white. We went back and forth on the hood and I talked them into it. It came out gorgeous. I also really like her office — it’s pretty,” Susan says. Both the builder and designer also agree this was a dream job with very easy-to-work-
Below: It’s pink power in the girl’s bedroom with a Serena & Lily Petal headboard, Pottery Barn Kids nightstands and vanity, rose prints from Etsy, and Anthropologie bedding.
with clients. “There are always a few surprises along the way, but for a home of this scale and detail, this project went surprisingly smoothly. My motto tends to be ‘No problems, only solutions,’ and the owners were very flexible and easy to work with, which makes a huge difference,” Carmen explains. Susan concurs: “It was so much fun and they were the easiest clients in the world. I hated when it was over. We had a great time working with them.”
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VACATION
VILLA by ROSEMARY
ANTONELLI
Interior Design:
SUZANNE NICHOLS, SUZANNE NICHOLS DESIGN GROUP Builder:
LANDMARK CUSTOM BUILDER Home Design:
MJS CUSTOM HOME DESIGN Photography by
HARRY LIM PHOTOGRAPHY
In the grand foyer, features include vaulted ceilings with Venetian plaster, marble columns and three large crystal chandeliers.
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The lazy river pool adds vacation flair to the expansive outdoor space.
The large living room utilizes a neutral palette of gray, white, cream, beige and black.
CLEAN LINED LUXURY WITH CHARMING FOCAL POINTS AND ARCHITECTURAL DETAILS BEAUTIFULLY CAPTIVATE A LARGE NEW VACATION HOME IN FLORIDA. INTERIOR DESIGNER SUZANNE NICHOLS, OF SUZANNE NICHOLS DESIGN GROUP, CREATED AN EXQUISITELY MODERN AND GLAMOUROUS INTERIOR THAT HAS BECOME ONE OF HER SIGNATURE STAMPS.
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The luxurious, dining room is elegant yet comfortable and inviting with seating for 16 around the massive glass table.
Hidden Mickey Mouse elements can be found in the theater that has recliner seating for 12 and a bar with additional seating.
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L
ocated in Reunion Resort, near Walt Disney World,
The expansive living room, dining room, wine room and
the dwelling — with 10 bedrooms, 14 bathrooms, an
kitchen work together to create a large-scale, elaborately designed
elevator and large, sweeping hallways and ceilings
area, all while being comfortable and inviting. Custom cabinetry
— is a resort in itself. The exterior architecture
detail in the built-in media center, wine vault, and the 12-foot
exudes the vibe of a grand Mediterranean villa.
kitchen island with glacier white granite and white cabinets
There is a lazy river-style swimming pool that wraps
with gray glaze all enhance the attention to detail.
around the residence.
The largest of the three master suites was styled with soothing
“The owners are a beautiful couple with adult children who
wanted elegance that also would be transitional and user friendly for rental purposes,” Suzanne says. Because it is intended to be a luxury rental, the focus was on creating charm in the details. The vast ceilings and walls throughout showcase custom Venetian plaster and elaborate window treatments. Upon entering through large scrolled ironwork doors, the grand foyer showcases vaulted ceilings with Venetian plaster, marble columns and three large crystal chandeliers. The hallways and main areas continue with
beige tones and dark woods. The sitting area includes luxurious seating off the pool. A paneled elevator is just one of the many details that make the home a perfect retreat.
the exquisite 30" marble tile and ceiling elements throughout. “We started with a neutral palette of gray, white, cream, beige and black and added pops of vibrant color to define each room,” Suzanne explains.
In the kitchen, elegant materials include the 12-ft kitchen island with glacier white granite and white cabinets with a gray glaze.
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The loft area provides a space for conversation, cards and games.
A large loft space and game room features an inviting red leather sectional in front of a black granite detail wall with horizontal fireplace and TV. In this Disney-themed room, Mickey Mouse wing chairs flank the sofa. The opposite bar wall with red leather swivel seating shows detail of an exotic granite island, espresso custom cabinetry with smoked mirrors, and a unique mosaic backsplash and bar front. Multiple mounted TVs, pool table, shuffle board table, poker table and arcade game add to the fun mood of the space. Atop the staircase, off the loft, is an elegant seating area with two-story, barrel-vaulted ceiling detailing with a smoky gray, metallic Venetian plaster and completed with a sweeping window treatment on the tall arched window and French doors. The theater, with recliner seating for 12 and a bar with additional seating, is detailed with a custom bar and candy niche. There also is overhead twilight lighting and hidden Mickey elements. Each of the bedrooms were custom designed with similar neutral tones, but with its own accent color and direction. Beautiful details include custom window treatments in rich, luxurious fabrics. Highlighted upstairs is a large room detailed with six custom built-in beds in a nautical theme with red, white and blue. Here the designer created a fun space with dual gaming TVs.
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Off the loft is an elegant seating area with two-story barrel-vaulted ceiling detailed with a smoky gray, metallic Venetian plaster and completed with a sweeping window treatment on the tall arched window and French doors.
Each of the bedrooms was custom designed with similar neutral tones and added accent color. Beautiful details include custom designed window treatments in luxurious, rich fabrics. One large room is detailed with six custom built-in beds in a nautical theme with red, white and blue.
Suzanne designed a luxurious vacation home that not only pleased the owners, but also appeals to large families traveling to Orlando. Suzanne designed a luxurious vacation home that not only pleased the owners but also will appeal to large families or groups traveling to Orlando with the added perks of close proximity to the theme parks as well as access to the amenities at Reunion Resort.
The game room has an inviting bar area with red leather swivel chairs, exotic granite island, espresso custom cabinetry and a unique mosaic backsplash and bar front.
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THE LIVING ROOM FEATURES COLORFUL FURNISHINGS AND ACCESSORIES INCLUDING THE TAYLOR BURKE SOFA AND CHAIRS, DESIGN LEGACY AND SQUARE FEATHERS PILLOWS, AND A KELLY O’NEAL PAINTING (ON THE RIGHT).
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PERSONAL EFFECTS BY KATE
SLENTZ
BUILDER: Z
PROPERTIES GROUP, INC. INTERIOR DESIGN: EWD DESIGNS PHOTOGRAPHY BY STEPHEN ALLEN
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This jewel box home in the heart of Winter Park had to please more than just 2018 Parade of Homes visitors. It was designed to be the personal residence of the builder and designer duo Zane and Emily Williams, of Z Properties, who were a little more daring with this year’s entry.
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Above: The gold cabinetry, Ro Sham Beaux lighting and Kallista plumbing make a statement in this glamorous kitchen contrasted by black Compac countertops.
Opposite: The inspiration for the sunroom was the Clarence House fabric on the Moss Studio chair.
“I KIND OF THREW CAUTION TO THE WIND WITH COLOR AND FINISHES AND REALLY KIND OF PERSONALIZED IT,” Emily explains. “I certainly go a little crazier, I think. It seems the crazier we build it, the better the reaction.” A perfect example of this is in the kitchen with its gold cabinetry and accents contrasted by black Compac countertops. “Part of what challenges us each year doing Parade of Homes is the idea that it does need to be different. It’s fun because it pushes me out of my comfort zone,” says Emily, who originally wanted to do a modern, sleek all-white kitchen.
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Bold choices continue in the colorful living room and sunroom. “The jumping off point for those two rooms was the living room rug. I always find one piece that blows me away and then I kind of build around it,” she says. While she could have gone with a more traditional approach by pulling navy and cream colors from the rug, she decided to go with the green and purple. The verdant hue also makes a splash in the sunroom, which was inspired by the fabric on the chairs. “I wanted the rooms to relate somewhat so I carried the green through. I liked the idea of green in that room because of the windows and having the outdoors come inside. You’re looking at all that beautiful green, so I wanted to spread it out through that room. It’s cheerful,” she adds. Emily kept the dining area more subdued to balance the colorful living areas and foyer, which features a hot pink wallpaper. “I really love a true foyer and in the two houses we’ve built we haven’t had one and I missed that,” she says. The foyer leads the eye to the backyard space with an intimate pool and cabana. Off the foyer is their 8-year-old son’s room, which features pops of orange and green (his selections) as well as some of his personal artwork on the walls. “He likes to get involved in picking those things. He wanted the orange headboard and zebra rug at the end of his bed. It’s very funny to hear his input and it’s usually pretty good,” Emily says.
Top, left: Furnished with Handley Drive lamps, an AVE Home console and Moss Studio chairs, and featuring floor-to-ceiling hot pink wallpaper, the foyer creates a dramatic entrance. Bottom, left: The poolside cabana was kept simple and bright with outdoor furniture and lighting by Ro Sham Beaux and a tile accent wall from Trinity Tile. 92
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Top, right: Colorful awnings and a custom hot pink gate punctuate the front exterior of the home. Bottom, right: Furnished by Society Social, the guest house also features Clarence House wallpaper, Schumacher pillow fabric and trim, and an ornate mirror by Mirror Image Home.
The biggest departure is the master bedroom and bathroom, which are bathed in pinks and grays with gold accents. Emily was inspired by the pink marble she selected for the bathroom and wanted to create a hotel suite effect. At Zane’s request, she added some masculine touches. “I love the way that the bedroom turned out. Again, a big departure for me, because gray and a muted pink are not really in my wheelhouse,” she adds. The master overlooks a small courtyard that separates the detached garage and guesthouse from the main house. As she has done in previous Parade homes, Emily partnered with Roxy Te, of Society Social, to create a chic, Florida-style guest house that is highlighted by Society Social furnishings, Clarence House wallpaper and pink gingham fabric, among other accents. Colorful awnings and a custom hot pink gate punctuate the front exterior of the home, which tie in perfectly with the striking pink front door and foyer beyond. “The awnings inspired the front door color and gate color, which is called Drop Dead Gorgeous. It was between orange and hot pink and Zane surprisingly voted for the pink,” Emily explains. Although its situated on a small lot just feet away from neighboring homes, the home’s design affords privacy and seclusion. “It’s really amazing to go into your house and really have no sense of what’s going on outside of it. It’s just really peaceful,” Emily says. FALL 2018
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Above: The luxurious master suite retreat is highlighted by an Arteriors chandelier, Moss Studio bed, chair and ottoman, and lamps by Barbara Cosgrove. Left: The pink marble from Trinity Tile in the master bathroom inspired the design of both the master bedroom and bathroom, which also includes Kallista plumbing and Circa lighting. Opposite, clockwise from top left: The courtyard was kept clean and white to balance the other bold rooms through the home and features Ro Sham Beaux furnishings. The dining room, with chairs by Taylor Burke Home, was kept more subdued to balance the bold living areas and foyer. Custom entry gates were created in the color called Drop Dead Gorgeous. Orange reigns supreme in their son’s room, with a Jonathan Adler console and Moss Studio bed, balanced by crisp, white bedding from Peacock Alley.
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LAST LooK
full circle
Built in 1886, the Rogers Kiene Building was once home to the English Club, which sponsored dances, theater and other events. It was named an Orlando Historic Landmark in 1978 and was added to the National Register of Historic Places in 1983. Ford Kiene, president of City Beverages Limited Partnership, purchased the building in 1999 and restored it to house the Gallery at Avalon Island, which is part of the Downtown Arts District. He gifted the building to the City of Orlando in January 2018 under the premise that it specifically be used for the arts. And it was recently announced the Rogers Kiene Building will be the new home of the Downtown Arts District (DAD), a dedicated nonprofit for advancing arts and economic development in the City of Orlando. 96
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