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D A I LY E M E R A L D . C O M
⚙ MONDAY
The music man SINCE AGE 8, WHEN UO GRAD STUDENT TONY GLAUSI FIRST PICKED UP THE TRUMPET, he has
taught private lessons, founded a youth jazz orchestra, hung out with a jazz legend and performed with more than a handful of bands around Eugene.
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EMERALD MEDIA GROUP
NEWS
Ta-Nehisi Coates addresses harsh realities of racism at sold out Matthew Knight Arena ➡ WILL
Ta-Nehisi Coates spoke Friday night to a crowd of over 5,000. (Creative Commons)
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“Race is the child of racism; not the father,” author Ta-Nehisi Coates said to 5,548 people during his speech at the Matthew Knight Arena on Friday night. “We [Americans] have gone through the process of making Black people into a race,” he said. Coates argues that race is the byproduct of pigeonholing a group of people to take advantage of them — a shade of slavery or scapegoatism. He sees similarities in President Trump’s recent “Muslim-ban.” Coates said that as an African American who carries the burden of history, watching policy being passed to segregate groups of people hurts, and it’s surprising how quickly it’s normalized. “I’m with you,” he told the Muslim community. “It would be contrary to history to not be with you.” Coates writes for The Atlantic magazine and has authored two books about racial issues in America. He also writes the Black Panther comic books for Marvel. The University of Oregon gifted every first-year student a copy of Coates’ book Between the World and Me as part of the Common Reading Program. Every year, the program gives out a free book addressing relevant issues to first-year students. Coates delivers a powerful perspective in his book, which is written as a letter to his son. The book focuses on the institution of racism and his experiences with it in America, something reflected in his speech. Knight Arena is where Coates’ held his fifth talk in five days, he said. He also directly addressed UO and the wealth it gains from its sports
programs. “University systems should spend time thinking about wealth they’ve accumulated that was drawn from black bodies,” he said. “Make sure you’re giving back as much as you’re taking.” According to the UO Athletic Department website, the department drew $103.4 million in revenue in 2016. In the speech, Coates explored the growth of America since its birth in 1776. Slave labor was then the most valuable asset. He said there’s a difference between the general belief that slavery was America’s only flaw and the historical reality. “Slavery isn’t a bump in the road; slavery is the road,” he said. “You can’t make America without slaves.” He also referenced the Articles of Confederation — the document that acted as the first constitution of the United States of America — and its view on African Americans as the only “fit” people to work slave labor. Coates made clear the importance of voting, but said voting doesn’t always mean you get to vote for whom you want. Coates told students in the crowd that making a choice anyway is part of growing up. “Your vote matters,” he said. Coates was born in 1975 in Baltimore, Maryland. He earned his undergraduate degree from Howard University in Washington, D.C., and soon after he became a reporter for three different newspapers. But according to a feature in Observer, shortly after each reporting stint he was “released,” for unknown reasons. Coates now works for The Atlantic, and lives in New York with his wife, Kenyatta, and his son.
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ON THE COVER
Tony Glausi obtained his undergraduate degree at UO and is currently a grad student and local jazz musician . Photo courtesy of Tony Glausi .
M O N D AY, F E B R U A R Y 6 , 2 0 1 7
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đ&#x;“– COVER
TONY GLAUSI:
➥ ➥
EMERSON MALONE, @ALLMALONE PHOTOS COURTESY OF TONY GLAUSI
W
hen Tony Glausi meets someone for the first time, he introduces himself by saying, “I teach jazz� or “I play trumpet.� The response generally goes one of two ways. “Oh, yeah! Dave Brubeck, right?� the stranger might say, grasping for the closest jazz touchstone he or she can muster. “‘Take Five’! The other response he gets has slightly more pity: “But what do you mean you play music for a living?� “They don’t quite believe you,� Glausi told the Emerald. “They just don’t know what it means to be an artist and how you can make a career out of that.� Here’s how: since age 14, Glausi has taught private trumpet lessons, with students whose ages range from 4-60. His 4-year-old student, Glausi said, has pretty esteemed taste for a child his age. “I kid you not, he comes in and he’s like, ‘I love Chuck Mangione,’ � Glausi said. “Mangione is a kind of popular jazz guy, but for a 4-year-old to be way into it is pretty insane.� In spring 2015, Glausi graduated from the University of Oregon’s School of Music and Dance with a degree in jazz performance. That fall, he started his graduate teaching fellowship; he teaches a jazz band ensemble course in the music school three times a week. “There is some history of trumpet players maturing young, like Booker Little, Lee Morgan, Clifford Brown and Wynton Marsalis,� said Carl Woideck, a senior instructor of jazz history who has known Glausi throughout his undergraduate career. “I think Tony is in that lineage.� PA G E 4
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Three years ago, Glausi met Marsalis when his band played in Eugene. Following this, Glausi won the Laurie Frink Career Grant, which funded a trip to New York City, where he stayed with Marsalis for a few days. Glausi was able to pick Marsalis’ brain — in fact, Marsalis asked Glausi to come with 100 questions prepared for him. So Glausi wrote up everything from minute inquiries such as, “How do you like to warm up on the trumpet?� to more weighty questions: “What do you think is the future of jazz?� “It was just a mentorship,� said Glausi. “It was just him sharing wisdom with me.� Glausi performs live several times a month with a dizzying number of bands in the community (just look at the sidebar to see some of his upcoming shows). Last summer at the Shedd Institute, he founded the Shedd Youth Jazz Orchestra, an ensemble for high school students in the Eugene community. “We don’t have in Eugene what I grew up playing in: youth conglomerate high school jazz orchestras where kids can come play in an ensemble that is hopefully better than their own [high school band],� said Glausi, who graduated from West Linn High School outside Portland. “It’s about playing a challenging repertoire and performing at real venues.� In 2015, Glausi put out his debut album Identity Crisis. Last September, he released another album, One-Dimensional Man, which he wrote and recorded with his nine-piece funk band. This October, he will
release another record of Christmas traditionals. Glausi sells sheet music of his original works on his website. Josh Deutsch, a UO grad with a master’s degree in jazz performance and composition, is now a New York City-based performer who met Glausi in 2014 as a guest artist with one of Glausi’s ensembles. “In that first meeting, Tony had so many ideas and so much ambition that we talked about trying to let go and be in the moment musically, rather than force in various concepts,� said Deutsch. “It’s been great to watch Tony’s raw talent turn into thoughtful artistry.� Glausi learned the piano first, before picking up the trumpet at age 8 after seeing his cousin play it. “When you’re 8, you’re not really thinking into the future and thinking philosophically about things,� he said. “You’re just like, ‘It’s shiny and I want it.’ � As for now, his relationship with the trumpet is slightly more mature. It’s still shiny, but “it’s also annoying and it’s also work,� he said. “Not that I don’t love it. I love making music. It’s different.� His whole family is composed of musicians. He and his five siblings grew up playing piano, and each plays a different instrument: clarinet, saxophone, violin, flute and oboe. But the Glausis aren’t the Partridge Family. Don’t expect to hear that they arrange quaint family jam sessions whenever they’re all under the same roof. “When we’re together, it’s time to not make music because we’re always making music somewhere else,� said Glausi, the only sibling who’s pursued music professionally.
Glausi said there were about 10 albums that his family had on heavy rotation that spurred his interest in jazz. These ranged from a Glenn Miller record to Miles Davis’ Kind of Blue, a gift from an uncle who knew he was interested in the trumpet. “I didn’t like a lot of jazz, but I liked Kind of Blue,” he said. “I remember my sister came home with a Coltrane album and I hated it. It was like bebop or swing and something about it bugged me. But when you’re 8, you don’t know anything. It’s like bitter tea or coffee or something.” Over winter break, Glausi’s mother kept egging him to go see La La Land, the 2016 movie and nominee for best picture at this year’s Academy Awards. The musical-film tells the story of a doe-eyed piano player and jazz artist (played by Ryan Gosling) who falls in love with a struggling actress (Emma Stone). “I had everybody tell me to go see it,” Glausi said. “And I’m like, ‘This is just my life.’ These are concepts and scenarios that I live everyday. So it didn’t rock my world or anything.” In one scene, Gosling’s character tells Stone: “Look at Louis Armstrong. He could have played the marching band charts that he was given. But he didn’t. What did he do? He made history, didn’t he?” Stone’s character replies: “I should probably tell you something now to get it out of the way... I hate jazz.” Glausi, who said he’d rate the movie “7 out of 10,” remarked: “Everybody’s heard a jazz musician say those things time and time again.” This June, the 22-year-old Glausi will graduate from UO with a master’s degree in jazz composition. When asked what his dream venue would be, Glausi said he would be honored to play at renowned venues and large-scale jazz festivals, but really, he prefers the intimacy of a house show. “That’s my bag,” he said. “Just a house concert where people are really into the music. That’s where it’s at, as far as I’m concerned. I could be playing for 10 people and if they’re really into it, that’s great. That’s what I live for.” Visit dailyemerald.com to hear some of Tony Glausi’s recordings and listen to our podcast conversation with him, or visit his website at tonyglausi.com
I think the most impressive musical artists seem to be able to get outside of themselves while still being able to express themselves.”
TONY GLAUSI’S UPCOMING PERFORMANCES: Friday, Feb. 3 and March 3 — Fishbowl Fridays Presents Tony Glausi with Adam Carlson & Josh Hettwer 4:30-6 p.m. in the EMU’s Fishbowl, Free Saturday, Feb. 7 — Tony Glausi’s Nine-Piece Funk Band Debuts at Roaring Rapids Pizza Company (4006 Franklin Boulevard) 6:308:30 p.m., Free Friday, Feb. 10 — Solo Piano at Springfield Art Walk Springfield Public Library (225 5th Street, Springfield). 5-7 p.m., Free Friday, Feb. 10 — Swing Shift Jazz Orchestra “For Locals Only” Richard E. Wildish Community Theater (630 Main Street, Springfield) 7:30 p.m., $25 Thursday, Feb. 16 — Red Pants Trio Debuts at The Jazz Station (124 West Broadway) 7:30-10 p.m., $10 GA Friday, Feb. 17 — Tony Glausi Sextet: Tribute to Art Blakey and The Jazz Messengers at The Shedd Institute (868 High Street) $19, free for students Saturday, Feb. 18 — Red Pants Trio at Izakaya Oyazi (259 East 5th Avenue) Friday, Feb. 24 — Oregon Jazz Ensemble Feat. Jay Thomas in Beall Concert Hall (961 East 18th Avenue) 7 p.m., $10 GA, $8 students and seniors M O N D AY, F E B R U A R Y 6 , 2 0 1 7
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đ&#x;‘? ENTERTAINMENT
➥
CULTURE
DANA ALSTON, @ ALSTONDALSTON
The Good Place, a new series from Parks and Recreation creator Michael Schur, is full of dialogue concerning morality and ethics. It makes sense, given the show’s concept. Eleanor Shellstrop (Kristen Bell) was an Arizonan saleswoman who cared only for herself — at least, that was true when she was alive. In the pilot’s opening scene, she finds herself in the afterlife, a new resident of heaven. The “Good Place,� as explained by resident angel Michael (Ted Danson), chooses its inhabitants via a point system– every person’s actions on Earth are assigned a positive or negative value, and only the “best� people (or those with a high enough score at their deaths) avoid the “Bad Place.� The flaws in the system are evident from the start, especially once it’s revealed that Bell’s Eleanor doesn’t belong in the Good Place at all. Through some sort of heavenly clerical error, she has been confused with a different, much more deserving Eleanor Shellstrop. When she confides this to her assigned “soulmate� Chidi (an ethics professor played by William Jackson Harper), he decides to teach her how to be good. Maybe Eleanor can earn her place in heaven while still in heaven itself.
This is all very philosophical stuff. On the surface, it sounds like it belongs on a bastion for “quality television� like HBO or Netflix. What makes The Good Place remarkable is the way it has found an audience on NBC, in a network era dominated by middling fare like The Big Bang Theory. The concept of a serialized show about morality succeeding on a network that usually shuns complex entertainment is unexpected, to say the least. In recent years, cable and subscription-based streaming became the destination for “high-end� entertainment. Kevin Spacey, star of Netflix’s hit series House of Cards, accused network executives in 2013 of “second guessing� audiences and not taking risks. Some of his criticism is rooted in the critical success of cable television, with Breaking Bad and Game of Thrones dominating most critic’s “best-of� lists. It makes sense. AMC and HBO aren’t beholden to advertisers as much as NBC, ABC or CBS, which allows for less constricted storytelling. The Good Place is an enigma, presenting moral challenges and dynamic characters on a platform usually reserved for inoffensive programming. Eleanor and Chidi constantly argue about what it means to be
In ‘The Good Place,’ Kristen Bell plays Eleanor, who must earn her way into heaven. (Wikimedia Commons)
good. Eleanor points out the personality flaws in her heavenly neighbors, questioning whether it’s alright to be vain or smug in a place intended for the least sinful people humanity has to offer. And flashbacks to different character’s earthly lives reveal depths to each of their personalities. Chidi tried his best to be perfect, but overthought each decision in his life to the point of alienating his friends and family. Eleanor is a hurricane of poor decision-making, which makes for hilarious (but immoral) entertainment. Whether The Good Place opens the floodgate for “riskier� programming remains to be seen. But
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REVIEW: ‘THE GOOD PLACE’ BRINGS COMPLEXITY TO NETWORK TV
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there is already a bit of a precedent. Schur reportedly consulted the showrunner of Lost (also a huge risk for a network at the time) for story guidance. And with NBC renewing The Good Place following a critically acclaimed season finale, perhaps network shows can become groundbreaking once again.
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expressed to two decimal places 21 Nasty campaign charges 22 Borrower 24 Produced laugh lines? 26 Sherpas, e.g. 27 Anthem shortening 28 Affliction for Job, in the Bible 29 Tosses 33 Pounds 37 Columbus in N.Y.C. or S.F. 38 Put down 40 Returning in the opposite direction 41 Get tiresome 43 One making waves
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some forest work 48 D.J.’s invitation 50 School spirit raiser 51 Song title words after “The Woman” and “I Believe” 52 Southern city with a woman’s name 53 Classic fruity sodas 54 Certain cetaceans 55 ___ Loa 56 Whitman’s “O Captain! My Captain!,” e.g. 58 Check out 62 Payment option that’s not always accepted 63 Run-___
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title role of 1960s TV 61 Prompt … or a hint to entering five answers in this puzzle 64 “Brave New World” drug 65 Wind-borne 66 Director Lee 67 Leg muscle, informally 68 Challenges for knights 69 For instance
N.T. book after Galatians 5 Crookneck, e.g. 6 Walking tall 7 Source of zest 8 Having four sharps 9 Swift, in music 10 Army terror? 11 2013 Grammy winner for “Royals” 12 Web-footed mammal 13 Army locales 18 Benjamin 23 Poetic conjunction 25 Smallest Can. province 26 Group given stars, maybe 28 Hogwarts professor 29 Jabber 30 Oct. 31, e.g. 31 Samovar contents 32 Boots 34 Cause of some 911 calls 35 Vehicle that may roll over, for short 36 Stipple 39 Surgeon’s clamp 42 Unoriginal work 44 “Boy, ___!” 45 Petty officer
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⚡ SPORTS Morris: Oregon makes a statement with blowout win over Arizona at Matt Knight ➡ GUS
MORRIS, @JUSTGUSMORRIS
Oregon Ducks forward Jordan Bell (1) goes for a layup while being defended by Arizona Wildcats center Dusan Ristic (14). (Adam Eberhardt)
There probably weren’t many people who correctly predicted how Saturday’s highlyanticipated matchup between No. 13 Oregon and No. 5 Arizona would go. Oregon blew out Arizona 85-58 in front of an electric sellout crowd at Matthew Knight Arena on Saturday afternoon, pulling into a tie for first place in the Pac-12. The Ducks hit a Knight Arena-record 16 3-pointers and held Arizona to 18 points on a measly 26 percent shooting in the first half. Oregon led by 20 points at halftime and by as many as 37 in the second half. “Today was just one of those days where the balls goes in,” Oregon head coach Dana Altman said. Simply put, it was a beatdown. “Sometimes you have to give credit to the opponent and realize that it wasn’t lack of effort, it wasn’t lack of preparation,” Arizona head coach Sean Miller said after the game. “They had some answers. They’re an excellent team and I think we played an excellent team.” An Oregon win in this game was not all that surprising. Both Oregon and Arizona were expected to vie for the top spot in the conference this year, and both currently have. It was the nature by which Oregon won that was simply shocking. For the past few weeks, it was Arizona who had been on the rise. Before Saturday, their only losses had come against Gonzaga — the current No. 1 team in the country — and No. 16 Butler. The Wildcats hadn’t lost since Dec. 3 and Allonzo Trier, arguably their best player, had just returned from suspension. Oregon, on the other hand, had endured a rough week and a half in which it barely squeaked by Arizona State and Utah and suffered its first conference loss at Colorado.
But on Saturday, the Ducks made a statement. When asked if Oregon is now the best team in the conference, Miller said that they “looked like the best team today. “They played great,” Miller said. “Sometimes you forget, Oregon was a number one seed last year. And if you look at the parts they had back and some of the players that have improved, Jordan Bell being a great example, and then some of the additions, Dylan Ennis as a new player — they’re a heck of a basketball team. “I hope [today was] their best. If they have another level above them, I think that’s a bad thing for I think every team in the country. But they played great and we didn’t have any answers today.” Oregon head coach Dana Altman said that he told his players before the game that if they didn’t win on Saturday, the race for the Pac-12 title was over. “We had to win today, I told our guys that this morning,” Altman said. “I said ‘Fellas, to be honest, we’ve gotta win today or it’s over.’ And it would’ve been.” His team obviously heard him loud and clear. Still, Altman thinks that Arizona is the one in the driver’s seat for the conference title. “They’ve still got the lead,” Altman said of Arizona. “One game, one of 31, and one of 18. I’m sure Sean will tell them to flush this game. Going into today they’ve accomplished so much and they’re going to accomplish so much more. They’re a final four team.” Without a doubt, Arizona is as talented as any team in the country and the remaining schedule for these two teams definitely favors the Wildcats. But on Saturday, Oregon provided their side of the argument. And boy, was it convincing.
Listen to a panel of student and professor activists, then join the discussion. Snacks provided!
February 8, 2017 4:00-6:00 pm Redwood Auditorium in Erb Memorial Union
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