09/26/18 Emerald Media - Wednesday Edition (Week of Welcome)

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D A I LY E M E R A L D . C O M

WEDNESDAY

PRESIDENT SCHILL’S SALARY RAISED BY 9 PERCENT NEWS PG 3

KAVANAUGH VERSUS THE PEOPLE

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JERSEY EVOLUTION THE DUCKS’ FOOTBALL JERSEYS

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NEWS SCHILL TO RECEIVE $60K RAISE, REMAIN AT UO THROUGH 2023

BY ZACK DEMARS • TWITTER @ZACK_DEMARS

University of Oregon President Michael Schill speaks to the senators of the UO Faculty Senate during their meeting in the Crater Lake room at the Erb Memorial Union on Wednesday, May 9, 2018. (Emerald Archives)

e University of Oregon Board of Trustees approved a new contract for President Michael Schill, increasing his annual salary by up to $78,000 and solidifying his position at the university through 2023.

In early September, the Board approved a revised contract for President Schill. e contract increases Schill’s base salary from $660,000 annually to $720,000 annually.

After June 2020, his base salary is set to increase to $738,000 annually.

Schill’s first contract was set to expire in June 2020, but the Board unanimously extended his term.

Since his hiring in 2015, President Schill has been the highest paid university president in the state, and the raise makes him the second-highest paid president of a Pac-12 public university, according to base salary data from e Chronicle of Higher Education. e same data show that the raise makes Schill the eighth-highest paid president of the 34 public universities in the Association

e Emerald is published

by Emerald Media Group, Inc., the independent nonprofit media company at the University of Oregon.

Formerly the Oregon Daily Emerald, the news organization was founded in 1900.

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of American Universities, a collection of universities in North America distinguished by their high research activity. e contract also includes new incentives for retirement contributions and annual bonuses. e bonus structure allows the Board to award the president a bonus of up to $200,000 each year for meeting or exceeding certain goals to be set by the Board. In addition, if Schill remains at the UO through September 30, 2021, he is guaranteed an automatic $200,000 retention bonus.

Schill was appointed president in 2015 by the then-newly formed Board of Trustees.

In comments at the meeting this September, Board Chair Chuck Lillis lamented on the state of the university at the time of Schill’s hiring, saying that UO “had serious issues in previous presidents’ relationships with the faculty” and that “there was quite a bit of student mistrust in how open the university was being.” e Board expressed their approval of

NEWS EDITORS FRANKIE BENITEZ MICHAEL TOBIN BECCA ROBBINS A&C EDITORS SARAROSA DAVIES JORDAN MONTERO SARAH URBAN SPORTS EDITORS JACK BUTLER SHAWN MEDOW MAVERICK PALLACK

Schill’s work on these challenges over his first three years. Trustee Ann Curry expressed her approval of Schill’s efforts.

“I think Mike has had an impact that can be lasting long after you continue at the university,” Curry said, addressing Schill prior to the Board’s vote on the contract.

Similarly, Lillis justified the contract extension and pay raise in his comments at the meeting.

“Mike exemplifies some of the values that are very near and dear to the Trustees: commitment to access and affordability and involvement of everyone in every activity and opportunity,” Lillis said.

Following the Board’s unanimous approval of his contract, President Schill thanked the Trustees for their support, saying: “ is is a difficult time in universities. One thing I have known that is important is that I have your support. I am surrounded by a wonderful team… inside Johnson Hall and outside Johnson Hall.”

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ON THE COVER

A mannequin wears the Ducks football uniform of 2009-2011, which featured more modern graphic design such as duck feathers on the shoulders.

Photograph by Sarah Northrop

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jsma.uoregon.edu • 541.346.3027 EO/AA/ADA institution committed to cultural diversity

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A NEWS

RIVERFRONT CONUNDRUM: UPDATE

e Riverfront Field. (Sarah Northrop)

BY FRANKIE LEWIS • TWITTER @FLEWIS_1 is story follows up on a previous Emerald cover story published in March 2018 about the University of Oregon’s plans for north campus area.

Members of the Eugene community have until 5 p.m. on Oct. 3 to comment on the University of Oregon’s permit application to develop the waterfront area near the Willamette River. After all the comments are read, response testimony to public comments can be submitted until Oct. 10. After that date, the UO will have a week to respond to all the submitted comments. e Eugene hearings official will make their decision on Nov. 1 after all these comments and rebuttals have been collected and read.

Members of campus and the greater Eugene community have criticized the project since its conception. In a previous story by the Emerald, critics complained the athletic fields included in the permit application are an inappropriate use of the riverfront space, particularly if the UO uses artificial turf for the fields.

“Artificial turf has been shown to produce all kinds of toxins,” said Allen Hancock, Eugene resident and member of the Riverfront Restoration and Education Group.

On Aug. 1, 2017, the University of Oregon announced its “North Campus Conditional Use Permit Project,” setting guidelines for how the UO would utilize 77 acres of land adjacent to the Willamette River north of Franklin Boulevard for the next 30 years. Over a year later, at a public hearing on the evening of Sept. 12, 2018, a timeline was established for the decision on whether the permit will be approved by a Eugenehearings official.

Emily Eng, senior campus planner at the UO campus planning office, said her office is conducting a study this fall to evaluate possible locations for new athletic fields. If the permit is

approved, the riverfront area will be included in that search.

“We already looked at options in the Framework Vision project,” Eng said, “but this study will explore in more detail what those options are on and off campus.”

Community members have also complained that the permit time frame of 30 years is too long and that the UO failed to give ample opportunity for the public to comment. Hancock said the duration of the proposed permit might be appropriate for the area south of the railroad tracks running through the riverfront property, but the area north of the tracks — which includes the riverfront — should require a separate permit. “[ e UO] is making their best guess about what they want to do,” Hancock said. “ at is worrisome because it doesn’t provide any guarantee that the public will have any way of weighing in at some date in the future when [the UO] actually do[es] say, ‘Well this is what we want to do.’” e UO is required to obtain this conditional use permit before any construction can begin on the university’s riverfront holdings.

Even if the UO is granted the permit, Eng cannot guarantee any of the proposed redevelopment specified in the conditional use permit application will materialize.

According to Eng, the purpose of the permit application is to demonstrate the maximum possible development in the future.

“Whether some of these projects happen or not, we don’t know,” Eng said. “But we anticipate that these are potential needs in the future. It is possible that some of what we are proposing will not happen.”

For those wishing to express their comments on the UO’s North Campus conditional use permit application, submit testimony to NGioello@eugene-or.gov.

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ARTS & CULTURE

Denzel Curry. (Creative Commons)

REVIEW: DENZEL CURRY MIRRORS ‘TA13OO’

IN THREE-ACT PERFORMANCE AT THE HAWTHORNE THEATRE

BY JORDAN MONTERO • TWITTER @MONTERO_JOR Florida rapper Denzel Curry dropped his third studio album in late July, “TA13OO,” in a disjointed fashion: He released it as three separate acts on July 25, 26 and 27. Named “Light,” “Gray” and “Dark,” respectively, the acts joined together to pin up an album that toyed with varying moods. It’s bounded by sharp, dexterous raps and a persona as piercing as the self-portrait cover art.

Following the album’s critical success, Curry is embarking on an international tour. He made a much-anticipated return to Portland with fellow Floridian rapper Kid Trunks at the Hawthorne eatre on Monday night. Curry’s performance started calm, and like the progression of “TA13OO,” it grew more and more aggressive as the night went on. e sold-out concert began at 8 p.m. with a barren stage. As Kid Trunks entered from stage left, nothing but the DJ table and a lone mic stand were present. e 18-year-old rapper donned a humorous bear pajama onesie, heavily contrasting with the aggressive cloud trap he delivered to the crowd of mostly young adults. Kid Trunks opened with “Take A Step Back,” a track by the Floridian rapper Ski Mask e Slump God feat. Xxxtentacion, another Florida-born MC. Both Kid Trunks and Curry showed respect to their fellow statesman multiple times throughout the night.

Kid Trunks interacted with the audience well as he went through his set that included tracks such PA G E 6

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as “Centerfold,” “Daydream,” “Invisible Klip” and “777.” After leading the crowd through numerous call-and-response chants, he ended his set with a 15-second moment of silence, followed by a twosong tribute to recently deceased rappers Lil Peep and Xxxtentacion.

“If you have a dream, you need to follow it,” he said to the crowd. “If you wanna be on this fucking stage, you could do it.” Kid Trunks then finished his set by delivering passionate renditions of “Falling Down” by Lil Peep feat. Xxxtentacion and “Sad!”

by Xxxtentacion.

After a half-hour intermission and multiple “Denzel!” chants from the crowd, the lights dimmed and Curry emerged with the triple album’s opener, “Taboo.” e first act, titled “Light,” features charming, more light-hearted hip-hop tracks. ese songs allowed Curry to sway back and forth with the crowd as the song’s grooves filled the theatre.

Wearing his own clothing merch and bundling his dreads atop his head, Curry played every song from the first act of his latest record, along with callbacks from his first album, “Nostalgic 64,” such as “Parents” and “Denny Cascade.” He finished the first act with a crowd favorite, “Sumo,” then exited the stage as its lighting ceased.

A brief, melancholic string interlude signified the transition into the next section, “Gray.”

Curry’s demeanor became more aggressive as he re-emerged to begin the second act of his

performance — matching the album’s progression from “Light” to “Gray.” e songs “Super Saiyan Superman,” “Mad I Got It” and “Clout Cobain” yielded intense mosh pit circles from the crowd.

Midway through the second act, Curry performed the poignant “Black Malone 2,” a track that didn’t make the final cut on “TA13OO.” After another empty-staged, orchestral interlude, Curry delivered the final and most energetic leg of his performance. Along with performing the final few tracks of his album, Curry gave spoken tributes to fallen rappers Mac Miller, Lil Peep, and Xxxtentacion, with a rendition of the popular X track, “Look At Me!” e concert reached an extreme climax when Curry performed his popular hit “Ultimate,” as yet an even more violent mosh pit broke out. At this point, Curry was so hyped up, his raps consisted of raspy shouts instead of the clear voice heard on the studio cuts.

After performing “Black Metal Terrorist,” “TA13OO’s” closer, he exited the stage, but not for the last time. e crowd broke out in yet another “Denzel!” chant, and soon, he re-emerged. In an encore, he fiercely rapped the track “ reatz” from “Nostalgic 64” to the sight of another mosh pit.

As the song reached its conclusion, Curry gave a genuine showing of appreciation to the Portland crowd and exited the stage for the last time, knowing that the city will always welcome him back whenever he tours the world again.

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7 ARTS & CULTURE

PREVIEW: JAPANESE BREAKFAST MAKES A HOMECOMING TO EUGENE THIS FRIDAY

BY SARAROSA DAVIES • TWITTER @SROSIEDOSIE In her recent essay for the New Yorker, Eugene native and musician Michelle Zauner writes about her biracial identity and her connection to her mother who died in 2014. Much of the essay, “Crying in H Mart,” is about Zauner’s connection to the Korean food her mom used to make, and therefore, to her mom and the culture she came from. e essay explores grief, identity and connection in a playful but soft voice. Zauner is clearly a skilled writer.

It makes sense then that Zauner, who plays music under the moniker Japanese Breakfast, is also a wonderful lyricist and vocalist — able to bring you to tears from the minute details she sings.

“My grief comes in waves and is usually triggered by something arbitrary. I can tell you with a straight face what it was like watching my mom’s hair fall out in the bathtub, or about the five weeks I spent sleeping in hospitals, but catch me at H Mart when some kid runs up double-fisting plastic sleeves of ppeong-twigi and I’ll just lose it,” Zauner writes in “Crying in H Mart.” “ ose little rice-cake Frisbees were my childhood: a happier time, when Mom was there and we’d crunch away on the Styrofoam-like disks after school. Eating them was like splitting a packing peanut that

dissolved like sugar on your tongue.”

Zauner played with bands in Philadelphia after college, but when her mom was diagnosed with latestage cancer, she moved back to Eugene to provide care and help her dad after her mom passed. Much of her first album, “Psychopomp,” comes from this period, and the record — like “Crying in H Mart” — explores grief and identity in a hazy and dreamy way.

Zauner released her second album, “Soft Sounds from Another Planet,” in 2017, and she will return to Eugene on Friday, Sept. 28, almost exactly a year after her last show here.

Just as “Psychopomp” features Zauner’s mom reaching out toward the camera on its cover, “Soft Sounds” features a photo of Zauner bathed in orange light, looking up at her shadow. Displayed in the metaphors of the artwork, there’s something both externally and internally focused about her work.

“Soft Sounds” expands Zauner’s thematic reach to encompass more than just grief and familial relationships, like in her first album. e result is just as heartbreaking as her first album. In “Boyish,” she sings “I can’t get you off my mind / I can’t get you off in general / so here we are, just two losers / I want you and you want something more beautiful.”

Swelling strings and rising drums accompany her

Japanese Breakfast returns to the Pacific Northwest to play on day three of the 2018 Sasquatch! Music Festival. (Dana Sparks)

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drooping but warm vocals on the track. ere’s also something effervescent to her music.

Much of Zauner’s lyrics are coated in shimmering indie-rock sounds — but nothing is ever too polished or dreamy. In her National Public Radio Tiny Desk concert, Zauner plays a beginner’s nylon string guitar despite being a skilled player. When she croons, her voice takes on a closed shape. Her vowels seem to lengthen sidewise instead of rounding out.

In profiles and interviews, Zauner talks of growing up in the primarily white Eugene unsure of her relation to her own culture. In so much of her music, she holds this unsureness in the palm of her hand, twirling it around and looking at different angles.

But she embraces the subject matter — even if there might be no final place to settle after exploration.

“Try your best to slowly withdraw / From the darkest impulses of your heart / Try your best to feel and receive / Your body is a blade that cuts a path from day to day,” Zauner sings on “Soft Sounds.”

It’s probably best — for all of us — to follow Zauner’s advice.

Japanese Breakfast plays WOW Hall with Ought on Friday, Sept. 28. Doors are at 7 p.m., show at 7:30 p.m.

Tickets are $16 in advance or at the door. Fore more information, visit www.wowhall.org.

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9 COVER

A BRIEF HISTORY OF OREGON UNIFORMS

BY DONNY MORRISON

Imagine walking through the streets of Eugene without seeing a Ducks jersey. Impossible.

Children, teenagers, college students and professionals alike take pride in representing their home team. Some locals even have jerseys older than the athletes playing these days. It’s a piece of clothing that isn’t only worn but also hung up on walls as memorabilia.

Flashy, ever-changing jersey’s are a hallmark of Oregon football uniforms, but the history of the Oregon jersey is greater than a different helmet here and bright socks there. “ ey are bold pioneers breaking standard conventions,” said Todd Van Horne, Vice President Creative Director of Nike Special Projects. “Color, graphics and stories are all in play within their uniforms.

Innovation has no limits for the Ducks.”

Van Horne is the head of a team that not only focuses on trendy designs and logos, but the practicality and safety of the new equipment before it reaches the field at Autzen stadium.

“Before any aesthetics, we focus on performance for the athlete first,” Van Horne said. “Uniforms are tested and proven in the Nike Sports Research lab and with on-field testing. Designing a uniform is a

A mannequin wears the old blue-and-yellow Oregon Webfoots football uniform of the early 1900s. (Sarah Northrop)

combination of art and science.” e history of the Duck’s paradigm-shifting uniforms can be traced back to 1996, when Nike co-founder Phil Knight began a partnership with the Ducks in an effort to better attract future players to the team. e designs became flashier and changed evermore quickly, with the Ducks often switching uniforms on a weekly basis. But that’s not to say that the jersey’s before were unremarkable.

In the 1920s, white leather helmets were all the Duck’s could get to protect their heads.

Yellow helmets came a few decades later, accompanied by white jerseys with dark green stripes. Every so often, the Ducks would switch it up a bit and wear dark green shirts with white stripes or some combination of green, white and yellow. is wasn’t atypical for college football teams of the time. e colors were the only distinguishing characteristic between schools.

In 2009, wings were added to the helmets and jerseys for the first time. It was also the first time that the school colors of yellow and green became optional: e Ducks premiere of sleek black uniforms didn’t go unnoticed. It set in motion a trend that continues to this day. e Ducks also premiered

their brightest uniform to date with the bright yellow ensemble worn during the 1999 season opener against Mississippi state.

In 1994, wearing a Donald Duck laden uniform, safety Kenny Wheaton ran 97 yards for a touchdown that cemented their win against the Huskies. In 2014, on the 20th anniversary game, the Ducks brought the uniform back as a slight taunt to the Huskies as well as an homage to one the most important games in Duck history.

Wheaton returned for the anniversary game and was asked in a video from GoDucks. com what it means to have so many people wear his jersey. His response: “It’s love. It’s family.” e Ducks have a reputation for pushing the limits of what’s possible in regards to uniform changes and the symbolism attached to the colors and design. According to OPB, in 2013 UO raised upwards of $200,000 for the Kay Yow Cancer Fund by auctioning off the pink helmets worn as part of a uniform dedicated to breast cancer awareness.

But meaning comes in different forms. For players, it’s a physical reminder of dreams they’ve realized. Tony Brooks-James, a senior running back for the Ducks, can still remember his favorite jersey

A photo compilation of the small mannequins located in the lobby of the Hatfield-Dowlin Complex reveals the chronology of the Oregon football uniform from Webfoots to Ducks. (Sarah Northrop)

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from when he was a teenager.

“I had a Dwayne Wade jersey when I was younger,” BrooksJames said. “I didn’t really wear too many jersey’s, but he was my favorite basketball player.”

For Brooks-James, the jersey was more than a thin layer of clothing. It represented a possibility. e dream of being a professional athlete seemed distant until it could be seen, felt and worn.

“Every time I put a jersey on, I represent my passion and my future. It helps me be better because I don’t want to represent that in a bad way,” said Brooks-James.

For Oregon, designing the uniforms is a team process.

Everyone’s voice is heard, from the players to the coaches.

Since 2010, Kelly Farr has been the Football Equipment Administrator, in charge of ordering apparel and equipment for the team. Farr also acts as a liason who coordinates meetings between Nike’s design team and the players and coaches. Farr said players offer suggestions for future uniforms, whether it’s color and pattern design or functionality. For Farr, the most important suggestions always concern comfort.

“I want a player to be as protected and as comfortable as possible in the uniform and equipment so that he can focus on being the best player he can be on the field,” Farr said.

Farr’s personal contributions range from simple accessories to the color of the socks.

“I work with the players every day so I get to know the things they like and don’t like,” Farr said. “ ings like the color of the cleats, gloves, socks, helmets and wristbands.”

While it may appear that players get a new jersey every week, it’s actually somewhere around four per season.

According to Farr, the uniforms are designed in order to be mixed and matched as to appear brand new on a week-by-week basis. is unpredictability has become the centerpiece for how the Oregon Ducks have

changed the way college football uniforms are viewed.

“Some schools have the tradition to never change their uniforms and I have a lot of respect for that,” Farr said. “At Oregon, we have developed a tradition of changing uniforms, which has coincided with our program performing well on the field.”

Placing value in an everchanging wardrobe of uniforms might seem pointless to some viewers who are more concerned with a player’s stats rather than a quarterback’s socks and helmet matching.

Farr argues that taking pride in external appearance helps players and fans alike feel confident about the game.

“I think Oregon and Nike were on the tip of the spear for the evolution of multiple uniforms in college football,” Farr said.

“Due to our success on the field and its popularity with recruits, a lot of other teams have adopted that same philosophy.”

Jersey’s aren’t only for the players. A fan buying a favorite player’s jersey is perhaps the single most effective way to show support for the individual as well as the team. It acts as a constant reminder that without the fans, the players wouldn’t exist in the same way.

UO graduate Michael Jordan (not the former NBA player) owns two seperate Ducks jerseys. A dark green Josh Huff jersey and a Royce Freeman apple-green “fighting ducks” jersey. His favorite jersey of all time was the “fighting Ducks” jersey worn against Cal in 2011. e fighting Ducks was a special logo featured on a select number of Jerseys and helmets that year. For Jordan, the jersey symbolizes a chance to be part of something larger than himself. “ e Jersey is a way for the fan to feel like a member of the team,” Jordan said. “It’s nice that it supports the athletic department, but I didn’t buy them with that in mind. It’s like a miniature role play situation for me. e jersey is a fun part of the gameday ritual.”

A mannequin wears the Ducks football uniform of the 1980s, which featured helmets with smaller face masks and the Donald Duck logo on the sleeve. (Sarah Northrop)

Oregon football began wearing Nike cleats as part of its uniform in the early 1970s. (Sarah Northrop)

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OPINION

71 PERCENT OF AMERICANS SUPPORT ABORTION RIGHTS. (Illustration by Benjamin Milandin)

DOES IT MATTER?

ere is no shortage of controversy over the Kavanaugh confirmation hearings — from the accusations of Dr. Blasey Ford to evidence that Kavanaugh lied under oath to the Senate, to Kavanaugh’s contentious opinion that presidents should be shielded from both criminal and civil charges while in office.

But abortion may ultimately be the issue that decides the fate of Trump’s nominee. e abortion rights debate reignited two years ago after Trump’s campaign promise to only nominate judges who would overturn Roe v. Wade. e release of a 2003 email in which Kavanaugh wrote that he was “not sure that all legal scholars refer to Roe as the settled law of the land,” has only exacerbated the issue.

Senate Republicans have a narrow margin of 51 votes to confirm Kavanaugh, meaning that Democrats can prevent Kavanaugh’s confirmation if they peel off just two Republicans. Unsurprisingly, pro-choice Republican Senators Lisa Murkowski and Susan Collins have become central targets for influence from both sides of the aisle.

A history lesson on the rise of the religious right might be required to understand the GOP’s battle to roll back abortion rights, especially given that Roe v. Wade was less controversial after its passing in 1973 than it is today. In fact, the Republican party did not take up anti-abortion as a central platform issue until 1976.

In 2011, Cambridge’s Journal of Policy History ran an article entitled “ e GOP’s Abortion Strategy: Why Pro-Choice Republicans Became Pro-Life in the 1970s” in which Daniel K. Williams examines the history of the pro-life conservative movement. Williams’s research shows that at the 1974 Republican National Convention, fewer than 40 percent of delegates considered themselves to be pro-life.

However, he writes, the “GOP adopted a platform in 1976 that promised an anti-abortion constitutional amendment” as a political gambit

BY LESLIE SELCER • TWITTER @LESLIKESTRASH to secure the vote of traditionally Democratic Catholic voters. e anti-abortion platform allowed Republicans to establish a large, reliable base of religiously motivated voters. e move shifted the entire party in the direction of social conservatism, ultimately ousting most pro-choice Republicans. By 2009, only 26 percent of Republican voters were pro-choice.

Anti-abortion voters continue to be a vital demographic for the GOP, especially among white evangelicals, which provides a good motivation for many Republicans to campaign heavily against abortion. e Pew Research Center indicates that 70 percent of white evangelical Protestants believe abortion should be illegal, and that Trump secured 81 percent of this demographic in 2016.

Moreover, anti-abortion politics have only become more fervent within the last decade. New York Magazine reported that 33 states have enacted anti-abortion restrictions since 2010, while only 17 have not. e Guttmacher Institute’s research shows that 288 new restrictions on abortion were passed between 2011 and 2015—a startling 25 percent of all abortion restrictions passed since 1973. ose statistics seem even more remarkable when put into context with actual public opinion on abortion. e Wall Street Journal just released new reporting which shows that a record-high of 71 percent of American voters oppose overturning Roe v. Wade.

Which begs the question: Why are so many conservative members of the executive, judicial and legislative branches trying to overturn a ruling that has been settled for 45 years and is supported by over two-thirds of American voters?

Republicans have arguably had a bad track record with popular opinion in the last two decades. Both George W. Bush (2000) and Trump (2016) lost the popular vote, Neil Gorsuch was significantly less popular than SCOTUS nominees from the last decade, and Trump has the lowest presidential

approval rating in history. What’s more, Kavanaugh will be the least popular Supreme Court justice in history if confirmed. Conservative outlet Fox News reported this week that 50 percent of Americans believe he should not be confirmed (though he still has 82 percent of Republican voters’ support). e only nominee as unpopular as him, Robert Bork, was rejected by Congress. ough Kavanaugh’s numbers continue to dive, Republicans in the Senate keep pushing forward with his confirmation, determined to seat him before the midterm elections, when they might lose Congressional control. e possibility that Kavanaugh could be confirmed as the least popular justice in history, and the likelihood that any of Trump’s potential nominees will support overturning Roe v. Wade, seems to present an unavoidable question: Does popular consensus actually matter in American politics today?

Perhaps manipulation of voters is of greater concern to our politicians than representation of voters. e Supreme Court won’t be protecting the core beliefs of the American public if it overturns a hugely popular ruling with a 45-year precedent; it’ll be protecting the prejudices of the Republican party.

And, as they say, the slope is awfully slippery. If settled law like Roe can be overturned, what other civil rights are at risk? Will we also see the Equal Marriage Act of 2015 imperiled? Should we worry about the status of affirmative action laws?

Who really controls a government that has no respect for representing constituencies accurately, or maintaining the integrity of constitutional legal precedent?

Certainly not the citizenry. We need to consider the possibility that a Kavanaugh confirmation is the last nail in the coffin of our so-called representative government. Call it fascism, oligarchy or totalitarianism — whatever the United States is becoming, it is not a democracy.

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8 OPINION e Oregon marching band and cheerleaders wave the American flag before the football game against Stanford. (Benjamin Green)

BACKING COLIN KAEPERNICK IS NOT UNPATRIOTIC

BY ARMAND YAZDANI

Americans reacted with both praise and condemnation when football quarterback Colin Kaepernick sat down during the playing of the Star Spangled Banner in 2016. Some critics labeled the athlete as “unpatriotic.” But there is nothing unpatriotic about Kaepernick.

Kaepernick told NFL Media that he would not “stand up to show pride in a flag for a country that oppresses Black people and people of color.”

Kaepernick’s stance is admirable. e quarterback’s statements may have seemed charged, but unfortunately the U.S. still experiences racial inequality, such as with the several shootings of unarmed Black men. Even though America has much to be proud of, there remains much with which to be disappointed.

As Kaepernick explained, there are “bodies in the street, and people getting paid leave and getting away with murder.”

Kaepernick’s time in the NFL may be done, with the Seattle Seahawks postponing his workout. Nearly two years have elapsed since

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he played in an NFL game, which may portend his bleak fate in football. e Seahawks’ move comes after Kaepernick declined to comment on his kneeling in the future. e NFL’s decision to blacklist him reveals they fear the controversy he could stir, which is understandable. ey may also hope to admonish any players who want to emulate Kaepernick; however, in doing this, the football league is inadvertently condoning racial oppression.

Some NFL fans have accused Kaepernick of being unpatriotic and in some cases, of treason.

Yet, his refusal to stand during the national anthem only highlights his disappointment with the nation’s current political climate.

If Kaepernick aims to protest racial oppression through kneeling during the national anthem, the NFL’s decision to discourage his protest stifles anti-racism progress. While the quarterback’s actions are only one series of events, the football league’s reaction displays how major institutions fear

political change.

Nike unveiled its recent campaign featuring Kaepernick on the cover, which read “believe in something. Even if it means sacrificing everything.” Although anti-kneelers threatened to burn their Nike gear, the sportswear giant sold out 61 percent more of its products compared to before releasing the ad, according to the omson Reuters information firm. e NFL worries about how its fans will handle Kaepernick’s protest but forgets about its minority fans. For the number of nationalists who burn their shoes in opposition to Nike’s campaign, there will be others who dissent from the football league’s dropping of Kaepernick.

If more people back him, then the racial issues in the U.S. will begin to further unravel.

And based on what we’ve seen with the campaign, more people are backing him than ever before. For the sake of America’s betterment, Kaepernick’s actions should be regarded as nothing short of patriotic.

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SPORTS DUCKS LOOK TO PUT STANFORD BEHIND THEM,

BOUNCE BACK AGAINST CAL

BY JACK BUTLER • TWITTER @BUTLER917

Oregon football is hoping to shake the bad stench of its 38-31 overtime loss to No. 7 Stanford. e Ducks had multiple opportunities to pull away and win the game, but crucial mistakes gave the Cardinal life.

No. 19 Oregon’s opportunity against No. 24 Cal is one where the Ducks can move on. at’s part of the theme of this weeks’ practice.

“Just to keep at it, to not let it define us and to keep playing our brand of football,” quarterback Justin Herbert said. “It’s a tough game for sure, but we learn from it and we’ll pick it up this week.”

Saturday’s postgame was a time of emotion, and Sunday was tough as well. Offensive coordinator Marcus Arroyo is not worried about any hangover affect. “ e older you get, the more you forget how resilient youth is,” he said. “I think our guys have been really good about responding. At times we older heads take it worse than they do and have trouble getting over it. ey’ve been really good, and we’ve moved on.” ey’ll need to, because Cal is much improved from a season

ago. e Golden Bears are one the Pac-12’s best defenses, ranking third in the conference in yards allowed. Cal is also the conferences’ best at intercepting quarterbacks.

Its defenses has seven pics in three games.

Herbert, who threw an gameending interception in triple overtime against Cal in 2016, will have to take care of the ball again.

Herbert’s experience in Berkeley, California, was good overall despite the loss.

“It was a tough game but I thought we played pretty well and the offense kind of picked it up late in the game, and unfortunately came up short but it was a great learning experience and something I still remember and still learn from,” he said. e Ducks are favored, but Arroyo believes it won’t be easy.

Cal is in year two under head coach Justin Wilcox, and they are currently 3-0. “ ey’ll be improved much like we were in our first year last year and in the second year,” Arroyo said. “ ey’ll be improved and they’ll be ready for us.”

OREGON FOOTBALL SCHEDULE

Saturday, September 29

at CALIFORNIA Saturday, October 13

vs WASHINGTON Saturday, October 20

at WASHINGTON STATE Saturday, October 27

at ARIZONA Saturday, November 3

vs UCLA Saturday, November 10

at UTAH Saturday, November 17

vs ARIZONA STATE Friday, November 23 e Oregon Ducks celebrate a touchdown during the game against Stanford on Sept. 22, 2018.

(Devin Roux)

at OREGON STATE W E D N E S D AY, S E P T E M B E R 2 6 , 2 0 1 8

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