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trailblazer herself, Selena Quintanilla Pérez inspired the eponymous 1997 biopic on the Texas Classics Trail. And though it cites Corpus Christi’s Swantner Park, the waterfront backdrop for a scene in Selena, trailgoers can veer from the official path to the coastal city’s Selena Museum and bayside Mirador de la Flor to learn about the singer, who was murdered at 23 in 1995. At the bilevel mirador, whose name translates to “viewpoint of the flower,” a bronze likeness of Selena stands, accompanied by narration about the barrier-breaking Tejano artist, interspersed with snippets of Como la Flor. The song was one of Selena y los Dinos’ first U.S. hits and has inspired a swath of genre-bridging covers from artists including country performer Kacey Musgraves and indie duo Dracula. The cumbia’s effervescence almost obscures its narrator’s lament, which likens the end of a love affair to a dying flower. A performance of Como la Flor in Selena marks the sole instance in Jennifer Lopez’s portrayal of the artist in which Lopez sings, the song’s first few words only, in a scene where her
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character must calm the crowd at an overcapacity outdoor venue, with the integrity of the band’s stage threatened. A different moment in the film can be experienced vicariously at the Selena Museum. A studio in which Lopez’s Selena records in the movie—and where Selena herself recorded the song Dreaming of You—is housed at the museum. The studio’s acoustic panels are the same ones that appear in the film, in a scene punctuated with a simple request: “Hey, Dad, pizza!” Selena’s Porsche, which has a cameo in the movie, is on display at the museum, along with her Grammy—the first awarded to a female Tejano artist for best Mexican American album. Outfits rendered iconic as markers of specific performances are displayed, along with clothing designs sketched by Selena. A less-trafficked corner of the museum bears a collage of Selena snapshots. In many, she’s dressed casually and wears little or no makeup. Her smile radiates joy. In conjunction with Selena, the images hint at the person behind the performer. They also gesture to a lyric in Como la Flor: “Cómo me duele.” How it hurts. except for the first few words of Como la Flor in the monterrey concert scene, Jennifer Lopez lip-synced her singing parts. LeF t Selena in concert in 1995. tOp LeF t
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