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For nearly three decades, ORO Editions has been prominently recognized for its consistently innovative achievements in the design publishing community.
ORO’s exceptional quality of book production and thriving publishing program has produced a multitude of singularly exceptional titles with a concentration on architecture, landscape, urban planning, applied research, design, photography, and art. The books strive to represent the accomplishments of world-class architects, landscape architects, urbanists, authors, graphic designers, artists, and photographers.
Within a flourishing editorial paradigm, ORO has curated and articulated a passion for creativity and artistry that is exemplified in their published work, which has received a steady stream of awards and industry accolades.
Selecting the finest production materials, executing exquisite graphic design, and employing a unique craftsperson approach to print production at the highest level of quality. ORO's dedicated team works to ensure perfection and provide distinct and aesthetically superior style to each title.
A collection of essays and photographs of our beautiful world from just outside our homes all the way to the heavens.
History Reinterpreted explores the renovation and reimagination of the 1871 Myles Standish Hotel in Duxbury, Mass., highlighting how new life and modernity can be breathed into a historic structure while still respecting the past.
Wood, bamboo, straw, hemp, cork, earth, brick, stone, and re-use, this book focuses on houses built from materials that either sequester carbon, use materials with very low embodied carbon, or reuse substantial amounts of existing materials.
Sanctuary features a series of eighteen recent projects from the award-winning firm de Reus Architects. Essays by Mark de Reus and Joseph Giovannini reveal the continued search that is inherent in design and the relentless effort to reveal how sprit of place contributes to design thinking.
Recognizing that buildings are a major contributor to global warming and the critical role of embodied versus operational carbon, the book focuses on houses built from materials that either sequester carbon (plants), use materials with very low embodied carbon (earth and stone) or reuse substantial amounts of existing materials. Organized by those materials (wood, bamboo, straw, hemp, cork, earth, brick, stone and re-use), and incorporating life cycle diagrams demonstrating how the raw material is processed into building components, the book shows how the unique properties of each material can transform the ways architects conceive the sections of houses.
The house was selected as the vehicle for these investigations due to its scale, its role as a site of architectural experimentation, and its ubiquity. Building on the techniques of the Manual of Section, the book is comprised of newly generated cross-sectional drawings of fifty-five recent, modestly sized houses from around the world, making legible the tectonics and materials used in their construction. Each house is also shown through exploded axonometric, construction photographs, and color photographs of the exterior and interior. Introductory essays set up the importance of embodied carbon, the role of vernacular plant-based construction, and the problems of contemporary house construction. Drawing connections between the architecture of the house, environmental systems, and material economies, the book seeks to change how we build now and for the future.
Paul Lewis, FAIA, is a founding principal of LTL Architects. He is professor of architecture at Princeton University School of Architecture. He is the past president of the Architectural League of New York and a fellow of the American Academy in Rome. He received a Bachelor of Arts from Wesleyan University and a Master of Architecture from Princeton University.
Marc Tsurumaki is a founding principal of LTL Architects. He is currently an adjunct associate professor of architecture at Columbia University’s Graduate School of Architecture, Planning, and Preservation. He is the president of Storefront for Art and Architecture. He received a Bachelor of Science in Architecture from the University of Virginia and a Master of Architecture from Princeton University.
David J. Lewis is a founding principal of LTL Architects. He is professor of architecture and dean of Parsons School of Constructed Environments and is the recipient of the honorary position of adjunct professor of architecture at the University of Limerick, Ireland. He holds a Master of Architecture from Princeton University, a Master of Arts in the History of Architecture and Urbanism from Cornell University, and a Bachelor of Arts from Carleton College.
7.5" x 11" Portrait • 352pp • Softbound • 978-1-957183-09-1
World Rights: Available Publication Date: January 2022
Layered Landscapes is a collection of essays and photographs of our beautiful world from just outside our homes all the way to the heavens. The book has introductions by Michael Webb (architecture writer) and Craig Krull (gallerist). Craig Krull aptly points out that Okun’s photographs are a “reconstructed harmony into what we believed to be a ‘real’ landscape.” He writes that “her work has always defined the point that landscapes do not exist in nature, but only in our minds.” Okun’s artwork is a mixture of multiple layers that present a memory of the places she has visited on her many travels. The photographs are as poetic as the essays. Griff Rhys Jones (writer, actor, presenter) explores the color blue. Kathy Lette (author) becomes a cloud on an Australian beach. Thea Musgrave (composer) explains a tempest in musical notes. Tania Compton (garden designer) talks about meadows balancing wild and formal gardens. Caleb Leech (landscape Gardener) writes about medieval gardens. Annie Gatti (garden writer) and Steve Reich (writer and producer) both talk about happiness in gardening. James Forrest (writer) climbs mountains to become calmer. Richard Sparks (writer, director) and Lee Holdridge (Composer) discuss Okun’s projected design for opera. Layered Landscapes is a meditation on our earthly desires.
Jenny Okun is an American artist and filmmaker who travels the world in search of unusual beauty. Her artworks have been shown in more than 60 international exhibitions and in numerous private and public collections. Commissions have included the J. Paul Getty Museum, the Tate Modern, and the Whitney Museum of American Art. Craig Krull describes her artwork as “large-scale color photographic abstractions. Okun distills the essential qualities of form, texture, color, and detail into one layered vision.” Her two books, Dreamscapes and Variations, show artworks of architecture, landscape, nudes, and art.
Michael Webb is the author of more than 25 books on modern architecture and design, and has edited and contributed essays to many more. He grew up in London, where he worked at The Times and Country Life magazine, before moving to the US in 1969 to become Programming Director of the American Film Institute. He then curated a major traveling exhibition for the Smithsonian, Hollywood: Legend and Reality, before resuming his writing career. He now lives in Los Angeles when he is not traveling the world to gather material for books and articles.
Michael is a regular contributor to leading journals in the US, Europe and Asia. His travel memoir, Moving Around: A Lifetime of Wandering, was published in 2018, and he diverted himself during the Covid lockdown by composing an essay, “Voyage Around My Apartment,” which was privately printed.
This autobiographical monograph presents a retrospective of the 40-year innovative graphic design practice of husband-and-wife team, Nancy Skolos and Thomas Wedell. The two have seamlessly merged the boundaries between graphic design, photography and typography, fusing two-and three-dimensional space through overlapping type and image. Long-time influential designers and educators, and 2017 AIGA medalists, Skolos-Wedell’s work has been widely exhibited and published in the US and internationally. The book has been written as a series of interviews between Skolos and Wedell, and beautifully designed by the artists themselves. The result is a work of total design that showcases their unique way of thinking and working.
Prototypes, iterations, and studio set-ups shed light on the process behind the finished work which unfolds in chronological order, subdivided in decades: 80s, 90s, 00s, 10s, 20s, with each section beginning with a timeline of notable events. While a time-based taxonomy may seem unimaginative, it was critical for presenting the evolving working methods. To provide the most direct view of the studio’s collaborative design process, much of the text unfolds as a series of interviews with each other.
Nancy Skolos and Thomas Wedell work to diminish the boundaries between graphic design and photography—creating collaged three-dimensional images influenced by modern painting, technology, and architecture. With a home/studio in Providence they balance their commitments to professional practice and teaching at the Rhode Island School of Design.
The studio’s work came into its own during the 1980s with clients in Boston where the developing high technology industry opened opportunities to develop a graphic language for many intangible inventions. The team’s surreal photographic concepts combined with rational typographic structures gave voice to concepts such as “software” and made room for abstraction. A 1993 Eye Magazine feature on the studio labeled their attitude “techno-cubist.” Over the span of their career their approach has evolved, and their client base has expanded but their passion for combining photography and graphic design, has remained the foundation of their vision.
Tectonics of Place II: The Architecture of Johnson Fain chronicles the architectural and interior design work of a preeminent international design practice based in Southern California. The firm, well-known for landmark projects throughout the United States and abroad, eschews any singular approach or style. Addressing issues of program, client, physical context, and sustainability, Johnson Fain crafts design solutions which are strikingly modern and unique. Tall buildings both elaborate their particular programs, whether residential or work-related, while becoming icons on the urban skyline. Single family dwellings, wineries and cultural facilities set in more rural landscapes interact instinctively with nature. Museums, clubhouses, and educational campuses create a sense of cohesion and shared purpose through the design of both the buildings and the open spaces that unite them. Forward-looking science and technology centers express state-of-the-art systems while reinforcing collegiality and reflection which lies at the heart of research. Beyond the brief, the architecture of Johnson Fain is human-centered, forward looking and interactive.
Author Scott Johnson is the design partner at Johnson Fain, an international architecture, planning and interior design firm based in Los Angeles. A prolific designer of residential, institutional, and commercial buildings, a number of his best-known designs are widely published and have become local landmarks.
The Shape of the Land: Topography & Landscape Architecture—the first book to center on this subject—presents the contributions of thirteen well-known practitioners and academics who discuss the forms and ramifications of reconfiguring terrain. The essays range in content from pre-industrial precedents in the work of Humphry Repton to new digital topographic modeling systems without the use of contour lines, the treatment of waste products to the land art of the American Southwest. Practicing landscape architects focusing on the modeling of topography in the works considering both utility and aesthetics. In all, the book reviews the history, reasons, and results of at least three centuries of topographic interventions, while suggesting pathways into the future—as new technology and new necessities increase the functional demands placed upon landscape architects, while at the same time potentially offering new forms of artistic expression.
Author Marc Treib, Professor of Architecture Emeritus at the University of California, Berkeley, is a historian and critic of landscape and architecture who has published widely on modern and historical subjects in the United States, Japan, and Scandinavia. Books published by ORO Editions include Landscapes of Modern Architecture; Austere Gardens; The Landscapes of Georges Descombes: Doing Almost Nothing; and Thinking a Modern Landscape Architecture, West and East, and more recently The Aesthetics of Contemporary Planting Design and Serious Fun: The Landscapes of Claude Cormier.
Other contributors: Stephen Daniels, Georges Descombes, Adriaan Geuze, Jennifer Guthrie, Kathleen John-Alder, Ana Kučan, Karl Kullmann, José Miguel Lameiras, David Meyer, Elissa Rosenberg, Bas Smets, Laura Solano
History Reinterpreted, the second published work from celebrated architect and Fellow of the American Institute of Architects Patrick Ahearn, explores the renovation and reimagination of the 1871 Myles Standish Hotel in Duxbury, Mass., as a grand single-family residence. Highlighting how new life and modernity can be breathed into a historic structure while still respecting the past, the volume includes the architect’s own hand-drawn elevations, before and after floor plans, and countless full-color photos from yesteryear and today to delight architecture and history enthusiasts alike.
Author
Celebrated as one of America’s top classical architects, Patrick Ahearn—a Fellow of the American Institute of Architects—began his career with ambitious adaptive-reuse public projects, and for more than four decades has focused on historically motivated, sitesensitive private residences in New England and beyond. Raised in Levittown, New York, and based in Boston, he received degrees in architecture and urban design from Syracuse University. Today, he oversees the firm that bears his name while also deftly drafting firsthand. He has designed hundreds of signature residences, including more than 350 projects on Martha’s Vineyard alone, and has been featured in publications including Architectural Digest, New England Home, and The Wall Street Journal. His first book, Timeless, is in its sixth printing.
Written with Caroline Stone
P.A. Architect Marketing Director, Katherine Nolan P.A. Architect Marketing, Caroline Stone Book Designer, Katherine Nolan Photographers, Taylor Ahearn, Hawk Visuals, Neil Landino, Before Images, Homeowners, Colclough Construction, and Ingrid Nappellio
Historic Image Contributor Info, Duxbury Historical Society
Designing Women’s Lives calls for a place-making revolution based on women’s culturally nurtured “feeling” sensibility. Women too often have had to repress that sensibility in order to become designers. Now, rather than struggle to fit-in, women can break new ground by using Design Psychology as the foundation for creating emotionally satisfying place.
To encourage such a heart/mind shift, the author discusses how she took architecture Gold Medalist Denise Scott Brown and interior design legend Margo Grant Walsh through a series of Design Psychology exercises. The process revealed ways these renowned women unconsciously embedded their heroic struggles as minority females in their designs: Grant Walsh’s journey from her Chippewa childhood home with only one green couch to her plush NYC residence reflected her embrace of her Native American + designingwoman’s identity. Scott Brown grew up in a more privileged South African household, yet she translated the oppression she witnessed during Apartheid and the bias she experienced as a Jewish woman into the inclusive approach to architecture that made her famous.
Interweaving such designing-women’s stories, feminist design thinking and her personal vignettes, the author inspires readers to “design from within” their personal psychology as a form of personal liberation. Project case studies further demonstrate how
Design Psychology helped women create a nurturing—even transformative—home during life-passages such as partnering or grieving. Such case studies provide inspiring examples of how color, shape, texture, space layout, and special objects can be catalysts for such personal evolution.
Toby Israel, Ph.D., is the founder of Design Psychology, a field that’s gained international attention in the LA, NY and Financial Times, CBS Sunday Morning, and NPR’s “Talk of the Nation.” Trained as an environmental psychologist, she is a multi-disciplinary design, psychology, arts, and education professional who applies scholarship to the “real-world” practice of place-making.
Sanctuary features a series of eighteen recent projects from the award-winning firm de Reus Architects. As a follow-up to Tropical Experience, de Reus Architects continues to add inspired, carefully crafted, timeless, and site-appropriate design to its growing body of work. Essays by Mark de Reus and Joseph Giovannini reveal the continued search that is inherent in design and the relentless effort to reveal how sprit of place contributes to design thinking. Each project is introduced with spectacular exterior and interior photography and gives the reader an in-depth look into de Reus Architects’ design thinking. With select projects from Hawaii, Mexico, and the Pacific Northwest, Sanctuary explores a wide range of buildings showcasing de Reus Architects’ timeless and well-executed architecture.
Author Mark de Reus is the founding design partner of de Reus Architects. Renowned for his award-winning resorts and residences, he has practiced for more than thirty-five years.
Joseph Giovannini is a practicing architect who has written on architecture and design for three decades for such publications as the New York Times, Architectural Record, Art in America, and Art Forum, and he has served as the architecture critic for New York Magazine and the Los Angeles Herald Examiner.
To respond to the unique opportunities of each client and site, Bates Masi + Architects has developed an approach rather than a devotion to a particular style. Careful study of the needs of the site and owners uncovers a guiding concept particular to each project. That concept is distilled to its essence so that it can inform the design at all scales, from massing to materials to details. The consistency of the concept is evident in the finished product. The result is an architecture that is cohesive, innovative, contextual, and full of details that delight.
Architecture of Place is the follow up to Bespoke Home, the first comprehensive survey of Bates Masi’s fifty-plus years of work published in 2016. It focuses on the firm’s recent residential portfolio. Using each house as a case study, the book documents Bates Masi’s design process with concept images, diagrams, architectural models, and narratives for each project. This book demonstrates how influences of the physical and historical context, as well as the client, are distilled into a guiding concept for each project. With over 200 pages of photos and drawings of extraordinary second homes, Architecture of Place will appeal to architects and design devotees alike.
The first comprehensive book on the River Padma, considered the last leg of the Ganges, with a rich collection of new photographs and maps. The Great Padma Book defines the life and history of the Bengal Delta, the largest delta in the world. The book contains original essays by well-known writers, researchers, and academics from diverse fields, including geography, history, literature, architecture, and food history. The preface is written by the renowned author Amitav Ghosh (The Hungry Tide). Besides unpublished photographs documenting the magnificence and diversity of the great river, and wonderful set of maps and diagrams, the book has a rich content in depicting the life and times related to this turbulent river. The wonderful design and layout of the book will make this a collectible item.
Author Kazi Khaleed Ashraf is an architect and architectural and cultural historian. He has taught in the US for over 25 years at the University of Hawaii, University of Pennsylvania, and Temple University, and currently directs the Bengal Institute for Architecture, Landscapes and Settlements in Dhaka. He has numerous publications.
The photography collected in A View from the Top may have arisen out of a desire to document a singular body of work—the Viewpoint Collection. Through Kelley’s eye, lens, and postproduction choices, however, it advances the very way that buildings can be photographed and understood, allowing us to visit residences that most of us will never see in person.
The photographs also demonstrate that these projects are quintessentially Californian. Their emphasis on open plans, airy modernism, the indoor-outdoor relationship, natural textures and color-palette, and an intensive attention to landscaping are also quintessentially Los Angeles. The buildings—which are the creations of some of the world’s most renowned architects—are inspired and inspiring. They are luxurious, aspirational, and visually exciting. The book is both a valuable contribution to architectural history and a pleasure to read.
Eva Hagberg is an author, educator, and scholar. Her writing on architecture and design has appeared in The New York Times, Metropolis, Wallpaper, and more, and her debut memoir, How to be Loved, was published in February 2019 to overwhelming critical acclaim. Her second book, When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect, a biography of
the first architectural publicist and a rigorously researched exploration into the relationship between architecture and media, will be published September 2022 by Princeton University Press. She holds degrees in architecture from Princeton and UC Berkeley, and a PhD in Visual and Narrative Culture from UC Berkeley. She lives in New York, where she teaches at the Graduate School of Architecture, Planning, and Preservation at Columbia University.
Mike Kelley is a Los Angeles-based photographer who specializes in architecture and happens to have a mild airplane obsession. He is the author of New Architecture Los Angeles, featuring every type of architecture, including houses, municipal structures, art museums, office buildings, performance spaces, and houses of worship. It is the first book to focus on the surge of creative building that has taken place in Los Angeles in the new millennium. He also has written LA Airspace, featuring images of Los Angeles created with a helicopter as camera platform. Taken over the course of two years, the images span the greater LA area—from Hollywood, Pasadena, Malibu, and Santa Monica to Long Beach and beyond. Serving both as historical record and artistic interpretation, the book shows the dynamic culture, infrastructure, and design of one of America’s most interesting cities.
The intense social and environmental fervor that arose in the 1960s and 1970s in response to assaults on the planet’s life support systems, degradation of communities, and socio-economic inequality unleashed revolutionary change at all levels of society. Out of the turmoil of that era, community-based ecological design emerged as a powerful creative force for reshaping the commons, bringing people together, and forming ecologically sustainable relationships with the environment. The stories in this book reveal how the revolution has played out in reconceiving public places in the landscape of every-day life in northern California. The text focuses on the broad human, social, environmental, and cultural aspects of place-making to create livable, inclusive, sustainable, and treasured spaces. The aesthetic experience of each place is revealed through photos, diagrams, sketches, and plans. Success stories like these offer hope, so sorely needed, for dealing with the seemingly insurmountable current assaults on earth’s life support systems.
Author John N. Roberts, founder of the Landscape Architecture firm John Northmore Roberts & Associates, Inc. is widely recognized for community-based ecological design for local communities and national parks alike. He is a Beatrix Farrand Distinguished Visiting Lecturer in U.C. Berkeley’s College of Environmental Design.
An Architect’s Address Book is memoir in 18 chapters of the places Robert Lemon has lived, studied, and worked over the past six decades. Some are of places that he has visited many times and are important to his career. Studying architecture and conservation, Lemon has lived in Ottawa, Paris, London, Rome, and York. His work has involved projects in Vancouver, Los Angeles, Dorset, the High Arctic, and Xi’an. Other stories are about visiting the buildings of Andrea Palladio and Carlo Scarpa in the Veneto, Arne Jacobsen and Kay Fisker in Denmark, and five iconic twentieth-century houses in France, in company of colleagues. Most of the chapters focus on someone influential to Lemon’s career; and his vast interest in food is a thread through most stories.
Challenging the hegemony of museums and yearning to communicate with a larger diverse audience, trailblazing conceptual artists and land artists found support in newly developed and expanded programs of the NEA and the GSA. This book foregrounds critical questions about public art, the policies that govern it, and the processes that realize it. What makes art public? What makes good public art? Why is there so much bad public art? How can the overall standard of public art be improved? What professional practices sponsor the best art for architecture and the environment? How can the artist selection process ensure that only superior artists are commissioned? Aesthetic judgments are implicit in museums exhibitions and acquisitions. Why should art in public places be held to a lesser standard? How can myriad interests of the community and individuals be harnessed to the higher goal of choosing the best artists for a project.
It is a central contention of the book that despite the numerous constraints encountered in any commission, the most excellent public art expresses and even accentuates the personal, innovative vision of the artist. Approaches that compromise that vision, especially those that try to be all things to all people, inevitably diminish the dynamism and uniqueness of the final work. In the best public art, imagination, originality, passion, and even impulsiveness characterize the work of those artists who, while reaching out to a
broader public, paradoxically search for new ideas often antithetical to the rules, materialistic culture, and social practices of the community. Many projects have demonstrated that art that seems different, difficult, and provocative can, in time, become familiar and comprehensible in a public setting and resonate more effectively than conventional solutions.
Author Joyce Pomeroy Schwartz is a curator and public art consultant specializing in public art policy, contemporary art commissions for architecture and landscape projects, implementation of arts master plans, and integration of public art into the broader concepts of urban revitalization and cultural planning.
Island Homes and Casual Elegance in Design presents the beautiful yet unpretentious new homes, residential renovations, and commercial buildings designed by Honolulu-based Peter Vincent Architects. A boutique firm founded in 1992, PVA specializes in custom-built architecture in a broad spectrum of styles and genres. Each project responds to the unique needs and vision of its client as well as the physical, social, and environmental opportunities and requirements offered by its site.
In stunning color photography, the book features twenty built works by PVA. Each shows the creative design, quality materials, and exacting proportions that set PVA apart. The text, crafted from interviews with managing partner Peter Vincent, tells an intimate story of each project and discusses the various personal experiences that have influenced his architectural philosophy. A foreword by Malia Mattoch McManus, author of The Hawaiian House Now, discusses how PVA projects respect their surroundings and the culture.
Author
Founded in 1992, Peter Vincent Architects is a boutique architecture and interior design firm located in Honolulu. PVA’s work encompasses a broad spectrum of styles and genres and responds to the unique needs and vision of each client and site.
Peter Vincent Architects is the recipient of numerous awards from the American Institute of Architects (AIA) Honolulu Chapter, Building Industry Association (BIA) of Hawaii, National Association of Industrial and Office Properties (NAIOP) Honolulu Chapter, and American Society of Interior Designers (ASID) Honolulu Chapter, among others.
Clare Jacobson, author Malia Mattoch McManus, foreword
Building Practice features interviews with architects, designers, educators, curators, fabricators, strategists, critics, and activists who are advancing speculative design through the culture and politics of building, capturing critical and formative moments associated with building a practice. Each interview reveals strategies for linking practical and theoretical forms of knowledge and evidences the active creation of unique approaches to contributing positively to both architectural culture and the built environment. Collectively, an introduction, twelve short texts on topics that are pertinent to architecture today, and thirty-two interviews convey how architects claim conceptual territory regarding form, space, order, materiality, and aesthetics, and push for design to have meaning and value in relation to cultural, environmental, political, and social concerns. The individuals and practices profiled in this book collectively partition themselves from previous generations of experimentally motivated practices while individually exemplifying their own inimitable affinities, techniques, and sensibilities. Building Practice shares the first acts of an emerging generation of practices and identifies the peripheral yet pivotal aspects of building a practice today.
Kyle Miller is Associate Dean and an Associate Professor at Syracuse University School of Architecture.
Molly Hunker is Co-Captain of SPORTS and an Assistant Professor at Syracuse University School of Architecture.
Ellie Abrons, Anthony Acciavatti, Emanuel Admassu, Paul Andersen, Kutan Ayata, Jennifer Bonner, Shumi Bose, Brennan Buck, Tei Carpenter, Tom Carruthers, Mollie Claypool, Felipe Correa, Karolina Czeczek, Ivi Diamantopoulou, Iben Falconer, David Freeland, Anda French, Jenny French, Benjamin Freyinger, Adam Fure, Beatrice Galilee, Julia Gamolina, Jia Yi Gu, Andrew Holder, Molly Hunker, Elisa Iturbe, Jonathan Jackson, Jaffer Kolb, Wei-Han Vivian Lee, Helen Leung, James Macgillivray, Ajay Manthripragada, Jess Myers, Kyle Miller, Meredith Miller, Thom Moran, Sarah Nelson Jackson, Jennifer Newsom, Anna Puigjaner, William O’Brien Jr., Gilles Retsin, Justin Rice, Bryony Roberts, Jack Self, Troy Schaum, Rosalyne Shieh, Maxi Spina, Oana Stănescu, Kagan Taylor, Elizabeth Timme, Jen Wood, and Michael Young. Copyeditor: Jayne Kelley. Graphic Designer: Cat Wentworth.
6” x 9” Portrait • 400pp • Softbound • 978-1-957183-49-7
World Rights: Available Publication Date: Spring 2023
The contemporary Asian city has many layers of meaning accumulated at different stages of growth, stemming from historical imprints, imposed land policies, industrialization, waves of migration, and distinctive patterns of development. It is therefore of crucial importance to understand the ramifications of urban design as representing the experience of the city in terms of actual use. This must also reflect the underlying values of urbanism that takes as its basis the active history of the city as a means of blending together physical and non-physical traces of past, embedded cultural values, and present elements as part of a new urban mosaic. In this sense the “locus” of collective memory and socio-cultural shifts hold a strong symbolic meaning in Asia, and help to materialize a resource base on which to establish planning programmes, framed within the spirit and culture of the city.
The book examines the contemporary Asian city through the prism of urban design in assimilating new and established drivers of growth. This includes intensified forms of residential development, specialized commercial centers, and technology parks that drive the momentum of the contemporary city, while acting to restructure and reshape forms of capital investment. New spatial patterns are facilitated by tranches of urban expansion, redevelopment, regeneration, and suburbanization that have emerged as by-products of both formal and informal development processes. The book also examines the
Asian city language embodied in the local morphology—the essential values of the street, block, temple precinct and monument, and how these can be incorporated as drivers of new urban identities that relate to the changing culture and configuration of city neighborhoods. All of these continue to impose different levels of impact on the creation of livable cities and the quality of life for their inhabitants. In this way urban design can look to the future while respecting the past.
Dr Peter Cookson Smith is an architect, urbanist, and founder of the URBIS consultancy in Hong Kong, which has operated throughout Asia for more than forty years. He is a former professor of architecture and former President of Hong Kong’s Institutes of Planning and Urban Design. He is the author of seven previous books on cities and urban design.
In “Room Without Roof,” the archetypal gabled form of a house takes on a twist to envelop both interior and exterior spaces. In “A Tale of Two Courts,” a semi-detached house shuts itself from the street but reveals on the inside a thoroughly tropical, open environment. These are but two examples of HYLA Architects’ rigorous and sensitive methods of creating livable and comfortable homes through new expressions and creative datum. Key to the firm’s approach is found in the title The Space Between. It defines architecture as the space between the user and the environment and speaks of the architect’s important role in modulating this relationship according to context and climate. The 25 case studies in the book also reflect the five key values the works are designed upon: honesty, simplicity, clarity, strength, and dynamism. Derek Swalwell, Masano Kawana, and Daniel Koh contribute to the visual compendium through photographs that capture the beauty of form, space, light, texture, and nature. Architectural writer Luo Jingmei provides thoughtful descriptions that take the reader through the homes and the ideas that ground them.
HYLA Architects is a boutique architectural practice based in Singapore. Founded by Principal Architect Han Loke Kwang, the award-winning firm is known for pushing the envelope of house design in the tropics. The firm was founded in 1994 and, in its nearly 30 years of practice, has come to establish itself as an important contributor to the local and regional architectural scene through innovative experiments in form and material, and sensitivity to context.
Design for Life in the Deep South explores the work of Holly & Smith Architects (H/S) over the past 40 years. This compilation of some of the firm’s most recent work demonstrates the designer’s deep respect for the climate, vernacular, culture/context, topography, and the natural environment of the deep South. Significant climate and environmental factors have informed the H/S design philosophy. The culture of south Louisiana has also greatly influenced the design solutions by respecting the vernacular and context of the semi-rural communities.
The constraints of clients of modest means are used as an opportunity to utilize ordinary materials and methods uniquely. Sustainability methods, such as using closely sourced materials indigenous to the sites and focusing on energy conservation through rigorous site analysis and building orientation, are evident in the designs.
Several projects presented address sustainability through the adaptive reuse of historic structures. By utilizing historic tax incentives, these examples maintain historic integrity of the façade while repurposing the interiors, bringing often overlooked and neglected cultural gems back into commerce. These timeless designs fit seamlessly into the existing architectural inventory of the deep South while utilizing current technologies, materials, and construction methodologies to address the needs of the clients, users, and communities.
Founded in 1980, Holly & Smith Architects, APAC (H/S) is a full-service professional architecture corporation with offices in Hammond, New Orleans, and Lafayette, Louisiana. H/S has extensive experience serving a wide range of clients throughout southeast Louisiana and brings over 40 years of expertise in designing and administering construction contracts in the region. As architects, H/S creates the spaces and places where people live their life. How we learn, work, eat, sleep, heal, worship, and gather are all improved by the quality of that space and place.
This book is a dedication to the work and sure process of Affiniti Architects. Their architectural design process is critical to achieving a high level of design quality, which legacy homes require. Affiniti Architects spotlight the key elements that mold the overall image of legacy architecture for generations. From analyzing site plans to capturing the essence of indoor-outdoor living, the firm showcases the fluidity of design that they’ve accomplished through the years.
AuthorFor 30 years, Affiniti Architects has designed work totaling over $12.5 billion located throughout the US, Central America, Caribbean, and Middle East. Affiniti Architects has completed private residences for numerous celebrities, athletes, and CEOs throughout the region. They work discreetly with clients in communities which require a great deal of architectural correctness and an uncompromising professional reputation. World-class interior designers, as part of the team, are able to constantly achieve success due to Affiniti Architects’ ability to coordinate and execute from initial design through construction.
The partners’ direct involvement throughout the design process, along with select staff specifically trained in estate home architectural and detail, is critical to achieving the level of design and quality which estate homes require. Each residence is a unique, one-of-a-kind legacy properly providing a timeless safe investment. Affiniti’s designs have merited over 350 national and regional design awards, and are recognized in numerous published works
digitalSTRUCTURES: Data and Urban Strategies of the Civic Future provokes a larger body of work that engages with digital property and data infrastructures. Digital currencies (cryptocurrencies) and digital property require large amounts of land, resources, and data centers and infrastructures to store these “supplies.” There is a larger architectural and urban infrastructural challenge and urgency on how these various kinds of digital exchanges are mediated, to limit the detrimental use of our everyday resources. If our everyday objects are digital and no longer physical, how does it challenge ecological questions? How does this affect the future of urban living?
The case-studies, interviews, and guest contributions prompt discussions that were part of the CityX Venice, Sezione del Padiglione Italia, at the 17th La Biennale di Venezia. Guest contributors were prompted to challenge and provoke the topics that are questioning the issues of open innovation models that operate a city, robotics and artificial intelligent systems, supply chains affected by digital storage, and data infrastructural arguments that play a large role within our Web 3.0 urban digital and real landscapes.
Using a mixed-media approach, the book couples a novel exploration of XR (mixed-reality) and AR (augmented reality) into diagrammatic mapping and graphical cartography, and how data interacts with various open innovation models in digital property and real property.
Author Wendy W. Fok is non-binary, trained architect, educator, and BIPOC designer, interested in the issues of digital property and data infrastructures. On their spare time, Fok interests include modifying motorcycles, obsessing over the built environment, prototyping design applications for the future of urban living, and designing in digital and analogue.
Fok has a Doctor of Design from Harvard University, a Master of Architecture and Certification of Urban Policy/Planning from Princeton University, and a Bachelor of Arts in Architecture with a Concentration in Economics (Statistics) from Barnard College, Columbia University.
Guest Contributors (Written/Interviews): Jesse Reiser, Saskia Sassen, Minerva Tantoco, Andrew Witt, Mik Naayem, Lydia Kallipoliti, Jimenez Lai
Graphics Layout & Research Design Team: Rachel Pendleton, Yarzar Hlaing, Isabelle ‘Iza’ Dabrowski, Tara Akdora, JJ Jin, Jessica Marquez
Cover Design: Hyun Jung Ahn
Language & Copy Editor: Irina T. Oryshkevich
Project Archive reforms the contemporary architectural discipline’s understanding of the built environment. The content encourages the audience to acknowledge the role of architecture as a political actant. Featured projects prioritize an attitude that goes beyond its formal elements of the current architectural canon. The projects give importance to both formal aesthetics and the ability to serve the urgent social needs of a community.
Included projects also forefront lower-tech solutions. They enforce culturally resilient models of domesticity as sustainable living and a longer-term response to ongoing environmental crises. Thus, showcasing extra-canonical works provides an opportunity to reflect on diverse solutions.
The content endorses learnings from regionally specific and environmentally resilient models of architecture. This book provides diversity in knowledge systems, and varied responses to reforming traditional modes of domesticity, response to environmental and social crises, and diverse conditions of a landscape. Developed through a decentralized research process, the book also creates space for interdisciplinary projects with contributions from sociologists, anthropologists, historians, architects, etc. Featured list of writers include members at varied levels within academic institutions, architecture enthusiasts, and independent researchers.
Namrata Dhore is a designer and researcher based in NYC. She is currently pursuing her MS in architecture at Columbia University and working towards being a licensed architect in New York. She has previously worked as architectural designer in New York and collaborated with RISD Museum and A.I.R Galleries.
Christina Truwit is an architect, artist, and academic currently based in Providence, RI. She received her Master’s of Architecture from Rhode Island School of Design, after attending Allegheny College for her degree in Mathematics and Studio Art. Today, she teaches architecture at Rhode Island School of Design.
Sofie Kusaba is a multidisciplinary musician, architect, writer, and digital artist who is currently interested in the intersection of queer identity and social engagement through the metaverse. Sofie is a recent graduate from the Rhode Island School of Design with a Bachelor's degree in Architecture and Fine Arts.
Every year millions of travelers arrive in Athens eager to catch a glimpse of the ancient city and savor its classical heritage. But what about the late nineteenth-century Athens with her neoclassical buildings, wide avenues, and literary salons? An Athens where music wafted from King Otto’s palace and the aristocracy waltzed under crystal chandeliers. A city of dignitaries, scholars and architects drawing plans and reworking them, leaving their mark on every dimension of the young capital.
An Athens where commoners hovered around dimly lit fires and children played in the mud amidst the ancient ruins. Where criminals settled disputes with drawn knives and prostitutes roamed the ports luring sailors into filthy, smoke-filled taverns. Where Greek refugees lived in wind-swept streets with no sewers or running water, singing about their troubles under the stars.
An Athens where intellectuals, writers, poets, and artists converged in local cafés planning the future of the newly founded nation, discussing philosophy, literature, and their shared passion for reclaiming Greece for the Greeks.
Athens Unveiled pays homage to the people, streets, and neighborhoods of late nineteenth-century Athens, where some of the finest neoclassical buildings still stand next to abandoned mansions,
brothels, and old factories; where people still bargain the prices of clothes and produce on the old streets of commerce and where young artists create powerful murals, bringing everything about the city into sharp focus.
Anna Angelidakis is the author of Rooted in the Hood, an Intimate Portrait of New York City’s Community Gardens, winner of the IBPA Benjamin Franklin Gold Award (Regional Category) and New York City Big Book Award (Green Category). She currently lives and travels between Athens and New York documenting her beloved cities.
Santos
Adèle Naudé: A Form of Practice celebrates the architect’s 40 years of practice and teaching. In notable academic leadership positions, Naudé taught across many locations globally, and her practice followed to new locations around the world. A Form of Practice is the first comprehensive monograph presenting the work and academic contributions by Naudé—from South Africa and Chile to Japan and the United States.
“[M]y teaching career at important institutions led to offers for increasingly important leadership positions including Architecture Chair at the University of Pennsylvania, the deanships at the University of California San Diego (UCSD) and later at MIT.”
Author
Adèle Naudé, FAIA, is an architect and planner whose career combines professional practice, research and teaching. Santos has won international design competitions, published work in journals world-wide, and has worked in cultures as diverse as Japan, Africa, and the United States.
World Rights: Available Publication Date: Spring 2023
Adrian Smith + Gordon Gill Architecture’s Performance + Assembly: The Experience of Space covers a range of performance and assembly spaces designed by AS+GG from central spaces in the world’s largest expositions to small, flexible high-technology theaters to expressive and functional auditoriums. The book of global cultural work includes building designs from Chicago to Istanbul, Astana to Dubai and features both photography of built spaces and unbuilt ideas. In this book Adrian Smith + Gordon Gill Architecture reviews projects to answer questions that relate to how buildings can be used to enhance the experiences of the users beyond set programmatic requirements by asking questions like: How can architecture and design help advance the technologies, the operations, the program, and the way buildings perform? At a more sensorial and experiential level, the book explores how architecture can speak to the soul to create a place in between the art and the audience.
Adrian Smith + Gordon Gill Architecture (AS+GG) is dedicated to the design of high-performance, energy-efficient, and sustainable architecture on an international scale. The firm approaches each project, regardless of size or scale, with an understanding that architecture has a unique power to influence civic life. The firm strives to create designs that aid society, advance modern technology, sustain the environment, and inspire others to improve the world
through a holistic, integrated design approach that emphasizes symbiotic relationship with the natural environment—a philosophy coined as “global environmental contextualism.”
This approach, which takes into consideration building orientation, daylighting, generation of wind power, solar absorption, and a site’s geothermal properties, represents a fundamental change in the design process, in which form facilitates performance. It’s predicated on the understanding that everything within the built and natural environment is connected, and that a building’s design should stem from an understanding of its role within that context—locally, regionally, and globally. Such a pluralistic approach acknowledges the interaction among building systems as well as between those systems and the natural environment and seeks to improve each individual system’s performance.
AS+GG’s practice includes designers with extensive experience in multiple disciplines, including technical architecture, interior design, urban planning, and sustainable design. Architects also have expertise in a range of building types, including supertall towers, large-scale mixed-use complexes, corporate offices, exhibition facilities, cultural facilities and museums, civic and public spaces, hotels and residential complexes, institutional projects, and hightech laboratory facilities. The firm was founded in 2006 by partners Adrian Smith, Gordon Gill, and Robert Forest. Today there are 100 employees in offices in Chicago and Beijing.
How can design be used to challenge the status quo, to interrupt the jargon, to disrupt and redirect ecological and socio-economic flows? LA+ Journal’s fourth international design ideas competition invited designers to take an established place and design something to productively interrupt both its cultural and spatial context. What does this mean? It means injecting something different into a given context to effect new meanings and new functions. It means questioning what design does, who it’s designed for, what it looks like, and what it means.
Issue #17 brings you the results of the LA+ INTERRUPTION design competition. As well as showcasing the award-winning designs and a comprehensive Salon des Refusés, LA+ INTERRUPTION features interviews with jurors Fiona Raby, Martin Rein-Cano, Mark Raggatt, Rania Ghosn, and Jason Zhisen Ho, and an essay by Katya Crawford, coauthor of the The Design Competition in Landscape Architecture(forthcoming).
Editors Tatum Hands and Richard Weller.
Guest edited by Christopher Marcinkoski with Javier Arpa Fernandez, and other contributors include: Merve Bedir, Casey Lance Brown, Stuart Candy, Paul Dobraszyk, Aroussiak Gabrielian, Daisy Ginsberg, Adrian Hawker, Souhei Imamu, Karen Lewis, Min Kyung Lee, Mpho Matsipa, Alexandra Sankova, Jonah Susskind
$19.95
8.75” x 10.5” Portrait • 120pp • Softbound • 9
World Rights: Available Publication Date: Spring 2023
Highlighting 50 years of curiosity, Boundless is about pushing the limits of “What’s possible?” It highlights the history of EYP, an interdisciplinary design firm, and its unique culture through a rich body of work. Shared in three parts—roots, complexities, and possibilities—each section tells a story through projects highlighting client dreams, technical challenges, and social and environmental impacts.
“Roots” honors the strong foundations of EYP’s 50-year history, including its early grounding in sustainability, preservation, and work with mission-centered clients. It covers a wide mix of transformative projects across higher education, healthcare, and government sectors.
“Complexities” reflects the many opportunities and challenges— design, technical, or otherwise—driving the firm’s work over the past two decades. Learn about clients and projects that challenged limits of design, including a green-powered US Embassy; a Planetree hospital; a flexible student maker space, and a state-of-the-art workplace for a national lab. Discover how important existing buildings can be reinvented, like those designed by architectural icons Eero Saarinen and Louis Kahn.
“Possibilities” covers work the firm is engaged with today—either on the boards or under construction—including community centers, national historic treasures, places of diplomacy, hospitals for mental health, centers for student innovation, and buildings inspiring the future of science and technology. It uncovers what’s possible when novel designs intersect with cultural insights to create authentic experiences, enhancing people’s lives and communities.
Author EYP is consistently ranked as one of the top architecture, interior design, and engineering firms, particularly for their work in healthcare, higher education, cultural, government, science and technology, office, and modernization projects. The firm consistently wins awards for design excellence related to their architecture, interiors, and modernization work.
Robert McClure, AIA
Leigh Stringer
Jennifer Hebblethwaite
Mauricio Rojas, AIA
Shivanthi Carpino
Alanna Thayler
Practice with Purpose is about designing buildings beyond their property lines to address some of society’s most urgent challenges: the climate emergency, racial and ethnic injustice, chronic homelessness, educational crises, and the preservation of the embodied carbon and culture of existing buildings.
To successfully contend with these ecological and societal emergencies, the design values and practice of architecture must be rapidly transformed within the next decade. Architects must become creative agents of change, providing the vision and skill to lead our communities toward an equitable, climate-positive future for all.
Twenty years ago, San Francisco–based Leddy Maytum Stacy Architects rededicated its practice to focus on these urgent issues. Its mission-driven designs not only address the critical concerns of twenty-first century architecture, but also bring clients and users into the dialogue. LMSa’s award-winning works show the creative potential of building a practice with purpose.
In this book, LMSa shares its experience and insight as a call to action to the architecture profession. Through case studies, datadriven essays, user testimonials, and thought-provoking questions, LMSa offers design strategies to architects who want to make an environmental and social impact.
Author
LEDDY MAYTUM STACY Architects (LMSA) are thirty designers who share a common belief in the trans-formative power of architecture to help lead the way to a just, healthy, and regenerative future for all. The San Francisco–based firm is a nationally recognized model for all architects who would build a positive firm culture around addressing the climate emergency and advancing social justice through architectural innovation. LMSA has received more than 175 design awards, including eleven national AIA Committee on the Environment Top Ten Awards for integrated sustainable design excellence. In 2017, it received the American Institute of Architects Architecture Firm Award, the institute’s highest honor for a practice that has consistently produced an influential depth and breadth of work for over a decade. LMSA demonstrates the capacity of a small firm to make big contributions toward addressing some of the profession’s most pressing concerns.
William Leddy, FAIA, LEED AP, Principal, LMSa
Marsha Maytum, FAIA, LEED AP, Principal, LMSa
Richard Stacy, FAIA, Principal, LMSa
Edward Mazria, (foreword) founder and CEO of Architecture 2030; recipient of 2021 AIA Gold Medal
Robert McCarter, (introduction) Professor of Architecture at Washington University; author of several books, including Place Matters (ORO, 2019)
This step-by-step Pocket Guide will teach you how to draw stunningly beautiful perspectives, complete with reflections and shadows.
The Pocket Guide to Perspective uses a simple, step-by-step method to help readers understand the basic concepts of perspective construction. Readers will learn to build one-point, two-point, and multi-point perspectives as well as reflections and shadows in perspective. This small pocket guide is compact and focused. Whether you’re at your desk or out and about, it is useful reference to bring along for both students and professionals alike.
Author
Professor Maurice Herman is an award-winning architect, educator, and illustrator. He loves to draw. He’s a subject matter expert who’s taught perspective, rendering, and sketching for more than twenty years. His illustrations have appeared in numerous books, academic journals, newspapers, and magazines, including the New York Times and Architectural Record. He holds a bachelor of fine arts degree in design from the California Institute of the Arts and a master’s degree in architecture from UCLA. His first job after graduation was as an apprentice to famed architectural illustrator Carlos Diniz. He currently lives and teaches in Los Angeles.
World Rights: Available Publication Date: Spring 2023
Illustrated with 200 barn sketches, diagrams, and maps, this book takes you on a journey through the St. Croix River Valley. It grounds you in the geography, geology, and biology of the region and introduces you to its original inhabitants, the Dakota and Ojibwe peoples, European explorers, fur traders and loggers and the settlers that followed them. It is a celebration of regional diversity and architectural expression through a single type of building—the barn.
Author
Jim Lammers, FAIA, was trained as an architect back when freehand sketching was an integral part of the curriculum. He is a tireless writer and relentless sketcher. Jim has been published in professional journals, and his sketches have been exhibited at fine art venues. His first book—Capture the Moment: An Architect’s Guide to Travel Sketching has been published by ORO Editions. Jim teaches sketching at Marine Mills Folk Art School. His roots go back three generations in Chisago County, Minnesota, where he’s lived on his hundred-year-old farmstead since 1992.
Carbon is everywhere—in the soil, in the air, in life. Carbon is the foundation of architecture and the built environment. Carbon is also infamous for intensifying the climate catastrophes around us. And architects—by the nature of their education and practice are transforming this carbon into the built environment. Twelve critical essays in this book present a constellation of voices surrounding carbon and its relationship with architecture, renovation, material, form, and design pedagogy. The renovation of two buildings on the Equator—at the School of Design and Environment (SDE), National University of Singapore—serve as the protagonists for these reflections. The essays raise key questions on the values embedded in the architecture of architecture schools. What principles might a low-carbon future embody? What do renovations mean for rapidly urbanizing Asia? How can they transform the relationship between climate and architecture on the Equator? Do they demand new equatorial forms? How can material innovations influence their design? How can the design of architecture schools influence a new generation of architects towards a sustainable future? These and other questions are set forth within while illustrating the models of thought that have shaped the architecture of SDE 1 & 3, offering ways to sustainably transform carbon in the context of our warming world.
Erik L’Heureux, FAIA, is a vice dean, Master of Architecture Programme Director and Dean’s Chair Associate Professor at the School of Design and Environment, National University of Singapore, teaching a new generation of architects to be committed to the complexities and potentials of architecture located along the equator. His design research combines passive performance, pattern, and simplicity as a poetic response towards the equatorial hot, wet climate and a dense urban context. His design work and contribution to the discipline has been recognized by the American Institute of Architects (AIA), being elevated to the College of Fellows, AIA in 2020, and his buildings have won several AIA New York and SARA Design Awards among others.
Giovanni Cossu is a sustainable development professional and associate director at the National University of Singapore (NUS). With experience in real estate and sustainability services, he is part of the senior management group at the NUS School of Design and Environment (SDE) where he oversees and manages a portfolio of campus redevelopment projects, sustainable finance and corporate sustainability initiatives.
Research Collaboration: Lakshmi Menon$29.95 8.25” x 11.75” Portrait • 120pp • Softbound • 978-1-954081-44-4
World Rights: Available Publication Date: Spring 2023
This book positions Ulaanbaatar as a unique case and one that allows us to view our urban world differently. Operating as a primordial soup of emerging conditions, Ulaanbaatar is conceived as an incubator for alternative urban concepts. The book rejects the agency of the masterplan as an effective tool in emerging urban conditions and instead positions the framework as a tool for incremental urbanism.
Although specific to the Ger districts of Mongolia, the story of how people, communities, planners, and politicians are grappling with the effects of becoming urban remains one of the critical issues facing the twenty-first century. How this process will be materialized and organized spatially, and by whom, will have profound ramifications on the climate and the social and economic make-up of our future cities.
Author
Joshua Bolchover is an associate professor at the University of Hong Kong. His current research focuses on the complex urban-rural ecology of cities. He set up Rural Urban Framework with John Lin in 2005 with the remit to create a not-for-profit agency as a platform for design and research. Their projects have been internationally exhibited at the Venice Biennale 2020, 2018, 2016, the Design Museum London 2016, and the Chicago Biennale 2015. RUF’s work has been awarded the RIBA International Emerging Architect
Award 2016 for the Angdong Hospital, the Curry Stone Design Prize 2015, the Ralph Erskine Prize 2014, and has received third place commendations for the Architectural Review’s Healthcare and Schools Award. Joshua’s recent publications include Border Ecologies: Hong Kong’s Mainland Frontier (Birkhauser, 2017), Designing the Rural: A Global Countryside in Flux (Architectural Design, 2016), and Rural Urban Framework: Transforming the Chinese Countryside (Birkhauser, 2014).
Studio Hillier LLC is an interdisciplinary design firm in Princeton, NJ, co-founded in 2011 by partners Barbara A. Hillier, AIA, and J. Robert Hillier, LHD, FAIA, PP. Together for more than thirty years, they form the backbone of a vibrant, growing full-service architectural studio that has the depth of experience and design talent to take on a challenge of any scope.
They work collaboratively with experts in the region and elsewhere who bring excellence and robust knowledge of the latest building technologies including prefabrication and environmental systems and the preservation of historic structures. Their success is reflected in the number of repeat clients who recognize their rigorous standards of performance in meeting occupancy dates, managing the budget and delivering high-quality design and professional services. With over three hundred and fifty design awards, their reputation for excellence is evidence of their commitment to their clients, to place, to sustainability and to the built environment.
Hillier: Selected Works presents the design work of the husbandand-wife team of J. Robert and Barbara A. Hillier during the last 25 years coupled with a brief graphic retrospective of the Hillier practice of architecture over 57 years of operation. Despite taking unconventional paths to architecture, both Hilliers enjoyed exhilarating careers growing the firm to 500 people and executing nearly 4,000 projects in 27 U.S. States and 34 Foreign Countries. The quality of the firm’s work has been honored by over 350 design awards.
The selected projects in this monograph are driven by strictly disciplined programing and then conceived by bringing into balance all the forces at work on a project: culture, climate, site, economics, market, and even politics. The resultant architecture is distinctive of its time, its place, and its client, rather than of a particular language or style.
In 2008, Hillier Architecture, then one of the largest firms in the country, merged with a foreign firm to create the 3rd largest architectural firm worldwide. Studio Hillier, the firm’s current iteration, was formed in 2012. More recently, NJIT’s College of Architecture and Design was renamed the J. Robert and Barbara A. Hillier College of Architecture and Design, celebrating the Hilliers’ commitment to providing more equitable access to design education.
J. Robert Hillier (Bob) is one of the leading and most highly respected architects in the United States. He is perhaps best known for having built one of the largest and most successful architecture firms in the world. Mr. Hillier is distinguished for his design, for his business acumen and for his contributions to the field of architecture as a practitioner and educator. He is the recipient of an Honorary Doctorate of Humane Letters from New Jersey Institute of Technology and an Honorary MBA from Bryant University. Other honors include the Legacy Award from the Urban Land Institute, the AIA’s Michael Graves Lifetime Achievement Award and The President’s Medal from NJIT. He is also a Trustee Emeritus at McCarter Theater.
Barbara A. Hillier is an accomplished architect and designer and a Principal and co-founder of Studio Hillier. She is the recipient of many honors and awards, most recently for the Irving Convention Center at Las Colinas and for the BD Campus Center, which received the distinguished Chicago Athenaeum American Architecture Award. Her career in architecture was cultivated in the firm of Hillier Architecture, where she was both life partner and career partner with founder, J. Robert Hillier, LHD, FAIA. Ms. Hillier opened and led the firm’s Philadelphia office for eleven years which helped build the firm’s national reputation.
The scope of the book covers the period from 1946, when founder, Cy Lemmon, opened the first office in the garage of his Waikiki Home through present day operations housing a staff of over one hundred working in downtown Honolulu.
As one of the oldest and largest architectural firms in Hawai‘i, AHL has had the privilege to leave its stamp of fine design on Modern architecture in the islands. This book tells the story of the firm’s achievements of creating some of Hawai‘i’s most iconic structures over the last 75 years.
The output of the firm is extraordinary, ranging from numerous state and federal facilities, such as the Hawai‘i State Capitol building to the Prince Jonah Kūhiō Kalaniana‘ole Federal Building. The first highrises in Hawai‘i belong to AHL along with some of most high-profile residential (Moana Pacific), hospitality (Aulani, A Disney Resort & Spa), healthcare and education (John A. Burns School of Medicine), and commercial complexes (American Savings Bank and Pacific Guardian Center Towers), to numerous retail stores, schools and university buildings, churches, and extensive work with the military.
AHL’s projects extend beyond Hawai‘i and its neighbor islands throughout the Pacific in Guam, Philippines, Palau, American Samoa, and Asia. The scope of the book covers the period from 1946, when founder, Cy Lemmon, opened the first office in the garage of his Waikiki home through present day operations housing a staff of more than one hundred working in downtown Honolulu.
AHL’s projects extend beyond Hawaii and its neighbor islands, throughout the Pacific in Guam, the Philippines, Palau, American Samoa, and Asia.
The business of architecture—shaped by anti-trust legislation and pro-corporate governmental policies—has created an extractive, inequitable, and precarious environment for its practitioners. These pressures have led many small firms, which make up roughly three quarters of architecture offices in the United States, to adopt diverse, ad-hoc organizational and survival strategies. In their very precarity, these small firms offer fertile grounds to test more resilient structures. One such model, the worker cooperative, offers a critical mode of practice that is equitable, democratic, and addresses the systemic inequalities that plague the profession.
Practice Practice addresses the parallel trajectories of cooperatives in the United States and the professionalization of architecture. This contextual background highlights the coincident struggles of the labor movement and the emergence of the architectural corporation. Within this context, the cooperative model is presented as a challenge to the prevailing conditions of the profession. Logistical frameworks for creating an architectural cooperative— including diagrams, sample operating agreements, and bylaws— are offered for any firm looking to transition or incorporate anew. The book projects the social, economic, and aesthetic benefits of the architectural cooperative by taking stock of cooperatives in other industries. Finally, Practice Practice presents a vision for a cooperative network of small architecture firms as imagined in collaboration with the Architecture Lobby.
This book situates, celebrates, and envisions a future for small firms. Throughout the book, interviews, office visits, site visits, and field notes document encounters with over twenty such firms. These offices demonstrate the subversive agency harnessed by small firms. If the cooperative model were to infiltrate such sites, the nature of practice and industry would transform. Built work would reflect ever more diverse sensibilities, minority workers’ voices would be uplifted, and workers would earn equity through ownership. Architects would enter the solidarity economy, transforming their communities.
Ashton Hamm is a licensed architect and a worker-owner at uxo architects—an architectural cooperative located and founded in California in 2016. She is an activist and a member of the Architecture Lobby—an organization advocating for fair labor and wage practices within the profession. She received her B. Arch from Virginia Tech.
Architecture’s original project was the invention of interiority, an enclosed area delimited from its context and made available for a narrowly defined public, function, and meaning. This original project was expanded during the Enlightenment with the invention of type to establish architectural and social institutions for molding subjectivities. The quest for interiority has reached its completion with world capitalism and its associated complexes, the ultimate interior without any possible or imaginable outside. In response to this condition, this book proposes a collection of projects reinventing traditional building and landscape types as openings within the interiority of the current politico-economic global system. Typologies for Big Words presents new types of spaces as holes within society’s big words. Each project is an inseparable pairing of a design proposal and a theoretical essay, and it is named after a spatial type and a big word: Factory of Ecology, Infrastructure of Intimacy, Mausoleum of Humanity, Waiting Room of Democracy, Media Lab of Safety, Office of Diversity, and Museum of Capitalism.
Sergio Lopez-Pineiro is an interdisciplinary architect whose work explores voids as socio-spatial phenomena of freedom, diversity, and spontaneity. He is the director of the design studio Holes of Matter and a lecturer in landscape architecture at the Harvard Graduate School of Design. Lopez-Pineiro is the author of A Glossary of Urban Voids (Jovis, 2020).
This book celebrates over 20 years of Bonstra|Haresign Architects’ community-focused practice. It documents the growth and success attributable to the firm’s philosophy and methodological approach. Many beautiful images and descriptive text show that Bill’s and David’s design aspirations and cooperative work styles, shared by their talented, associate partners John Edwards and Jack Devilbiss and the studio teams, have produced not only awardwinning architecture, but also architecture benefitting each project’s surroundings.
Bonstra|Haresign Architects serves a variety of populations and communities: urban and suburban, commercial and residential, civic and cultural. Projects range from affordable and market-rate housing to historic restoration, renovation and adaptive reuse. Typologically diverse projects are the essence of Bonstra|Haresign Architects’ architectural work and community-building efforts. And desirable community enhancement resulting from their projects is visible in Washington, DC, urban neighborhoods as well as in eastern region.
Bonstra|Haresign Architects’ does not exist to implement the aesthetic tastes and wishes of a soloist “starchitect” or prima donna designer with a signature style, yet design artistry is an essential goal of the firm. This complements Bill’s and David’s fundamental commitment to create contextually modernist architecture as an agent of positive change beyond each project’s site boundaries.
Bonstra | Haresign Architects is guided by the belief that architecture transforms communities and inspires people. They are passionate about the power of architecture to uplift and revitalize the physical environment, along with the economic and social conditions of our world.
Brick has long been a trusted material, used worldwide by builders who appreciate its strength and versatility. It offers proven value to both traditional works and contemporary designs. The venerable material has even become a trendsetter; as the New York Times recently reported, “Bricks Return with Style in New High-End Buildings.” Following the popular first volume of Folio, Folio 2 features the most inspiring new brick buildings in North America and Australia. Here single-family homes, university buildings, cultural centers, showroom interiors, and more show the possibilities of brick. Each project uses material manufactured by Glen-Gery in a variety of shapes, colors, and textures, from conventional brick to glass brick to custom-designed brick for unique implementations. The buildings are thoroughly documented in photos and drawings, and with texts based on new interviews with their designers—a who’s who of both up-and-coming and established architecture firms.
Author Clare Jacobson is a San Francisco–based writer and editor on architecture and design. She is author of the books Folio and New Museums in China and co-author of Jigsaw City and Karlssonwilker Inc.’s Tell Me Why. Jacobson was a contributing editor to Architectural Record, and her articles have also appeared in Interior Design, Engineering News Record, Landscape Architecture, and other magazines.
What ideas are currently energizing your architectural work and explorations? Why did these ideas become impactful while others did not? What role did mentors and peers play in the development of these ideas? What were your breakthrough insights or aha moments? What is next for you, and for the discipline and discourse of architecture? For this book, Mark Foster Gage has selected eleven of the most noteworthy and fascinating conversations from his year-long project of documenting the ideas of the next generation of designers who are revolutionizing the nature of architectural practice and theory today. This remarkable collection of casual, informative, and personal interviews engages fifteen architects as they reveal what made them who they are, what propels their architectural work forward, and what they anticipate comes next.
A noted practitioner, tenured Yale professor, CNN design contributor, and respected insider of the international architectural scene, Mark Foster Gage has spent his professional life with many of the most important figures in architectural discourse and practice. With this book he focuses on an emerging generation of practitioners— approaching his subjects with a characteristic mix of insight, wit, and humor in a book that is consistently entertaining and informative as the architects open up in unexpected ways about their beliefs, work, lives, and thoughts about where architecture, and they, are headed next.
Mark Foster Gage is the principal of Mark Foster Gage Architects in New York City, a writer, design contributor to CNN, and a tenured associate professor at the Yale School of Architecture where he has taught related courses continuously since 2001, in addition to holding multiple administrative and service positions, notably as an Assistant Dean from 2009-2019.
Karel Klein, David Ruy, Mitch McEwen, Amina Blacksher, Ferda Kolatan, Tom Wiscombe, Ellie Abrons, Adam Fure, Michael Young, Jimenez Lai, Kristy Balliet, Elena Manferdini, Florencia Pita
non-profit has been engaged in urban and community projects of diverse scales and complexities commissioned by art, cultural, and academic institutions, as well as municipalities and government agencies in diverse countries, including the Netherlands, Italy, France, Germany, Venezuela, Ecuador, Canada, and the United States.
Lucia Babina is a cultural activist focused on research and reactivation of sustainable ways of cohabitation and coexistence. Her work aims to reflect on the current global unevenness and injustice through collective and artistic processes. She is the co-founder of Cohabitation Strategies and iStrike.
Emiliano Gandolfi is an urbanist and independent curator with a specific interest in communal agency and cultural strategies. He is co-founder of Cohabitation Strategies and Urban Front. Formerly, Gandolfi was the director of the Curry Stone Design Prize.
Cohabitation Strategies: Challenging Neoliberal Urbanization Between Crisis presents twelve years of urban theories, projects, and interventions developed by Cohabitation Strategies, a Rotterdamand New York City-based non-profit cooperative committed to radical socio-spatial research, design, and development.
Centering on the development of new action-research methodologies, neighborhood-based initiatives, and the facilitation of community-driven transformative interventions, the book offers critical insights and progressive visions on the dramatic impact that neoliberal spatial-restructuring had in communities of color and lowincome neighborhoods in the Netherlands, Italy, France, Canada, and the United States.
The book proposes new transdisciplinary methodologies, practices, tools, and strategies to challenge for-profit-driven urban development and the advancement of the right to the city.
Cohabitation Strategies (CohStra) is an international non-profit organization for socio-spatial research, design, and development which focuses on conditions of urban decline, inequality, and segregation within the contemporary city. CohStra brings transdiciplinary methodologies to acquire a comprehensive understanding of the agents affecting urban areas and provides cross-disciplinary working frameworks to communities to generate sustainable transformations. It seeks to amplify the interest of individuals and communities through neighborhood-based initiatives and local programs connecting citizens with public officials, government agencies, and public institutions. CohStra was founded in 2008 by Lucia Babina, Emiliano Gandolfi, Gabriela Rendón, and Miguel Robles-Durán in the City of Rotterdam. Since then, this
Gabriela Rendón is an urbanist committed to social and spatial justice. She is an assistant professor of urban planning and community development at Parsons School of Design, The New School, in New York City. Rendón is co-founder of Cohabitation Strategies and Urban Front.
Miguel Robles-Durán is a unitary urbanist focused on the design and analysis of complex urban systems, urban political-ecology and anti-capitalist strategy. He is an associate professor of urbanism at Parsons School of Design, The New School, in New York City. Robles-Durán is co-founder of Cohabitation Strategies and Urban Front.
David Harvey (foreword) is a distinguished professor of geography and anthropology at the Graduate Center of the City University of New York. His work in the fields of anthropology, geography, Marxists studies, political-economy, urban studies, and cultural studies have made him one of the most influential thinkers alive. He is co-founder of Urban Front.
Jeanne van Heeswijk (epilogue) is Dutch visual artist and curator who facilitates the creation of dynamic and diversified public spaces in order to “radicalize the local.” Her work focuses on social practice art and the relationship between space, geography, and urban renewal. She is co-founder of Urban Front.
Ruedi Baur (book designer) is graphic designer who looks at the relationships between architecture, urbanism, and political territory. He is professor of design at the École des Arts Décoratifs in Paris and the University of Strasbourg. He is co-founder of Institute of Research in Design Civic City, 10-Milliards-Humains and Urban Front.
$45.00
9.4” x 11.8” Portrait • 300pp • Hardbound • 978-1-954081-74-1
World Rights: Available Publication Date: Fall 2023
Cognitive sciences that aim at establishing scientific and explicit interpretations can diversify approaches to exploring users’ feelings and experiences of a specific environment. For example, people’s emotions and feelings change with their environment, closely related to people’s sensory processes and brain wiring, personal experiences, and visiting purposes, etc., can be understood as a prompt intuitive response. Environmental information and responses are processed very fast to support quick decision making in relation to people’s survival and benefits. Environmental Psychology explains the environmental types people prefer and why certain environments make people feel, for example, anxious or excited. Understanding people’s emotional responses to the environment facilitates, or “nudges” (a term usually used in the inter-discipline of Psychology and Behavioral Economics), users to act or make choices as desired. Moreover, research on attention in cognitive sciences can also inform designers: by controlling the spatial elements and intangible elements (such as light and sound) to minimize environmental disturbance or noise, users’ attention can be directed to specific elements, element combinations or series. During this process, users’ specific emotional memories or symbolic implications are activated, which augments desired feelings and experiences.
This issue explores the mechanism of how landscape design affects users’ feelings, experiences, and behaviors, as well as usability, by introducing theories, knowledge, and research methods and findings in Cognitive sciences, psychology, neurobiology, and computer science, so as to support landscape architects’ decision making.
Author
Kongjian Yu has a Doctorate in design from the Graduate School of Design, Harvard University, he is an Honorary Foreign Fellow of the American Academy of Arts and Sciences and professor at the College of Architecture and Landscape, Peking University.
Joan Iverson Nassauer is a professor at the School for Environment and Sustainability, University of Michigan.
Carlo Ratti is the director of the Senseable City Lab and a professor of the practice for the Department of Urban Studies + Planning, Massachusetts Institute of Technology.
Zheng Chen is an associate professor for the Department of Landscape Studies at the College of Architecture and Urban Planning, Tongji University.
Tsuyoshi Honjo is a professor for the Department of Environmental Science and Landscape Architecture at the Graduate School of Horticulture, Chiba University.
Yiyong Chen is an associate professor of urban planning and associate chair of landscape architecture at the School of Architecture and Urban Planning, Shenzhen University.
Chongxian Chen is an associate professor and PhD supervisor at the College of Forestry and Landscape Architecture at South China Agricultural University.
Albert Zhengneng Chen is a senior landscape designer of Stoss Landscape Urbanism.
Xiaoqing Qin is a project manager at PLAT Studio and a guest lecturer at the Sam Fox School of Design and Visual Arts, Washington University in St. Louis.
$40.00
11” x 11.5” Portrait • 152pp • Softbound • 978-1-957183-08-4
World Rights: Available Publication Date: Spring 2023
Title: LA Frontiers 052
Size: 11.5” x 11” Portrait Pages: 138pp Binding: Softbound Publication Date: Spring 2022 ISBN: 978-1-954081-99-4 Price: $40.00
World Rights: Available
Title: LA Frontiers 051
Size: 11.5” x 11” Portrait Pages: 146pp Binding: Softbound Publication Date: Spring 2022 ISBN: 978-1-954081-85-7 Price: $40.00
World Rights: Available
Title: LA Frontiers 050
Size: 11.5” x 11” Portrait Pages: 144pp Binding: Softbound Publication Date: Spring 2022 ISBN: 978-1-954081-68-0 Price: $40.00
World Rights: Available
Title: LA Frontiers 049
Size: 11” x 11.5” Portrait Pages: 164pp
Binding: Softbound Publication Date: Spring 2022 ISBN: 978-1-954081-54-3 Price: $40.00
World Rights: Available
The book provides an opportunity to survey the emerging field of Architecture and Artificial Intelligence, and to reflect on the implications of a world increasingly entangled in questions of the agency, culture and ethics of AI. The main goal of Neural Architecture is to understand how to interrogate artificial intelligence—a technological tool—in the field of architectural design, traditionally a practice that combines humanities and visual arts. Matias del Campo, the author of Neural Architecture is currently exploring specific applications of artificial intelligence in contemporary architecture, focusing on their relationship to material and symbolic culture. AI has experienced an explosive growth in recent years in a range of fields including architecture but its implications for the humanistic values that distinguish architecture from technology have yet to be measured.
This book explores the interdisciplinary project that brings the long tradition of humanistic inquiry in architecture together with cuttingedge research in artificial intelligence.
Matias del Campo is a registered architect, designer and educator. Founded together with Sandra Manninger in Vienna 2003, SPAN is a globally acting practice best known for their application of contemporary technologies in architectural production. Their awardwinning architectural designs are informed by advanced geometry, computational methodologies, and philosophical inquiry.
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