Tartuffe - 1978

<!&tterbetn .,, ~ollege mueatre p resents

by MOLi ERE

(John Wood•, !translation)

APRIL 5-6-7-8, 1978 Di rector - DONALD L. PAI SLEY De•igner - DAVID J . WE LLER Technical Director - D. SCOTT DILLON Costume Design - DAVID C. ROB INSON Lighting Design - ROBERT Y. CRAIN Producer - CHARLES W. DODRILL Design-Technical Supervisor - FRED J. THAYER

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PRODUCER'S CORNER The first Otterbein College Theatre Student Scene Design Competition was announced in November for the 1978 production of TARTUFFE. Competition rules requested "perspective color renderings of the setting . • . Production style should be within the general theotri co l or stylized framework of the period . . . may include proscenium or forestoge concepts." Ten student designs were submitted and these ore on display in the lobby. Fi rst place ($175) was awarded to David Weller, second place to Kent Blocher ($75) and art major Doug Kingsbury won third place ($50). The Theatre faculty plans on annual scene design competition, o pion which reflects the growing number of theatre majors os well as gr"owing interest in design·technicol areas. Some recent student scene designers include: Robin Hood by Mory Jo Y eokel; Aladdin

by John Woodland; The Wizard of Oz and Blithe Spirit by Terry Espenchied; The Story Theatre of Hons Christion Anderson, A Streetcar Named Desire and several summer theatre productions

by D. Martyn Bookwolter.

Student costume designer David Robinson was selected to design TARTUFFE on the basis of post work with costumes (he also des; gned Hot L Baltimore lost year) and his continued development in costumes during his internship with the Children' s Theatre Company of Minne opolis lo st foll. Other recent student costume designers include Beth Kendig, John Woodland and Pamela Simmons. Students Scott Dillon and Robert Crain were selected as technical director and lighting designer to complete the all-student production team for this production.

It seems fitting that this focus on stu,d ent design and techn ical work should occur during the current College DECISION FOR THE ARTS compoign. Several projects ore included, but the pri ncipa l focus is on renovation and conversion of Alumn i Gymnasium into o Music and F ine Arts Building and the addition of o scene shop to Cowan Hall. Scenery is currently constructed and pointed in the woefully inad,equote scene shop located under the stage, or upon the stage. Either use makes it imposs ible to reheorSe in the building.

4

(Cont'd.

p.

5)

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A new scene shop wil l permit not only simultone-ous scheduling of foeilities, but wil l result in better scenery for productions while providing design-technical students the opportunity to learn the ir croft. Additionally, the current scene shop can be expanded into costume construe¡ t ion and dressing room space (curr~ntly classroom space is used}.

Our congrat ulations to the students for the outstl0nding qual ity of t heir work on Tartuffe.

C. W. D.

DIRECTOR'S CORNER Any director confronted with presenting Tartuffe must dea l with the question, how serious a ploy is Tartuffe' The script lends itself to equally plausible interpretations as o brood force and o dork and cynical satire, but within these extremes the director must find a point on the spectrum that is appropriate to the purpoSe of th,e ploy. Moliere in his prefa ce to Tartuffe accepts the purpose of comedy to be the chastisement of human weaknesses, and in the play he presents these weaknesses as a series of excesses ranging from excesses of pious devotion to excesses of fashion consciousness to e xcesses of romance. Reason and moderation are found i n the ploy but function more to provide a sense of proportion than to effectively correct the foibles. Reason glances off characters cloaked in blind stubborness; it is not o penetrating weapon . It is laughter that pierces the armor and jars the senses . It is laughter that shatters mistaken complacency. The jarring effect of laughter is not l imited to the characters within the ploy; it extends to the laughter of the audience os well. By laughing at whol we see on the stage we examine ourselves and chosti se oul' weaknesses. Laughter is a powerful fo rce, so I hove attempted to direct a brood laughing comedy, for it is laughter that allows comedy to oecompli sh its serious purpose.

Donald Paisley

John Evans

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. CAST Madame Pernelle ............................................................................................ ANNE KAN ENGEISER* Elmire ................................................................................................................ KAREN RADCLIFFE* Dorine .............................................................................................................................. AMY VANEK* Damis ............................................................................................................ DAVID BUTTERF IELD Mariano ..................................................................................................................... KELL y MAURER Cleonte .......................................................................................................................... JOHN EBNER* F lipote .......................................................................................................................... SUE CARTER Organ ........................................................................................................................ KENT BLOCHER** Volere .................................................... .................................................................. TOBY UCHTMAN Tartuffe .................................................................................................................... ROBERT KOKAI* Mr. Loyal .......................................................................................................................... AL JOHNSON* Officer of the Court .................................................................................................... DAVI D MARCIA

SYNOPSIS The scene is in Paris.

The play is in five a cts with one intermi ssion.

• Indicates membershi p in Cop ond Dagger Drama Club •• Ind icates membership in Theta Alpha Ph i No tional Theatre Honorary Use of cameras or tape recorde·rs is strictly prohibited.

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THEATRE STAFF Director of Theotre .................................................................................. DR . CHARLES W. DODRIL L Designer-Techni col Director ................................ ....................................... PRO F. FRED J. THAYER In stru ctor-Director ...................................................................................... PROF. DONALD PAISLEY Costumer-Director ...................................................................................................... PETIE DODRIL L Secretory .......................................... ........................................................ ....................... ANNE VOIGHT Choirmon, Deportment of Speech and Thea tre ............................................ DR. JAMES GRISSINGER Student Assi stants ............................. SCOT T DILLON, CH RI S MARKL EY, KAREN RADCLI FFE, STACY REISH, CA RLTON RITENOUR, DAVI D WELLER, MARY JO YEAKE L

ACKNOWLEDGEMENTS SUSANN E KANENGE ISER TREASURE TROVE ANTIQUES TINDER BOX DAVI D FRANKLIN LTD. COYLE MUSIC CENTER MRS. DALE WITT OHIO STATE UNIVERSITY THEATRE

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PRODUCTION CREWS Stage Manager: LISA DURHAM* Assi stant to the Director: KATHY KISER** Costumes: CHRIS MARKLEY*, Chm.; CATHERINE BELL, SCOTT CARROLL, JOHN CARY, ROBERT DUNCAN, MARCIA HAIN, CINDY KACZMAREK*, MARY ROSE MOLINARO, NANCY SLOAN, DAWN SOMERFIELD House Monager: CARL TON RITENOUR* Lighting: THEATRE 22 LIGHT ING CLASS Make-up : AL JOHNSON*, Chm .; STEVE ANDREWS., CATHER IN E BELL Props: DAVID WITT*, Chm ,; LINDA FINNELL, FONTAINE FOLLANSBEE, JEANINE HOWE, DAN POHL, ROBBIE RICE Publ icity: BOBB IE CUNNING**, DEEDEE WILBUR *, Co,chm .; WILLIAM CUNNING Scenery: SCOTT DILLON*, Chm.; THEATRE APPRECIATION CLASS, MELISSA CAREY*, ILE HAGGINS*, STACY REISH*, CINDY SKUNZA**, SHONDRA VANDIVER Sound: CINDI SKUNZA**, Chm.; JOY BUNDY* Tickets: STACY REISH*, Chm.; KENT BLOCHER**, MELISSA CAREY*, JOHN EBNER*, ILE HAGGINS*, CINDY PROCHASKA, AMY RUNSER*, LUCINDA SIGRIST**, MARY JO YEAKEL* Cover Design by: DAVID ROBINSON** Otterbein Col lege Theatre is affiliated with the Ohio Theatre Alliance and the American Theatre Association.

* Indicates membership in Cop and Dagger Drama Club

*' Indicates membership in Theta Alpha Phi, Notional Theatre Honorary "Serving Westerville Area Slrtce 1948"

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COMING EVENTS April 14 - MUSIC DEPARTMEN T: Orchestra Concert, 8: 15 p.m., Cowon Holl April 14-15 - OH IO THEATRE ALLIANCE CHILDREN'S THEATRE FESTIVAL Moy 17-18-19-20 - MUSIC, THEATRE and DANCE DEPAR TMENTS: APPLAUSE, 8: 15 p.m., Cowan Ho ll

-----------------MAILING LIST - If you would like to be on our moiling list and receive announcements of college cultural activitie$, please fil l out a cord ot the Box Office.

REFRESHMENTS - The refreshment stand is located in the north lobby for your convenience. We would appreciate your cooperation in not bringing cups into the auditorium . Thank you .

REST ROOMS & TELEPHON E - The restrooms ond telephone ore located off the moin corridor immediately beneath the lobby .

CIIRDUSBL INN .!;qQJ 5 ,,-,c1a1r Re.ad a! 1 /1 c:1ric Mor..,P R(,dG Coiurntiu~ Or r

Reservations

846-0300