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History Revisited Questlove’s debut documentary Summer of Soul features incredible performers from ‘Black Woodstock’ By Mark Fields
I
n the summer of 1969, tens of thousands were groovin’ on Max Yasgur’s upstate New York dairy farm to the songs of Janis Joplin, Grateful Dead, Creedence Clearwater Revival, and Jimi Hendrix at the Woodstock Music Festival. That festival, with its accompanying soundtrack album and award-winning documentary, has passed into the realm of legend. In fact, Rolling Stone named it as one of the 50 moments that changed rock history. That same summer, similar numbers of people gathered in another New York green space to enjoy some of the most familiar names in popular music, and that event, the Harlem Cultural Festival, is sadly unknown to the world. Despite featuring riveting performances by Stevie Wonder, Mahalia Jackson, B.B. King, The 5th Dimension, Gladys Knight and the Pips, Hugh Masekela, Ray Barretto, Mongo Santamaria, and Sly and the Family Stone (and many, many others), no distributor at the time was willing to assemble the hours of footage captured and release a film or TV special.
And so, these passionate, political performances have never been seen before and have, in fact, slipped out of the public’s consciousness…until now. Ahmir Khalib Thompson, aka Questlove, has made his directorial debut with a celebratory, tightlyconstructed, and deeply moving documentary film called Summer of Soul, or When The Revolution Could Not Be Televised. Just seeing these performances after all this time would have been enough to justify a film. But Questlove deftly combines the stirring concert footage with first-hand accounts from several festival attendees and performers as they watch themselves on film for the first time after more than 50 years and remember the musical and cultural significance of this moment in time. The director also incorporates video news clips and photos from the period that distills the historical context in which the festival was staged. As a result, Summer of Soul is not just an exceptional concert film but also a bracing assertion of inclusive history. ►
Pictured at top (l-r) during performances at the Harlem Cultural Festival: B.B. King, Abbey Lincoln, Sly Stone of Sly and the Family Stone.
Critic’s Note: Summer of Soul makes a nice pairing of New York-centric musical movies with Lin-Manuel Miranda’s In The Heights, also in release this summer. Miranda (who coincidentally appears in an interview in Summer of Soul) wrote this loving celebration of Latinx life in the New York neighborhood of Washington Heights before he broke out with Hamilton, but In The Heights has a similar worldly exuberance. The engaging cast, infectious music, and eye-popping choreography and direction make this movie a visual and auditory delight.
5
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JULY 2021
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