October 2018

Volume 2, Issue 11 October 2018

MATTHEW BUFFALO

TOM GOSS

AT ISLAND CITY STAGE

IN CONCERT SARAH SMITH LOUIE BOSSI

WORLD OF DANCE FINDING GRATITUDE

Florida's LGBTQ Lifestyle Magazine & Destination Guide

TABLE OF

CONTENTS Volume 2, Issue 11 | October 2018

Cover Story

Steven O. Evans, PhD

Publisher and Editor in Chief OutClique@gmail.com

Arthur Wood

MATTHEW BUFFALO AT ISLAND CITY STAGE Photo by Connor Wilkinson

28

Associate Editor

Sach AD Group

Director of Graphic Design

Cindy Curtis

Sales Manager

Connie Evans Chief Copyeditor

Tom Pence

28

69

Distribution Manager

Chris Brown

16 Spruce up your lawn 35 World of Dance 46 Jaya 54 Tom Goss in concert 69 Sarah Smith 72 Finding Gratitude 86 Phantom of the Opera 96 Louie Bossi 98 Aquaria 102 Bobby Jo Valentine

Director of Orlando Outreach

Connor Wilkinson Photography

National Advertising Rivendell Media

Contributing Writers

Tony Adams, Joey Amato, Chris Brown, Rod Davis, Mike Jeknavorian, Marty Kiar, Dr. Beau Nelson, Denny Patterson, Steve Pike, Patrick Rogers, Mikey Rox, Gregg Shapiro A publication of OutClique, LLC (954) 998-6429 www.OutClique.com OutClique@gmail.com Facebook.com/OutClique OutClique, LLC is not responsible for statements or opinions expressed in advertisements or articles.

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CHECK OUT THESE EVENTS!

WHERE TO BE AND WHAT TO DO IN LGBTQ SOUTH FLORIDA FORT LAUDERDALE FILM FESTIVAL Oct 01 - Nov 18 | Various Locations

ADAM DEVINE Oct 28 | Coral Springs Center for the Arts

FIRST FRIDAY PIANO BAR Oct 01 | Yello

BUYER AND CELLAR

WILTON MANORS BUSINESS ASSOCIATION

FIRST FRIDAY PIANO BAR Nov 02 | Yello

Oct 08 | Greater Fort Lauderdale LGBT Chamber of Commerce

TREASURES OF MEKONG, VIETNAM, & CAMBODIA

Oct 09 - Oct 21 | Source Events PHANTOM OF THE OPERA Oct 10-Oct 21 | Broward Center for the Performing Arts

Nov 01 - Dec 02 | Island City Stage

GET OUT AND VOTE! Nov 06 MYSTERIES OF MANCHU PICCHU Nov 08 - Nov 15 | Source Events

DIRTY ROTTEN SCOUNDRELS Oct 12 - Nov 04 | Stage Door Theater

HEDWIG AND THE ANGRY INCH

NAKED MAGICIANS

TOM GOSS BY OUTCLIQUE MAGAZINE

Nov 08-Nov 25 | Broward Center for the Performing Arts

Oct 12 | Coral Springs Center for the Arts

Nov 10 | Sunshine Cathedral

OUTSHINE FILM FESTIVAL Oct 18 - Oct 21 | Various Locations

SUNSHINE CATHEDRAL GALA Nov 11 | Sunshine Cathedral

FREAKY FRIDAY

ANGELS AND DEMONS Nov 11 | Pride Wind Ensemble

Oct 18-Nov 01 | Broward Center for the Performing Arts

Oct 19 | Coral Springs Center for the Arts

SARAH SMITH IN CONCERT Nov 25 | Ramada Oakland Park Inn

LEWIS BLACK

DAVE KOZ

Oct 21 | Coral Springs Center for the Arts

Nov 27 | Broward Center for the Performing Arts

THE MEDIUM BY OPERA FUSION Oct 26 | Sunshine Cathedral

THE WIZ

THE MEDIUM BY OPERA FUSION

KLASSIC COFFEE KLATCH All but 1st Saturday | Skolnick Community Center

WORLD OF DANCE

Oct 28 | Mary Immaculate Catholic Church West Palm Beach

Want to get listed? Contact us!

08 | OutClique.com

Dec 07 - Dec 31 | Stage Door Theater

OutClique@gmail.com | 954-998-6429

AN EXPRESSION OF FAITH

By Rev. Patrick Rogers, MDiv.

E

very year during the month of October, one of my favorite nights of the year happens. In Wilton Manors people sometime spend weeks and months in preparation for this very special night. The main street is blocked off and crowds begin gathering early that evening. It’s Halloween!

Some Christians consider this night a celebration of evil and the devil. There are some churches who use the Halloween theme to set up haunted houses decorated to look similar to their interpretation of hell. The purpose is to “scare” the hell out of people who attend and convince them that this is a glimpse of their future if they refuse to repent and take on the beliefs of that particular faith community. They have pastors and preachers available to evangelize and baptize. The participants are frightened into their faith beliefs.

10 | OutClique.com

However, other churches hold “Trunk or Treat” events where children and families are invited to participate, except some only allow the children to dress like “Bible Characters.”

Ironically, a little child dressed up as a rainbow unicorn would be turned away from the event whereas a small child lying in a basket who escaped being murdered by being abandoned as it floats among the reeds down the river would be welcomed. An alternative is having your child dressed as Daniel who was thrown in to a lion’s den. I believe Jesus would choose the rainbow unicorn.

The reason I love Halloween is because it is one day out of 365 days a year when negative judgment of others is severely diminished.

The judgment which happens on Halloween is more concerned with your ability to put a great Halloween costume together!

Halloween is one day a year where the more

different you look from others is celebrated.

Freedom of expression is rewarded with prizes! Other days, freedom of expression, discrimination, and judgment results in people being beaten and murdered.

The night when Mary was about to deliver the baby and Joseph pulled over to seek a room at the inn, what really happened? Was the inn full and there was no room, or did the innkeeper discriminate against them because of what they were wearing and how they were

dressed? If the parents to be were dressed differently or were of a different religion or culture, would the innkeeper have found them a room?

I don’t care how Halloween got started. I care about what it has become. It is one day a year when I can express myself and celebrate who God created me to be! Why can’t every day be like Halloween, a season where we celebrate one another and even receive prizes when we are good at being different!

Rev. Patrick Rogers, MDiv. – Community Activist and Senior Pastor at United Church of Christ Fort Lauderdale

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So I moved to Florida (like many of you) and had to create a landscape in my backyard that would not say to all of my visitors, “this guy is not from Florida.”

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needed help. So, where to begin? Lawn and plant care generally fall into three categories: landscaping, lawn maintenance and sprinkler systems. Before selecting a company, evaluate your needs and know which services require a license. Some companies specialize in one area, while others offer a variety of services.

LANDSCAPING Landscaping companies design landscapes for designated areas, select the appropriate plants, and provide and install the plants.

Landscape architects, who deal with land conservation and proper water use, must obtain state licenses in order to do business in Florida.

LAWN MAINTENANCE Services generally include mowing, edging, weeding of flower beds, treating for insect 16 | OutClique.com

disease, weed control, trimming of shrubs, irrigation systems checks, and fertilizing. For basic maintenance and lawn care, a license is not needed.

SPRINKLER SYSTEMS Services provided by sprinkler system companies include design, installation, and general maintenance and repair.

Florida requires an irrigation license for businesses to install, repair and maintain lawn sprinkler systems.

I needed it all, so the first place I looked for ideas was in my neighborhood. There was a lawn I drove by every day with the design style that appealed to me. It was time to meet my neighbor. I knocked on my neighbor’s door and after convincing him that I was not selling anything, he welcomed me in and shared the name of his landscaper. Next, I checked the

reputation of the landscaper by visiting bbb. org/en/us/local-bbb/bbb-serving-southeastflorida-and-the-caribbean and Google to obtain feedback from other people in our community.

Next, I put together a budget for the landscape design, installation and the sprinkler installation. In addition to my neighbor’s landscaper, I wanted to get at least one other option so I could compare proposals and pricing. I found a couple of other landscaping businesses at BBB.org and looked at photographs of their work and found another company with the experience, licensing and the design style that fit with my design style.

Fortunately, both companies agreed to come to my house, walk through the goals and ideas I had for the project. If you have a company that seeks to provide a quote without seeing your lawn, it might be a red flag to move on.

While my two businesses did not require a deposit, some businesses will charge you to discuss specific landscaping ideas to protect themselves against clients who want to get their ideas and implement them on their own.

If you contract with a business charging a deposit, they may credit you back for the design fee.

I tried to develop a clear scope of work before meeting with the two businesses. I included the areas of the yard to be re-sodded, the locations and areas to be planted, as much detail as I could gather about the sprinkler and, as I gained more insight from business number 1, I kept notes so that my second business would be providing a proposal to provide similar services. When getting bids, I didn’t want to compare apples with oranges.

I also asked each business to bring examples of their work and the plants they would recommend so I could share my preferences based on their recommendations. I also confirmed the license and insurance for each business. After seeing the two proposals, and considering the pricing options, one

presentation delivered a plan matching the vision I had for the project.

Next we began to work on our agreement.

Make sure the contract contains all topics discussed and promises made. Incorporate a final landscape design into the agreement so that it includes the plants, quantity, size and other features or materials to be used.

We also included the specific sprinkler system, a timetable for work to be initiated and concluded and a payment schedule that staggered payments to be made at various points in the project. Some services may offer a guarantee of performance. My contractor agreed to replace any of the trees should they not survive for 2 years (with exceptions for natural disaster or due to lack of routine care).

Get copies of anything you sign and document the progress of the work and retain copies of all payments made.

I ended up very satisfied with the new landscape, and unfortunately, my contract landscaper did not provide lawn maintenance. (enter my sigh here). So I went through a similar screening process to find my lawn service provider and requested quotes from three quality providers (based on ratings and reviews). Again, to finalize the selection, I asked for a proposal from each business and developed a set of questions so that I would get proposals based on the same type work expectations: Do you bill by the mow or by the month?

What happens if it rains the day someone is supposed to come mow your lawn? Does mowing include edging and removal of grass/ debris from walks and driveway? Cutting back shrubs? Pruning trees? Mulching? Re-planting as needed? Disposal of yard waste/debris?

Each home is different and your list might be slightly modified to meet the services you need and any areas most important to you.

Use these tips to find the right business for your needs.

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NEW HORIZONS FOR LATINOS SALUD

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An open house on August 16th welcomed local gay Latinos, their peers, and the providers who complement the agency’s education, testing and linkage services.

Latinos Salud initially filled a service gap in Miami-Dade’s southwest region when it piloted a location in Kendall in 2016, but demand quickly outgrew the location.

The new space has colorful walls, large rooms, and photos of members participating

in cultural events and outreach. So come on over to Latinos Salud. Tour the building.

Make new friends. And meet partners who work with Latinos Salud to help stop the spread of HIV/STDs. You can help those who are living with HIV to enjoy a healthier life without stigma!

The center is open Monday - Friday from 11:00AM to 9:00PM, 2760 SW 97th Avenue, Suite 103, Miami, FL 33165.

Or call (786) 801-1803 for more information.

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BUYER & CELLAR’S

MATTHEW BUFFALO

By Denny Patterson

Photos By Connor Wilkinson (@HonnorConnor) 28 | OutClique.com

T

he hit Broadway play Buyer & Cellar comes to South Florida! An outrageous one-man comedy about the price of fame, the cost of things, and the oddest of jobs, Buyer & Cellar will play at Island City Stage Nov. 1 – Dec. 2. Also making a South Florida debut is the show’s one and only actor, Matthew Buffalo. Matthew moved to Fort Lauderdale with his husband three years ago and is an acting professor at the New World School of Arts in Miami. As for his theatrical background, it varies. He has performed on the national tour of Fosse and Spirit of the Dance, held roles at the Utah Shakespearean Festival, and danced with the New York Baroque Dance Company. Some of his favorite and most memorable roles include Smudge in Forever Plaid, Max in Lend Me a Tenor, and the Cat in the Hat in Seussical. I had the pleasure of chatting more with Matthew about his upcoming performance at Island City Stage.

For those who are not familiar with the show, why don’t you start off by telling me a little bit more about Buyer & Cellar. What is the show about?

Buyer & Cellar is a one-man comedy that tells the story of Alex More, a struggling actor who takes a job working in the street-inspired basement mall of icon, Barbra Streisand. One day, Streisand herself comes down to peruse the shelves and an unlikely and hilarious friendship begins.

Oh wow, I did not know this was a one-man show.

Yes. Alex is the main role, but since this is a one-man show, I take on six different characters.

This is your first Island City Production, correct?

Yes, this is my first production at Island City Stage, and to do a one-man show as my inaugural production with them is a special treat!

OutClique.com | 29

What made you audition for Buyer & Cellar?

Buyer & Cellar is an incredibly well written play, and I always thought it would be a good show for me. I jumped when the opportunity presented itself to me.

How are you mentally preparing yourself for this role?

Rehearse, rehearse, rehearse. If I am well prepared for any show I do, it alleviates most of my mental stress.

What can audiences expect?

Audiences can expect a unique view into Barbra Streisand’s home and the world she has created within it. Oh, and hopefully laugh at the ridiculousness of the lives of the characters portrayed.

What do you look for in a good audience?

Hmmm, that’s a good question. This show is special because the audience is a character in the show as well. The show centers around Alex telling his story directly to the audience. I mean, I’m not looking for the audience to talk back to me, but their energy feeds into the flow of this show for sure.

Would you say this is the most challenging role you have ever played?

Most challenging role by far! This is my first time tackling a one-man show, playing this many different characters at the same time.

This takes talking to myself to a whole new level!

Do you think the OG Barbra Streisand will come and see the show?

She didn't come see it on Broadway, so I doubt she'll make it down to Fort Lauderdale!

Where did your passion for theater come from?

I have no idea. I did not come from a theatrical family. I grew up in rural Arkansas with not much theater around me. However, I started singing and acting around the house as far 30 | OutClique.com

back as I can remember. My mother was a huge supporter of me and my interests. She took me to see the touring companies that came through Little Rock and Memphis. It was our special time together. I just always knew that the work and joy I saw on stage was something I had to do for the rest of my life.

Throughout this entire experience, what has been the number one lesson you have learned thus far?

We are capable of so much more than we sometimes allow ourselves to be.

What do you hope to take away from this experience?

I am excited to share this story with the audience night after night. If they walk away entertained or moved in some way, then I have done my job.

Who are some of your theatrical idols?

Oh my! Bob Fosse and Gwen Verdon, Chita Rivera, Andy Blankenbuehler, Brian Bedford – I could go on and on.

Why do you think theatre and the arts are so important?

Theatre is a place where you can escape from everyday life. It’s a place where the audience can experience other’s joys and heartaches and gain a better understanding of their own in the process. Theatre holds a mirror up to society and can incite change. To me, theatre is life.

What are some upcoming projects we should be on the lookout for? What’s the next big thing for Matthew Buffalo?

I am directing the mainstage musical, In the Heights, at NWSA in December, and directing the New Playwrights Festival, one-act plays written, acted, and designed by NWSA students, there in the spring. So, everyone come visit me in Miami!

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WORLD OF DANCE TOUR

ANDREW ALLAN

By Denny Patterson

N

BC’s summer smash hit series World of Dance is currently on tour, and it will be making a stop at the Coral Springs Center for the Arts on Friday, October 19. This tour will feature the best dancers from across all genres incorporating both local and national talent. The excitement and creativity seen on television will be brought to life. Audiences are in for a spectacular evening. One of the groups that will be featured at Coral Springs is Embodiment. Founded and directed with all original choreography and concepts by Rudy Abreu, a backup dancer for Jennifer Lopez, Embodiment is made up of some of the best dancers Rudy has ever worked with it, including industry heavyweights and varied style experts. I had the pleasure of chatting with Andrew Allan, one of the group’s members, about the upcoming tour and his overall general love of dance. For more information and tickets, visit www.TheCenterCS.com.

Let me start off by asking, who is Andrew Allan? What’s he like?

Andrew Allan is just a boy from Thousand Oaks, California who really likes to dance. I think it’s as simple as that. He’s a dreamer, has a big heart, and is a vegetarian. Loves the ocean and spending time with the people around him. He’s got a pet fish named Sunday. He likes to stay on his own path, while always helping others when he can. Just your average guy, lucky to be living what feels like an extraordinary life pursuing a professional dance career. He’s got so many ambitions, so many goals, and an excitement for life that really keeps him going.

He is always reminding himself that he is living the dream.

Fabulous! So, where did your passion for dancing come from?

My passion for dance grew and evolved out of almost nowhere. I didn’t take my first dance

class until I was 14 or 15, and to be honest, I only did because I didn’t want to take P.E. in high school. At Thousand Oaks High School, they have an incredible extensive dance program with dance classes and a competitive dance team that you could participate in for physical education credits. I thought to myself, I really don’t want to take P.E., so I joined dance. Little did I know it would become my career. It started as just a hobby for school credits, but by my junior year, it was my life.

Post graduating, it became my career. Shout out to Jaleen Murphy, Dana Fukagawa, and Jordan Jones for igniting my love for dance and pointing me in the right direction.

When did you join Embodiment and how did you become a part of the group?

I joined Embodiment as the company was preparing for World of Dance. I knew Rudy Abreu, the founder of the company, through OutClique.com | 35

the ins and outs of the dance industry, but had never gotten the privilege of working with him. I got called in to stand in for another member during the rehearsal process, and then I consistently would be at rehearsals almost like a swing situation. From then on, I slowly started getting more involved with the company, began performing with them, and it all eventually led to my becoming an official member of the company.

Take me to the moment Embodiment appeared on World of Dance and performed in front of the judges for the first time. What were you all feeling?

The great thing about Embodiment is in its name. We are a collective of some of the most talented male dancers in not just L.A., but from all over the country. Some even internationally.

We all come from different backgrounds, contributing our own styles and voices under the direction of the incomparable Rudy Abreu.

With that being said, a couple of us, myself included, couldn’t participate in the show because of other commitments, conflicts,

36 | OutClique.com

etc., but the great thing about it is that no matter what, we are all brothers and a family.

A company. No matter which performance or opportunity we are able to be apart of, we are Embodiment.

What can audiences expect from the World of Dance tour?

I think audiences can expect a live show just as exciting as they saw it on TV, if not more exciting. It’s a combination of favorite moments from the show, and even some new pieces and surprises! And this time, they get to be a part of it and see it in person. Live dance and performance is so much different than just television, so I think the audience is really going to experience World of Dance on a whole other level. The audience will get to experience what we do and World of Dance with us.

What would you say has been the most rewarding part about being with Embodiment?

I think the most rewarding part of being with Embodiment is that we work hard, but still have so much fun. We’ve put in a lot of hours, a

lot of sweat, but when I look back at it, we’ve also had a great time. With spending so much time together, we’ve become a family, and I am so grateful to have gained so many brothers throughout the process. They have taught me so much along the way. We all share the same passion for dance, so getting to share the stage with such talented fellow male dancers who also happen to be friends, you can’t get a combination much better than that. It’s just a great time.

What are some of the challenges of being a professional dancer?

I think the biggest challenge of being a professional dancer is that you are on the clock 24/7, and your life has to become dance, which is also one of the greatest rewards as well.

You have to really love what you do and keep pushing yourself forward and remind yourself of your dreams because it will take its toll on you physically, mentally, and emotionally. It’s not like a 9-5 job where you can just leave your work behind you when you leave. It is your life and because the dance industry is so fast paced, you don’t want to fall behind.

Sometimes I like to think I am in a relationship with dance. With all great relationships, there are some hardships, but at the end of the day, my love for this art form and career keeps growing and growing.

What is your ultimate goal with dancing?

My ultimate goal with dance is to just keep dancing. It sounds very cliché and simple, but I hope dance remains in my life forever. It was my first and strongest love, and even though sometimes it’s hard, it is my life, and it has brought so many great people and experiences into my life. I can only hope that it continues forever. Also, if we’re being more specific, I would love to travel all over the world internationally with dance too! As long as I’m dancing, I am happy!

How can people keep in touch with you and follow your dancing adventures?

People can keep up with me on Instagram: @andrew_allan and they can also keep up with the company @EmbodimentTheCollective and our director and founder @RudyAbreu.

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BLACK AND WHITE IN COLOR

AN INTERVIEW WITH MAPPLETHORPE DIRECTOR ONDI TIMONER

By Gregg Shapiro

I

n a year when documentaries such as Won’t You Be My Neighbor?, RBG, McQueen, and Whitney are all the rage, it’s refreshing to see a biopic such as Ondi Timoner’s Mapplethorpe (Interloper). British actor Matt Smith, so well-loved for his portrayal of Dr. Who in the series of the same name, fully embodies and embraces the role of the late photographer Robert Mapplethorpe. Timoner’s film follows Mapplethorpe after he drops out of Pratt Institute and embarks on his creative life in Manhattan where he meets and begins relationships with Patti Smith (Marianne Rendón) and Sam Wagstaff (John Benjamin Hickey), and ultimately leaves an indelible mark on the art world. I spoke with Timoner about Mapplethorpe in September 2018.

Gregg Shapiro: I’d like to begin by congratulating you on Mapplethorpe receiving the Audience Award for Narrative Film at The All Genders, Lifestyles, and Identities Film Festival (aGLIFF) in Sept. 2018. What does such an honor mean to you?

Ondi Timoner: We also won the Audience Award at QFilms (LGBTQ Film Festival) in Long Beach this past weekend. Also, the Audience Award at Sidewalk Film Festival (in Birmingham, AL) two weeks ago, and that was for the whole film festival, not just the LGBTQ portion. We won the second place Audience Award at TriBeCa when we premiered. We have four Audience Awards now. Audiences seem to be responding to the film, which is quite heartening. I also won Best Director at Long Beach.

GS OT

It must be very gratifying.

We worked really hard on it. I wrote and developed it over 12 years. We had to shoot it in 19 11-hour days. It’s quite an ambitious project. To go 12 years and then

40 | OutClique.com

have 19 days to render three decades on Super 16 and Super 8 film, and cover 135 locations in 55 scenes. I’m grateful to the whole crew, especially (cinematographer) Nancy Schreiber, my DP, and (production designer) Jonah Markowitz, and of course (actors) Matt Smith (as Robert Mapplethorpe), Marianne Rendón, John Benjamin Hickey, McKinley Belcher, Carolyn McCormick (as Joan Mapplethorpe), and Mark Moses (as Harry). An incredible group of talented people came together behind this film, and that’s what it takes.

GS

Robert’s relationship with his younger photographer brother Edward may be a new subject to some viewers. Please say something about the importance of making that a prominent element of your film.

OT

Edward was just dying for his brother’s tutelage, mentorship, and love, which his brother very reluctantly provided for him, but never really let on that he needed him as much as he did. He (Robert) became dependent on Edward.

When he becomes sick with AIDS and has

a death sentence, he’s just becoming really famous. He finally accomplished everything he dreamed of, which was, “If they love my work and they worship my work, then they’re going to love me.” That’s why it’s so important that the coming of age story with Patti (Smith) is in there. As he discovers art, he discovers his sexuality and that he couldn’t turn away from men. He was fascinated with what was then considered the underbelly, that which was deemed obscene at that time. He couldn’t turn away from it, and, in fact, he found it beautiful. He was determined that we should all find it beautiful. He was going to show it in its sculptural form, clean it up, put it in a studio, and make it (something like) Rodin and Michelangelo, so that we would all worship it. He finally accomplishes this, and you’re not famous unless you’re photographed by Robert Mapplethorpe, and then bam! Mid`80s, HIV positive, and guess who’s going to live on with the name Mapplethorpe? There’s another photographer, his brother. That scene (in the movie) of the joint show is true. He does ask him to change his name. In fact, he demands that he changes his name to Maxey (their mother’s maiden name). Imagine how painful (it would be) to be told that you have to change your name. The way Matt performs that scene, it’s chilling. Edward is important in that regard. Edward coming back and being with his brother at the Whitney Retrospective and being there for his brother’s death, even though he was made to change his name, I think is very important.

GS

We are coming up on the 30th anniversary of Robert’s passing. What do you think he would have thought about the movie?

OT

When I was writing the film, I actually felt Robert sitting next to me. One time, on set, I felt him, as well. I always felt his blessing about not turning it away. When I finished my director’s cut, it happened to be his birthday. It was also Sam Wagstaff’s birthday. I feel like that was a good sign.

It’s hard to conjecture. I’ve never made a film about someone who’s no longer here.

That’s why I wanted to make a scripted film.

I wanted to make a film that would bring him alive on screen. My documentaries tend to be very unfolding, suspense-driven stories that you can follow where the serendipity of life happens. I film things over time and take people on a journey. I wasn’t able to do that with Robert because I didn’t know him personally. But I really tapped into his life.

I wanted to make something for artists. I wanted to make something they could watch and be inspired to take on the impossible like he did. I see him as an impossible visionary and I wanted to honor that. In many ways, in the face of fear, he became fearless. I relate to him on that, and the isolation that one feels when they’re dedicated to their work and they have to work so hard to make something that people don’t yet understand. I tried to bring a lot of that to the screen. I think he would like it.

OutClique.com | 41

FLAVORS OF ASIA

ON DISPLAY AT JAYA AT THE SETAI MIAMI BEACH

By Steve Pike

Photo credit: The Setai Miami Beach

T

he Setai Miami Beach is one of the world’s great hotels, an 81-year-old, five-star architectural masterpiece that defines South Beach Florida’s Art Deco expression and movement. It’s only fitting, therefore, that the hotel be complemented by an equally celebrated restaurant. Welcome to Jaya at The Setai, a Pan-Asian restaurant that shows off dishes from Thailand, Vietnam, Korea, India, China, and Japan, each under the direction of Executive Chef Vijayudu Veena.

Veena, from Hyderabad, India, joined the hotel’s team in 2008 and quickly moved up the kitchen hierarchy. He was named executive chef this past November. Veena’s menus reflect his spicy and flavorful background by creating dishes inspired from his childhood and using his classically trained techniques to develop new flavors while maintaining culinary harmony. His combination of classic, rich Indian flavors along with ingredients from other regions of Asia, including China, Thailand, Indonesia, Japan and Malaysia, create dishes that make Jaya one of the Miami Beach “mustvisit’’ restaurants.

Jaya also serves breakfast (go with the Eggs 46 | OutClique.com

Benedict) and lunch menus, as well as an outstanding Sunday Jazz Brunch that features carving stations and limitless Louis Roederer Champagne and Bloody Mary's.

Let’s stay with the dinner menu. The Sashimi plate (salmon, hamachi, tuna, wasabi, ginger, and ponzu dressing) is a delicious work of art. The Hamachi plate (yuzu juice, avocado, hearts of palm, mango, red onions, and watermelon radishes) pays tribute to South Florida’s local farms. If you’re looking for a Dim Sum plate, try the Truffle Dumplings.

Among Jaya’s signature dishes is Peking Duck, a must-have entrée featuring roasted duck, scallions, steam pancakes, cucumbers, and bean sauce. The Lamb Shank, recently added to the dinner menu, features braised tomatoes, cumin, turmeric, cilantro, and basmati rice. It’s full of flavor and a great dish for sharing. “We want people to enjoy the food,’’ said Executive Sous Chef Ivan Monzon. “We want them to have fun and maybe share some dishes.’’

Then again, Jaya’s dishes are so good, you might not want to share.

WILTON MANORS BUSSINES ASSOCIATION

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吀 䤀䴀伀吀䠀夀 匀⸀ 䠀 䄀刀吀Ⰰ 䌀倀䄀 䴀 䄀一䄀䜀䤀一䜀 倀 䄀刀吀一䔀刀

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RACING LEGEND HURLEY HAYWOOD

COMES OUT PUBLICLY IN NEW FILM TO PREMIERE AT FORT LAUDERDALE INTERNATIONAL FILM FESTIVAL

I

n the world of 1970’s motor racing, Hurley Haywood was cool, calm, and collected. A five-time 24 Hours of Daytona winner, threetime Le Mans winner and Trans-Am champion, Haywood was a Hollywood archetype; a strikingly handsome man brought up by an affluent Midwestern family. Yet, Haywood was often overshadowed by racing partner and volatile mentor, Peter Gregg, the Batman to his Robin, whose abrupt death in 1980 shook motorsports to its core.

Despite constant public appearances with women, some that included Penthouse models, Haywood remained elusive about his personal life, until February of 2018 when he came out publicly in his autobiography, Hurley: From the Beginning! Now, the Fort Lauderdale International Film Festival will showcase the new documentary film Hurley, where Haywood speaks for the first time about being gay in the 1970's macho world of motor sports and sets the record straight about his relationship with co-driver Peter Gregg. The catalyst was his conversation with a young man which ultimately saved the boy’s life.

about the new questions and anxieties created by the legalization of same sex marriage.

With deft use of archival footage and exclusive interviews featuring actor and fellow racer, Patrick Dempsey (Grey’s Anatomy and Bridget Jones’s Baby), the film Hurley provides a greater insight into Haywood’s tightrope walk between career and sexuality, while posing the question, “Will motorsports ever be ready for openly LGBTQ racers?”

Hurley receives its East Coast Premiere during the 33rd Annual Fort Lauderdale International Film Festival (FLiFF), November 2 – 18, 2018.

Hurley is written and directed by Derek Dodge, a former CNN producer and Travel Channel video journalist, whose recent credits include: That's Not Us, a Netflix exclusive that explores long-term relationships both gay and straight, and The Ring Thing, released in early 2018,

Other films of LGBTQ interest include the U.S. premieres of comedies, Diane is the Right Shape (Diane les Epaules) about a woman whose closest friends, Thomas and Jacques, ask her to be a surrogate mother for their baby, and Les Ex (The Exes) about five very different couples that cross paths while dealing with break-ups, exes and new love interests. In a more serious vein is the Southeast Premiere of the documentary The Most Dangerous Year, about the battle for transgender rights.

FLiFF presents over 200 films with red carpet premieres, special guests, and over-the-top parties including a Dive-in Movie and pool deck party equipped with a floating screen and mermaids, Shorts at Sea aboard a yacht, Caddy Shack on the fairway in golf carts, as well as other opportunities to hob-nob with film talent and movie buffs. FLiFF kicks-off the 17-day event with the Opening Night Film and Party at Hard Rock Event Center at the Seminole Hard Rock Hotel and Casino.

For details and to purchase advance tickets, visit www.FLiFF.com or call (954) 525-3456.

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TOM GOSS RETURNS TO FORT LAUDERDALE SATURDAY, NOVEMBER 10, 2018

By Steven O. Evans, PhD

OutClique magazine is excited to bring singer and performer, Tom Goss, to SunShine Cathedral on Saturday, November 10, 2018.

To see more of Tom visit www.TomGossMusic.com.

For tickets, go to www.OutClique.com

W

e are excited to have you back in Fort Lauderdale for your show. What can the audience expect?

The audience can expect ‘the feels.’ I pride myself on my vulnerability and authenticity as a performer. That openness helps take the listener on an emotional journey. I am an avid storyteller, setting the mood for songs that range from joyous and uplifting, to troubled and conflicted. Approaching songs in this way helps connect the listener to the music in a deeper and more real way.

As a gay man, the journey to self-actualization is often a little more complicated. The songs and stories behind the songs capture a wide range of human experience. They explore my teenage angst about my parents’ crumbling relationship, familial rejection as a result of coming out, falling in love while training to become a Catholic Priest, and marital infidelity.

In the end you’ll hear a recommitment to love, relationship and trust in a more open and honest way. After all, these are the things that make this life worth living.

Tell us about your most recent album.

What Doesn’t Break is a testament to growing up. I don’t mean “growing up” in the sense of, from child to man, although it does touch on that. I mean “growing up” in the sense of working to fully integrate and actualize as a person.

What is your favorite song to perform?

Oh man, I don’t know that I can answer that.

More than anything I enjoy performing songs that I can feel the audience connecting to in real time. That said, my favorites tend to be Breath and Sound, Wait, Bears, Lover, All My

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Life. These songs are all very different, but when I’m playing them I can literally feel the energy that I’m giving to the audience coming back to me in multitudes, it’s very energizing.

Do you write your own music or where do you find your songs?

Yup! I write my own songs. I have no idea where they come from or how they get out of me, but I’m very happy they do!

What’s it like to be an out and gay performer?

I strive for authenticity as an artist. That means that it is essential that I am honest to my sexuality and my love for my husband. I love that about my job. I am grateful to be in a position where I can celebrate my love and the uniqueness (and universality) of that love.

I couldn’t imagine it any other way.

Do you have any pre-show rituals?

Not really. I tend to be excited to perform, running around talking to everyone that’s arriving. I’m an extrovert, so when I see folks arriving it makes me very happy. I just want to give everyone hugs, get them a drink, sit them in a comfy chair, and make them lasagna.

Unfortunately the people arriving aren’t arriving

in my home, so I have to settle for hugs and a show.

What’s it’s like to be on tour and perform?

I so often feel like the luckiest man in the world. I have met so many wonderful people over the years. I have more friends, more laughter and more love (and more delicious regional cuisine) than I could possibly ever asked for. Far more than young Tom would have ever believed he deserved. There are times when the constant movement is exhausting, but it’s all worth it. Every second!

What things do you like to do while you are in Fort Lauderdale?

I love Fort Lauderdale! I love the energy. I love the people. I love the sunshine. I am always so proud of my tribe when I’m in Fort Lauderdale.

There are a few places in this world that we, as gay men and women, have claimed sternly and whole heartedly. Fort Lauderdale is one of those places, and it shows. My favorite thing is to soak in that energy. Meet old friends and new friends. That can be at a restaurant, bar, the beach or a pool party. I guess to simplify, I like making friends when in Fort Lauderdale, and you all make it so easy. Thank you.

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BODYTEK FITNESS POMPANO BEACH

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CHRIS CAPUTO SMARTRIDE FUNDRAISER

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POVERELLO

BOWLING TO FIGHT HUNGER

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MINIMIZE RISK TO MAXIMIZE BUSINESS POTENTIAL

By Linda Buccilli, Northwestern Mutual “Risky Business” takes on a new meaning to the entrepreneur who excitedly opens the doors, real or virtual, for business on that first day and awaits customers. As any entrepreneur knows, one can work hard, create a good product and maintain good business relationships -- do everything right -- and still some future events are beyond one’s control.

A whole host of unforeseen possibilities can dash the dream, including the impact of a disability suffered by you or an employee.

PROTECTING YOUR EMPLOYEES As your company grows and you add employees, it becomes increasingly important to protect your human capital. Quality employees are vital to the success of your business. Offering disability income insurance to protect your employees can also help you to create a competitive benefits package, which can enhance your recruiting and retention of employees.

While most states require companies to carry workers’ compensation to cover the cost of work-related injuries, it’s important to keep in mind that less than 5% of long term disabilities are work related. The other 95% are not, meaning Workmen’s Compensation doesn’t cover them. In fact, the major causes of disability are diseases, such as cancer, heart disease and diabetes.

Valuable disability income protection can be provided for employees through group disability income insurance, individual disability income

insurance, or a combination of the two.

PROTECTION THAT GROWS ALONG WITH YOUR COMPANY With a lot of hard work and a little luck, small businesses do prosper and grow. The right risk management plan must also evolve to protect your business through all its phases of growth.

Keep in mind that there are as many additional types of insurance coverage as there are unique business needs. That’s where an experienced financial professional can help you focus on your current and future business risks to select the right types and amounts of coverage to meet your ongoing needs.

Partnering with a financial professional gives you the benefit of another expert keeping a watchful eye on the growth of your business.

By lessening the effect of serious potential business problems with a sound risk management plan, you protect and enhance your potential for business success.

Linda Buccilli is a Financial Representative with Northwestern Mutual (561) 445-2645 | Linda.Buccilli@nm.com www.LindaBuccilli.NM.com 68 | OutClique.com

THE SONGS OF SARAH

AN INTERVIEW WITH SINGER/SONGWRITER SARAH SMITH

By Gregg Shapiro

C

Gregg Shapiro: Sarah, when did you first begin playing guitar?

Sarah Smith: I was 12 when I began obsessing over wanting a violin, and was constantly begging my parents to get me one for Christmas. Christmas came and went and no violin appeared under the tree, but I did discover an old guitar in my Nana’s attic that had two working strings on it, and my parents immediately noticed my attraction to it. The first few songs I wrote were with a twostring guitar. Even though I kept insisting I wanted a violin, the following Christmas a guitar showed up under the tree. There's a photo in my memory book of 13-year-old me sporting my new knitted slippers, my very cool Toronto Maple Leaf’s jersey and my black Epiphone acoustic. The grin on my face was priceless.

GS

How old were you when you wrote your first official song and was it written on guitar?

SS

I wrote a lot of my first songs on the piano, but my songs became more

Photo by Jorge Polio

anada has a long history of giving us, its neighbor to the south, some of the greatest singer/songwriters of the 20th and 21st centuries. Take your pick from Joni Mitchell, Leonard Cohen, Neil Young, Ron Sexsmith, k.d. lang, Feist, Sarah McLachlan and Alanis Morrisette, to name a few, and you can’t go wrong. Sarah Smith is another Canadian artist worthy of your attention.

With a handful of albums under her belt as a solo act, as well as a few with her previous band The Joys, Smith has a lot of material on which to draw when she performs at the Ramada Oakland Park Inn, 3001 North Federal Highway, Fort Lauderdale on Sunday, November 25, 2018. mature when I discovered the guitar. The first concert I gave was in the living room with both my parents sitting on the couch, not quite expecting that I had been honing my songwriting skills for the last year. I showed them a song called “You Came Back to Me," which was a plea to try to get back my boyfriend, who I had just dumped that day.

Well, the song didn’t work to get my boyfriend back but it certainly had my parents blubbering on the couch. As a young songwriter that was the positive reinforcement I needed.

GS SS

Do you play any other instruments?

I never did learn how to play the violin.

However, my mother did start me early in piano lessons and singing in church. In school, I was the band drummer. I have always had a soft spot for rocking a drum kit.

GS

You are a Canadian-based artist.

With so many extraordinary Canadian singer/songwriters and musical acts from which to choose, what can you tell me about your personal musical Influences?

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SS

I grew up on a farm listening to my father play country guitar. Classics by such artists as Johnny Cash, John Denver and The Animals. My mother was a church choir director and we had no other outside musical influences, such as a radio, in our home. The first time I heard Alanis Morrisette, my life was literally changed. I do have a strong appreciation for Canadian radio pop stars. They were mainly the artists I heard blaring through the speakers of my old beat-up Dodge that I bought when I was 16. My early Canadian influences were Bryan Adams, Shania Twain, Alanis Morrisette, Our Lady Peace, The Tea Party and Alannah Myles.

GS

As the former front-woman of the band, The Joys, when did you know it was the right time to become a solo artist?

SS

I still don’t know. I’m just walking through the doors that are opening right now. The Joys will always be in my heart and a huge part of my musical career. Even as a solo artist, I prefer having a band family around me.

GS SS

What can you tell me about your ink?

Each tattoo symbolizes a certain part of the journey I’ve been on so far. My first tattoo was the butterfly on my chest which I got when I left the military to pursue my music. Absolute freedom. The serenity scene on my right arm represents my sober journey.

Photo by Jorge Polio

GS SS

Have you ever written a song about any of your tattoos?

The theme of my album 11 is based around my relationship which is

represented by the sun (me) and the moon (my partner). I have a tattoo of our combined last names on my left arm with the sun over my last name and the moon over hers. And those tattoos are above our wedding date tattoo.

GS

According to your website, you have several concert dates in Germany and the Netherlands during the month of September. In what ways do your international fans differ from those in North America?

SS

In all my years of traveling, I have learned one important thing: we are all the same. Music is just a connector.

GS

You are going to be performing in South Florida in late November, which is probably a good time to get away from the falling temperatures in Canada. Are you more of an indoor or outdoor person during the winter months?

SS

I try to get outdoors as much as I possibly can. I enjoy working out, running and doing yoga in nature, weather permitting, no matter where I am in the world.

That being said, if it’s cold out, a walk around the block with my dogs is about as much as I get outside and the gym becomes my haven.

GS

What can folks in the Fort Lauderdale area expect from a Sarah Smith concert?

SS

You can expect a passionate, energetic, vulnerable, and honest performance by someone who has learned some lessons and has many more to learn along the way.

Sarah Smith Returns to the Ramada Oakland Park Inn (3001 N Federal Hwy, Fort Lauderdale, FL 33306) on Sunday, November 25, 2018). 7:30PM. $15 admission. Cash bar.

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GRATITUDE CAN MAKE A DIFFERENCE

By Dr. Beau A. Nelson, DBH, LCSW

M

any of us are looking for ways to make ourselves happier. We are looking for ways to make the most out of life.

We are looking for the quality in life and the ways we can maximize what we have. For many of us, we beat ourselves up daily about not being good enough, not being good looking like others, comparing ourselves to pop-stars and models and hating our bodies. It is a very slippery slope that leads down and down.

Most of us can recognize the negative effects of thinking this way. We know when we are obsessed with worries and problems we feel the anxiety and the fear that comes with that. We know that we are often demotivated when we only look at the problems in life and focus on the hurtful memories or words we have heard. In fact, it is not hard to see that we become quite unbearable when we are self-obsessed and negative in our world view. Studies have shown that people who are depressed generally report more “doom and gloom� thinking. One of the most successful psychological theories actually works to change thinking. By doing so, research has proven positive results on mood (called Cognitive-Behavioral Therapy).

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So, if we know that negative thoughts can make us feel more down or anxious, what would it feel like if we changed our thinking?

What would it mean to be grateful for what we have, the niceties that are done to us, the pluses in our lives as opposed to focusing on the negatives. What it would mean is that, as research shows, we feel different. Now, one moment of gratitude is not going to change you from a sad sack to the person loving life. You are going to have to try a little bit harder, you have to make it part of your life.

There really is something to positive thinking and studies show that gratitude, practiced regularly, can help some people to feel more hopeful, more connected, and more motivated for life.

I have always been a spiritual person, and I believe in something greater than myself.

However, there are times when this seems to be too far away to comfort me, and I get lost in the negative thoughts and the trials of life. When I was 17, my mother died of breast cancer and about 6-months later, my grandmother (her mother) died. These two women meant the world to me. It was

probably one of the most difficult times in my life. My grief turned into depression and I even thought at times that life was not worth living.

Unfortunately, I did not have adults or people in my life that directed me to professional help.

So, I struggled. And I struggled for a long time.

My situation changed when I went to college, but I can remember not wanting to get out of bed I was so exhausted by grief and sadness.

I was able to talk to some people and through the process of talking, I started to see things differently and I started, just a little at first, to be grateful of the time I had with my mother and my grandmother. I started to remember better times and rather than focus on that they were gone, I would think on how lucky I was to have two amazing women in my life.

They taught me how to laugh, how to cook, and how to care for those I loved. I actually started to talk more about my losses. I remember hearing myself say one day that I was lucky to no longer think that my mom and grandmother were limited to a person, because I was able to have them with me, watching over me, all the time, anywhere.

I began to practice gratitude as a spiritual discipline. There were many other challenges

that hit me in the next three years, including estrangement from my family, having zero dollars for school, dropping out of college, and moving because I could no longer afford to live out of state. But through it all, I was grateful for what I had. I noticed the small things that brought joy. I learned that many of the best things in life are free. I learned to be thankful for my strength and my determination. I learned that good things did continue to happen to me.

All of this helped me to feel more motivated and it helped me to move on and go on. That was my gratitude story and now, more than 25 years later, I still practice this today. It works now better than it did then.

I studied the effects of gratitude in psychology, because psychology is my job and my passion.

There are numerous studies that show there are ways to channel gratitude to help mood, to increase feeling connected, and to motivate yourself and others. I think it is something for us all to contemplate. Is my thinking helping or hurting me? Can I change my attitude? Do I have nothing to be grateful for? It’s a good question to start thinking about and maybe it will help you to see that this could make a difference for you. I’m grateful I had the chance to share this with you, today.

Dr. Nelson is the Clinical Director at The Florida House Experience, an innovative healthcare provider of substance abuse, mental health, and neuroscience services in Deerfield Beach, Florida.

Read more by Dr. Nelson at www.OutClique.com/Articles

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TESTOSTERONE THERAPY FOR MEN

In a world where science and medicine keep advancing at unprecedented rates, the discovery that men suffer from hormone unbalance comes as no surprise. Andropause, known as male menopause, begins affecting men in their mid-thirties when testosterone levels start decreasing gradually by approximately 2% annually. This leaves an average man in his 50’s with only about 35% of his original highest level. Luckily, there’s an effective solution: Bio-Identical Testosterone Replacement Therapy. Lower levels of Testosterone manifest through a number of physical, mental and emotional symptoms including: • • • • • •

Increase in body fat, especially around the waistline Decrease in muscle mass Feeling tired or not motivated much of the time Diminished sexual performance or loss of sex drive Irritability, sleep disturbances, some level of depression Memory loss, lack of concentration

Historically, these symptoms have been considered part of the “normal” aging process.

But they really don’t need to be. While there is no way of slowing down aging, the effects of it can be drastically changed.

The Genesis Health Institute uses only BioIdentical Testosterone meaning the molecular structure of the hormone is biologically identical to what the human body naturally produces. Testosterone therapy is available at Genesis in topical, injectable and pellet delivery systems. All therapies are medically supervised with regular blood work and doctor follow up visits to ensure the benefits of treatment are being realized.

All men feeling the symptoms described in this article are invited to call the Genesis Health Institute at 954-561-3175 and schedule a complimentary consultation with their patient coordinator. He will be able to provide more information about this very affordable therapy, as well as other age management therapies, which are all designed to increase quantity and most importantly quality of life!

1001 NE 26th Street, Wilton Manors, FL 33305 Tuesday-Saturday 9AM-5PM www.GHInstitute.com - 954-561-3175 THIS IS A SPONSORED EDITORIAL.

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ADE GALLERY OPENS IN FORT LAUDERDALE

R

ecently opened is the gorgeous ADE Gallery in Fort Lauderdale, Florida off A1A Boulevard. “Art, Decor, Expo” make up the title of this chic gallery that is home to over 400 pieces of unique art made by some of the most exclusive modern and contemporary artists working today. An impressive layout is saturated with limitless wall-to-wall variety, making it so that your eyes always have something to admire. Featuring metalwork, acrylic, a collection of textured art made from both wood and metal, and high gloss photography, ADE Gallery itself appears to be a work of art The gallery’s aim is to offer an unparalleled diversity, even featuring artwork as large as 90 feet in length, and to attract high-end designers and those within the staging services industry. ADE also hopes to appeal to the local and tourist clientele, contributing to the growing artistic community of Fort Lauderdale by creating a destination for first-rate artwork to be enjoyed by all who seek it. With their new location, ADE is an ideal place for art lovers everywhere to experience what’s new and what’s ‘now’ in the art world.

ADE’s broad selection of metalwork may be the first thing that grabs a visitor’s attention, as the sleek and modern craftsmanship is eye-catching. Various artists fill the walls with their vision brought to life through the permanent and skillful manipulation of metal.

Some bold and colorful, some metallic and 78 | OutClique.com

modern, the metal work featured in ADE’s gallery provides a unique glimpse into the future of this art form. ADE also offers their clientele the special ability to custom order artwork, personalizing their creativity in metal.

Acrylic is a popular and deeply beautiful style of art that ADE proudly displays, adding a certain luminance to the gallery walls. Rich in refreshing color, the acrylic artwork practically jumps out of the frame — showing art as it should be: alive. Variety takes the driver’s seat, as the acrylic style offers no limitation for creativity and originality. The visitor can linger over the acrylic selection and draw energy from his intoxicating beauty.

ADE Gallery offers the best in art and quite plainly, more of it. With an unrivaled selection merged with a comfortable and fluid showing space, ADE Gallery is perfect for the novice art appreciator or the aficionado. It’s a gallery for the person tired of looking at that empty wall in their home and the professional seeking the final piece of art to compliment their office. Even original mirrors or vases are available to help provide a sense of luxury to your environment. Explore. Experience.

Customize. Come to ADE Gallery and delve into a world of art that evokes more of your senses than simply sight.

THE PUB CELEBRATES THIRD ANNIVERSARY CO-OWNERS ALEX SADEGHI AND MIKE CONNELL REVEAL THEIR TRICKS OF THE TRADE

By Mike Jeknavorian

A

s one of the anchors of Wilton Drive in Wilton Manors, The Pub, celebrates its third anniversary, co-owners Alex Sadeghi and Mike Connell discuss the inception of the popular venue, the meaning behind its name, and the trials and triumphs of owning a bar.

MIKE JEKNAVORIAN: Alex, when did you open The Pub? ALEX SADEGHI: I originally opened the bar as Village Pub on October 9, 2012, and I reorganized it on September 1, 2017, as The Pub.

MJ

And when did you come in, Mike?

MIKE CONNELL: The Village Pub transfer of ownership, from Alex’s previous owners to me, occurred on August 31, 2017.

MJ AS MC

What careers were you in before you became involved with The Pub. I was employed at a bank in Sweden.

And I was a Regional Operations Manager for Target, before I became the Assistant Vice-President of Operations for Marshall’s, which I did for over two decades.

MJ AS

What motivated each of you to buy a bar?

In order to live here as a resident in the U.S., I had to open a business.

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MC

My partner, Jim, loved the bar since its inception, and we were there regularly. I always had a secret dream to own a gay bar and make it a safe place where everyone felt welcomed. Hence, the definition of a “pub,” where friends gather to enjoy good times.

MJ AS MC

What has been some of the challenges?

My main challenge was to find the best location to start the business.

Well, a hurricane the first week (laughs). Getting permits from Wilton Manors. Truly, our challenges are only our opportunities. We remain positive and our vision has been focused on our family of associates and customers.

MJ AS MC

Having competent people and friends assist me.

MJ

How many nights a week do each of you work?

What’s been expected?

easier

than

you

For me, it’s having clientele who have returned to find that their experience is superior to what they’ve experienced in the past.

AS MC MJ AS

I’m in the bar seven-days-a-week.

And I’m at The Pub daily as well. I do regular shifts.

What show or charity event has been special to you?

We’re involved in many different charities, such as Smart Ride, Poverello, The Pet Project, and Kids In Distress, just to name a few. All of them are very important for us.

MC

And we also have the Imperial Charity Review by The Imperial Sun Empire monthly as well, which is great.

MJ AS MC

What’s the strangest thing that’s ever happened on stage at The Pub? Our anniversary turnabouts.

Wow, I could name a lot (laughs). But I guess the strangest thing that’s going to happen on stage at The Pub is coming up. I’m going to do the turnabout for a charity event for the Smart Ride.

MJ AS

In your opinion, what’s unique about Wilton Manors?

Wilton Manors is a destination for tourists and locals because of the many LGBTQ friendly restaurants, nightclubs and lounges. Also, it has different events, such as Stonewall, which attracts over 15,000 visitors, but without any discrimination.

MC

Yes, it really is a LGBTQ destination that’s unlike anywhere else in the U.S. Also, no other urban environment has drink prices such as these.

MJ AS MC MJ AS MC

Who’s your dream performer for The Pub? Elton John or Cher.

Bette Midler would be a great performer for The Drive.

What’s your personal favorite night at The Pub? Every night is unique and important for us.

For me, the auction night for holiday wreaths for Kids In Distress. The majority of the bars and businesses in Wilton Manors donated elaborate wreaths for our charity auction.

MJ AS

And finally, would you ever open The Pub 2?

Not at this time. And on a final note, I’d like to thank our outstanding and loyal staff. Their contribution is invaluable to our continued success.

MC

No. The Pub is dedicated to our customers and associates. On a daily basis, we’re striving to make our LGBTQ home better. Respect of our “pub” is earned, trust is then gained, and then customer loyalty is returned.

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SINGLE TICKETS FOR FLORIDA GRAND OPERA’S 2018-2019 SEASON NOW ON SALE Photo Courtesy of Florida Grand Opera Susan T. Danis, General Director and CEO of Florida Grand Opera said, “FGO has programed the deepest and most complete range of the whole opera experience the company has yet offered.” The 2018-2019 season includes masterpieces such as La bohème and The Marriage of Figaro, the connoisseur’s delight Werther (ver-TAIR), and the new and inspiring

LA BOHÈME BY GIACOMO PUCCINI Adrienne Arsht Center November 3 – 17, 2018 Broward Center for the Performing Arts November 15 & 17

Robert Xavier Rodríguez Frida, based on the life of Mexican painter Frida Kahlo.

The 78th Season includes eight Miami debuts featuring the U.S. debut of tenor Alessandro Scotto di Luzio and the U.S. regional premiere of “Frida” based on the legendary Mexican painter Frida Kahlo.

FRIDABY ROBERT XAVIER RODRÍGUEZ Miramar Cultural Center March 16 – 30, 2019 MIAMI-DADE COUNTY AUDITORIUM March 21 - March 21, 2019 PARKER PLAYHOUSE March 28 & 30, 2019

THE MARRIAGE OF FIGARO BY WOLFGANG AMADEUS MOZART Adrienne Arsht Center January 26 – February 9, 2019

WERTHER BY JULES MASSENET Adrienne Arsht Center April 27 – May 11, 2019

THE BROWARD CENTER FOR THE PERFORMING ARTS

BROWARD CENTER FOR THE PERFORMING ARTS

February 7 & February 9, 2019

May 9 & 11, 2019

Purchase tickets to the 2018-2019 season by calling 1-800-741-1010, online at www.FGO.org or visiting the box office, Doral Center at 8390 NW 25th Street, Miami, FL 33122.

Subscriptions as low as $36. Two, three and four opera packages available in Miami and Fort Lauderdale.

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P r e s e n t i n g

Giacomo Puccini’s

la boHèMe

noV 3 – 17

Adrienne Arsht Center Broward Center

Wolfgang Amadeus Mozart’s

tHe Marriage of figaro

Jan 26 – feb 9 Adrienne Arsht Center Broward Center

Robert Xavier Rodríguez’s

friDa

Mar 16 – 30 Miami-Dade County Auditorium Miramar Cultural Center Parker Playhouse

Jules Massenet’s

WertHer

aPr 27 – MaY 11 Adrienne Arsht Center Broward Center

BUY TICKETS TODAY! www.FGO.OrG

Call our box offiCe at

800.741.1010

Photo: Catalina Cuervo as Frida Kahlo, © John Grigaitis Michigan Opera Theatre

YELLO ELECTRIC CAR SHOW

For more photos of this event, visit us on Facebook at facebook.com/outclique.

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PHANTOM OF THE OPERA COMES TO THE BROWARD CENTER

OUT PERFORMER, DAVID BENOIT, OF THE PHANTOM OF THE OPERA DISCUSSES LIFE IN THE THEATER

Photos by Matthew Murphy

By Mike Jeknavorian

Phantom of the Opera will be performed at the Broward Center for the Performing Arts (www.BrowardCenter.org) October 10 - 21, 2018.

MIKE JEKNAVORIAN: You’re from Somerset, MA. What do you miss about the area?

DAVID BENOIT: I had, and still have, a core group of friends back in the Somerset area. I did community theatre with them, and they were a great influence on me pursuing theatre as a career.

My mom, dad, and two sisters are still there as well. Luckily, I get back there a couple times a year to visit. It really was a great place to grow up. And the Lizzy Borden museum [which is in neighboring Fall River] is a trip!

MJ

Among other things in your career, you played the male leads in Fiddler and Sweeney Todd. The difference between those characters is obvious. Do you think that there are any parallels between them? And if there are, did that common thread help you in any way with their characterizations?

DB

One would think that Tevye and Sweeney have very little in common.

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Ironically, they’re driven by the same force, a fierce love of family. Tevye’s love of his wife, his faith, and five daughters is equal to the love and devotion that Sweeney had for his wife and daughter. Both of their paths are dictated by this, albeit, they’re drastically different in their, pardon the pun, execution.

At their core, both were devoted family men.

This common thread greatly influenced my choices in humanizing these very different characters.

MJ

Much of both of those shows rests on the lead’s shoulders. Which one was more of a challenge?

DB

Both roles are pretty Herculean in my estimation, equally gratifying and exhausting in their own right. And both posed the same challenge regarding physical stamina, vocal stamina, and emotional stamina.

MJ

Besides Phantom, what’s the best show that you’ve ever been in?

DB

I would say my favorite show to date would be the musical Adding Machine.

I played the lead, Mr. Zero, and the role and musical were the most challenging, and, ultimately, the most gratifying of my career.

The role was very much akin to my Sweeney and Tevye experiences.

MJ DB

What’s your dream role?

MJ DB

What other theater singers inspire you?

Sweeney Todd has always been my dream role. I’m extremely fortunate to have been given the opportunity to play him.

I’m pretty old school in regard to this. I was inspired at a young age by two Sweeney Todds: Len Cariou, for the vulnerability and subtlety in his vocals and acting, and George Hearn, for the bombast and intensity in his vocals and acting.

MJ DB

What’s your favorite musical?

MJ DB

What’s the weirdest thing that’s ever happened to you on stage?

Not to sound redundant, but I would have to say Sweeney Todd. It’s so epic in scope, both acting and singing-wise. I really feel that it’s a modern masterpiece.

Sometimes by Sunday night’s final performance of the week, you’re truly exhausted and running on fumes. I was in the national tour of Avenue Q. I played Trekkie Monster and some other roles and we were in Hershey, Pennsylvania. I had just left a scene in a zombie-like state, and I was in a rather old and slow elevator, on the way to my dressing room. I then heard the introduction for my song, “The Internet is for Porn.” You’ve never seen a chubby guy run down three flights of steps so fast, fly across a backstage area, and then fling a puppet on his arm, yet appear in the doorway

for the song as if nothing ever happened. The whole episode only lasted about 20 seconds, but it felt like a horrific theatrical eternity.

MJ DB MJ

What has life in the theater taught you?

The theater has taught me to listen, to share, and to be generous.

You play one of the theater owners, Monsieur Firmin, in Phantom. What’s your favorite song or moment in the show?

DB

I would have to say that the scenes in the manager’s office are my favorites.

They involve the entire supporting cast and are pretty dense with conflict and comedy.

MJ

Phantom is well known by many, but is there anything that took you off guard or surprised you about this production?

DB

I was taken by the approach to the material. It feels real. It still possesses the romance and grandeur, but the approach feels almost more modern and honest in its storytelling. This production opened the door to interpret Firmin as I saw him, which was truly a luxury. The artistic staff has been quite generous in that regard.

MJ

Did you ever see anyone come to Phantom in cosplay, dressed up like one of the characters?

DB

Phantom has quite the devoted fan base. I’ve seen many, ranging in all age brackets, come dressed in masquerade garb, dressed as The Phantom and as Christine. You name it. I think it’s a hoot.

MJ DB

And finally, will you do anything fun while you’re in South Florida?

I’m looking forward to some great seafood, the beautiful beaches, and having summer extended for two fantastic weeks. I can’t wait to get there!

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THE NOTORIOUS RGG

AN INTERVIEW WITH PULSE/PULSO CO-EDITOR ROY G. GUZMÁN

By Gregg Shapiro

C

o-edited by queer writers Roy G. Guzmán and Miguel M. Morales, the breathtaking poetry anthology Pulse/Pulso: In Remembrance of Orlando (2018, Damaged Goods Press), is a literary tribute to the 49 lives lost (and 53 wounded) at the Pulse Nightclub in June 2016. Containing the work of 18 poets, including Caridad Moro-Gronlier, Chen Chen, Baruch Porras-Hernandez, Monica Palacios, James A.H. White and Tessara Dudley, Pulse/Pulso is a powerful, poetic memorial to lives lost and forever changed on that fateful night. I had the honor of speaking with Guzmán about the anthology, as well as his own writing in September 2018.

Gregg Shapiro: Roy, I’d like to begin by asking you to say something about your poetry background. When did you start writing poetry?

Roy Guzmán: I started dabbling in poetry back in high school. During my freshman and sophomore years, I attended William H. Turner Tech (in Miami), and there I met some fellow rockers. We’d write fan poetry inspired

by The Smashing Pumpkins, you know, the kind of poetry one writes before inevitably reading Nietzsche [laughs]. The title of one of my poems was something like, “We Are the Machines of God” [laughs]. I’d carry a wallet with a metal chain strapped to my belt loops.

That’s when I first read Amy Tan and James McBride, and connected so much with their work. That’s also when I started writing poems inspired by Emily Dickinson. I guess you can say Emily became my first patron saint in English. Rubén Darío was the first poet whose work found my heart.

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GS

You are currently enrolled at University of Minnesota, pursuing a PhD in Cultural Studies and Comparative Literature.

Have you thought about your plans for after graduation?

RG

I can’t seem to want to leave Minnesota [laughs]! I came here for an MFA in creative writing and loved it so much I decided to stay for a PhD. I’d like to one day be a tenured professor in a place where I can help make a positive change.

I’m thinking poetry, ethnic studies, or interdisciplinary programs. I’m pretty open in terms of region, but I am partial towards colder places. Not a huge fan of sweating outdoors [laughs], as I do enjoy taking public transit.

GS

Before moving to Minnesota, you lived in South Florida. Please say a few words about your time here.

RG

Miami is still my other home. My parents still live there and I try to visit them as often as I can. Growing up in Miami was tough, especially growing up in Allapattah. We barely had any money for rent.

For a long time, we lived in one-bedroom apartments and I slept in the living room.

I grew up having very little privacy and I resented that a lot. I’m an only child and I had a lot of trouble making friends in school and in the neighborhood. I wasn’t much into sports.

All I wanted to do was draw and read books, but even those resources were limited. When I left to do my undergrad at Chicago, it was my first time living by myself, for better or worse.

After getting my MA, I went back to adjunct in Miami. Having a car this time around helped a lot. I was able to make friends and drive places I’d only bused to as a child. I revisit a lot of those experiences in my work.

GS

You and Miguel M. Morales co-edited the new anthology Pulse/Pulso: In Remembrance of Orlando (Damaged Good Press, 2018). Do you remember where you were when you first heard about the shooting at the Pulse Nightclub?

RG

Yes, I definitely do. I was having a hard time sleeping and woke up in the middle of the night to use the restroom. I checked my phone and, at first, couldn’t believe what I was reading on Twitter. The shooter was still inside and authorities couldn’t say how many people had been killed. Pictures of cops and people who’d been at the club were being shared. I’ll never forget those images. I remember going back to bed and, in the dark, trying to catch a glimpse of my boyfriend at the time. I started to cry. Many of us will never forget that night.

GS

Did you write any poems in response to the tragedy? If so, please say something about the experience.

RG

My poem, “Restored Mural for Orlando,” was born out of those

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chaotic days. There was so much I was trying to contend with. I was afraid. Like many others, I too was grieving. At first, I felt this ineffable sense of misery. I had already finished my second year in the MFA program. I’d speak to my friends in Miami and we’d exchange our disbelief. About a day after “Restored Mural for Orlando” appeared on NPR’s Latino USA, my friend, D. Allen contacted me about the possibility of turning the poem into a chapbook that would also have a Spanish translation, which Marco Antonio Huerta completed. For the next year or so, we were able to raise over $2000 for the victims and Pridelines, an organization in Miami that was incredibly supportive of me when I was struggling with my queerness. The chapbook has also been taught in several colleges around the country.

GS RG

What can you tell me about your forthcoming debut poetry collection?

At the moment, the collection is titled Catrachos and Graywolf Press will be publishing it in spring of 2020.

Immigration, violence, queerness, poverty, racism, language, despair, and hope are some of the themes I look at. Florida is the setting for many of these poems, as is Honduras, my birthplace. I want these poems to grieve with you, to dance with you, to confide in you, and to listen to you. I feel incredibly grateful to get to write and share this work.

OPERA FUSION TO PERFORM MENOTTI’S EERIE, THE MEDIUM,

AT SUNSHINE CATHEDRAL, WPB CHURCH

By Carol Carnevale

Join Opera Fusion for two performances of Gian Carlo Menotti’s The Medium, a haunting tale of Madame Flora, a fake fortune teller who becomes unhinged when she meets up with the supernatural.

The eerie plot includes sham seances in which Madam Flora’s guests think they’re communicating with deceased loved ones, as well as a phantom, a medium meltdown, a dark lullaby, a puppet theater, a confession, and a shooting.

The opera, sung in English, has two 30-minute acts. For added fun, the company invites guests to come in their favorite costume or mask. At a post-show reception of wine and nibbles, Madame Flora will foretell and proclaim a costume contest winner. The prize will be two tickets to a future Opera Fusion show.

Birgit Djupedal Fioravante, soprano and executive director of South Florida company Opera Fusion, will star as Madame Flora.

Singing the role of her daughter, Monica, will be Kyaunnee Richardson, a soprano and veteran of many Opera Fusion performances. Musical director for The Medium is Gordon Roberts.

The stage, set, and lighting designer is Ardean Landhuis.

Opera Fusion was born in 2014 to fill a void in the arts community in South Florida to provide high-quality opera at an affordable price and featuring local artists. It aims to build new audiences by introducing new generations to the

beauty and expressiveness of the human voice and the operatic art form in all its many facets.

The company has performed previously at Sunshine Cathedral, including its 2017 and 2018 Emerging Artists Programs and its 2016 debut of portions of its world premiere of Not In My Town, spotlighting numbers from the story of LGBTQ activist Romaine Patterson and Matthew Shepard, who was murdered in Wyoming. Composer and librettist of Not In My Town was Michael Ross and conductor was Gordon Roberts. The full opera was performed at the Amaturo Theater at the Broward Center and at the University Theatre at Florida Atlantic University.

Now in its fifth season, Opera Fusion’s other performances have included two musical reviews, “The Sopranos: An Opera You Can’t Refuse” and “Duelling Divas;” a full production of “Bluebeard’s Castle;” and two concerts at the Norton Museum of Art in West Palm Beach.

The Medium, an eerie operatic tale by Gian Carlo Menotti, presented in English, in two 30-minute acts Friday, October 26, 8PM Sunshine Cathedral, 1480 SW Ninth Avenue, Fort Lauderdale Sunday, October 28, 7PM Mary Immaculate Catholic Church, 500 Spencer Drive, West Palm Beach

$30 OperaFusion.org and at the door OutClique.com | 93

LIVING THE DREAM

BOSSI BRINGS AUTHENTIC ITALIAN CUISINE TO FORT LAUDERDALE AND BOCA RATON

By Steve Pike

L

ouie Bossi has gone from living a nightmare to living his dream. Less than 20 years ago, Bossi was a heroin-addicted young man who, among other things, nearly died of an overdose on a New York City subway.

Family, friends, and a will to survive have helped Bossi stay clean and sober for the past decade. Today, with his Louie Bossi Ristorante’s in Fort Lauderdale and Boca Raton, he is one of South Florida’s more celebrated popular restaurateurs. The Fort Lauderdale restaurant, which features a lively backyard, came first in 2015, followed by the Boca Raton eatery in 2017.

Bossi, 51, sponsors the annual “Taste of Recovery’’ event in Delray Beach that brings together local chefs and restaurants to support Crossroads Club, which provides a safe haven for people whose lives have been adversely affected by substance abuse. Bossi was one of those who found shelter, and a purpose, at Crossroads Club located in Delray Beach.

“Without that, there wouldn’t be a Louie Bossi,’’ he said. Bossi and his partner, Big Time Restaurant Group of West Palm Beach, plan to open another Italian-themed restaurant

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next year along Delray Beach’s trendy East Atlantic Ave. While it will have his fingerprints, the restaurant won’t have the Bossi name.

“We don’t really want to build a chain,’’ Bossi said. “I’m very happy with the Delray Beach concept and where we are going with the next concept.’’ What Bossi and the Big Time Restaurant Group have built, and will continue to build, are menus that offer some of the best pasta, pizza and steak in South Florida.

“We don’t pull any punches,’’ Bossi said.

That’s evident simply by walking around the restaurants. The dry-aged steak lockers and pasta machines are easily visible in each restaurant.

Like pasta? Try the Linguine Nero (squid ink pasta, shrimp, chilis and rapini). Prefer steak?

Go with the Ribeye (16 and 24 ounces) or the 48-ounce cut for two. Then there’s Bossi’s Neapolitan pizzas. Try finding any better pies in South Florida. The same holds for Bossi’s desserts. “All of our desserts are made from scratch,’’ Bossi said. “I don’t know of a restaurant that sells more desserts than we do.

The tiramisu is the most popular, our gelato is amazing, and I think our cheesecake is the best in the world.’’ That’s Louie, no punches pulled.

THE DAWNING OF THE AGE OF

AQUARIA

By Gregg Shapiro

S

punky and sassy and bursting with talent, Aquaria (born Giovanni Palandrani, based in Brooklyn), snatched the crown from the other queens to be named Season 10 winner on RuPaul’s Drag Race. The Emmy Award-winning competition grows in popularity with each season and that’s a good thing for young champ Aquaria as that means more people (approximately more than half a million) have gotten to see what she is capable of doing. Currently on the road with fellow Drag Racers for the ongoing Werq the World Tour, Aquaria was kind enough to answer a few questions.

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Gregg Shapiro: How did you come up with Aquaria as your stage name?

Aquaria: I emerged from out of the sea [laughs]. Kidding. From my zodiac sign, Aquarius.

GS A

What was involved in arriving at your look as Aquaria?

I’m often seen as somewhere between Madonna and Lady Gaga and maybe I am.

When I think on it, I’ve loved fashion for as long as I can remember. I would probably count

Thierry Mugler, Michele Lamy and, of course, Madonna, among my top influencers. You know who else I would count? Raja. Watching Raja on season three was really cool for me. I really loved the way she stomped down the runway in her own unique, high-fashion way.

GS

In what ways would you say your background and training in dance and fashion worked in your favor on RuPaul’s Drag Race?

A

A large part of drag is about doing research, honoring fashion icons throughout history, and carrying on their legacy. I think what helped me to win was knowing what’s come before me, whether that’s drag, fashion, politics – and just really reinterpreting it all. I may be 22, but I know things. People love to underestimate me and I love to prove what I can do. My favorite challenge on the showwas the Last Ball on Earth challenge because it was fun to surprise people with my full-on runway looks.

GS

What did it mean to you to be crowned the champion of RuPaul’s Drag Race Season 10?

A

I still haven’t had a chance to soak in the fact that I won. I mean I know I did, but I have been booked with shows all over the world since the win, which is amazing and wonderful, but I haven’t had more than five minutes to myself yet.

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GS

You received early support in your drag career from Susanne Bartsch – have you seen the documentary Susanne Bartsch: On Top and, if so, what did you think of it?

A

I haven’t seen it yet but I can’t wait.

Susanne Bartsch is a living breathing work of art. She is brilliant, a legend and an inspiration.

GS

Well said! What can you tell the readers about what you will be doing on the Werq the World tour?

A

I’m excited to spend time with Asia, Kameron, Eureka and the rest of the cast. They really are the most talented group of queens I’ve ever seen and the show is sick, sick, sick.

GS

What advice would you give to queens who are thinking about auditioning for upcoming seasons of RuPaul’s Drag Race?

A

Don’t follow anyone’s footsteps. Make your own. Everyone knows how tight Sharon Needles and I are and I’ll tell you, even though she’s been along with me for most of the ride, she has never told me how I should look or act. She’s shared suggestions on things, but more about life rather than how to put on an eyelash. The point is, no two queens are alike and what works for one will not necessarily work for another. Do your thing the best way you know how.

YOUR BROWARD PROPERTY & YOU New Home Purchase in 2018 All qualified Florida residents are entitled to a Homestead Exemption on their homes, condominiums, co-op apartments, and certain mobile home lots. To qualify for Homestead Exemption, you must own and make the property your permanent residence on January 1 of the year in which you are applying for this valuable exemption. Pursuant to Florida Statute, all assessments and exemptions are based upon the status of the property on January 1.

If you purchased and/or made the property your permanent residence in 2018 and have not applied for Homestead Exemption, you can apply for 2019 exemptions at any time – there is no need to wait until 2019. You can easily apply online at www.bcpa.net or at one of our many outreach events. To view where our representatives will be assisting residents with filing for exemptions, please visit our event calendar at http://bcpa.net/Events.asp If you purchased your home in 2018, the tax bill you will receive from the Broward County Tax Collector is for the 2018 tax year. If the previous owners of your new home were entitled to and received Homestead Exemption or any other exemption on January 1, 2018, you may have inherited their exemptions on your 2018 property tax bill. Florida Statutes require these exemptions be removed for 2019 and the Save Our Homes Value be brought up to the 2019 Just Value of your property. This will often result in an increase in your 2019 property taxes so it is important you apply for 2019 Homestead Exemption and any other exemptions you may qualify for. Your new 2019 Homestead Exemption will be reflected next year on all 2019 property records, notices and tax bills. Should you have any questions regarding your new exemption,

please contact our Customer Service & Exemption Department at 954.357.6830.

BROWARD COUNTY TAX COLLECTOR’S OFFICE TO MAIL TAX BILLS IN NOVEMBER The Property Appraiser’s Office does not set or collect property taxes. We simply assess property and grant exemptions to qualified individuals. The Broward County Tax Collector’s Office will mail the 2018 property tax bills by November 1, 2018. If your escrow company requests your tax bill, the Tax Collector will send you a courtesy copy of the bill in midNovember. All property tax bills are posted to their website at https://broward.countytaxes.com/public on November 1. Should you have any questions for their office, please contact them at 954.831.4000.

If my office can ever be of assistance to you, please do not hesitate to contact me directly at 954.357.6904 or by email at MartyKiar@bcpa.net.

Take care, Marty Kiar

Marty Kiar is the Broward County Property Appraiser and longtime advocate for LGBTQ equality.

The Broward County Property Appraiser’s Office is located at 115 S Andrews Avenue, Room # 111, Fort Lauderdale, FL 33301 Follow our office at: facebook.com/MartyKiarBCPA and twitter.com/MartyKiarBCPA OutClique.com | 101

MAYBE STARS IN HIS EYES AN INTERVIEW WITH BOBBY JO VALENTINE

By Gregg Shapiro

Q

ueer singer/songwriter Bobby Jo Valentine is that rare out artist who isn’t shy about his faith. Raised in the church, Valentine has found a way to make those two sometimes conflicting aspects of his life work in harmony.

For instance, the live performance schedule on his website (in July at the time of this interview) includes dates at both Pride festivals and churches.

Talk about versatility! One thing’s for sure, chances are good that you will hear Valentine singing songs from his luminous new album Maybe Stars (BobbyJoValentine.com). I had the pleasure of interviewing Valentine about his music and more in early July 2018.

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Gregg Shapiro: Bobby Jo, when did you begin playing guitar and how soon after that did you begin to write songs?

Bobby Jo Valentine: I got a guitar right before I left for college. The school was a very strict, conservative, religious place. I really wanted something that I could express myself with, and explore my own thoughts and opinions and poetry. I wrote some while I was in college, but just off and on. It wasn't until (I was) around 23 that I really started pursuing writing and making it a big piece of my life.

GS

Which presented more challenges for you, coming out as a gay man or coming out as a gay Christian?

BJV

Wow, great question. Coming out as a gay man in the culture I was in was extremely difficult, but I'd met a wonderful man who really helped support me through it. We were together for over seven years. As far as my faith goes, I feel it's a thing I'm constantly learning and discovering new things about, so it's always hard for me to want to label it. I'd describe myself as a hopeful, Jesus-leaning, poetic mystic [laughs].

Jesus was about love, peace, fighting powers that used fear to control people, and healing.

A lot of the people that use his name do the opposite of that. The word "Christian" has so much baggage now, and it's frustrating that the negative side always gets the headlines.

The truth is, there are faith communities that love, support, and are excited to accept gay people in most towns around the country, but the unaccepting faith communities are what make the news. So, a lot of gay people cut spirituality out of their lives altogether in response, and that's such a sad result. Our soul is a big piece of who we are. I hope we get permission to explore it and stop stigmatizing faith because of the bad examples. Instead, we should be pointing to people who are using their faith to create a more loving world, lifting them up; expanding what faith can be. I hope my songs’ universal themes and messages about love, acceptance, and hope can offer some examples of that.

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GS

As a creative artist, what do accolades such as winning Songwriter of the Year at West Coast Songwriter’s Association in 2011 and 2015, as well as Song of the Year in 2017, mean to you?

BJV

I think they gave me a little extra strength to keep going in moments of self-doubt. They didn't come with any huge cash prize or exposure to a giant fan base, but what they did was help me realize that my music was connecting with people and was worth sharing. That's important when you constantly find yourself swimming in a giant sea of music and musicians, wondering if what you say has any worth. It's like a little extra hope you're able to lean on in the harder times.

GS

“Strong Enough” is one of the most universal and powerful songs on Maybe Stars, with a message that is especially meaningful during these increasingly difficult times. Please say something about the genesis of the song.

BJV

Thank you! Well, I grew up in a small school where anyone who was different was an easy target for bullying. And I was usually the different one. I liked reading, I was a bit more thoughtful and introverted, I wasn't super interested in sports or the latest trends, and it wasn't a big enough place where that could be seen as "cool" or "counterculture."

It was just made fun of. And while the physical pranks are things I can laugh at now, a lot of the words still stick with me, and took a lot longer to heal. That song is about internal wounds and how it's a lot harder to break free from a negative idea you've been attacked with than for your body to heal a scratch or bruise.

In the gay culture, many of us can act like everything bounces off us, and that attitude is usually a shield built up from past wounds.

This song was just me being honest about the power words can have over us, but also about finding our “true name” once we know who we truly are, and our value in the world, then those words do lose some of their power.

GS

“Bones” is another incredibly moving song from Maybe Stars. What can you tell me about it?

BJV

Oh man, that's a song that still gets me and can be hard to sing. It's just about our own tendency to self-sabotage our lives. When I look back on my life with some emotional honesty, I have to admit that a lot of my pain has been self-inflicted. This song is just admitting that to the world, and I've found, performing it, that once it's out there, a lot of people identify with that, and then feel less alone. Sometimes a song is building community around shared experience. In this song, that experience is pain. But there's a beauty in admitting that and that's what the song is trying to express.

GS

I was sorry to hear about your home burning in the California fires. I understand that fans have set up a fundraiser for you at https://www.gofundme.com/bobbyjo-valentine-needs-us-now. What does such an expression of generosity mean to you?

BJV

Thank you. It's been extremely difficult and I'd say the thing that kept me from losing heart, after losing everything else, has been the unexpected amount of love from everyone around me.

GS

You shared a Mary Oliver poem on your Facebook page in June 2018. Can you please say something about the role that contemporary poetry plays in your life?

BJV

I read it every morning and take it like vitamins. To me, poetry, like any good song, has the ability to come in through the side door of our hearts and minds and move us more powerfully than anything else can. Mary Oliver's "The Journey," in particular, is one of the poems that completely changed my life. I'd recommend everyone to read it, and poetry, in general, if they want a more open heart and a sweeter spirit.

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THE MOST DANGEROUS YEAR FOR TRANSGENDER RIGHTS

AN INTERVIEW WITH THE DIRECTOR VLADA KNOWLTON

The Human Rights Campaign published a report identifying 2016 as the most dangerous year for transgender Americans, when a dark wave of anti-transgender “bathroom bills” began sweeping across the nation. In Washington State six such “bathroom bills” were introduced in the State Legislature. The Most Dangerous Year explores the transgender civil rights battle in all its richness and complexity.

Documentary filmmaker, Vlada Knowlton, captured the ensuing civil rights battle from the perspective of a small group of embattled parents as they banded together to fight a deluge of proposed laws that would strip away the rights of their young, transgender children.

As one of the parents, Knowlton presents an intimate portrait of her own struggle to protect her 5-year-old transgender daughter from laws inspired by hate and fear.

Why did you make your film?

Knowlton: We are in a time when transgender people's civil and human rights are under attack and mainly because of ignorance and lack of information. Many people have never met a transgender adult or child and don't understand what it means to be born as transgender. It's important for communities around the world to be able to meet trans adults and kids so they can understand that they are ordinary people who want the same

things out of life that all other humans want - to live safe, happy, healthy, and productive lives, and to be free to be themselves.

Why should I watch this film?

Knowlton: My film was crafted for an audience that doesn't have an abundance of relevant details about “bathroom bills.” So if you've ever wondered, "Why are we even talking about bathrooms?" or "Why do I need to care about the rights of transgender people when they're so different from me?" this film helps answer these sorts of questions in a very simple, clear, and straightforward way.

The Most Dangerous Year receives its Southeast Premiere during the 33rd Annual Fort Lauderdale International Film Festival (FLiFF), November 2 – 18, 2018.

Vlada Knowlton will attend the screening for an audience discussion after the film, which is co-sponsored by OutShine Film Festival and hosted by ArtServe at their theater on November 8, 7:00PM at 1350 East Sunrise Blvd, Fort Lauderdale, FL 33304.

FLiFF presents over 200 films with red carpet premieres, special guests, and over-the-top parties.

For details and to purchase advance tickets visit www.FLiFF.com or call (954) 525-3456.

OutClique.com | 107

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