PORTFOLIO özlem
kurtcu
architecture + graphic works 2015
-
2021
ozlemsatikurtcu@gmail.com +90 506 436 80 48 ozlemskurtcu
freelance architect | designer
software
özlemkurtcu
AutoCad Sketch Up Adobe Photoshop Adobe Illustrator Adobe InDesign MS Office Adobe Premiere Pro Revit Architecture Rhinoceros Lumion
others
skills
Render Post Production Typography Website Design Photo-editing Competition Experiences Community-board Membership Newspaper Design Fanzine Design Short Film Making Architectural Animation
job experiences Architect
March 2021-still Ankara
Freelance Architect
@Fresh
education TOBB University of Economics and Technology | Architecture
Architect
@Uygur
October 2020-March 2021 www.frea.com.tr | Ankara
Expressions for Architecture Architects
September 2018-September 2020 www.uygurarchitects.com | Ankara
Ankara 2013 - 2018 GPA: 3.39/4.00
Assistant Architect
Çubuk Anatolian High School | Physical Sciences
Assistant Architect
January 2017-April 2017 www.yalin-mimarlik.com | İstanbul
Assistant Architect
May 2016-August 2016, december 2017 www.scra.com.tr | Ankara
@Ajak
Ankara 2009 - 2012 GPA: 83/100
@Yalın
September 2017-December 2017 www.ajak.fi | Helsinki
Architects Architects
@SCRA
Architects
language prizes & honors
Turkish | mother tongue English | advanced Italian | beginner
İstanbul Social Centers National Architectural Competition, 2021 Talas Public Park and Cultural Center National Urban Competition
activities UMÖB 15,5 National Architecture Student Meeting Life Beyond Tourism Heritage for Planet Earth
Gaziantep, 2015 workshop | participant Florence, 2017 conferences | participant
MATERIART International Intensive Studio in Architectural Design
Ankara, 2018 workshop | participant
interests
cross flute
bush walk
reading& writing
sewing
travelling
yoga
graphic design
finalist, 2021 with Taner Keskin
Bursa Caravanserai Region National Urban Competition
3rd prize, 2021 with FREA
Bursa Atatürk Sports Hall National Architectural Competition Erenköy Pyschiatric Hospital National Architectural Competition
purchase prize, 2020 with FREA finalist, 2020 assistant @UygurArchitects
Gallipoli Historical Site New Martydom Design National Competition
1st prize, 2017 assistant @SCRA
Bornova Children’s Exploratorium National Architectural Competition
2nd prize, 2016 assistant @SCRA
Lüleburgaz Yıldızları Swimming Academy National Architectural Competition
2nd prize, 2016 assistant @SCRA
2nd Grade Project ‘Gordion Students’ Projects Exhibiton, 2015 Labyrinth’ was selected Turkish Independent Architects Association Full Scholarship Recipient
world’s music
3rd Prize, 2021 with Taner Keskin + SCRA
Ranked in the first %1 zone
TOBB University, 2013 Turkish University Entrance Exam, 2013
index
contents Curriculum Vitae Pendik Public Library & Nursery professional work_competition_3rd prize_project owner
Talas Public Park professional work_competition_finalist_project owner
Bursa Caravanserai Region Urban Design professional work_competition_3rd prize_project owner
18/45 Public Education Buildings professional work_construction_detail drawings
Esenler Menderes High School professional work_construction_project coordinator
MuseumCampus academic work_bachelor degree thesis project
SpaceScope Observatory Houses academic work_4th grade project
The Wall Urban Park academic work_3rd grade project
Digital Illustration
Seasons’ Greeting Cards & Posters
Minne Co Baby Brand Logo & Corporate İdentity
CV
architecture
urban
graphic
01
PROJECT OWNER | COMPETITION | 3RD PRIZE | WITH TANER KESKİN + SCRA ARCHITECTS
PENDİK PUBLIC LIBRARY + NURSERY pÜR*-ZEMİN
a plane that increases the urban ground qualitatively and quantitatively *full, powerful (tdk dictionary, 2021)
Although the concept of urbanization seems to be related to the act of relocating the population due to its ontology, along with it, it demands a social, economic, cultural and political change. It is inevitable that change will affect the knowledge of architectural design and the field of research. “Need for public space”, which is one of the still up-to-date discussion topics, especially It needs new perspectives and demands the right to social actions that develop in the city of Istanbul. Pendik Kurtköy, which cares about taking into account all the disadvantaged groups of the citizens, the Library and Yuvam Istanbul Social Center, they consider the needs of all urban components and attach first priority to participatories. Social networks are constantly evolving, all kinds of information are available on the internet. In this new era, people can establish a healthy physical connection. There is an increasing need for social areas where one can exchange information and communicate. Apart from the social aspect, what library represents today is also symbolic and political. The residents of the city, who are the users of Yuvamız Istanbul Day Care Center, which is another main program element, are children and education personnel. Childhood is a special period with its own unique needs and characteristics. The ability of children to find the “optimal development” mentioned in various national and international conventions and documents should be perceived as a responsibility not only for schools and educators, but also for local governments and architects by providing child-friendly cities and spaces. The highest possible (optimal) development is possible with happy-guaranteed play and learning-based experiences that include liberating, fun, exploratory learning processes that support the development of children rather than limit them.
While Pür-Zemin transforms the required open space, which is determined in the building criteria of the area, into an urban floor, it also aims to relate to the public floors in the urban environment. It creates a new theme for the city center it is in.
6
It was aimed for PürZemin to establish a special relationship with young individuals who are users of the educational buildings located on Lise Street and its periphery, and ways to make access to information and socialization enjoyable and participatory were
sought. In this context, creating lecture halls and circulations that support the library’s internal and external activities has been very important, and it has been very important to create the new generation social environment of the library.
PROJECT OWNER | COMPETITION | 3RD PRIZE | WITH TANER KESKİN + SCRA ARCHITECTS
pÜR*-ZEMİN
8
a plane that increases the urban ground qualitatively and quantitatively *full, powerful (tdk dictionary, 2021)
01
The morphology and tectonics of Pür-Zemin also define the distinction between the Children’s Day Care Center and the Library. It also brings an interpretation to the coexistence of public-private space. While undertaking the production of open spaces for the library, it undertakes a role that surrounds, shelters and makes the children’s spaces special in the Day Nursing Home. In addition, a qualified outdoor space by reflecting the contextual dynamism of the interior to the outside. It is aimed to create perception and representation. According to the researches, the places that today’s library users use to access the document, the places they spend time (group rooms, quiet room, cafeteria, multi-purpose hall, workshop, etc.) covers a very small area compared to the spaces. In this context, these alternative uses to the Pür Zemin center and other social activities that may appeal to everyone. takes activities (talking, meeting, eating and drinking, exchanging information, sitting, lying, watching, etc.). It offers the right of access to the city and its ground to the citizens. It is possible to reach Pür Zemin from inside the building, from Lise Street, Onur Street, and from the front area of the Mosque by stairs, amphitheater and elevators. Program Placement Decisions The area is surrounded by the active streets Lise Street and Onur Street on the North and Southwest perimeter. The use of public space of these two arteries was given priority, and access to the library structure was prioritized, and the perception and use of both the library structure and the Mosque were provided separately from the city junction formed at their intersection. The library structure has established a relationship by taking the entrance from the front area of the mosque and feeding the area through the street library program. The Multi-Purpose Hall, which is also an element of the Library structure that will frequently contact the citizens, is built on the ground and lower ground floors close to these entrances. The proposal carries the users inside and outside the new level building to the upper levels and the social spaces that open to it, +4.00 and +8.00. Library functions are connected to the large terraces and this new public floor.
Kuzey Görünüş
Sistem Kesiti
PROJECT OWNER | COMPETITION | FINALIST | WITH TANER KESKİN
TALAS PUBLIC PARK + CULTURAL CENTER BAĞ-BAHÇE: urban vıneyard nation’s garden
Design Approach The vineyard house creates a spatial background for the whole of the sociocultural actions in the life of the citizens of Kayseri. In the transformation of the area into a national garden, the “wall” element that creates the interior-exterior, closed-open distinction has been reinterpreted. The “wall” that defines the borders is a transitive structure, becomes spatial, turns into a green landscape, and forms a national garden by blending with local viticulture and horticulture activities. The idea of the wall was reinterpreted by conveying the masses to the periphery. The examples of the vineyard-garden tradition were examined in the land that formed the walls and was shaped by the walls, and the area was divided into zones for different applications. Activity units have been established in the area divided into zones such as the Activity and Movement Slope, Game Getneries, Vineyards and Orchards, Vineyard Grounds, Spotted Forest, so that the urban people can integrate into viticulture activities and turn it into a part of daily life. The floor designs that divide the area into parts, the universities in the direction of the slope to the land, the Hoca Ahmet Yesevi Street on the side of the housing block and the educational buildings, the Talas Bağları Mahallesi and the Ulus Street, which is on the side of Ali Mountain and merges with Ali Saip Paşa Street, and the water element plays a leading role in the design. The water element shows seasonal changes in function. The water, which exists as running water in the summer, freezes in winter, allowing winter activities.
10
02
02
PROJECT OWNER | COMPETITION | FINALIST | WITH TANER KESKİN
BAĞ-BAHÇE: urban vıneyard nation’s garden
Landscape Approach In the landscape design, the water element formed the main backbone by considering the topography of the land and the existing tree texture, and while other functions were designed to support this, continuity, sustainability and fluency in spatial transitions were taken into consideration. A sustainable, low-emission landscape area is targeted with groundcovers and dwarf shrubs to be used on sloping areas. Transportation and Circulation The street between Hacı Bektaş Veli Park and Millet Bahçesi was closed to traffic and pedestrian movement continuity was ensured. To contact with Ali Saip Paşa Street, which has already been pedestrianized, new pedestrian and bicycle paths have been proposed. To strengthen the relation between pedestrian crossings and the residential blocks located on the side of Hoca Ahmet Yesevi Street, a picnic area, multi-purpose hall, service services (toilet, buffet, safety room) have been added to that part of the Nation’s Garden. The intersection of Halef Hoca Street and Hoca Ahmet Yesevi Street gradually descends towards the Nation’s Garden and forms a small square.
The walls that draw borders are considered as uniting elements, not separating them in the project. For this reason, the concept of “wall” has become open to interpretation. It has a structure that transforms into spaces that allow leaks, like a filter at the entrance, around the area.
12
Education area has been expanded to increase the organic transitivity towards the public garden. There will be a wall as a border between the Nation’s Garden and the schools, and there is a gate that provides control. Programs such as viticulture archive, library, jam ateliers,
greengrocer, cafe, multi-purpose hall, food and beverage places, amphitheater, pocket cinemas, meeting-debate units, observation hill, sports activity areas form the walls on the periphery. In addition, the watchtowers from the military are used as watchtowers.
03
PROJECT OWNER | COMPETITION | 3RD PRIZE | WITH frea architects
bursa caravanseraı regıon urban desıgn aralık | ınterval
The proposed project starts with exploring and understanding abstract repetitions in order to read spatial memory in Bursa Çarşıbaşı UNESCO World Heritage Site through intervals. He looks at the temporal intervals that can be observed in daily life at the scale of the city, in the street texture, in the bridge, in the garden, in the commercial structure, in the courtyard of the inn, in the organization of the façade, in the silk loom, from a historical perspective. In the field, intervals that work linearly, intervals that are created periodically and disappear over time, intervals formed by coincidences, shortcuts and destructions are intertwined. It shows that the interval in Çarşıbaşı is shaped by the themes that connect to each other and the differences between them. In order for this unique quality to be the basic principle of the design approach, the project proposes a monolithic, fluid, connecting and multiplying, intertwined and separate, but above all, a ‘contemporary’ range for the space now.
Architectural Design Approach: balance of using and conservation. new uses have been proposed in the area in addition to reconstruction, preservation of spatial memory and partial preservation of the fiction coming from the adjacent order.
14
Landscape Design Approach: reading the city as a landscape. The project seeks the means of Bursa as a landscape, through the ecological and urban intervals it has activated by taking the city’s unique topography as a reference.
PlantDesign Strategy: spontaneous landscape texture. As a reflection of the discussions on sustainability and climate change, spontaneous vegetation guides urban landscape strategies as a creative and sustainable plant design approach.
03
PROJECT OWNER | COMPETITION | 3RD PRIZE | WITH frea architects
aralık | ınterval
The proposed design offers a continuity that will not interrupt pedestrian movements. It allows the creation of a fluid landscape and open space setup between Hisar and the Hanlar Region. With this feature, the project area will enable different actions such as walking, exploring, encountering, stopping, resting, watching; and in different time periods (weekdays-weekends, night-days, etc.). The courtyard landscape of rice Han and İpek Han, which is functional with the new program proposals, was supported by the proposal of redbud and linden trees unique to Bursa, which will come to the forefront with their color and odor effects in the seasonal cycle, by preserving the existing trees. The courtyards, where the ground is defined by the structural landscape, are designed in continuity/integrity with the architectural texture and colors (horizontal-vertical) of the Hans surrounding them.
The generator of the spatial fiction in the focal area, the interval-space, is the main reference in the shaping of the voids of Çarşıbaşı that emerged after the expropriation. Interval-space can be interpreted as a hybrid landscape that connects, includes
16
and produces indoor and outdoor spaces in different programs and scales. The urban instrument of this journey unique to Bursa is the intervals that accompany our every moment. Just as it is necessary to read, look and see without
skipping between the lines, in order to make the invisible visible. In the words of Şems-i Tebrîzî, it is necessary to be in the gap, to look through the gap, to keep the gap in order to perceive the space. The venue is interval in Bursa.
04
PRofessıonal work| construction +detail drawıng | @uygur architects
18/45 publıc educatıon buıldıngs 45 publıc educatıon buıldıngs wıthın the ıstanbul seısmıc rısk mıtıgatıon and emergency preparedness project (af-ceb-cb1.5a)
The 45 schools that are considered to be demolished and rebuilt under the program of İSMEP (The Project of Reducing Seismic Risk in Istanbul) are evaluated by Uygur Architects as an important opportunity for modernization of the educational spaces. The design approach that stood against the monotype architectural attitude for educational buildings that continued for a long time in the country, resulted in those 44 schools’ transformation as a way to reaction to create authentic education units. Schools are the first places that the children encounter with public space, therefore hold an important position in their lives. The impressions of the spaces left in our school memories are the main substructures that develop our common environmental conscience that will improve our cities’ livability later. The idea that the students who are treated in well-designed spaces will criticize the other spaces and demand for the better, become an important input during the design process.
Each project was designed with awareness that educational units not only are for students, but also improve the learning desire, environmental conscience and good taste of the residents in city life.
18
During the two years I worked at Uygur Architects between 2018-2020, I had the opportunity to work in various positions in 18 of these 45 schools. In these 18 projects whose names are listed in the index, I took part in works such
as concept projects, preliminary projects, transportation projects, construction projects, detail drawings and manufacturing drawings at various scales, 3D construction modeling, visualization and presentation.
The main principle is to create flexible spaces like ateliers, to be used comfortably by the youth. One other important criterion is to think that the education will be given in other spaces more than classes. Those spaces are evaluated as free environments that host interactive education, mediate people and support them to teach and learn from each other. Especially to create socially sustainable and energy-saving buildings, the structural
components are designed and constructed without any paint or coating. As a design principle, modesty and simplicity are preferred so that the users can customize the spaces depending on their own choices. The determination of the design principles as flexible and modular created the opportunity for each of the 44 schools to be designed differently and in a qualified way, regarding the changing locations, sites and scales. With these qualifications, the 44 individual
buildings in different scales create their own architectural grammar and prevent from a “monotype building approach” trap. Besides the final products, the design process that is carried out by Uygur Architects, also become a forerunner attitude in architectural atmosphere of Turkey. Despite the differences depending on sites and scales, each school project is individual but has the same design language, following the same principles mentioned above.
all photos by Cemal Emden.
05
PRofessıonal work | project coordınator | @uygur architects
ESENLER MENDERES HIGH SCHOOL 45 publıc educatıon buıldıngs wıthın the ıstanbul seısmıc rısk mıtıgatıon and emergency preparedness project (af-ceb-cb1.5a)
Esenler Menderes Anatolian High School is located on a rectangular area of 3100 square meters with a 4 meter level difference between its long sides and a street connection on 3 sides. The location of the area with a public park opposite, determined in the building criteria, required the front of the building and the front garden to face the park. It was aimed to provide diversity from the space in the school gardens by using the level difference in the open area that is required to be left. A conference hall and a gym in accordance with international standards were designed to host social and cultural activities for young individuals who are users of educational buildings. The walls coming out of the school yard due to the level difference were made enjoyable with ramps and amphitheater stairs.
52.20
50.50
K
49.36 yaya girişi
.0.27 (49.50) kaldırım kotu
G-P2 100
49.50 d.z.k.
1
100
E
F
49.55 d.z.k.
49.65 d.z.k.
.2
8
MU.016
ZA0x Giriş Kontrol
Dilatasyon
P16
Dilatasyon
R:150
P16
±0.00 (49.77)
R:150
R:150
R:150
P16
100 G-P1 250
100
±0.00 (49.77)
G-P2100
(49.55) d.z.k.
(49.55) d.z.k.
51
±0.00 (49.77)
C
TK1 DUK8a DÖK1
P16
220 80
3
MU.015
2
G-CK1
B
MU.018
araç giriş-çıkışı
MU.019
343. SOKAK
48.12
MF5 Menfezi Ø 75 cm
47.95 1
2
3
4
5
6 ±0.00 (49.77) d.z.k.
±0.00 (49.77) d.z.k.
(49.60)d.z.k.
Atatürk Köşesi
okul bahçesi
P16
R:150
MU.017
MU.017
D
D
P16
R:150
Spor Salonu
326.43 m² -4.38 -4.48
-4.48 -4.58
kuranglez 7
8
9
10
11
12 P16
R:150
engelli otoparkı
±0.00 (49.77) d.z.k.
±0.00 (49.77) d.z.k.
+0.10 (49.87) d.z.k.
343. SOKAK
254 P8a 140
±0.00 (49.77) d.z.k. DÖK5 DUK8a TK2a
268 P7 212
128 P5 1787
190
P6 212
MF4 Menfezi Ø 80 cm
İzleme Alanı
Z-16
kuranglez
-2.14 -2.24 -4.48 -4.58
1- Projenin tümünün ve binanın telif hakları,Fikir ve Sanat Eserleri Kanunu gereğince proje mimarına (müelliflere) aittir. Müelliflerin
78.84 m²
2- a.Yüklenici firma, imalata geçmeden önce; mimari, inşaat mühedisliği, makine mühendisliği, elektrik mühendisliği,alt yapı,peysaj ve çevre düzeni projelerini, mühendislik raporları ve hesapları ve teknik şartnameleride dikkate alınarak çakıştırılacaktır. Teknik şartnameler, rapor ve hesaplar projenin doğal ekidir.Yüklenici firma, projelerin üst üste çakıştırıldığında imalat için organizasyon paftaları hazırlayacak, çakıştırma sonucunda uyumsuzluk veya belirsizlik var ise bu paftalar üzerinde belirtilerek kontrolluğa yazı ile bildirilecek ve uygun olan değişiklikler proje mimarları tarafından yapılarak idarenin onayından sonra imalata
h= 80 cm
Tesisat ve Haval. Şaftı 2.3 m²
±0.00 (49.77) d.z.k.
458 P9 212
190 P6 212
+0.10 (49.87) d.z.k.
±0.00 (49.77) d.z.k.
±0.00 (49.77) d.z.k.
80 K5 240+173
Atatürk köşesi
DUK8c-DUK8d-Opak renkli beton ve sıvalı yüzey koruyucu c) Alüminyum doğramalarda açılan dar havalandırma pencere kanatları, d) Çelik cephe elemanları, e) Bina çevresindeki doğrama önü çelik güvenlik bariyer f) TK6-Kompakt laminat plaka tavan kaplaması , renkleri imalat aşamasında proje mimarları (müellifler) tarafından belirlenecektir.
ısı merk. baca
A
birleşimlerinde derz harcı üzerine 1 cm kalınlığında gri renkli poliüretan mastik uygulaması yapılacaktır. b) Düşey Hatıl Uzunluğu 6 m.yi geçen beton blok duvarlarda, her 3 m.de bir, beton blok boşlukları doldurularak düşey hatıI yapılacak. (2 Ø 12 ile) c) Yatay Hatıl - Yüksekliği 3 m.yi geçen beton blok duvarlarda, 240 cm. yükseklikte beton blok hatıI eleman ile yatay hatıI
MU.014
120
elk.p. baca
40
40
100 240+138 K2
perde duvar beton imalatlarda ve yağmur suyu alan giriş saçağı vb. betonarme döşemelerde su geçirimsiz beton kullanılacaktır.
119.92 m²
200 378 ÇLYK1
Z-01
10.58 m²
Servis
baca
yüzeylerde epoksi reçine+poliüretan reçine, c) DUK8b-Renkli şeffaf beton koruyucu, DUK8c -DUK8d Opak renkli beton ve sıvalı yüzey koruyucu d) TK2b-TK2c Opak renkli beton ve sıvalı yüzey koruyucu ve TK3- Poliüretan ve epoksi reçine , çıplak beton tavan yüzeylerinde+kiriş alınlarında, e) TK4-Ahşap çıta asma tavan ve TK8 kutu profil asma tavan f) İD3- Laminat kaplamalı panel duvar, g) İD8 - Huş plywood panel üzeri su bazlı şeffaf renkli cila, h) İD3a- Cam panel, renkleri imalat aşamasında proje mimarları (müellifler) tarafından
PN20
407 -418 378
Z-15
+0.10 (49.87) -0.40
100
100 K2 240+138
Okul Girişi
PN14a 418
730
PN17 378
340
610
120
K1 240+138
PN11a 378
PN16 378
Rüzgarlık 1
460 P18 378
K2b 240+178
200 378 ÇLYK1
Danışma bankosu
+0.10 ±0.00 Kantin
120 378 ÇLYK2
PN14a 418
400 P18a 378
P4 212 100 K2 240+138
340 PN19 378
100
310
K2 240+42
PN6a 378
akrilik tezgah
elk.p.+srv.p.
100
170
K2a 240+138
120
PN8a 378
K1a 240+138
60x200 cm Sedye
akrilik tezgah
100
100
K2a 240+138
K2a 240+138
600 PN9a 378
Z-13
180 PN20a 378
+0.10 Giriş Holü ±0.00
Z-03
5- İnşaatta kullanılacak tüm metal aksamlar (montaj elemanı, kör kasa, askı elemanı vb.) paslanmaz çelik,daldırma galveniz veya epoksi boya olacaktır. Daldırma galveniz elemanlar, galvenizlendikten sonra delik, kaynak vb. nedenlerle zedelenmeyecektir. 6- Mekanik ve Elektrik tesisat projelerindeki tüm ekipman yerleşimleri, Mimari tavan koordinasyon ve diğer ilgili mimari projeler üzerindeki ölçülere uyularak yapılacaktır.Mekanik ve Elektrik tesisat projeleri üzerinden ölçü alınarak yerleşim yapılmayacaktır.
ÇLYK2 378 Rüzgarlık 2
120 378 ÇLYK2
+0.10 Dolaşım 1 ±0.00 Z-02
Öğrt. Odası
4- Bütün düşey ve yatay betonarme imalatlar çıplak beton olarak imal edilecektir. Yüklenici firma tarafından seçilecek plywood betonarme kalıp sistemi ile bu sisteme uygun olarak ihtisas firmasına hazırlatılacak kalıp projelerinde, fuga,derz,panel boyutu ek yerleri, bulon deliği aralıkları, ölçüler boyut ve cinsine mimari proje müellifi karar verecektir.
120
ÇLYK2 378
9.88 m²
193
MU.014
b. Yüklenici firma tarafından, imalat açısından projelerin birbiriyle uyumu kontrol edilmeden imalata geçilecek olursa,çıkacak olumsuzluklardan proje mimarı (müellifi) ve idare sorumlu olmadığı gibi yapılacak hatalı işler proje mimarının (müellifinin) gerekli gördüğü şekilde düzeltilecektir.Bu durumda yüklenici hiçbir ek bedel talep edemeyecektir. 3- Proje mimarının (mesleki kontrol) ve kontrolluğun karar vereceği imalat kalemlerinin, uygulama aşamasına geçilmeden önce, yüklenici firma tarafından uzman uygulayıcı firmalara, onaylı projedeki sistemlere ve prensip detaylarına uygun olarak, imalat projesi ve detayları hazırlattırılacak. İdareyi temsilen kontrolluğun ve proje mimarının (mesleki kontrol) onayı alınacak, gerek gördüğü takdirde, yüklenici, onaylı imalat projesine göre örnek imalat yaptıracak ve bu örnek imalat üzerinde
Z-14
479
P17 378
120
PN35
120 K1f 240+178
4.79 m²
+0.10 ±0.00 Dolaşım 2
190 323
120
A
+0.10 (49.87) 479 P17 378 -0.40
11.94 m²
Erkek wc Z-07 19.58 m²
Engelli wc Z-08
ÇLYK1 378
Okul Girişi
Z-06
PN36
+0.10 ±0.00
120
MYK1 230
MYK1 230
(49.70) d.z.k.
İD7
3.06 m²
Öğrt. wc Z-11
200
ÇLYK1 378
Zayıf Akım
40 418 PN7a
İD7
Kız wc Z-12 22 m²
90 K8 240+173
450 323
Temizlik o. 2.92 m² Z-09
PN35
DÖK7
200
K5-üstü.menfez
120 K1 240+83
DUK8a TK2a
190 323
Z-10
-2.14 -2.24
24.12 m² DÖK5
MYK1 230
(49.70) d.z.k.
DÖK5 DUK8a TK2a
24.42 m² +0.10 ±0.00
81.4 m²
ISG Uzmanı Doktor muayene odası
185 PN18 240
(t.z.k.) = Tabi zemin kotu (d.z.k.) = Düzenlenmiş zemin kotu (duk) = Mevcut duvar üst kotu
MF3 Menfezi Ø 45 cm
Z-05
14.05 m²
+0.10 (49.87) -0.40
kuranglez
+0.10
1290
P14 282
(49.70) d.z.k.
P15 212
2860
Malzeme Açılımları ve Detay Referans Pafta Numaraları için : Bak.Uygulama Pafta no: MU.000
110
Z-04
MF1 Menfezi Ø45 cm
CAK1 240
Müdür Yrd. 15.06 m²
50
±0.00 (49.77)
MF2 Menfezi Ø 45 cm
-2.14 -2.24
48.77 +0.10 (49.87) d.z.k.
İSTANBUL SİSMİK RİSKİN AZALTILMASI VE ACİL DURUM HAZIRLIK PROJESİ
.8
0
54.40
+0.10 (49.87) d.z.k.
Dilatasyon
±0.00 (49.77)
337. SOKAK 49.92
20
F
C
52.78
MU.016
E
MU.018
MU.015
B
MU.019
+2.16
(49.69) d.z.k.
Zemin Kat Planı 1/50
CAN KUBİN Y. Şehir Plancısı - KEMAL ÖZGÜR Peyzaj Mim. - YÜKSEL ÇETİNKAYA Peyzaj mim.
+22.36
gemici merdiveni
+21.74
CAKx +20.56 Işıklık ÇI1
+19.56
+19.36
+20.44
otomatik ve manuel duman atış kapağı
+19.36
+18.56
Galvanizli Kör somun
+18.56
Galvanizli Kör somun
+15.04
+15.04 1- Projenin tümünün ve binanın telif hakları,Fikir ve Sanat Eserleri Kanunu gereğince proje mimarına (müelliflere) aittir. Müelliflerin 2- a.Yüklenici firma, imalata geçmeden önce; mimari, inşaat mühedisliği, makine mühendisliği, elektrik mühendisliği,alt yapı,peysaj
3- Proje mimarının (mesleki kontrol) ve kontrolluğun karar vereceği imalat kalemlerinin, uygulama aşamasına geçilmeden önce,
+11.52
+11.52 4- Bütün düşey ve yatay betonarme imalatlar çıplak beton olarak imal edilecektir. Yüklenici firma tarafından seçilecek plywood
5- İnşaatta kullanılacak tüm metal aksamlar (montaj elemanı, kör kasa, askı elemanı vb.) paslanmaz çelik,daldırma galveniz veya
Ceple elemanı
arsa sınırı
bak detay pafta no:061
6- Mekanik ve Elektrik tesisat projelerindeki tüm ekipman yerleşimleri, Mimari tavan koordinasyon ve diğer ilgili mimari projeler
+8.58 +8.00
+8.00 Fens teli
basket potası çelik konstrüksiyon
+6.48
ÇS7
+4.13
DUK4a PERFORE DUVAR PANELİ DETAYLARI
MF4 Spor salonu Kirli hava atış menfezi Ø 80 cm
bak detay pafta no:MD.048
10a
Dolgu
F
E
10
9
8a
8
Emici Akustik ahşap perfore duvar paneli (18 mm mdf üzeri ahşap kayın kaplama + cila - 16/32 mm. çap aralıklı, Ø 8 mm. çaplı)
32 32
16 16 16 16 16 16 16 16 36
120x120 panel için masif çerçeve mesafesi
32 32 32 32
32
3.6
103
3.5 5 13.5
5 3.5
120
Elektro galvanizli DKP Kutu Profil konstr 40x40/3mm. +epoksi boya fırın kurutma (ral 9006)
-2.77
5c
5b
5a
5
32
32
60-80
4a
4
43-63
3
2b
DUK4a
Emici Akustik ahşap perforetaşyünü duvar levha paneli40mm. (18 mm(bütün mdf üzeri ahşap kayıntaşkaplama taş yünü plakalar, yünü liflerin + cila ortama - 16/32dağılmasını mm. çap aralıklı, Ø 8 mm. engellemek üzereçaplı)
32 32-36
2a
2
D-D Kesiti
1
36
80x80 panel için masif çerçeve mesafesi
32
60x60 panel için masif çerçeve mesafesi
DUK4a duvar paneli (60x100 cm ve 80x100 cm) perforasyon detayı 1/5
60x60 cm 80x80 cm DUK4a Perfore duvar paneli detayı 1/5
X detayı
18 mm ham mdf kaplamasız Elektro galvanizli 18 mm hamProfil mdf kaplamasız DKP Kutu konstr 40x40/3mm. +epoksi boya fırın kurutma (ral 9006) taşyünü levha 40mm. Emici Akustiktaş ahşap (bütün taş yünü plakalar, yünü liflerin perfore duvar paneli ortama dağılmasını üzerekayın kaplama (18 mmengellemek mdf üzeri ahşap makine dikişi+ileciladikilmiş, - 16/32 yanmaz mm. çap gözenekli aralıklı, Ø 8 mm. çaplı) siyah kumaş kılıf içerisine alınmış olacaktır)
yol 48.27
-4.48 (45.29)
3.5 5
60-80 ''Z'' kancalı alüm. agraf
tretuvar 48.43
32 32
bak detay pafta no:060
4b duvar paneli
±0.00 (49.77)
Fore Kazık Ø 80cm
DD5
TK7
filtre malzemesi Ø 200 - tünel temel drenaj geotekstil keçe
Emici Akustik ahşap perfore duvar paneli (18 mm mdf üzeri ahşap kayın kaplama + cila - 16/32 mm. çap aralıklı, Ø 8 mm. çaplı) B.ARME PERDE DUVAR
3.2
32
4
32
32 32
50 mm. Cam tülü kaplı taşyünü
delik
makine dikişi ile dikilmiş, yanmaz gözenekli siyah kumaş kılıf içerisine alınmış olacaktır)
Elektro galvanizli DKP Kutu Profil konstr 40x40/3mm. duvar paneli +epoksi boya fırın kurutma (ral 9006)
18
42
DUK4a duvar paneli (120x120 cm.) perforasyon detayı 1/5
plan 1/20
3.2
TK7 çizgisel sarkıt armatür
-6.88
5 3.5
3.6
kesit 1/20
TK7
18
5 3.5
19
60-80
40
43-63
3.5 5 13.5
3.6
120
120
3.6
120
çizgisel sarkıt armatür
= Düzenlenmiş zemin kotu (duk) = Mevcut duvar üst kotu Emici Akustik ahşap (d.z.k.) perfore duvar paneli Malzeme Açılımları ve Detay Referans Pafta Numaraları için : Bak.Uygulama Pafta no: MU.000 (18 mm mdf üzeri ahşap kayın kaplama + cila - 16/32 mm. çap aralıklı, Ø 8 mm. çaplı)
50.31
40
(18 mm mdf üzeri ahşap kayın kaplama + cila - 16/32 mm.kesit çap aralıklı, 1/20Ø 8 mm. çaplı)
18 mm ham mdf kaplamasız
Emici Akustik ahşap perfore duvar paneli (18 mm mdf üzeri ahşap kayın kaplama + cila - 16/32 mm. çap aralıklı, Ø 8 mm. çaplı)
TK7
3.5 5
Elektro galvanizli DKP Kutu Profil konstr 40x40/3mm. +epoksi boya fırın kurutma (ral 9006)
Elektro galvanizli DKP Kutu Profil konstr 40x40/3mm. +epoksi boya fırın kurutma (ral 9006) taşyünü levha 40mm. (bütün taş yünü plakalar, taş yünü liflerin ortama dağılmasını engellemek üzere makine dikişi ile dikilmiş, yanmaz gözenekli siyah kumaş kılıf içerisine alınmış olacaktır)
DŞ4a
60-80
120
başlık kirişi
sahne aydınlatma
4
13.5
X detayı
TK7
Sahne
DUK4a duvar paneli (120x120 cm.) perforasyon detayı 1/5
plan 1/20
103
TK7 çizgisel sarkıt armatür
Beton Dolgu
Emici Akustik ahşap perfore duvar paneli (18 mm mdf üzeri ahşap kayın kaplama B + 7acila - 16/32 mm. çap7 aralıklı, Ø 8 mm. 6 çaplı)
120x120 cm. DUK4a PERFORE DUVAR PANELİ DETAYLARI DUK4a Perfore duvar paneli detayı 1/5 Emici Akustik ahşap perfore duvar paneli 5 3.5
DUK4a
TK7
İD1
13.5
120
kesit 1/20
''Z'' kancalı alüm. agraf
TK7 çizgisel sarkıt armatür
TK7
48.60
120x120 cm. DUK4a Perfore duvar paneli detayı 1/5
60-80
60x60 cm
80x801/5cm X detayı
Emici Akustik ahşap perfore duvar paneli (18 mm mdf üzeri ahşap kayın kaplama + cila - 16/32 mm. çap aralıklı, Ø 8 mm. çaplı)
B.ARME PERDE DUVAR
50 mm. Cam tülü kaplı taşyünü
Elektro galvanizli DKP Kutu Profil konstr 40x40/3mm. +epoksi boya fırın kurutma (ral 9006)
18
42
18
19
32 32-36 36
80x80 panel için masif çerçeve mesafesi
32
60x60 panel için masif çerçeve mesafesi
DUK4a Perfore duvar paneli detayı 1/5
delik taşyünü levha 40mm. (bütün taş yünü plakalar, taş yünü liflerin ortama dağılmasını engellemek üzere makine dikişi ile dikilmiş, yanmaz gözenekli siyah kumaş kılıf içerisine alınmış olacaktır)
Emici Akustik ahşap perfore duvar paneli (18 mm mdf üzeri ahşap kayın kaplama + cila - 16/32 mm. çap aralıklı, Ø 8 mm. çaplı)
DUK4a duvar paneli (60x100 cm ve 80x100 cm perforasyon detayı 1/5
kesit 1/20 18 mm ham mdf kaplamasız
60x60 panel için masif çerçeve mesafesi
-4.38 -4.48
32 11
32 32
11a
TK7 çizgisel sarkıt armatür
TK2a+TK7 (kısmi)+ TK7a (kısmi)
3.6
12
TK7a
MU.015
12a
çizgisel sarkıt armatür
temiz hava veriş kanalı Ø 55 cm -1.68
16 16 16 16 16 16 16 16 16 16
16 16 16 16 16 16 16 16
36
MU.018
12b
C
TK7a
kirli hava emiş kanalı Ø 63 cm
DŞ4a DŞ9 -4.48 -4.58
MU.019
12c
MU.016
Emici Akustik ahşap 13 perfore duvar paneli 14 (18 mm mdf üzeri ahşap kayın kaplama + cila - 16/32 mm. çap aralıklı, Ø 8 mm. çaplı)
18 mm ham mdf kaplamasız Elektro galvanizli DKP Kutu Profil konstr 40x40/3mm. Çok Amaçlı Salon +epoksi boya fırın kurutma (ral 9006) B-28 taşyünü levha 40mm. (bütün taş yünü plakalar, taş yünü liflerin ortama dağılmasını engellemek üzere makine dikişi ile dikilmiş, yanmaz gözenekli siyah kumaş kılıf içerisine alınmış olacaktır) TK7a - Emici akustik panel asma tavan (18 mm mdf üzeri ahşap kayın kaplama + cila 16/32 mm. çap aralıklı, Ø 5 mm. çaplı)
Tercüme B-29
Emici Akustik ahşap perfore duvar paneli (18 mm mdf üzeri ahşap kayın kaplama + cila - 16/32 mm. çap aralıklı, Ø 8 mm. çaplı)
X detayı
80x80 panel için masif çerçeve mesafesi
-4.38 -4.445
3.6
32
120
120
DŞ12
3.6
32 32
-4.38 -4.445
Dolaşım B-01
Fuaye B-26
32
bak detay pafta no:058
18 mm ham mdf kaplamasız
-4.48 (45.29)
-1.18
DD1
kuranglez
DUK6 - spor salonu koruma minderi H: 200 cm
ÇS2a
36
-1.60 Cam güvenlik bariyeri
DUK6 - spor salonu koruma minderi H: 200 cm
''Z'' kancalı alüm. agraf
+0.10
±0.00 (49.77)
bak detay pafta no:058
Spor Salonu B-24
taşyünü levha 40mm. (bütün taş yünü plakalar, taş yünü liflerin ortama dağılmasını engellemek üzere makine dikişi ile dikilmiş, yanmaz gözenekli siyah kumaş kılıf içerisine alınmış olacaktır)
Emici Akustik ahşap perfore duvar paneli (18 mm mdf üzeri ahşap kayın kaplama + cila - 16/32 mm. çap aralıklı, Ø 8 mm. çaplı)
-0.90
80x80 panel için masif çerçeve mesafesi
Atatürk Köşesi
bak detay pafta no:046
32
İD1
±0.00 +0.10
DUK6 - spor salonu koruma minderi H: 200 cm
filtre malzemesi Ø 200 - tünel temel drenaj geotekstil keçe
İD2
renkli laminasyon
3.6 Elektro galvanizli DKP Kutu Profil konstr 40x40/3mm. +epoksiDD5boya fırın kurutma (ral 9006)
İD1
Emici Akustik ahşap perfore duvar paneli (18 mm mdf üzeri ahşap kayın kaplama + cila - 16/32 mm. çap aralıklı, Ø 8 mm. çaplı)
renkli laminasyon
36
İD1
renkli laminasyon
66.5
İD1
renkli laminasyon
40
İD1
X detayı
3.2
''Z'' kancalı alüm. agraf
66.5
İD2
kuşak kirişi
Fore Kazık Ø 80cm
+2.00
60-80
İD1
başlık kirişi
+4.48 (54.25)
betonarme duvar - DD1 kaplama arası soğuk kesim fugası
DD1
TK10a 12 mm MDF + doğal ahşap kaplama+ taşyünü levha 50mm.
16 16 16 16 16 16 16 16 16 16
DUK8c
TK2a+ TK10a (kısmi)
4
DUK8c
kirli hava emiş kanalı
4
DUK8c
TK10a
3.2
DUK8c
60-80
DUK8c
60-80
DUK8c
temiz hava veriş kanalı
120x120 panel için masif çerçeve mesafesi
DUK8c
TK10a 12 mm MDF + doğal ahşap kaplama+ taşyünü levha 50mm.
51.85
32
+4.58(54.35)
60x60 panel için masif çerçeve mesafesi
DD1
arsa sınırı
Çelik levha
+4.65
40
X detayı 1/5
06
academic work |bachelor’s degree dıploma project
MUSEUMCAMPUS A Music School in ankara sugar factory campus as AN Industrial Heritage conservation and transformatıon
Ankara Sugar Factory Campus is a representative of the city in the social, cultural and economic development since they were founded.That’s why, the campus, the entire structure and all the machinery that could be industrial objects it contains, has a value as an industrial heritage. the best way to preserve specialized industrial heritage region and its structure is museumisation. In the project, it is aimed to create an environment that can be exhibited by protecting the industrial objects and buildings located in the region and which have a monumental value by turning the factory land into an open air museum.
the project is evaluated among the three highlights
=
the most important representation of an industrial heritage campus: Ankara Sugar Factory
The Sugar Factory is designed as a monumental urban object that represent the idea of social and economical developed of a very new civilization, Turkish Republic.Therefore, the building is transformed a public museum.
22
the factory producing factory:
+ Ankara Machine Factory
The machine factory has large spatial volume in order to produce big machines. The music school is planned to be located in the machine factory because it is the first stage of production just like a school for a Campus.
one of the most important water
+ source of the city: Çubuk Stream Çubuk Stream is also important input for the City of Ankara. the route of the project open air museum designed among these three parameters generate the main pedestrian alle and transform them as museum objects exhibited in the air.
06
academic work |bachelor’s degree dıploma project
MUSEUMCAMPUS: A Music School in ankara sugar factory campus as AN Industrial Heritage
The Machinery Factory was used by positioning the halls in such a way that there is a material supply axis in the middle, and by positioning the machines close to the walls of the halls during the production of machine parts. These traces within the structure of the venue were also continued in the music school setup. The theoretical classrooms to be found in the music school are located on the periphery facing the courtyard, and the creative spaces of the music school are placed on the other side under the name of performance platforms. Performance platforms were created to seek the spatial diversity of creative production. These spaces needed by the music school are diversified under 4 main headings as benefiting from daylight, being seen from outside, being heard from outside and benefiting from green. The ground level of the machine factory is fictionalised as a public space, remaining true to the Museum-Campus idea. Machine production in the memory of the space is exhibited with the machines on the floor, and music production is exhibited with the performance platforms. In addition, the machines placed at the ground level were transformed with various programs such as a museum shop, cafeteria and library. From the ground level to the upper levels, publicity decreases and privatization increases. The aim of the MuseumCampus project is to transform the Sugar Factory’s industrial landscape with the programs of the Music School and add a new dimension to the continuation of production. In this scenario, industrial objects and structures remaining from the Factory become a part of urban life by being exhibited in the MuseumCampus.
cafe
shop
library
24
recording
hammocks
observable exhibited studios natural light studios audible studios natural atmosphere studios reusing post industrial objects
library
07
academic work |4TH GRADE degree project
SPACESCOPE OBSERVATORY HOUSES Roccascalegna, Italy
The nocturnal sky is eternal, sublime and inaccessible. When looking at it, the human being experiences the most ancient sensation and feels overwhelmed by an ancient and inviolable mystery. A mystery that not even the most modern and refined minds can understand, despite efforts and technological progress. Dazzled by the brightness of our metropolis, we often forget the extraordinary vision the vault of heaven can offer us. However, there are still places that are far from lights and cities where the beauty of the infinite appears in its entire splendor. Surrounded by forests and crags, Roccascalegna is one of the places where this magic continues to occur and where the sky keeps on telling its eternal and beautiful story. It is a unique and far place that is both incredibly beautiful and clearly fragile. In fact, the fortress deeply depends on the constant care of the human being to preserve its characteristics and remarkable appearance. Looking from a defined gap is a nice way to focus on landscape. Telescope creates a special relation between observer and the sky. The project’s first aim is to set up such a special relation. We researched for an architectural response of a telescope as a symbol of the connection inbetween two walls. The castle has its own picturesque atmosphere. Because of its attitude and altitude, we try to spread the observation over the whole “spacescope.”
material properties The project basicly proposes a semitransparent transition in the castle. This transition makes the sky first target and creates a new relation with the historical texture. It respects existing pathways and buildings. Structure of the walls is provided by u-profilit material which
26
observatory houses does not damage historical remains. The Pilkington Profilit channel glass wall system consists of self-supporting cast glass channels and an extruded metal perimeter frame. The end result is a wall that obscures vision but allows light to pass through.
The project suggests housing units located on the highest part of the scarp, at the end of the our transition walls. When private parts and public spaces are placed separately, the guests enjoy the beautiful Roccascalegna village view in their rooms.
08
academic work |3rd GRADE degree project
the wall transformation project of an old military area ın ankara
The urban fabric of the Turkish capital rests on undulating Anatolian steppe colored by yellow parched grass. The in-between of the grid is populated by variousness: residential complexes, houses with gardens, business towers, the slums the parks or sports fields, the city’s monuments, shopping malls. And somewhere mysterious, behind a well-guarded wall. These military areas are well rooted in the fabric of this city, so well that nobody remembers the absence of their ubiquity. And very few know of the life behind these walls. Before these military walls, we are busy with the idea of the subconscious that has built us walls. residential walls, and shopping mall walls, and park walls, and office block walls. And Ankara Kalesi walls.Walls everywhere. Ankara, a city in itself, walled stronger then Jericho. The moment of this cognition led us to think of the notion of transformation. So, we rethink the wall.
This new notion of a wall does not just wall-in and wall-out people, events and spaces. It also walls-within. It inhabits the function. It enables the happenings. Through it we show to the people living in a world of identical unanimous walls, what else can constitute of wall.
28
The Wall becomes; a sundeck, a running track, a market place, a summer stage, a resting place, an art gallery, a public monument, a cannopy-hammopy, a playground, a theatrical ap, an outdoor cinema, a skate park, a winter garden, a public garden, a bridge, a workshop place, a board game
park, a pool, a coffee shop, a nieche, a religious facility, a tea shop, a patisserie, a treeline, a simit place, an infirmary, a monumental entrance, a tourist information office, a bicycle park areas, A fountain, a security point, an outdoor dance hall, a bicycle repair workshop, a kiosk.
graphıc work
dıgıtal ıllustratıons SEASONS’ GREETING CARDS + POSTERS
08
graphıc work
MINNE CO BABY BRAND LOGO + CORPORATE IDENTITY
09
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