ARCHITECTURE + ENVIRONMENTS PAC Studio Ltd: 32 Upper Kevin Street, Dublin 8, Republic of Ireland T: +353 (1) 453 0406 w: www.pacstudio.ie e: info@pacstudio.ie Directors: Graham Petrie, MRIAI, ARB, RIBA - Peter Crowley, MRIAI Company Registration Number 443435 VAT Registration 9663801O
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What we look like
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Pan Directions for customising the above colours in Microsoft are available here.
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A suite of secondary colours has been created which complement the primary colour palette. This colour palette can be used by all ClĂşid employees throughout all internal communications, for example, in PowerPoint and Word templates, for items such as diagrams and charts.
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Secondary Colour Palette:
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Pantone 600
C0 M10 Y33 K72
Pantone 405
C15 M0 Y68 K39
Pantone 5767
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Pantone Process Magenta
C0 M90 Y72 K29
Pantone 704
C0 M35 Y90 K0
Pantone 137
C0 M0 Y0 K100
Pantone Process Black
R0 G0 B0 R248 G179 B34 R179 G43 B49 R226 G0 B122 R161 G161 B80 R107 G99 B81 R237 G235 B217
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Where possible, the logo should be set on a white background, avoiding cluttered/ patterned backgrounds. There should be a high contrast between the logo and the background colour. When the logo appears on a dark background the white version must be used. To ensure clear visibility the logo must be surrounded on all sides by adequate clear space. Making a great place to work...
Clúid’s Identity Page 13
The images on the left are from Cluid’s graphic design guidelines (by Red Box); these careful associations of forms, tones, colours and shapes will assist in our process of aligining Cluid’s public identity with the new Cluid offices in Dublin Docklands (image on right). At the simplest level, elements of this graphic indentity will be integrated through signage and other elements of wayfinding. More importantly, these design guidelines have been developed in response to Cluid’s own principles: Professional, Innovative, Respectful, Collaborative, Sustainable In making a working environment, these same values shall apply. The people who work for Cluid are Cluid, and making them a great place to work is our responsibility. This includes making clearance a working environment zone where everyone can carry out their work in comfort, and with adequate space to conduct a range of varying work activities. This environment shall be thermally comfortable and have fresh air across the seasons, with good amounts of daylight, but without the distraction of glare. Acoustics should allow for both team collaboration and individual focus, often in the same space. The workstation shall allow for work to be carried out in the absence of damaging physical or physiological stress. This importantly includes making an environment that is both calm, and sometimes stimulating to be in, one with opportunities to meet colleagues, share and exchange ideas in spaces designed for collaboration through different social settings. Spaces that are full of light, that have views of the weather, that are continuously connected to the changing light across passing seasons. Natural spaces, with materials that are complimentary to the overall atmosphere. Materials that are sustainably sourced, durable and robust in use, and ultimately recycled. Wherever possible, surfaces will rely on the raw material, without reliance of the maintenance of coatings and protective layers. Most importantly of all, this will be a space that is welcoming, homely, wam and familiar. The materials, textures and colours will provide elements of domesticity to the workspace - a space where the Cluid team can continue to lead the way home.
CARPETS The In-line Offline range of carpet tiles from Interface - unique spectrums of flashes of bright colour and muted natural tones and textures are proposed for each floor The 1000 x 250mm format tiles allows a directional emphasis to be established, this is exploited in the pattern connecting the various section on each floor
Above Left: Above:
Range of colours and blends proposed Typical ‘blending’ of colours
CARPETS Typical installations of carpets proposed - note textured carpet on right, proposed in reception ‘garden’
CARPETS Above: Muted tones of carpets in working spaces, directional guidance along circulation route in brighter tones Left: Calmer tones possible, wth subtle linear texture on surface lending directional emphasis in surface
Ceilings Varying timber ceiling types are proposed for particular environments within the Cluid Building reception, meeting rooms, boardroom and cafe - as they allow for the integration of both acoustic, lighting , audiovisual and other equipment within one natural, beautifully textured surface.
Above Left:
Interesting texture and lightness of structu helsp space feel higher, desnisty of timer isclight and exposes some services in the void above
Above: The density of timber is too strong for a lower space and feels oppressive
TIMBER CEILINGS Muted tone in carpet, linoleum writing surface on conference table (demountable) and light ash timber ceiling. The timber is light coloured and dense, with acoustic fabric above to mitigate echo in conference room. All audiovisual equipment/ sliding wall tracks are integrated with the timber slats.
TIMBER CEILINGS The timber is light coloured in the reception, woth integrated speakers and lighting strips conceeled within the texture. The tone of the same ceiling over the walnut-veneered door appears as a darker tone, depending on the aspect of the daylight.
TIMBER CEILINGS A more open timber ceiling in this space and view in the direction of the thin plywood slats gives a more open appearance, with exposed services becoming key to the visual impression. In-built an loose furniture combined to give a structure to these informal lounge spaces.
TIMBER ELEMENTS In these examples, timber, in the form of plywood, cork, veneer and solid hardwood form a variety of inviting places to stop and rest, meet, read or wait. Timber ceiling planes define spaces to pause, individually or collectively.
Timber Ceilings Natural texture of timber lathes, strong graphics, planting all enhance lightness.of tall entrance space.
Top: Strong graphic panel used to indetify recption, in contrast to warm, light yet neutral space. Above: Elements of planting and texture of timber humanise the space.
Ceilings Above: Deep blades of plywood with pendant fitings, complimentary vertical screen, calm Above left: Texture added to surface with ‘random’ patterning - more energetic surface
Reception Above: Above left:
Natural timber, strong geometry and integration of art as reception ‘scene’ White timber and finely textured panelling to front of conter
Reception Above: Warm, robust public countertop, functionality and tidy appearance behind reception Above left: Elements of planting and colour with natural timber in two tones, localised lighting
Reception These pages: Model views of development of reception spaces
Workstation Above: Timber wall, long workstaion wih divides between users, ergonomic chairs, neutral tones throughout. Above left: Natural tone of worsurface changes atmosphere of workspace.Cable management in desktop.
Workstation Above:
Neutral white tones, elements of timber and light carpet feels fresh
Workstation - PAC Studio Mockup Above, Top: Desk with two monitors shown for reference - 1800mm long and 800 mm deep, side and front privacy screens Left: Lateral view through fabric screens allows clear view to exterior
Workstation - PAC Studio Mockup Lateral view above, and perpendicular view, left, showing differing senses of enclousre provided with the proposed fabric shading screens.
Art.Nr. 0050047.0000
FABRICS | REFLECTACOUSTIC
FOR AN OPTIMUM FLOW OF LIGHT: GLARE AND HEAT PROTECTION BY CRÉATION BAUMANN. Reflectacoustic_1
Using metal to control heat, light and acoustics
Création Baumann presents ”Reflectacoustic”, a wo
Reflectacoustic_Detail
The working world is changing at a terrific pace and with it so are the offices: Twin offices are yesterda
open plan interiors with different working zones are the reality. However, open plan offices make exactin
demands for glare and sun protection, privacy as well as efficient temperature control. Expanses wi
reverberant surfaces, such as concrete wall and large glass frontages, require also solutions for th reduction of the stress factor noise. FABRIC SHADES Above: Acoustic, glare and solar heat control proposed as interior fabric screens Left: Varying levels of transparency available to retain sense of exterior conditions
The office of the future must allow for optimal control of heat, light and acoustics. The demands are f Reflectacoustic_1
FABRIC SHADES Above: Variety of pattern intensity of fabric over height Left: Proposed diffused, coloured fabric solar screens
INDOOR PLANTING Above: Plant guide - various health benefits of planting in the workplace Left: Peace Lily, top, and Snake Plant, below
INDOOR PLANTING Left to right: Dragon Tree, Peace Lily, Snake Plant. Larger tree proposed in reception - entrance ‘garden’ to the rear of the pavement line
CAFE Above: Left:
Integrated timber bench, strong graphic identity and lighting in this cafe Natural materials, and flexible use of higher bench for meetings or coffee
CAFE Above: Left:
Consostency of natural finishes in floor and furniture, elements fo planting, sense of calm Discreet lighting and raw timber panels as backdrop to a relaxed dining space
CAFE A range of integrated timber furniture and joinery elements invite a range of potential uses
TIMBER CEILINGS The above example of more structured timber ceilings give a more formal setting. In both examples the timber ceiling compliments the tones of the furniture pieces.