1– 3, NO VEM BER 2011
P R E S E N T A T I O N S CROSSING THE LINE: HAND & TECHNOLOGY IN A CHANGING WORLD
CR OS S I NG T H E L I NE: DRAW I N G I N T H E M ID D LE EA S T
01 AISAN KIANMEHR, VERITAS ARCHITECTS, KUALA LUMPUR CROSSING THE LINE BY DRAWING THE LINE OUT OF THE SPHERE OF IMAGINATION 02 ARASH SALEK URBAN IDENTITY OF MIDDLE EASTERN CITIES POST-STRUCTURAL CONCEPTS
1, T UE SDAY 9:30
2 , W E DNE SDAY
3 , T HUR SDAY
IN A TRADITIONAL REGION 03 BRIAN DOUGAN, AMERICAN UNIVERSITY OF SHARJAH,
9: 30
P R O F. JU LIA TO WNS END
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M A R IA M M O JD EH I
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INTR O D U C TIO N & K EY NO TE:
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COLLEGE OF ARCHITECTURE, ART & DESIGN
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NJA M A H D O U A I
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BEYOND VISUAL DRAWING AS A TRANSDISCIPLINARY PRACTICE
RE GIST R AT I O N T E A / C O F F E E
10:00
OPE N IN G R E M A R K S
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DR. IRE N E B A R B E R I S , D R . M A R C E L O L I M A ,
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JU LIA TO WNS END
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PROF. ST E P H E N FA R T H I N G
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SWEDEN,
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KE YN OT E : P R O F. S T E P H E N FA R T H I N G
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M A ZD A K M O JD EH I
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SUSTAINED INSTABILITY
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B R EA K
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04 MAZDAK MOJDEHI, KTH ROYAL INSTITUTE OF TECHNOLOGY STOCKHOLM,
05 A UREL VON RICHTHOFEN, GERMAN UNIVERSITY OF TECH. IN OMAN
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AISAN K I A N M E H R
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B R EA K
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C H R IS TO S
THE “WAVE-BREAKER”– A NOVEL APPROACH TO COMPUTER AIDED DESIGN
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A U R EL V O N R IC H TH O FEN
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B R EA K
(CAD) REPRESENTATION
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B R EA K
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12:15
L UN CH B R E A K
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LU NC H B R EA K
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LU NC H B R EA K
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A STUDY OF THE SYMBOLISM IN IRANIAN PAINTINGS WITH AN
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ORIENTATION OF PROPHET’S ASCENSION
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ARASH S A L E K
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D R . M A R C ELO LIM A
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K EYNO TE + C O D A
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D R . IR ENE B A R B ER IS –PAGE
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BRIAN D O U G A N
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D R . A M I J. A B O U - B A K R
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MARY CLA R E F O A
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K ELLY C H O R P ENING
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B U S TO S H A R JA H
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ART IST S PA N E L
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-R EA K
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R O TU ND A G A LLER Y
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GRAFFITI & PUBLIC SPACE–3 CONTEMPORARY CASE STUDIES IN
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THE MIDDLE EAST
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AL QUOZ G A L L E R I E S
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A R TIS T PA NEL
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RE CE PT I O N @ TA S H K E E L A R T C E N T E R
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D U B A I INTER NATIO NA L
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FINA NC IA L C ENTER
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PA R TIC IPA NTS
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D INNER –LO C ATIO N TB D
06 A ZADEH MALEKI
07 D R. AMI J. ABOU-BAKR, KING’S COLLEGE LONDON THE POLITICAL IMPLICATIONS OF MAP ‘DRAWINGS’ ON THE MIDDLE EAST 08 KELLY CHORPENING, CAMBERWELL COLLEGE OF ARTS, UNIVERSITY OF THE ARTS, LONDON, BACK TO THE DRAWING BOARD 09 M ARYCLARE FOA SOUNDING WAVES: DRAWING INTO THE MIND’S EYE. DRAWING AS AN INTERSECTION 10 M ARIAM MOJDEHI
DRAWING: A PORTRAIT AND LANDSCAPE, NOTATIONS OF OUR TIME 11 S UTAPA BISWAS, CHELSEA COLLEGE OF ART & DESIGN, UNIVERSITY OF THE ARTS, LONDON DRAWING SUBJECTIVE PERSPECTIVES – TIME IN THE CONTEXT OF VISUAL BEING. 12 JULIA TOWNSEND, AMERICAN UNIVERSITY IN DUBAI EASTERN AND WESTERN PARADIGMS IN DRAWING: KORANIC ILLUMINATION VERSUS THE PICTURE PLANE