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JURASSIC PARK —IN CONCERT FILM WITH ORCHESTRA!
Friday, February 9, 2018 Dell Hall, 8:00 p.m. Peter Bay, conductor Experience this ground-breaking film as never before: projected in HD with a full symphony orchestra performing Williams’ magnificent score live! Get ready for a wild ride that is, Jurassic Park ! Now audiences can experience this ground-breaking film as never before: projected in HD with a full symphony orchestra performing Williams’ magnificent score live to picture. Welcome… to Jurassic Park! #aso107 Jurassic Park Trademark & © Universal Studios. All Rights Reserved.
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Years of Art on Stage After 85 years, ZACH Theatre endures as a multi-faceted jewel of Austin's vibrant arts community, and you are invited to be our guest for the 85th Anniversary Season of gllittering, magical musicals, and hilarious, heartfelt, and vibrant plays. The 2017-18 season will entertain and engage you with creative, passionate, and poignant stories. From the Tony Award "' winning The Curious Incident of the Dog in the Night-nme, to Sondheim's glorious Sunday in the Park with George, and family classics like Goodnight Moon and Disney's Beauty and the Beast-and more-we celebrate 85 years of art on stage.
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MAR 7 I 7:30PM DELL HALL
MAS T E RWOR KS 2017–18 SEASON-AT-A-GLANCE
series
PETER BAY, music director “Bella and the Beast” Friday/Saturday, January 12/13, 2018 Bella Hristova, violin ROSSINI Overture to Semiramide J.S. BACH Brandenburg Concerto No. 3 in G Major, STRAVINSKY Violin C HOVHANESS Celestial Fantasy, Op. 44 F. J. HAYDN Symphony N
BELLA HRISTOVA
Surprise
Triumph “ Over Fate” Friday/Saturday, February 23/24, 2018 Rick Rowley, piano SCHUMANN Manfred Overture, O MACDOWELL Piano Concerto N Op. 23 SCHUMANN Symphony No. 2 in C Op. 61 “Ode to the Organ” Thursday/Saturday, March 22 /24, 2018 Cameron Carpenter, organ JONGEN Symphonie Concertante for Organ and Orchestra, O SAINT-SAËNS Symphony No. 3 in C O Organ “Beethoven’s 5th” Friday/Saturday, April 13/14, 2018 Vadim Gluzman, violin TORKE Bright Blue Music BERNSTEIN Serenade (after Plato’s Symposium) BEETHOVEN Symphony No. 5 in C Op. 67 The “ Mighty Russians, Part 2” Friday/Saturday, May 18/19, 2018 Olga Kern, piano TCHAIKOVSKY-STRAVINSKY “Bluebird”
CAMERON CARPENTER
VADIM GLUZMAN
from Download the app:
TCHAIKOVSKY Piano Concerto N RACHMANINOFF Symphony No. 3 in A
RICK ROWLEY
Op. 44 Op. 44
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OLGA KERN
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11/2/17 11:43 AM
SARAH & ERNEST BUTLER
P O P S series
2017–18 SEASON-AT-A-GLANCE
PETER BAY, music director I HEART THE 80’S™ Friday, December 29, 2017 Saturday, December 30, 2017 Palmer Events Center, 8:00 p.m. Put on your best parachute pants, jelly bracelets, and jean jacket, because the Austin Symphony is transporting you back to the 1980s! Come have the time of your life with music from The Police, George Michael, Michael Jackson, Cyndi Lauper, and so much more! Bring your favorite food dish and enjoy the cabaret-style seating experience!
DECEMBER POPS
JURASSIC PARK IN CONCERT Film with Orchestra Friday, February 9, 2018 Michael & Susan Dell Hall, 8:00 p.m. One of the most thrilling science fiction adventures ever made, and featuring one of John Williams’ most iconic and beloved musical scores, Jurassic Park transformed the movie-going experience for an entire generation and became the highestgrossing film of all time in 1993, winning three Academy Awards®. Masterfully directed by Steven Spielberg and based on the best-selling novel by Michael Crichton, Jurassic Park transports us to a secluded island where scientists have succeeded in reviving the age of dinosaurs in a brand new, immersive theme park, the likes of which have never been seen before.
FEBRUARY POPS
Now audiences can experience this ground-breaking film as never before: projected in HD with a full symphony orchestra performing Williams’ magnificent score live to picture. Welcome… to Jurassic Park! THE RAT PACK!: 100 YEARS OF FRANK!™ Friday, June 1, 2018 Saturday, June 2, 2018 Palmer Events Center, 8:00 p.m.
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It’s hot! It’s cool! These performances celebrate the classic songs of Frank Sinatra, Sammy Davis, Jr., and Dean Martin, such as “Mythe app: “That’s Amore,” “The Lady is a Tramp,” “M Bojangles,” Download Way,” and of course, “New York, New York,” with brand new orchestrations. Choreographed and scripted with original Rat Pack routines, you’ll think you’re swingin’ at the Sands Hotel in Download the app: Las Vegas. Bring your favorite food dish and enjoy the cabaret-style seating, as if you were at the Sands!
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SPONSORS SEASON SPONSOR
MEDIA SPONSORS
HOTEL SPONSOR
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11/2/17 11:44 AM
SPONSORS FOR THE 2017â&#x20AC;&#x201C;18 SEASON
The Rea Charitable Trust
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We educate, entertain, and inspire more than 230,000 members of our community every year through excellent performances, award-winning youth education programs, and free community concerts. Nearly 50% of our performances are completely free to the public. Ticket sales, corporate sponsorships, and government support cover only 60% of our budget. That's where you come in. Can we count on you to help bridge the gap and support your Austin Symphony with a gift to the 2018-19 Annual Fund? Be a source of inspiration: pledge today!
THE AUSTIN SYMPHQ ANNUAL FUND 2018-19
Austin Symphony Donations: (512) 476-6064 or austinsymphony.org
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28792 PAPI BH 1 1_4_2018 SponSor recognition
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The AusTin symphony
The AusTin symphony Wishes To ThAnk ChRisTopheR CheeveR, unDeRWRiTeR
Right to left: christopher cheever—Senior Vice president, Broadway Bank; Stephen Jeffrey—Senior Vice president, Broadway Bank
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28792 PAPI BH 2 1_4_2018 The AusTin symphony
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concert preView
Jurassic Park in ConCeRT Film with orcheStra
Friday, February 9, 2018 Dell hall, 8:00 p.m. peter Bay, conductor experience this ground-breaking film as never before: projected in hD with a full symphony orchestra performing williams’ magnificent score live! get ready for a wild ride that is, Jurassic Park! Featuring one of John williams’ most iconic and beloved musical scores, Jurassic Park transformed the movie-going experience for an entire generation and became the highest-grossing film of all time in 1993, winning three academy awards ®. Jurassic Park Trademark & © Universal Studios. All Rights Reserved.
concert SponSor
SeaSon SponSor
meDia SponSorS
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28792 PAPI BH 3 1_4_2018 concert preView
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The AusTin symphony
“TRiumph oveR FATe” workS By Schumann anD macDowell
Friday & saturday, February 23 & 24, 2018 Dell hall, 8:00 p.m. rick rowley, piano peter Bay, conductor Be our guest for a night of Schumann and pianist rick rowley performing edward macDowell’s piano concerto no. 2. also hear Schumann’s Manfred overture and Symphony no. 2—a work that can be seen as “a Beethovenian triumph over fate/pessimism.” enjoy activities like our pre-concert talk given by Bob Buckalew, playing on stringed instruments provided by our friends at Violins etc., texting with musicians using #aso107, and capturing a memory in front of our photo wall!
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28792 PAPI BH 4 1_4_2018
p re Se n t S
Simon Simón a mult i li ngual mu Si cal pr o g r am
Simon Simón 40 minute interactive musical presentation for elementary students includes roles by narrator, musician character, maestro character, pianist, and chorus performed by women’s Symphony league volunteers teaches children through song the four instrument groups of the symphony orchestra with real instrument demonstrations
Executive Director Alegria Arce Hibbetts
28792 PAPI BH 5 1_4_2018 eDucation programS
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The AusTin symphony
the auStin Symphony JameS c. armStrong youth eDucation enDowment from the nea to develop, in partnership with aiSD, a semester long learning initiative around the concert repertoire. at the culmination of the project, students share original works based on the theme. youth programS
School programS—curriculum-BaSeD
sarah & ernest Butler Texas young Composers Competition & Concert a statewide competition for young texas composers; selected compositions are featured in an aSo concert at the long center’s Dell hall.
Building Blocks of the orchestra aSo musicians introduce instruments of the orchestra and elements of music to Kinderconcerts/halloween students in grades k–3: performances and engaging and entertaining concerts that demonstrations provided by aSo String introduce 4 to 8 year olds to symphonic Quartet, woodwind Quintet, Brass Quintet, music. percussion, and harp. master Classes young people’s Concerts (ypC) aSo guest artists conduct master classes Full-orchestra concert at long center for for area instrumental students. students grades 4 to 6 from aiSD, round side-by-side performance rock iSD, other area districts, and private Various performance opportunities schools. During the concert live images of for instrumental music students to play the musicians are projected on a screen alongside the aSo. behind the orchestra along with images related to the concert theme. a study guide music on the Terrace is created in collaboration with aiSD youth ensembles perform prior to teachers and distributed to each attending selected aSo concerts. school. the program is interdisciplinary, Austin symphony Children’s Day connecting with other subject areas and Art park disciplines. the theme for 2017–18 is Summer art event for children at “notable Sound: patterns, Structure and Symphony Square featuring aSo Form in music.” ensembles, performances by local artists, high school Concerts crafts, storytelling, face painting and Download the app: Connect: annual high School tour to five high more. schools by the full orchestra, serving student Rush Tickets approximately 4,000 students; thematic Download the app:prior to performance, Connect: 20 minutes and interdisciplinary in approach; the tickets are sold for $5.00 with current theme for 2018 is “musical resiliency: student iD. overcoming adversity.” the high School concerts program features a side-by-side for band and orchestra students from participating schools. in 2017–18, the aSo has received a third year of funding
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28792 PAPI BH 6 1_4_2018
SECRETS ARE REVEALED with
MAESTRO BAY
AND THE GUEST A RTIST Join Arbor Series members on Thursdays before each Masterworks Concert as friends gather for an enlightening and always fun lunch at the Four Seasons Hotel. Yet the icing on the cake is during dessert as Peter Bay and the guest artist discuss the score, history of the composer and things you might not have expected to hear that will tantalize and inform you, making the concert that much more enjoyable.
For membership contact
Chairman Pat Cherico at 512 453-8927 or chericopat@aol.com.
ARBOR SERIES
A DELICIOUS JOURNEY
The Arbor Series is a non-profit organization benefitting the Austin Symphony Orchestra
28792 PAPI BH 7 1_4_2018 BOARD OF DIRECTORS/ASO STAFF
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tHe AUStin SymPHOny
2017–18 AUSTIN SYMPHONY ORCHESTRA SOCIETY, INC. BOARD OF DIRECTORS executive Committee Officers Ernest Butler, MD, Chairman Karen Leeke, President Jim Green, Executive VP Janice Abrams, Secretary Carey Gunn Venditti, Asst. Secretary Tom Sellers, Treasurer Bill Bingham, Legal Counsel Ron Jernigan, VP Budget/Finance Marvin Brittman, AVP Budget/Finance Roger Borgelt, VP Business Gifts Jim Denholm, AVP Business Gifts Thomas Vaughn, MD, VP Concert Hospitality Eva Gayle Gibbs, AVP Concert Hospitality Joe Holt, AVP Concert Hospitality William Hopkins, VP Diversity/Comm. Engagement Lee Kugle, VP Education Susan Douglas, AVP Education Linda Van Bavel, VP Endowment Ron Jernigan, AVP Endowment Mary Padgett, VP Govt. Affairs/State Jay Stewart, AVP Govt. Affairs/State Lesley Varghese, AVP Govt. Affairs/City
Kilyong Natho, VP Guest Artists Pamella Bock, AVP Guest Artists Marsha Staats, VP Individual Gifts Anna Speir, AVP Individual Gifts Doug Danforth, VP Nominating Comm. Elena Goyanes, AVP Nominating Comm. Paula Damore, VP Orch. Hospitality Roger Williamson, AVP Orch. Hospitality Jeani Smith, VP Symphony Square Steve Wilson, AVP Symphony Square executive Committee ex-Officio voting members Ernest Butler, MD, Endow. Adv. Chair Don Kotrady, Past ASO President Danny Powell, Past VP Budget/ Finance Eledith Falk, WSL President Molly Benson, WSL President Elect Robert Howden, Knights Chancellor Ben Heitner, BATS President Pat Cherico, Arbor Series Chair Board of directors At-Large John Akin Joy Authur Paul Bancroft Kathleen Bay
Grace Boner Bob Brooks Bill Buchholz Jo Lynne Burgh Stephanie Cagniart Leslie Cedar Wade Cooper Sherri Davis Exalton Delco Robert DeWitt John Fibiger Darren Gibson Bruce Grube Pat Harris Claudette Hartman Mary Ann Heller Jeanne Hoisington Joan Holtzman Karl Holtzman Robert Huthnance Michael Jarratt Charles Kalteyer Bill Kemp Wendy Lary Jonathan Lass Lora Livingston Ralph Mazza Adriel Meditz Rodney Molitor Samantha Omey Jane Parker Reagan Reaud Bill Reid Bill Rice Wayne Roberts Ana Ruelas Alan Sager Susan Salch Anne Schwetmann Jonathan Sessler Larry Smith Bill Stutts Dr. Eric Tiblier Patrick Watkins Jim Whorton Sonia Wilson Marvin Womack
James Woodrick Nancy Young Carlos Zaffirini ex-Officio voting members Dr. Paul Cruz, AISD Superintendent Dr. Steve Flores, RRISD Superintendent Dr. Mary Ellen Poole, UT Butler School of Music Dean Katherine Perez Craig Reid (alternate), BATS Past-President Kurt Moede, Orchestra Rep. non-voting members Anthony Corroa, ASO Executive Director Peter Bay, ASO Music Director Chairman emeritus Jane Sibley directors emeritus Fred Addy Nicci Harrison Burrell Johnston Ben Morgan Sander Shapiro John Youngblood, MD Honorary Advisory Council Dr. Collette Pierce Burnette, Huston–Tillotson Univ. Dr. George Martin, St. Edward’s Univ. Mrs. Custis Wright
ASO AdminiStrAtive StAff executive Anthony J. Corroa, Executive Director Denice Yeagin, Exec. Asst./ Endowment/Facilities
Graham Sattinger, Technical Director Alison Mrowka, Principal Librarian Jessica Alberthal, Assistant Librarian
finance Donna Burch, Controller
education Susan Miville, Director of Education Frank Jenkins, Education Assistant
Artistic/Production Craig Hahn, Director of Operations & Orch. Personnel
Erin Wiegert, Yessenia Zaragoza, Download the Associate/ app: Connect: Development Patron Services & Major Gifts Administrative Associate Lucy Nguyen, technology Development Assistant Eric Marshall, Download the app: Connect: marketing Director of Information Jason Nicholson, Systems Director of Marketing Ushers Rachel Santorelli, Ledenbach, Public Relations & Guest Frances Connect: Download the app: Director of Ushers Artist Relations Manager
Tucker Hull, development Box Office & Patron Todd Waldman, Services Manager Director of Development Download the app:
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28792 PAPI BH 8 1_4_2018 The AusTin symphony
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aSo muSic Director
maestro peter Bay peter Bay became music Director and conductor of the austin Symphony orchestra in 1998. he is also music Director of the hot Springs music Festival (ar), and conductor of the Big Sky Festival orchestra (mt). maestro Bay has appeared with 80 different orchestras including the national, chicago, St. louis, houston, Dallas, Baltimore, new mexico, new Jersey, north carolina, San antonio, Syracuse, tucson, Virginia, west Virginia, colorado, hawaii, Jacksonville, richmond, Sarasota, alabama, arkansas, canton, eugene, Fort worth, Springfield, chattanooga, Bochum (germany), carinthian (austria), lithuanian national, and ecuador national Symphonies, the minnesota and algarve (portugal) orchestras, the louisiana, Buffalo, rhode island, tulsa, Fort wayne, reno, las Vegas, and Boca del rio (mexico) philharmonics, the Saint paul chamber orchestra, the eastman (argento’s postcard from morocco) and aspen (moore’s the Ballad of Baby Doe) opera theaters, and the theater chamber players of the kennedy center. Summer music festival appearances have included aspen (co), music in the mountains (co), grant park and ravinia (il), round top (tX), ok mozart (ok) and Skaneateles (ny). peter is the primary conductor for the aSo’s performances with Ballet austin. he made his austin opera debut in January 2002 with andré previn’s A Streetcar Named Desire, and conducted La traviata in november 2002, Turandot in november 2003, and The Marriage of Figaro in april 2005. other positions held by mr. Bay have included music Director of the erie philharmonic, annapolis Symphony orchestra, Breckenridge music Festival (co), Britt Festival orchestra (or), and posts with the rochester philharmonic
orchestra, Saint paul chamber orchestra, and the richmond Symphony in Virginia. Bay and the austin Symphony orchestra with pianist anton nel have released a critically acclaimed cD of edward Burlingame hill’s music on the Bridge label. Gramophone magazine states “the performances advocate brilliantly for hill. Bay and his austin players are crisp and warm in the symphony, and they collaborate with pinpoint vitality with pianist anton nel.” with the richmond Symphony he recorded the u.S. premiere performance of Britten’s The Sword in the Stone for opus one records. Voices, featuring the percussion ensemble neXuS and the rochester philharmonic orchestra, is available on the nexus label. a native of washington, D.c., mr. Bay is a graduate of the university of maryland and the peabody institute of music. in 1994, he was one of two conductors selected to participate in the leonard Bernstein american conductors program. he was also the first prize winner of the 1980 Baltimore Symphony orchestra young conductors competition and a prize winner of the 1987 leopold Stokowski competition sponsored by the american Symphony orchestra in new york. in July 2012 he appeared in Solo Symphony, a choreographic work created for him by allison orr of Forklift Danceworks. peter can be seen conducting the Barton Strings in the “christopher cross and Friends” pBS broadcast and DVD recorded at the moody theater. he conducted the hanan townshend score for the 2016 film “the Vessel.” peter was inducted into the austin arts hall of Fame in may 2016. he is married to soprano mela Dailey and they have a son colin.
28792 PAPI BH 9 1_4_2018 gueSt artiSt Bella hristova
acclaimed for her passionate, powerful performances, beautiful sound, and compelling command of her instrument, violinist Bella hristova is a young musician with a growing international career. The Strad has praised, “every sound she draws is superb,” and The Washington Post noted that she is “a player of impressive power and control.” ms. hristova’s 2017–18 season features her characteristically rich and wide ranging musical life. She will perform and record Beethoven’s 10 Sonatas for piano and Violin in a nationwide recital tour presented by chamber music new Zealand, with acclaimed pianist michael houstoun. ms. hristova also performs standard concerto repertoire and those by american composers lukas Foss, Samuel Barber, and David ludwig, appearing with the chautauqua, austin, and milwaukee symphonies, among others. as part of her busy and varied career, she performs recitals and chamber music throughout the united States. ms. hristova has performed extensively as soloist with orchestra including with pinchas Zukerman and the orchestra of St. luke’s at lincoln center, with the new york String orchestra under Jaime laredo at carnegie hall, as well as with the Buffalo philharmonic orchestra, the pasadena, charleston, asheville, greenwich, Vermont, kansas city, Delaware, columbus symphonies and orquesta Filarmónica de Boca del río, asturias Symphony orchestra, centro nacional de la música-la orquesta, estonian national Symphony orchestra, canada’s national arts centre orchestra, and korea’s cheongju Symphony orchestra. She has performed recitals at merkin concert hall, the kennedy center, the isabella gardner museum in Boston,
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the weis center for the performing arts, the national museum of women in the arts, the alys Stephens center for the performing arts, Free For all at town hall, the Shanghai international music Festival, and Seoul national university. her most recent recording, Bella Unaccompanied (a.w. tonegold records), features works for solo violin by corigliano, kevin puts, piazzolla, milstein, and J.S. Bach. a proponent of new music and composers, in 2015 ms. hristova commissioned iconic american composer, Joan tower, to compose Second String Force for unaccompanied Violin, which she premiered and performed in recitals throughout the united States and abroad. a sought-after chamber musician, ms. hristova performs frequently with the chamber music Society of lincoln center and at many music festivals including the young concert artists Festivals in tokyo and Beijing, the musica Viva Festival in Sydney, australia, the grand teton Festival, the kingston chamber music Festival, lake tahoe Summerfest, lake champlain music Festival, the Brevard music Festival, music@ menlo, music from angel Fire, chamber music northwest, the Santa Fe chamber music Festival, and the marlboro music Festival. She has appeared on garrison keillor’s A Prairie Home Companion on national public radio. Bella hristova is the recipient of numerous prizes and awards, including a 2013 avery Fisher career grant, First prize in the 2009 young concert artists international auditions, First prize in the 2007 michael hill international Violin competition in new Zealand, and Download laureate of the 2006Connect: international the app: Violin competition of indianapolis. She was awarded the young concert artists’ (yca) helen armstrong Violin Download the app: Connect: Fellowship, the mortimer levitt career Development award for women artists, and the gordon and harriet greenfield Connect: Download the app: Foundation artist management Fellowship of yca. Download the app:
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gueSt artiSt (continueD)
as a result of winning the michael hill international Violin competition, ms. hristova made a critically acclaimed concert tour of new Zealand, and a similarly acclaimed recording of solo violin works by the Belgian virtuoso charles-auguste de Bériot for the naxos label. Music Web International praised her first recording, “…this disc is an absolute winner… the musical diversity of these pieces is a delight. none of which would count for much if they were not played with the extraordinary virtuosity and musical maturity of Bella hristova. … hristova combines jaw-dropping technical prowess with real style.” Born in pleven, Bulgaria, to russian and Bulgarian parents, ms. hristova began violin studies at the age of six. at 12, she participated in master classes with ruggiero ricci at the mozarteum in Salzburg. in 2003, she entered the curtis institute of music, where she worked with yca alumna ida kavafian and studied chamber music with Steven tenenbom. She received her artist Diploma with Jaime laredo at indiana university in 2010. ms. hristova plays a 1655 nicolò amati violin, once owned by the violinist louis krasner.
28792 PAPI BH 11 1_4_2018 orcheStra perSonnel peTeR BAy, music Director/Conductor The Joe R. & Teresa L. Long Conductor Chair violin i Jessica mathaes, Concertmaster The Dr. & Mrs. Ernest C. Butler Concertmaster Chair eugene gratovich, Associate Concertmaster The Roy E. & Linda S. Bush Associate Concertmaster Chair molly emerman, Assistant Concertmaster The Jeff & Gail Kodosky Assistant Concertmaster Chair paula Bird, First Violin IV The Frank & Louise Carpenter First Violin IV Chair robin a. Burwell, First Violin V The Mr. & Mrs. Paul J. Natho, Jr. First Violin V Chair Bruce colson, First Violin VI The Drs. Linda G. & James A. Prentice First Violin VI Chair ashley cooper, First Violin VII The Reagan Reaud First Violin VII Chair David Delambre, First Violin VIII The Carlotta Jan Newsum First Violin VIII Chair eun-mi lee, First Violin IX The Edythe & Aaron Kruger Memorial First Violin IX Chair andy liang esther Sanders karen Stiles Sophie Verhaeghe megan Zapfe violin ii richard kilmer, Principal The Fred C. & Estelle Morse Principal Second Violin Chair Shana Bey, Second Violin II The Lewis Meriwether Hamby Second Violin II Chair helen Bravenec, Second Violin III The Pamella & David Bock Second Violin III Chair Joan ely carlson elizabeth Stoppels girko Steven hakel caleb polashek tracy Seeger georgeann Dubell Shockley Joseph D. Smith roman yearian Sha Zhu viola Bruce williams, Principal The Aneta S. Mitchell Trust Principal Viola Chair Blake turner, Assistant Principal ames asbell, Viola II The James C. Armstrong Viola II Chair Stephen J. Buckles, Viola III The Barbara Harris Polomé Memorial Chair martha carapetyan, Viola IV The Drs. Glenn & Marsha Staats Viola IV Chair alejandro Duque eugénie edmonds lana harris emma martin amy pikler Jill Van gee
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Cello Douglas harvey, Principal The Sam & Sonia Wilson Principal Cello Chair anna park, Assistant Principal matthew armbruster, Cello II The Steve A. Wilson & Family Cello II Chair carolyn Blubaugh-hagler, Cello III The Sharon E. Wilson Cello III Chair erna rumney Buckles, Cello IV The Thomas & Karen Vaughn Cello IV Chair margaret coltman, Cello V The Martin S. Kermacy Cello V Chair Frank Jenkins, Cello VI The Cynthia M. & Scott E. Wilson Cello VI Chair Sara nelson, Cello VII The Sterling Wilson Family Cello VII Chair charles prewitt, Cello VIII The S & S Wilson Grandchildren Cello VIII Chair muriel Beth Sanders, Cello IX Jonathan L. Sessler, Ph.D. Cello IX Chair Double Bass Jonathan rouse, Principal The Dr. Giles & Margie Andrews Principal Double Bass Chair David Dawson Cornelia Adams Foster Wood Double Bass II Chair paul Determan christopher Flores william gowen Bebo Shiu p. kellach waddle Flute rebecca garfield, Principal The Wolf & Janet Jessen Principal Flute Chair rachel lopez, Flute II The Edgar & Patricia Harris Flute II Chair elizabeth castaño, Flute III and Piccolo The Sherrill Family Foundation Flute III & Piccolo Chair oboe Julianne webner, Principal The Eva & Marvin Womack Principal Oboe Chair ian Davidson, Associate Principal/English Horn The Kuglen Foundation Associate Principal Oboe/English Horn Chair Stanley chyi, Oboe III The Mr. & Mrs. Loren F. Kahle, Jr. Oboe III Chair Download the app:
Clarinet Stephen girko, Principal The Phil & Ruth Kohlhaas Principal Clarinet Chair hilary Scop, Clarinet II Download the app: The Ward & Victoria Cheney Clarinet II Chair andrew leonard, Clarinet III & Bass Clarinet The Fruchter Family Download Clarinet III & Bass Clarinet Chairthe app:
The AusTin symphony Daris word hale, Bassoon II The Neal & Ida Weaver Bassoon II Chair Daniel chrisman, Bassoon III & Contrabassoon The Joseph & Charlene Trochta Contrabassoon Chair French horn thomas hale, Principal The Mary & Fred C. Morse, Jr. Principal French Horn Chair kurt moede, Associate Principal The Mr. & Mrs. Howard W. Parker Associate Principal French Horn Chair ed tschoepe, French Horn II The Grace & Charles Bonner French Horn II Chair margaret ayer, French Horn IV The Barbara & John Fibiger French Horn IV Chair Trumpet robert cannon, Principal The Sally Lipscomb Bybee Principal Trumpet Chair kyle koronka, Trumpet II The Katherine & Philip Patman Trumpet II Chair timothy Shaffer, Trumpet III The Martin S. Kermacy Trumpet III Chair Trombone Brenda Sansig Salas, Principal The Mr. & Mrs. Kevin B. Rollins Principal Trombone Chair r. Ben osborne, Trombone II The Judith & Charles N. Renneker Trombone II Chair J. philip arno, Bass Trombone The Dr. & Mrs. Craig C. Kuglen Bass Trombone Chair Tuba Steven c. curtis, Principal The William & Bettye Nowlin Principal Tuba Chair Timpani tony edwards, Principal The Lee & Pauline Kirkwood Principal Timpani Chair percussion genaro gonzalez, Principal The Margaret & Doug Danforth Principal Percussion Chair richard w. Berkley, Percussion II The Wendi & Brian Kushner Percussion II Chair Blake taylor, Percussion III The Mr. & Mrs. Robert L. Renneker Percussion III Chair harp elaine Barber, Principal Connect: The Elizabeth Willis Principal Harp Chair piano/Celesta alex maynegre-torra, Principal The JoanConnect: King Holtzman Principal Keyboard Chair Assistant Conductor tamara Dworetz Connect: paul grobey
Bassoon Library william D. lewis, Principal alison mrowka, Principal Librarian The Mr. & Mrs. William T. Gunn, III Jessica alberthal, Assistant Librarian Principal Bassoon Chair Download the app: Connect:
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Gioachino Rossini (1792–1868) overture to Semiramide one of the most prolific opera composers of all time, gioachino rossini wrote nearly 40 operas, both serious and comic, by the time he was 37—then quit. For the rest of his long life he composed only sporadically and, except for church music, mostly small works he tossed off for the entertainment of his friends. he published more than 150 musical miniatures in a collection that he called Péchés de vieillesse (Sins of old age). Semiramide was one of rossini’s ventures into opera seria. written on commission for Venice’s famed teatro la Fenice, it was his last opera for the italian stage before moving to France. Based on Voltaire’s play Semiramis, it is an oedipal tale about the Babylonian queen who connives with her lover to kill her husband but in turn falls in love with a young general, arsace, who, unknown to Semiramide or himself, is actually her son prince nina. it ends with arsace killing the guilty queen, condemning her lover to death and ascending the throne. according to his contract, rossini had 40 days to write the opera, but it took him only 33. the overture took him just a few hours—perhaps why it sounds so spontaneous and fresh. it is one of the few overtures rossini wrote that actually “belongs” to the opera it precedes, not borrowed from another one. in the long, slow introduction, four French horns intone a hymn-like passage from act i, while the main body of the overture begins with a theme from the introduction to the opera’s final scene.
Johann sebastian Bach (1685–1750) Brandenburg concerto no. 3 in g major, BwV 1048 the six Brandenburg concertos stand at the crossroads in musical history where chamber music and orchestral music went their separate ways. titled Concerts à plusieurs instruments (concertos for various instruments), the set was dedicated to christian ludwig, margrave of Brandenburg, who employed a modest orchestra that was in all probability too small and inexpert to play them. the Dedication Score, including Bach’s obsequious cover letter, has survived and now resides in the Deutsche Staatsbibliothek in Berlin. the mint condition of the manuscript indicates that the margrave’s orchestra seldom, if ever, performed them. these same concertos, however, were probably common fare at the court of leopold, prince of anhalt-köthen, Bach’s employer. letters and records indicate that the personnel in the köthen orchestra corresponded closely to the instrumental requirements of the concertos. Four of them, nos. 1, 2, 4 and 5, are true concerti grossi, requiring a solo instrument or group of instruments, requirements that correspond closely to better players in the prince’s orchestra. Bach assembled the concertos between 1718 and 1721, although parts may have been written as early as 1708, borrowed from various orchestral works that Bach had already written over the years as courtly entertainment music on the highest level. Such recycling was standard practice for overworked composers of the 17th and 18th centuries. the concerto no. 3 is a true ensemble work, as if composed for a group of friends spending a musical evening together. in its original form it interweaves three groups of strings, each one consisting of a violin, a viola, and a cello, playing
28792 PAPI BH 13 1_4_2018 noteS on the program in turn the concertino (small group of instruments), and coming together to play the ripieno (all together). in other words, all nine musicians share in the solo parts equally. a harpsichord and a violone (a large viola da gamba), or double bass, fill out the continuo. in the last movement the violone joins the three cellos in unison throughout. the most unusual aspect of this concerto is the absence of a slow central movement. in its place Bach wrote a one-bar time signature plus two eighth-note chords. Some scholars speculate that the composer intended for one or two of the soloists to improvise the slow movement, ending with a cadence on the chords he specifically notated. the dedication score in the Deutsche Staatsbibliothek in Berlin gives no clue as to Bach’s intentions. the outer movements are essentially the spinning out and free variations on a single theme. the first movement roughly follows an a-B-a form with an excursion into the minor mode but no really new music for the “B” section. the third movement is literally a grand chase, full of Bach’s characteristic canons, involving all the instruments. it certainly puts the lie to the stereotype that canons are stuffy. igor stravinsky (1882 –1971) Violin concerto in D major late in 1930, willy Strecker, head of the prestigious german publishing house, Schott & Sons and igor Stravinsky’s new publisher, suggested that he write a violin concerto for Samuel Dushkin (1891–1976). the whole enterprise was to be financed by Dushkin’s patron, Blair Fairchild, himself a composer and pianist from a well-to-do family. Stravinsky, suspicious of virtuosi and disliking empty showmanship, demurred, especially when Strecker suggested that Dushkin help him with the technical aspects of violin playing. But eventually he relented
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and agreed to meet Dushkin, with the result that the two became close friends. the concerto became a cooperative enterprise, composer and violinist conferring closely on the fine points of technique and expression. as Dushkin wrote: “my function was to advise Stravinsky how his ideas could best be adapted to the exigencies of the violin as a concert display instrument.” Stravinsky finished the concerto in September 1931, and Dushkin premiered it a month later with the composer conducting the rundfunk-Sinfonieorchester Berlin (Berlin radio Symphony orchestra). at the head of the score, Stravinsky thanked the violinist profusely for his help. During the same period, he composed several more pieces for Dushkin, including an arrangement for violin and piano of selections from the ballet, Pulcinella, entitled Suite italienne, and the Duo for Violin and piano. then, the two went on tour throughout germany where they received enthusiastic reviews—ironically, on the eve of hitler’s election as chancellor and the subsequent demise of musical modernism in germany until after the war. Stravinsky always insisted that, “rhythm and motion, not the elements of feeling, are the foundations of musical art.” this philosophy is readily apparent in the Violin concerto. the composer maintained that the concerto was composed in homage to J.S. Bach, especially to the concerto for two Violins in D minor, BwV 1043. Stravinsky’s debt to Bach is reflected in the last movement, where he inserted a duet between the soloist and a violinist from the orchestra. opposed to violin virtuosity for its own sake, Stravinsky wrote no cadenza. the Violin belongs Download the concerto app: Connect: to Stravinsky’s neoclassical period, which followed upon world war i and the long, fruitful early “russian” period of the Download the app: Connect: great ballets, Firebird, The Rite of Spring, and Petrushka. By contrast, Stravinsky’s neoclassicism returned to classical forms Connect: Download the app: and literary themes (such as the opera Oedipus Rex and the ballet Apollo) upon which he superimposed his distinctly Download the app:
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noteS on the program
angular melodic and rhythmic signature. the concerto opens with a widely spaced triple-stopped chord that Dushkin initially told the composer was “impossible to play.” Stravinsky called it “a passport to the music” and obviously prevailed; it is repeated throughout the work, most notably at the beginning of each subsequent movement. the first movement, toccata, is in classic sonata-allegro form with a wide array of diverse themes and textures. Stravinsky gives the two middle movements the title “aria,” recalling their Baroque antecedents in the da capo (a-B-a) arias that were de rigueur in both opera and Bach’s cantatas. in the first aria, a reference to Bach is apparent in its canonic counterpoint; in the second one, a poignant adagio theme and sinuous contrapuntal lines in the violin, take a backward look at Bach’s most emotive writing. likewise, the Finale, Capriccio, contains the spiky Stravinsky lines along with contrapuntal duets between the violin and orchestral soloists. the frequent changes in texture, melodic line and meter illustrate the aptness of the title of the movement. Alan hovhaness (1911–2000) Celestial Fantasy, op. 44 a prolific american composer of armenian descent, alan hovhaness chakmakjian studied music at the new england conservatory. he is best known for his orchestral composition, And God Created Great Whales, op. 229, no. 1, in which a tape recording of the voices of humpback whales is used as a solo with the orchestra. the popularity of the work did much to curtail the hunting of these giant mammals. in most of his works, hovhaness made extensive use of indigenous armenian melodies and modal scales. his style is described as “transcendental” or “religious.” after his explorations of
armenian folk music in the 1940s and ’50s, he studied indian ragas and Japanese and korean music, incorporating these styles into his compositions as well. he viewed his own work in a spiritual light, writing: “armenian music belongs to the ancient world when ragas, melody lines, and talas, rhythmic lines, were main pillars of universal music. when music was melody and rhythm, when each melodic combination was a gift of the gods, each rhythmic combination was a mantram to unlock a key of power in nature, then music was one of the mysteries of the elements, of the planetary systems, of the worlds, visible and invisible.” hovhaness composed the Celestial Fantasy for string orchestra in 1944, based on earlier work from 1935. he dedicated it to the poet and Saint nerses Shnorhali, who led the armenian church early in the 12th century. the work resembles a Bach prelude and fugue, beginning with a free-flowing melody in the low strings which leads into a four-voice fugue, related modally to the initial melody. Franz Joseph haydn (1732–1809) Symphony no. 94 in g major, Surprise on new year’s Day 1791, Franz Joseph haydn made the first of two extended trips to london at the invitation of the impresario Johann peter Salomon and actually considered settling there for good. Salomon, violinist, conductor and concertmaster of his own orchestra, had been writing to haydn for some time in an attempt to get him to come to london, but to no avail. when haydn’s lifelong patron, nikolaus i, prince esterházy, died and the family disbanded the orchestra, the composer was suddenly a free agent. capitalizing on the situation, Salomon personally went to Vienna to “fetch” haydn with a princely lure of £1200, and haydn bit. he composed numerous
28792 PAPI BH 15 1_4_2018 noteS on the program works for performance at Salomon’s concerts, primarily his last 12 symphonies (nos. 93–104, known today as the “london” or “Salomon” symphonies). these concerts, like most concerts of the time, went on for hours and were a mixed bag, including vocal, chamber, and orchestral pieces. For the decade of the 1790s, their star attraction was haydn’s music. the Salomon concerts were so successful that a rival organization, the “professional concerts,” tried to seduce haydn away from Salomon with even higher fees. always a man of principle, haydn refused, and the professional concerts hired his former student ignace Joseph pleyel to provide a new work for every concert, now openly suggesting that haydn was past his prime anyway. But by 1793, the professional concerts had gone under, and the old man reigned supreme. haydn arrived for his first season in london armed with a number of new works, but his huge popularity demanded more and more from his pen. in the summer of 1791 he retreated to the countryside to compose; the Symphony no. 94 was actually the fourth of the 12 to be finished. premiered in march, 1792, it was a tremendous success, with one newspaper stating: “the second movement was the happiest of this great master’s conceptions. the surprise might not be unaptly [sic] likened to the situation of a beautiful shepherdess who, lulled to slumber by the murmur of a distant waterfall, starts alarmed by the unexpected firing of a fowling-piece. the flute obbligato was delicious.” the reference was to the second movement, andante, a theme and four variations in which an unexpected fortissimo accompanied by the timpani interrupts the gentle reverie. the rumor, now legend, that haydn had written in the famous chord to “wake up” the english audience—or one member thereof—who fell asleep at his concert became immediately so widespread that haydn himself had to refute it. instead, he claimed that he had wanted to make a
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grand statement to ensure that his concerts would outshine those of his student pleyel, whose rival series had opened the previous week. it is clear, however, that haydn was speaking tongue-in-cheek, as he maintained a close friendship with pleyel while the two were ostensibly slugging it out. the Symphony opens with haydn’s customary slow introduction. the movement is written in sonata form but with only one true theme. although in most hands, the result would have been monotonous indeed, haydn spins out every fragment of the melody, using surprising key changes and transitions. the andante theme and variations packs more than one surprise. while the first variation goes without a hitch, the second goes off on a musical tangent, beginning in the minor and suddenly changing key. For 21st-century listeners, this kind of diversion seems trivial, but if we listen with the ears of haydn’s audience, we understand their delight at having their expectations thwarted. haydn’s minuets were always the least bit clunky—more like the peasant ländler than a court dance. with the help of the timpani, no. 94’s is particularly so. the Finale is another sonata form, a flexible structure that haydn was partial to. the surprise in this movement is the long coda, which, with its unusual key changes, is more like another development section. program notes by: Joseph & elizabeth kahn wordpros@mindspring.com www.wordprosmusic.com
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SponSor recognition
the auStin Symphony wiSheS to thank our SponSorS For helping to make thiS eVening’S perFormance poSSiBle.
as a financial institution firmly rooted in texas soil, Frost has served the diverse financial needs of texans and texas businesses for six generations. throughout our history, our culture has been woven into the fabric of the communities we serve, and we are privileged to support civic institutions like the austin Symphony orchestra that strengthen and enrich the community. a premier organization in austin’s arts community, austin Symphony orchestra represents quality and commitment to artistic excellence, and we are proud to help sustain it.
Texas mutual is a proud supporter and business partner of the austin Symphony orchestra. as the city’s oldest performing arts group, the aSo is a key component of the austin cultural community. texas mutual believes that a strong cultural scene is important to the continued success of austin. Jeremiah Bentley Senior Manager, Marketing & Community Affairs
28792 PAPI BH 17 1_4_2018 tonight’S program
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107th concert Season | 2017–18 peter Bay, music Director Friday, January 12, 2018 Saturday, January 13, 2018 8:00 p.m. michael & Susan Dell hall long center for the performing arts BeLLA hRisTovA, Violin peTeR BAy, conDuctor the FreD anD marilyn aDDy claSSical artiSt SerieS
“Bella anD the BeaSt” pRoGRAm gioachino roSSini Johann SeBaStian Bach
igor StraVinSky
overture to Semiramide Brandenburg concerto no. 3 in g major, BwV 1048 allegro adagio allegro Violin concerto in D major toccata aria i aria ii capriccio inTeRmission
alan hoVhaneSS FranZ JoSeph hayDn
Celestial Fantasy, op. 44 Symphony no. 94 in g major, Surprise adagio—Vivace assai andante menuetto: allegro molto Finale: presto
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in consideration of the musicians and fellow patrons, late arrivals will not be seated until a suitable pause in the music. the use of recording devices and Download the app: cameras is not permitted in the concert hall. please turn off allConnect: cell phones and watch alarms for the duration of the performance. Download the app:
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enDowment FunD
The symphony 2000 enDoWmenT FunD CAmpAiGn $1,000,000+ Sarah & ernest Butler pops Series Dr. & Mrs. Ernest C. Butler* Fred & marilyn addy classical artist Series Mr. & Mrs. Frederick S. Addy James c. armstrong youth education endowment James C. Armstrong hartman Foundation concerts in the park Series David & Claudette Hartman Sarah & ernest Butler texas young composers Dr. & Mrs. Ernest C. Butler* competition & concert $500,000 conductor’s chair Joe R. & Teresa L. Long $100,000–$499,999 the Jane Sibley presidential endowment Dr. D. J. Sibley, Jr. Estate executive Director chair Wolf & Janet Jessen Fund* associate conductor chair Women’s Symphony League of Austin concertmaster chair Dr. & Mrs. Ernest C. Butler* youth education RGK Foundation youth education Women’s Symphony League of Austin* general Support John & Dixie Paulos general Support Brenda & Larry Smith Jennifer Bourianoff String education Fund Linda and George Bourianoff $50,000– $99,999 associate concertmaster chair Roy E. & Linda S. Bush* assistant concertmaster chair Jeff & Gail Kodosky* principal Second Violin chair Fred C. & Estelle Morse principal Viola chair Aneta S. Mitchell Trust* principal cello chair Sam & Sonia Wilson* principal Double Bass chair Dr. Giles & Margie Andrews principal Flute chair Wolf & Janet Jessen Fund* principal oboe chair Eva & Marvin Womack principal clarinet chair Phil & Ruth Kohlhaas* principal Bassoon chair Mr. & Mrs. William T. Gunn, III principal French horn chair Mary & Fred C. Morse, Jr.* principal trumpet chair Sally Lipscomb Bybee principal trombone chair Mr. & Mrs. Kevin B. Rollins principal tuba chair William & Bettye Nowlin principal timpani chair Lee & Pauline Kirkwood principal percussion chair Margaret & Doug Danforth principal harp chair Sarah Biedenharn principal piano/keyboard chair Joan King Holtzman* general Support First State Bank* general Support Dr. JoAnn James $25,000– $30,000 First Violin iV chair—Frank & Louise Carpenter oboe iii /english horn chair—Mr. & Mrs. Loren F. Kahle, Jr. First Violin V chair—Mr. & Mrs. Paul J. Natho, Jr.* clarinet ii chair—Ward & Victoria Cheney First Violin Vi chair—Drs. Linda G. & James A. Prentice* clarinet iii & Bass clarinet chair—Fruchter Family First Violin Vii chair—Reagan Reaud Bassoon ii chair—Neal & Ida Weaver First Violin Viii chair—Carlotta Jane Newsum contrabassoon chair—Joseph & Charlene Trochta First Violin iX chair—Edythe & Aaron Kruger Memorial associate principal French horn chair— Second Violin ii chair—Lewis Meriwether Hamby Mr. & Mrs. Howard W. Parker* Second Violin chair iii—Pamella & David Bock French horn ii chair—Grace & Charles Bonner assistant principal Viola chair—Suzanne & John French horn iV chair—Barbara & John Fibiger McFarlane trumpet ii chair—Katherine & Philip Patman Viola ii chair—James C. Armstrong* trumpet iii chair—Martin S. Kermacy Viola iii chair—Barbara Harris Polomé Memorial trombone ii chair—Judith & Charles N. Renneker Viola iV chair—Drs. Glenn & Marsha Staats Bass trombone chair—Dr. & Mrs. Craig C. Kuglen cello ii chair—Steve A. Wilson & Family* percussion ii chair—Wendi & Brian Kushner cello iii chair—Sharon E. Wilson* percussion iii chair—Mr. & Mrs. Robert L. Renneker cello iV chair—Thomas & Karen Vaughn* percussion Fund: Bass Drum— cello V chair—Martin S. Kermacy Dr. Eric S. Tiblier & Susanne Tetzlaff cello Vi chair—Cynthia M. & Scott E. Wilson percussion Fund: Xylophone—The Brittman Legacy Fund cello Vii chair—Sterling Wilson Family youth education—Anonymous cello Viii chair—S & S Wilson Grandchildren youth education—Goyanes Family Foundation cello iX chair—Jonathan L. Sessler, Ph. D. general Support—Connie Britt Double Bass ii chair—Cornelia Adams Foster Wood general Support—Araminta & Tom Sellers Flute ii chair—Edgar & Patricia Harris* general Support—Knights of the Symphony Flute iii & piccolo chair—Sherrill Family Foundation associate principal oboe chair— Kuglen Foundation
28792 PAPI BH 19 1_4_2018 enDowment FunD Shannon h. armstrong* american Bank of commerce* austin community Foundation—the Jordan Fund* austin community Foundation— emmett & Joyce Shelton Fund* katherine knight Baker* rhoda & Stuart Benson Sally lipscomb Bybee* Dr. Josie e. champion* the clarke Family Foundation
$10,000 –$24,999 eve everett Fish estate c. Dean & mollie Davis Sandra & Bill Didlake Jo a. & Billie Jo graves mr. & mrs. James D. green, Jr. peggy gunn education Fund nicci harrison* Van & Jeanne hoisington* Dr. michael & marcie Jarratt melissa Jones anita killen estate
John h. akin* Surrenden hill angly/ hill country pools, inc. paul & clara Bancroft Dr. & mrs. John Blewett the charles Bonner Family John Bustin memorial Fund mina a. Brees w. gray & patricia a. Bryant ameilia Bullock/Bill krumpack malcolm & robin cooper mr. & mrs. george m. cowden* paula & Stuart Damore margaret & Doug Danforth Frances Danforth estate* John & elaine Darby
Dr. & mrs. thomas Friedman george & eva gayle gibbs* gratitude Foundation Dr. & mrs. l. D. greenway Jose & Bertha guerra lena p. hickman estate* Joe & Sonja holt James & patty huffines mr. & mrs. Burrell Johnston neal t. “Buddy” & ginny Jones* mrs. J. r. kingsbery* mr. & mrs. Donald kotrady lee m. kugle karen & paul leeke mr. & mrs. alex massad John & mary mcgovern
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The AusTin symphony ronya & george kozmetsky* george parsons & Janet Strohmeyer potts & Sibley Foundation* andre & halina pradzynski Dr. alan & Susan Sager* Barbara & leon a. Schmidt Dr. & mrs. D. J. Sibley, Jr.* ms. custis wright* lola wright Foundation
$3,000–$9,999
Dr. & mrs. David abrams richard & mary aldrich mr. & mrs. John r. alford, Jr. anonymous austin community Foundation— austin Sesquicentennial Fund* eric Behrens carolyn Biebas & Donald patrick mr. & mrs. william h Bingham kathy & Stephen Bolner roger & mary ellen Borgelt Floyd B. Bowen, Jr. mr. & mrs. melvin Bryant richard Burciaga Jo lynne Burgh* Dr. & mrs. howard Burt Stephanie Frederique cagniart Dr. meria carstarphen Susan g. conway & John r. howell mr. & mrs. c. wade cooper ralph h. & Beverly g. Daugherty mr. & mrs. gary J. Davis Dr. exalton a. Delco, Jr. Susan & David Douglas Scott Duff & lana harris Debbie & Jim epperson Dr. & mrs. robert a. ersek margaret lewis Furse Dr. & mrs. Joseph h. goldberger* Jim & ann gribble rachel & louis gwin andrew & mary ann heller Drs. Jim & mary hensley mr. & mrs. kurt B. heusner
tom & kerri neville mrs. edmund l. pincoffs maria Dewaal putter Bill & Bitsy rice rod c. roberts lorene l. rogers edward Z. Safady* kirk & Jennifer Schell Dr. & mrs. elwyn Speir Jay & Sherrie Stewart Bill Stutts kathy tally linda Butler van Bavel water Street Seafood co. mr. & mrs. herschel J. wood, Jr.
Gifts to $2,999 Dr. & mrs. David m. himmelblau* kirk & cindy price Family mr. & mrs. Buck hollister Foundation william e. hopkins Vicki & Jim rado robert t. huthnance mr. & mrs. John reesing* thomas l. Johnson thomas e. remp* charles & alicean kalteyer* ronney reynolds* mr. & mrs. william F. kemp pat & carol robertson Diana & terry kendall* charles & Jan roesslein mr. michael B. kentor & mr. & mrs. Bruce romig Dr. margaret m. thompson kenneth rygler & Betty & Bill king patricia Brown Debbie & ken kitchen* Steve Samford Joan wright knaggs* robin & tom Segesta wendi & Brian kushner Sander & lottie Shapiro kate lacey eric m. Shepperd Jonathan & Julie lass mr. & mrs. michael l. Slack helen lea Jeani Sandefer Smith & lora J. livingston col. John w. Smith, iii* gilbert m. & louise m. martinez thomas w. Snead Joseph n. matlock mr. & mrs. phil Spertus maxwell locke & ritter, llp mr. & mrs. george Strandtmann carol D. mccann Bob Strauser & terri Seales* Shawn & Valerie mckenzie Sharlene & John Strawbridge laura merritt & philip & rebecca Svahn John p. kloninger carey gunn Venditti Dr. robert D. mettlen Download the app: patrick & misty watkins Connect: Ben & laree morgan pete & tomi winstead Dr. & mrs. n. D. moscoe, iii Jim & Frances woodrick russell & cecilia neuhaus carlos n. Zaffirini, Jr. kristy ozmun & Bill cryer leslie & lupe Zamarripa Download the app: Connect: mr. & mrs. edward padgett michael & kathleen polcari *Charter Donor mr. & mrs. Daniel B. powell, iii Download the app:
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these members of the Symphony family have pledged their support to the endowment Fund or established special funds to assure the orchestra’s continued excellence for future generations. all those who pledge $10,000 or more over a fiveyear period will become members of Symphony 2000. Beginning at the $25,000 level, funds are named in perpetuity. many opportunities are available to endow chairs of the orchestra, endow concerts, guest artists or educational programs of the austin Symphony or establish legacies for honored individuals. please contact Denice yeagin at the Connect: austin Symphony office, (512) 476-6064, for more information. Download the app:
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28792 PAPI BH 20 1_4_2018 THE AUSTIN SYMpHONY
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ENDOWMENT FUND
SIBLEY ENCORE SOCIETY In recognition of the unparalleled dedication of Jane and D. J. Sibley, Jr., the Sibley Encore Society has been established. Their unwavering support of the Symphony has been crucial to its growth and increased excellence. Jane’s outstanding leadership as President of the Austin Symphony Society from 1971 to 1996 has resulted in the orchestra’s strong community backing and national recognition for its performances and programs. The Sibley Encore Society recognizes those devoted friends of the Austin Symphony who through their wills or other planned gifts help to perpetuate great music for future generations. The Austin Symphony expresses its appreciation to those who have named the Symphony in their wills or established another form of planned gift. ~The Moto Perpetuo Society is a newly established club for loyal and generous donors who recognize the Austin Symphony in their bequests or other long range charitable giving plans, at a level of $100,000 and above. Fred & Marilyn Addy Kathleen Ford Bay* Mary Cochran Bohls George & Linda Bourianoff Marietta Moody Brooks* Roy E. & Linda S. Bush* Roy J. Cates* Malcolm & Robin Cooper Frances Mueller Danforth* Ann & Jim Downing Malcolm & Marilyn H. Ferguson Eve Everett Fish Estate Benjamin & Dorothy Fruchter Darren G. Gibson ~ Col. Ben I. Gomez, Ret. USAF Jo A. & Billie Jo Graves Bruce & Kathryn Grube ~ Delno John Grosenheider Estate Edgar & Patricia Harris*
Lena P. Hickman Estate* Dr. Jo Ann James Estate Ronald C. Jernigan ~ Lee Gose Jones Estate Martin S. Kermacy Estate Mrs. Lee Kirkwood Karen E. Landa Mike Buxtehude LeBurkien Karen & Paul Leeke ~ Joe R. & Teresa L. Long* Nancy McCoy Mary McFarlane* Frank Roberts Miller Aneta S. Mitchell Trust* Ben & Laree Morgan Paul & Kilyong Natho* Carlotta Newsum Mr. & Mrs. Edward Padgett Michael Pariente* Halina & Andre Pradzynski*
Maria DeWaal Putter Joanne Ravel Sally S. Rudd Edward Z. Safady* Mabel Jean Schmer* Araminta & Tom Sellers ~ Sharon & Robert Shoop Peter Schram Dr. D. J. Sibley, Jr.* Col. & Mrs. Joseph F. Trochta Sandy White P. Roger Williamson Sam & Sonia Wilson* Nancy J. H. Wood* Joe & Nancy Young* John W. Youngblood, MD* *Charter Member ~ Moto Perpetuo Society Member
YOUR ENCORE… FOR THE LOVE OF MUSIC—We invite you to help enrich lives with great music by remembering the Austin Symphony Orchestra in your will or estate plan. For information about making a bequest to the Symphony Endowment Fund, please contact Denice Yeagin at the Austin Symphony office, (512) 476-6064.
COOk-WaLdEN MEMORIaLS & TRIBuTES** Memorials Kay Allman James Armstrong Jana Byrd Henry Duane Babcock Craig Cherico Ted Delevoryas Barbara Fibiger Todd Alan Jernigan
Mary Morse Verne Philips Barbara Cowen Schmidt George Strandtmann
Lee Kugle Nancy Young
Tributes Mela Sarajane Dailey Jim & Ann Gribble Chuck & Alicean Kalteyer
* * Since the 1880s, Cook-Walden Funeral Homes & Cemeteries, a member of the Dignity Memorial network, has remained committed to families, providing compassionate, professional and personal service. And in a new partnership with the Austin Symphony, Cook-Walden will match 1:1 every dollar donated to the ASO in 2017 in someone’s memory or honor, up to $3,500. All memorial and tribute donations and respective matches go towards the Endowment Fund.
28792 PAPI BH 21 1_4_2018 the annual FunD
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The AusTin symphony
T
he austin Symphony orchestra Society invites you to join our family of supporters. the following categories of gifts to the aSo annual Fund Drive reflect a cross section of our community. these donors are a special group of music lovers who know that the aSo is to be commended for its prudent financial management as well as for the outstanding performances offered but, also, that ticket sales cover less than one-half the cost of these performances. a gift to our Development Fund generously supports the gift of music to others. Join this special family now: call (512) 476-6064.
Business pARTneRs (as of December 21, 2017) Very special thanks to the Women’s Symphony League for its outstanding support. Symphony Society ($25,000+) austin american-Statesman city of austin/cultural arts Division hartman Foundation h-e-B Jpmorgan chase Foundation Concerto ($15,000–$24,999) Bank of america cirrus logic conocophillips Fifth age of man Foundation h-e-B tournament of champions hoisington investment management group the kodosky Foundation macy’s Foundation mercedes-Benz of austin the rea charitable trust St. David’s healthcare Waltz ($10,000–$14,999) 3m aBc home & commercial Services austin community Foundation Baker Botts llp Bancroft-clair Foundation Beaumont Foundation of america city of austin/parks and recreation Department cook-walden elizabeth l. & russell F. hallberg Foundation emerSon endeavor real estate group exxonmobil the kahle Foundation lola wright Foundation mcDonald’s murar Foundation, inc. pillsbury winthrop Shaw pittman llp retailmenot Supercuts target
tesla texas mutual insurance wells Fargo advisors whataburger
mary k. Sahs Spring Builders llc St. edward’s university webber + Studio
Cantata ($7,500–$9,999) am technical Solutions applied materials Foundation BBVa compass Frost watkins insurance group
Études ($100–$399) a Simple View productions Bowties to Blue Jeans catering richard l. clay—State Farm insurance epicom corporation gay gillen travel, inc. the montessori School For Shreveport refreshweb wednesday morning music club
Sonata ($5,000–$7,499) Barron & newburger, p.c. ironbridge private wealth, llc Jackson walker, llp nordstrom potts & Sibley Foundation prosperity Bank whorton insurance Services Intermezzo ($3,500–$4,999) marsh & mclennan powell, ebert & Smolik, p.c. Minuet ($2,500–$3,499) the pacey Family Foundation the Sherrill Family Foundation Sonatina ($1,000–$2,499) american Bank of commerce austin 4-m trust Barber Foundation the william J.J. gordon Family Foundation lipoplasty institute Download the app: maxwell locke & ritter llp Prélude ($400–$999) capitol emergency Download associates the app: casa montessori child Development center Felger Family Foundation habanero Software,Download llc the app: invenio marketing Solutions lago Vista women’s club niemann & heyer, llp Download the app:
Corporate Matching Funds apple applied materials at&t Foundation Bank of america Boeing Bp amoco Foundation capital group chevrontexaco conocophillips Dell emerson el paso corp exxonmobil Freeport-mcmoran ge Foundation google iBm intel Connect: Johnson & Johnson merrill lynch national instruments northern trust Connect: pfizer Foundation prudential Foundation Silicon labs texas Connect: instruments uBS united healthcare Connect:
Austin Symphony tickets/info: (512) 476-6064 or austinsymphony.org Download the app:
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28792 PAPI BH 22 1_4_2018 The AusTin symphony In Kind alpheus communications anderson’s coffee company austin independent School District austin tree experts avende charles Ball piano tuning & Service Blue Bell creameries crave artisan chocolates henna chevrolet hotel indigo/holiday inn express
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the annual FunD
Jupiter Band instruments key Sprinkler co., inc. panda productions performing arts programs, inc. precision oxygen and Supply Strait music Sterling events Stream realty/aFiaa telephone concepts, inc. twin liquors westbank Flower market
Media austin american-Statesman Bright Social media marketing klru-pBS austin Symphony Support Organizations austin Symphony arbor Series BatS (Be at the Symphony) knights of the Symphony women’s Symphony league
inDiviDuALs (as of December 21, 2017) A special thanks to Mary Ann and Andrew Heller for gifting the down payment in 2001 for the Mary Ann Heller Austin Symphony Orchestra Building, which serves as our administrative office. Symphony Society ($25,000+) larry connelly Sarah & ernest Butler Family Fund mrs. claudette hartman andrew & mary ann heller Joe r. & teresa l. long isabel welland eva & marvin womack Concerto ($15,000–$24,999) anonymous roy e. & linda Stone Bush mr. christopher h. cheever lynne Dobson & greg wooldridge Van & Jeanne hoisington the kodosky Foundation/ Jeff & gail kodosky Waltz ($10,000–$14,999) paul & clara Bancroft constance c. Britt marvin Brittman annag rose chandler mr. & mrs. loren F. kahle, Jr. mr. & mrs. paul D. leeke reagan & lauren reaud David roche Josephine roche Dr. Susan & alan Sager neil & nancy Schaffel araminta & tom Sellers mrs. D. J. Sibley, Jr. Drs. glenn & marsha Staats thomas & karen Vaughn kenneth & Beverly wickham
Dr. & mrs. Douglas F. winker Cantata ($7,500–$9,999) John & Barbara Fibiger Dr. Jonathan l. Sessler patrick & misty watkins Sonata ($5,000–$7,499) mr. & mrs. Frederick S. addy grace & charles Bonner roger & mary ellen Borgelt linda & george Bourianoff mr. & mrs. Jeffrey w. clarke Jim & melanie Denholm Dr. william David george John w. & geraldine a. herbert Dr. chi-kao hsu mr. mark kernan mr. & mrs. Donald kotrady paullette & Frank macDougal mr. Bassett maguire hans & marion mark Julia m. marsden Sue a. morrison Susan & guenther reibling mr. & mrs. william t. reid Brenda & larry Smith linda & nick van Bavel pat & Dan Vickers Intermezzo ($3,500–$4,999) howard & penny Burt Drs. robert & cheryl Butler Dr. & mrs. Stuart Damore Bill & laurel Daniel elena & everardo goyanes
Jim & Jo green michael & elisa hearn Joe & Sonja holt charles & alicean kalteyer glen & margaret oliver Bliss & minsok pak Danny & Jill powell iii kirk & Jennifer Schell anne greenway & herb Schwetman Danny Snyder Minuet ($2,500–$3,499) Dr. & mrs. David abrams austin community Foundation, marion & george more Susan Baer, m.D. & David nicastro kathleen & austin Bay pamella & David Bock Virginia & kenneth Boyda robert Brooks carl caricari & margaret murray-miller elizabeth cates Victoria cheney Dr. richard & martha coons the Sherrill Family Foundation nell Dale mr. & mrs. gary J. Davis ronald t. DeFord melanie Demayo raul e. Diaz Jan & paul Diehl Susan & David Douglas David a. & constance B. elko David & Susan gaddis
28792 PAPI BH 23 1_4_2018 the annual FunD marilyn t. gaddis, phD eva gayle & george gibbs Darren g. gibson rachel goggan mr. william t. gunn, iii Dr. & mrs. edgar g. harris Dr. karl e. henion, ii John & gwen holcroft Sherry & Jim horan Dr. & mrs. gerald Jacknow Dr. & mrs. michael Jarratt ronald c. Jernigan wendy & trey lary Dr. allan & Barbara lundeen william & Flora mccormick mr. & mrs. John w. mcgovern mr. & mrs. allen mincho Drs. rodney & cathy nairn paul & kilyong natho Dr. & mrs. mark osman the pacey Family Foundation John & Dixie paulos charles & Jan roesslein eddie Safady Dr. kenneth & carolyn Shine Dr. & mrs. elwyn D. Speir preston & Sharon Staats Beverly & eldon Sutton andrew w. teagle Susanne tetzlaff & eric S. tiblier michelle Berger, m.D. & Dr. David tobey, Jr. mr. eric Venditti & ms. carey gunn Venditti cindy wilson mr. & mrs. Sam a. wilson Sharon e. wilson Steve & nancy wilson cornelia & John wood ms. custis wright mr. & mrs. Joe a. young Sonatina ($1,000–$2,499) a Friend anonymous mr. & mrs. roger abel randy & ruth adams mr. John h. akin american Bank of commerce honorable James l. arth Scott artmann austin community Foundation – Jackson c. mouton, Jr. Fund henry Duane Babcock & Janet wright Stephen Barber mr. & mrs. henry newton Bell
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irit & hillel Benavi leah Billingsley & mark muller Bill & carolyn Bingham roger & martha Blomquist mary c. Bohls conrad Bohn kay & tucker Bonner i.m. Booth Jim & Jane Bowen Douglas Bower & Bonny gardner ph.D. truman & ann Breed christine & avery Buffington Sylvia Bulhon mrs. ross Burgh capitol emergency associates Jill carey & Bill gurasich Dr. alan carsrud & mr. Danny Babineaux larry & Fran collmann Jerry & Becky conn mr. & mrs. c. wade cooper ann & Don cooper mr. & mrs. anthony corroa mr. & mrs. alan cox mrs. l. Scott curtis margaret & Doug Danforth cecilia neuhaus Deaton & william J. Deaton, m.D. mr. & mrs. Bob Dewitt mr. & mrs. Jon Dullnig chris & carol elms lara enzor & kim golden mr. Danny Felps & ms. Debbie lauderdale mr. & mrs. robert huthnance the Fruchter Family nancy & Bill gamel Dr. & mrs. larry garner mr. & mrs. Fred glosser Floylee hemphill goldberger Drs. waldo & lois gonzalez Susan gregerson David & Beth grimm iris groten tish hall nan hampton Download the app: John & Stephanie hanson Valerie r. Bowles & Steven c. harding mike & theresa harkins Download the app: nicci harrison Betsy & Bill harrod Douglas & Julie ann hartman Download the app: Sally hawkins lee helms ms. Sue ann hoke Barbara & richard holland Download the app:
The AusTin symphony mr. & mrs. karl holtzman wayne & Joan holtzman Bob & Judy Belle horick Dr. & mrs. lacy hunt admiral & mrs. B. r. inman nancy c. Jamail Jacqueline m. Johnson kenneth & Joann hunter Johnson katherine p. & thomas l. Johnson mr. & mrs. william F. kemp kurt killens cindy & greg kozmetsky rochelle & Dan kraus morton & Susie krumholz Spice kugle & Scott lougheed Jonathan & Julie lass margery & mack lindsey Susie locker & Dorothy overbey Bruce & Judy mackenzie John & Josie margaglione mrs. Delores r. massad hollis matheney phil & Sue maxwell holly & John mcDaniel Suzanne & John mcFarlane Dr. kirk mcmanus Daniel & michelle michel mr. & mrs. rodney molitor Sara moore Dr. & mrs. Boyd morgan austin 4-m trust karen m. neeley mark & misty nodine mr. & mrs. philip F. o’neill Dr. & mrs. raymond l. orbach mr. & mrs. h. edward padgett, Jr. mr. & mrs. charles parker Jane parker george parsons & Janet Strohmeyer pete & Betty paul maria putter Jim & Vicki rado Connect: Joanne ravel matthew reibling & inglan medina Bill & Bitsy rice Connect: ms. roxanne rix harriet rutland peggy & Steve ryder Connect: lipoplasty institute elisa Salinas william Schleuse & Virginia mcDermott Connect:
Austin Symphony tickets/info: (512) 476-6064 or austinsymphony.org Download the app:
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28792 PAPI BH 24 1_4_2018 The AusTin symphony peter Schram Sharon m. Schweitzer & John h. robinson carolyn & marc Seriff Sander & lottie Shapiro Donna & george Shipley Dr. & mrs. richard Shoberg lord chancellor robert Shoop Family mr. & mrs. D. e. Six nancy lea Skelsey michael & tina Slack karen Sonleitner col. & mrs. John m. Squires Jason & mary Stansell Jay & Sherrie Stewart Bill Stutts col. & mrs. Joseph F. trochta robert k. tuttle, Jr. Daphne & Ben Vaughan Francine webb Jacqueline m. well & william c. mansfield the william J.J. gordon Family Foundation roger williamson mr. & mrs. herschel J. wood, Jr. mr. Dana B. young mr. & mrs. carlos Zaffirini, Jr. Prélude ($400–$999) two anonymous donors ms. Susan adair anne ader aa masonry heather & reed arnos ken & emily ashworth austin community Foundation – may Barnes cormack Fund in honor of monte hill Davis Joy authur James Baker tracy Barba melissa Bedrock Steven & Susan Beebe Dr. karen Bell & cliff tyllick matt & Jen Benevich lee & helen Bland terry & Sharon Blankenship martha & monroe Bober ann & Jeff Bomer mr. richard Boner howard Boyle Dr. cathy Brigham wayne & teri Brissette Dorothy c. Brown mr. & mrs. carl Brugger melvin Bryant
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patricia Bryant Sir robert & Dame Jeana Buchanan Bill & Julia Buchholz linda Burgess toni & paul Burns Stephanie F. cagniart mr. & mrs. michael carson casa montessori child Development center Jonn cherico patricia cherico harriett & ken choffel yeonhui choi & yuni lee Scott & cheryl christians marian claman Jan collier ms. Jacqueline collins curby conoley Susan g. conway & John r. howell malcolm & robin cooper Jack & nina crier Dr. Shannon crum Susan & kris Dehnel Julie Derham robert Dintzner Barbara Selden Douglas ann & Jim Downing mr. & mrs. claude Ducloux Sharon p. eisenberg Jeanne ellenstein Drs. kenneth & lisa ellis Dr. william & patricia evans Jill Fatzer Felger Family Foundation evie & David Feltoon ms. gail a. Findlay Jo ellen Finley carol & Joe Fisher, iii Dana m. Fisher John & miwa Flaherty mary nell Frucella margaret Furse mr. & mrs. hugh gainey Dr. thomas w. george & ms. tanis evans ingrid & John gillespie mr. & mrs. alvin J. golden Dolly & ed golden ms. rock goodrich Dr. richard gray Shelley w. gregory Susan griffith & curtis Fuelberger nancy-Jane & tom griffith Bruce & kathryn grube Sam & michelle haddad
Dave & Sherry haeusler Dr. & mrs. gordon hamilton Brock harper, m.D. walter harrell & cheryl Brownstein mr. & mrs. Frank c. harris Dr. & mrs. John harrison Dr. & mrs. everett g. heinze, Jr. Don & georgia henrich mr. & mrs. charles m. hibbetts mr. & mrs. David hilgers tori & Jimmy hill Bill hopkins ellen m. hughes mr. & mrs. John hurst rodger hutchins ruth Jackson kenny & Susie Jastrow ms. melissa Jones abby kenigsberg elizabeth anne knowlton walter & marcia kuenast wendi & Brian kushner Dr. & mrs. kevin lawson Daniel e. leary amanda & roy leatherberry Dr. margo lee kevin lienenbrugger honorable lora J. livingston & eric kennedy Jacqueline lloyd leon & mary long reid long Susan & craig lubin Drs. teresa & kris lyson lila a. madtson Dr. oksana malysheva & Dr. misha malyshev ms. michele mann Jennene & k. ray mashburn Bob & loraine mayfield rafael a. mazza nancy mccoy laurence B. mccullough & linda J. Quintanilla ivy & Bill mcQuiddy adriel J. meditz mrs. lee meyer Bill & Jackie milstead mr. & mrs. James mohler mrs. Dan moody, Jr. Dr. & mrs. h. e. morales mr. & mrs. Ben e. morgan Judy a. morris ms. Jean mueller kimberly & Dave murray carole & george nalle Frances r. neal
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kathleen & Jim wicoff o’gene & lewis williams eric & ann wilson V.h. wolf habanero Software, llc anne & peter wood Frances & Jim woodrick luis Zamora Études ($100–$399) 12 anonymous donors Sue abold tom acklen richard & mary aldrich ki & kay allen Dr. Victor alpher arturo alvarez Dan & claudia anderson mr. & mrs. Donald anderson John & Denise anderson medrith appling mr. richard arebalo mrs. elaine arnold Dr. tom ashbaugh austin community Foundation – earline milstead winchell memorial Fund Bob & marcia Bailey kathy & Dudley Baker Jannis & robert Baldwin, iii mr. & mrs. John a. Barclay, iii Jim Barnette meade Bauer June & Jim Baumoel peter Bay & mela Dailey Jené Bearse phyllis Beckham mrs. Joe helen Belle michelle & myron Bender amy & gary Bennett mr. & mrs. Bruce Bennett Betty Bennie molly & paul Benson mr. matt Berry Sr. trey Blocker mr. terrell Blodgett robert & karen Bluethman Download the app: willene & allen Boger Jim & rosalie Boldin Bowties 2 Blue Jeans catering company Download the app: martha Boyd kay & John Braziel mr. & mrs. m.S. Braziel Download the app: robert & harriett Breihan Judith Brenninkmeijer mrs. Sue m. Breuer charles & Diane Brewer Download the app:
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28792 PAPI BH 26 1_4_2018 The AusTin symphony Sharon Duboise andrew & karen Duffy e. generes Dufour Jan & mary Duggan mrs. robert c. Duke michael & kathleen Duncan roger Duncan mr. Jon eddison ms. melissa eddy & mr. tracy Schiemenz thomas edwards Dr. Jorg & inge eichberg raymond & anne ellison John D. elmore Dr. robert a. ersek marie ertle mark esche, m.D. Dr. Bret & rebecca evans ethel evans mrs. thomas F. evans michael & eledith Falk kent & carol Fancher ms. lucinda Farrokh Sam & maydelle Fason mary eckert & marcus Felson Dr. & mrs. kirk Fischer John & christie Fisher mr. & mrs. william Fitzgerald Steve Fitzpatrick mr. & mrs. michael h. Ford amanda Beck mr. & mrs. ron Franklin randy & kathy Frederick Brent Frost Bennie & Jeanie Fuelberg Joe Fuqua mark gagnon louis & martha galie David & helen garman mr. & mrs. S.a. garza michelle german karen & Bill gernstein gay gillen travel, inc. mr. & mrs. gerald m. gilligan mr. & mrs. mike gipson nancy g. goodman mr. Jason goodrich albert & Judy graci Doug & michelle gray mr. & mrs. Frank greenberg lindsey & evan gremont John & marianne greyer martha & keith griffith penny w. griffy mary gay & Dicky grigg mr. & mrs. Jeffrey w. grossman
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keith & ellen ragsdale ms. Flo ann randle Sara & Dick rathgeber wayne & marlette rebhorn Janeka rector pam reed Dorothy reiser michael regan Bill & Susan reid ms. Judith e. reynolds ms. karry reynolds ronney & mary reynolds mimi rhea rick & pam rhodes alyce & terry richardson harvey & nancy ring ceecy & george robinson mrs. cecily rodman mary & David rogerson peter roll prof. & mrs. harold rutz Sondra & robert ryan Barbara Sandstedt ray & Jeanne Sasaki ms. rhonda Schleicher ms. troyanne Schram Julia Schuler Dr. norman e. Schumaker gaye-lynn Scott r.a. Seeliger & l.h. harrison gary Selken mr. & mrs. Fred evans Sellers Susan Sharlot richard Singhaus Sandra & al Smith, Jr. mr. & mrs. charles Smith mr. & mrs. Denman V. Smith Dr. glenda F. Smith Susie & rick Smith Suzy lindeman Snyder mr. curtis Sokness toni & ted Spalding Boyd & cathy Spencer phil & Sylvia Spertus Dr. mimi Spielberg ms. annette Stachowitz luke Stamm Download the app: mr. & mrs. nicolas Starche ron & Jo ann Joy Stehle col. & mrs. c. lawrence Steiger Download the app: Shaye & michelle Stevens mark Stoetzer cindy & gerald Stone Download the app: Virginia Stotts Joanne & roger Sullivan Joel & elisa Sumner Sara & arthur Sundstrom Download the app:
The AusTin symphony mr. & mrs. mark Szygenda pat & Bert tate Dr. robert & phyllis tate Joel & Debbie tendler mr. lorry tenenbaum & mrs. Susan levee mr. James c. thompson & ms. kathleen wilson lela Jane tinstman mollie tower mr. charles tucker mr. & mrs. calvin turner Bill Vandersteel martha mcadams Vertrees Vanessa Verzandvoort & chris Dammert christopher Vick Deborah Voorhees mr. & mrs. John h. Voss mary walcutt robert wald & carolyn Shelley todd & liz waldman margaret walker michael walters mr. & mrs. James e. ward wednesday morning music club adrienne weis gerri & Jim west Dr. & mrs. r. lynn white leon & kay whitney chris robert wichern Dr. patricia williams geoff & ginny willig marilyn wilson nancy wilson mr. w. roger wilson carolyn h. womack carol wood ms. Sallie wood nancy woodward ted yanecek & Dale herron John F. yeaman patricia yingst Dr. & mrs. John youngblood mary F. Zeitler Connect:
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Music by Alan Menken Lyrics by Howard Ashman and Tim Rice Book by Linda Wolverton Originally Directed by Robert Jess Roth Originally produced by Disney Theatrical Productions Directed by Abe Reybold Choreographed by Greg Zane Music Direction by Allen Robertson
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The Adventures of Enoughie A collaboration with Tearro Vivo, Glass Half Full Theatre, and The Kindness Campaign.
A bilingual! puppet production Written and Directed by Caroline Reck Jahuary l9-February 25, 2018 Mexican American Culturali Center With his blue furry face, Enoughie is different, and must learn how to fit in. Adapted from the book by Margaret Wise Brown and Clement Hurd Book, music, and lyrics by Chad Henry Directed and Choreographed by Abe Reybold March 2 - May 27, 2018 Kleberg Theatre
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CHOREOGRAPHY: Stephen Mills, Justin Peck, Pam Tanowitz MUSIC: Philip Glass, John Cage, David Lang
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For more information about sponsorship opportunities, please contact Jennifer Dubin, Chief Development Officer, at 512-610-7671 or jdubin@austinopera.org.
Elevate your show night experience with Chef David Garrido’s signature menu at Dine, perched lakeside in downtown Austin. Featuring fresh, American fare, enjoy a take on classic favorites such as steak and frites, mushroom truffle mac and cheese, baby back ribs with escabeche, ancho chile NY Strip, as well as Garrido’s signature fried oysters. Sip on craft cocktails, frozen margaritas and a thoughtful wine list in the restaurant’s stylish space, that perfectly harmonizes with Chef’s straightforward yet distinctively unique cuisine.
Duck-filled enchiladas in poblano-spinach sauce, watermelon-infused tequila and crepes smothered in goat’s milk caramel - now that’s Mexican cuisine. For more than 30 years, Fonda San Miguel restaurant has remained the premier Mexican cultural experience in Austin. Offering gallery-level fine art, an impressive wine list and the highest-quality interior Mexican dishes in town. Now featuring homegrown organic vegetables from our garden!
111 E Cesar Chavez | www.dineaustin.net 512.478.2991
2330 W North Loop Blvd. www.FondaSanMiguel.com | 512.459.4121
III Forks is a contemporary evolution of the classic steakhouse. The menu features the finest USDA Prime beef, ocean-fresh seafood and an extensive wine list. The perfect table is available for your party, five private rooms available for 12 to 60 guests with audio/visual capabilities. Located in the 2nd Street district at Lavaca Street and Cesar Chavez.
Beginning as a modest butcher shop in 1979, award-winning Perry’s Steakhouse in Austin features a two-story wine wall and five private dining rooms. Famous for a mouth-watering, seven-finger high pork chop, butcher-fresh USDA-aged prime beef, table side carvings and vibrant Bar 79, Perry’s provides a dining experience that is truly Rare and Well Done®.
111 Lavaca St. | www.3Forks.com | 512.474.1776
114 West 7th St. | PerrysSteakhouse.com | 512.474.6300
Manuel’s is an Austin favorite featuring delicious dining from Mexico’s interior and coastal regions. Our restaurants are locally owned and operated, and we regularly support non-profit and arts organizations. Consistently voted “Best Happy Hour” with 16 half price appetizers and $2 house Margaritas EVERYDAY from 4 to 6 p.m.
We promise to provide our customers the most pleasant dining experience by preparing with the freshest ingredients, serving the highest quality cuisines and with a simple smile. Dim Sum brunch is served at our North and Westlake locations on Saturday and Sunday from 11 a.m. to 2:30 p.m.
310 Congress Ave. | 512.472.7555 10201 Jollyville Rd. | 512.345.1042 | www.Manuels.com
www.AustinChinatown.com 3407 Greystone Dr. | 512.343.9307 | 107 West 5th Street 512.637.8888 | 712 Bee Caves Rd | 512.328.6588
We invite you to escape to Truluck’s. A getaway for the senses. Come savor the freshest Crab, direct from our own fisheries. Delight in our fresh-catch seafood menu or select tender, juicy steaks prepared to perfection. Then complement it all with delicious wines by the glass and bottle.
Austin’s original USDA Prime Steak House has been serving sizzling steaks since 1985. Served on a 500° sizzling plate, Ruth’s Chris guarantees your steak will be hot, juicy and delicious until the very last bite.
400 Colorado St. | www.Trulucks.com | 512.482.9000
107 W 6th St. | www.RuthsChris.com | 512.477.7884
Offering fresh takes on traditional Asian street food, Street is the latest concept from Austin restaurant veteran Ronald Cheng of Chinatown. The versatile menu features creative hot and cold “snacks,” sushi, dumplings, as well as vegan and gluten free options. It’s the perfect spot for a quick, healthy lunch, after-work drinks, or a fun night out with friends.
Chez Zee American Bistro, locally owned for over 20 years, serves lunch, happy hour, dinner, award-winning weekend brunch and house-made desserts. Cookin’ ‘til midnight, Friday and Saturday. Reservations any time; please come in before or after the show. Book your private party at Chez Zee! Visit us online for menus, maps and more.
3407 Greystone Drive | www.streetatx.com | 512.382.9567
5406 Balcones Dr. | www.Chez-Zee.com | 512.454.2666
2 0 1 7-2 0 1 8 S EA S O N â&#x20AC;¢ PA RT I I CALIFORNIA GUITAR TRIO
4.12.18
DAVID ARCHULETA
4.20.18
COLIN MOCHRIE & BRAD SHERWOOD
4.27.18
MUSIC OF ABBA (ARRIVAL FROM SWEDEN)
4.29.18
MADELEINE PEYROUX
5.4.18
DAVID WILCOX
5.10.18
BLOOD, SWEAT & TEARS
5.11.18
KARLA BONOFF
5.17.18
BOB SCHNEIDER & MITCH WATKINS
6.1.18
MONTE MONTGOMERY
6.7.18
ACOUSTIC ALCHEMY
6.8.18
THE RIPPINGTONS
6.22.18
SOUNDING CLAY
6.29.18
CHUBBY CHECKER
6.30.18
EDWIN MCCAIN
7.27.18
TERRY BOZZIO
8.23.18
STRUNZ & FARAH
9.9.18
TUCK & PATTI
9.16.18
MICHAEL GRIMM
9.20.18
THREE WOMEN & THE TRUTH (ELIZA GILKYSON, MARY GAUTHIER , & GRETCHEN PETERS)
9.23.18
CRYSTAL BOWERSOX
11.18.18
TICKETS: 888.616.0522 O N E WO R L DT H EAT R E . O RG
Austin’s Most Unique & Intimate Live Music & Special Events Venue Join Us for Dinner, Drinks & Live Entertainment Before the Concert Intimate 300-Seat Venue – It’s Like a Concert in Your Living Room Dinners Prepared & Served at One World Theatre Pre-concert Entertainment • Full Bar & Extensive Wine Selection
ONE WORLD WEDDINGS Our exquisite Tuscan-style villa nestled in the breathtaking Austin Hill Country lends the idyllic setting to your special event. Enjoy an elegant, candlelight ceremony in the Theatre and gourmet dinner in the Celebration Hall, or exchange vows surrounded by the lush hillside, followed by a night of dancing under the stars in the Grand Piazza. Renowned for its natural beauty, and state of the art acoustics, One World Theatre is Austinâ&#x20AC;&#x2122;s most unique wedding venue.
Voted the Best Place in Austin to Get Married - by Austin360.com
All great performances start with the printed word... we use the press to give it life. Like all of you perfecting the craft everyday, we love what we do and we do what we love.
800.789.2695 4001 Caven Rd, Austin, TX 78744
Deidre Acord • Director of Print Deidre@CapitalPrintingCo.com
OFFSET PRINTING • DIGITAL • LARGE FORMAT • MAILING • FULFILLMENT
ONE WORLD PRIVATE EVENTS Host Your Corporate Party or Celebrate Your Special Event at One World Theatre Private Events Fundraisers • Galas • Bar & Bat Mitzvahs Private Parties: Birthdays, Anniversaries, Special Occasions Corporate Events Holiday Parties • Employee Recognition Events • Award Dinners • Corporate Lunches Enjoy a concert by your favorite artist Let One World book entertainment for your event
www.OneWorldTheatre.org
A World Apart, A Moment Together One World & TRIAD funds of the San Antonio Area Foundation Connecting Central Texas Military Families One World’s innovative performing arts summer camp program provided scholarships through TRIAD funds of the San Antonio Area Foundation to give kids the opportunity to be a part of the musical production of “Wizard of Oz.” When the campers took the stage every parent, no matter where they were located, including Iraq was able to see their child perform. Using amazing video technology generously provided by a partnership with LifeSize Communications, seven military bases were connected to One World Theatre, so that parent and child could see, talk and interact with each other as if they were in the same room. After the performance, each child and their family was given the opportunity to talk privately with their loved one, keeping the bond of family alive across the miles.
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