PARK Winter Issue 2023-2024

PARK VE

Q U E E N M A K E R

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D I R E C T O R

ZACKARY DRUCKER MARVAL REX &

A C T O R

HOLLYWOOD’S TRANSFORMATIVE COUPLE

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+ JOHN DEMSEY BEN WIDICOMBE STEWART SHINING R COURI HAY GEORGE WAYNE

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Mastery of the Craft. It’s Timeless.

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IT’S THE FUTURE. THIS HOME’S HYDROPONIC GARDEN KEEPS THE AIR FRESH AND CLEAN.

BUT CAN IT HELP YOU BREATHE EASIER THROUGH NEGOTIATIONS? THAT STILL TAKES MASTERY. 150 YEARS AND COUNTING.

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All information is from sources deemed reliable but is subject to errors, omissions, changes in price, prior sale or withdrawal without notice. All rights to content, photographs and graphics reserved to Broker.

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DESIGNER READY “WHITE BOX” UNIT 200 Amsterdam Ave. 4BR. 4.5 Bath. $40M Web #22450311.

Daniella G. Schlisser 212-906-9348 Mike Lubin 917-371-6723 Diana Zhang 212-906-9388

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PRISTINE OASIS IN THE SKY 25 Columbus Circle. 3BR. 5.5 Bath. $18.995M. Web #21545252.

Ileen G. Schoenfeld 917-445-8808 Alexandra Harrington 917-868-4574 Aracely Moran 917-678-0839

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GRAND AND BRIGHT PENTHOUSE DUPLEX 135 East 79th. 5BR. 5.5 Bath. $19.9M. Web #22577750.

Leslie J. W. Singer 917-860-8128 Brittanie C. Bowers 914-572-4000

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FIVE-BEDROOM HOME GRAND IN SCALE 1289 Lexington Ave. 5BR. 5.5 Bath. $8.995M. Web #22444648.

Jill Bernard 516-445-6707 Alan Shaker 917-488-4772

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EXQUISITE HIGH-FLOOR RESIDENCE ON FIFTH AVENUE 812 Fifth Ave. 2BR. 3.5 Bath. $7.995M. Web #22642662.

Peter Ocean 646-627-5227 Mike Lubin 917-371-6723

GRAND 25’ GREENWICH VILLAGE MANSION 280 West 11th. 9BR. 8 Bath. $17.999M. Web #20351242.

David E. Kornmeier 917-494-4302 BREATHTAKING CENTRAL PARK VIEWS 1 Central Park W. 3BR. 5.5 Bath. $17.95M. Web #22625369.

Douglas S. Russell 917-687-6999

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CLASSIC SIX WITH GRAND SCALE PROPORTIONS 180 East 79th St. 3BR. 3 Bath. $2.195M. Web #22665377.

Margery R. Hadar 917-679-2587 Joanne Greene 917-716-6880

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MINT TOWNHOUSE OFF PARK AVENUE East 71st. 5BR. 6.5 Bath. $15.95M. Web #22651309.

John Burger 212-906-9274

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TRIPLE MINT AND TRUSTS ALLOWED 50 Central Park W. 6BR. 5.5 Bath. $17.990M. Web #20864327.

Lisa K. Lippman 212-588-5606

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PENTHOUSE ON THE PARK 21 East 26th. 4BR. 7.5 Bath. $24.99M. Web #22585183.

Chris Pomeroy 212-381-2531 Richard Orenstein 212-381-4248

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KING OF THE HILL 180 East 93rd. 4BR. 4 Bath.$6.4M Web #22577681.

Craig Filipacchi 212-452-4468 Jacques Foussard 212-452-4475 Jason Schuchman 212-452-4461

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18 FT. WIDE BROWNSTONE 164 West 88th. 5BR. 4.5 Bath. $4.2M. Web #22507869.

Sarah Pedersen 917-826-4756 Sandra Wilson 347-306-5013

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5 ROOMS IN ELEGANT PARK BLOCK BUILDING 25 East 86th. 2BR. 2 Bath. $2.1M. Web #21994758.

Felise G. Gross 917-405-7783

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RARE OPPORTUNITY IN HISTORIC FORT GREENE 61A South Elliott Pl. 4BR. 3 Bath. $3.6M. Web #22689161.

Natalie Rabaa 917-327-1388

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GUT RENOVATION JUST COMPLETED 240 East 79th. 2BR. 2 Bath. $1.195M. Web #22353628.

Gregory M. Roache 917-291-0805 Emily Cho Roache 917-402-3939

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share the M AG I C There’s so much beauty in tradition. But there’s also a special kind of magic found in creating new memories all your own.

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667 MADISON AVENUE, NEW YORK SMYTHSON.COM

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PARK VE

Contents VO LU M E 1 . N O .1 0

FA S H I O N

20 METROPOLIS MOTH 32 WINTER CHEER: A GIFT GUIDE 34 TRENDS

BY SOFIE PROFILE

36 TRUNKS COMPANY 38 R. COURI HAY: PR GURU 120 MARK MINVICH 122 ZACK WEINER 124 EVIE EVANGELOU 126 THE EMPIRE STATE BOOK FAIR 128 HARLEM STANDARD WHISKEY 130 IRIS DANKNER ARTS

46 17 QUESTIONS FOR JOHN DEMSEY 58 KAROLINA NASZKIEWICZ 62 SARAH MULDER 64 BONNIE LAUTENBERG

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ZACKARY DRUCKER & MARVAL REX HIGH ON LOVE

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K

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LIVE THE LIFE YOU’VE ALWAYS IMAGINED

Inspīr Carnegie Hill elevates senior living in every sense. From our concierge services and dining venues to our immersive experiences and wellness philosophy.

Reserve your future today. Call our Inspīr care professionals at 646.907.1500 or visit inspirseniorliving.com Assisted Living. Memory Care. Enhanced Care.

H E A LT H - S A F E T Y R AT E D

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PARK VE

Contents VO LU M E 1 . N O .1 0

BEAUTY

80 DR. KATZ 84 BERENICE ELECTROLYSIS S H E LT E R

92 HOMES IN THE HEADLINES SOCIAL

132 COURI 134 SUSTAINABLE GOALS BANQUET 135 SOUTH FORK NATURAL HISTORY MUSEUM 136 SOUTHAMPTON ART CENTER 137 DENNIS BASSO 138 IMAGINE BENEFIT 139 KIMBERLY PAIGE BLUHM 140 HOPE FOR DEPRESSION 142 FIRST LADIES LUNCH FASHION 4 DEVELOPMENT 144 METROPOLITAN OPERA OPENING NIGHT

96 AETERNA 98 ETHOS FURNITURE 100 JAMES ALEXANDER 102 CASTLERY 104 A LOOK AT WHAT’S IN STORE FOR 2024 IN LUXURY REAL ESTATE T R AV E L

106 LONDON DINING

112 VIN SUR VINGT 118 KELLARI TAVERNA

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METROPOLIS MOTH

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Mint 20 Footer with Elevator 45 WEST 70TH STREET

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Mint like New Development + Views and Location

Palatial Full Floor Home

50 CENTRAL PARK WEST, 8A/9A

485 PARK AVENUE, 11TH FLO OR

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Stunning Views in BEST Location

Full Floor Condo with 3 Terraces

Amazing Views, 4 Exposures

45 EAST 22ND STREET, 42A

145 EAST 76TH STREET, 11

37 RIVERSIDE DRIVE, 8A

Mastery of the Craft.

It's Timeless.

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Lisa K. Lippman Licensed Associate Real Estate Broker 1934 Broadway, New York, NY 10023 212-588-5606 llippman@bhsusa.com

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PUBLISHER & FOUNDER Christopher A. Pape EDITOR-IN-CHIEF & CO-FOUNDER Julie Sagoskin

EDITORIAL DIRECTOR & CO-FOUNDER R. Couri Hay

ART DIRECTOR Paul Crawford

EDITORAT-LARGE George Wayne

EXECUTIVE EDITOR Ryann Reynolds

FEATURES EDITOR Bennett Marcus

SPECIAL PROJECTS EDITOR Patrick McMullan

ASSOCIATE EDITORS Lauren Bens, & Lexi Wolf

ASSISTANT EDITORS W.A. Muller & Laurel Moriarty

EDITORIAL INTERNS Nati Tesfaye, Lauren Stanzione, & Cierra Morgan

SPECIAL CORRESPONDENT Michael Gross

PALM BEACH EDITOR Christine K. Schott

TRAVEL EDITOR Joe Alexander

REAL ESTATE EDITOR Alison Kenworthy

INTERIORS EDITOR Cara Gibbs

ARTS EDITOR Janis Gardner Cecil

INTERIORS EDITOR Cara Gibbs

COPY EDITOR Julie Eakin

julieeakin@yahoo.com

ASSISTANT ART DIRECTOR Oliver Li

DIRECTOR OF DIGITAL AND SOCIAL MEDIA Sarah Mohamed

CONTRIBUTING WRITERS Ben Widdicombe, Whitney Schott, David Michaels, Lisa Lippman, Alexander Powers, Hannah Minnick, Christine Montanti, Sofie Mählkvist, Sergey Gordeev, Laurie Newkirk CONTRIBUTING PHOTOGRAPHERS Udo Spreitzenbarth, Stewart Shining, Henry Lou SALES TEAM Lisa Stiehl Associate Publisher 914.760.6875

lisa@park magazineny.com

Siobhan Shea Rossi National Sales Manager 914.374.0710 siobhan@park magazineny.com

Wendy Packer Vice President of Sales & Marketing 203.904.6700 wendy@park magazineny.com

Maria Coyne Director of Florida & Caribbean Sales 305.975.9234 mecoyne@ mecoyneinc.com

Scott Pauker Advertising Sales Manager 917.859.1343

scott@park magazineny.com

Boris Gikher National Account Manger 718.971.0331 boris@park magazineny.com

MCaseMedia, Inc. Publisher’s Representative 914.953.3202 info@ mcasemedia.com

PARK is published four times annually by Park Avenue Magazine LLC. Copyright 2021 by Park Avenue Magazine LLC. All rights reserved. Reproduction of any material from this issue is expressly forbidden without permission of the publisher. Unsolicited manuscripts and photographs are welcome on an exclusive basis, but must be accompanied by a self-addressed stamped envelope. Reasonable care in handling manuscripts and photographs will be taken, but PARK cannot be responsible for unsolicited materials submitted. Printed in the U.S.A. *This issue features paid for sponsored content and covers provided by outside sources. Should you have any questions, please feel free to contact Christopher Pape at: christopher@parkmagazineny.com

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From the Publisher

is the season! Welcome to our Winter Issue! We think you’ll love this content rich edition with its pages of beautiful people, interesting (and slightly scandalous) prose and beautiful layouts my art department crafts so masterfully.

For this issue, we reached out to Stewart Shining to shoot an exquisite take on Zackary Drucker and Marval Rex, Hollywood’s Transformative Couple. Ms. Drucker is the director of Hulu’s hit documentary, Queenmaker (thank you to the prodigiously talented Ben Widdicombe for writing their story for us) and Marval is a quickly rising actor! I don’t want to say to much to spoil your read, but I do suggest you read their fascinating story!

We also take you on a tour of John Demsey’s, the former CEO of Estee Lauder (the one who recently go cancelled) maximalist townhome on the Upper East Side. My home looks baren compared to the thousands of artworks, photographs and objects d’ art that Mr. Demsey has collected over the years. I think you’ll agree that it is a feast for the eyes (thank you to George Way for another masterfully interview).

In an effort to keep this brief, I shall let you go. Thank you for reading!

Till next issue!

Adio!

Christopher A. Pape Publisher & Founder 18 | parkmagazineny.com

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PERPETUAL MOON 41.5 PLATINUM LUNAR FANTASY

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FASHION

metropolismoth PHOTOGRAPHER/ CREATIVE DIRECTOR: SEZEN JUNE SINAN @Sezen.june WARDROBE STYLIST: STEPHANIE WENGERKIEWICZ @s.tephaniewenger MUA: KELLY COULTER @kcoulterbeauty HAIR ARTIST: TAKEO SUZUKI @takeohair VIDEOGRAPHER: MICHAEL JAQUEZ @m_a_jaquez RETOUCHER: MASTER IMAGE @weijunin MODEL: EVE CAMPBELL @StateMgmt

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FASHION

Top LEATHER TEE @leathertee Pants DION LEE @dionlee Shoes LHAMBI @lhambi

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FASHION Top PAPINGO MAMINGA @papingomaminga Shorts GISCARD @Giscard.co Jacket DANIEL SILVERSTAIN @danielsilverstain Shoes BEAUTIISOLES BY ROBYN SHREIBER @beautiisoles byrobynshreiber

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FASHION

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Dress 3.1 PHILLIP LIM @31philliplim Pants Y-Y OFFICIAL @y_y_official_ Sleeves VOLTA ATELIER @voltaatelier Shoes MASHIZAN @mashizanofficial

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FASHION Top SHELLVIO @shellviocollection Hot Pants TESEI @teseiofficial Shoes BRITT NETTA @brittnettaofficial

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FASHION

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Dress DIOR @dior Shoes LHAMBI @lhambi

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FASHION Dress 3.1 PHILLIP LIM @31philliplim Shoes MELISSA @melissaofficial

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SEASONAL IDEAS

LALIQUE 2023 Vintage Bacchantes Vase $5,600 lalique.com

WEMPE Iron Walker $3,170 wempe.com

Winter Cheer S E A S O N A L G I F T S T O WA R M T H E H E A R T O N A C O L D DAY

BY JULIE SAGOSKIN

SMARTGLASS Mosaic Cube Ring Silver $56 smartglassjewelry.com

FRITZ HANSEN Stella Christmas Tree Base $479 fritzhansen.com

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OBAKKI Turkish Linen Robe/Karam $210 obakki.com

SALVATORI Achimera by Frederico Babina $1,080 salvatori.com

GUS & VIOLET Lucy Ostrich Feather Handbag $90 gusandviolet.com

LOSTINE Tulip Candle Holders $130 lostine.com

AFTERNOON LIGHT Swirl Vase $660 afternoonlight.com

WINSTON FLOWERS Magnolia Luxe $325 winstonflowers.com

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NEW SEASON

Trends bySofie SEEING RED

BY SOFIE MÄHLKVIST

Sofie Mählkvist is a 24-year-old Fashion Columnist and Social Media Consultant. She works with fashion brands overseeing their social media channels while also analyzing trend forecasting for upcoming seasons. Sofie is working on her master’s degree at Harvard University in Fashion Marketing Management. She graduated from Regent’s University London, where she finished with honors in Fashion Marketing and Global Management.

Sofie lives in NYC, London, and Paris, allowing her to attend all the fashion shows. She made her debut this year at the Viennese Opera Ball and was proclaimed “The Deb of the Year.”

IG: sofiemahlkvist

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Hugo Boss Relaxed-Fit High Waisted Trousers $348 Hugoboss.com Sometimes you should let pants do the talking, and this pair from Hugo Boss is perfect for a bold statement. Match them with a red top for a stylish monochromatic look.

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MSGM Textured Crepe Cady Mini Skirt $450 shop-msgm.com

M. S. Rau Ruby Dangle Earrings, 1.43 Carats $5,850 rauantiques.com

A mini skirt is never a bad idea, especially for a chic holiday party!

The best way to rock the red look is wearing rubies!

Magda Butrym Long Sleeve Flowing Mini Dress $1,452 magdabutrym.com

Taller Marmo Feather-trim Mini Dress $2,386 tallermarmo.com

Jacquemus Risoul Double-Collar Rib Crop Wool Sweater $890 jacquemus.com

This is the perfect dress for the event-season. It is sensual, with its low-plunge neckline, yet classy with its long sleeves and loose fit.

Feather trim dresses are a great way to standout this holiday season. Wear one with your favorite heels and a matching clutch for a classy and festive look.

A cropped sweater is perfect for a casual fall or winter day. Match one with a pair of high-waisted jeans for a red-hot look.

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PROFILE

Trunks Company Jaipur The

B Y L E X I WO L F

W A New Era of Trunks

hen talking about traveling trunks, the first thing that comes to mind is the classic Louis Vuitton iteration.

Although a staple for the jet set and aristocracies around the globe since they were first introduced in the late 17th Century, the Vuitton trunk has become monotonous and expected. Trunks Company, Jaipur’s bespoke designs are the solution to this high-class problem.

Brothers Paritosh and Priyank Mehta, the founders of Trunks Company, Jaipur, have traveled far and wide with the intention of bringing the art of trunk making into the modern era. Founded in 2011, Trunks Company has been catering to collectors, art aficionados and, yes, travelers, but their goal is to transcend the original purpose of the traveling trunk. The talented duo want to create treasured keepsakes and captivating classics. Imbuing new life into a relic of the past few centuries, with some of their products spotlighting the ancient art of tea and coffee brewing and traditional board games. “Our trunks are infused with modern living,” Priyank said.

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The Turban Trunk The company pays homage to India with all the products they create. However, one stands out among the rest. One of their most prized pieces is called “The Turban Trunk,” which attempts, and succeeds, at showing how something as simple as a turban, a customary head scarf symbolic of Indian culture, can be considered an art form. They have also been commissioned by some of India’s most prized landmarks, including the Taj Mahal Palace Hotel, to commemorate the landmark’s 111th anniversary, and the Rambagh Palace. In 2018, they also designed the GQ Style Award trophy, which was an hourglass encased in a miniature version of their trunks. The award, named “A Timeless Trove,” was made to symbolize the recipients who have crossed the boundaries of age and trends.

A Storied Past The usage of trunks has undergone major transformations since their inception – from being used as caskets, then as storage and ultimately as luggage in the form of Steamer Trunks. “During the early 18th century, as global travel became more accessible and popular, the steamer trunk became widely used in long sea voyages. In the 19th century, trunks were made of metal or wood. They were also used in vintage cars during the early 20th century when cars were able to make extended journeys. They embody a bygone era of travel,” Paritosh explained.

However, since the invention of the modern suitcase, traveling trunks have become an antiquity and used as mere decorations, with many collecting dust in forgotten attics.

“These timeless masterpieces are meant to captivate and inspire, bridging the gap between the past and present, and effortlessly complementing modern lifestyles with a touch of nostalgia and elegance.”

Bespoke Creations The items in their repertoire are varied: ranging from watch and jewelry storage, fully

portable bar trunks, Polo gear carriers and tea and coffee trunks. None of their products are the same, each being handmade for their discerning customers. “We can only handcraft a limited number of trunks each year, all of which are truly unique. No two creations are identical,” Priyank said. Their design process is complex, with each of their products consciously crafted over hundreds of hours, but it all begins with a simple sketch. After the sketch is finalized, they start the intricate task of analyzing materials, textures, colors and forms and blending in the highest quality of leather, wood and metal. These materials are then finished with an unconventional method of hand painting. This process includes creating their own dyes, pigments and oils, and manually painting each piece of leather. Some of the unique colors they offer are Midnight Sea, Turquoise Tides, and Amber Cloud.

“Creative thinking is our DNA,” Paritosh said.

“Our trunks are produced through an evolution of rejections and trials. To make something as exquisite as our creations, purely out of our depths of imagination, is an art within itself.”

Rare Trunks Although each of their trunks are handmade and one of a kind, Trunks Company also offers, by invitation only, Rare Trunks. Once every few years the company offers a complete collaboration with their artisans and designers to create custom made products. Some of their past Rare Trunks include “The Melody Library Trunk,” which includes built-in speakers, and “The Watch & Jewelry Safe Trunk,” allowing for their customers to secure their most valuable possessions in their home or during their travels.

Steeped In Indian Culture & Looking Forward The brother’s mission is far from complete.

Their hope is to SHARE the craft of trunk making on a global scale. “Our vision is to share our story with the world beyond India, expanding our community and playing a pivotal role in shaping the evolution of art and culture.” The Trunks Company will show their latest collection at The Salon Art + Design Fair, opening November 9th at the Park Avenue Armory. P trunkscompany.com

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ICON

Guru PR

R Couri Hay

R. Couri Hay Creative Public Relations

BY BENNETT MARCUS

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R. Couri Hay is one of the most prolific figures in American public relations. His New York based firm, R. Couri Hay Creative Public Relations, has received multiple accolades, and has ranked among the “Top New York City PR Firms” by the respected media analyst Expertise for seven consecutive years.

Couri’s life has been a swashbuckling romp through the pinnacle of late-20th century culture, starting during his early teens in the 1960s and continuing at full throttle today. From LSD guru Timothy Leary as one of his godfathers to designer Halston and ballet icon Rudolf Nureyev as lovers to being declared an Andy Warhol superstar. Couri danced with Princess Grace in Monte Carlo at the Croix Rouge Monégasque at 17 and later worked with Jacqueline Kennedy Onassis on American Ballet Theater galas. He has appeared in a slew of documentaries over the past several years, including the 2022 Netflix series “Andy Warhol Diaries.” R. Couri Hay has carved a remarkable path.

Iconic Clients: Harry Winston, Prada, Chopard, BVLGARI, Brioni, & Bergdorf Goodman While Hay is the go-to name for PR advice and crisis management counseling many prominent people, formally and informally, on how to burnish their images, his company’s mission has always been to combine luxury with philanthropy. With 40 years in business this year, his diverse client portfolio includes some of the world’s most notable VIPs, institutions and brands.

He has represented iconic fashion, jewelry and luxury brands including Harry Winston, Prada, BVLGARI, Chopard, Bergdorf Goodman, Lora Piana, Fendi, Brioni, Escada, Veuve Clicquot and Krug Champagnes among countless others. He has planned events for the Centennial Anniversary of the Juilliard School and the 10th Anniversary of the Broadway show “Chicago,” and orchestrated galas for Lincoln Center, the New York City Ballet, the Budapest Symphony Orchestra , the Society of Memorial Sloan Kettering Cancer Center and the openings of multiple art fairs, including Art Miami and the Hamptons Fine Art Fair to name but a few.

Celebrities currently on Hay’s client list include “Three’s Company” legend Suzanne Somers, Julia Haart of Netflix hit “My Unorthodox Life”, Twin Peaks star Amy Shiels, philanthropist and jeweler Kayla Rockefeller, SohoMuse founder Consuelo Vanderbilt, QVC star and hairstylist Chaz Dean, skincare mogul Peter Thomas Roth and 89-year-old Guinness World Record title holder for Oldest Working Female Comedian D’yan Forest. He has also done special projects with Sophia Loren and Brooke Shields, whose 18th birthday he helped organize in 1983. Bringing things full circle this past summer, he worked with Brooke’s 17-year-old daughter Grier Henchy on a philanthropic project. He’s also done charity events with Anderson Cooper, Michael Phelps, Mariel Hemingway, James Franco and Dakota Johnson, who will be honored by Hay’s longtime client the Hope for Depression Research Foundation this fall.

Park Magazine Co-founder Hay is Co-founder and Editorial Director of Park Magazine, where he has crafted covers featuring high-

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ICON

“MY MEDIA APPEARANCES ARE MEANT TO BE A MAGNET FOR MY BUSINESS. MY MESSAGE IS: IF I CAN BE HERE, I CAN PUT YOU HERE, TOO” Couri & Charles James

profile personalities like Cornelia Guest, Lydia Hearst, Sharon Bush and Lauren Bush Lauren, as well as his own clients Somers, Haart, and Rockefeller. Couri is also the Travel Editor and Society columnist for Social Life Magazine in the Hamptons and a columnist for Fashion Mannuscript in Palm Beach and Miami. He also appears on CNN, PBS, FOX, and the Discovery Channel and more commenting on Hollywood and pop culture.

Media Appearances In addition to the Warhol series, Hay appeared in the 2022 Ghislaine Maxwell miniseries, “House of Maxwell” on the BBC, and, in 2023, the Tinsley Mortimer documentary “Queenmaker: The Making of an It Girl,” directed by Zackery Drucker, which is on Hulu. He also shared his experiences with Halston in CNN’s 2019 documentary about the iconic fashion designer and appeared on “Ghislaine: Partner in Crime” on Paramount +, talking about Jeffery Epstein’s scandal in 2022. Currently, he is a Royal Correspondent for “Good Morning Britain” on ITV. Couri is considered a Kennedy family expert by the press and has been quoted extensively in biographies about Michael Kennedy, who he was skiing with in Aspen when he tragically hit a tree and died. He also skied with his media pal John F. Kennedy Jr. in Aspen and has been quoted in multiple biographies about the Kennedy scion.

Hay was a prominent presence in the 2023

documentary “Last Night In New York,” about society scribe David Patrick Columbia, hobnobbing with esteemed personalities like Liz Smith, Charlotte and Anne Ford, Olivia Palermo, Patrick McMullan, Jill Kargman, Hilary Ross, Geoffrey Bradfield, Susan FalesHill, Beth DeWoody, Nikki Haskell, Gayfryd Steinberg, Carolyne Roehm, and Muffie Potter Aston. Showtime’s 2021 documentary “Gossip,” about legendary columnist Cindy Adams, also gave viewers a taste of Hay’s personality.

In 2018, Hay was featured in an eight-page profile in Town & Country, and he is consistently quoted in local and national outlets on celebrity news. “My media appearances are meant to be a magnet for my business,” Hay says. “People think: If he can do it for himself, he can do it for me. My message is: If I can be here, I can put you here, too,” he adds. Couri has been named to Quest Magazine’s 400 List repeatedly.

A Remarkable Life: from Gossip Columnist to PR Guru Hay’s life story could make an epic novel, so packed with interactions with the greatest minds of our times, drawn by his charisma, it’s hard to imagine.

Hay attended the Waynflete School in Portland, Maine, with Bette Davis’s son Michael Merrill, before going on to attend North Yarmouth Academy, where Paris Hilton’s father, Rick Hilton, was also a student.

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The Early Years

Couri & Jackie Kennedy at ABT

Couri with his dog Pogo

Couri & Andy Warhol

With Elizabeth Taylor, Jackie Kennedy, Dame Margot Fonteyn

Couri and John Lennon at the Kennedy Center

Couri & Liza Minelli

Brooke Shields & Couri at The Oscars

Regis Philbin, Couri & his fiancé designer Zandra Rhodes on set

Couri with his Godfather Timothy Leary

Couri & Princess Grace

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More Recent Years

With Tinsley Mortimer

Couri with Melania Trump

Bill Clinton & Couri

Couri with Hillary Clinton

Couri, Suzanne Somers & Alan Hamel

With sisters Lydia & Gillian Hearst

With Amanda Hearst Couri & Julia Haart

Couri with Paris Hilton

Zackary Drucker & Couri

Mayor Eric Adams, Evie Evangelou & Couri

Couri & Christie Brinkley

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Couri with Cornelia Guest

“I MAKE IT A RULE TO NEVER TURN DOWN AN INVITATION TO THE WHITE HOUSE — NO MATTER WHO IS IN POWER — BECAUSE YOU NEVER KNOW WHO YOU ARE GOING TO MEET” His university writing teacher was Pulitzer Prize and Oscar winner Larry McMurtry. “He was willing to give me college credit to write for Interview in 1971, the early days,” he laughed. Hay figured he could do interviews and started with family friend Bette Davis and her husband the Gary Merrill, who costarred with Davis in “All About Eve.” “Andy loved glamorous, iconic stars, so it was a go,” he says. He went on to interview Marlene Dietrick, Ginger Rogers, Lena Horne and Warren Beatty, plus several political figures from Washington, where he did course work at Georgetown University and was mentored by McMurtry at American University.

“Imagine getting college credit to write for Andy!” He juggled his class schedule to be in New York Friday afternoon through Monday, making $25 a month.

“Andy signed all the checks. I kept them.”

His association with Warhol provided valuable lessons. “No one knew more about art, marketing and promotion than Andy,” Hay says. He later went on to write for other publications including a gossip column for the National Enquirer in the 70s and 80s, People, where he helped create the original “Chatter” column, as well as Town & Country. He also reported for the New York Times, New York Post, WWD and W, where he helped write “Suzy” – the ne plus ultra of society columns - by his pal Aileen Mehle for five years.

Hay has visited the White House under six presidents: Carter, Reagan, Bush, Clinton, Obama and Trump. “I make it a rule to never turn down an invitation to the White House — no matter who is in power — because you never know who you are going to meet,” he explains That knowledge of how the press works – and how to frame a story for maximum exposure – led him to realize he had a flair for promotion, and public relations was the logical progression. A 2014 New York Times profile of Hay was titled simply: “The Gossip Guy.” In 2014, The New York Time’s art critic Roberta K. Smith reviewed Hay’s collection of Charles James drawings at The National Arts Club. He then donated over 300 of the drawings to the Metropolitan Museum of Art. In May of the same year, The Met showed a group of these drawings in their show, “Charles James: Beyond Fashion.”

Prominent New England Family Roots to High-Profile New Yorker Hay’s mother, Marilyn Couri Hay, was a Maine socialite, sportswoman, champion equestrian and philanthropist who served as Chairman of the Red Cross for the Greater Portland Area for a decade. His mother’s family founded Camp Couri to give inner city youth a chance to experience the outdoors of Maine.

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Sky Lodge, the Couri family compound, built in 1929 in Moose River, Maine

They also built senior centers in the state. In 2018, The Couri Foundation, established by her cousins Elaine and John Couri, who co-founded Duty Free International and is the Syracuse University Board of Trustees Chairman Emeritus, gifted the family’s historic family compound Sky Lodge, built by architect Felix Arnold Burton in 1929, in Moose River, Maine to Unity College. The gift includes seventeen buildings, plus the 7,500 square foot main lodge, and over 150 acres of land. Hay’s cousin, Ralph Hay, founded the NFL. An owner of the Canton Bulldogs team at a time when professional football in Ohio was nearly extinct.

In 1920, Ralph gathered representatives from 11 different teams to form the new league. His cousins, Judy and George Couri, own the multi-national rug company, Couristan, which has been in business for 97 years.

Boston Roots The Hay family has deep roots in Boston, where Couri’s father, Walter F. W. Hay Jr., was born while Couri’s grandfather, Dr. Hay, was a medical student at Harvard. Dr Hay’s wife, Alice White Hay, was a concert pianist who played with the Boston Symphony and studied at the New England Conservancy of Music before going on to The Julliard School. His greatgrandfather, Harry F. G. Hay, was the mayor of Westbrook, Maine and was the president and owner of The Westbrook Trust Company. Hay credits his interest in national politics to family friend and Maine Senator Margert Chase Smith, who he interned with while living in Georgetown.

Mayflower Society Hay, a Mayflower Society member, descends from five passengers on the historic ship, including Governor William Bradford, Mary and William Brewster and Constance and Stephan Hopkins, who signed the Declaration of Independence. His ancestor, statesman John Hay, served as a personal secretary to President Abraham Lincoln, co-authored a 12-volume biography of Lincoln, with John G Nicolay, and was Secretary of State in 1890. Couri has written two books: a novel called “Secret Lives” and the fashion book “Charles James: Beneath the Dress.” He is currently working on his memoir, due out in 2026.

Hay was engaged to the English designer Zandra Rhodes in the 80’s and they remain good friends to this day. Couri was a fixture, host and PR consultant at Studio 54, and went on to open the legendary night club Tatou with Studio 54’s last owner Mark Fleischman in 1990. Today, Hay lives with his partner and their King Charles Cavalier Spaniel, Phantom Webster Westbrook Hay, in a landmarked Upper West Side townhouse. He served as President of the Jury for the 15th Anniversary of the New York International Film Festival in 2022, contributing his expertise and discerning eye to the prominent event; he first assumed the role in 2015. In recognition of his exemplary leadership and contributions to the world of television, Hay was honored with the prestigious Leadership Award at the 2023 NYC TV Festival, solidifying his status as a respected figure in the media and entertainment industry. P

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Marilyn Couri Hay & Couri working on the Red Cross drive

Couri’s Grandfather, Arthur N. Couri, was the Commodore of the Portland Yacht Club

Couri’s Grandmother, R. Louise Couri, aboard The Renié

R. Louise Couri, Anne M. Bradford, Marilyn Couri Hay

The Great Hall at Sky Lodge, which is the oldest and largest log cabin structure in Maine

Family Picnic at The Portland Yacht Club

Walter F. W. Hay III & Couri

Walter F. W. Hay Jr. & Marilyn Couri Hay

Marlon Brando & Couri Couri & Gale Parker in Capri (1968)

rcourihay.com @rcourihay wikipedia.org/ wiki/R._Couri_Hay

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J ARTS

17 QUESTIONS FOR

OHN EMSEY

The GWQA BY

GEORGE WAY N E

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WHAT IS IT LIKE TO BE CANCELLED, LITERALLY OVERNIGHT? Cast aside in the blink of an eye from the very pinnacle of Manhattan power, fashion and high society?

And, lose your $10 million-dollar-a-year job over a misguided meme?

For prestigious Estée Lauder beauty pioneer John Demsey, who’s one of the most incredible and gentle creative geniuses alive, it’s a debacle that he will no longer sit at home and mope on. What’s done can’t be undone seems to be the mantra of this pedigreed creative who has always “had a deep sense of what consumers want before they want it.”

Demsey has grown to realize that there is a wealth of love and eternal support from friends and fans all over the globe. And he’s now found the perfect metier to come back in from the cold. Welcome to Behind the Blue Door, he confidently enthuses in the very first pages of the gorgeous coffee-table book dedicated to his incredible home. This is his “ultimate expression of my lifelong passion for Art and Design.” It seemingly weighs at least 50 lbs at 235 pages with a fabulous set of Acknowledgements which is the perfect brulée to this must-own archival trove for any design junkie.

With words from Alina Cho and images from Douglas Friedman, the man who made RuPaul mainstream and then went on to help Tom Ford become a billionaire twice over now gifts the zeitgeist with an exquisite tribute to his remarkable eye. And so, it was time for John Demsey to face The Seventeen Questions.

GEORGE WAYNE: I forgot to ask you at breakfast the last time I saw you, who makes your signature lunettes? Are they Tom Ford?

JOHN DEMSEY: My signature lunettes are a combination of Tom Ford and a bespoke collaboration with Morgenthau. Frederic designed it just for me. They are called “The JD”; I have them in over 30 colors. Tom Ford taught me that eyewear is the perfect way to frame your face for a more youthful image as time marches on.

GW: Have you, or your fabulous curator BiBi, considered acquiring any First Edition classics from the Charlie Watts estate that just went to auction at Christie’s?

You could have bought his very rare copy of The Great Gatsby inscribed by F. Scott Fitzgerald. Who knew that the late Rolling Stones drummer was such a bibliophile?

JD: Bibi, my best friend and interior designer, has indeed been looking at the Charlie Watts estate. I

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“MANY OF MY FRIENDS JOKE THAT I AM THE ULTIMATE LUXURY HOARDER.” John Demsey

hope that I have not missed the train, as he would be a perfect addition to my eclectic collection. I do have a photo of The Rolling Stones shot by David Bailey, along with about six images of Mick.

GW: Charlie Watts had a fascination with the written word, and John Demsey seems to have a fascination with the visual world. This house of yours hangs images from every important fashion and fine art photographer of the 20th and 21st centuries.

JD: I have always been a visual person. Pattern, color, art and design have always been my passions. Many of my friends joke that I am the ultimate luxury hoarder. It all began, I guess, collecting Matchbox cars as a little boy and making collages from magazines and posters.

In fact, I got in big trouble with my parents for cutting up my World Book encyclopedia to make art. Before I had any money I would plaster the walls in my room with posters, comics, postcards and tear sheets. The first photo I ever bought was at twenty years old, in Paris. Brigitte Bardot as a brunette, is on my wall and also included in the Foreword of the book.

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GW: This is one of the chicest, most visually titillating homes in New York City. But how can you also own eight dogs and allow them to roam freely? Meandering, tails wagging through all the priceless objets d’art everywhere here!

JD: To be specific, I have eight dogs and two cats. I need a lot of emotional support, and I guess as a Maximalist, I took it pretty far. Yes, I let them roam freely, always with an ample supply of Nature’s Miracle!

Liz Tilberis said she never trusted people who neither had kids nor pets. I guess I would agree.

GW: Of all the amazing nooks and crannies “Behind The Blue Door,” which is the most used and hence, the favorite?

JD: My favorite spots where I spend a great deal of time would be on the blue velvet Willy Rizzo sofa in the living room, surrounded by celebrity and fashion photography. My jewel of an office is adjacent to a map of Paris and the Eiffel Tower. My all-glam monkey bedroom is grounded in David Hicks, and my fifth-floor gym with the red leather equipment placed in the gaze of Daphne Guinness photographed by Steven Klein.

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“FOR ME, “ECLECTIC” IS A NOUN, ADJECTIVE AND VERB. I AM AN ECLECTICIST, TO THE MAX!”

John Demsey

GW: This idea for the book, was it yours or your soulmate, Alina Cho? JD: The idea of the book was the collaboration between, as you say, my soulmate Alina Cho, and Douglas Friedman. Vendome Press had approached me, and as I have been living through a very unexpected transition time, the project was deeply therapeutic in that it helped me to reframe who I am and who have always been through my unique, bold point of view.

GW: So if a dog shits on the Liaigre couch, you don’t care?

JD: I do not love when a dog shits anywhere.

Thankfully, the orange Hermes leather Liaigre has been spared to date. I have so much leopard and pattern on the floors to be forgiving of my squad’s little accidents.

CZ Guest gave me that home decor trick in the ‘80s.

GW: Behind The Blue Door is an immediate collectable. So is your prestigious Vendome Press coffee table behemoth a “maximalist mantra”?

JD: First, thank you for appreciating the book. I am very proud of it. My maximalist mantra is to explore and find the things that bring you joy and reflect who you are.

A good press agent friend of mine told me that what’s important is YOU BE YOU. For me, that’s living life boldly. My taste may not be for everyone. I swear my next one will be a minimalist symphony. What is important is to embrace your passions and beliefs in life.

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“MY TIME AT ESTÉE LAUDER WAS THE GREATEST OPPORTUNITY OF MY LIFE.” John Demsey GW: Would you consider yourself an eclectic?

JD: For me, “eclectic” is a noun, adjective and verb. I am an eclecticist, to the max!

GW: “Behind every door, every room, every object, there is another story,” you perfectly tell it. Your life has been mostly perfect apart from one cataclysm hiccup.

JD: My life is the sum of the work and friends I have been true to my entire life. Nothing and nobody in life is perfect, and neither am I. I have always been a kind, loving and inclusive person who has embraced the good in everyone. I am moving forward as I am a positive person. What happened to me is in the rearview mirror.

I am sorry that people made snap judgements about who I really am. Everyone who knows me knows the truth. I am excited to hear what GW thinks is next for me. I am not done, and I have a lot more to say and do.

GW: You were raised with a silver spoon in your mouth. A proper boy with Midwest values. “Son of stylish, remarkable parents,” you say yourself.

JD: I’m so lucky to have had such loving, stylish parents. They instilled in me a work ethic and a humanity second to none. My 91-year-old mother is a painter whose work is on view at The Spaceless Gallery at Bergdorf Goodman. She is chic, bold, outspoken and a force. My late dad would often say he was not surprised by my success as he and my mother

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raised me to be unique. also, our flatware was stainless steel, not silver.

GW: Do you still detest Fabrizio Freda for firing you from Estée Lauder?

JD: My time at Estée Lauder was the greatest opportunity of my life. I want to focus on the future, not the past.

GW: Do you think Aerin Lauder will buy this fabulous book for her armoire?

JD: I worked with Aerin for many years at Estée Lauder and also when she created her own brand. I’m sure she would buy a book, but of course I will be sending her one. In fact, in November, I’m doing a book charity event with God’s Love We Deliver. She is on the board and was very supportive of the idea.

GW: Anyone who has known John Demsey for the more than 28 years that GW has had the pleasure, knows there is nothing racist or even disingenuous about him or his life’s work.

JD: GW, we have known each other for a very long time. You have a good idea of my integrity and character.

In our social media-powered world, many people do not know me nor are aware of what I have done and why I have done it. I need all the love and support I can get. GW as my advocate, is a dream come true. I live for and am inspired by pop culture. Viva Glam was an extraordinary

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ARTS

“I GOT TO WORK WITH OVER 35 LEGENDARY POP CULTURE IDOLS, RAISED OVER $500 MILLION. ”

John Demsey

opportunity to raise money and awareness of HIV and AIDS. I got to work with over 35 legendary pop culture idols, raised over $500 million and made a difference. It’s the work I will always be most proud of.

GW: As Teri Agins, the pedigreed and wonderful fashion journalist, made it clear. “John was more culturally attuned from day one when it came to inclusivity.” There is no denying that fact.

JD: Terri Agins is a real friend. She told me everyone loves the comeback. Get ready, world. I’m back.

GW: What do you think of the brand new MAC Cosmetics re-branding?

JD: I will always love MAC. It’s hard to judge something you were so close to for nearly a quarter of a century. The world and business have changed so much. Drew Elliot is a great creative director. He embodies the values and voice MAC needs now.

GW: Not to harp on it, but what would you do if you ran into Leonard Lauder on a bathroom break at opening night of the Lincoln Center opera? Would you avert his glance? Or say, “Hello Leonard. Fuck off, Leonard.” LOL JD: For the record, and shout it from the rafters, Leonard Lauder is my friend and role model in life. I love him and consider it an honor to have built so much of Estée Lauder with him.

GW: GW loves you, Johnny Demsey. Thank You! P

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K Leading Mobile Artist Inspired by the Art of Nature

BY C H R I S TO P H E R A . PA P E

AROLINA MASZKIEWICZ’S a Polish born, American artist working in the Los Angeles area is turning heads and piquing the interest of serious collectors by her stunning work and boundless imagination. Karolina’s work is largely inspired by landscapes, with their stark outlines and clean color pallet. The kinetic form of her sculptures expresses motion through both their static elements and their moveable counterparts. The use of natural elements projects the feeling of being surrounded by nature.

What follows is an interview with this amazing artist.

Karolina

M as z k i e w i cz

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Tell us about your personal and educational background. When and why did you make the move to the United States?

I grew up in Poland, in the same town where Nicolaus Copernicus was born. It is still a picturesque medieval town. As a child I used to walk the cobblestone streets to a castle of the Teutonic Order where I would stop and meet friends before heading to a local pub or for a walk along the river. When it came to art, my entire family would get involved. Our whole lives we have created things and done projects together. We were always super crafty. We’d sew our own clothes, make toys and even design our furniture. This was also part of postCommunism life for many people because there wasn’t much around. If you wanted something, you had to make it yourself. My

father had moved to the states when I was still in high school. By the time I graduated, my sister and mother we already there as well, so I followed them to America as soon as I got my visa. In the late ‘90s I attended the Fashion Institute of Design and Merchandising and started a career as a designer in the fashion industry. Although my endeavors focused on clothing design, I still fall back on much of what I learned then and I believe it helped me become the artist I am today. Luckily, the same rules of color and composition apply to sculpture as they did to fashion; you cannot go wrong following the six steps of design.

How did you get into mobile/sculpture?

While I had always pursued art on the side, my career as a full-time artist kicked off when I began studying with the modernist sculptor

Brad Howe at his studio in Malibu. It was during that time that I began to be interested in kinetic sculptures. The fact that they can move and interact with their surroundings is an essential part of what draws me to them.

For me, kinetic art is like nature. My sculptures are intended to embody the natural world, to remind the viewer of nature’s beauty and fragility. The Sepsates series, whose component is seed pods, is a meditation on the way we tend to ignore the natural world. The plant makes all this effort to spread seeds, and they just end up on concrete, on the streets, not being able to really do the job they’re meant to do. And most of us don’t really notice it. I wanted to turn those seed pods into something beautiful. A sculpture that you could live with and that would draw your attention to their strength and intricate system of procreation.

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What are your inspirations?

My love of nature. The calm and serenity I feel when working with natural materials is rooted in my childhood in northern Poland.

A vista or a landscape is not only profoundly therapeutic, but finding yourself in a stunning place often leads to an innate longing to capture its ephemeral beauty and render it permanent.

When I first moved to Los Angeles, exploring the deserts of Joshua Tree and the mountains of Malibu gave me a sense of purpose. Those places became a sanctuary for me and provided powerful inspiration for work such as Sepsates. It’s an earthy collection of foraged, dried seed pods and other natural elements transformed into pendant mobiles.

What other artists do you admire? Do you take direct inspiration from them?

I’m very much inspired by female artists of the 20th century such as Niki de Saint Phalle, Ruth Asawa and Louise Bourgeois, to name a few. They are huge pioneers in

sculptural practice, not only for what they designed but as women who had to muscle their way into sculpture at a time when it was not friendly to them. I love how Niki has playfully paid homage to ancient and modern mythical archetypes of women as nurturer, and to nature as a mother.

Another one of my heroes is Magdalena Abakanowicz. Her three-dimensional fiber sculptures that she calls “A search for organic mysteries” leave me awestruck. These Abakans, as they became known, were more than 15 feet tall. Hollow at the core and fitted with slits and folds, they hang from the ceiling, nearly touching the floor where they resemble shrouds, twisted tree trunks, cocoons or druid priests—strange forms summoned from the lower depths of the collective unconscious. I will never forget them.

What is the process (technically, emotionally, logistically) that goes into making a piece?

The process is exactly that, a process! Trial and error. Mistakes lead to new ideas.

Intention leads to inspiration. During this process I try to trust my intuition and let the composition flow naturally.

Sometimes the materials themselves will dictate the nature of the sculpture, as if they are speaking to me, allowing me to arrange them a certain way, and guiding me along my journey. Early on veneer caught my attention and I wanted to do something with it. I had found a stash of it hidden away in my father’s workshop where he builds furniture.

Traditional woodworking, with the use of veneer, is an extension of the human-nature relationship with a long history of making ecological and environmental choices.

The idea of merging manmade materials with natural ones is a big inspiration for me. I like the natural look of organic materials, especially when it’s highlighted by something so sterile as metal.

What galleries are you in? Where can readers find your work?

I’m currently with Twentieth in Los Angles, a beautiful galley in the Hollywood

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Hills enclosed by a lush garden. I also work with Tappan and Harbinger LA. What are your goals/plans for the near future?

This winter I will be conducting an art residency at Parco de Sesi on a Sicilian island of Pantalleria. It’s a beautiful remote place, close to the African coast. It’s called the Black Pearl because of its volcanic origin.

I’ll be working there on a sculpture made of natural elements found on the island. The piece will remain with Parco after the residency.

I’d also like to brush up on painting and drawings skills and develop a collection of wall pieces. I’m also considering taking a semester in Florence.

Once I’m back in the studio I’d like to explore adding new materials to the work I’ll discover while traveling, bringing natural elements from all over the world together in my sculptures. P karolinamaszkiewicz.com

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Sarah

MULDER

c

Paints with Florals

B Y C H R I S TO P H E R A . PA P E

anadian Sarah Mulder is a full-time jewelry designer and artist, designing and creating from her Gastown studio in Downtown Vancouver. Her technique and love of florals combine to create stunning works that are equal parts captivating and beautiful. What follows is an interview with this talented creative.

Tell us about your personal and educational background.

As soon as I picked up a crayon, it was all I ever needed in life. And I was lucky that my parents nurtured my love for art.

When I was 16 my mom bid on a college drawing course through a silent auction and my passion for becoming a working artist was sparked there.

During my last year at Langara College, I studied in Europe. In and out of museums and galleries, traveling to new exciting places—my eyes were opened and I fell deeper in love with life.

In 2005 I received a BFA from Emily Carr University and showed work in cafes, boutiques, restaurants, galleries and

theaters, then left work at elementary school in 2011 to create art and jewelry. I’ve been growing those businesses ever since.

How did you get into painting, and specifically florals?

Out of school I was fascinated by architecture. I used recycled fabrics, sewing and manipulating the canvas. They were really tough on my body and at some point my mom said, “I really think you should be painting flowers, they’re so happy.” When I tried a floral piece, it felt like a release of structure and rules. But after a few years of taking commissions, I was again applying too many rules to my canvases, trying to paint the flowers as a perfect representation. My peer

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like Meghan Bustard, Amy Stewart and Dana Mooney, for whom I have deep admiration and who give me confidence in my own practice.

What is the process—technically, emotionally, logistically—that goes into making a piece?

Usually I start with quick sketches of potential layouts, tape them to the wall and pull out floral photographs. I love painting or drawing throughout the life of a stem. Capturing a vivacious life and honoring it is the goal behind my work. I find so much beauty in the last stages with florals: the wrinkles, the textures, how they lose their poise but instead settle into a beautiful sigh of relief. It takes me an hour to mix colors on my pallet, which consists of clear acrylic medium and different shades of whites and pinks. I sometimes like using my paints like water color and sometimes like oil and I love how fast acrylic paint dries because I like moving quickly throughout a painting.

Typically under the first layer of paint there’s a sketch of the layout, and then I dig right in, only looking at reference photos from time to time while I paint.

Lisa Ochowych’s abstract painting course helped me to let go of habits I formed and shift to the way I’m currently creating.

What are your inspirations?

Whether it’s a drip of water down the side of a window or sun rays casting shadows through leaves, from the time I wake up and leave my apartment to when I settle in my studio for the day, I look for moments that spark joy.

My pencil is an important part of my practice, like a symphony conductor’s baton leading me through a full body of movement.

Taking an abstract thought and forming a relationship with it until it becomes something is a beautiful process.

What other artists do you admire?

Looking through the eyes of people with different skill-sets awakens my creativity and shifts my thinking. Tanis Saxby, Diane Rudge and Kenny Nguyen give me space to daydream about texture and form; while glass artist Dale Chihuly and media art by Refik Anadol inspire me to push color outside my comfort zone.

I admire floral arrangements by Jüergen Birchler, Suzanne Saroff, Pül Flower LA and Doan Ly. And I love the fun feeling that radiates from Janna Watson’s abstract canvases, the push and pull of paint, and the pops of color.

I’m lucky to be part of an amazing art community in Vancouver, with female peers

What galleries are you in? Where can readers find your work?

My work can be seen privately in my Gastown Studio in Vancouver, or online sarahmulderfineart.com on Instagram @sarahmulderart / sarahmulder.com (jewelry) @sarahmulderjewelry info@sarahmulder.com for inquiries.

I also sell my work through Nomad Gallery in White Rock, BC and The Coast Goods in Vancouver, BC What are your goals/plans for the near future?

I will have a full body of artwork to show in 2024.

I’m also eager to work with interior designers on custom work. Creating large floral drawings and sending them to their homes is a wonderful practice for me.

And, for the first time I’ll soon be making limited art prints and cards available through my website. P

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Bonnie

Lautenberg Artist & Photographer

BY BENNET MARCUS

ONNIE LAUTENBERG is an author and renowned photographer, whose work is in private collections as well as those of the Smithsonian’s Museum of African American History and Culture, the New York Historical Society, Newark Museum, and the Library of Congress.

If the name sounds familiar, her late husband was Frank Lautenberg, who served five terms as a New Jersey senator from 1982 through 2013. Living in the center of the political whirl, in 1993 Bonnie Lautenberg found herself at the White House, where President Bill Clinton, Prime Minister Yitzhak Rabin and Chairman Yasser Arafat were signing the Israeli-Palestinian Peace Accord.

She began taking photographs. “I always had my camera in Washington,” said Lautenberg. As the three leaders were walking out of the White House, she had a flash of recognition that she was capturing a momentous piece of history with her camera. The adrenaline rush was heady; she was, from then on, hooked on photography.

Innate Talent It wasn’t simply her proximity to the halls of power; it turned out that she had talent.

The technicians at the photo lab – they still used film back then – told her that her pictures were as good as or better than those

of their professional photographer clients’ who had shot the same event. “That really made me think I had something,” she said.

100 U.S. Senators on How They Changed Our Lives Another politically related project Lautenberg created was called “How They Changed Our Lives: Senators as Working People,” in which she photographed all 100 members of the 109th congress (2005-2007).

Her husband had proposed much legislation over the years, including the law that banned smoking on airplanes, so Lautenberg became curious about what the other senators had done. “They all allowed me to photograph them, and they gave me the text of what they accomplished.” The project was exhibited at the Mana Contemporary art center in Jersey City, and is now online at the Library of Congress in perpetuity.

Eli Broad Collection Another career highlight came in September 2008, when Lautenberg

photographed then-candidate Barack Obama speaking to an audience at a private home in New Jersey. One of those pictures was in a group show at the Howard Greenberg Gallery in Manhattan and is in many private collections, including that of Eli Broad, the prolific art collector and founder of The Broad, a Los Angeles art museum. Mr. Broad displayed the picture along with the text “Change Has Come to America,” referencing Obama’s catchphrase. At an inauguration party he hosted, he had Lautenberg make 350 smaller versions as favors to attendees. “I was very honored that Eli Broad thought enough of me to do that and thought enough of the piece to give it out to everybody at his party as a gift,” Lautenberg said.

Pop Rocks – Lady Gaga, Miley Cyrus & Justin Bieber Lautenberg does not limit her practice to politics. One body of her work features entertainment icons in performance, including Miley Cyrus, Katy Perry, Justin Bieber and others.

It began in 2010 when her husband suggested they go to see Lady Gaga at Radio City Music Hall for their anniversary. Hearing that Gaga allowed concert audiences to take photos – this was when Instagram was in its infancy, but Gaga was prescient about the rise of social media – Lautenberg snagged front row seats at center stage and snapped away. An East Hampton gallery showed them, and the Gaga pieces have since been in many different exhibits related to music, and spurred Lautenberg to expand it into a series called “Pop Rocks.”

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“Artistica! Where Hollywood Meets Art History”

In 2018, she began a new series, “Artistica!

Where Hollywood Meets Art History,” pairing a film still and a painting done in the same year. It’s about how one art form may have influenced another. That was shown at the Boca Raton Museum in the ‘22-’23 season.

One of her works, a photograph of Paul Newman from “Hud” juxtaposed next to Andy Warhol’s Elvis Presley in jeans, holding a gun and wearing a holster, was sold off the wall at Holiday House’s Hamptons showcase over the summer. Lautenberg will also show the series at Carlton Fine Arts on Madison Avenue on October 11th, 2023.

Statue of Liberty: Roe, Guns More recently, photos of a Statue of Liberty replica Lautenberg had taken became the basis for work related to the pandemic, as well as other issues like the repeal of Roe V.

Wade and gun violence.

When the pandemic hit, she put an American flag facemask on Lady Liberty with backgrounds in red, white and blue. An edition of ten pieces printed on aluminum that she donated to the Biden campaign sold out the first day. The David Benrimon Gallery put them in a group show called “Rethinking America,” with the likes of

Warhol, Lichtenstein, Ed Ruscha, Robert Longo and Deb Kass. “It was quite thrilling to be in a show of all these great artists!”

Lautenberg exclaimed.

“Tears of Roe,” in which in which Lady Liberty is crying amidst a pink background, was sparked by the Supreme Court decision.

A recent retrospective at the Jewish Museum of Florida included works from the Artistica!, Pop Rocks, and Lady Liberty series’. “We called the show ‘Lady Liberty.’ It was all about women.”

Upcoming Book: Frankly Speaking Lautenberg’s book, “Frankly Speaking: The Extraordinary Life of Senator Frank R. Lautenberg,” is out in May 2024, with foreword by Hillary Clinton and afterword by Joe Biden. “It’s about Frank, and my life with Frank.” P bonnielautenberg.com

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Hıgh L PROFILE

on

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Love ZACKARY DRUCKER & MARVAL REX BY

BEN

WIDDICOMBE

P R O D U C E D B Y R . C O U R I H AY PHOTOGRAPHY BY STEWART SHINING Shot Exclusively in Los Angeles for PARK

STYLING: Emily Nagrecha MAKEUP: Nicole Walmsley HAIR: Dallin James SPECIAL THANKS: Purple PR, Courtney Nichols, The AC / MOXY Hotel, Downtown LA

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PROFILE

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ONE MILD EVENING THIS Summer, a dozen New York media, gossip and event reporters descended on SoHo for a premiere party in honor of the Hulu documentary, Queenmaker. Outside, tech bros in Teslas and a yellow Lamborghini full of Eurotrash crawled along in Broome Street traffic, but inside MarieBelle, a luxury chocolatier and café, the scene evoked a chic soirée in a French salon.

Waiters circled with trays of chilled prosecco and truffles as young women with clipboards checked the names of guests at the door. Finally, against an expectant hubbub, flashbulbs announced the arrival of the film’s director. Tall and with ice blue eyes, Zackary Drucker entered with her long blond hair swept forward over the right shoulder so that it tumbled like gold rope over her hot-pink sleeveless minidress. Clearly, this party was not her first rodeo.

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COVER STORY

“IT’S THE STORY OF HOW THESE YOUNG WOMEN MADE IT IN HIGH SOCIETY IN NEW YORK, BUT FROM A MORE CURRENT PERSPECTIVE,” SHE SAID. “AND THERE IS A BIG TWIST IN IT THAT MAYBE NOT EVERYBODY WILL SEE COMING.” In fact, Drucker has enjoyed success almost from the earliest years of her career. As a young fine artist, her work was exhibited in the Whitney and L.A. Biennials, the Hammer Museum, and in a 2012 solo show at MoMA PS1 in Queens. Later she became involved with professional filmmaking as a consultant on the Amazon series Transparent; received an Emmy nomination for producing the docuseries This is Me, and in 2021 directed the critically lauded HBO series about a forgotten ‘70s auto industry entrepreneur, The Lady and the Dale In Queenmaker, however, she broached a subject as bold as Manhattan itself. For the first time she was examining a species of urban striver that Park readers will instantly recognize: the New York socialite After the party photographers got their shots, Drucker, 40, granted interviews to the line of waiting reporters. “It’s the story of how these young women made it in high society in New York, but from a more current perspective,” she said. “And there is a big twist in it that maybe not everybody will see coming.”

(Disclosure: This reporter was in the room because Queenmaker was inspired by a chapter in my memoir, Gatecrasher.

I was invited by Emmet McDermott and Scott Kaplan of the production company CoverStory to help make the film, in which I also appear.)

Queenmaker takes as its starting point the popular obsession with young socialites in New York, roughly from 2000 until 2010. The media attention, social aspiration and support staff of designers, publicists and teacup chihuahua breeders they inspired became its own cottage industry. Queenmaker

includes interviews with a dozen power players of the time, including queens-of-the-scene Tinsley Mortimer and Olivia Palermo; Bungalow 8 nightclub owner Amy Sacco; publicists Kelly Cutrone and Couri Hay; social photographer Patrick McMullan, and social writers Lola Ogunnaike (then of The New York Times), Emily Gould (Gawker), and Olga Rei and Valentine Uhovski (the blog Socialite Rank.)

But the “twist” to which Drucker alluded comes halfway through the film. (Watch the documentary on Hulu right now, if you haven’t already, because there are spoilers ahead.)

Another young blogger, Morgan Olivia Rose, emerges as the central character in the film. She appears as both her modernday self, a voluptuous Indian-American beauty living in Chicago, and also in her early 2000s teenage incarnation, when she presented as a male named James Kurisunkal.

It was by that name, while still an undergraduate living on campus in Champaign-Urbana, Illinois, that she achieved a measure of fame as the author of Park Avenue Peerage, a blog covering New York’s socialite scene. After an initial period of anonymity, when her identity was finally revealed, Manhattan media delighted in the notion that a Midwestern college kid living several hundreds of miles away would be covering the Upper East Side like an insider.

So Morgan came to town (under her previous name and gender presentation), met her idol Tinsley Mortimer in a moment delightfully captured both in photography and prose

by The New York Times, and worked for a time at New York Magazine. This child of Indian immigrants and onetime blog-

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PROFILE

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COVER STORY

“HE IS A PSYCHIC, A COMEDIAN, A PERFORMER AND A MAKER, BUT MOST OF ALL HE IS A LIGHT FORCE WITH ENERGIES THAT CANNOT BE CONTAINED

BY ANY LABEL OR ANY GENRE,” Joey Soloway on Marval A. Rex

ger personifies themes of ambition and self-transformation so often associated with the so-called “American dream,” but with a story that has not previously been told.

Queenmaker even manages to get Rose and Mortimer back in touch, and in the film’s denouement, they set out to meet again at a black-tie charity gala.

“That’s an amazing story,” a rapt media reporter said to Drucker at the premiere party, titling his phone under her chin to record her every word. “So what happens at the gala?”

“Your readers will have to watch the film to find out,” she replied with a mischievous grin.

Just then, in another corner of the party, an exceptionally good-looking young man scampered over to a group of guests to introduce himself. He had thick, floppy, chestnut hair and the energy of a Labrador puppy. But even more noticeable was his outfit: lurid blue shorts and a matching mesh shirt, which showcased his muscled torso, rippling abs and geometric shoulder tattoo. He looked like what Bruce Weber must see when he closes his eyes at night.

“Hi,” the apparition said, extending his hand for a firm shake.

“I’m Marval, Zackary’s boyfriend.”

I

N LOS ANGELES, WHERE HE AND DRUCKER SHARE

a home, Marval Angela Reichsteiner, 31, is known professionally as Marval A. Rex. He is the quintessential hustling young actor, a trained ceramicist who makes art in between auditioning for roles, surfing in Malibu and advertising his services as an astrologer, motivational

speaker and spiritual coach.

“He is a psychic, a comedian, a performer and a maker, but most of all he is a light force with energies that cannot be contained by any label or any genre,” says Joey Soloway, the creator of “Transparent.” “We met at a breakfast for Yom Kippur and I was immediately electrified by his presence and his wild laugh. We bonded deeply and became family as we both went on the journey to get adult B’nai Mitzvahed at our temple in Los Angeles. We came of age together and it has been one of the biggest gifts of my life.”

“I always like to say that I was born my mother’s princess in Salt Lake City, Utah,” Rex said in an interview two months after the Queenmaker party, sitting alongside Drucker in their living room. “I was raised Catholic but I am Jewish, and I grew up in the Mormon mecca of the United States. It’s very complicated. My family are crypto-Jews, so they converted to Catholicism we’re not sure when, but it’s a very touchy subject.”

Something else that’s a touchy subject: Although his mother grew up in Barcelona, don’t say she’s from Spain. “There is an independentisme movement in Catalonia, and anytime I›ve said she›s Spanish, she›s a little bit like, “We’re not Spanish,” he said, replicating the distinctive regional lisp. In deference to la seva mare, then, professional bios usually identify Rex as “Catalan-American.”

In addition to a recent turn as a werewolf with great hair in Spookable, a horror-comedy series executive-produced by Drucker, Rex also has a burgeoning stand-up comedy career.

In “Big Dad Energy,” “a transmasucline comedy showcase” he

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“WE BUMPED INTO EACH OTHER AT A SEX DUNGEON CHRISTMAS PARTY. I WAS PART OF THE PERFORMANCE, NAKED WITH ASSLESS CHAPS ON, AND ZACKARY WALKED IN WHILE I’M GETTING WHIPPED BY A DOMINATRIX. ALSO I WAS ON MUSHROOMS.” produced in June, he made a bit out of his appearance in an ad campaign for the gay dating app Scruff.

“I’m like, imitation crab,” he joked, about being trans among the cis male models at the shoot. “They were talking about their $4,000-a-month apartments in WeHo,” the difference between shag and woven rugs, “like it’s a big existential question,” and how being with the same boyfriend for four weeks is soooo looong.

Here, stalking the stage in white socks and pink satin boxing shorts, Rex pauses for effect. “I was a lesbian for 23 years and I’m like ‘okay, wow!’ I date women believe it or not, and if you date a woman for four weeks she’s still trying to figure out if you’re a serial killer. In fact it’s four years for my current one and she’s still like, ‘You never know. He could kill me.’”

So, sitting with them together at home, I ask Drucker: Has she worked out yet whether he’s a serial killer?

“The test is always being taken,” she says, laughing. “It’s a daily thing.”

The couple met at a birthday party in the home of noted performance artist Ron Athey in December, 2018. “I immediately fell in love with her,” Rex said. “As fate would have it we bumped into each other again shortly afterwards at a sex dungeon Christmas party. I was part of the performance, naked with ass-less chaps on, and Zackary walked in with Cathy Opie (the prominent photographer) while I’m getting whipped by a dominatrix. Also I was on mushrooms.”

Not long after that night, they became one of Hollywood’s most glamorous trans power couples. “It was very unexpected,”

Drucker says. “We started dating in 2019 and we dove into living together in the pandemic.”

It’s the romantic comedy meet-cute that Rock Hudson and Doris Day could only ever have dreamed of (and Hudson probably did). This updated version of Pillow Talk even has a Hollywood ending: the couple is engaged and eyeing a summer 2024 date for the wedding. But are their families as excited about the upcoming nuptials as are the bride and groom?

“Oh yeah,” they both say in unison, and start completing each other’s sentences: “They love each other”; “our parents have met at this point”; “a lot”; “and her parents and my parents”; “like peas in a pod.”

An engagement is the point where a rom-com often ends, but our leads are each still only in the first half of their lives. So the more interesting question is: what will they be doing next?

D

RUCKER’S LONG PATH TO PROFESSIONAL and personal success is a thoroughly modern

story. “I’m from Syracuse, New York, the most glamorous place in America,” she says with irony. “I grew up very close to my father’s Ashkenazi extended Jewish family and I was Bar Mitzvahed at the same synagogue that he went to as a child.”

In early life, Drucker was influenced by the work of trailblazing transgender theorist, Kate Bornstein–even shoplifting a copy of her 1995 book, Gender Outlaw. “I don’t know what possessed me,” she admitted to the academic during an interview years later, “[but I] discovered the word transgender, and found

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myself in your words and in your experience in a way that I had never felt reflected before.”

Bornstein responded: “When we first met, you stole my heart, and it’s lovely to hear that you also stole my fucking book.”

Drucker is among a growing number of trans women who opt not to change their first name following gender transition. “At the time, I felt as though I had already created a persona as Zackary,” she says, and therefore made the decision “just to let the world change around me, rather than capitulating to a world that didn’t have a place for me.”

Tinsely Mortimer She moved to New York City in June 2001, the day after graduating high school. “I just packed up my grandmother’s Saab that I had borrowed and tography, film and performance. As Drucker explained at the drove to Brooklyn. And I went to the School of Visual Arts to time: “This is just one story of an opposite-oriented transgender study photography.” couple living in Los Angeles, the land of industrialized fantasy.”

That was followed by a master’s degree at the California Institute of the Arts (a.k.a. CalArts) just outside Los Angeles.

RUCKER’S SIX-YEAR RELATIONSHIP WITH And in 2005, at age 22, she appeared as a performance artist Ernst ended that same year, but by then she on the one-season reality show Artstar, a sort of artworld take was also consulting on a quirky trans family on Project Runway fronted by the gallerist Jeffrey Deitch. dramady for the nascent Amazon Studios.

“That was my first moment of being a public person,” she “When Transparent hit, that created a bridge recalls. “It’s in all the years since that I’ve navigated being a for me to work in mainstream television and presence in the media in addition to a human being. And the film. I’ve had ten years in that world producing, and now directapex of my career as an artist, I would say, was [having my work ing,” she says. exhibited as part of ] the Whitney Biennial in 2014.”

But even making work for the rough-and-tumble marketThat work, in collaboration with her then-boyfriend, the place of streaming services, Drucker’s long history of art pracartist Rhys Ernst, documented their relationship through pho- tice sets her documentaries apart. And it’s a quality that has

D

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“HER CREATIVE AND PERSONAL INTEGRITY IN MAKING ART AND LIVING LIFE IS A TOUCHSTONE AND INSPIRATION FOR ME AND SO MANY WHO KNOW AND WORK WITH HER.” Jay Duplass on Zackary been noticed by her more established peers.

“She’s a real artist,” said Jay Duplass—who, with his sibling Mark, is one half of the well-known Duplass brothers filmmaking duo. They first worked with Drucker on Transparent, and then executive produced The Lady and the Dale, her HBO docu-series about the trans auto executive Liz Carmichael.

“I love Zackary and her work because she always operates from a primal artistic core. It doesn’t matter whether she’s making fine art, an independent short film or a high budget studio television series,” Duplass said. “Her creative and personal integrity in making art and living life is a touchstone and inspiration for me and so many who know and work with her.”

That message seems to have gotten around Hollywood, because since Queenmaker, she has been busy. She scored another critical hit this summer with The Stroll, a documentary about the history of trans sex-workers in New York’s gentrified Meatpacking District, co-directed with Kristen Lovell.

The New York Times (which also loved Queenmaker) called The Stroll “a remarkable document of the self-determination of the women and workers who learned, in the face of the worst odds, to fend for themselves and each other,” and the director thinks of the two films as “twins.”

“I also just directed my first episode of episodic television for a Norman Lear production, ‘Clean Slate,’ with Laverne Cox and the comedian George Wallace. And it was a big episode, the finale,” Drucker said, before adding almost nonchalantly: “And then two short films and one feature might be going into the film festival circuit as well.”

Anything else? Actually there is, and it’s big: Ten years after

exhibiting in it herself, Drucker will be curating a program of other filmmakers’ work for the 2024 Whitney Biennial. “It’s primarily new narrative short films, with one or two archival pieces,” she says.

Rex is also climbing the professional ladder. He recently filmed his biggest part yet in House of Abraham, an upcoming feature thriller starring Natasha Henstridge.

And he brought that romantic-lead energy to set, even if he had to manifest it himself in the script. “I believe there’s a romance between them,” he said about their respective characters in the film. “Natasha has sons my age, so she was like, ‘it’s not a romance.’ But I believe there’s some romantic energy between them.”

Soloway says he predicts big things from Rex, whom he describes as “a spirit guide from a future dimension who flew into the LA art scene like a hummingbird.” He adds, “I am in awe of his process and can’t wait to see what’s next in his magnanimous career.” “Watch out world, Marval is here to transform our understandings of what it means to be a man and what it means to be a free spirit.”

With a wedding to organize, a biennial to help curate and a film festival circuit to attend, next year will be busy for the Drucker-Rex household.

“We love each other deeply,” said Rex. “The way I like to describe us is that I am an unstoppable force, meeting an immovable object.” And the result, fortunately for the rest of us, is art. P

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BEAUTY

leader in advanced laser technology, body contouring and cosmetic dermatology, Dr. Bruce Katz, of JUVA Skin & Laser Center on Manhattan’s Upper East Side, was an original pioneer in the field of cosmetic and laser surgery.

Always interested in medicine, Dr. Katz was on the frontier of skin tightening and fat reduction before anyone even knew what that meant. It was during his rotations in medical school, however, that he realized his passion for cosmetic dermatology—at a time when it was still in the very early stages.

“Not a lot of doctors considered it serious medicine, but I saw it as an area we could improve upon and that had a lot of potential,” said Dr. Katz.

After he finished his residency at Columbia Presbyterian, Dr. Katz became chief resident there, where his superiors tried to persuade him to do bench research.

Dr. Katz, who would go on to develop breakthrough methods, was not to be deterred from starting his own cosmetic dermatology clinic, though. Unsurprisingly, he was once again told it wasn’t “serious medicine.”

This dedicated doctor would go on to set up his cosmetic dermatology clinic at Columbia Presbyterian Medical Center, where he became the only dermatologist with operating privileges, and that was just the beginning.

Upon traveling to France in 1983 to learn from Dr. Illouz, known as the founding father of liposuction and inventor of the Illouz Method, Dr. Katz brought his knowledge back to the states.

This liposuction leader then turned his attention to laser technology.

“Lasers were in their infancy during the early ‘80s and ‘90s, and I decided it was a great new area to get involved with. I underwent extensive training and now lasers are one of the most frequently used energy-based devices in cosmetics.” His JUVA Skin & Laser Center is one of the largest laser centers in the world.

This forward-thinking doctor, who is currently a clinical professor at the Icahn School of Medicine at Mount Sinai Hospital, continued to believe that the field had a big future. He also became one of the first doctors to perform SmartLipo using lasers. Katz realized that while the procedure could remove fat, it could also produce collagen, and tighten the skin as well.

“The first time around we saw that while we could use liposuction to take fat away, the patient would wind up with loose skin, so we needed to find a way to tighten the skin. I had heard about a laser being used in Brazil and Italy that could remove this excess fat. But what was not understood is that the laser could potentially tighten skin at the same time.”

Once he knew there was a solution to sagging skin, he went to see things for himself.

After doing the FDA trials, he was once again at the forefront of this latest technology. People magazine even featured the doctor for his work in SmartLipo back in 2005, in what would be the longest article ever published about any cosmetic procedure, showing just

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“THESE LATEST TECHNOLOGIES TIGHTEN THE SKIN NON-INVASIVELY WITH NO DOWNTIME, ARE NOT PAINFUL IN ANY WAY AND WORK TO TREAT CELLULITE AND OTHER AREAS THAT ARE POPULAR IN BODY SCULPTING.’’ how much Dr. Katz was helping to expand and popularize the industry.

Even decades later, Dr. Katz is sought after for his techniques, personalized care and latest procedures using SculpSure, Cellulaze, Emsculpt, Sofwave, Ellacor and the Madonna Lift among others. His JUVA Skin & Laser Center is an all-inclusive space for dermatology, cosmetic surgery and even a MediSpa that offers facials, hair removal and makeup services. Doctors come from all over the world to train with him.

With a team dedicated to clinical research, the Center is also focused on toxins that last twice as long, in fillers as well as other lasers and energy-based devices.

Having been a researcher for 25 years, Dr. Katz has also been involved in pharma research for acne, psoriasis and eczema.

When it comes to the latest looking-good trends, Dr. Katz says that it’s all about non-invasive procedures to take away fat—and build new muscle. He did research on a technology called EmSculpt that does both of these things to produce a more sculpted area.

“These latest technologies tighten the skin non-invasively with no downtime, are not painful in any way and work to treat cellulite and other areas that are popular in body sculpting. Now, we can remove fat and patients can go right back to work and exercise with-

out any incisions.”

This leader in all things laser and liposuction is also a world-renowned lecturer who continues to speak both nationally and around the globe. He has lectured to crowds in Brazil, Dubai, China, Japan and all over Europe and South America. Dr. Katz also continues to teach other doctors from around the world about his pioneering expertise.

The celebrity doctor, who counts rock stars, actors and politicians among his clients, also prefers giving his patients a more natural look.

“We want people to have realistic expectations of what they can improve. We don’t want them coming out with unnaturally big cheeks or overly large lips.

We don’t want the surgery to look obvious. It’s about doing things in a way so that people can’t tell what you’ve done, just that you look like a better version of yourself, maybe ten to fifteen years younger. The goal is not to make someone look like a completely different person.”

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BEAUTY

‘‘The biggest reward is seeing a smile on their faces.”

uring over four decades in the hair removal business, Berenice S. Rothenberg of Berenice Electrolysis & Personal Beauty Center hasn’t just built an empire, but a family along the way.

Just like a precious heirloom, Berenice is passed down through the generations. She now services the laser and electrolysis needs of longtime clients as well as their children and grandchildren, who won’t let anyone else rescue them from their hairy situations.

That’s because the hair removal process is a personal journey—and Berenice is there for every step of the manicured and maintaining path. In addition to assessing the most beneficial treatments for someone, she makes sure that they’re getting the best results with their ongoing appointments to improve the look and feel of any unwanted hair. Her beauty center also tends to additional skin needs so that every part her clients is pampered.

Even these 41 years later, Berenice exudes the same passion because, as she says, “I love what I do so I feel like I’m never working. The biggest reward is seeing a smile on their faces.”

She even recounts one situation where a potential client who couldn’t afford to see her at the time wound up becoming a regular customer 30 years later—she waited for the best, and that can only be found in Berenice.

With her customized care for each individual and their needs, Berenice is always honest about what she

can do to help change someone’s life—one hair at a time. After all, she’s in the business of elevating beauty and boosting confidence. She knows firsthand just how much removing a little hair can have a big impact on how someone views themselves.

Aside from servicing multiple generations of one family stateside, Berenice also has worldwide clientele who she works her magic on for what she calls elegant, timeless beauty so that every individual can look and feel like their most confident self.

Her Upper East Side oasis, just off Madison Avenue, invites clients to enter a world where all of their needs are met, and questions are answered. After all, no hair is created equal, and neither is someone’s ongoing hair journey. That’s why her clients are not going to let her retire any time soon—they need someone to care for them for the next 40 years, and no one else will do!

Berenice wants all the men out there to know that their hair needs require attending to as well. As men typically have twin papillae, meaning that hair follicles have more than one hair, any temporary hair removal will stimulate the dermal papilla. This leads to faster hair growth, including those hairs that aren’t even ready to come to the surface yet. Shaving might be a quick fix, but it can create ingrown hairs, making double the work for Berenice. This overstimulating also results in more damage to the upper layer of the skin.

Berenice’s in-depth consultation guides clients on

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BEAUTY

“Skin in the summer is more delicate and sun damaged. We have to reassess the right techniques for each person starting in fall to get the best results.” their journey to their new self, with treatments she customizes just for them.

She explained the difference between electrolysis and laser.

Electrolysis allows you to destroy whatever you see on the surface, or the epidermis. While laser light can destroy more than one hair, electrolysis requires having to wait until the hair comes to the surface before undergoing treatment to determine if there is a strong enough hair pattern.

Taking heed of the Berenice Bible involves keeping up with your required treatments. “Sometimes people think they don’t have to come in because they don’t see the hair growing back for four weeks when in reality, they should have come in within two weeks so that we can get ahead of it.”

She might already be known as a world-renowned leader in the hair removal industry, but Berenice never stops learning. This skin guru attends lectures to learn about the latest technologies to incorporate into her business. Everything she does is for her clients – or extended family.

With the colder weather approaching, she also

emphasizes the importance of keeping up with the proper seasonal treatments. “Skin in the summer is more delicate and sun damaged. We have to reassess the right techniques for each person starting in fall to get the best results.” She also explained how collagen can play a part in coming up with skin treatments once the temperatures change.

In addition to laser and electrolysis services, Berenice also provides services including HydraFacials, which gives clearer skin without any downtime by combining cleansing, exfoliation, extraction, hydration and antioxidant protection. Microdermabrasion is used to exfoliate the skin as it removes sun damaged skin cells while stimulating production of new, living cells at the base of the skin.

She also offers VelaShape, a safe way to achieve a toned, contoured body with easy, no recovery required treatment sessions. The technology works to stimulate the growth of new collagen for improved body texture.

Whatever treatment she does, Berenice is making lives better, one hair at a time. P bereniceelectrolysis.com

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Dr. Ostad

“Our practice revolves around you: the patient.”

— D R . A R I E L O S TA D

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For over 25 years, Dr. Ariel Ostad, has been a trusted and leading world class surgeon in his field. He is Triple BoardCertified in Facial Cosmetic Surgery, Mohs Micrographic Skin Cancer Reconstructive Surgery, and Cosmetic Dermatology. He is known for his expertise in cosmetic skin rejuvenation, lasers, liposuction, body contouring, skin cancer surgery, and facial reconstruction. Dr. Ostad, founder of a boutique aesthetics practice located in Upper East Side of NYC, is distinguished by his artistry, “less is more” philosophy, facial anatomy expertise, advanced techniques, refined results, and impeccable approach to compassionate personalized care. He is passionate about having an impact on his patients and helping them look as good as they feel. Dr. Ostad aims to empower his patients by promoting healthy skin, wellness, anti-aging, and a positive mindset. Dr. Ostad yields international notoriety for his skill in Mohs Micrographic Surgery for Skin Cancer and Facial Reconstructive Surgery. He has co-authored a textbook entitled Practical Management of Skin Cancer, and he is a contributing associate editor for Journal of Drugs in Dermatology. Dr. Ostad received extensive medical training from NYU, Harvard, UCLA and is a fellow of American Academy of Cosmetic Surgery, American Society of Dermatologic Surgery, American Society for Laser Medicine and Surgery, and is on the medical council of the Skin Cancer Foundation. Dr. Ostad is an associate clinical professor at NYU School of Medicine where he teaches surgery to young doctors in training. He has received The President’s Volunteer Service Award from President Barack Obama in 2012. His hobbies include the arts, reading books, meditation, exercise, and studying longevity and lifespan.

Dr. Ostad resides with his wife and three children in NYC.

PROCEDURES

Nonsurgical facial rejuvenation Liposuction under local anesthesia Upper and Lower Eyelid Blepharoplasty Nonsurgical Face and Neck Lift Fat Transfer Nonsurgical Body Tightening Mohs Micrographic Skin Cancer Surgery and Facial Reconstruction Botox Facial Fillers Scar Revision Lasers for sun damage, brown spots, wrinkles, scars, rosacea Platelet Rich Plasma for hair restoration AviClear Laser for acne Sclerotherapy for leg veins Hand Rejuvenation

212-517-7900 897 Lexington Ave, New York, NY 10065

Cosmetic removal of moles and benign growths

Between 66th and 67th Street on Lexington Avenue

Drarielostad.com

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SHELTER

THE GINGERBREAD HOUSE Located in Bay Ridge, Brooklyn, 8200 Narrows Avenue is a stunning property that feels more like the setting of a fairytale, rather than of New York City. This highly anticipated listing is back on the market for $8.75 million, with BHS agents Peter Grazioli and Bernadette Mitchell.

Homes in the Headlines

BY A L E X A N D E R P OW E R S & HANNAH MINNICK

Some properties, when they hit the market, are revered not only for their architecture or design, but also because they have a compelling backstory that piques the interest of press and the public. Here is a sampling of homes that have recently made headlines for their history, provenance, and overall unique characteristics.

The extraordinary “Gingerbread House”, as it is better known as, was designed by famed architect James Sarsfield Kennedy and was once the home of shipping mogul Howard Jones. In the Arts and Crafts architecture style, is a truly magical retreat from the hustle and bustle of the city.

With its hand carved wainscotting and ornate marble mantels throughout the home, the attention to detail is clear. The 6 bedroom 5.5 bathroom home also features gorgeous one-of-akind stained glass doors, adding to the home’s elegance.

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The spacious primary suite is equipped with a large walk-in closet and dressing room. In the lower level of the home, you’ll find a movie theater that serves as the perfect entertaining space, as well as an in-home gym. Additionally, the property has a spacious three-car garage that can double as storage space.

8200 Narrows Avenue has the coziness of a storybook cottage, and the makings of a perfect dream home, all within the beautiful neighborhood of Bay Ridge.

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SAY YES TO THE APARTMENT Along the highly-coveted Fifth Avenue sits 880 Fifth Ave. #20A, a home that once belonged to the founders of the Kleinfeld Bridal Empire.

Listed at $6.95 Million, the post-war home was designed by renowned architect Emery Roth. It has a total of 6 gorgeous rooms and spans 2,400 square feet.

The 3-bedroom 2.5-bathroom apartment, listed with Brown Harris Stevens’ Martha Kramer, served as the home of Kleinfeld Bridal owners, Jack Schachter and Hedda Kleinfeld Schachter, for over a decade. Along with being a longtime mainstay in the New York bridal scene, Kleinfeld’s is famously featured on the popular ongoing TLC series, Say Yes to the Dress.

The lobby of 880 Fifth Avenue is beautifully ornate, a testament to pre-war era architecture, and it is equipped with a fulltime doorman and concierge to accommodate residents.

Upon entry, panoramic views of central park are visible through large windows that stretch 45 feet.

The apartment also features a luxurious home library and formal dining room, which serve as ideal spaces for entertaining guests.

From the home’s stunning views and ideal location, 880 Fifth Avenue #20A inhabits all the luxury that Manhattan has to offer.

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A HOME WITH PRESIDENTIAL TIES The Upper East Side has long been associated with affluence, reflected by the neighborhood’s highly coveted properties and iconic landmarks of New York City. One of these iconic properties is 775 Park Ave, with a notable former resident: Dwight D. Eisenhower, 34th President of the United States.

The stunning pre-war co-op, located at 775 Park Avenue, was once home to former president Dwight D. Eisenhower and subsequently owned by his granddaughter, Anna Eisenhower, an interior designer.

As one enters the home, the formal entryway gallery leads into a grand living room, equipped with a beautiful wood burning fireplace and remarkably high ceilings.

The spacious 19-foot dining room is the ideal space for entertaining lavish dinner parties, lined with windows that offer unbeatable views of Manhattan.

Eisenhower often stated that she enjoyed spending time in her kitchen, given the natural sunlight that fills the entire room.

Spanning 45 feet of Park Avenue frontage, this 8-room apartment is a stunning example of famous architect Rosario Candela’s work. With spacious rooms of grandeur, and gorgeous original architectural details throughout.

The kitchen is also equipped with updated appliances and unobstructed views.

The primary bedroom, with an en-suite bathroom and large closets, offers unbeatable views of Park Avenue.

Two additional bedrooms are nearby, located off of a corridor in the west wing of the home. Represented by John Burger, Brown Harris Stevens.

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Aeterna SHELTER

A Furniture Company With Craftsmanship at its Core B Y R YA N N R E Y N O L D S

I

n a post-pandemic world characterized by a profound societal yearning for meaningful interactions, luxury craftsmanship has assumed a newly defined importance. The current trend of craftsman furniture goes beyond merely observing opulence and extravagance; instead, it centers around the pursuit of beauty, authenticity and individuality. Aeterna, an eternal furniture experience born out of the turmoil of 2020, embodies this shift in values. Crafted in response to a year marked by confinement and a lack of connection with the fixtures that surrounded us, Aeterna’s furnishings are a testament to nonconformity and a rejection of the mundane. Owner and visionary leader Mario Gonzalez creates enduring emotional connections with his clientele that promote

a natural flow for crafting.

Aeterna’s handcrafted furniture is often rooted in solid wood and stone, which are skillfully transformed into pieces that radiate everlasting relevance that may easily be enjoyed for generations. “We specialize in crafting a wide array of pieces, including dining tables, coffee tables, chairs, sideboards, and, more recently, solid wood ping pong tables,” says Gonzalez. This diverse range allows Aeterna to cater to a broad spectrum of tastes and preferences.

Aeterna’s pieces are not just furniture; they’re artworks meticulously crafted by skilled hands. Gonzalez elaborates, “Each piece we create is made to order, carefully tailored to the unique specifications of our customers. Every item is handcrafted, a testament to our unwavering commitment to quality.” Aeterna’s dedication to artisanal

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excellence ensures that each piece is made according to each customer’s specifications.

Despite being an American-based company, Aeterna’s demand goes beyond a domestic clientele. The client list stretches from all around the U.S. to Europe, with a heavy number of orders processed from the Tri-state area. Gonzalez recognizes the Tri-state area for being the first to discover and welcome Aeterna’s craftmanship, a small ode to the exquisite taste and discerning eye for quality displayed by the locals of NYC and New Jersey.

In an industry that perpetually evolves, the pivotal key to creating timeless pieces is staying attuned to trends. According to Gonzalez, current trends are steering towards vibrant, colorful furniture which is a departure from the muted tones and minimalist aesthetics inspired by

Scandinavian design. Aeterna’s ability to adapt and innovate ensures its pieces remain at the forefront of this ever-changing landscape. Aeterna’s catalog items are customizable in both finish and size. The company welcomes diverse custom requests for closets, dining tables, chairs and more, delivering them in eight to ten weeks.

A common misconception of personalized craftsmanship is that it is synonymous with exorbitance. Gonzalez believes in offering a range of price points to make luxury accessible to a wider audience. This affordability extends the privilege of experiencing Aeterna’s craftsmanship to diverse homes. Prices begin at $700 and can go up to $8,000 for larger, more intricate pieces.

Aeterna’s latest creations are playfully exploring the world of marble and onyx, presenting vivid colors and entirely unique

patterns for dining and coffee tables. Never fleeting trends, the pieces are eternal, designed to be lived through generations. In a world where disposable fashion and furniture often dominate, Aeterna stands as a testament to enduring craftsmanship and timeless beauty.

Aeterna is more than a brand; it’s a philosophy that challenges the status quo and invites us to reconnect with our surroundings on a deeper level. It’s a reminder that true craftsmanship transcends trends and endures through the ages. With Aeterna, every piece is a work of art, an embodiment of individuality and a symbol of nonconformity in a world where conformity often prevails. P aeternashop.com

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Ethos Designing Customized Luxury B Y R YA N N R E Y N O L D S P H OTO G R A P H Y BY KO DY KO H L M A N

Furniture

W

ith customized dining tables and credenzas, there is nothing that Ethos Furniture can’t design. The company’s one-of-a-kind pieces made with only the finest materials are meant to provide long-lasting luxury, whatever your aesthetic.

We spoke with Owner and Master Craftsman Ross Beard.

When did the company launch?

We launched in 2020 after building another furniture brand over the previous few years.

The timing was somewhat necessitated by the pandemic and what I perceived as growing trends toward a more modern aesthetic and a desire for more authenticity in home furnishings.

What kinds of pieces do you specialize in?

At the moment we specialize in custom dining tables and credenzas. The need to customize these pieces is so important for our clients, so that they can add the right storage configuration to a cabinet or adjust a table’s dimensions, in some cases allowing a family member who uses a wheelchair to sit comfortably at the table. All of these things

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are incredibly important for our clients and something we always seek to accommodate.

How would you describe the workmanship process?

It really all starts with the client; their needs are what drives the entire process along.

Ensuring we get all of the details of their project communicated to the build team is probably the most important step. From there it’s simply a matter of taking the raw material and crafting it into a beautiful piece of furniture. Obviously, the process of selecting the material is vital, as is the complex amount of joinery, sanding and finishing that goes into each piece of handcrafted furniture. It’s

definitely a source of pride, the amount of time and energy that gets put into each piece. I try to respect the materials, the craft and the client as much as possible with every piece of furniture that we build.

Are your customers from all the country?

We have had the pleasure of crafting furniture for clients across the United States.

From time to time, we even get to handdeliver to customers outside of our home state of Colorado. Knowing that there are many pieces of Ethos Furniture across the United States serving the needs of our incredible clients is an absolute joy.

Biggest trends in the industry right now?

I have definitely noticed a trend towards a more modern organic aesthetic over the past few years. With furniture, it’s difficult to find new avenues of creativity and distinction within your product offering, but I have found that by exploring different finishes, as well as unique materials (for instance, we often utilize character-grade hardwoods), you can really set each piece of furniture apart from the mainstream trends while still harnessing the prevailing aesthetic of the times.

I have also noticed a trend away from offshoring the manufacturing of furniture. I think this is an important step for the furniture industry as a whole, as building these bulky items closer to home not only leads to a higher quality item, but reduces the need for expensive logistical steps in the supply chain.

What are the designs of some of your latest collections?

I have a few pieces I have been working on, I am hopeful to launch in the coming months.

Stay tuned! I would say the designs stem from a desire to offer somewhat more complex lines and silhouettes. We have a couple of table bases that are going to come with some new metal finishes that I think are going to be really interesting, including a very warm finish to steel we are calling our leathered steel finish. P ethosfurniture.com

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James

Alexander Specialty Paints

BY L A U R E N B E N S

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or a more luxe paint experience, James Alexander Specialty Paints uses a natural wall finish based on mineral limestone, offering both a stylish and sustainable look for any wall. Providing a mottled matte finish, the company’s paints are reminiscent of hand-plastered walls. With its depth and dimension , its unique limewash also adds an instant upgrade to any surrounding décor.

When did the company launch?

James Alexander Specialty Paints was founded in 2021 with the mission of creating architectural finishes that are both aesthetically pleasing and environmentally responsible.

What is limewash?

Limewash paint is a truly distinctive product, hailing from a time-tested recipe that works in harmony with nature. The key ingredient, limestone, is heated and transformed into quicklime, which is then slaked with water to create a putty. This putty is aged and thinned with water, and natural pigments are added for color.

Unlike modern paints, authentic limewash does not contain additional paint binders, such as acrylics or latex.

Instead, it relies on the natural process of carbonation to cure and harden. This calcification process occurs when the limewash reacts with carbon dioxide in the atmosphere. The result is a breathable, protective layer that boasts a unique velvety texture and calcite crystal structure, producing a beautiful effect that simply cannot be replicated with conventional latex or oil-based paints.

ANNA DESIGN LA

Co-founder Amanda Dunn tells us about what separates the limewashing process from traditional paints and how to customize certain hues for the haute look you’ve been looking to add to your home.

What are some of the biggest trends in the industry right now?

Current trends in limewash paint highlight the technique of “color drenching,” whereby both walls and ceilings are coated in the same hue. This aesthetic enhances the enveloping and soothing visual appeal characteristic of limewash. (See Calcare photograph, attached.)

Traditionally, limewash has been tinted with subtle earth tones, a trend that is currently experiencing a revival in interior design palettes. Calm neutrals offer a sophisticated sense of tranquility, while more bright neutrals are being used to enhance light within spaces.

Additionally, the use of limewash in vibrant pops of color on accent walls or features is gaining traction. We are seeing pinks and greens being added to accents to provide contrast and interest.

know about when choosing the right paint colors?

Unlike traditional paint, the color of limewash that you select will influence the perceived texture of the finish. Deeper hues tend to exhibit greater contrast, further accentuating the distinct mottled effect intrinsic to limewash finishes.

Conversely, lightly tinted and pastel shades yield a more subtle finish, aligning with the traditional aesthetics of limewash applications.

What are some things people should

jamesalexanderlimewash.com

How do you use limewash to create a custom shade?

While we do not create custom colors for clients, all of our limewashes are able to be mixed to create a custom hue for your design project. We always recommend mixing the limewash in a separate container so that you can experiment with the color ratios. P

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Castler SHELTER

Durable Designs Offer Quiet Luxury

BY LAUREN BENS

K

nown for its wide-ranging designs, from rustic to modern, Castlery has been producing sturdy and stylish furnishings for a decade now. With customers around the country, the company has continued to grow without sacrificing workmanship. And they’re proud of it. Castlery co-founder Declan Ee describes how he has turned the brand into one of the biggest names in the quiet luxury furniture space.

When did the company launch?

The Singapore-born furniture brand was founded in 2013, and targeted toward making luxury living accessible for discerning urban millennials. Just months before COVID-19 ground the world to a halt, in November 2019, the company launched digitally in the U.S. . As the lines blurred between work and home life, Castlery’s foray into the US market took off.

What kinds of pieces do you specialize in?

Castlery offers stylish, modern and durable furniture at accessible prices. We design pieces that fit right in, yet stand out to elevate the rooms they are set in. We pay attention to fine details such as flange seams, fluted lines, chamfered edges, curves and eye-catching cut-outs. Whether you’re drawn to mid-century modern, modern farmhouse, rustic or minimalist styles, we help clients create a space that’s tailored to them.

How would you describe the workmanship process?

Castlery oversees the entire design, build, ship and delivery process, ensuring quality control by directly sourcing raw materials and re-engineering the assembly and manufacturing processes if they do not meet our high expectations. This is incredibly unique for a furniture company of Castlery’s size.

All products undergo rigorous testing both before and after production to ensure they meet the design, safety, compliance and quality requirements set by the quality team and product engineers before releasing into the market.

Biggest trends in the industry right now?

Quiet luxury, a cultural trend that’s making its way from the runway into the home, is all about focusing on quality and making choices that reflect your dedication to making each moment matter. It boils down to making intentional purchases. For some, that could look like premium fabrications and textures, and to others, quality craftsmanship. Most importantly, each element should feel considered and intentional.​ Within the home, quiet luxury is an embodiment of tasteful choices, attention to detail and a harmonious blend of comfort and sophistication. The intention is to create a haven of understated grandiosity and timeless appeal. Meticulous attention to detail is also a big focus, including craftsmanship, finishes and accents: all of which elevate spaces with subtle nuances.

We also offer an extensive range of modular seating options that allow customers to build their ideal arrangement, one that’s unique to their style and their home. ​​Parts can be purchased together or separately, and pieced together to create a living space suitable for your personal needs. We hope our modularity introduced across various styles will allow homeowners from small-sized city apartments to larger homes to customize their living spaces to achieve a quiet, luxurious statement.

What are the designs of some of your latest collections?

The Casa series is a comprehensive collection that comprises storage consoles, benches and tables for coffee, dining, and side pieces. It features a textured wood grain in a diagonal pattern set off with a two-tone color contrast, bringing a sense of polish to the rustic style.

In addition to the Casa Collection, Castlery is also expanding its living room offerings with our deepest sofa yet, the Mori Collection. With its refined silhouette and feather-filled cushions, it creates a luxurious lounging experience. We have high hopes for this collection as it is very versatile and can easily fit into homes with a modern farmhouse, coastal or Japandi aesthetic. We already have expansions for this collection in the works and can’t wait to reveal more in due time. The modular set can be arranged to fit any space and has the capability of growing, or shrinking, as life evolves. P castlery.com

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The 11th Floor of 485 Park Avenue is a magnificent 5,500 square foot full floor residence perched high over Park Avenue that offers a regal living room, corner library, oversized formal dining room, eat-in-kitchen, butler’s pantry, central air conditioning. Built in 1922, 485 Park Avenue is an exceptionally run fullservice co-op that is pet friendly, has no summer work rules, and allows 25% financing.

A Look At What’s In Store For2024

Luxury Real Estate

BY L I S A K . L I P P M A N

N

ew York City real estate is always a hot topic of conversation, from the newest buildings and market trends to the impact of price fluctuations and interest rates.

Throughout my 25-plus year career, I have had the privilege of working with buyers and sellers, and a first question is always, “What’s next?”

2023. While we did see deals cross the closing line, it was primarily cash-buyers who led the charge.

Buyers seeking financing generally remained on the sidelines, and sellers – with the exception of those who had to sell – were simply not willing to lower their prices to align with buyer expectations.

A decrease in interest rates, by even a half of a percentage point, will end the buyer/seller stalemate and be an immediate catalyst for market activity.

Looking ahead to 2024, I believe that the luxury real estate market will continue to behave with a level of price sensitivity similar to what we experienced throughout

Number One Tip for Sellers and Buyers

Sellers who were rather anxious with the volatility of the 2023 market will view the 2024 market through a hopeful lens. To find

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50 Central Park West, Apartment 8A/9A is a rare triple mint gilded age mansion in the sky that features 4-5 bedrooms, 5 full and 2 half bathrooms, a new gourmet open kitchen, multi zoned central air conditioning, soaring 11-foot ceilings, and 90 feet facing Central Park.

Originally built in 1907, 50 Central Park West was restored with a gorgeous new lobby, elevators, and hallways. The full-service building offers private storage bins, a bike room, and a windowed wellequipped gym. A new state-of-theart fitness center is also being added.

success in the new year, sellers should think about their goals and properly price their property to match the efficiency of the market.

The patience that characterized buyers in 2023 is waning. My best advice, if you find something you love, act on it – don’t wait for the price to come down.

Return To Co-ops

Buyers are setting their sights on co-ops with an increased level of enthusiasm, interest, and appreciation. Lining Central Park and the city’s iconic avenues, many co-op buildings have thoughtfully reimagined common spaces, bolstered amenity offerings, and have opted for more flexible

building policies to attract a new generation of buyers.

Cool Comforts

With higher temperatures and longer summer seasons, window units and throughthe-wall air conditioning will no longer suffice. Luxury buyers have become accustomed to the cool comfort of central air conditioning. This priority is reflected in the market where we are seeing properties without central air priced as much 20% less than their multi-zoned counterparts.

Additional amenities topping buyers’ must-have lists for 2024 will include functionality, in-building gyms, and the availability of additional storage. P

About Lisa Lisa K. Lippman is the #1 agent at Brown Harris Stevens, an honor that she has held for the past seven consecutive years. For more information about Lisa and the properties she represents, please visit bhsusa.com/real-estate-agent/lisa-lippman

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ESCAPES

LOND

BY R. COURI HAY

May, June and July mark the high season in London, with the Chelsea Flower Show, Royal Ascot horse racing, Wimbledon tennis tournament and rich cultural offerings including museum exhibitions, theater productions, and art fairs, like the new Treasure House established by founders of the venerable Masterpiece London, which was discontinued in 2023. Obtaining entree to such attractions takes planning, so here’s my experience this year, a fall primer to help you plan your springtime visit – these events are all favorites of the royal family, and tickets go fast!

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Chelsea Flower Show

T

M AY 2 1-24, 2 024

RHS/LUKE MACGREGO

he British love their gardens, and this Royal Horticultural Society (RHS) annual event never disappoints. Beginning in 1913 in a single tent, the flower show has grown through the years into perhaps the world’s largest flower show. A staple on the royal calendar, the Princess of Wales, aka Kate Middleton, attended the show’s first-ever Children’s Picnic on opening day.

King Charles and Queen Camilla, Princess Alexandra, the Duke and Duchess of Gloucester and Prince and Princess Michael of Kent all followed suit. Princess Beatrice was on hand with her husband, Edoar-

NDON RHS Chelsea Flower Show

P L A N N OW F O R H I G H S E A S O N

do Mapello Mozzi, and Princess Diana’s nieces, Amelia and Eliza Spencer, also stopped by.

Oh, and in addition to people-watching, there were more than 30 colorful gardens by master landscape artists from around the world, including twelve main show gardens, and over 500 exhibitors to inspire your green thumb. Rhs.org.uk

The Royal Ascot J UN E 18 -2 2 , 2 024

GETTY

The Royal Ascot races were actually founded by Queen Anne, in 1711, and to this day it’s a must for the British royal family. It was a favorite of Queen ElizaKing Charles III and Queen Camilla

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TWITTER @WIMBLEDON

ESCAPES

Carlos Alcaraz and Novak Djokovic

beth’s and this year her family members continued the tradition - King Charles and Queen Camilla attended all five days in 2023. Charles’s brother, Prince Edward, and sister, Princess Anne, and her husband Timothy Laurence were regulars at the races. The Prince and Princess of Wales, better known as William and Kate, put in an appearance, riding in a carriage together with William’s cousin Princess Beatrice and her husband, Edoardo Mapello Mozzi. There were celebs, like Judi Dench, and even more royals, too many to list here. King Charles’s horse even won a race! Children under age ten are not permitted in the Royal Enclosure at Ascot, even the King’s grandchildren are not allowed. Will wonders never cease!

And there were hats, naturally. In fact, the Royal Ascot has a strict dress code, so you may need to visit your tailor if you’re attending: men must wear “a full morning suit with waistcoat and either a black or grey top hat at all times,” and women need to wear hats, and dresses that cover their shoulders.

Membership in the Royal Enclosure at Ascot is by invitation only, requiring recommendation from two members. However, you may be invited as a guest of a current member, so start making friends among the upper crust horsey set. You can also contact the American Embassy as they may be able to help you. New Yorkers at Ascot included SOMOS Community Care founder Dr. Ramon Tallaj and his wife hat designer Ines Hernandez who wore one of the events most stunning confections.

Wimbledon J U LY 1 - J U L 1 4 , 2024

The tennis Championships – the only ones played on grass courts – are also a favorite of the royals. They were all there in 2023, as at the above-mentioned events, but William and Kate also brought their young kids, Prince George and Princess Charlotte.

Wimbledon draws a lot of celebrities as well. Spotted this year: Bridgerton stars Nicola Coughlan and Phoebe Dynevor; Hannah Waddingham of Ted Lasso; plus Rachel Weisz and Daniel Craig, Lily James, Ariana Grande, Tom Hiddleston, Andrew Garfield, Nick Jonas, Hugh Jackman and Deborra-Lee Furness, Tessa Thompson, Emma Watson and Idris Elba. Fab fashion is de rigueur at the matches, but there is no dress code, and hats are not required. Wimbledon. com

Treasure House Art Fair & Galerie Gmurzynska, J U N E 2024

The new Treasure House Fair stepped up to replace the former Masterpiece London, which was discontinued in 2023. Founded by two of Masterpiece’s original founders, Harry Van der Hoorn and Thomas Woodham-Smith, Treasure House is aptly named – its mis-

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boundaries of painting into the third dimension with her sculpture-like build outs of pin-up girls.

Additionally, the gallery devoted a room to the photographer Johnny Pigozzi, who showed some of his large-scale portraits of his celebrity friends, including Mick Jagger, Keith Richards and Kate Moss. Pigozzi, who Vanity Fair credited with inventing the selfie, also showed some edgy underwater photography from his summertime home in Cap d’Antibes.

Another stellar piece was a large, abstract landscape by Catalan painter Joan Miró. The piece has brought Michael Douglas’ iconic role as the greedy and shady Gordon Gekko in the movie “Wall Street” back into the conversation with billionaire financiers and art collectors. Oliver Stone directed the 1987 film, which also stared Martin Sheen, Daryl Hannah, and Charlie Sheen, and featured the green and black Miró painting called “Paysage” that he placed behind Douglas’ character’s desk. In the film Douglas, as Gekko, says “This painting here, I bought it ten years ago for $60,000 now I could sell it today for $600,000.” Thirty-six years later, this piece of Hollywood history was listed for over $10 million by Bscher’s Galerie Gmurzynska. Douglas and Stone are probably ruing the day they didn’t take the painting home from the set, now that the value has increased over 1,000 percent. The painting was also included in the recent Miró retrospective at the Nouveau Musée Nationale of Monaco. gmurzynska.com BFA

sion is to bring together the finest in all disciplines of collecting – fine art, furniture design old and new, sculpture, jewelry, clocks, and antiquities. In fact, there is no limit or dateline to what can be shown, so long as it is the best in its class.

Held at the Royal Hospital Chelsea, the inaugural show had about 55 dealers participating, including London’s Adrian Sassoon, D.C.’s Geoffrey Diner Gallery, renowned as a major dealer of works by George Nakashima, New York-based silver specialist S.J. Shrubsole, and Galerie Gmurzynska, a modern art dealer with locations in New York, Zurich, and Zug, Switzerland. treasurehousefair.com Highlights at Gmurzynska’s exhibit was a mix of Nouveau Realism, Surrealism and Pop Art by artists who had a decisive impact on the course of the 20th century. Proprietor Isabelle Bscher showed an extraordinary Yves Klein “fire painting,” from 1961, and works by two of South America’s major Surrealists, Chinese Cuban Wifredo Lam, and Chilean Roberto Matta, both of whose estates Galerie Gmurzynska represents.

She also included Marjorie Strider’s pop-infused painting Red Rose (2010), notable as the centerpiece of an acclaimed retrospective for the previously underappreciated artist at Gmurzynska’s New York gallery last year. Strider’s bold experiments in male-dominated 1960s-70s New York had her push the

Isabelle Bscher and Johnny Pigozzi

Princess Kate and Paul McCartney

National Portrait Gallery

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N E W LY RENOVAT ED

London’s famous National Portrait Gallery is ripe for a revisit – it just reopened after a three-year renovation, the building’s biggest transformation since it opened in 1896. And the changes start at the front doors, which now sport 45 carved brass panels representing “every woman, throughout time”, by artist Tracey Ermin, who was commissioned for the piece.

40th birthday portraits of the Princess of Wales – Kate Middleton – that were temporarily shown in various venues around the UK during the renovations, will be permanently hung in the space. These portraits are still quite new, as Kate is just 41 now.

Kate has a special relationship with the National Portrait Gallery, as it’s one of her longest associations

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LEFT: MANUEL HARLAN RIGHT: JOHAN PERSSON

ESCAPES

Mike Faist and Lucas Hedges in Brokeback Mountain

West End Shows C R A Z Y FOR YOU, BR OK EBAC K M OUN TA IN & M AG IC M IK E

I took in some extraordinary musicals. “Crazy for You” is a dream of magical dancing by the supremely talented double threat Susan Stroman, who won her first Tony Award for choreography for this show’s 1991 Broadway debut. Stroman, who has gone on to win a slew of Tonys, Oliviers, Drama Desk and many other awards, also directed this production, which runs through January 20, 2024.

“Brokeback Mountain” stars Mike Fiast and Lucas Hedges, who have both been in Oscar nominated films including, respectively, West Side Story and Manchester by the Sea. This sexy love story is about two closeted cowboys and pays homage to both the original novella by Annie Proulx and the screen adaptation, in which Jake Gyllenhaal and Heath Ledger played the leads, written by my former professor Larry McMurtry, who won an Oscar for his script. Fiast and Hedges have some very hot make out sessions on the stage that surprised some theater goers. Although the spectacular show had a limited run on the West End,

it’s rumored to be making its way to Broadway with the same stellar cast.

“Magic Mike Live”is another dance extravaganza, and it is immersive – like being at a club. Conceived and co-directed by Channing Tatum, it is not just the strip tease show you’d imagine, it’s also a dance spectacular with a feminist message. A critic summed it up nicely writing “Trying to scribble in your notebook while dodging a pair of legs akimbo is not a typical problem in the life of a theatre reviewer.” This is a fun evening, especially for a group of girls or gay men. The show, which is headed to Broadway next year, runs on the West end through June 30, 2024.

Spencer House P R I N C E SS DI A N A’ S FA MI LY H O M E

This is the house that love built; so it’s understandable that couples Nicky Hilton and James Rothschild and exes Jerry Hall and Rupert Murdock decided to have their wedding parties at Spencer House. This magnificent 18th century” pile” is owned by the late Princess Diana’s brother, Charles Spencer, the 9th Earl Spencer, and is the last remaining private palace in London. It began in 1756 as a love nest by John, First Earl Spencer for his 18-year-old bride Georgiana Poyntz. The couple married secretly during a ball marking his coming of age at Althrop, still the Spencer family seat, where Princess Diana is buried.

The young lovers were both exceedingly wealthy and the diamond buckles on his wedding shoes were said to have set him back $50k, so a proper house in town was called for. Lord Spencer chose John Vardy as his original architect, and he designed the exterior

GETTY

- she became the museum’s royal patron in her first year as a member of “the firm.” She did the honors, presiding over the grand reopening on July 4. Also present at the opening were Paul McCartney and wife Nancy Shevell; the musician’s extraordinary cache of never-before-seen photos from the earliest days of the Beatles’ rise to fame are currently on display through October 23. Truly a must-see if in London. Npg.org

Crazy for you

Princess Diana

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LEFT: DERRY MOORE RIGHT: PMC

facades of the magnificent mansion. In 1758 Spencer switched directions and hired James ‘Athenian’ Stuart who created the astonishing neo–classical interiors with Greek details that remain today. The house was completed in 1766 and immediately declared one of the finest houses that had ever been built in London. In 1986 the financier Jacob Rothschild, 4th Baron Rothschild and a cousin of Nicky Hilton’s husband James, secured a 96-year lease and paid to restore the house, state rooms and garden to their original splendor. Lord Rothschild uses the house’s upper floors as his offices. The late Queen Elizabeth and her Prime Ministers would go to Spencer House for quiet talks away from the gossips who lurk in the corridors of Buckingham Palace. The house’s staterooms and gardens can be rented for private events, and it is open to the public on Sundays and should not be missed. spencerhouse.co.uk

Spencer House

The Churchill War Rooms The Churchill War Rooms, where the British government secretly ran the military affairs for World War II, is one of the most interesting sights in London.

On a visit, former couple, Brad Pitt offered Angelina Jolie the chair from which Winston Churchill ran World War II from a bunker buried deep under London to escape Hitler’s bombs. Jolie settled into the wooden chair with a red leather seat and noticed that the ends of both arms were deeply gouged. As she ran her fingers over them, Angie asked Phil Reed, then the director of the Churchill War Rooms, why they were damaged. He said, “The Prime Minister scratched the

right one with his nails and the left one was scraped by the nervous pounding of his pinky ring over the ten months the Nazis attacked London and ran unchecked over Europe.”

President Bill Clinton and Elton John have also made the pilgrimage to this historic site. The Cabinet Room originally belonged to Neville Chamberlain but was only used once during his tenure as Prime Minister, in 1939. Iwm.org

The Hari Hotel I stayed at the Hari, in Belgravia, which is perfectly located, within walking distance of Buckingham Palace, Hyde Park and the high-end shopping in Knightsbridge, with stores like Harvey Nichols and Harrods.

The 5-star hotel’s ambience, even in this glitzy location, feels like laid-back, clubby luxury, with exposed brick and bright blue velvet furnishings in the public spaces. The hotels spacious second floor lounge, overlooking the park, has multiple secluded seating areas where you can read the papers or work on your computer uninterrupted. Order a yummy Cesar salad with chicken or shrimp or try the juicy burger served with their terrific French fries. The bar serves Dom Ruinart champagne, my personal favorite.

The service at the Hari is stellar, the professional staff responds to requests immediately, and they’ll easily accomAngelina Jolie modate any personal preferand Brad Pitt ences you may have. The gym has a Peloton bike, and the hotel has a fleet of bicycles that guests can borrow free of charge.

With 85 cozy rooms, including 14 suites and a swanky penthouse, the Hari has a chic boutique feel. The rooms have luxury features like marble bathrooms, jewel-toned furnishings, plants and complimentary minibars. That said, all rooms aren’t created equal here so be sure to request a large room or a suite with a view of the beautiful park. My top choice is the perfectly appointed penthouse.

Il Pampero, the Hari’s Italian restaurant, is a standout, with homemade pastas – my favorite is the cacio e pepe, simply divine - plus steaks and terrific desserts. They also serve a very good breakfast. thehari.com P

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DINING

Vin SurVingt PARK_Fall23_ VIN.indd 112

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F TASTE FRENCH AUTHENTICITY AND LOVE IN EVERY BITE

BY LAUREN BENS

rance might be the city of love, but you can now find – and taste - that love at the multiple locations of Vin Sur Vingt with each authentic bite of their Parisian plates.

The scrumptious story of these French wine bar owners, Sebastian Auvet and Rakesh started in 2008 when Rakesh found himself impressed with a small French bistro in Midtown called Le Bateau Ivre. He immediately felt transported by the ambiance and flavors – and credited its success to the man overseeing the space who turned out to be Sebastian.

“I was a patron over time and realized how passionate he was about the place and about getting people to love and appreciate French cuisine and the history behind it all. It was interesting to see how he brought this authenticity to New York.

I became fascinated from a cultural perspective.”

Though he came from a finance background and had never imagined himself owning a restaurant, the idea became a reality after developing a friendship with Sebastian.

The duo got their concept for a French wine bar with a rotating wine list off the ground the old-fashioned way. They wrote a business plan and convinced a bank to help them fund their American dream.

That opportunity came to life in 2011 when their first Vin Sur Vingt location

‘‘ IT’S AS IF YOU WERE WALKING INTO A TRADITIONAL WINE BAR IN PARIS. YOU HAVE THE SAME ELEMENTS THAT HIT YOU WHICH INCLUDE THE MUSIC, THE LIGHTING, AND THE AMBIANCE THAT MAKES YOU FEEL LIKE YOU’RE RIGHT THERE.’’

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DINING

The relaunched ‘Jack’s Coffee’ brand

came to life.

“This was really the brainchild of Seb to bring that same feeling as if you were walking into a traditional wine bar in Paris.

You have the same elements that hit you which include the music, the lighting, and the ambiance that makes you feel like you’re right there. There’s creativity from the wine list to the food menus which come from Seb’s grandmother’s kitchen that we recreated in the original 425 square-foot space in the West Village.”

The restaurant climate might be competitive in New York, but their mouthwatering menu – and a short blurb from a very impressed editor from Wine Spectator magazine - put them on the map just two weeks after they first opened. This coverage was followed by more unsolicited press and outreach for the less than $60,000 newly opened space that made you feel like you just walked into Paris, and which quickly became the go-to wine bar in the West Village.

The small space has since grown to include eight locations of wine bars and

‘‘ THEY TOOK OVER A 20-YEAR-OLD COFFEE BRAND CALLED JACK’S COFFEE WHICH HAD ALSO BEEN THE FIRST ORGANIC COFFEE SHOP IN NEW YORK. THEY RELAUNCHED ALL SIX OUTPOSTS INCLUDING THOSE IN BROOKLYN AS WELL AS THE HAMPTONS. ’’ bistros between Manhattan, Sag Harbor, and Washington, D.C., all under the same name.

The latest evolution of the brand is a soon-to-be-launched wine club in collaboration with their wine bars called Le French Wine Club. There will also be an expanded e-commerce site so that their guests will have the opportunity to purchase their favorite bottles from the wine bars and get them shipped to them directly through their subscription service. They are hoping to include loyalty benefits such as invitations to private tastings and access to exclusive

experiences by being a part of the club.

During the pandemic, the pair ventured into cornering the coffee market when they took over a 20-year-old coffee brand called Jack’s Coffee which had also been the first organic coffee shop in New York.

They relaunched all six outposts including those in Brooklyn as well as the Hamptons.

Known for partnering with high-end fashion brands and branching into the lifestyle space, they hope to reimagine those collaborations and also offer a more experiential visit for their customers.

Their third concept includes an upscale but casual restaurant in the Nomad District called Il Fiorista that focuses on incorporating florals into traditional Italian dishes. They also host classes including flower decorating and pastamaking classes, in addition to having a wholesale line of sauces and bruschetta.

With almost 20 locations and brands, their focus is the same as when they started – to educate their guests in an approachable and unintimidating way.

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DINING

Il Fiorista in the Nomad District

“Wine is very intimidating, especially when you walk into a restaurant and there is a strong program centered around the wine.

Our hope is to break down that barrier from the start. We take guests through the menus ourselves and explain everything about the grapes and the region. We make a concerted effort to head to France multiple times a year and also attend a lot of wine conferences and events that give us an introduction to lesser-known producers who don’t get the same exposure as other wine brands.”

These hardworking restauranteurs also pride themselves on working with as many small and boutique producers as they can for their charcuterie boards. They also showcase wines from a local winemaker who runs a family business and creates specialty organic varieties for them.

While their wine bars are more French tapas style, the bistros offer classic French cuisine. His favorites include the croque monsieur, something he used to watch Sebastian make when they were originally putting the concept of the brand together. “I

‘‘OUR HOPE IS TO BREAK DOWN THAT BARRIER FROM THE START. WE TAKE GUESTS THROUGH THE MENUS OURSELVES AND EXPLAIN EVERYTHING ABOUT THE GRAPES AND THE REGION.’’ saw him making the bechamel, one of the key ingredients – it’s crucial for that element to be right. It’s also one of the first authentic French ingredients I learned how to make. It really inspired everything and how we put the brand together.”

And yes, their cheeses today all taste authentic because they are – every type is flown in from France.

Their unique concept has resonated with both Francophiles and those just learning about Parisian cuisine and wine.

The growth model of this constantly evolving and expanding empire involves reinvesting money into new locations. Even

twelve years later they still function like a boutique group. At the center of that group is their tight-knit team.

“We have people who started with us when we first opened. Especially when something happens you realize how important it is to have the right people in your organization. We prioritize people more than anything. Especially during the pandemic, you have to figure out how to keep this thing together and figure out what pieces are working and what you have to leave behind.”

They also happened to be in the right business – wine and coffee drinkers only drank more of each. Seb started a wine delivery business and they themselves were sometimes the ones to make deliveries on a bike. They also put up an e-commerce site within 24 hours.

As they continue to focus on their brands and online platforms, there is only more deliciousness on the horizon. P vsvwinebars.com | jacksstirbrew.com | ilfioristanyc.com

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DINING

Kellari Taverna ESPERIENCE FINE GREEK CUISINE IN THE HEART OF THE BIG APPLE

BY RYANN REYNOLDS

L

ooking to depart on a gastronomic journey that will transport you to the streets of Greece, without leaving the heart of the Big Apple? Look no further than Kellari Taverna. Since 2006, the restaurant has won over locals and tourist alike. This family-owned and operated Mediterraneanstyle eatery pays homage to its Greek heritage by offering an authentic culinary experience through its traditional fare, extensive selection of Greek wines and welcoming vibe that keeps patrons coming back for more.

As you enter the taverna, you’ll step into a warm dining room with high ceilings and an abundance of natural light. It’s a delightful

blend of traditional and contemporary design. The restaurant’s carefully crafted menu is a celebration of the Mediterranean region with a modern twist that brings a new perspective to Greek cuisine. Guests can enjoy mouthwatering dishes like the Aegean surf & turf—which is grilled prawns paired with a 6oz petit filet mignon served on a bed of garden vegetables—or the homemade potato gnocchi topped with spinach, feta and lemon nutmeg sauce. With a focus on whole fish and authentic Greek cuisine, Kellari Taverna takes pride in procuring sustainable seafood, meats and produce, sourcing numerous fresh ingredients directly from nearby farmers’ markets. Aside

from its wide selection of Greek wines, Kellari also boasts a tempting array of expertly crafted cocktails, including the refreshing cucumber mojito, the beloved espresso martini and classic drinks like cosmopolitans, margaritas and negronis.

Exploring the dessert menu, you’ll find treats to excite your taste buds. There are some fantastic choices, like the mouthwatering warm sokolata with creamy goat-milk vanilla ice cream, as well as classic favorites like baklava and galaktoboureko.

Despite the term “taverna” traditionally meaning a small Greek café, Kellari offers spacious rooms for birthdays, anniversaries and corporate events. The Rose Room, ideal

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for 40+ people with presentation screens, is a standout for business affairs. The cozy K Room suits 20 guest and the versatile Wine Room can seat up to 70, or 120 standing when combined with the Rose Room, perfect for business cocktail parties. Coveted outdoor space accommodates around 25 guests for al fresco events.

The father and son duo behind Kellari Taverna, Stavros and Andreas Aktipis, have achieved prominence in the competitive NYC restaurant scene with their celebrated restaurant. Since opening its doors, Kellari has been renowned for its authentic Greek cuisine and fresh seafood in Midtown Manhattan. Their success story is a testament to their hard work, perseverance and dedication to their craft. After gaining experience at various New York City restaurants, Stavros decided to take the plunge and open his own establishment. The

EXECUTIVE CHEF VASILIKI VOURLIOTAKI CREATES FIRE IN THE KITCHEN BY INFUSING CLASSIC FLAVORS WITH A MODERN TWIST INTO SEASONAL MENUS.

younger Andreas brings innovation to the family business, blending Greek traditions with broader Mediterranean influences. The Aktipis family is supported by a generously talented team.

Executive Chef Chef Vasiliki Vourliotaki creates fire in the kitchen by infusing classic

flavors with a modern twist into seasonal menus. Her expertise in combining Greek cuisine and contemporary cooking techniques results in a refreshing approach to traditional Greek taverna favorites.

Driving innovation and excellence daily, General Manager Michael Coll has propelled Kellari to new heights, solidifying its longlasting reputation as one of the city’s premier Greek restaurants. His unwavering passion for hospitality permeates every aspect of his work, making him a standout leader in the hospitality industry, driven by dedication to his craft and his team.

Whether it’s the bottomless mimosa brunch pre fixe or the pre theater dinner menu that catches your eye, this Greek culinary escape with the finest hospitality awaits you seven days a week. Opa! P kellariny.com

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AI

PROFILE

Expert

N

Now Is the Time for AI to Save The World ews about AI – artificial intelligence – is everywhere these days.

Fearmongering is a major part of the AI discussion, conjecturing about the possibility that AI will be writing our books and magazines, driving our cars, buses, and trains, manning our factories – basically removing human activity from many aspects of civilization – and eliminating our jobs as well.

Part of the agreement ending the recent Hollywood writers’ strike was that AI would not be deployed in the creation of entertainment media like movies, television shows and podcasts. Hollywood’s actors’ unions remained on strike as this article went to press, with similar demands for keeping people rather than technology in the roles of acting and speaking in voiceovers, animation, and other broadcast mediums.

You will be relieved to learn that as AI becomes more prominent in our world, there are people and organizations working to rein it in, creating policies and systems to reap the benefits of this emerging technology while stemming its negative effects on society.

Using AI To Create A Sustainable Future For The Planet Mark Minevich, one of the foremost experts leading the fight to regulate the use of AI for good, has just published a book on the topic: “Our Planet Powered by AI: How We Use Artificial Intelligence to Create a

Mark Mınevıch Our Planet Powered by AI

BY BENNETT MARCUS

corporations to make this their leading priority. Right now, 95% of AI is very application driven, its very solutions driven and focused on efficiency. It is not focused on all-inclusiveness and sustainability, and that’s the narrative of the book.”

Sustainable Future for Humanity.” The book is a compilation of Minevich’s work in understanding where AI is moving and how corporations and governments could leverage AI to better humanity.

“I feel AI could be a tool that could solve some of the greatest problems and challenges that the world has,” says Minevich, a distinguished advisor for governments and enterprises in the adoption of artificial intelligence, and how AI sees itself in the future of work and social innovation. AI can be utilized beneficially in areas like climate change, healthcare, infrastructure, and energy, he says, realms that corporations do not typically get involved with. “But I want

AI For Good Foundation AI has been around since the early 1960s, primarily the focus of research scientists in solving complex theory, rarely noticed by the general populace. More recently, venture capitalists realized it could be a profitable investment to boost efficiency and improve forecasting. Then, in November 2022 ChatGPT came out from OpenAI, which changed the equation. “Now you have more interest in artificial intelligence than ever before. And at the same time, we’re facing existential threats from climate, flood, fire, which are discussed by the United Nations constantly,” says Minevich, who sits on several UN committees and is also a columnist for Forbes and other publications and invests in companies. “We’re at a very interesting inflection point, a historical moment.”

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Minevich is the chair of the executive committee of AI for Good Foundation, which is setting standards and ethical boundaries and looking at social inclusion and smart cities and use cases. “So I take the international governance perspective of AI and I take the commercial route, I take the investment eye, and I take the media centric world,” he explained. “I have a very privileged position where I could see the world from 360 degrees.”

“Now is the time for AI to save the world.”

Now Is The Time For AI to Save The World The time is now for AI to save the world, Minevich declares. The world is in peril, and AI is not being look at as a savior, but as something malicious, potentially taking away jobs and getting into the wrong hands.

“Certainly a lot of this is true, but it’s up to us, humanity, to gear AI,” he says. “I always say AI is like a child, and we have to raise our kids by good values, by education. AI is constantly training. AI would not exist if it’s not constantly trainable.”

We, the public, need to understand, what AI is and what it isn’t. “Today, AI is not a replacement for a human being, as much as we want to fantasize. It is really a bunch of mathematics and software to teach computers how to understand, how to reason and synthesize like humans.”

We are in the beginning stages, and Minevich and his colleagues want to establish some sort of governing body to analyze and come out with standards on what AI can and cannot do. “AI is a progress that we cannot stop, but at the same time, we have to make sure that we protect the rights of humans. We have to protect the planet and we have to protect privacy, and we have to make sure that AI doesn’t only have one voice. AI has to focus on all-inclusiveness, gender diversity, race diversity, religious diversity. All of those voices must be heard to create a bigger, more comprehensive picture.”

AI is created by people, and it needs to be controlled by people like any other technology. P markminevich.com

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PROFILE

ack Weiner

I

nspired by one of Andy Warhol’s most iconic quotes, “In the future, everyone will be world-famous for 15 minutes,” Zack Weiner now asks, “Everyone got their 15 minutes, but who made the money?” Whether through his much-talkedabout political career or his up-and-coming movie studio, Weiner has made it his life’s mission to challenge the status quo.

He first came into the public eye in 2021, as a 26-year-old City Council candidate for the Upper West Side, his native neighborhood. “I had been following politics since I left school, and I found it so frustrating. Nothing was getting done, and we had no impact. So I wanted to get hyper-local and try to actually make a difference in my neighborhood,” he explained.

However, in the midst of his campaign, a private BDSM video of him was leaked by a former girlfriend, capturing the world’s attention. Despite his nonchalant response

Manhattan Movie Studio B Y L E X I WO L F

to the public, famously saying on Twitter, “Whoops, I didn’t want anyone to see that,” he had certain concerns within his conservative Jewish community. In 2021, he told The New York Post he was pleasantly surprised by the positive public response, but he had not returned to his Synagogue at the time. Two years after the fact, he has since reconnected with his roots and found the community to be more accepting than expected. Some even finding humor in the situation. “There was definitely a reaction,” he said. “It took a while to get that one under the rug, but not in a bad way. People were surprisingly understanding, and in the realm of public displays of affection, that one seemed to bother them the least.”

A New Industry Despite his enduring interest in politics, Weiner has always been drawn to the entertainment industry. One could even argue his career was predestined by

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GETTY

“ANYONE WITH A PHONE CAN BE A PRODUCER. YOU CAN MAKE A LEGALLY BINDING PURCHASE AND GET A LEGALLY BINDING CONTRACT TO HAVE YOUR NAME FEATURED IN THE CREDITS.”

genetics, as his father is the co-creator of the internationally renowned children’s show “Dora the Explorer.” The show’s success had a resounding impact on his and his family’s life. “We used to live in governmentsupported housing, but after Dora came out in the early 2000s, we were able to buy a nice apartment. Things were going really well for a while,” he said. However, with the rise of streaming platforms the – as he affectionately calls it— “Dora Money” stopped flowing in. Perhaps sparking his disdain toward streaming conglomerates, and “Big Hollywood” in general.

Weiner’s grievances towards streaming platforms, such as Netflix and Hulu, cuts deeper than just his familial situation. In his eyes, the promise of social media and streaming was accessibility, or a way to “bring more eyeballs to the content,” as he explains. Although this new age does offer more accessibility, there are obvious downsides. “With streaming, the companies

Sophia Ventrone, Stephanie Matto, Zack Weiner, Faith Hill

don’t disclose how many people see it. They don’t reward based on viewership. It’s not as lucrative as it used to be, which is a problem for everybody, “ he said.

Manhattan Movie Studio Weiner’s Manhattan Movie Studio was created in rebellion against the traditional Hollywood machine and the new age of streaming. Having worked at the now disgraced Weinstein Company, he found the structure to be troubling for creative processes. “It wasn’t such a fair system at all,” he said. “I wanted to make a decentralized studio, but with a familiar infrastructure.

Where people have a place to make the movies they want to make and, get them released, without having to recreate the bureaucratic processes of traditional studios.”

Manhattan Movie Studio has also embraced cryptocurrency to distribute ownership of images and producer credits in

his films, further dispersing and disrupting power. “Filmmaking is over 100 years old. In that century everything about the movies has changed. Except the money. We’re using crypto currency to change that,” he said. In his approach, he aims to challenge the closed system, where only wealthy individuals can provide funding and attach their names to movies showcased at festivals like Cannes. Instead, with Weiner’s films, all can become a part of the production process. “Anyone with a phone can be a producer. You can make a legally binding purchase and get a legally binding contract to have your name featured in the credits.”

Up-and-Coming Weiner’s studio has a wide breadth of films, spanning in genre and tone, in its repertoire. His most recent release is titled “Cuddly Toys” and is directed by Kansas Bowling, the youngest working female director in The United States. They recently wrapped a new Jewish comedy, “Bad Shabbos,” staring Kyra Sedgwick and Method Man. His upcoming slate also includes a film starring NBA player Evan Mobley, titled “Magic Money,” about a multi-million-dollar Nike sneaker deal gone awry, as well as a documentary called “Citizen Weiner,” which tells the story of his city council run against Gale Brewer. P manhattanmoviestudio.com

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PROFILE

Evie Evangelou Fashion 4 Development

BY LAURIE NEWKIRK

Using Fashion and the Arts for Global Change he multicultural nature of New York City has inspired everything I do,” explains City native, philanthropist, and global change agent, Evie Evangelou. From the Fashion Institute of Technology (FIT) to the stage at Lincoln Center to center stage at the United Nations, to the creation of her Fashion4Development (F4D) brand, Evie has been making a difference by highlighting the commonalties within diversity. Evie’s a visionary who uses fashion to bring people together, and in doing so, has created real economic opportunities for women and put a spotlight on the importance of sustainability in the fashion industry.

One of Evie’s many endeavors include hosting the Annual First Ladies Luncheon, which premiered in 2011, and took place on the opening day of the UN General Assembly General Debate. This year’s luncheon featured a stunning runway show of international designers with awards given to agents of change. One award given was a special posthumous tribute to Queen Elizabeth II, in partnership with the Queen’s Commonwealth Trust based in the UK. Agents of

“T

change from the past have included Diane von Furstenberg, Victoria Beckham, Annie Lennox, Naomi Campbell, and Iman to name a few. F4D also hosted the Sustainable Goals Banquet, whose honorees included Dr. Ramon Tallaj of SOMOS Community Care.

Goodwill Ambassador Evie herself has received an impressive number of honors including a Fashion Group International Humanitarian Award, being a Goodwill Ambassador, and acknowledgment by the US Senate. It all started in the late 90s when she launched NUbreed Synergy of the Arts at Lincoln Center. She utilized her multicultural passion to develop a program bringing 200 artists of nine creative sectors from around the world together to be showcased annually for several years.

A music performance might have background art from a Japanese animator, songs sung by Colombian singers, with dancers performing choreography by a German choreographer while wearing costumes designed by a Mexican fashion designer. The artists produced cohesive and dynamic performances while showcasing the value of cultural diversity.

But even the best of projects need money and Evie understood to get people to help, a little flair can go a long way. With her gracious demeanor, and quiet charm, Evie was

able to collect items for a Celebrity Arts Auction at Christie’s. She had everything from John Travolta’s jacket from Grease to a Rauschenberg Painting to Beatles tickets from 1964. It was there she and her vision were spotted by one of the Deputy Secretary Generals of the UN. From L’Uomo Vogue to Prime Ministers & Presidents From the beginning, she says, “I fought and chased the Secretary General to allow me to bring the fashion sector into the UN. The first project we did in cooperation with UN Secretary-General Ban Ki Moon was an issue of L’Uomo Vogue, the Italian Men’s Vogue, on Rebranding Africa spearheaded by F4D’s Global Goodwill Ambassador Franca Sozzani, editor and chief of Vogue Italia. Its features included interviews with Heads of State, Royals, fashion designers, architects, filmmakers, musicians, and artists to highlight Africa’s creativity and beauty.

This success led to the show Fashion 4 Development on the global UN channel.

Despite initial pushback — “I was told I was crazy, that they were just doing interview shows with Prime Ministers and Presidents” — Evie prevailed, and it became one of their most watched programs.

Evie shared her insights, “People don’t want to watch a speech. It’s boring with

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GETTY

First Lady of Malta, Donna Karan, Evie Evangelou, and First Lady of Iceland

Sustainable Goals Banquet to address the huge carbon footprint of waste and toxicity of the fashion industry and agricultural regeneration needed in partnership with the Italian Cultural Institute and its Director Fabio Finotti, the UN Member State of Italy and its Ambassador H.E. Maurizio Massari.

everybody saying the same things about the same problems. But what are the solutions?

I realized people were watching my show because of the beauty and excitement but at the same time, we were doing real stories that inspired. Such as designers in Africa and Asia cleaning up garbage dumps of plastics, recycling it and hiring local women to make it into handbags and other reusable materials and products. Those products then appeared on the runway with their collections during Fashion Weeks around the globe.”

F4D: Using the Runway to Inspire Change Fashion4Develoment (F4D) became a natural extension of this concept. It’s more

than an organization, it’s a brand. It’s a social enterprise. “We don’t raise money to donate,” she clarified, “you could keep donating and giving money away and that’s good for an initial band-aid, but you need to make it sustainable for people.”

One of the many projects initiated by F4D created over $4 million in wages in Africa for women. “You just see these women, they’re putting shoes on their kids and buying school supplies and they’re feeding them a better diet, but they’re doing it with pride because they’re doing it through their work and not charity.”

Top brands like Prada, Ferragamo, Ralph Lauren and UN Diplomats including the President of the United Nations General Assembly attended the F4D 2021 Code Red

Global Runway in 2025 Evie’s latest project is an impressive and inspiring Global Runway in 2025. Aspects include bringing together more than 100 countries for a runway show in the UN General Assembly Hall, producing a 3rd film series with F4D Goodwill Ambassador Lola Tillyaeva, founder of the Human Kind Institute and co-authoring the Global Runway coffee table book of international designers and storytelling of their cultures in partnership with renowned international artist and writer Stephanie Dillon .The goal, of course, is peace, reconciliation, cultural education and exchange, opportunity, sustainability, and global unity. Evie is a shining light for change. What advice does she have for anyone wanting to follow in her footsteps? “Know anything is possible if it comes from the heart, and you have the passion to do it.” Is there a philosophy she lives by?

Yes. “Giving Back is the New Luxury.” P fashion4development.com

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The PROFILE

The

Empire State

Rare Book& Prınt

ine Book Fairs is the brainchild of Eve and Edward Lemon. Both have been avid book collectors for the majority of their lives, and now they are sharing their passion for the book trade throughout the United States.

Having hosted previous events in Georgetown, Washington DC, Newport, RI, and Philadelphia, PA, the bookish soiree’s next stop is New York City. This iteration, aptly named The Empire State Rare Book and Print Fair, is bringing in 50 exhibitors from across the country to showcase a dazzling array of books, prints, and a broad range of ephemera, all of which would be considered crowning jewels for any collector.

Taking place at St. Bartholomew’s Church on 51st and Park Avenue, the fair’s opening night party, Thursday, October 5th, is a ticketed event where guests can enjoy wine, live music and canapes while getting a sneak peek at the displays. Tickets cost $125 and a portion of the proceeds will go the Antiquarian Booksellers’ Benevolent Fund, which helps booksellers in need. For the remainder of the weekend, tickets cost $15 to the general public, $10 for students, and free for those under 16-yearsold. Admission is free from 3 pm to 5 pm on October 7th. An appraisal service will also be offered on site for people to bring their treasures to be valued by experts.

Eve and Edward hold the positions of Director and Assistant Director at Fine Book

Faır B Y L E X I WO L F

Eve and Edward Lemon

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Fairs, respectively. Their idea spawned in 2022, when they began to delve deeper into the world of rare books and wanted to find a creative way to raise funds to preserve a historical building in the nation’s capital.

Although, at that point, they had only attended one book fair, they set out on creating one of their own. The pair quickly found success in this specialized sphere, establishing their business shortly thereafter.

First Editions: Gutenberg Bible & Harry Potter Both Eve and Edward believe the fair is a unique opportunity to connect with another era and provide a firsthand experience of history. “In the digital age, it’s crucial to maintain a tangible link with history, and books, being physical objects, provide that connection to the past,” described Eve. In their perspective, the first pressings of books are the optimal way to achieve this goal. As Eve explains, “ So many changes occur over additional printings. The first edition of a book is the closest representation of the author’s intent, besides the original manuscript.”

These first editions can fetch upwards of $100,000 at auction. Among the remarkable pieces they have presented in the past was a leaf from the Gutenberg Bible, one of the first modern printed books dated back to the 15th Century, and a first edition copy of “Harry

Potter and The Philosopher’s Stone,” of which only 500 copies exist. They have also showcased documents signed by Napoleon Bonaparte and coveted first editions of Frederick Douglas’s autobiography and the beloved children’s novel “Anne of Green Gables.”

Guest Speakers; Including Royal Biographer Hugo Vickers In addition to a massive array of books and prints, Eve and Edward curated an impressive lineup of guest speakers. “We want our guests to leave feeling more informed. The goal is to have a series of talks covering various areas, so we can attract a broad range of people and provide them with an opportunity to hear from leading experts in their respective fields,” Edward said. One standout speaker among the roster is Hugo Vickers, a renowned royal biographer and broadcaster. Notably, he was a studio guest for Princess Diana’s wedding to the now King Charles, as well as Diana’s funeral. Vickers will be conducting a book signing at their opening night preview party.

The opening night will also feature a live performance from Ryan Miller, the singer of the Indie-Rock band Guster in collaboration with the organist of the New York Philharmonic. They will play Guster’s song Empire State, after which the fair is named.

However, their fairs are more than just

commercial events; they are social gatherings designed to foster a welcoming experience for both veterans and novices of book collecting. “We want the fair to be accessible.

There will be items selling for six figures, but also materials that can fit any budget.”

Edward explained.

The Debate: Digital vs Physical Today, the debate between reading digital books versus physical books has become a prominent discussion. While both options remain viable, the pair have noticed an increasing shift towards hard copies and are optimistic about the future, particularly with the new generation collectors and readers.

“When you look up on the subway, the people reading are often those who are younger. I think that’s very encouraging,” Edward remarked. This shift has been evident at their events. “We have a diverse mix of attendees,” Eve added. “But notably, a large number are young people. That is one of the top comments we hear from our exhibitors and sellers.” To address any possible hesitations among these new collectors, Eve offers a reassuring piece of advice: “Buy books you want to read. Books are meant to be read.

That’s what we believe in as collectors.” P finefairs.com

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PROFILE

Brian DiMarco’s

Harlem Standard Whiskey

B Y L E X I WO L F

100 Years After the Start of the Harlem Renaissance magine if Ocean’s Eleven and American Gangster had a baby.”

That’s how Brian DiMarco conceptualizes Harlem Standard, his own whiskey brand and personal legacy project.

Founded in 2020, Harlem Standard is shaking up the whiskey shelf at your local liquor store with its high-quality ingredients, keen attention to detail, and homage to the rich history of Northern Manhattan. This endeavor started after almost 25 years in the food and beverage industry.

“I

French Culinary Institute Growing up in the suburbs of Washington, D.C., DiMarco always felt drawn to Manhattan when as a child he rode the train to Penn Station to meet his dad, who always used to tell his son that he’d be moving here someday, and in 1992 he did. During the period post 9/11, like many people, he began to reevaluate his life. He decided to leave behind his career in advertising, where he managed brands such as Panasonic and Canon. He enrolled at the French Culinary Institute (FCI) in Soho.

There, he was mentored by titans of the industry, including Jacques Pépin. He even received a master’s certificate in bread making; however, DiMarco claims he hasn’t baked a single loaf since. Nonetheless, this experience sparked his passion for food.

Brian DiMarco

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Mount Olympus After a year at the FCI, DiMarco then went on to work at the pinnacle of the industry, or what her refers to as the “the Mount Olympus of cooking.” At the time this was The Food Network. Starting with Emeril Lagasse as a chef for his various programs. “Everyone thought they were getting their own show, including me.” Although, technically, DiMarco did. “I pitched a show to a producer, and they ended up giving it to Tyler Florence. The premise was you would go into someone’s refrigerator and pantry and [make a meal] with whatever they had.” His once meager pitch, turned into two years and 65 episodes.

“It was a good run,” he says.

well, but I said, ‘Look, it’s not about the money. I just want to stay in the food and wine business. It’s in my blood now.” During this period was when he truly caught “the wine bug” and reached the point of no return.

“I went crazy. I became a bit of a savant on fine and rare wines.”

From there, he started his own company, Barterhouse, an importer of wine and spirits, which he stuck with for 15 years. “I was traveling, doing exactly what I wanted. Going to Provence, finding someone who makes amazing rosé, importing it to the US, and trying to sell it.” The only downside was his lack of ownership of the actual product. Cue Harlem Standard.

The Wine Bug During a break from his demanding taping schedule, DiMarco received a call from an old culinary-school friend who was the general manager at Sherry-Lehmann, a high-end wine shop on Park Avenue. “He said, ‘Come work at the shop, learn about wine, and be a salesperson.’ It didn’t pay very

Steeped in Jazz The idea came in 2018 and became a full-fledged business in early 2020. The launch conveniently landed a hundred years after the Harlem Renaissance era. “We started the brand with this idea of steeping it in music, specifically in jazz. That music is really what inspires the brand,” he says. To

reinforce this ideal, DiMarco even created a public Spotify playlist with over 24 hours’ worth of music featuring artists like Dizzy Gillespie, Duke Ellington, and Bill Withers.

“We’re trying to bring more than just, ‘Drink my whiskey,’” he explains. “To me, it’s a lifestyle about contemplation. Maybe having a cigar or just sitting back and having a conversation, rather than just getting drunk.” His dedication paid off as, over the summer, Harlem Standard won Gold at the Bartender Spirit Awards.

Although the whiskey itself has the excellence to stand on its own, without any indepth backstory or lifestyle concepts. Overproofed, unfiltered, and made with nonGMO corn from Indiana, Harlem Standard’s products “appeal to the whiskey nerd,” says DiMarco. DiMarco currently offers four spirits for both novices and expert whiskey lovers, and each is barreled in Kentucky, the home of bourbon and other whiskeys.

The Harlem Name DiMarco is also conscious of the cultural implications of the Harlem name. “I think you need to be responsible and respectful.

You need to show up, and not just appropriate a name.” Therefore, he made it his mission to have his brand become part of the neighborhood it is named after, which he achieved through community partnerships with institutions such as The Boys and Girls Club of Harlem, the National Jazz Museum, and The Greater Harlem Chamber of Commerce. Some of the proceeds from their sales supported musicians who were unable to work. “I’m 50 going on 35,” he says. “We’ve done a lot, but I want to be able to say I did something good for the community.” P harlemstandard.com

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Iris

PROFILE

D A N K N E R Holiday House Hamptons Founder

BY BENNET T MA RCUS

Fighting Breast Cancer with Holiday House ris Dankner has had a remarkable career, making her mark on the interior design industry and in the fight against breast cancer as founder of Holiday House in the Hamptons and New York City. She’s even the creator of an icon of 20th-century Americana; the Lord & Taylor logo we all know is actually her own handwriting!

Her interiors firm, ID Creations, has offices in Manhattan and the Hamptons, and Dankner is a breast cancer survivor whose determination to help find a cure led her to found Holiday House, the popular annual designer show houses benefitting research into the disease. $2 Million Raised for Breast Cancer Since its 2008 inception, Holiday House has raised over $2 million for the Breast Cancer Research Foundation (BCRF), on whose advisory board Dankner serves. Now, in its 15th year, they hold annual designer show houses in New York City and the Hamptons, plus one-off events in London and Palm Beach. They have even released a

I

coffee table book, Holiday House: Ten Years of Decorating for a Cure, documenting its first decade.

Of course, there have been remarkable properties over the years. One had Long Island’s only rooftop tennis court – so they got Venus Williams to host a party there. For the past few years she put together smaller “tabletop” shows, in which design firms presented their visions of place settings. “What’s better than being around a beautiful table with family and loved ones?”

Dankner said.

This summer’s Hamptons Holiday House took place in a 9,000 square-foot home in Bridgehampton and ran through August 27.

The event drew a capacity crowd to the opening party. “Everyone dressed in white, it was just magical,” Dankner said of the evening.

Every Day is a Holiday The name “Holiday House” denotes a simple philosophy that every day after a cancer diagnosis feels like a holiday. “It’s not about designers choosing a holiday like Christmas or Thanksgiving, which they can,

but it’s just making a memorable moment that they would like to celebrate,” Danker explained.

International Route to Holiday House At age 40, with two young daughters and running her own design firm, Dankner was diagnosed with breast cancer at her first routine mammogram, which saved her life.

“That was 26 years ago when nobody spoke the words, ‘breast cancer.’ And it was very hard being a young woman with no one to talk to, so I started fundraising, basically, as a way to help myself heal.” She put together a team for the Susan G. Komen Race for the Cure, and was later asked to join the board, chairing the race for three years.

Race for the Cure: Egypt & Israel Invited as a delegate to the Race for the Cure in Egypt, she marched from the Pyramid to the Sphinx with women who had survived breast cancer. Dressed in burqas, some wore survivor caps, others pinned survivor T-shirts on their backs. For Dankner, it was an amazing experience, so she suggested a walk in Israel. The response from

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ANNIE WATT

Campion Platt, Jayne Chase, Andrea Stark, Iris Dankner

the board: “If you want to spearhead Israel, go ahead.”

She spent the next year working to establish the first Race for the Cure in Israel, which ended with the Wailing Wall bathed in pink. Arabs and Israelis walked side by side, as breast cancer has no boundaries. “It was one of the most incredible experiences of my life, putting together a whole group to introduce a new project in a new country. It was spectacular.”

Lord & Taylor Log Dankner’s path to becoming an interior designer was also circuitous. Unsure how to earn money with her fine arts degree from Carnegie Mellon, she took a freelance job at Lord & Taylor, and stayed for 14 years, becoming their art director. “It was before computers - I am a dinosaur,” Dankner laughed. “We had 48 stores throughout the country, and every single ad needed to go by me so that I could put a handwrit-

ten logo around the artwork, and then we overnighted it. If you remember what the Lord & Taylor ads look like, each one of those logos is mine.”

When a new owner took over the company, Dankner decided to go back to school and study interior design. “I felt like I was just taking my two-dimensional skills and making them three-dimensional. When you have a good sense of color and texture, it was just putting it into a different form.”

After her breast cancer diagnosis, she had an “aha” moment and decided to combine her two passions and do something in the design industry that benefits women’s issues.

“I remember the night I said to my family, ‘Mommy has an idea,’ and everybody giggled, especially my husband. And now 15 years later, that dream has become a reality.” She plans to continue her work until we are living in a world without breast cancer. “I want my grandchildren not to understand what type of work I did or why.” Dankner’s Holiday House will host their next showcase in New York City in November. P holidayhousehamptons.com

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SOCIAL SAFARI

Couri

Marquee Moments Elvis Presley, Marilyn Monroe, Joaquin Phoenix, Andy Warhol, Kanye West, Kyra Sedgwick, William Shatner, Daniel Craig & Joseph Sikora

Mr. Brainwash, Charles Saffati Photo: PMC

BY R.COURI HAY

Peter Thomas Roth Photo: PMC

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Carlton Fine Arts A 100K painting

by Marc Chagall was the target of a smash and grab caper on Madison Avenue on the Jewish high holiday of Yom Kippur, while the gallery was closed all day.

The business’s owner, Charles Saffati, is offering a 5-figure no question asked reward for the return of the unique art piece, called “Eve” that features two women embracing. Chagall has two large murals with the same theme hanging permanently in the Grand Hall at the Metropolitan Opera House. “The robbers must have been pretty smart enough to know that we would be closed for the holiday,” noted Saffati.

He added “Mayor Adams has to wake up and smell the bagels. First it was drugstores and supermarkets, then Gucci and Hermes, and now these street thugs are targeting high end art galleries. I hope Mayor Adams takes the proper steps, but I’m not waiting for him. I

have hired two round the clock armed guards and installed museum quality motion detectors and cameras to watch over the Warhols, Basquiats, Picasso and Mr. Brianwashs.”

Joaquin Phoenix as Napoleon Photo: Splash

The gallerist added, “This piece will be impossible to resell as its instantly recognizable like the Mona Lisa. If these hoodlums haven’t already dumped it for drug money, I hope they’ll return it and take the cash reward.” The gallery’s current show is by artist and photographer, Bonnie Lautenberg, the widow of former Senator Frank Lautenberg, whose show features photos of stars including Elizabeth Taylor, Elvis Presley, Marilyn Monroe and Audrey Hepburn alongside iconic works of art by Keith Haring and Roy Lichtenstein. Skincare mogul Peter Thomas Roth and influencer Sofie Mahlkvist were in the opening night mix. carltonfa.com Sofie Mählkvist Photo: PMC

Joaquin Phoenix is Napoleon Joaquin Phoenix is starring in Ridley Scott’s upcoming biopic “Napoleon,” releasing across the country during the holiday season.

The movie, which is already garnering Oscar buzz for Phoenix, co-stars Vanessa Kirby as Josephine. The film looks back on Napoleon’s rise from French soldier to emperor.

Scott told Variety about Phoenix, “If something bothers him, he’ll let you Vanessa know. He made Kirby ‘Napoleon’ special by Photo: PMC constantly questioning.” Deep-pocketed fans of Napoleon Bonaparte can buy his personal footbath for $24k, his plate warmer for $14k, or his camel saddle, used in one of his Egyptian campaigns, for $20k from M.S. Rau in New Orleans.

They are also selling a Diamond necklace, bracelet, and tiara for a cool $1.250 million that Napoleon gave not to his beloved Josephine, but to one of his mistresses! rauantiques.com Star Trek’s William Shatner & James Bond’s Pierce Brosnan, Star Trek’s William Shatner, James Bond star Pierce Brosnan, and the Soprano’s Vincent Pastore are just a

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Joe Gallagher, Zack Weiner, Nick Spanos

few of the actors who have been honored at Roberto Rizzo’s NYC TV Festival over the past 14 years. This year, he featured over 30 TV shows by independent filmmakers at The Dolby Theatre. The winners included Hot Angry Mom, Timeless Love and the documentary “UNDIVIDED: Pandemic with a Purpose” by director Richard Yelland. The film, produced by SOMOS Community Care founder Dr. Ramon Tallaj and Anel Pla, weaves together the inspirational story of nonprofits, physicians and brands including Lysol’s Here for Healthy Schools. Although SOMOS lost 12 doctors to Covid, the organization’s 2,500 + doctors delivered over one million free vaccines to the most underserved in the five boroughs, saving thousands of lives. somos.org Kyra Sedgwick & Manhattan Movie Studio Kyra Sedgwick and

Dr. Ramon Tallaj, Richard Yelland, Anel Pla

Method Man have just wrapped the Jewish comedy Bad Shabbos with Zack Weiner’s Manhattan Movie Studio. He is also releasing a film starring NBA star Evan Mobley called Magic Money about a multi-milliondollar Nike sneaker deal gone awry. Weiner and Bitcoin pioneer Nick Spanos have just acquired a space at 2307 Broadway on the Upper West Side. They plan to turn it into a Gen Z version of Andy Warhol’s famous downtown Factory that turned out iconic films such as Andy Warhol’s Frankenstein with 70’s bombshell Monique van Vooren. The studio has also released a documentary called “Citizen Weiner,” about Zack’s BDSM scandal during his unsuccessful city council run against Gale Brewer.

Their movie, “How the Gringo Stole Christmas,” is a new holiday comedy

supporters include Brooke Shields, Naomi Watts and Galerie Gmurzynska’s Isabelle Bscher, invited select students and famous artists including Will Cotton to paint Fox, who was provocatively posed on a couch, her lady parts barely concealed by leather pasties and strategically placed leather straps. A good time was had by all at the peak a boo art happening where a minor wardrobe mishap added even more drama. Warhol would have loved it. nyaa.edu

Isabelle Bscher

starring famed funnyman George Lopez. manhattan moviestudio.com Andy Warhol & The New York Academy of Art Kanye West’s muse and former paramour, sex pot Julia Fox caused heads to swivel when she posed nearly nude for approximately 70 patrons and artists at The New York Academy of Art’s studio on Franklin Street.

The Academy, which was co-founded by Andy Warhol and whose

The East Coast Club of The Year The Hustler Club was nominated in the Best on

Joseph Sikora Photo: Getty

The East Coast Club of The Year category by the Adult Night Club Awards.

The gentleman’s club spotlights several dozen bodacious dancers on their multiple stages and poles over the three-floor mega club. They are also holding regular hand rolled cigar and whiskey nights, including Brian DiMarco’s Harlem Standard brand which won Gold in the recent Bartenders Awards. The events, which also feature local DJs, are being held on their new outdoor terrace called Althea’s Rooftop, which overlooks the Hudson River on the Westside Highway. TV star Joseph Sikora, of Power Book IV: Force, is a regular at the hot spot that also attracts top tier athletes. hustlerny.com Join me on the following pages for a look back at the season’s best parties.

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SOCIAL SAFARI Udo Spreitzenbarth & Jean Shafiroff

Princess Corinna zu SaynWittgenstein

Adrien Lesser, R Couri Hay & Skye Ostreicher

Nadja Sayej

The Event

SUSTAINABLE GOALS BANQUET FASHION 4 DEVELOPMENT The Story

Madonna was disappointed about being unable to accept Malawi President Lazarus Chakwera’s invitation to join him at founder Evie Evangelou’s Fashion 4 Development dinner, where he was honored with the 2023 Gender Champion Award by the Human Kind Institute. The Material Girl famously adopted four children from Malawi, including David in 2008, Mercy in 2009, and finally twin girls, Stella and Estere, in 2017 when they were five years old. The President’s diplomatic representatives had been in serious talks with the Pop Queen’s team to attend the awards ceremony with her four children, but because of her intense rehearsal schedule for her upcoming worldwide Celebration Tour, which opens in London, she had to decline. The President did tell me Madonna and the children visit their birth families once a year to stay connected to their roots. The singer has also financed programs for orphans in Malawi since 2006. This Fashion 4 Development’s Sustainable Goals Banquet, which was themed “Healthier People, Healthier Planet,” also presented Dr. Ramon Tallaj, the founder of SOMOS Community Care, with the Public Health and Community Service Human Kind Award for his work providing health care to the underserved in NYC. Mayor Eric Adams received the HKI 2023 Impact through Food Award and welcomed the international dignitaries. He spoke and congratulated his friend Dr. Tallaj for his devotion to the city’s one million citizens he helps every year. Dr. Tallaj said, “Let us create a timeless style of healthcare that prioritizes the health and dignity of every individual, leaving a lasting impact on communities worldwide.” fashion4development.com H.E. Mr. Lazarus Chakwera & First Lady Monica Chakwera

Ines Hernandez & Dr. Ramon Tallaj’

Sofie Mahlkvist

PMC

Eric Adams & Evie Evangelou

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Allende Ponzini, Anthony Ponzini & Jennifer Ponzini

Julia Haart & Couri Hay

Devorah Rose

Robert Hansen & Kimberly Hansen

The Event

SOUTH FORK NATURAL HISTORY MUSEUM Ray Donovan star Liev Schreiber co-hosted the South Fork Natural History Museum’s 34th Annual Gala with billionaire metal magnate Andy Sabin.

The actor confided, “Andy was one of the first people who took my son on a salamander hunt, and, right off the bat, they found two extremely rare salamanders, not to mention a snapping turtle. For those of you who are parents and know how enthusiastic children can be about pets; over the past 10 years I’ve known him, Andy has collected at least three pets from me and my children, including a chameleon and one of my hedgehogs.” All the animals that didn’t make it into the Schreiber home are now on display at the Sabin home. The night honored Yvon Chouinard, Dan and Rae Emmett, Basil Seggos, and Annette Sabin, who inspired her son Andy to establish the museum in 1988. In the mix were Carole Crist, the former First Lady of Florida, Sergio Nicolosi, influencer Sofie Mählkvist, and +Body creator Julia Haart. The evening featured a tasting menu from the top restaurants in the Hamptons, including The Golden Pear and The Beacon. Located in Bridgehampton, SOFO is the region’s premier natural history museum whose mission is to raise environmental awareness. Sofo.org.

ROB RICH/SOCIETY ALLURE

Andy Sabin, Liev Schreiber & Vivi Shou

Margaret Josephs & Lexi Barbuto

Sergio Nicolosi & Carole Crist

Gavin Freeman & Danielle Gingerich

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SOCIAL SAFARI David Levinson, Jessica Vosk, Simone Levinson & Ariana DeBose

Peter Thomas Roth & Candace Bushnell

Mary Snow

The Event

THE SOUTHAMPTON ART CENTER

Ming Lee Simmons, Riley Burruss, Aoki Lee Simmons & Emma Gray Meredith Schott & Eugenia Bullock

The Story

Peter Thomas Roth, Frederick Anderson and Tom Donohoe were among the revelers at The Southampton Art Center’s always fun Summerfest Culinary Arts Festival, which honored founder Simone Levinson with the 2023 Champion of the Arts Award. The evening, whose sponsors included Bvlgari and Bloomberg Philanthropies, raised funds to support their astounding exhibitions and events throughout the year, and featured a performance by Academy Award Winner Ariana DeBose. A silent auction of works took place and included legendary celebrity photographer Harry Benson. Earlier in the summer, Benson’s show at The Center literally moved guests to tears by his photograph of Robert F. Kennedy lying dead in a pool of blood. He confessed, “I still have nightmares about seeing Bobby Kennedy shot. The screaming of the people around him still haunts me. The last thing Bobby said to me was ‘See you in Chicago, but of course he never got to Chicago. In my job you always have to be ready for something awful or beautiful to happen.” Supporters included David Levinson, Caterina and Charles Stewart, Nicole Salmasi, Stefano Tonchi, Kara Ross and others of that ilk and stripe. southamptonartscenter.org Christine Mack & Tom Donohoe

PMC

Jean Shafiroff & Rebecca Seawright

Meredith Marks & Frederick Anderson

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Isabelle Bscher

Sofie Mahlkvist

(PMC) (PMC)

Cornelia Guest COURTESY OF DENNIS BASSO

Models COURTESY OF DENNIS BASSO

The Event

CORNELIA GUEST & DENNIS BASSO The Story

Cornelia Guest provided the grand finale to Dennis Basso’s show during NYC Fashion Week. The former Deb of the Decade turned Twin Peak actress wore a stunning light blue chiffon and black lace ball gown with a dramatic train. An accomplished equestrian, Guest pranced down the runway like a thoroughbred racehorse. Basso said the show’s theme was “Great American families” and that Cornelia was the obvious choice to close the show. The pair were originally introduced by Cornelia’s mother, C.Z. Guest, one of Truman Capote’s infamous “swans.” Throughout the years, Basso dressed both Cornelia and her mother, who was also named to Eleanor Lambert’s International Best Dressed List Hall of Fame. On Cornelia’s showstopping look, Basso said, “I kept in mind C.Z. will be watching from above. Like Mom, they both know how to wear clothes… the clothes never wear them.” This was not Cornelia’s first walk on the catwalk that she and her pal Andy Warhol once walked together in Stephen Sprouse’s show.

No less a personage than Halston taught her how to rule the runway. “Halston taught me how to walk. He didn’t like the way I walked. He said, ‘You walk like an elephant.’ He put me in these high-heeled shoes with straps and made me walk up and down the runway until I got it right.” Lesson learned! dennisbasso.com Jill Martin, Deborah Cox, Dennis Basso, Lisa Rinna & Carol Alt (GETTY)

Chaz Dean (PMC)

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SOCIAL SAFARI Liliana Cavendish & Hunt Slonem

Peter Thomas Roth & Princess Yasmin Aga Khan

Janna Bullock & Lucia Hwong Gordon

Laine Siklos

The Event

IMAGINE BENEFIT ALZHEIMER’S ASSOCIATION The Story

Princess Yasmin Aga Kan and skincare mogul Peter Thomas Roth hosted a kickoff party for the Alzheimer Association’s Imagine Benefit at his newly decorated townhouse in NYC. The Princess, whose mother is Hollywood goddess Rita Hayworth, founded the Imagine Benefit in 19 honor of her mother who suffered from the disease. Hayworth was diagnosed in 1981 with early onset Alzheimer’s. In the mix, checking out the art collection by Calder, Warhol, Degas, Damien Hirst and Picasso, were art collectors Janna Bullock and Lady Lilliana Cavendish, Ramona Singer, philanthropist Liane Siklos, dermatologist Dr. Ariel Ostad, top plastic surgeon Dr. Lyle Leipziger, jeweler Ann DexterJones, influencer Sofie Mahlkvist, attorney Daniel Stock. Also present was Peter Thomas Roth’s Executive VP Sarah McNamara, Peter’s sharp as a tack 100-yearold mother – and model— Carole Roth, and his sons Ryan Thomas Roth and Brendan Thomas Roth. The Gala was hosted by Laurie Hernandez, the two-time Olympic Medalist for gymnastics. The Alzheimer’s Association is a worldwide voluntary health organization dedicated to Alzheimer’s care, support and research. Since its founding in 1980, the organization’s events have raised more than $86 million to advance the care support and research. alz.org Ryan Thomas Roth, Carole Roth & Brendan Thomas Roth

Barbara Bancroft

PMC

Dr. Ariel Ostad

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Ramona Singer & Rochelle Jacobs

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Eleanore DeSole & Nicola Marcus

Kristen Lambert & Tracey Cheatham

Christy Ferer & Donna Slade

The Event

ASPEN: KIMBERLY PAIGE BLUHM The Story

Philanthropists Kimberly Paige Bluhm and Donna Slade hosted a Friendship Luncheon in Aspen, Colorado at Casa Tua. “The idea was to slow down and recognize how important friendships are,” said Kimberly. “We wanted to uplift these women and to remember how fortunate we are to have each other.” Topics of conversation over the Branzino included the Aspen Art Museum’s ArtCrush Gala chaired

by Jamie Tisch. This year’s theme was “Disco in the Woods,” with an auction featuring works by Chase Hall, Peter Halley, Spencer Lewis, and the Haas Brothers. The event honored Nairy Baghramian. Kimberly sits on the Museum’s National Council and is an avid supporter of the arts, as is her real estate and casino magnate husband, billionaire Neil Bluhm. aspenartmuseum.org. Donna also talked up Jazz Aspen Snowmass’s Festival which featured performances by the Foo Fighters, Billy Idol, The Lumineers, and James Bay. jazzaspensnowmass.org

Holly Hunt & Leah Zell

Candace Stark- Kimberly & Paige Bluhm

Carriem Wells & Lori Gendelman

HAL WILLIAMS

Jacqui & Patsy Tisch

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SOCIAL SAFARI

D

Yasmine Sabet, Tatiana Garcia & Eugenia Bullock Martin Gruss & Audrey Gruss Arthur Dunnam & Louisa Benton

1 3

The Event

HOPE FOR DEPRESSION RESEARCH FOUNDATION

Grier Henchy & Brooke Shields Tarin Dempsey & Bear Smith

The Story

Brooke Shields carried her 2-week-old puppy across the finish line at the Hope for Depression Research Foundation’s 5k Race of Hope in Southampton because her new pooch got pooped. Shields was at the race to support her daughter, Grier Henchy, who served as the event’s teen grand marshal. Brooke told pals “Our new puppy’s name is Tuzi, and she has a twisted tail. We picked her because no one else wanted her and of we have so many twisted tales in our family,” she said with a laugh. Grier added “Tuzi is an American Standard Terrier. It’s like a pit bull,” explained the charming 17-year-old. Brooke wore bright yellow sunglasses and the organization’s signature yellow hat and T-shirt.

Even Tuzi had a yellow Hope banner on his leash. Over 600 people ran or walked, including teens, parents pushing babies in carriages, and lots of dogs. The race’s founder, Audrey Gruss, announced they raised a record $250k. Bravo! hopefordepression.org

Janna Bullock

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PMC

Tyler Lucas, Hayden, Lucas & Gerolyn Lucas

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SOCIAL SAFARI

Joyce Jeha- Kathy Hillelson, Jean Shafiroff, Susan Amini & Monica Elias

Dr. Inez Hernandez & Chaz Dean Thebe Magugu Sofie Mahlkvist & Dr. Ariel Ostad

The Event

FIRST LADIES LUNCH FASHION 4 DEVELOPMENT

Kate McGuire

The Story

Naomi Campbell, Victoria Beckham, and Francine LeFrak are among the previous honorees at F4D’s First Lady Luncheon, which supports the United Nations Sustainable Development Goals. South African designer Thebe Magugu presented his collection and received the Franca Sozzani Award, named after the late Italian Vogue editor. The CEO of Hugo Boss, Daniel Grieder, was also honored. New York State Assemblywoman Rebecca Seawright presented Jean Shafiroff with the International Philanthropy Award.

The luncheon, celebrating its 11th year, was co-hosted by Princess Corrina zu Sayn-Wittgenstein of Denmark and Germany and has also welcomed Queen Rania of Jordan and Crown Princess Mette-Marit of Norway over the years. This year, designer June Ambrose, who has dressed both Jay-Z and Missy Elliott, Twin Peaks star Amy Shiels, philanthropist Laine Siklos, Marcelo Carvalho de Andrade, hat designer Dr. Ines Hernandez, Chaz Dean, fashion influencer Sofie Mahlkvist, Daniel Stock, and the late Senator Frank Lautenberg’s widow, artist and photographer Bonnie Lautenberg, were among the guests who enjoyed the beloved queen’s favorite bread-and-butter pudding, whipped up by her personal chef, Anton Mosimann. fashion4development.com

PMC

Sergio Nicolosi & Afsaneh Akhtari

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María De Lourdes Alcivar De Lasso (Ecuador), Verónica Alcocer García (Colombia), Leticia Ocampos (Paraguay), Evie Evangelou, Débora Katisa Carvalho (Cape Verde), Tamara Vuc̆ic’ (Serbia) & Michelle Muscat (Former First Lady of Malta)

June Ambrose

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SOCIAL SAFARI

A Scathing Review

by R. Couri Hay

Dead Man Walking

METROPOLITAN OPERA

Anne Hathaway, Jon Hamm, Sigourney Weaver, Ben Stiller, Al Roker, Sir Patrick Stewart, Angela Basset and Whoopi Goldberg led the perfumed pack to the Opening Night of the 140th Anniversary of the Metropolitan Opera. Although the stars helped elevate the night visually, in the end, it was a flop. Tradition finally cracked. For 139 years this, usually, grand night served as the opening night of the New York Social Season, but no more. What a tragic disappointment. The years when Mrs. Astor, C.Z. Guest, Cornelius Vanderbilt Whitney, the Hearsts and Dead Man Walking at Metropolitan Opera Opening Gala Rockefellers would swan down the grand staircase in Charles James gowns, being photographed by the legendary society photographer Bill Cunningham, is long gone. Combat boots and ill-fitting dresses have taken over the red carpet. Sadly, it was La Boheme at the Dead Man Walking Set not a Grand Opening night of yore!

Metropolitan Opera

Opening Night

The Good News & The Bad News

Luciano Pavarotti

Bill Cunningham

Here’ the Good News. My ticket cost a whopping $35 dollars! A perfect price considering what was on the menu. I already guessed I was not going to like “Dead Man Walking.” I saw the movie. Okay, Sean Penn! I’ve read the reviews from around the world, and I get it, but modern opera, sometimes, just doesn’t cut it for me.

The bad news is I would have left “Dead Man Walking” virtually dead if I had stayed for the entire performance. The plot: it opens with a Tao Okamoto and Zac Posen rape and murder and ends with a lethal injection. It was more like an episode of “American Horror Story” than a thrilling night at the opera. The first and best 15 minutes of the night was actually a film sequence. The set was stark, the music was more interesting, and the libretto by Terrence McNally was direct but uninspiring. Leading the cast and doing the best they could with what they were given, were Grammy Award–winning singer Joyce DiDonato and Ryan McKinny.

Sigourney Weaver

Mrs. William Randolph Hearst Jr. in the Four Leaf Clover gown by Charles James at the opening of the Metropolitan Opera

Angela Basset

The Twenty Million Dollar Question

The big question? Where are the majestic sets of Franco Zeffirelli?

Where’s “La Bohème” and “La Traviata”? My guess? Maria Callas and Luciano Pavarotti are not amused. Why not bring back a new production of a classic for the, what’s supposed to be a glamourous, opening night? Not a Debbie downer of an evening. This is what the audience wants. How do I know? Well, from my perch in the last row, I looked down to see the audience was half empty. I’m telling you; the balconies were half empty! Luckily, for the Met, the orchestra was filled. Thank goodness there are still swells or at least want-to-bes who want to be seen at the opera and in the boxes.

And there are still the very faithful Opera Club members, dear sweet masochists they must be to sit through this dud of a night. And, yes, we should support modern opera, but that does not mean I need to like them. It was, in a word, dead. The best music and moment was the singing of the national anthem when everyone stands up and puts their hand on their hearts and belts out “bombs bursting in air.” This was the benefit’s ultimate grand gesture. God bless America. The MET will run through June 7, 2024, and there will be wonderful nights. I will be back. I still love the Met! The night raised a bundle and boy do they need it! metopera.org

The Conclusion

Aristotle Onassis and Maria Callas

Metropolitan Opera at Lincoln Center

If the Metropolitan Opera no longer holds the title of the opening of the Social Season, what does? In my opinion, it’s a horse race, between the opening of the New York Philharmonic, Carnegie Hall, the New York City Ballet and the American Ballet Theatre’s Fall Gala.

All stellar events, both culturally and socially,this year . More about those galas in the party pages that follow.

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