Circle Map by Park Avenue Armory

WELCOME The space that music can occupy can truly be remarkable, whether it be intensely intimate or epically massive in scale. And as visionary composers create inventive new compositions that require unique settings or arrangements of musicians for their full realization, these ever present spatial works solidify why the Park Avenue Armory has reimagined itself as a home for unconventional works in the performing and visual arts that are not able to be realized in traditional concert halls or museums. Since our first production in 2007, the Armory has opened its doors to artists, directors, and impresarios who have provided audiences with immersive performances and installations that could not happen elsewhere in New York and are still revered as major happenings in the cultural life of the city. Circle Map continues the Armory’s commitment to presenting groundbreaking realizations of music that require a massive space while engaging audiences in innovative ways. Some of these events have included the New York and indoor premiere of John Luther Adams’ Inuksuit performed by dozens of percussionists throughout the Armory’s drill hall and historic head house; Karlheinz Stockhausen’s electronic masterpiece OKTOPHONIE in a lunar environment created by Rirkrit Tiravanija; the New York Philharmonic performing Stockhausen’s sonic masterpiece Gruppen and other works as part of Philharmonic 360; and Bernd Alois Zimmermann’s harrowing Die Soldaten, in which the audience moved “through the music” and a 110-piece orchestra. We are thrilled to welcome the New York Philharmonic back to the Armory to once again lend their exceptional musicianship to these luminous works, as well as the imaginative living composer Kaija Saariaho, who has carefully crafted a program of her works—many of which have never-before been heard by New York audiences—specifically for the Wade Thompson Drill Hall. We are also excited to welcome for the first time exceptional artists EsaPekka Salonen, Kari Kriikku, and Jennifer Zetlan. It is a privilege when we are able to utilize our space to realize mysterious, atmospheric, and theatrical soundscapes of this magnitude, while breaking down the barrier between the audience and the music—exactly as the composer dreamed it. Rebecca Robertson President & Executive Producer Pierre Audi Artistic Director

CIRCLE MAP AN EVENING OF SPATIAL WORKS BY KAIJA SAARIAHO Kaija Saariaho, composer New York Philharmonic Esa-Pekka Salonen, conductor Kari Kriikku, clarinet Jennifer Zetlan, soprano Pierre Audi, mise-en-espace Jennifer Tipton, lighting designer Mark Grey, sound designer Jean-Baptiste Barrière, video and projection designer Joshua Dachs, seating and staging designer Hester Warren-Steijn, assistant director PERFORMANCES Thursday, October 13 at 7:00pm Friday, October 14 at 7:00pm ALL-SAARIAHO PROGRAM Lumière et Pesanteur (2009, New York Premiere) D’OM LE VRAI SENS (2010, New York Premiere) Lonh, for soprano and electronics (1996) Circle Map (2012, New York Premiere) This performance is approximately one hour and thirty minutes in length, without intermission. ARTIST TALK Friday, October 14 at 6:00pm A discussion with composer Kaija Saariaho, video projection designer Jean-Baptiste Barrière, lighting designer Jennifer Tipton, and Park Avenue Armory Artistic Director Pierre Audi, moderated by WQXR host and violist Nadia Sirota ARMORY AFTER HOURS Join us after performances when the bar will be open in one of our historic period rooms for libations with the artists and fellow attendees.

SEASON SPONSORS

PRODUCTION SPONSORS

Circle Map is made possible in part by The Andrew W. Mellon Foundation. Circle Map is also supported by public funds from the National Endowment for the Arts and by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Additional support is provided by Daniel Clay Houghton. Support for Park Avenue Armory’s artistic season has been generously provided by The Andrew W. Mellon Foundation, The Harold and Mimi Steinberg Charitable Trust, the Howard Gilman Foundation, the Fan Fox and Leslie R. Samuels Foundation, The Shubert Foundation,the Marc Haas Foundation, The Kaplen Brothers Fund, the Juliet Lea Hillman Simonds Foundation, the Leon Levy Foundation, the May and Samuel Rudin Family Foundation, and the Isak and Rose Weinman Foundation. Photo: Göran Strand

ABOUT THE PROGRAM BY KAIJA SAARIAHO In choosing the program for this evening, we started with some of my more recent orchestral works, ones not yet heard by New York audiences. But soon the project grew into a rare collaboration of artists, some of whom I have worked with individually before—Esa-Pekka Salonen, Pierre Audi, Jean-Baptiste Barrière, Kari Kriikku—and some who were new to me, such as Jennifer Tipton and Jennifer Zetlan. Thus the Circle Map project gradually developed, under the guidance of Pierre Audi, into a grand opening for a very particular fall with my music in New York! This program also points to some other important performances to come: the material for Lumière et Pesanteur comes from my staged oratorio La Passion de Simone; Lonh and Circle Map introduce my propensity for texts and the Orient as well as for a visual portrait concert with solo pieces and electronics. D’OM LE VRAI SENS reflects my affection for medieval arts, and as a totality this concert leads the way to my opera L’Amour de loin, in which many aspects of the music heard here are brought together. I thank with my whole heart the entire group of artists, the Park Avenue Armory, and the New York Philharmonic for bringing this concert into reality!

LUMIÈRE ET PESANTEUR (2009) For orchestra

Lumière et pesanteur is a gift for Esa-Pekka Salonen, inspired by his performance of my La Passion de Simone in Los Angeles in January, 2009. This piece is an arrangement based on the eight stations of La Passion, which I know that he especially likes.

D’OM LE VRAI SENS (2010) Concerto for clarinet and orchestra

The idea of a clarinet concerto for Kari Kriikku had been going round in my mind for some years. While I was composing my second opera (Adriana Mater, 2006) the clarinet part began to be increasingly soloistic, and I found the instrument was speaking to me in a new way. I set about planning a concerto but did not begin actually composing it until autumn of 2009. The form was inspired by six medieval tapestries, The Lady and the Unicorn, in which each tapestry depicts, with rich symbolism, the five senses and a “sixth sense” – whatever that is (emotion? love?). I had already seen the tapestries in the Musée national du Moyen Age (the Medieval Museum) in Paris while seeking material for my first opera, L’Amour de loin, and their richness also inspired the exhibition La Dame à Licorne I held with artist Raija Malka in 1993. The tapestries are named after the five senses, and I have titled the movements of my concerto accordingly: L’Ouïe (“Hearing”), La Vue (“Sight”), Le Toucher (“Touch”), L’Odorat (“Smell”), Le Goût (“Taste”) and the ambiguous A mon seul Désir, which could be translated as “To my only desire.” The name and subject matter of the sixth tapestry have been widely interpreted and examined. What interested me in particular was an article about the meanings hidden in the letters of the name of the sixth tapestry. One of these is D’OM LE VRAI SENS. This is medieval French and alludes both to the senses and to the true meaning of humankind. All this was, of course, just the initial impetus for composition. Using the names of the different senses as the headings for the movements gave me ideas for how to handle the musical material and for the overall drama. In the first movement (“Hearing”), the calmly breathing orchestra is interrupted by a call from the clarinet. “Sight” opens up a more mobile landscape in which the orchestra is positioned behind the solo instrument to develop the musical motifs this supplies. “Smell” is color music. I associate the harmony with scent; it is immediately recognizable intuitively and the impression is too quick for thought. The clarinet languidly spreads its color over the orchestra, where it hovers, transforming as it passes from one instrument to another.

While composing the last movement I experienced a sense of entering a new, intimate, and timeless dimensionality. The end of a work is always the last chance to discover its quintessence. I often approach it by stripping the music down to its most ascetic elements. Here, too. It came as a surprise even to me that the work began to come alive in its space, and that the clarinet—itself a unicorn—plays only some of its music in the soloist’s position. This appropriation of space became an inherent element of the work at the composition stage. D’OM LE VRAI SENS is dedicated to Kari Kriikku, whose vast experience and frequent consultations were invaluable to me in composing the solo part.

LONH (1996)

For soprano and electronics The title Lonh, meaning far away or distant, comes from the old Provençal language, in which the text is sung. The text itself, a poem about love from afar, famous among scholars of mediaeval poetry, is attributed to the mediaeval troubadour Jaufré Rudel. Formally, the piece loosely follows the form of the poem, and is thus divided into nine sections. Some of the symmetrical and repeating aspects are found in the solo soprano part, which as such uses rather freely the elements for the original text, so that the resulting text is rather a collage based on Rudel’s song. In the electronic part, one can hear the text in three languages: Occitan (Provençal), French, and English. The texts in Occitan were read by the poet Jacques Roubaud—who has intensively studied this poem and also translated it into French —and also by Julie Parsillé, a young French girl. The French version was read by Jean-Baptiste Barrière, and the English text by Dawn Upshaw, whose recorded singing voice is also part of the sonic material heard from the electronic part. This vocal material, as well as some concrete sounds including birds, wind, and rain, were processed with a large variety of IRCAM transformation programs, such as resonant filters (Chant program), cross-synthesis, and me stretching with the phase-vocoder (AudioSculpt program). After a preliminary mixing with ProTools, the sound materials were projected into a virtual acoustic, moved through a three-dimensional space (Spatialisateur program on the IRCAM Music Workstation). The work for the electronic part has been realized at IRCAM with the assistance of Gilbert Nouno, and with the help and supervision of Jean-Baptiste Barrière. Lonh is a prologue for my first opera L’Amour de loin, and is dedicated to Dawn Upshaw. “From afar” When the days are long in May The sweet song of birds from afar Seems lovely to me And when I have left there I remember a distant love I walk bent and bowed with desire So much so that neither song nor Hawthorn flower Please me more than the icy winter. Never will I enjoy love If I do not enjoy this distant love For a nobler or better one I do not know Anywhere, neither near nor far So high is its true, real price That there, in the kingdom of the Saracens I wish to be proclaimed her captive.

In “Touch,” the soloist arouses each instrumental section in turn from the pulseless, slightly dreamy state of the previous movement. This is the concerto’s liveliest movement, and the most virtuosic in the traditional sense, with the clarinet and orchestra engaging in a dialogical relationship. The fifth movement (“Taste”) is dominated by rough surfaces, tremolos, and trills, which the clarinet serves to the orchestra around it. 2

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Sad and joyous, I will separate from her When I see that distant love But I know not when I will see her For our lands are too far away There are so many passages and paths And in this I am no seer But let everything be according to God’s will.

The best introduction for Circle Map is to read the poems by Rumi!

I will feel joy for sure when I ask her For the love of God the distant love And if it pleases her I will live Near her even if I am from far away Then will come our faithful meeting When I, the faraway lover, Will be so near That I will console myself With her beautiful words.

II. Walls Closing Seeing you heals me. Not seeing you, I feel the walls closing. I would not wish for anyone else such absence.

I. Morning Wind The morning wind spread its fresh smell. We must get up and take that in, that wind that lets us live. Breathe, before it’s gone.

III. Circles Walk to the well. Turn as the earth and the moon turn, circling what they love. Whatever circles comes from the center.

I really trust in the Lord Through whom I will see The distant love But for something that fails me I have two sorrows for she is So far away Ah, if only I were a pilgrim there So that my stick and my bundle Could be seen by her lovely eyes.

IV. Days Are Sieves Days are sieves to filter spirit, reveal impurities, and too, show the light of some who throw their own shining into the universe. V. Dialogue I am so small I can barely be seen. How can this great love be inside me? Look at your eyes. They are small, but they see enormous things.

God who made everything That comes and goes And formed this distant love Grant me the power of my heart Soon to see the distant love

IV. Day and Night, Music All day and night, music, a quiet, bright reedsong. If it fades, we fade.

Truly in a propitious place And that the room and garden Always appear as palaces to me. He speaks true who says I am avid And longing for the distant love For no joy gives me pleasure Like the pleasure of the distant love But what I want is forbidden to me So my godfather endowed me That though loving I will not have been loved But what I want is forbidden to me So may my godfather be cursed Who made me not to be loved.

Translations from Unseen Rain: Quatrains of Rumi, by John Moyne and Coleman Barks Threshold Books, Putney, Vermont 1986

CIRCLE MAP (2012)

For orchestra and electronics Six quatrains by the 13th-century Persian poet Rumi have been both inspiration and part of the musical material for Circle Map. The inspiration came from their sense and the mental images when reading them in English translations. The same texts then opened to me differently with their more abstract rhythm and musicality, when I studied the recordings we made, read in the original Persian language by Archia Cont. These recordings then became the main material for the electronic part, and they were processed and mixed in the space. In concert these sounds are diffused across six loudspeakers surrounding the audience. All the work concerning the electronics was realized with Jean-Baptiste Barrière. Each movement has a singular relation to a poem, a particular orchestration, and the processing of the texts in the electronics varies; the character, pitch, and tone of the original voice is also changing from one movement to another. Also much of the musical material for the orchestra is created based on the recorded readings. A clear example of this is the relation of the orchestra and the text in the second movement, Walls closing. This movement ends in a rhythmic unison by orchestra and the voice, and the instruments also follow the pitches and intonations of the original speech. armoryonpark.org

ABOUT THE ARTISTS Kaija Saariaho (composer) is a prominent member of a group of Finnish composers and performers who are now, in mid-career, making a worldwide impact. Born in Helsinki in 1952, she studied at the Sibelius Academy there with the pioneering modernist Paavo Heininen and, with Magnus Lindberg and others, she founded the progressive “Ears Open” group. She continued her studies in Freiburg with Brian Ferneyhough and Klaus Huber, at the Darmstadt summer courses, and, from 1982, at the IRCAM research institute in Paris—the city which has been most of the time her home ever since. At IRCAM, Ms. Saariaho developed techniques of computer-assisted composition and acquired fluency in working on tape and with live electronics. This experience influenced her approach to writing for orchestra, with its emphasis on the shaping of dense masses of sound in slow transformations. Significantly, her first orchestral piece, Verblendungen (1984), involves a gradual exchange of roles and character between orchestra and tape. And even the titles of her next, linked, pair of orchestral works, Du Cristal (1989) and …à la Fumée (1990)—the latter with solo alto flute and cello, and both with live electronics—suggest their preoccupation with color and texture. Before coming to work at IRCAM, Ms. Saariaho learned to know the French spectralist composers, whose techniques are based on computer analysis of the sound-spectrum. This analytical approach inspired her to develop her own method for creating harmonic structures, as well as the detailed notation using harmonics, microtonaly and detailed continuum of sound extending from pure tone to unpitched noise – all features found in one of her most frequently performed works, Graal théâtre for violin and orchestra or ensemble (1994/97). Later Ms. Saariaho turned to opera, with outstanding success. L’Amour de loin, with a libretto by Amin Maalouf based on an early biography of the 12th-century troubadour Jaufré Rudel, received widespread acclaim in its premiere production directed by Peter Sellars at the 2000 Salzburg Festival, and won the composer a prestigious Grawemeyer Award. Adriana Mater, on an original libretto by Maalouf, mixing gritty present-day reality and dreams, followed, again directed by Sellars, at the Opéra Bastille in Paris in March 2006. Emilie, an opera and monodrama for Karita Mattila had its premiere in Lyon in March 2010. Around the operas there have been other vocal works, notably the ravishing Château de l’âme (1996), Oltra mar (1999), and the song-cycle Quatre instants (2002). And the oratorio La Passion de Simone, portraying the life and death of the philosopher Simone Weil, formed part of Sellars’s international New Crowned Hope Festival in 2006-2007. The chamber version of the oratorio was premiered by La Chambre aux echos at the Bratislava Melos Ethos Festival in 2013. The experience of writing for voices has led to some clarification of Ms. Saariaho’s language, with a new vein of modally oriented melody accompanied by more regular repeating patterns. This change of direction has been carried over into orchestral works including Aile du songe for flute and chamber orchestra (2001) and the stunning Orion for large orchestra (2002), Notes on Light (2006) for cello and orchestra and Bergman inspired Laterna Magica (2008), written for Sir Simon Rattle and the Berliner Philharmoniker, D’om le Vrai Sens (2010) was written for clarinetist Kari Kriikku, and Maan Varjot (2013) for organ and orchestra, among others. In the profusion of large and small works which Ms. Saariaho has produced in recent years, two features which have marked her whole career continue to stand out. One is a close and productive association with individual artists—not least Amin Maalouf and Peter Sellars, as well as the conductor Esa-Pekka Salonen, the flautist Camilla Hoitenga, the cellist Anssi Karttunen, the soprano Dawn Upshaw, and the pianists Emmanuel Ax and Tuija Hakkila. The other is a concern, shown equally in her choice of subject matter and texts and in the profusion of expression marks in her scores, to make her music not a working-out of abstract processes but an urgent communication from composer to listener of ideas, images and emotions. Ms. Saariaho has claimed the major composing awards in The Grawemeyer Award, The Wihuri Prize, The Nemmers Prize and in 2011, was awarded The Sonning Prize. In May 2013, Ms. Saariaho was awarded the Polar Music Prize. In 2015 she was the judge of the Toru Takemitsu Composition Award. Always keen on strong educational programs, she was the music mentor of the 2014-2015 Rolex Mentor and Protégé Arts Initiative and was in residence at U.C. Berkeley Music Department in the autumn of 2015. Her most recent opera—Only the Sound Remains—premiered in March 2016 at the Dutch National Opera, with performances following in Paris, Helsinki, Madrid, and Toronto. Kaija Saariaho’s harp concerto Trans received its world premiere in August 2016 by Xavier de Maistre and the Tokyo Symphony Orchestra, conducted by Ernest Martinez-Izquierdo at the Suntory Hall, Tokyo.

Esa-Pekka Salonen (conductor)—who in 2016–2017 enters the second of his three seasons as The Marie-Josée Kravis Composer-in-Residence at the New York Philharmonic—is principal conductor and artistic advisor of London’s Philharmonia Orchestra and conductor laureate of the Los Angeles Philharmonic, where he was music director from 1992 until 2009. He is artistic director and co-founder of the annual Baltic Sea Festival, which invites celebrated artists to promote unity and ecological awareness among the countries around the Baltic Sea. Mr. Salonen’s work as a composer combines intricacy and technical virtuosity with playful rhythmic and melodic innovations. His pieces for symphony orchestra include LA Variations (1996), Foreign Bodies (2001), Insomnia (2002), Wing on Wing (2004), and Nyx (2011), as well as two concertos: for pianist Yefim Bronfman (co-commissioned and premiered by the New York Philharmonic) and for violinist Leila Josefowicz. The latter was awarded the prestigious Grawemeyer Award and was featured in a 2014 international Apple ad campaign for iPad. In 2014 Zurich’s Tonhalle Orchestra, where he was the first-ever Creative Chair, premiered Karawane, for orchestra and chorus, to great acclaim. Karawane was performed in the 2015–2016 season by the New York Philharmonic and the Swedish Radio Symphony Orchestra, two of the work’s co-commissioners, as well as by the Bavarian Radio Symphony Orchestra and the Los Angeles Philharmonic. In August 2015, Mr. Salonen led the Philharmonia Orchestra at the Edinburgh International Festival and the BBC Proms. In the 2015–2016 season he took the Philharmonia Orchestra on tour to Switzerland and France and led the Myths and Rituals: Stravinsky’s Journeys festival, an exploration of Stravinsky’s work that continues into next season. Also in the 2015–2016 season, Mr. Salonen made conducting appearances with the NDR, Bavarian Radio, and Chicago symphony orchestras; New York, Vienna, and Los Angeles philharmonic orchestras; Orchestre de Paris; and the joint forces of the Swedish Radio Symphony Orchestra and Royal Stockholm Philharmonic Orchestra, united for the first time. He also conducted Richard Strauss’s Elektra at The Metropolitan Opera and Bartók’s Bluebeard’s Castle and Poulenc’s La Voix Humaine at the Paris Opéra. Throughout their relationship, Mr. Salonen and London’s Philharmonia Orchestra have curated landmark multidisciplinary projects, such as the award-winning RE-RITE and Universe of Sound installations, which allow the public to conduct, play, and step inside the orchestra with Mr. Salonen through audio and video projections of musicians in performance. He also drove the development of The Orchestra, a widely hailed iPad app that allows the user unprecedented access to eight symphonic works. Kari Kriikku (clarinet) is a champion of contemporary music, joining Quatour Diotima in the 2016-2017 season for a new chamber work by Kaija Saariaho, Figura, which includes presentations at Paris’s Présence Festival and the Venice Biennale. Mr. Kriikku co-commissioned Michel van der Aa’s work for small ensemble and electronics, Hysterisis, which he performs with the Tapiola Sinfonietta, in its Finnish and Dutch Premieres with Lapland Chamber Orchestra and John Storgårds, and at Amsterdam’s Royal Concertgebouw with the Amsterdam Sinfonietta; he will also record the work. He performs Magnus Lindberg’s Kraft in Luxembourg as a member of the Toimii! Ensemble, and appears with RTÉ Orchestra Dublin led by Sachio Fujioka, Swedish Radio Symphony Orchestra with Susanna Mälkki, Iceland Symphony Orchestra with Anna-Maria Helsing, and Lahti Symphony Orchestra with Dima Slobodeniouk. In previous seasons, Mr. Kriikku has performed new works including Unsuk Chin’s Clarinet Concerto (2014), giving the world premiere with the Gothenburg Symphony Orchestra and Kent Nagano and the U.S. premiere with the New York Philharmonic and Music Director Alan Gilbert; he also performed it with the WDR Symphony Orchestra Cologne, Barcelona Symphony Orchestra, London’s Philharmonia Orchestra with Nicholas Collon, BBC Scottish and Malmö Symphony Orchestras with Ilan Volkov, Finnish Radio Symphony Orchestra with Jukka-Pekka Saraste, and Netherlands Radio Philharmonic with Xian Zhang at Amsterdam’s Royal Concertgebouw. Mr. Kriikku has recorded these works for the Ondine label, as well as Jukka Tiensuu’s Missa with the Helsinki Philharmonic and John Storgårds, and Lindberg’s Clarinet Concerto (nominated for a 2006 Gramophone Award). The recording of D’OM LE VRAI SENS with the Finnish Radio Symphony Orchestra, led by Sakari Oramo, won the Jury Award at the 2013 BBC Music Magazine Awards. Mr. Kriikku is also artistic director of Avanti! Chamber Orchestra, and in June 2009 he received the Nordic Council Music Prize. Jennifer Zetlan (soprano) has appeared on the stages of The Metropolitan Opera, New York City Opera, Seattle Opera, Santa Fe Opera, and Florida Grand Opera. She has performed in concert with the New York Philharmonic, The Saint Paul Chamber Orchestra, the Indianapolis Symphony, and The Juilliard Orchestra, and has been heard at Carnegie Hall in recital and with the Oratorio Society of New York, Musica Sacra, and the New York Youth Symphony. This season, Jennifer Zetlan continues her Broadway debut in Bartlett Sher’s production of Fiddler on the Roof at Broadway Theatre. She also makes her debut with the Staatstheater Stuttgart in Purcell’s The Fairy Queen, and creates the title role in the world premiere of Louis Karchin’s Jane Eyre with the Center for Contemporary Opera. On the

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concert stage, she sings the soprano solos in Bruckner’s Te Deum and Mozart’s Mass in C minor with the Oratorio Society of New York at Carnegie Hall. Highlights of recent seasons include engagements with The Metropolitan Opera as Rebecca in the world premiere Nico Muhly’s Two Boys, as Xenia in Musorgsky’s Boris Godunov, and in Mozart’s The Marriage of Figaro. She created the roles of Mozart/Donna Anna in Steven Stucky and Jeremy Denk’s opera The Classical Style at Carnegie Hall and the Ojai Festival and Fanny in the world premiere of Ricky Ian Gordon’s Morning Star with Cincinnati Opera; she also performed in the New York premiere of Ligeti’s Requiem with the American Symphony Orchestra. She made her Santa Fe Opera debut as Sardula in Menotti’s The Last Savage, sang Despina in Mozart’s Così fan tutte with the Milwaukee Symphony, and performed Gilda in Verdi’s Rigoletto and The Flier in the world premiere of Daron Hagen’s Amelia, both with Seattle Opera. Pierre Audi (mise-en-espace) is a critically acclaimed director and artistic director, serving jointly as the artistic director of Park Avenue Armory and the director of the Dutch National Opera. He founded the Almeida Theatre in London, which, under his direction, has established an international reputation for producing provocative new plays and musical commissions; introducing a vast number of then-living composers to the U.K., from Cage to Schnittke and Arvo Pärt; and mounting for the first time in the U.K. works by Robert Wilson, Deborah Warner, Simon McBurney, and Robert Lepage, among others. Appointed head of the Dutch National Opera in 1988, Mr. Audi was the youngest opera leader at the time and today is the longest serving in the world. His numerous critically acclaimed performances include his staging of Wagner’s Ring cycle, in which the orchestra was set in the middle of the stage, and his now-classic Monteverdi cycle, which has been presented at the Brooklyn Academy of Music, Sydney Festival, and Los Angeles Opera. Mr. Audi has also worked as a guest director at a number of opera and theater companies, including The Metropolitan Opera, Paris Opéra, Ruhrtriennale, Salzburg Festival, and Vienna Staatsoper. From 2004 to 2014 he served as artistic director of the Holland Festival, presenting works in music, dance, theater, and visual art by such artists as William Kentridge and Ryoji Ikeda; directors Peter Sellars, Sam Mendes, and Ivo van Hove; choreographers William Forsythe, Mikhail Baryshnikov, and Anne Teresa de Keersmaeker; and contemporary composers John Adams, Nico Muhly, and Louis Andriessen. Pierre Audi has previously worked with Kaija Saariaho, staging the Dutch premiere of her opera L’Amour de loin in 2005 as well as creating a mise-en-espace for the world premiere of Circle Map at the Holland Festival with the Royal Concertgebouw Orchestra in 2012. Jennifer Tipton (lighting designer) is well known for her work in theater, dance, and opera. Her recent work in opera includes Gounod’s Roméo et Juliette directed by Bartlett Sher at the Lyric Opera of Chicago. Her recent work in dance includes Shen Wei’s Neither at Brooklyn Academy of Music. In theater her recent work includes Richard Nelson’s second Gabriel Family play What Did You Expect? at the New York Shakespeare Festival, Public Theater in New York. Ms. Tipton teaches lighting at the Yale School of Drama. She received the Dorothy and Lillian Gish Prize in 2001, the Jerome Robbins Prize in 2003, and the Mayor’s Award for Arts and Culture in New York City in April 2004. In 2008 she was made a United States Artists “Gracie” Fellow and a MacArthur Fellow. Mark Grey (sound designer) has designed many events in New York, most recently at Park Avenue Armory with a production of St. Matthew Passion with the Berliner Philharmoniker under the baton of Sir Simon Rattle and directed by Peter Sellars, and the Metropolitan Opera (five productions since 2008, from John Adams Doctor Atomic to Iolanta/Bluebeard’s Castle productions). Mr. Grey previously worked with the New York Philharmonic on the world premiere and resulting recording of John Adams’s On the Transmigration of Souls in 2002, which went on to win both the Pulitzer Prize in Music and multiple Grammy Awards, including Best Recording. Mr. Grey’s association with Lyric Opera of Chicago has encompassed six productions since 2007, most recently The King and I (2016), The Merry Widow (2015-2016), and Carousel (2015). For nearly three decades, professional sound design relationships have led Mr. Grey to premiere works by such artists and organizations as John Adams, Steve Reich, Philip Glass, Peter Eötvos, and Terry Riley, among many others. Productions include St. Matthew Passion at the Park Avenue Armory with the Berliner Philharmoniker under the baton of Sir Simon Rattle and directed by Peter Sellars (2015). He designed and toured extensively with Kronos Quartet for nearly 15 years and has been a longtime collaborator with John Adams for 25 years. As a composer, Mr. Grey has recently undertaken commissions from the Atlanta Symphony Orchestra and the Los Angeles Philharmonic. His opera Frankenstein premieres at the Théâtre Royal de la Monnaie in Brussels during their 2018-2019 season.

Jean-Baptiste Barrière (video and projection designer) studied music, art history, mathematical logic, and philosophy (Doctorat at Sorbonne) before joining IRCAM in Paris, directing successively Musical Research, Education, and Production. His piece Chréode (1983) won the Prix de la Musique Numérique of the Concours International of Bourges in 1983 (CD Wergo). He composed the music of several multimedia shows, including 100 Objects to Represent the World by Peter Greenaway, premiered at the Salzburg Festival in 1997. Barrière also composed the music of several virtual reality and interactive installations by Maurice Benayoun, including Worldskin (Prix Ars Electronica 1998). He developed Reality Checks, a cycle of installations and performances questioning the concept of identity in the digital age. He directed the CD-ROM, Prisma: The Musical Universe of Kaija Saariaho (Grand Prix Multimédia Charles Cros 2000), and regularly realizes visual concerts of Saariaho’s music, including her opera L’Amour de loin, performed in Berlin and Paris in 2006 by Kent Nagano and Deutsches Symphonie Orchester Berlin. He directed visuals for concert versions of operas such as Messiaen’s Saint François d’Assise with Nagano and Orchestre Symphonique de Montréal (Grand Prix du Conseil des Arts), and with Myung Whun Chung and Orchestre Philharmonique de Radio-France in 2008; and Berg’s Wozzeck with Esa-Pekka Salonen and the Philharmonia of London in 2009. In 1997-1998, he taught composition at the Sibelius Academy in Helsinki, and in 2011-2012, was Visiting Professor in the Music Department of Columbia University. In 2015, he was the first grantee of the David Wessel ‘s Music & Science Grant of the Music Department of the University of California Berkeley. Recent major performances include a composer portrait concert at Miller Theatre, New York in 2014, and at Schœnberg Theater in Los Angeles in 2015; video for The Tempest Songbook multimedia show on music by Purcell and Saariaho at the Metropolitan Museum with the Martha Graham Dance Company with stage direction by Luca Veggetti; an interactive installation with George Lewis and Carrol Blue at the Contemporary Art Museum of Houston; Palimpsest Capriccio for violin and electronics by Jennifer Koh at National Sawdust in May 2016. He begins a residency this fall at the New School to realize an interdisciplinary project, which will open with a Visual Concert at Tishman Auditorium in November 2016. Joshua Dachs (seating and staging designer) has designed several events at the Armory, including Philharmonic 360 (co-presented with the New York Philharmonic), both Tune-In Music Festivals of contemporary music, and recently worked with Marina Abramović to achieve her vision for Goldberg. In addition, he and his firm have designed the seating installations to accommodate over a dozen Armory productions, including Macbeth, The Machine, De Materie, and Tree of Codes. He designed the Mostly Mozart Festival stage installation at David Geffen Hall at Lincoln Center, which has been in use since 2005. His firm Fisher Dachs Associates is recognized as one of the world’s leading theater planning and design consultancies. Drawing on a background as a violinist, an architect, and theatrical set and lighting designer, he has led FDA’s consulting practice for over 30 years, providing planning, programming, and design leadership for hundreds of successful projects throughout the world. Projects include the Four Seasons Opera House in Toronto, the Mariinsky II Opera House in St. Petersburg, the candle-lit Wanamaker Theatre at Shakespeare’s Globe in London, the future renovation of David Geffen Hall (home of the New York Philharmonic), the Mead Center for American Theater for Arena Stage, the Guthrie on the River in Minneapolis, and of course the Park Avenue Armory. Here in New York their work includes the Stephen Sondheim Theater on Broadway, The Joyce Theater, and Second Stage uptown and downtown, among many others. They have worked with the Park Avenue Armory since its inception as an arts venue to make careful modifications to the historic building to accommodate enormous international opera, music, dance, and theater events, and has designed or collaborated on nearly all the performances that have been presented there. He is currently working on a 600-seat opera house and teaching facility for the Shepherd School of Music on the Rice University campus in Houston, TX; the Xiqu Centre for Chinese Opera in Hong Kong; and the renovation of the Helen Hayes Theater on Broadway for Second Stage in New York City, among others in the U.S. and abroad. A graduate of the High School of Music and Art in New York who originally studied the violin, Mr. Dachs holds a Bachelor of Architecture degree from Cornell University. He currently serves on the Board of Directors of Theatre Communications Group. His colleague at FDA is nine-time Tony Award-winning lighting designer and producer Jules Fisher.

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The New York Philharmonic plays a leading cultural role in New York City, the United States, and the world. This season’s projects will connect the Philharmonic with up to 50 million music lovers through live concerts in New York City and on its worldwide tours and residencies; digital recording series; international broadcasts on television, radio, and online; and as a resource through its wide range of education programs and the New York Philharmonic Leon Levy Digital Archives. In the 2016– 2017 season the New York Philharmonic celebrates its 175th anniversary and Alan Gilbert’s farewell season as Music Director. The Orchestra has commissioned and/or premiered works by leading composers from every era since its founding in 1842—including Dvořák’s New World Symphony, John Adams’s Pulitzer Prize–winning On the Transmigration of Souls, dedicated to the victims of 9/11, and Magnus Lindberg’s Piano Concerto No. 2. Renowned around the globe, the Philharmonic has appeared in 432 cities in 63 countries—including the groundbreaking 1930 tour of Europe; the unprecedented 1959 tour to the USSR; the historic 2008 visit to Pyongyang, D.P.R.K., the first there by an American orchestra; and the Orchestra’s debut in Hanoi, Vietnam, in 2009. The New York Philharmonic serves as a resource for its community and the world. It complements its annual free concerts across the city—including the Concerts in the Parks, Presented by Didi and Oscar Schafer—with Philharmonic Free Fridays and a wide range of education programs, among them the famed, long-running Young People’s Concerts and Philharmonic Schools, an immersive classroom program that reaches thousands of New York City students. The Orchestra established the New York Philharmonic Global Academy—collaborations with partners worldwide offering training of pre-professional orchestral musicians, often alongside performance residencies—following the launch of the flagship collaboration with the Shanghai Symphony Orchestra and Shanghai Conservatory of Music, including the formation of the Shanghai Orchestra Academy. Additional Global Academy partners include Santa Barbara’s Music Academy of the West and The Shepherd School of Music at Rice University. The oldest American symphony orchestra and one of the oldest in the world, the New York Philharmonic has made more than 2,000 recordings since 1917, including several Grammy Award winners, and its self-produced digital recording series continues in the 2016–2017 season. Music Director Alan Gilbert began his tenure in September 2009, succeeding a distinguished line of 20th-century musical giants that includes Leonard Bernstein, Arturo Toscanini, and Gustav Mahler.

New York Philharmonic 2016–2017 Season ALAN GILBERT, Music Director Joshua Gersen, Assistant Conductor Leonard Bernstein, Laureate Conductor, 1943–1990 Kurt Masur, Music Director Emeritus, 1991–2015 Esa-Pekka Salonen, The Marie-Josée Kravis Composer-in-Residence Leonidas Kavakos, The Mary and James G. Wallach Artist-in-Residence VIOLINS Frank Huang, Concertmaster The Charles E. Culpeper Chair Sheryl Staples, Principal Associate Concertmaster The Elizabeth G. Beinecke Chair Michelle Kim, Assistant Concertmaster The William Petschek Family Chair Quan Ge Hae-Young Ham The Mr. and Mrs. Timothy M. George Chair Lisa GiHae Kim Kuan Cheng Lu Kerry McDermott Anna Rabinova Charles Rex The Shirley Bacot Shamel Chair Fiona Simon Sharon Yamada Shanshan Yao Elizabeth Zeltser The William and Elfriede Ulrich Chair Yulia Ziskel The Friends and Patrons Chair

Marié Rossano Mark Schmoockler Na Sun The Gary W. Parr Chair Vladimir Tsypin Jin Suk Yu Brian Fox++ Ji Min Lee ++ Sarah Pratt++ David Southorn++ Alisa Wyrick++ Jungsun Yoo++ VIOLAS Cynthia Phelps, Principal The Mr. and Mrs. Frederick P. Rose Chair Rebecca Young* The Joan and Joel Smilow Chair _____ The Norma and Lloyd Chazen Chair Dorian Rence Katherine Greene The Mr. and Mrs. William J. McDonough Chair Vivek Kamath Peter Kenote Kenneth Mirkin Judith Nelson Rémi Pelletier Robert Rinehart The Mr. and Mrs. G. Chris Andersen Chair David Creswell++ Matthew Sinno++ Ji Hyun Son++

Lisa Kim, Acting Principal Soohyun Kwon*** In Memory of Laura Mitchell Duoming Ba The Joan and Joel I. Picket Chair Hannah Choi

CELLOS Carter Brey, Principal The Fan Fox and Leslie R. Samuels Chair Eileen Moon* The Paul and Diane Guenther Chair Eric Bartlett Patrick Jee

Marilyn Dubow The Sue and Eugene Mercy, Jr. Chair Hyunju Lee Joo Young Oh Daniel Reed

Elizabeth Dyson+ The Mr. and Mrs. James E. Buckman Chair Alexei Yupanqui Gonzales Maria Kitsopoulos The Secular Society Chair

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Sumire Kudo Qiang Tu Nathan Vickery Ru-Pei Yeh The Credit Suisse Chair in honor of Paul Calello BASSES Timothy Cobb, Principal Max Zeugner* The Herbert M. Citrin Chair Blake Hinson** Satoshi Okamoto Randall Butler The Ludmila S. and Carl B. Hess Chair David J. Grossman+ Orin O’Brien Rion Wentworth Isaac Trapkus++ FLUTES Robert Langevin, Principal The Lila Acheson Wallace Chair Yoobin Son Mindy Kaufman The Edward and Priscilla Pilcher Chair Blair Francis++ PICCOLO Mindy Kaufman OBOES Liang Wang, Principal The Alice Tully Chair Sherry Sylar* Robert Botti The Lizabeth and Frank Newman Chair Grace Shryock++ ENGLISH HORN Grace Shryock++ CLARINETS Anthony McGill, Principal The Edna and W. Van Alan Clark Chair Pascual Martínez Forteza*** The Honey M. Kurtz Family Chair Amy Zoloto Pavel Vinnitsky++

E-FLAT CLARINET Pascual MartÃnez Forteza

KEYBOARD In Memory of Paul Jacobs

Instruments made possible, in part, by The Richard S. and Karen LeFrak Endowment Fund.

BASS CLARINET Amy Zoloto

HARPSICHORD Paolo Bordignon

Steinway is the Official Piano of the New York Philharmonic.

BASSOONS Judith LeClair, Principal The Pels Family Chair Kim Laskowski* Roger Nye The Rosalind Miranda Chair in memory of Shirley and Bill Cohen Arlen Fast

PIANO Eric Huebner The Anna-Maria and Stephen Kellen Piano Chair Paul J. Ascenzo++ Steven Beck++ ORGAN Kent Tritle

Citi. Preferred Card of the New York Philharmonic.

CONTRABASSOON Arlen Fast HORNS Philip Myers, Principal The Ruth F. and Alan J. Broder Chair Richard Deane* R. Allen Spanjer The Rosalind Miranda Chair Leelanee Sterrett Howard Wall Alana Vegter++ TRUMPETS Christopher Martin, Principal The Paula Levin Chair Matthew Muckey* Ethan Bensdorf Thomas V. Smith TROMBONES Joseph Alessi, Principal The Gurnee F. and Marjorie L. Hart Chair Colin Williams* David Finlayson The Donna and Benjamin M. Rosen Chair BASS TROMBONE George Curran The Daria L. and William C. Foster Chair TUBA Alan Baer, Principal TIMPANI Markus Rhoten, Principal The Carlos Moseley Chair Kyle Zerna** PERCUSSION Christopher S. Lamb, Principal The Constance R. Hoguet Friends of the Philharmonic Chair Daniel Druckman* The Mr. and Mrs. Ronald J. Ulrich Chair Kyle Zerna David DePeters++ HARP Nancy Allen, Principal The Mr. and Mrs. William T. Knight III Chair

LIBRARIANS Lawrence Tarlow, Principal Sandra Pearson** Sara Griffin**

Emirates is the Official Airline of the New York Philharmonic. Programs are supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, the National Endowment for the Arts, and the New York State Council on the Arts, with the support of Governor Andrew Cuomo and the New York State Legislature.

ORCHESTRA PERSONNEL MANAGER Carl R. Schiebler STAGE REPRESENTATIVE Joseph Faretta AUDIO DIRECTOR Lawrence Rock * ** *** + ++

Associate Principal Assistant Principal Acting Associate Principal On Leave Replacement/Extra

The New York Philharmonic uses the revolving seating method for section string players who are listed alphabetically in the roster. HONORARY MEMBERS OF THE SOCIETY Emanuel Ax Stanley Drucker Zubin Mehta New York Philharmonic Oscar S. Schafer, Chairman Matthew VanBesien, President Administration Lisa Mantone, Senior Vice President, Institutional Advancement Bill Thomas, Senior Vice President and Chief Operating Officer Julii Oh, Vice President, Marketing and Customer Experience Miki Takebe, Vice President, Operations Theodore Wiprud, Vice President, Education, The Sue B. Mercy Chair Edward Yim, Vice President, Artistic Planning Alex Johnston, Director, Concert Production and Operations Valerie Petrov, Assistant Orchestra Personnel Manager Bethany Wyshak, Artistic Planning Assistant

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ABOUT THE ARMORY Part American palace, part industrial shed, Park Avenue Armory is dedicated to supporting unconventional works in the visual and performing arts that need nontraditional spaces for their full realization, enabling artists to create, students to explore, and audiences to consume epic and adventurous presentations that can not be mounted elsewhere in New York City. In its first nine years, the Armory opened its doors to visionary artists, directors, and impresarios who provided extraordinary experiences in a range of art forms. Such was its impact that in December 2011, The New York Times noted, “Park Avenue Armory… has arrived as the most important new cultural institution in New York City.” The Armory’s arts education initiative offers programs at no cost to underserved New York City public school students and includes Production-based Programming, in which students attend major productions of music, theater, dance, and visual art, and participate in pre- and post-visit workshops with the Armory’s talented corps of teaching artists; the School Partnership Initiative, in which deeper relationships with underserved public schools are created through attendance at productions, in-school residencies, workshops, and end-of-term events in the Armory’s historic rooms; and the Armory Youth Corps, a paid and closely-mentored internship program focusing on at-risk high school students. Built between 1877 and 1881, Park Avenue Armory has been hailed as containing “the single most important collection of nineteenth century interiors to survive intact in one building” by the New York City Landmarks Preservation Commission. The 55,000-square-foot Wade Thompson Drill Hall, with an 80-foot-high barrel vaulted roof, is one of the largest unobstructed spaces in New York City. The Armory’s magnificent reception rooms were designed by leaders of the American Aesthetic Movement, among them Louis Comfort Tiffany, Stanford White, Candace Wheeler, and Herter Brothers. The building is currently undergoing a $210-million renovation designed by Herzog & de Meuron and Platt Byard Dovell White Architects as Executive Architects.

PARK AVENUE ARMORY STAFF Rebecca Robertson, President and Executive Producer Pierre Audi, Artistic Director Katrina Berselius, Special Assistant to the President Sean Blackwell, Porter Jenni Bowman, Producer David Burnhauser, Collection Manager Courtney Caldwell, Venue Events Manager Olga Cruz, Porter Leandro Dasso, Porter Khemraj Dat, Accountant Jordana De La Cruz, Special Projects Coordinator Mayra DeLeon, Porter Marcia Ebaugh-Pallán, Manager of Special Events Alexander Frenkel, Controller Lissa Frenkel, Managing Director Melanie Forman, Chief Development Officer Caelan Fortes, Individual Giving Assistant Peter Gee, Chief Financial and Administrative Officer Pip Gengenbach, Education Coordinator Jennie Herreid, Ticket Services Manager Reginald Hunter, Building Mechanic Cassidy Jones, Education Director Chelsea Emelie Kelly, Youth Corps Coordinator Nicole Kidston, Deputy Director of Development Allison Kline, Director of Foundation and Government Relations Nicholas Lazzaro, Production Operations Manager Jennifer Levine, Director of Special Events Michael Lonergan, Producing Director Wayne Lowery, Security Director Jason Lujan, Operations Manager Walter Nin, Security Manager Maxine Petry, Manager of Individual Giving Charmaine Portis, Executive Assistant to the Chief Development Officer Morgan Powell, Membership Coordinator Kirsten Reoch, Director of Design and Construction Erik Rogers, Production Coordinator Matthew Rymkiewicz, Tessitura Database Manager William Say, Superintendent Jennifer Smith, Associate Director of Corporate Relations Tom Trayer, Director of Marketing Chris Van Alstyne, Technical Director Brandon Walker, Associate Technical Director Jessica Wasilewski, Producer Monica Weigel, Associate Director of Education Avery Willis Hoffman, Program Director Nick Yarbrough, Digital Marketing Manager

Youth Corps Amadou Bah, Shai brielle Barrett, Gregori Campana Mieses, Logan Delgado, Saran Diawara, Christine Feliciano, Anamaria Jovel, Adley Lapointe, Carlos Navarro, Zuly Ramirez, Angela Reynoso, Kedesia Robinson, Cory Sierra, Jessica Tapia, Keshawn Wallace, Lorenzo White For Circle Map Kat Slagell, Stage Manager Travis Blackwell, Assistant Stage Manager Lilly West, Sound Engineer Isabelle Barrière, Lire Camera Operator and Pre-recorded Video Materials Joey Moro, Assistant Lighting Designer Coral Cohen, House Manager Jonatan Amaya, Assistant House Manager Kara Kaufman, Box Office Manager Erik Olson, Assistant Box Office Manager Terrelle Jones, Production Assistant Production Acknowledgements Akustiks, LLC – Paul Scarborough Fisher Dachs Associates The Lighting Syndicate BNW Rigging Towhidi Tabari, Persian Calligrapher François Galarad, Image Realization

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NEXT AT THE ARMORY ARTISTS STUDIO

ARTISTS STUDIO

CAMILLE NORMENT & CRAIG TABORN

RYAN TRECARTIN & LIZZIE FITCH

october 16

november 21

Ms. Norment’s instruments “can trespass the border between what is considered beautiful and what is considered noise.” —The Wall Street Journal “…an inspired bandleader-composer, one of the smartest and slipperiest in his peer group” —The New York Times on Craig Taborn Representing Norway at the 2015 Venice Biennial, multimedia artist Camille Norment uses the notion of cultural psychoacoustics to explore the perception of sound through installation, sculpture, and performance. She is joined by improvising pianist, composer, and electronic musician Craig Taborn for a performance that blends the pair’s unique styles and instruments, from the piano to electronics to the rare glass armonica. Having known each other since their college days, the duo now partner for the very first time in a presentation that traces the fringes of sound, perception, and historical memory and perfectly marries with the varying aesthetics of the space.

RECITAL SERIES

JACK QUARTET october 30–31

“Every JACK concert transcends a run-of-the-mill performance and becomes a true event.” —Time Out New York Known as “superheroes of the new music world” (The Boston Globe), JACK Quartet has emerged over the past decade as the go-to ensemble for contemporary music with their impeccable musicianship, intellectual ferocity, and a take-no-prisoners sense of commitment. This virtuosic young ensemble perform the world premiere of Pulitzer Prize-winning composer Roger Reynolds’s FLiGHT, an exploration of humankind’s aspirations to fly through musical composition for string quartet, realtime computer-derived sound, readings, and projections.

“There is nothing else in today’s art world even remotely like Ryan Trecartin‘s videos,” proclaimed Art in America. “It’s a sci-fi theater of the absurd for our manically paced YouTube era.“ Within these fluidly structured and visually commanding works, Trecartin’s groundbreaking sound design—a densely layered mix of rapid-fire dialogue, electronic music and live instrumentation—extends the depth, intensity, and insane hilarity of his art. He is joined by his principal collaborator Lizzie Fitch to present their buoyant, digitally-inflected scores live for the very first time.

MANIFESTO

december 7–january 8 “It is both a confirmation of Blanchett’s sheer presence and acumen as an actor and Rosefeldt’s shrewdness and intellect as an artist.” —Sydney Morning Herald Drawing on more than 50 manifestos by artists, architects, choreographers, and filmmakers, this highly theatrical film installation by cinematographer and video artist Julian Rosefeldt reinterprets these famous texts as poetic monologues to provoke timeless questions about the gendered, social, and political contexts that shape the artist’s role in society. Academy Award-winner Cate Blanchett connects these artistic declarations to the humanity of everyday characters and actions in a tour-de-force of acting represented on 13 different screens, boldly recapturing the defiant spirit of its source material for a contemporary audience.

RECITAL SERIES

KATE ROYAL, soprano JOSEPH MIDDLETON, piano november 18–20

“Ms. Royal produces an attractive, fully focused sound, but her most compelling quality as an interpreter is an ability to offset the polished surface of a trained voice with the passion and the sense of collective memory, however illusory, that folk singers bring to their art.” —The New York Times British lyric soprano Kate Royal has generated significant excitement among fans of great singing with appearances at the Metropolitan Opera, Glyndebourne Festival, Paris Opera, Royal Opera Covent Garden, and the English National Opera. Equally at home on the recital stage, the “elegant, thoughtful singer” (The New York Times) comes to the Board of Officers Room to perform an artfully-curated selection of lieder and song by Robert and Clara Schumann, Mahler, and Samuel Barber.

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OTHER HAPPENINGS AT THE ARMORY UNDER CONSTRUCTION SERIES

FAMILY PROGRAMS

“A residency like the Armory’s can be life changing for an artist. With unlimited access to studio space and total creative freedom, even the wildest idea can be attempted.” —The Wall Street Journal

Park Avenue Armory invites parents and children to participate in interactive art-making workshops in our historic period rooms. Drawing upon the Armory’s castle-like setting and unique artistic offerings, these programs are offered monthly during the school year and designed to spark the imagination of children of all ages.

Get an inside look into the creative process of the Armory’s artists-in-residence, who set up studios and offer intimate public previews of works-in-progress, including dance, theater, music, and visual art. The Armory’s period rooms provide a unique backdrop for their workshops, serving as both inspiration and as a collaborator in the development of their work.

ARTIST TALKS

Previous artists-in-residence have included director and designer Julian Crouch, choreographers Faye Driscoll and Wally Cardona, soprano Lauren Flanigan, artist Ralph Lemon, maverick musician and composer Meredith Monk, post-classical string quartet ETHEL, writer and critic Sasha Frere-Jones, playwright and director Young Jean Lee, performance artist Okwui Okpokwasili, Trusty Sidekick Theater Company, and Shen Wei Dance Arts.

MALKIN LECTURE SERIES

ARMORY AFTER HOURS

Salon culture has enlivened art since the 19th century, when friends gathered in elegant chambers to hear intimate performances and share artistic insights. Join us following select performances for libations with fellow attendees as we revive this tradition in our historic period rooms. You may also get to talk with the evening’s artists, who often greet friends and audience members following their performances.

Held in our historic period rooms, these insightful dialogues give audiences the opportunity to hear directly from the artists, and explore the inspirations, ideas, and themes behind their work.

Each fall, the popular Malkin Lecture Series presents scholars and experts on topics relating to the Armory and the civic, cultural, and aesthetic life of New York City in the 19th and early 20th centuries. Lecture topics have ranged from history makers like Abraham Lincoln and Theodore Roosevelt to Gilded Age society’s favorite restaurants and the Hudson River painters.

HISTORIC INTERIORS TOURS

Get an insider’s look at the Armory with a guided walking tour of the building with our staff historian. From the soaring 55,000-square-foot Drill Hall to the extraordinary interiors designed by Louis Comfort Tiffany, Stanford White, Herter Brothers, and others, and learn about the design plans by acclaimed architects Herzog & de Meuron.

JOIN THE ARMORY MEMBERSHIP Become a member of Park Avenue Armory and support the presentation of epic, unconventional arts and educational programming in the Armory’s landmarked building. Members have access to the best seats for Armory productions during exclusive presales, and are invited to experience the Armory and its artists through preview parties, open rehearsals, members-only viewing hours, building tours, and special events. friend $100 »» Members-only pre-sale access for performance tickets »» Invitation to the opening night preview for visual art installations »» Free admission for you and a guest to visual art installations »» Discounts to local restaurants and hotels »» 10% discount on merchandise sales supporter $250 All benefits of the Friend membership plus: »» Fees waived on ticket exchanges* »» Two free tickets to guided tours*** »» Discount on tickets to the Malkin Lecture and Conversations Series* associate $500 All benefits of the Supporter membership plus: »» Members concierge ticket service »» Free admission for two additional guests to visual art installations »» Access to VIP lounge during performance intermissions »» Two complimentary passes to an art fair** benefactor $1,000 All benefits of the Associate membership plus: »» Recognition in printed programs »» No wait, no line ticket pick up at the patron desk »» Handling fees waived for ticket purchases* »» Invitation for you and a guest to a private Chairman’s Circle event »» Two free tickets to select performances in our historic rooms*

armory avant-garde $350 or $600 This exciting group invites forward-thinking individuals in their 20s through early 40s to experience new, surprising, and innovative ideas in art, and provides access to the Armory and its artists through exclusive events designed for younger supporters. chairman’s circle starting at $2,500 Members of this exclusive group are provided unique and intimate opportunities to experience the Armory, including invitations to private tours and VIP receptions with world class artists; access to premium seats and concierge ticket service; and an invitation for two to the annual Chairman’s Circle Reception. Members at the $5,000 level and above are invited to join the Armory travel program. education committee starting at $5,000 The Armory’s arts education program reaches thousands of public school students each year, immersing them in the creative process of exceptional visual and performing artists and teaching them to explore their own creative instincts. Education Committee members are invited to special events, meetings, and workshops that allow them to witness the students’ progress and contribute to the growth of the program. other opportunities starting at $7,500 The Armory has a menu of options to engage those who are looking to delve more deeply into the artistic process. These programs also provide access to the creative minds behind the Armory’s unconventional work. For more information, please contact Nicole Kidston at (212) 616-3952.

Memberships are subject to various levels of tax deductibility. For more information about membership, please email members@armoryonpark.org, call (212) 616-3952 or visit armoryonpark.org/join. *For same production; subject to availability. **Certain restrictions apply.

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PARK AVENUE ARMORY BOARD OF DIRECTORS Co-Chairman Elihu Rose, PhD. Co-Chairman Adam R. Flatto President and Executive Producer Rebecca Robertson

Marina Abramović Harrison M. Bains Wendy Belzberg Emma Bloomberg Carolyn Brody Cora Cahan Peter C. Charrington Hélène Comfort Paul Cronson Sanford B. Ehrenkranz David Fox

Marjorie L. Hart Edward G. Klein, Major General NYNG (Ret.) Ken Kuchin Mary T. Kush Pablo Legorreta Ralph Lemon Heidi McWilliams David S. Moross Gwendolyn Adams Norton Joel Press

Genie H. Rice Amanda J.T. Riegel Janet C. Ross Jeffrey Silverman Joan Steinberg Emanuel Stern Mimi Klein Sternlicht Angela E. Thompson Deborah C. van Eck Founding Chairman, 2000-2009 Wade F.B. Thompson

SUPPORTERS Park Avenue Armory expresses its deep appreciation to the individuals and organizations listed here for their generous support for its annual and capital campaigns. $1,000,000 + Charina Endowment Fund Empire State Local Development Corporation Richard and Ronay Menschel New York City Council and Council Member Daniel R. Garodnick New York City Department of Cultural Affairs The Pershing Square Foundation Susan and Elihu Rose The Arthur Ross Foundation and J & AR Foundation Joan and Joel Smilow The Thompson Family Foundation Wade F.B. Thompson* The Zelnick/Belzberg Charitable Trust Anonymous

$500,000 to $999,999 Citi Lisa and Sanford B. Ehrenkranz Almudena and Pablo Legorreta The Andrew W. Mellon Foundation Adam R. Rose and Peter R. McQuillan Donna and Marvin Schwartz Liz and Emanuel Stern

$250,000 to $499,999 American Express Michael Field Olivia and Adam Flatto Ken Kuchin and Tyler Morgan The Pierre and Tana Matisse Foundation The Rockefeller Foundation Marshall Rose Family Foundation

$100,000 to $249,999 The Achelis and Bodman Foundations R. Mark and Wendy Adams Linda and Earle S. Altman Bloomberg Philanthropies Booth Ferris Foundation Hélène and Stuyvesant Comfort Marjorie and Gurnee Hart Kirkland & Ellis LLP Mary Kush Mr. and Mrs. Peter L. Malkin and The Malkin Fund, Inc. Mr. and Mrs. Lester S. Morse, Jr. New York State Assembly David P. Nolan Foundation Gwen and Peter Norton Daniel and Joanna S. Rose Caryn Schacht and David Fox Amy and Jeffrey Silverman Harold and Mimi Steinberg Charitable Trust Joan and Michael Steinberg Mr. and Mrs. William C. Tomson Deborah van Eck

$25,000 to $99,999 Gina Addeo The Avenue Association Harrison and Leslie Bains Emily and Len Blavatnik Emma Bloomberg and Chris Frissora BMW of Manhattan Carolyn S. Brody Noreen and Ken Buckfire Burberry Elizabeth Coleman The Cowles Charitable Trust Mary Cronson / Evelyn Sharp Foundation Caroline and Paul Cronson Drake / Anderson Stuart J. Ellman and Susan H.B. Ellman Andrew L. Farkas, Island Capital Group & C-III Capital Partners Mr. and Mrs. Martin Geller Elizabeth Morse Genius Foundation Howard Gilman Foundation Horace W. Goldsmith Foundation Golub Captial LLC Kiendl and John Gordon Mr. and Mrs. Andrew Gundlach Agnes Gund The Hearst Foundations Josefin and Paul Hilal Kaplen Brothers Fund Anna Maria & Stephen Kellen Foundation, Inc. and Marina Kellen French Wendy Keys Aaron Lieber and Bruce Horten Christina and Alan MacDonald Christine & Richard Mack Marc Haas Foundation Cindy and David Moross National Endowment for the Arts National Philanthropic Trust New York State Council on the Arts Elizabeth and Frank Newman Stavros Niarchos Foundation Joan and Joel I. Picket The Pinkerton Foundation Slobodan Randjelović and Jon Stryker Katharine and William Rayner The Reed Foundation Amanda J.T. and Richard E. Riegel Rhodebeck Charitable Trust Genie and Donald Rice Rebecca Robertson and Byron Knief Janet C. Ross Jack and Susan Rudin The Fan Fox & Leslie R. Samuels Foundation The Shubert Foundation Sydney and Stanley S. Shuman Skadden, Arps, Slate, Meagher & Flom LLP Peter and Jaar-mel Sloane / Heckscher Foundation Sarah Billinghurst Solomon and Howard Solomon Dr. and Mrs. Eugene E. Stark, Jr. Michael and Veronica Stubbs Thor Industries, Inc. Tishman Construction, an AECOM Company Barbara and Donald Tober VIA Art Fund Richard and Franny Heller Zorn Anonymous (3)

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$10,000 to $24,999 ADCO Electrical Corporation American Realty Capital Ginette and Joshua A. Becker Sara Berman A. Cary Brown / The W.L. Lyons Brown, Jr. Charitable Foundation Janna Bullock Marian and Russell Burke Eileen Campbell and Struan Robertson Mr. and Mrs. Chase Coleman Con Edison Crum & Forster Emme and Jonathan Deland William F. Draper Peggy and Millard Drexler Andra and John Ehrenkranz Mr. and Mrs. Michael Evans Sandi and Andrew Farkas, Island Capital Group & C III Capital Partners Florence Fearrington Ferrari Ella M. Foshay and Michael B. Rothfeld Amandine and Steve Freidheim Debbi Gibbs The Grand Marnier Foundation Jeff and Kim Greenberg Mr. and Mrs. Martin Gruss Mike & Janet Halvorson Elizabeth and Dale Hemmerdinger Anita K. Hersh Marlene Hess and James D. Zirin Herzog & de Meuron Daniel Clay Houghton Max MF Power Jacobellis Jil Sander Mr. and Mrs. William Kahane Erin and Alex Klatskin Suzie and Bruce Kovner Mr. and Mrs. Fernand Lamesch Leon Levy Foundation Richard H. Levy & Lorraine Gallard Lili Lynton and Michael Ryan Diane and Adam E. Max Renee and David McKee Cynthia Woods Mitchell Fund of the National Trust for Historic Preservation Patty Newburger and Bradley Wechsler Northern Bay Contractors, Inc. PBDW Architects Andrea Markezin and Joel Press Charles H. Revson Foundation Marjorie and Jeffrey A. Rosen Deborah and Chuck Royce May and Samuel Rudin Family Foundation, Inc. Fiona and Eric Rudin Mr. and Mrs. William Sandholm Stacy Schiff and Marc de la Bruyere Mary Jane Robertson and James A. Clark Dr. and Mrs. Thomas P. Sculco Juliet Lea Hillman Simonds Foundation Lea Simonds Sanford L. Smith Sotheby’s Patricia Brown Specter Mr. and Mrs. Barry Sternlicht Claudia and Geoffrey Thompson

Laurie M. Tisch Illumination Fund Tishman Speyer Properties, LP Robert Vila and Diana Barrett David Wassong and Cynthia Clift William Morris Endeavor Entertainment Foundation Anonymous

$5,000 to $9,999 ABS Partners Real Estate, LLC Benigno Aguilar and Gerald Erickson Noreen K. Ahmad and Ahmar Ahmad Jamie Alter and Michael Lynton Ark Restaurants Corp. Jody and John Arnhold Milton and Sally Avery Arts Foundation Abigail Baratta Mr. and Mrs. Victor Barnett The David Berg Foundation, Inc. Amy Bermingham and Charles Wilson Debra and Leon Black Nicholas Brawer Catherine and Robert Brawer Daniel and Estrellita Brodsky Tom and Meredith Brokaw Amy and Kevin Brown Veronica Bulgari and Stephan Haimo Amanda M. Burden CBRE Sarah and Ronald Collins Margaret Crotty and Rory Riggs Joshua Dachs / Fisher Dachs Associates Theatre Planning and Design Diana Davenport and John Bernstein Joan K. Davidson (The J.M. Kaplan Fund) Antionette Delruelle and Joshua L. Steiner Elizabeth Diller and Ricardo Scofidio The Max and Victoria Dreyfus Foundation Mary Ellen G. Dundon David and Frances Eberhart Foundation Cheryl and Blair Effron Inger McCabe Elliott Dr. Nancy Eppler-Wolff and Mr. John Wolff Alicia Ernst and John Katzman The Felicia Fund Fisher Marantz Stone, Inc. Bart Friedman and Wendy A. Stein Barbara and Peter Georgescu Richard Gilder and Lois Chiles Mindy and Jon Gray Mr. Jeff Greene and Ms. Kim Lovejoy Jamee and Peter Gregory Gunther E. Greiner Marieline Grinda and Ahmad Deek Allen and Deborah Grubman Mr. and Mrs. George Grunebaum Molly Butler Hart and Michael D. Griffin Mr. and Mrs. Daniel Hurwitz Tony Ingrao and Randy Kemper Nancy Josephson Paul Kanavos and Dayssi Olarte de Kanavos Jennie Kassanoff and Dan Schulman The Rachel and Drew Katz Foundation Jane and Richard Katzman Gail and Alan Levenstein Levien & Company, Inc. Barbara and Aaron Levine Kamie and Richard Lightburn Mr. and Mrs. Robert Martin Véronique Mazard and Andrew Vogel Adriana and Robert Mnuchin Mr. and Mrs. Robert Morse Barbara and Howard Morse Mr. and Mrs. Saleem Muqaddam Ali Namvar Mary Kathryn Navab Mr. and Mrs. Michael Newhouse Nancy and Morris W. Offit Peter and Beverly Orthwein Mindy Papp Susan Porter Anne and Skip Pratt Preserve New York, a grant program of Preservation League of New York Mr. and Mrs. Robert Pruzan David J. Remnick and Esther B. Fein Carolyn Risoli and Joseph Silvestri Jonathan F.P. and Diana Rose Liz and Michael Rosen Ida And William Rosenthal Foundation Jane Gregory Rubin and Reed Rubin H.O. Ruding and Renee Ruding-Hekking Jeanne Ruesch Mr. and Mrs. Kevin Ryan Oscar S. Schafer Mr. Leigh Seippel

Alan and Sandy Siegel The Six Four Foundation Daisy M. Soros Debbie and Jeffrey Stevenson Elizabeth Stribling and Guy Robinson The Jay and Kelly Sugarman Foundation Bill and Ellen Taubman Jane Toll Michael Tuch Foundation Mr. and Mrs. Ronald Ulrich Anastasia Vournas and J. William Uhrig Isak and Rose Weinman Foundation, Inc. Christy Welker Valda Witt and Jay Hatfield Cynthia Young and George Eberstadt Zubatkin Owner Representation, LLC Anonymous (2)

$2,500 to $4,999 Roswitha and A.J. Agarwal AKF Group LLC Norma Ketay Asnes Aurora Lampworks, Inc. Patrick Baldoni, Femenella & Associates, Inc. Judy and Howard Berkowitz Mr. and Mrs. Robert Birnbaum Mr. and Mrs. Donald Calder Joyce Chelberg Alexandre and Lori Chemla Neil and Kathleen Chrisman Mr. and Mrs. David Cohen Betsy Cohn Connelly & McLaughlin Central Park Conservancy Mrs. Daniel Cowin Ellie and Edgar Cullman The Cultivist Constance and Gregory Dalvito Mary and Maxwell Davidson III Gina and James de Givenchy Richard and Barbara Debs Megan del Valle Jennie L. and Richard K. DeScherer Krystyna Doerfler Jeanne Donovan Fisher Mr. and Mrs. Robert Easton Karen Eckhoff Anne and Joel Ehrenkranz Alice and David Elgart Loren Eng and Dinakar Singh David Feldman, Anchin, Block & Anchin LLP Laura Jane Finn Mr. and Mrs. Brian Fisher Megan Flanigan Claudia and Fleming & George Bitar Foreground Conservation & Decorative Arts Melanie and Robert Forman Susan Freedman and Richard J. Jacobs Teri Friedman Mr. and Mrs. Scott Gerber Mr. and Mrs. Trevor Gibbons Robert and Joyce Giuffra Sylvia Golden Marjorie and Ellery Gordon Noah and Maria Gottdiener Archie Gottesman and Gary S. DeBode Sarah Gould and David Steinhardt Elizabeth and David Granville-Smith Francine Du Plessix Gray Great Performances The William and Mary Greve Foundation Anne Grissinger Claire and Christian Gudefin John Hargraves Jane Hartley and Ralph Schlosstein Roger and Susan Hertog Augusta Hoffman and Jonathan Swygert Margaret Hunt istar Financial Inc. Caron and Geoffrey Johnson Meredith J. Kane Hon. Bruce M. Kaplan and Janet Yaseen Kaplan Mr. and Mrs. Rene Kern Nancy Kestenbaum and David Klafter Diana King / The Charles & Lucille King Family Foundation Knickerbocker Greys Phyllis L. Kossoff The Ronald and Jo Carole Lauder Foundation Chad A. Leat Mr. and Mrs. Thomas Lehrman Sahra T. Lese Phyllis Levin Mr. and Mrs. Chris Liddell Maria Lilien Heather Lubov

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Luhring Augustine Gallery Shelly and Tony Malkin Sherry Mandell Lynne and Burt Manning Judith and Michael Margulies Angela Mariani Mr. and Mrs. Richard E. Mayberry, Jr. Larry and Mary McCaffrey Joyce F. Menschel Alexandra and Les Meyers Pamela and William Michaelcheck Sergio and Malu Millerman Claire Milonas Marcia and Richard Mishaan Achim and Colette Moeller Frank Moore James C. Marlas and Marie Nugent-Head Marlas Francesca and Dick Nye Ellen Oelsner Kathleen O’Grady David Orentreich, MD / Orentreich Family Foundation Mario Palumbo Christos Petranis Marnie Pillsbury Michael Plummer, TEFAF NY Eileen and Tom Pulling Elissa Querzé Mr. and Mrs. Robert Quinlan Timothy and Coco Quinlan Jeff Rabin, TEFAF NY Heidi Rieger Frank and Kimba Richardson Chuck and Stacy Rosenzweig Clifford Ross Susan and Jon Rotenstreich Valerie Rubsamen and Cedomir Crnkovic Bonnie J. Sacerdote Nathan E. Saint-Amand Haley and Matthew Satnick Mr. and Mrs. Andrew Saul Mr. and Mrs. Charles Sawyers Mr. Paul Scarbrough / Akustiks, LLC. Caroline Schmidt-Barnett Mr. and Mrs. Nicholas Schorsch Sara Lee and Axel Schupf Mr. Barry Schwartz / M&F Worldwide Corp. Lise Scott and D. Ronald Daniel Uma Seshamani and Jason van Itallie Thomas and Patricia Shiah Laura Skoler Sara Solomon Donna Soloway Mr. and Mrs. David Sonenberg Sonnier & Castle Melissa Schiff Soros Constance and Stephen Spahn Mr. and Mrs. Tristam Steinberg Douglas C. Steiner Jeremy E. Steinke Diane and Sam Stewart Angeline Straka Mr. and Mrs. Tom Strauss Ambassador and Mrs. Liangang Sun Mary Ann Tighe Paul Travis and Mark Fichandler Mr. and Mrs. Jan van Eck Ambassador and Mrs. William J. vanden Heuvel Herbert P. van Ingen Mr. and Mrs. Alexander von Perfall Susan and Kevin Walsh David Reed Weinreb Katherine Wenning and Michael Dennis Richard and Diana Whelan Kate R. Whitney and Franklin A. Thomas Mr. and Mrs. Malcolm H. Wiener Shannon Wu Reva Wurtzburger Amy Yenkin and Robert Usdan Judy Francis Zankel Anonymous

$1,000 to $2,499 Lindsey Adelman Mr. and Mrs. Herbert Allen Mr. and Mrs. Charles Anderson Norton Belknap Kristine Bell Dale and Max Berger Mark and Randi Berman Hana Bitton Cathleen P. Black and Thomas E. Harvey Dr. Suzy and Mr. Lincoln Boehm Marianne Boesky Gallery Mr. and Mrs. Sheldon Bonovitz Barbara Brandt

Mr. and Mrs. Louis Brause Mr. and Mrs. Alexander Brodsky Mr. and Mrs. Gilbert Butler Mr. and Mrs. Jeff Campbell Ronni and Ronald Casty Chanda Chapin Anna Chapman Shirin and Kasper Christoffersen Michael Clinton and Tom Devincentis Mr. and Mrs. Robert Cochran Emy Cohenca Alexander Cooper Jessica and David Cosloy Marina Couloucoundis Mr. and Mrs. Andrew Crisses Boykin Curry and Celerie Kemble Mr. and Mrs. Charles Daniels Virginia Louise Davies Virginia Davies and Willard Taylor Jiggs Davis Christina R. Davis Suzanne Dawson Diana Diamond and John H. Alschuler Hester Diamond Jacqueline Didier and Noah Schienfeld Mr. and Mrs. Michael Donner Jane Ehrenkranz and Robert Draizen Mr. and Mrs. Alec Ellison Gretchen Englander Frederic Fekkai and Shirin von Wulffen Fig & Olive Restaurant Edmée and Nicholas Firth Paul and Jody Fleming Mr. and Mrs. David Getz Jessica Guff Robert H. Haines Stephanie Hessler William T. Hillman Dr. and Mrs. Richard Hoffman Invisible North Patrick Janelle Jennifer Joel Mr. and Mrs. David Johnson Mr. and Mrs. Kenneth Julian The Kandell Fund / Donald J. Gordon Jeanne Kanders Daniel and Renee Kaplan Drs. Sylvia and Byram Karasu Adrienne Katz Karl and Elizabeth Katz Maria Hidrobo Kaufman and Gabriel Kaufman Lauren Kenny Hadley C. King Major General Edward G. Klein, NYNG (Ret.) Beth Kojima J. Allen Kosowsky, CPA & Lenore M. Kosowsky Mr. and Mrs. Kenneth Krueger Polly and Frank Lagemann Nanette L. Laitman Barbara Landau Judith Langer Mark and Taryn Leavitt Ann Leibowitz Lieta and Helene Lisa Ann Lori The Honorable and Mrs. Earle Mack Liz MacNeill Mr. and Mrs. Marc Malek Nancy A. Marks Match 65 Brasserie Constance and H. Roemer McPhee Melissa Meeschaert Sibel Mesta Mr. and Mrs. Anthony Meyer Abby and Howard Milstein Sandra Earl Mintz Whitney and Andrew Mogavero Liz and Chips Moore Mr. and Mrs. Pierre Mordacq Nina Morton Mr. and Mrs. James Murdoch The New York Community Trust Nicholson & Galloway, Inc. Mr. and Mrs. Brent Nicklas Peter and Susan Nitze Mr. and Mrs. Marvin Numeroff Addison O’Dea Will Palley Madison J Papp The Par Group Mr. and Ms. Joseph Patton Suzanne Peck and Brian P Friedman Mr. and Mrs. Jeffrey Peek Mr. and Mrs. Richard Petrocelli Mr. and Mrs. Brian Pfeifler Mr. and Mrs. Lyon Polk

Mr. and Ms. Joshua Prentice Prime Parking Systems Anna Rabinowitz Mr. and Mrs. Richard Reiss Diana and Charles Revson Michael D. Rhea Rodgers & Hammerstein Foundation Isabel Rose and Jeffrey Fagen Jane Royal and John Lantis Elizabeth Sarnoff and Andrew S. Cohen Mr. and Mrs. David Schiff Pat Schoenfeld Kimia Setoodeh Mr. and Mrs. Bradley Settelman Nadine Shaoul and Mark Schonberger Gil Shiva Laine Siklos Denise Simon and Paulo Vieiradacunha Phyllis Smith Salwa Smith Denise Littlefield Sobel Stephanie and Dick Solar Squadron A Foundation Leila Maw Straus Dorothy Strelsin Foundation / Enid Nemy The Studio In A School Association Summit Security Services, Inc. Stephen Trevor and Stephanie Hunt Monina von Opel Amanda and John Waldron Claude Wasserstein Lauren and Andrew Weisenfeld Christina Westley Mr. and Mrs. Robert Wheeler Michaela Williams Mr. and Mrs. Michael Young Anonymous (5)

$500 to $999 Marina Abramović Simin Allison Eric Altmann Natalie N. Appel Rupa Athreya and Taimur Hyat Rebecca Lynn Bagdonas MD Peter Bails Tina and Peter Barnet Mr. and Mrs. Guillaume Bebear Cheryl Bergenfeld Elaine S. Bernstein Tama and Brad Bernstein Drs. Annette and Stanley M. Blaugrund Chris Bolman Diane Britz Lotti Cora Cahan and Bernard Gersten Pilar Castro Kiltz Sommer Chatwin Jennifer Chen Oya Christopher Donald G. Clinton Jerome & Carole Cloud Mrs. George Colettis Janis Conner Aleksandra Maja Cragg James Danner Mr. and Mrs. Maurice Deane Luis y Cora Delgado Mr. and Mrs. Stephen Dellosso Kristin DiCunzolo Francesca, Michael, August, and Wolf Donner Mr. and Mrs. Peter Duchin Mr. and Mrs. John Dunn Amy Grovas Elliott Mr. and Mrs. Alexander Ercklentz Mr. and Mrs. Anthony Evnin Mr. and Mrs. Thomas N. Farmakis George Fellows Laurel D Fitts Dr. and Mrs. Walter Flamenbaum Mr. and Mrs. Marc Fox Richard Freitas and Roman Martinez Emily T Frick Mr. and Mrs. Jeffrey Geller Elisabeth Ellen Gibbons Rosalie Y Goldberg Meredith Goossen and Adam Goulbourn Jenny Slayton Green Susan Griffith and David Neill Dr. and Mrs. Jeffrey Groeger Jan M. Guifarro Harvey and Kathleen Guion John H. and Susan K. Gutfreund Lynn and Martin Halbfinger Donna Harkavy and Jonathan Price Stan Harrison

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Mr. and Mrs. Horacio Herzberg James and Edwina Hunt Sonjia Hyon and Eric Lin Nadine Iskenderian Jacqueline Jones and John Wilfred Gassett Hilda Jones Patricia S. Joseph Mr. and Mrs. Robert Kay Mr. and Mrs. Jason Klein Gloria and Richard Kobrin Susan and David Kraus Kathryn Kremnitzer Geraldine Kunstadter Justin Kush Lagunitas Brewing Co. Mr. and Mrs. Sascha Lainovic Mr. and Mrs. Steven G. Lampe Steven and Arlene Lazarus H. Kate Lee Ralph Lemon Jeff Lin Jane K. Lombard Donna and Wayne Lowery Mrs. and Mr. Susan Lowry Susan Dickey MacArthur Mr. and Mrs. Anthony Mansour Joanie Martinez Dianne McKeever & Shreyas Gupta Taylor McKenzie-Jackson Martha B. McLanahan Laurent Mialhe Frances Milberg and Dylan Mills Mr. and Mrs. John Miller Sally Minard and Norton Garfinkle Christine Moog and Benoit Helluy Beth Nowers and Jack Curtin Robert S. O’Hara, Jr. Joey O’Loughlin Robert Ouimette Samantha Park Michelle Perlin Stefani Phipps Max Pine Veronique and Robert Pittman Sheila M. and Nicholas Platt Mr. and Mrs. William A. Platt Joyce Pomeroy Schwartz Alan Ravandi and Avisheh Avini Mr. and Mrs. John Reboul Tara K Reddi Victoria Reese and Greg Kennedy Milbrey Rennie Mr. and Mrs. Tony Roberts Alexandra Robertson Elizabeth Romano Marisa Rose Joel Rosenkranz Marjorie P. Rosenthal Mr. and Mrs. Eric Roth Mr. and Mrs. Gregorio Schneider Ainslee Schreiber and Scott Kaufman Francesca Schwartz Marlene and Edward Shufro Lindy Shuttleworth Angelo and Constance Silveri Albert Simons III Eileen Solomon William Spiegel and Lisa Kadin Martha S. Sproule Lili L. Stawski Mr. and Mrs. Benjamin Steiner Mr. and Mrs. Jerome Stern Frank Sullivan Shining Sung Robert Taff and J. Philip Moloney Mr. and Mrs. Brendan Tansill Lee Traub Zachary Kress Turner Amelia & Steven Usdan Annemarie Victory Ashley Waghorne and Geoff Collette Karen E. Wagner and David Caplan Walter B. Melvin Architects, LLC Mr. and Ms. Anthony Weldon Paula Weinstein Yan Yang Susan Yarnell Tim Zietara Anonymous (4) List as of September 30, 2016 * Deceased