Martin Creed continues his ongoing exploration into rhythm, scale, and order in his largest installation in the U.S. to date, a survey of his work from its most minimal moments to extravagant, larger-than-life installations. Utilizing both the Wade Thompson Drill Hall and the historic interiors of the building, Creed will reimagine the space with opening and closing doors, curtains, a slamming piano, and balloons, amongst other new works made for this exhibition. These materials and situations, when grouped together, create a playful spectacle within a framework that provides the viewer with a fascinating way to counter our visually overloaded, choice-saturated culture. http://bit.ly/PAATheBackDoor