SCULPTURES ON THE EDGE & OPEN STUDIOS
Arts
2ndprize ‘The Point is’ by Yanni van Zijl Photography by Yanni van Zijl
Connect
2ndprize ‘The Point is’ by Yanni van Zijl Photography by Yanni van Zijl
SCULPTURES ON THE EDGE
OPEN STUDIOS TRAIL
Springtime creates a unique and picturesque drive across the Sunshine Coast Hinterland and surrounds. Arts Connect are proud to announce this years event will include 35 sculptures displayed around the lush tropical grounds of Spicers Tamarind Retreat.
Six artists are welcoming visitors to their studios on the last weekend of September, 10 am to 4 pm on both Saturday 24th and Sunday 25th. Nita Lester, Annie McIntosh, Marilyn Dale-Cook, Deann Cumner, Judy Berlak and Jacky Lowry work in a variety of mediums including inks, watercolours, acrylics, oils, to name a few. Enjoy their studios, gardens, demonstrations and works of art. There is also something special about meeting the artist and buying their amazing artworks for your home or as gifts.
The following artists participating this year are; Rene Bahloo, Sophy Blake, Wendy Britton, Mary Bulloch, Noel Carroll, Mela Cooke, Tina Cooper, Richard Eggleston, Leisa Gunton, Cathy Lawley, Kaye Leach, Miles Allen, Sonya Moran, Jane Nicol, Cameron Rushton, Elli Schlunke, Peter This month’s trail takes you from Mapleton and Flaxton Steller, Yanni VanZiel, Carol Weir. on to Maleny, Conondale and Peachester. Saturday 24th and Sunday 25th September. http://artsconnectinc.com.au/events/open-studios-september The exhibition is open to the public with free entry. http://artsconnectinc.com.au/sculpture-on-the-edge
Our front cover two days at Eagles Nest and months of sunshine for this magnificent shot our photographer Richard Waugh joined with model Jade Scheherazade Leong, Jade’ bis y Make up Artist Emma Parker, Jade is dressed in a kaftan by Fashion Designer Czarina and wearing a Head Piece by Cindy
Editor Hannah Forsdike Sub Editor Robin Archbold Magazine layout & graph- Katie Lawrence & Skye ic design Leong Web & Social Medi Katie Lawrence Skye Leong Jade Leong Writers Kris Randall Angel Angel Goulter Randall Tunja Cottier Joshua Wildie Skye Leong PHOTOGRAPHERS Richard Waugh Kettle Fish Skye L eong Editorial Enquiries editorial@pasticheairzine.com.au
Pastiche is a locally published, content-driven AIRZINE. It is designed to showcase contemporary creative industries, culture and community events, with an emphasis on the visual arts, music and the tantalising culinary offerings in the Sunshine Coast and hinterland. In summary my team of artists, designers and writers aim to share the Hinterland’s best-kept secrets in a seasonally themed magazine for all those interested in the finer things of life.
A NATIONAL PORTRAIT PRIZE FINALIST
Ketakii
After being gifted camera in her teens, Ketakii’s love of capturing moments began. As a mother of two for the past 9 years Ketakii has been forced to confront time and energy constraints in her arts practice. Through this she has become interested in highlighting and preserving moments that are oft unseen: the domestic, the mundane, the ordinary. Using poetry, still photography and more recently the moving image, the majority of ketakii’s work has this “domestic” theme as its inspiration and the balance of art and the everyday at its centre. There is a force that guides, a visual language you understand and converse in. It is real. To Ketakii it is a spiritual
practice. https://www.instagram.com/ketakii/ https://www.instagram.com/ketakiijewsonbrownpoetry http://www.ketakiijewsonbrown.com/ The photo is titled “ a look I’ve never captured before” and was taken in 2014. It was a finalist in the 2015 national photographic portrait prize.
A Piece from our Editor
I grew up spending my school holidays in my grandparents’ garden in Maleny, here in the Sunshine Coast hinterlands. I’ve been exposed to the artists and the inspiration the hinterlands have to offer since I was little, and I am so proud to be part of a zine that intends to emulate and showcase the arts and culture I’ve grown up around. The hinterlands are a treasure trove of creativity and culture. With each small town packed with quirky stores and indie cafes, public art and artistic communities. These pockets of culture breed the creative vibes locals have been thriving on for years. I loved this place so much that I decided to study here at the University of the Sunshine Coast. First of all, I want to thank everyone who has contributed and worked towards the inaugural issue of Pastiche Zine. Thank you to our writers for their words, our editorial team and designer for working their magic, and our artistic director, Skye Leong, for her vision. The idea behind Pastiche is to elevate public awareness of the strong local arts culture and correlate that with the broader arts community movements in Australia. Basically, we want to celebrate the creative culture many of us have grown up with or been inspired by. We aim to acknowledge established artists, creating a platform where they can pass on their wisdom and celebrate their achievements, and support emerging artists as they grow and flourish. This
Hannah Forsdike
not only applies to the artists and places featured in the magazine, but to our team. Many of our writers are new to the field; students looking to gain industry experience. Gaining experience in the creative industries can be difficult, and being able to write for a publication about arts and culture is a golden opportunity our writers don’t take lightly. As for myself, I feel very lucky to have been given the opportunity to edit and write for a magazine focused on a world I feel passionate about. The nature, art, culture and community on the Sunshine Coast is growing everyday. I look forward to watching Pastiche evolve with it. Hannah Forsdike Pastiche Editor
Spring
Contents 8 9
Three Generations Living with Passion
10 11
The Rules of Writing A piece by Robin Archbold from 2012
12 13
Earth Rock A mix of many genres & instruments, inspiredby the diverse culture of the world.
14 15
Visual Artist The View from Woody’s Studio
18 21
Local Fashion from this years Sunshine Coast Fashion Week Festival.
22 23
A Story About a Storyteller
24 25 Homegrown
27
Eat Out the latest and greatest
28 29
Etherum bigger than the internet?
34
Angels Insights Youniversal energies of the next quarter - Tarot, Oracle and Rune readings.
36 37
Hinterland & Sunshine Coast Arts Map.
THREE GENERATIONS Words by Hannah F
A dynasty of sculptors and jewellers settles in Maleny,
their inspiration and craftsmanship flows into the community. Hannah Forsdike writes about the family of artists behind The Jewellers Bench. Don Powell, his daughter Shari Wright and her son, Donald Wright, are three generations of artists living with passion. Don is an award winning wood sculptor based near Maleny in the Sunshine Coast Hinterlands. He first took an interest in sculpting as a child, teaching himself to whittle. In 1996 Don was awarded a Churchill Fellowship to study teaching methods in woodcarving. It was around this time he was able to work with English artist Ian Norbury, whom he considers a mentor. Don credits Norbury with teaching him the value of drawing. Prior to this, Don would visual his subject, able to see a face or an animal in a block of wood. Just this year, Don’s sculpture The Wood Spirit won first place in the Wootha Prize at the Maleny Wood Expo. Don’s sculptures are often inspired by fantastical literature; he has many carvings inspired by Lewis
Living
Carroll’s Alice in Wonderland. One of his favourite creations is a scene from The Lord of the Rings that he carved with the Tolkien family’s consent before the movie adaptations were released. Although he specialises in faces and figures, he also enjoys carving animals and nature. His sculptures are often made up of several different kinds of wood to create texture and colour. He sometimes includes inlays of gold and silver in his work. Don has taught woodcarving classes and masterclasses to many students at his home workshop and overseas; however, the person he seems to have most inspired is his daughter, Shari, who has applied his craft and techniques to her own work as a jeweller. A few years ago Shari and her family moved to Maleny to be closer to her parents; she has since fallen in love with the community, lifestyle, and creative inspiration the hinterland has to offer. Shari designs and creates unique fine jewellery, specialising in sculpted jewellery inspired by her father. While managing and designing for a bridal designer in Brisbane, Shari recognised a gap in the industry for bridal jewellery. She took private lessons from a goldsmith school to learn the skills required to create her designs. The designs were so successful she decided to leave her job and start her first business, wholesaling her jewellery Australia wide. After selling her designs through 50 outlets, she opened her first shop. It was around this time she began taking lessons from her father, Don. ‘His sculptures were imaginative, brilliantly executed, and a great deal of fun to do,’ Shari said. ‘This influenced me a great deal in my work of creating and selling “one of a kind” jewellery. To this day I still like to create jewellery that is unique, something you can’t buy anywhere else, using methods taught by my father.’ Shari also draws inspiration from nature, history, people, and other artists. ‘It all matters and affects my work,’ said Shari.
with
Passion
‘Sometimes it affects it so much that the work seems to have a life of its own.’ Shari says that growing up in a creative family has allowed her to believe that any dream is possible. This sentiment was echoed by her husband, Roy, who she says has supported, encouraged and believed in her since the day they met. In recent years, Shari has been able to share her passion for creating jewellery that tells a story and brings joy to the wearer, with her 17 year old son, Donald, now in the second year of his apprenticeship to his mother. ‘I have always been around the jewellery craft,’ said Donald, ‘but over the past five years my interest has grown.’ Donald likes to define his style as a mixture of old and new, drawing inspiration from history and applying modern techniques. Having had the opportunity to travel and meet famous jewellery designers throughout his life,
he has always been surrounded by inspiration. However, it is his creative family that inspires him the most, particularly his mother and grandfather, both of whom have been teaching him their skills. Shari and Donald are now partners in The Jewellers Bench in Maleny. Shari heard about an opportunity to rent one of the cabins on Maple Street. This is how The Jewellers Bench was born; Shari and Donald set up shop selling their jewellery. They now rent two of the cabins, one workshop and one showroom. Always working, they also make and design on premises in the workshop. If yaou wandered down to their little shop you’d no doubt find them working away on their latest pieces inside. Shari and Donald plan to take their collections on tour for sale later this year. The Jewellers Bench: 38 Cribb st Laqndsborough Facebook: www.facebook.com/www.shari/ www.shariwright.com.au
The Ru Writing
Soon I shall have to sit down and write The Novel, so I will need to know the Rules of Writing. No more short stories for moi (memo to self—no pretentious foreign language expressions and do not use italics). Soon I will have no more excuses—I mean reasons—for not writing The Novel. I’ve written poetry and short stories as a form of training—you know, start off small and build up to the longer distance? I’ve finished a creative writing degree because a writer should leave no stone unturned (avoid cliches) in his preparation to write The Novel that I will begin any day now. Great writers probably have some excellent advice to offer on the rules of writing, so it won’t hurt to research what they have to say before starting, right? And it’s so easy to find some inspiring quotes in this age of technological expedience; in the beginning was the Google, hallowed be thy search engine, thine answer comes. English art critic John Ruskin said to use the fewest possible words. Damn! There I go again! And, I could add for emphasis, French philosopher Blaise Pascal’s pointed advice, ‘If I had more time I would write you a shorter letter,’ because it takes a lot of practise to use fewer words apparently, so don’t do what I’ve just done. That’s just being long-winded and repetitive ... damn! And never use exclamation marks! Damn! I mean, damn. And don’t start sentences with ‘and’, and stop saying ‘damn’. Damn! Shit! Sorry. Perhaps W. Somerset Maugham could help? I’ve always loved W. Somerset Maugham. ‘There are three rules for writing the novel.
Unfortunately no one knows what they are.’ So I turn to another of my favourite authors, Oscar Wilde. I’ve always loved Oscar Wilde. What can he tell me about writing The Novel? ‘This morning I took out a comma and this afternoon I put it back in again.’ Bastard. Maybe the vituperative Ambrose Bierce opined correctly about Wilde when he wrote, ’The ineffable dunce has nothing to say and says it.’ I’ve always loved Ambrose Bierce. He’ll be full of inspired writerly advice, I’m sure, for The Man Who Wants to Write The Novel. Bierce wields words like an assassin’s blade—razor sharp with a poisoned edge—and wrote in the days when a man backed his words with a gun instead of a lawyer. But then (don’t start sentences with ‘but’, but it’s too late now so just soldier on and hope it wasn’t noticed) if you wrote like Bierce you’d need a gun. A big one. My kinda guy and an apt mentor for The Novel I will any day now sit down to write. NOVEL, n. A short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the panorama ... So, it appears Bierce wasn’t a fan of The Novel. But— damn! ... damn, I mean shit,—I am now in a Googling frenzy, and the Rules of Writing can be but a mere mouse-click away. Who can I turn to? W. H. Auden said authors should always aim at authenticity, and not bother with originality, which W. R. Inge famously called ‘undetected plagiarism’. So I will be ‘authentic’. I consult Mark Twain—I’ve always loved Mark Twain—for further erudition only to find, ‘Most writers regard the truth as their most valuable possession, and therefore are economical in its use.’ WTF? (Note to self: never use acronyms ... or parentheses ... damn!—damn. Shit. So many rules ... must not overdo ellipses ... damn ... shit,
ules g
of
Robin Archbold 2012
or Unnecessary Capitals—I’ve been doing that a lot—and must not say damn again.) By this stage, I am beginning to note a pattern regarding the Rules of Writing (no unnecessary caps). They are contradictory, no exclamation marks. Ernest Hemingway said writing is ‘like architecture, not interior decoration’, but Salman Rushdie claims ‘the act of creation is not entirely a rational and conscious one’—which confuses me and fuels my desire to use an acronym. Bryce Courtenay—amongst many authors—rewrites copiously, while Charles Bukowski’s scatological analysis of writing says it should be ’like a good, hot, beer shit ... just do it’ and move on to the next piece. Writing certainly appears to be a haematological enterprise, with Hemingway declaring, ‘All you do is sit down at a typewriter and bleed,’ and Nietzsche’s smugly sadistic preference, ‘I love only what a person has written with his own blood.’ So much for advice from the blokes, I think. I need a woman. I often do. I’ve always loved Dorothy Parker. She had me at
‘Brevity is the soul of lingerie,’ although, ‘This is not a novel to be tossed aside lightly. It should be thrown with great force’ has a certain je ne sais quoi, must not use pretentious foreign language expressions, especially in italics. However (damn! shit ... sorry), she is as fickle as— avoid gender implications here and go with ambiguous— the male writers. For example; ‘I can’t write five words but that I change seven’, and ‘... there was that poor sucker Flaubert rolling around on his floor for three days looking for the right word.’ Despite this, her statement, ‘Writing is the art of applying the ass to the seat,’ does seem compatible with first century Greek philosopher Epictetus’ observation, ‘If you wish to be a writer; write.’ He was obviously not au fait—sorry—with Vonnegut’s derisive aversion to the semicolon. So, having applied my rigorous academic mettle to The Rules of Writing, particularly on writing The Novel which I shall begin any day now ... soon ... I can unequivocally state that the universal Rule of Writing is ... to write (not forgetting to avoid cliches like the plague ... and the overdoing of ellipses—and em dashes— (parentheses) ... Unnecessary Capitals, semicolons; acronyms LOL, exclamation marks!! pretentious foreign language expressions, non? and, most importantly, italics).
Earth
Rock
Earth Rock’ is the self-given genre that Sunshine Coast singer-songwriter and multi-instrumentalist, Chris Flaskas uses to describe his inspiring and thoughtprovoking original music. While most musicians lay claim to being multi-instrumentalists, the array of instruments Chris employs to create his unique sound is matched by very few. Learning to play instruments that he finds himself drawn to, Chris has built a collection of traditional native instruments that he affectionately refers to as his ‘dear friends’. Harmonica and Yidaki (didgeridoo) with the rhythmic sounds of African and steel toothed drums, Hawaiian acoustic lap steel slide with sprinklings of banjo combined with Chris’s smooth and somewhat melodic voice certainly make for pure listening pleasure. Inspired by his years travelling the world, absorbing the uniqueness of each new culture he discovered, Chris’s lyrics almost command you to stop and listen. ‘I can feel a song coming on. My process is to actually pick up my guitar and start playing a cord progression or a melody or a lick and it’s like a waterfall, the doors open up, and then all the lyrics come through. I would call it channelling of some description,’ said Chris on his songwriting process. He accredits his success to remaining true to his process and simply ‘just feeling and not intellectualising’ his song writing and music. Chris’s song writing is not just gaining attention here in Australia but also internationally. His first single release, ‘When The Gold Is Gone’ won Best Alternative Rock / Folk Song for the December 2015 Akademia Music Awards. The single is also receiving regular airplay on Triple J, Melbourne’s 96.5 Inner FM as well as many more local and national radio stations. ‘When The Gold Is Gone’ was the title track from Chris’s second EP, following on from the highly acclaimed release ‘A New Sun’. The success of ‘When The Gold Is Gone’ has certainly overwhelmed Chris and given him a feeling of
accomplishment to a degree. ‘More than anything, it’s really shone and given me motivation and inspiration knowing that what I am putting out there is obviously something that people can connect to and is tangible for people to connect to in their life,’ said Chris. Chris is a regular feature at some of the Sunshine Coast’s most popular live music venues and while he loves the live music scene of his hometown, he’s planning to tour extensively in the coming months and well into next year. Having already travelled far and wide twice this year with fellow local musician and good friend Pete Allan on their Ocean 2 Earth Tour, Chris has once again got the travel bug. He will be hitting the road for a solo tour, sharing his music with Sydney in October. November will see Chris embark on an East Coast Tour hitting stages in towns such as the Gold Coast, Byron Bay and Yamba as well as shows closer to home and in Brisbane. Rounding out the year will be a tour run in the culture capital of Australia, gracing stages all over Melbourne. Chris is also working on releasing another single and possibly a new EP in the coming months and also spicing up a few pieces, collaborating with other artists. ‘I’ve been splicing up with a few other little mixtures of tribal trance and a bit of ethereal stuff too,’ he said, declaring that these projects are influencing his latest work. With a string of festival appearances already under his belt, performing at local events such as the Ocean Street World Festival, Peregian Originals and Caloundra Music Festival, Chris is fresh off stage from the Maroochy Music and Visual Arts Festival, wowing audiences with his powerful, motivating and energetic original music. Chris has a string of support spots and festival appearances yet to be officially announced, and there is endless opportunity to catch him live on stage locally
A mix of many genres and instruments, inspired by the
A Mix of many genres & instruments. inspired by the diverse culture of
diverse culture and colour of the world. the world
and interstate. ‘I’m always working, always collaborating, writing and working on projects,’ said Chris. Most definitely a local talent to keep your eyes and ears on, especially if your preferred genre of music is roots and folk with a touch of rock, or ‘Earth Rock’ as we have now come to know it.
Most definitely a local talent to keep your eyes and ears on, especially if your preferred genre of music is roots and folk with a touch of rock, or ‘Earth Rock’ as we have now come to know it.
Story by Tunja Cottier
THE VIEW FROM WOODY’S STUDIO STORY BY JOSHUA WILDIE The motto of Woody’s Studio is ‘Illustrating through the vistas of the autism spectrum’. What does such a mission statement entail? Martin ‘Woody’ Robinson, the visual artist/illustrator/designer/photographer behind the creation of Woody’s Studio, explains his aim is to ‘approach art from a unique viewpoint’, using the autistic perspective to create work that is quirky, clever and unusual. For this article, I would like to capture the Woody’s studio spirit, but, where to begin? Is it possible to capture Woody’s view of the world? Or will it just be my view of what I think his view is and… okay, let’s figure out how we’re going to tackle this. When I inquired about his approach to illustration, Woody explained that he starts with a few sketches and goes from there. He tends to have an idea where his pieces will end up—his final destination—but the journey itself can take many twists and turns. After he gets an idea he experiments with different techniques and visual mediums to find what best captures his vision. He describes it as ‘random perfecting.’ Let’s try this method. We’ll start with a sketch. We’ll gather all the notes about Woody scribbled on envelopes, receipts and backs of hands. Put them together and see where we’re at. Who is Woody? Well, his given name is Martin Robinson. He grew up in Tasmania, but currently lives in Buderim. He is a visual artist; a cartoonist, a caricaturist, a designer and a painter. He is the owner of Woody’s Studio where his work can be purchased or commissioned (link found below). The name Woody was given to him during high school, and during the early days of the internet was used as an alias online and in chatrooms. Eventually, it became the name he attached to his art. This is our
Martin ‘Woody’ Robinson
basic sketch. It’s a little rough around the edges. Let’s flesh this framework out and see what blooms; find some distinguishing features of Woody’s work and build from there. There’s an immediate energy to Woody’s art that can be captured in a glance, yet there’s also a level of care and detail that rewards the observant. His eye for detail makes him a natural at drawing caricatures. When I asked what aspects of my face he would focus on were he to draw a caricature of me, Woody contemplated for about 10 seconds before answering, ‘Well, obviously the long, curly hair.’ I’d expected that answer. My nose and mouth were the next features to be labelled as distinguishing. These hadn’t occurred to me. The benefits of a different perspective, I suppose. Judging by the accuracy of his drawings (including those of himself), it seems like he knows what he’s doing. Woody’s cartoons feature a distinct style, both visu-
ally and characteristically. Equally gifted at drawing animals as people, his work is littered with various creatures, ranging from kangaroos, to bilbies, to Woody himself. Playing with the format of the comic strip is a recurring theme in Woody’s work. Action will happen outside the panels. Characters are often aware they’re in a comic. The fourth wall separating actor and audience is there to be broken down. One strip features Woody struggling to come up with the punchline to the cartoon he is currently in (speaking of which, I should really think of a conclusion to this article soon). The humour of these works involves a skewed view of topics extending from politics, current events and the everyday. Whatever aspect of his work you look at, it definitely has Woody’s Studio entrenched in its DNA. Okay, I think we’re getting somewhere with this article. We’ve fleshed things out a bit. Added a bit of colour. A picture is starting to form. But what if we take another perspective of Woody’s work? What other aspects will that reveal? Recently, Woody cre-
ated a collection of three visual pieces entitled, Modern Occident Mothers (MOM). These were featured in the art exhibition, A Celebration of the Female Form, held in Brisbane on June 4 this year. According to the accompanying literature, MOM ‘expresses the female form, in the context of a single working mother, in the present Western World.’ The pictures show ‘strength of independence’ while also revealing vulnerability. The paintings were Woody’s first major foray into using soft pastels (though I doubt many people would know if he didn’t tell them). The works mix a striking use of colour to convey an intimate, yet strong representation of the female form. One of these works, Modern Occident Mother #2, sold during the exhibition. The proceeds went towards helping stop domestic violence against women. I think we’ve created a picture of Woody and his work. Now for the question every artist dreads. The one everyone asks, often after rubbing their chins and lifting their brows. What does it all mean?
WORDS FROM Art is all about defying boundaries and finding new ways to look at the world and humanity. It’s about inspiring others to see life as they haven’t seen it before. The autism spectrum for Woody isn’t a boundary to his art, but rather a means through which to channel his ideas. Woody’s Studio empowers rather than limits, taking a positive approach to the autism spectrum condition. He has a natural visual talent and a distinct drawing style. These are the tools through which he can express his unique perspective and encourage others to do likewise. This article is only one view of Woody’s work. Form your own opinion and experience the range of work at Woody’s Studio by visiting: www.woodysstudio.com www.instagram.com/woodysstudio www.facebook.com/WoodysStudio/ www.pinterest.com/woodysstudio
COUNCILOR
RICK BABEROWSKI
Sunshine Coast Regional Council, Division 1 Portfolio: Transport, the Arts and Heritage Introduced the digital story of ‘Full Steam Ahead’ in Nambour yesterday. My own father worked on the railways for over 45yrs and the rail yards were our special playground as kids. Well done to the community, film maker Chris and council staff in making this important part of collective heritage happen. http://www.sunshinecoast.qld.gov.au/Experience-Sunshine-Coast/Cultural-Heritage/Heritage-Merchandise 40 local artists are on exhibition at the Caloundra Regional Gallery - I was very pleased to see a strong body of work that pushes our artists to reveal something they feel strongly about or lends itself as a good subject. If you have an interest in the visual arts here is a good opportunity to calibrate where these artists are at. You will find something that speaks to you. Sunshine Coast Art Prize 2016 People’s Choice local artist Jandamarra Cadd happily announced as the winner.
shari ad This is the rabbit of hearts from the Alice in Wonderland collection. This collection was a collaboration of work by my father Don Powell and myself. Don Powell carves predominantly in wood, and his work can be seen in Saint Mary’s Cathedral in Sydney’s Hyde Park, amongst many other places. It is carved in ancient mammoth ivory (that died out in the ice age). The Rabbit from Alice in Wonderland was made into a necklace by me. It is set in 18ct white gold and rose gold and set with diamonds and rubies .
Sculpture on the Edge 2016 07/10/2016 - 23/10/2016 Maleny Open Studios OCTOBER 29/10/2016 - 30/10/2016 Maleny Arts Connect Inc. (ACI) supports and promotes the practice and enjoyment of the arts across the Sunshine Coast from Cabooluture to Cooroy, in Queensland’s South-east. We coordinate a wide range of activities that provide opportunities for artists to exhibit and sell their works.
The collection includes the Rabbit chasing time, Alice holding a pink amingo & the Mad Hatter.
Sunshine Coast Creative Alliance Promoting the value of creative enterprise and artistic expression as drivers of innovation, business, culture and regional identity.
Mary Valley To network with other artists, regional organisations and the community To hold arts creative workshops annually To collaborate with artists to hold exhibitions locally and throughout the region To host events aimed at adding value to artist abilities.
Design by Nadz & Sabs www.nadzandsabs.com.au
Designs by Ocean Zen www.oceanzenbikini.com
Designs by Czarina
www.czarinakaftans.com.au
Designs by Nadz & Sabs www.nadzandsabs.com.au
A Story a crowd is starting to gather in the vicinity. Some are writers. Others are performers. Some are a little of both. Some are curious bystanders, but, as curious as the bystanders may be, they aren’t as curious as the man on stage, who is currently tying his microphone to an ill-fitting stand with a hairband. It could take a few minutes.
Robin Archbold is the only performer to have won both the Woodford Folk Festival Poetry Slam and the Storytelling Award. Josh Wildie gives a firsthand account of the Sunshine Coast’s prize-winning performance poet, storyteller and writer. Let me tell you a story. I am sitting in the amphitheatre beside the University of the Sunshine Coast Brasserie, awaiting the beginning of the Inaugural USC Poetry Slam. It’s been organised by this guy I know, Robin Archbold, a selfprofessed poet and storyteller. The idea? To create collaborations between the Creative Writing and Drama faculties at the university. The call went out a few weeks ago for creative writing students to submit short pieces that could be performed in under two minutes. Submitted pieces were then offered to a group of drama students who would interpret the writers’ work through performance. A
While we wait, let me tell you a story about the guy having the dispute with the microphone stand, Robin Archbold, better known as Archie (to the point that many friends, and possibly family members, don’t realise his given name is Robin). Rumour has it he was originally a real estate agent in Nimbin who felt his true calling was to be a storyteller. His current habitat is Mapleton; however, he’s known to roam the coast in order to perform at various events. Being a storyteller involves everything from performing poetry, writing stories and being creative in general. What led to this? Ask Archie next time you see him. The energy he radiates on stage is pretty much a permanent state of being, whether he’s joking about technical difficulties (though the hairband seems to be working quite well) or discussing his latest writing project over a drink. The man has a gift for storytelling and isn’t afraid to let it flourish. This isn’t just some Pastiche writer in a poetry slam audience talking. Archbold has been gaining recognition for his work for years. His most recent achievements include the Gary Crew Award for his short story ‘Anrachy Rules’, and First Prize in the Noosa Arts and Crafts Association’s Open Section for Short Story for his story, ‘The Storyteller’s Tale’. The latter story is currently being expanded into a novel by Archbold as part of his Master’s programme.
about a Storyteller Robin Archbold profile
Though his writing is attracting acclaim, it’s his performances that Archie is best known for. His work covers a wide range of topics and moods. He can be hilarious, insightful and heartbreaking, sometimes all within the same poem or story. His performances aren’t just him reading off a piece of paper; rather, Archie memorises and inhabits his pieces with each performance involving an array of facial expressions, tones of voice, hand gestures and moving around stage. As I sit here in the audience, I wonder what it is Archie loves about performing. Oh, here comes the man himself to check on the video camera that sits on the table before me. Let’s ask him. ‘Archie, what do you like about performance art?’ ‘Well, Josh,’ Archie says, ‘being a performance artist has a number of elements I really like; I not only get to produce my literary babies as a writer, I also get to bring them up, and play with them, and develop them over time. And there is a direct, immediate gratification of an audience’s reaction that a writer never gets, plus the adrenaline rush of performing without the safety net of the page. This means the writer-performer has to fully commit to the writing and the audience.’ ‘Before you go back on stage, Archie. I was wondering if maybe you could tell me what you want the audience to get out of your performances?’ ‘I want them to be exposed to the memory/reality of the oldest art form in the history of our species, to be transported by the interactions between the nervous systems of performer and audience that can’t occur between the page and the reader’s organism, and for them to leave feeling inspired.’ He runs up on stage and wearing a large top hat—his MC hat. He selects judges from the audience by
Written by Joshua Wilde
throwing stuffed toys at them. Judges are required to give a score out of ten, including decimal points. Our MC encourages the audience to engage. If they don’t like a judge’s score, they are free to make this view heard. The show features both seasoned performers, such as Archie, to writers overcoming nerves to try something new. The stage is a platform to express ideas and to provide a new dimension to pieces of writing. Each performance brings something different to an enthusiastic and supportive audience. One judge deliberately gives low scores to each act and becomes the villain of the piece. Just another part of the show. As the show continues, the audience becomes more involved. And at the end, when our MC asks if we’d like to see more shows at the University of the Sunshine Coast, there is an enthusiastic, ‘Yes!’ For an hour or so, we become a community, enjoying and celebrating creativity and the arts, and it’s all thanks to Robin Archbold. And that’s the story I have to tell about Archie. It only provides a taste of what it’s like seeing Archie perform. To get the true experience, you really need to see one of his shows or read his work. Archie says he wants his audience to leave feeling inspired. Spend some time with this storyteller and I think you’ll leave feeling just that. Find some of Robin Archbold’s performances at: www.youtube.com/user/robinarchbold/videos For further excerpts and information on Archie’s future performances: www.facebook.com/spokenwordontherange/
Homegrown
Words by Tunja Cottier
Sunshine Coast singer-songwriter Ayla has made a big impact since she burst onto the Australian music scene in 2014. Tunja Cottier catches up with her before she embarks on the next stage of her rapidly blossoming career. Queensland’s Sunshine Coast is a hotbed of musical talent and one homegrown artist is representing our beautiful spot on the map exceedingly well. Singersongwriter, Ayla, has been steadily gaining the attention of the Australian music industry with her compelling writing style since she catapulted onto the scene in 2014 with her debut single, Wish I Was. Wish I Was developed from a poem written by Ayla while hidden in the forest on the property where she grew up. The song is an expression of wanting to escape your mind and to no longer exist there. The single was instantly picked up by Australian radio broadcasters and as a result of airplay in Europe and a #15 spot on Triple J’s most played list of 2014, Ayla secured a distribution deal with EGO Records in Italy. Ayla released two more singles in 2015, Waiting and When The World Ends, both songs achieving high rotation on Triple J. Her success led to an invitation to perform live in the Triple J Studio on the program Like A Version, covering a classic Hunters and Collectors song, Throw Your Arms Around Me. ‘It was very surreal. I didn’t have very long to prepare. I had to madly organise everything and then do a final rehearsal with everyone involved only the night before,’ said Ayla. Collaborating with Gang of Youths lead guitarist, Joji Malani and Sydney based singersongwriter, Montaigne, as well as other musician friends. The rendition received rave reviews and was just one of many highlights of 2015. Finishing off a massive year with a headline performance at the 2015/2016 Woodford Folk Festival adding to the string of festival appearances for the year, Ayla jumped
straight into a tour, sharing her magical works from her late 2015 EP release, When The World Ends. ‘It was really good to finally have it out; it felt like it took a while to get it finished, but when I did I was really happy with the final product,’ said Ayla. The 5 track EP is a showcase of the brilliant song writing Ayla has to share, each song a story filled with emotion and heart. Earlier this year, Ayla embarked on a nationwide tour supporting Australian pop icon, Kate Miller-Heidke. The 10 show tour in February and March was a career highlight for Ayla who said, ‘It was incredible! She has been an inspiration to me for a long time, so it was a really amazing opportunity.’ Adding to an already bumper year for Ayla was the honour of not only performing with her band at the Queensland Music Awards ceremony, but taking home the Regional Award for 2016. This year’s QMA really highlighted just how much musical talent we have based here on the Sunshine Coast with three other local acts, including Bearfoot, Doolie and Sahara Beck, acknowledged for their musical achievements. Having started performing on the Sunshine Coast at a very young age, busking and doing small gigs, Ayla is very familiar with the live music scene in her home region. ‘I think the Sunshine Coast, in the way of covers gigs, is pretty good, with lots of venues wanting to have live entertainment… It is really great to see more and more venues popping up that support original music too, though,’ said Ayla. Performing under the stage name Valerie, Ayla continues to gig regularly, performing covers as well as her own work at some of the region’s top live music venues. Just days before jumping on stage at the 2016 Big Pineapple Music Festival, Ayla gave a little insight into what we can expect from her for the rest of 2016. ‘I’ve been working on a new song here on the Coast with Elliott Heinrich, who played a really big role in my first
EP, and also working on a co-written song with Glenn Sarangapany from Birds of Tokyo in Sydney.’ The coming months will see another EP release for Ayla, as well as an East Coast tour supporting the release a little later in the year. Ayla continues to amaze and enthral as she performs on the Sunshine Coast, as well as some big name venues in Brisbane. Keep your eyes and ears firmly on this homegrown wonder, as she will no doubt round out 2016 with a well written, beautifully performed bang. Follow Ayla online for updates and gig information. Facebook: www.facebook.com/AylaLive/ Website: www.aylalive.com
2/30 Maple St, Maleny www.malenyartdirect.com.au
The Sunshine Coast Fashion Festival is Queensland’s only established premiere fashion event with international recognition. Now in it’s 9th year, it promises to be bigger and more stylish than ever and to sell out sooner than ever. With 25 labels and brands on the catwalk from the Sunshine Coast, New South Wales, Victoria, South Australia, greater Queensland, China, Austria, New Zealand and Germany, the event is not only positioned at the end of the Global Fashion Week circuit, it is part of it. Established in 2008, the event has grown from strength to strength incorporating Catwalk Shows, a Trade Lounge (pop up spaces with brands selling wholesale,) an industry Q & A, plus the The Sunshine Coast Style Awards, and the Sunshine Coast Design Awards and Hall of Fame. During the year, in the lead up, the event also hosts a Bloggers Luncheon, Social media education for the models, educational for the designers, A Myer Miss Shop styling event and this year launches the International Development & Marketing Program that will see up to 3 Australian labels supported over two years to prepare them for showing in London & Paris. With local, national and international labels involved, the event is recognized globally for it’s discovery of emerging talent and the opportunities for such to network with national and international established brands. The line up includes Australian household names Nicola Finetti, Myer, Myer Miss Shop and Secrets Shhh plus the most widely sold swimwear label in the world Sunflair (Germany) who shows exclusively in Australia at the Sunshine Coast Fashion Festival every year. Internationally award winning designer Thang De Hoo will launch his ready to wear collection Rivivi6269 with his only Australian catwalk show. Additional brands finalise the line up with Alison Domi-
ny, Czarina, Don’t Do Pretty, Indi Stone, Indrah Swimwear, Livin, Nadz & Sabs, Ocean Zen, Opera (Germany), Reval Resort, Why Mary, Annabelle & Eve, VaVaVoom Corsetry, Heather Saxon, Megan Cannings, LIVIN’, Julian Napier, Kutcha Collective, Flora Fashion (China), Augustine (New Zealand) and Hunt+Kelly. The Sunshine Coast Fashion Festival supports charitable foundation LIVIN’ in 2016 with a portion of ticket sales going directly to their cause #it’s not weak to speak. The Sunshine Coast Fashion Festival, held in the millionaire’s playground that is the Sunshine Coast, is not to be missed. Open to both industry and public, the Sunshine Coast Fashion Festival offers an exciting, packed full 24 hours of fashion and style for it’s 9th year. Sunshine Coast Fashion Festival October 22, 2016 The Events Centre, Caloundra www.sunshinecoastfashionfestival.com
Eat Out
with Skye Leong
The Lazy Rabbit Flaxton For some real
Authentic Japanese cuisine, friendly service, with a tranquil ambiance. This family business is a winner for the Hinterland area.. Open for breakfast and lunches. Food made with love and local produce. www.facebook.com/LazyRabbitFlaxton
Wasabi Restaurant and Bar Noosa For
absolute style and grace, this contemporary restaurant offers only the finest and freshest in Japanese cuisine. The multi award winning Restaurant offers creativity in events and a cooking school. On the farm at Honeysuckle Hill, the Japanese Bokashi method retains all nutrients, organic material and microbes www.wasabisb.com
Nambour Social
Wow, talk about setting a new standard, this young funky couple have taken Nambour by storm with their industrial fit out and up tempo vibe. Fresh l,local produce, Thank god for the youth of today I say. With friends raving about the brekkies and lunches..it is great to try something fresh and new in Nambour town. www.facebook.com/namboursocial
Ethereum: Bigger
Ethereum’ sounds like the title of a sci-fi movie, and rightly so. Kris Randall reveals new technology that may dispense with lawyers and middlemen in law and commerce, and revolutionise how business is conducted in the 21st century.
I remember the first time I saw the World Wide Web. It was 1994, and I was in my first year at university. I was sitting next to my best friend Michael in the computer lab. ‘Look, this is the Internet. I can see the football scores in England,’ he said. ‘Why on earth would I care about the football scores in England?’ What I didn’t immediately grasp, but Michael did, was that simple, instantaneous, global digital communication had the potential to completely transform our world. He couldn’t see Google, PayPal, YouTube, GPS devices and phones with video chat, but he saw that this World Wide Web held epic potential. There is technology in infancy right now that I believe holds the potential to transform our lives as dramatically as the World Wide Web has done over the past two decades. Ethereum (pronounced e-theory-um)
is a technology that offers an easier, better way to do things like legal contracts, trading, and governance. It’s built on an existing technol-
ogy called ‘blockchain’ that can be considered an absolutely secure and unalterable ledger. Ethereum adds to this secure foundation the concept of smart contracts, which are decentralised computer programs able to make transactions based on specific
conditions being met.
Basically, what Ethereum offers is record keeping and communication that can be trusted. Money, trading, law, voting and governance can exist in a pure way that has never been possible before; results require community consensus, they cannot be changed once determined, and
than
processes are transparent, although it’s still possible to work anonymously with this technology. Consider legal contracts that are not open to contention: for example, a will. Keeping the will in the Ethereum blockchain could remove any doubts about the final version of the will, as well as any confusion as to how it was to be interpreted. A smart contract would execute a will immediately once an appropriate authority had verified the death, and would transfer the ownership of assets and wealth automatically, based on the rules that are defined in the will. No human executor would be required. Another application provides a digital power of attorney. Social or commercially based communities could band together by placing their legal authority to act on a specific issue into the hands of a chosen representative. For example, if 100,000 people want to own an electric car, they could digitally mobilise and pool their shared consumer wishes into a single legal instrument to create a real
t
Words by Kris Randall
the
Internet?
market that would not be ignored by car manufacturers. In fact, the balance of power would shift to the consumer group that could now force manufacturers to compete for this huge sales contract. The manufacturer could be guaranteed sales, removing some risk from the process for them.
to the Internet, or, if you have grown up with the Internet, ask your parents. Many of the things that we take for granted today were unimaginable 10 years ago, including social changes enabled by technological advances. As monitored as the Internet is, we’re still able to communicate openly and have access to multiple news sources for free. This has immense social value when almost all traditional media are controlled by a very small group and used almost exclusively for promoting political and financial agendas. Try to imagine what the world might be like if the only news source available to people was the Murdoch press. It’s still early days for Ethereum, but there is a lot happening. Here on the Sunshine Coast there are entrepreneurs working with the technology. ‘Sicoor’, based in the Innovation Centre at the University of the Sunshine coast, are creating a health care records platform to allow doctors and patients to interact globally. I am certain that we will see big changes in our lives, and that they’ll be more exciting than the football scores in England. For more information see the links at the bottom of this article on the website: http://pastichemagazine.com.au/ethereum.html
Ethereum also has the potential to greatly increase awareness and political engagement in the population by empowering people. Everyone could have the ability to directly control their own civil and legal rights. We would Apologies to English football fans. see an Internet that allowed sharing of knowledge that was not monitored by government agencies, and without bombardments of advertising. The Internet would be what it was once intended to be; providing the free ability for all mankind to share ideas and communicate with each other, as well as allowing unrestricted and ethical global trade. If these ideas sound a little grandiose, try to remember what life was like before you were first introduced
SUNCOAST JEWELLERY & ART EXPO.
The seventh Suncoast Jewellery + Art EXPO in Coolum Beach in October. The Suncoast Expo is an initiative of independent and creative Jewellery Makers + Artists and is a biannual event. We all design and handcraft unique pieces of jewellery and art ourselves. Here we showcase our work directly to the public. This is a great opportunity for the art and jewellery lovers to meet and talk to us in person and they can have a closer look at the great variety of our work. Eckart Schillings is the organizer, it was his dream to connect the Jewellery-Makers and Artists with the Public. He started the Suncoast Jewellery + Art Expo in October 2013. The first shows were a great success and now we
are looking forward to the seventh Expo. At every EXPO we have some different artists who join us for the first time and on each show there is something new to discover, all our Artwork is for Sale. The EXPO is held in Coolum Beach at the Coolum Beach Civic Centre, Park Street The next Expo runs for 2 days in October: Saturday the 15th from 10am - 5pm Sunday the 16th from 10am - 4pm The entry fee is $5 which goes into a draw to win a $200 voucher. We look forward to presenting our latest Creations at the EXPO. www.suncoastexpo.com https://www.facebook.com/Suncoast-JewelleryArt-EXPO-144587075740966/
Visual Artist David Miller
(Munuyar) of the Yaegl Tribe who was born in Brisbane and lives on the Sunshine Coast, has been working with a contemporary fusion of Aboriginal and Western art for over 30 years. David has been academically trained in Western artistic techniques, and has gained knowledge and understanding of Aboriginal art and culture through traditional means. The resulting fusion is dynamic and fluid David has been academically trained in Western artistic techniques, and has gained knowledge and understanding of Aboriginal art and culture through traditional means.
Sonya Moran Sonya has a sculptural career spanning 30 years, specialising in stone carving with bronze and alloy editions. Early themes were marine and bird-life inspired by a sailing lifestyle. She soon ventured into figurative art, finding joy in contemporary abstraction. Marble lends itself to the forming of fluid lines and minimalistic grace – an ongoing 3D contemplation. Beyond Australia her art resides in NZ, UK, USA, Canada, Europe and Asia. Sonya presently;y has works in the Sculptures on the Edge 3D exhibition at Tamarind Spicers Maleny..
Noosa
Watermarks up the Noosa River by local artist
Gallery
Beatrice Prost As a fervent photographer and kayaker, I explore the Noosa River up close. With “Watermarks Up the Noosa River”, I wish to offer the experience of exhilaration and beauty our river offers, looking closer to its source. ‘Watermarks Up the Noosa River’ is a sanctuary where visitors enter a world, above and below the water surface, a low and slow mode of distorted time and space. A guaranteed breathtaking river view taken from an unusual view point. Voyages Botanical Solar plate engravings & paintings by Christine Johnson ‘Voyages Botanical’ is artist Christine Johnson’s tribute to the untamed treasures of Australia’s vast native flower garden. It is indeed a voyage: through rare and wonderful landscapes, but also through our botanical heritage and history. ‘Voyages Botanical’ was inspired by Johnson’s time as a Creative Fellow at the State Library of Victoria. Her research, which drew on the library’s collection of rare books of botanical illustration, took her back to the pioneering work of early botanical artists including Sydney Parkinson, Pierre-Joseph Redouté and Ferdinand Bauer. This was the beginning of Johnson’s own creative journey that at once honours our past, present and future. Johnson’s aim is simple: to tell the story of these early years of the exploration of Australia - but embellishing it by blending art with science, cartography and facsimiles of writings from the explorers’ journals, including the flowers they picked along the way. Wild/flower Women Judith Wright (1915-2000 + Kathleen McArthur 1915-2001) Reflections on artists, environment and activism The role of writers and artists has been crucial in raising awareness about the specific characteristics and qualities of the Queensland environment. Through their activist involvement they were
instrumental in bringing about changes to legislation and the establishment of certain national parks and protected areas. Among those involved were Kathleen McArthur, particularly working in collaboration with Judith Wright. This year is the 101st anniversary of the birth of these influential women whose actions and work is well worth engaging with and celebrating. Presents our rich and diverse local talent from artists and emerging artists alike as part of the visual artistic fabric of Noosa at the Friends Noosa Regional Gallery 6th Group Exhibition exclusively organised for our creative members. The Exhibition will be at the Noosa Regional Gallery. We invite you to join Friends Noosa Regional Gallery as this annual exhibition is open to current members and new members.
Taste of Art entries open 1st October and close 27th November2016.
Caloundra Gallery
The Holmes Art Prize in its second year, The
Philip Farley, Corella Rush Hour (detail), 2013, acrylic, 86 x 145 cm
Holmes Art Prize for Excellence in Realistic Australian Bird Art showcases Australia’s best realistic bird art artists working in any two-dimensional medium and depicting a realistic Australian birdlife scene. Up to forty finalists will be included in an exhibition at the Caloundra Regional Gallery, with a major prize of $10,000 offered by Dr Gary Holmes. Exhibition Wednesday 2 November to Sunday 27 November Official Opening Wednesday 2 November, 6.00 pm
The Friends of the Regional Gallery Caloundra Inc are proud to showcase the extraordinary talent of the region in the Local Artists – Local Content 2016 Art Prize exhibition. Up to forty finalists will be selected for the exhibition at the Caloundra Regional Gallery, with prizes totalling $7,500. Exhibition Thursday 6 October to Sunday 30 October Official Opening Thursday 6 October, 6.00 pm
Rick Everingham | Mountain View Tree |2015 oil /linen | 77 x 77 cm
Angel’s INSIGHTS
YOUuniversal
energies of the next quarter- Tarot, Oracle and Rune readings by Angel Goulter Randall
October
your creativity run wild and make a vow to not let self-doubt hold you back. You may just impress yourself with how well you do
December
It is time to let yourself be vulnerable. Time to let down the guards that protect the sensitive parts of your soul. Take your inner child firmly by the hand and lead the way through the darkness, out into the light. There is so much strength in ulnerability. Believe you November are protected, even when you Last month was about delay, this month is where the movement begins! You have taken the bare all. Be courageous and show time to think things over and now you must act others that it is safe to be their true, before you talk yourself out of it. All things are sensitive, vulnerable selves too. aligned for the best advancement of any kind of For more information about Oracle readings, Tarot courses and Rune project. Small steps (or preferably large ones) workshops, contact Angel on 0409 899 765 will see you meeting the right people at the perfect place in totally synchronistic timing. Let Now is not the time for making rash decisions. In fact, if it can be done, it is advised to delay financial decisions for a few weeks. Any time sensitive matters regarding money should be slept upon, meditated on, and advice sought from older, wiser, more experienced counsel. The answer may well be ‘yes’, however, the timing is what matters most this month. Second and even third or fourth thought is better than just running with an opportunity as soon as it presents itself. If you act too soon you may find yourself looking back with regret and thinking, ‘If only I’d waited another week.’
www.lucidartprojects.com.au
The Hinterland , Obi Val & Sunshine Coast 1.IMBIL http://www.maryvalleyartslink.com.au/ 2. KENILWORTH www.lastingimpressionsgallery.net 3. Obi Vale www.cedarcreations.com.au 4. Maleny http://www.malenyartdirect.com.au/ http://www.malenyarts.com/ COMA Pop up gallery www.peaceofgreengallery.com www.davidlinton.com.au https://www.facebook.com/ForestArtCollective/ www.rickeveringham.com.au www.manfreds-wood-shop.com www.benmessina.com http://artsconnectinc.com.au 5 Art on Cairncross www.artoncairncross.com.au 6. Montville www.montvilleartgallery.com.au http://www.mainstreetgallery.com.au/ www.secretsonthelake.com.au www.naturesimage.com.au www.illumecreations.com.au 7 CALOUNDRA http://heartsandmindsart.com.au/ https://gallery.sunshinecoast.qld.gov.au/ About/Caloundra-Regional-Gallery 7 MOFFAT BEACH www.seaviewartgallery.com.au www.hollowaygallery.com.au 8. MOOLOOLABA http://www.gallerybeneath.com.au/ http://www.waynestrickland.com.au/ http://www.davidhartgalleries.com.au/mooloolaba.html
Arts Map
9. SIPPY DOWNS www.usc.edu.au/art-gallery 10. BUDERIM http://www.artnuvobuderim.com.au/ 11. NAMBOUR theoldambulancestation.com 12 YANDINA http://yandinahistorichouse.com.au/ 13 Eumundi www.thegalleryeumundi.com.au http://www.eumundihistoricalassn.org/ The new arts space has been named Wan’din’in - a local indigenous Kabi Kabi word for a gathering of people. www.reddesertgallery.com.au www.eumundiartspace.com 14 COOROY www.butterfactoryartscentre.com.au The Butter Factory Arts Centre Pottery Studio http://community.sunshinecoast.qld.gov.au/directory/ butter-factory-arts-centre 15 POMONA www.pomonartgallery.com https://www.pomona.edu/museum 16 PALMWOODS http://www.tinacooper.com/ 17 NOOSA www.noosaregionalgallery.com.au www.davidhartgalleries.com.au www.creativealliance.org.au 18 COOLUM http://www.neogallery.net/ www.coolum.com.au/coolumart/ 19 Landsborough www.landsboroughartstudio.com.au
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Landsborough