PAULA JORDÁN GARCÍA
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|paula jordán garcia| arquitecta paulajordan_arch@hotmail.com 674062263
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the algae community Vivienda social
HOW TO WAIT AND NOT WAIST A MINUTE reinventandoelconceptode paradade bus
CASA SERRALVES PROYECTO CONSTRUCTIVO REMEMORANDO LA LINEA MEMORIA COLECTIVA Y COMUNIDAD
otros trabajos render, collage y paisajismo
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the algae community
Vivienda social
El proyecto se situa en la Linea de La Concepción, Cádiz.
En los últimos años la ciudad ha sufrido una fuerte perdida de biodiversidad en sus fondos marinos, por la aparición de un alga invasora “Rugalopiz Okumare”.
Como consecuencia, el turismo y la pesca, principales motores economicos de la ciudad, se han visto afectados, hasta parar casi por completo su actividad, Llevando asociado a ellos, una importante emigración de los habitantes a ciudades cercanas en busca de empleo..
Investigadores de distintas partes del mundo se han desplazado a la ciudad a fin de trabajar de cerca con la algas y buscar una solucion comun. Es asi, como surge la idea generadora del proyecto, que se define como un centro de investigación/residencial para investigadores
Gradualidad, limite exterior e interior o comunidad, son algunos de los conceptos principales que definen el total de la propuesta
Proyectos viii
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HOW TO WAIT AND NOT WAIST A MINUTE
¿Cómo puedes esperar y no perder un minuto?
El proyecto reinventa el concepto de la parada de autobus convencional dotandola de programa e incluyendo en ella nuevos materiales (inteligentes, reciclados,ect), siguiendo criterios de sostenibilidad social, económica y medioambiental.
Su diseño, sistematizado y mecanizado, permite que sea altamente adaptable y, aunque diseñado para Estepona, Málaga, es facilmente replicable en cualquier lugar del mundo.
De estructura metálica, el prototipo se construye por piezas que, conforme a ciertas decisiones de diseño, se pueden trasportar en una furgoneta y montar por 2 operarios.
Reforzando la estcrutura principal, aparecen una serie de elementos intermedios, subestructurales, explicados en las siguientes laminas, que cumplen una doble funcion. Por un lado rigidizan la misma y, por el otro, albergan programas que incluyen desde alquilere de bici, a reciclaje de envases a cambio de tickets de bus o incluso una libreria portatil.
La flexibilidad en su recubrimiento, desde Etfe a membranas inteligentes que recuperan la luz del sol e iluminan la calle, a marcos correderos, que protegen del viento, hacen de este, un prototipo personalizable y adaptable a cualquier ambiente y situacion
REPENSANDO EL CONECPTO DE PARADA DE BUS
Thestructurerepresentstheskeletonoftheproject, thestartingpointaroundwhicheverythingelsegrows.
Itisdesignedaccordingtostructuralanalysisand transportationcriteria:
1.Theframepitchedroofandsymeticaldesign reducesthedisplacementcausedbythewindand exteriorforces,deletestheuseofwiresorother auxiliarystructuralelemetnsandgivesaminimalist andcleansolution
2.Theframesaredesignedbysections(pilarsand pitchedbeams)forminganglesof120betweenthe ridgeandthepitch.
Juctionsbetweensectionsareplacedat1/3ofthe totallenghtofthepitchedbeam
Allthisdesigndecisionsimprovetheresistanceof thestructureaswellasdecreasethepriceofthe fabrication,100%prefaabricated
3.Theinterior“boxes”holdadoublefunction.On theonehand,entitlethebusstopinteriorwitha flexibleprogram,including:Plasticrecyclingpoint, whereyoucanexchangetheplasticbottlesforbus tickets,bikerental,solarchargingpointoreven restingareas.
Theassamblageofthestructureisveryeasy,been evenpossibletobecarriedoutbytwoworkers.Its dividedin5steps:
Step1:Placementofsmallconcreteprefabricated footingsandboltingofthepillarstothefootings. Step2:Unionofthepitchedbeamswiththepillars Step3:Bracingwithhorizontalelementsby mechanicalmeansandOn-siteassemblyofthe piecesoffurnitureandbracingtothestructure. Step4:Installationofpermanentcoverings Step5:Crownbeam Step6:Mobilemembrane
Thedesignseekstoreinventbusstopsasweknowthemin somethingmoreintegratedintotheirenvironment,adaptable andclosetotheuser
Toachivethiswebaseitin3principles:Modularity,adaptability andbiomaterials.“Livingmembranes”
Theenvelopeconstitutestwofundamentalgroups,the coverandtheslidingframeswithmembranes,each oneconstructedwithadifferentmaterialaccordingto theneedsoftheproject.
1.Thecover.Dividedintwotypes:ETFE,for transparentareasandplasticrecycledsheets foropaqueones.Easytoclean,maintainand lightweighted.
Thisonesareinstalleddirectlyintotheframe structure
2.Ontheotherhand,themembranes,arepartof theslidingcomponentsoftheenvelope.Attached tosubstrcuturalframes,theyarechangableandcan bereplaceddependingontheseasonorlocation. Differenttypesofmembranesareused.Someof themare:
1.Coolingtextiles:Lowerstheinsidetemperature
2.Lightemittingtextiles:Rechargeswithsolar raditionandradiatesduringthenight.Solar radiationisalsotrasnformedintoelectricalpower tochargethephonesorpowerthecommunity bikes.
3.Greengasesabsorbenttextiles.Filtersthe methanefromtheairandbindsitintothetextiles
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CASA SERRALVES PROYECTO CONSTRUCTIVO PREFABIRCADO. HORMIGÓN
Definición construtiva y proceso de montaje de la Casa Serralves. Prefabricada de paneles de hormigón, junta seca.
Dentro de la lámina se detalla el sistema de montaje con las piezas necesarias para su construcción y también una sección y axonometria construtctiva de la casa mostrando las distintas uniones y piezas que constituyen la vivienda
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REMEMORANDO LA LINEA MEMORIA COLECTIVA Y COMUNIDAD PROYECTO DE FIN DE GRADO
La memoria colectiva hace referencia a los recuerdos y memorias que atesora y destaca la sociedad en su conjunto.
Se componen de combinaciones de imágenes, ideas o conceptos y representaciones intimamemente relacionados con el concepto de la comunidad.
La comunidad es un grupo de seres humanos que tienen ciertos elementos en común, que comparten una identidad y en donde se fomenta un sentimiento de pertenencia.
Como personas, nos sentimos comodos e intergados en lugares o situaciones, que nos resulten familiares. Espacios dentro de la arquitectura, colores o incLuso aromas que nos recuerden a algo.
Es, precisamente este, el fundamento del proyecto. Crear comunidad mediante la recuperacion de una identidad comun a tarves del memorial colectivo.
Se recuperan espacios arquitetcos olvidados y “sociales” como el zaguan o la azotea. Se generan pasillos interiores que rememoran el espacio aporticado de las antiguas corralas andaluzas e incluso se especializan (vegetales, ceramicas) que se integran en su entorno a la vez que cunplen funciones bioclimaticas.
Proyecto dibujado a mano alzada
THE COMMUNITY. ORGANIZATION AND COLLECTIVE MEMORY
A community is a group of individuals who have certain elements in common (values, tasks, ideas), where a common identity is created, which is shared and prepared by its members throught socialization (maximum expression of human nature, human being complete to the extent we relate to others)
People who live in communities understand and learn a place as their own and identity, a recognizable and family space where they have the capacity and freedom to express themselves as individuals and with others.
The community is synergy, is collaboration, it is feeling part of a whole.
The collective memory makes reference to the memories that atrees and highlights the company as a whole. It is intimely related to the individual memory since it always appears associated with the group memory. it is in constant change.
The colllective memory is made of images, ideas or concpets and representations. It is shared, transmitted and built by the company group.
Perspective view. The ring
Perspective view. The labs
Perspective view. The spots. Scent and color
When we think about Andalucia we think about color, flowers, scents, sound of birds, patios... Sensations that wrap us and own concepts of this collective memory. Elements represented in the above collages.
These communities base their operating principles on three fundamental aspects: social, economic and enviromental sustainablity. Aspects which are develope throught the project
Light
and shadow Scent and color
THE COMMUNITY. INTERNAL ORGANIZATION
Creating a community consists of providing safe and familiar spaces for its members, designing for users.
The corralas, the vegetation, the water or the sounds, are cultural elements and easily identifiable by the neighbors of La Linea, which directly connects them with their roots and increases the feeling of belonging.
This is why it is decided to recover certain aspects of typically andalusian concepts and elements at different scales, which work in a joint way with the 4 points marked about designing sustainable ecosystems.
On the ground floor, the buildings have a multifunctional space, with public and neighborhood access. This space on the ground floo changes its use, depending on the community in which it is located or the activity that is assigned to it, in the way, come communities have spaces as variables as areas for renting offices for co-working, social dinning room or day care center for elderly. Others, as is the case of the building that is being develope in the project, has two large multipurpouse spaces on the ground floor for uses sucha as spaces for masterclasses, local art exhibitions or even after school spaces for children
THE PATIO. THE COMMUNITY IS BORN
In the vernacular andalusian architecture, the patio is an undiscutable symbol. In its different formats (patio de cortijo, corralas, era) the patio represents a place of reunion.
With the opening of the border, many “patios de corralas linenses” dissapeared and the few currently existing are protected by neighbor associations such as Aldepama.
The first gesture is to recover the collective memory consists in the “reorganzition” of the communitiy buildings surrounding a common and productive open area where people find space to meet and connect.
VEGETATION, COLOR AND SMELL
The smell of the oranges of the sevillian gardens, the essence of the jasmine in the nights of Alahambra or the flooded walls of flowers and colors of the Cordoba patios. Amiz of stimules thats flood our senses and trasnport us to those arab tales of magic nights.
Vegetation acquires a very important role in the public space in the form of the flowers, trees, crops, vegetated roofs and facades.
Dynamic and changing spaces that have beneficial effects for people and close to the community
SOUND
The integration of plant spaces favors the appearance of new organisms (birds, insects and small mammals form the Strait Park) that find beneficial habitats in the area of their development.
Spaces are included for the repopulation of bees, feeding areas for birds and rest areas inside the trees, as well as water point for animals and small amphibians.
All thiese animals and insects produce sounds reminiscent of Andalusian patios, the song of the birds, crickets, at night
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otros trabajos render, collage y paisajismo diversos elementos
A continuación presento una serie de trabajos extra realizados por mi en diversos momentos y para distintas insitutuciones.
IMÁGEN 1: Render desarrollado para la asignatura de Técnicas de acondicionamiento. Diseño de un museo de estilo noordico. Visualización nocturna desde el exterior.
|MUCHAS GRACIAS POR SU ATENCIÓN|
|paula jordán garcia| arquitecta paulajordan_arch@hotmail.com 674062263