Architecture Portfolio

Page 1

PORTFOLIO

PAULINA-SHARI STANLEY


PA U L I N A - S H A R I

STANLEY Paulina-Shari was born on 15th February 1993. She graduated from Ardhi University in 2018. Currently, she is part of the APC Architectural Pioneering Consultants team which helped her broaden her experience and skills. Through practice, she found her niche, and currently aligned herself with Humanitarian Architecture designing and building hospitals and schools in adverse climatic conditions and cultures. Buildings and the built environment should be sustainable but a little playful while serving their true purpose by supporting social equity and development. By thinking beyond buildings and exploring new horizons, Paulina-Shari hopes to shape the lifestyle of the people through architecture and design of the built environment with a sense of African heritage and identity through the integration of local materials and construction techniques.

ADDRESS

c/o DR. STANLEY H. ISRAEL,

P.O Box 2034,

MOROGORO.

PHONE

+255 712 862 697

+255 757 862 697

EMAIL psharistanley@gmail.com LANGUAGE

English - Kiswahili

EDUCATION 2013-2018 Ardhi University, ARU (Completed/ Graduated) PROFESSIONAL PRACTICE 2020- Present Architectural Pioneering Consultants Junior Architect 2019- 2020 Arqes Africa Ltd Graduate Architect 2017- 2018 Freelance Work Design Studio Jul-Sept, 2016 OGM Architects Design Studio Jul-Sept, 2015 Syscon Builders Limited Site Construction Jul-Sept, 2014 Digital Space Consultancy Site Construction OTHER SKILLS ArchiCAD Vectorworks Adobe Indesign Adobe Photoshop Model Making Sketching

ii


PORTFOLIO

SELECTED PROJECTS CHACHIKA MEMORIAL MUSEUM

01

ARU AUDITORIUM

05

THT HOUSE OF MUSIC

09

MSASANI APARTMENTS

11

KAMBONA HOUSE

13

ORGANIC GROCERY STORE

15

STANLEY | Paulina-Shari

iii


BACK TO THE ROOTS PROJECT: LOCATION: YEAR: STATUS:

Chachika Memorial Museum Usangi, Kilimanjaro 2020 New Construction Client:

We need a building to display our ancestors’s skulls...

Me:

Real skulls?

Client:

Yes.A memorial museum.

Me:

Skulls of real people? Who are dead?

Client:

Yes. Five skulls of our great great grandparents...

From the clients requirements, the family requested the design of a memorial museum in honour of their ancestors. It was also to show the family’s younger and future generation of their history. The afro-centric design borrowed from the traditional Pare houses, round and built by burnt bricks and plastered by mud for insulation. Four tall windows were placed around strategically to allow for light into the building. Right at the entrance, a wall displaying the family tree; pictures, mural forcing one to go inside and around the building. A number of other display shelves and cupboards were provided for more storage. Other displays included were the traditional Pare kitchen set-up, the bedroom set-up, storage for chopped firewood logs and drinking water in a big pot .

01


PORTFOLIO SKULLS OF ANCESTORS: 300 X 300 mm softwood timber cabinet with a glass cover for the artifact

ARTIFACT DISPLAY: Free standing artifacts and sculptures

50°

1,735

1,735

R

47 7

230

7 47

DISPLAY: Wood and various grain storage cabinets

5 E-0

E-0 6

KITCHEN SETTING: 450mm high, wall mounted mud stove with hanging related utensils display

2,49

E-04

5,724 900

5,724

660

E-0 6

C

350

2,100

Wall Displays/ Photos and Framed Murals, (see elevations)

350 E-01

E-02

E-02

1,440

E-01

2° 17

800mm high, hardwood timber artifacts display shelves

C

A

Wall mounted Sculptured Art Display

47 7 GROUND -0.30

WATER STORAGE: 450mm high, wood log chopped, levelled and polished to support a large clay pot

5 E-0

350 160 150

2,800

Artifact

BEDROOM SETTING: Traditional/ historic Pare beds and typical bedroom arrangement

0 2,39

0

2,000

Mafiga stove setting Display

3,000

950

2,490

E-03

E-04

45°

45°

E-03

Sculptured Art/ Display shelves

no

A

7 47 828

1,569

2 1,07

Jo

28° ENTRY VERANDAH

D

0.00

5,322

Sc

D

Jo

TOP Floor Plan BOTTOM Aerial view of the museum

STANLEY | Paulina-Shari

02


BOTTOM Cross section

350 DECRA TILES ROOF FINISH 50 X 50mm TIMBER PURLINS 100 X 75mm TIMBER RAFTERS 75 X 50mm TIMBER STRUTS ROOF APEX LEVEL +5.85m

150 X 100mm TIMBER TIE BEAM 150 X 100mm TIMBER WALL PLATE 50 X 50mm TIMBER CEILING JOISTS

100

165

Downlighters

400

850

860 300

PLINTH LEVEL 0.00m

35 30 30 75 220 216 220

35

2,400

2,700

2,100

675

285

LINTEL LEVEL +2.40m

300

ROOF BASE LEVEL +2.80m CEILING LEVEL +2.70m

365

GYPSUM CEILING FINISH

GROUND LEVEL -0.30m

450 X 450X 8mm STONE TILES FINISH 150mm OVERCAST CONCRETE SLAB DPM LAYER 50mm SAND BLINDING LAYER 150mm WELL COMPACTED HARDCORE WELL COMPACTED EARTH

03


400 400

PORTFOLIO

Notes

Revisions

1,840

no. date

3,100

Revisions

860

860 860

75

35

220

30

ELEVATION 01

860

35 30 30 30 35 206 75 230 22035 206 230

3,100

1,840

no. date

ELEVATION 01

800

Client

Client

Consultan 800

ARQE

AR CH ITE

P.O

E-M

ARQE

Job title:

2,100

3,100

1,340

Consultan

AR CH ITE

P.O

Job title:

2,100

3,100

1,340

PR E-M CH

960

Drawing T NotesPR 300

CH

1 Scale Drawing Notes T Date A

960

700

ELEVATION 02

300

Job No.

Job No.

275 625

300

3,100

Revisions

2525 750625 25

700 750

300800

400 800

1,800

300

300

no. date

1,800

3,100

1 Scale Revisions Date A no. date

25 700 275

ELEVATION 02

400

700

ELEVATION 03

ELEVATION 03 400

Client

Client

400

Consulta

ARQ

AR CH IT

1,800

P.

E-

Consultan

3,100

ARQ Job title: AR CH IT

P.O

3,100

1,800

PR E-M C Job title:

900

Drawing T PR

Scale Drawing T 900

ELEVATION 04

C

Date

Job No.

STANLEY | Paulina-Shari

04

Scale

1


EDUCATION IS A CLIMB PROJECT: LOCATION: YEAR: STATUS:

Students Auditorium Ardhi university, DSM 2018 Final Year Dissertation The project is a continuation of my final year dissertation. The research aimed at exploring various ways in which building materials amongst other things can be used in defining timeless beauty of buildings. The design recommended the use of raw-unrefined materials such as concrete, blocks and timber along with curvilinear forms and shapes to accentuate the beauty of this timeless design. Use of naked materials for an institutional building will require less maintenance in a span of time and ages with character to become more beautiful. The use of reinforced concrete from the base all the way up as a structural system, thus meaning primary education is the foundation of all knowlege. At the middle level, use of the combination of both concrete and blocks. And on the upper level and front entrance employs the warm and vibrant timber struts and columns to complement the brutal concrete texture symbolizing the ceremonial University knowledge.

05


PORTFOLIO

TOP Floor plan BOTTOM Cardboard model

STANLEY | Paulina-Shari

06


TOP View of the entrance RIGHT View of the timber struts for ventilation BOTTOM Cross section

07


PORTFOLIO

Front Elevation

Right Side Elevation

Left Side Elevation

Rear Elevation

STANLEY | Paulina-Shari

08


RHYTHM THROUGH SPACE AND TIME PROJECT: LOCATION: YEAR: STATUS:

House of Music Masaki, Dar es Salaam 2016 Design Studio The client,Tanzania House of Talent (THT), wanted a facility that celebrates the history of Tanzanian music through diversity. Ngoma - a Swahili word meaning drum, is the oldest and most commonly used musical instrument in Tanzania. The two drums symbolize the common musical instrument used by all people in Tanzania throughout history. Over the years, music in Tanzania has evolved from ngoma, traditional music vastly practised in different ways by all tribes to bongo flava music. With all this evolution throughout time, the Ngoma remains an embraced instrument and tradition. The approach to the concept was to have three building blocks; two drum inspired buildings which are a theatre and studio block. In between the two, an administration block marking the transitional phase from the old traditional music to the new bongo flava music. Materials poposed for this structure was cladded steel truss system to support the roof, timber and glass on the drum facade to enable clear views in and out of the building. and on the centre adminstrative building used concrete frames structure with blockworks.

09


PORTFOLIO

TOP Axonometric view RIGHT Front facade showing the cladded steel truss structure BOTTOM Floor plan of the studio and theatre respectively.

ELEVATION 3 1,864 1,594

24,603

29,938

1,864

C 12,693

3,465

8,2 72

BOX OFFICE

MASTERING ROOM

-150

±0

-2000

S-01

-900

32,903

10,317

STAGE

AUDITORIUM

ENTRANCE

34,760

S-01 25,386

34,490

S-01

22,127

4,114 ±0

8,050

ENTRANCE

11,615

36,598

-150

38,500

3,390

-300

LOBBY

MASTERING ROOM

LOBBY

4,600

6,52 4

6

ELEVATION 2

3,4 65

3,4 65

±0

LOBBY LADIES +50

9 ,02 38

35 5,3

00 1,0

VOCAL BOOTH

23 ,6 35

5,4

00

LIVE ROOM

6 6,58

GENTS

+50

S-02

DRESSING ROOM

1

5,400

J

DRESSING ROOM

STORE

EXIT

5,5 86

1,000

-300

35 5,3

16 ,4

145

AIR LOCK

15 1,7

-300 1,743

5,3 35

2,3

F

19

G

3 5,81

1,571

5,485

00

145

5,485

CONTROL ROOM

00

3,78 0

59,830

36,407

E

EXIT

+50

MACHINE ROOM

VOCAL BOOTH

1,729

D

9

MACHINE ROOM

+50

LADIES

LIVE ROOM

9,885

GENTS

-300 14 ,87 5

14 ,20 0

EQUIPMENTS STORE

3

2,3 1

145

1,758 150

VOCAL BOOTH

VOCAL BOOTH

3,780

ELEVATION 4

-300

16 ,92 4

3,7 15

A

CONTROL ROOM

S-01

1,55 6

86

4

-300

AIR LOCK

65 3,4

1,0

1,753

65 3,4

5,426

5,5

S-02

40

5,196

96 5,1

39 9,0

145

1

5 3,46

2,321

1,629

1 2,96

152

,6 21

1,553

B

5

10,773

48,656

I

H

2 1,754

26,367

1,886

2,075

35,900

2,075

ELEVATION 1

STANLEY | Paulina-Shari

10


BREATHABLE IN THE CONGESTED CITY PROJECT: LOCATION: YEAR: STATUS:

Mixed-Use Apartments Msasani Peninsula, DSM 2017 Design Studio Situated at the Msasani peninsula, this site is exposed to a beautiful scenic view of the Indian ocean and the public park across the street. To harness these views, the design had to be permeable. 4 units ech floor connected by courtyards with an atrium, surrounding balconies in all facades to allow for ventilation and maximum views. Being near the ocean, the building layout channels air circulation through cross ventilation pressured by the tunnel effect caused by the courtyard aperture partially covered by the spaced timber fins on every facade. Vertical ventilation and natural light is enabled in the building through the use of continuous atriums in all the floors which are covered by a skylight to allow in light. The courtyards in the design also serve as interactive oasis for the people living in the building or passing by the stores as well as a roof garden for kids to play.

11


PORTFOLIO

TOP Roof plan showing the atrium and garden play areas BOTTOM Axonometric view of the building

STANLEY | Paulina-Shari

12


THE NEW INTO THE OLD PROJECT: LOCATION: YEAR: STATUS:

KAMBONA HOUSE Goba kwa Ulomi, DSM 2017 Renovation/ Extension This was a renovation and extension project to an existing house. The challenge to this project was introducing a modern design to an already existing traditional Swahili house located on a gently sloping terrain. The extension comprised of a double height foyer, study room, public toilet, living room, kitchen and store on the ground floor, a garage on the sub-basement floor and on the first floor, two self contained bedrooms and a sitting lounge. The approach to the design emphasized on outdoor living with an extensive allowance to a number of verandahs and balconies to suit the warm humid climate. Size and location of the windows ensures cross ventilation for cooling the house.

New Extension Existing House

13


PORTFOLIO

STANLEY | Paulina-Shari

14


EVERYTHING ORGANICS PROJECT: LOCATION: YEAR: STATUS:

Organic Grocery Store Masaki, Dar es Salaam 2018 Completed- Furniture Installation In this design and build project, the client requested for design and installation of furniture pieces in her organic grocery store. Being on a low budget, the approach was to use recyclable softwood timber.To achieve the theme of the store, the materials were used as raw as possible to look, feel and smell as timber in order to maintain a warm and friendly environment. The design resulted to five furniture pieces which allowed for a number of uses; carrying, displaying, hanging and storing varying products from vegetables to grains.

15


PORTFOLIO

STANLEY | Paulina-Shari

16


STANLEY | Paulina-Shari May 2021


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