British Art Studies

July 2018–June 2019

British Art Studies, Issue 9: August 2018

Articles

‘The Alma-Tademas’ Studio-Houses and Beyond’, an introduction by Elizabeth Prettejohn and Peter Trippi

‘What Do We Want from Artists’ Houses?’, a reflection by Christopher Reed

‘The Resistant Materiality of Frederic Leighton’s Arab Hall’ by Mary Roberts

‘“A Door of Hell”: Thresholds, Crisis, and Morality in the Art of Gilbert and George in the 1970s’ by Gregory Salter

Features

‘Laboratories of Creativity: The AlmaTademas' Studio-Houses and Beyond’, a Conversation Piece coordinated by Elizabeth Prettejohn and Peter Trippi

‘The Atmospherics of Leighton House’, a Cover Collaboration with Jonathan Law and Mary Roberts

British Art Studies, Issue 10, Landscape

Now: November 2018

Articles

Introduction by Mark Hallett

‘Landscape Then and Now’ by Tim Barringer

‘Fire-Stick Picturesque: Landscape Art and Early Colonial Tasmania’ by Julia Lum

‘Paul Nash’s Geological Enigma’ by Anna Reid

‘Re-Illuminating the Landscape of the Hoo Peninsula through the Medium of Film’ by Anna Falcini

‘On Place and Displacement: Benjamin Henry Latrobe and the Immigrant Landscape’ by Julia A. Sienkewicz

‘Liquid Landscape: Southam, Constable, and the Art of the Pond’ by Stephen Daniels

‘The Anthroposcenic: Landscape in the Anthroposcene’ by David Matless

‘Landscaping Islands: Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art’ by Gill Perry

‘Outside In: Reflections of British Landscape in the Long Anthropocene’ by Mark A. Cheetham

‘Lines in the Landscape: Ruins and Reveals in Britain’ by Corinne Silva and Val Williams

‘The “Connoisseur’s Panorama”: Thomas Girtin’s Eidometroplis (1801–1803) and a New Visual Language for the Modern City’ by Greg Smith

‘1973 and the Future of Landscape’ by Nicholas Alfrey

Features

‘Landscape Now’, a Conversation Piece coordinated by Alexandra Harris

‘Gardening the Archive’, a conversation between David Alesworth and Hammad Nasar

British Art Studies, Issue 11, Theatres of War: March 2019

Curated by Grace Brockington, in collaboration with Impermanence, with contributions from Ella Margolin and Claudia Tobin

Virtual Exhibitions

‘Performing Pacifism’ curated by Grace Brockington

‘Inspirations’ curated by Grace Brockington

‘London's Little Theatres’ curated by Grace Brockington and Claudia Tobin

‘Beyond London & the War’ curated by Grace Brockington

Film

The Ballet of the Nations, a film by Impermanence

Interviews

‘Making The Ballet of the Nations: Costumes and Production’, an interview between Ella Margolin and Pam Tait

‘Making The Ballet of the Nations: Composing’, an interview with Robert Bentall

‘Making The Ballet of the Nations: Directing and Choreography’, an interview with Roseanna Anderson and Joshua Ben-Tovim

‘Making The Ballet of the Nations: Cinematography’, an interview between Ella Margolin and Jack Offord

British Art Studies, Issue 12: May 2019

Articles

‘Transatlantic Transactions and the Domestic Market: Agnew’s Stock Books in 1894–1895’ by Barbara Pezzini and Alan Crookham

‘Whatever Happened to Delia Derbyshire? Delia Derbyshire, Visual Art, and the Myth of her Post-BBC Activity’ by David Butler

‘Letters from the Home Front: The Alternative War Art of Robert Colquhoun and Robert MacBryde, 1940–1945’ by Sophie Hatchwell

‘Cumbrian Cosmopolitanisms: Li Yuanchia and Friends’ by Hammad Nasar

Features

‘1964: A Year of Exhibitions’, an Animating the Archive feature by Stephen Bann

‘Delia Derbyshire: The Myths and the Legendary Tapes’, a film and interview with Caroline Catz

‘The Kitchen Sink Too’, a Cover Collaboration with Abi Shapiro

Vernon Lee, The Ballet of the Nations: A Present-Day Morality, with a Pictorial Commentary by Maxwell Ashby Armfield (London: Chatto & Windus, 1915).

Cover design by Maxwell Ashby Armfield. Image courtesy of Chatto & Windus, Penguin Random House UK and The Estate of Maxwell Ashby Armfield